*GRABBING YOU* HEY. HEY LOOK AT ME. SHURO DOESN'T HATE LAIOS FOR THE SAME THINGS HE LOVES FALIN FOR OKAY? OKAY? IT'S IMPORTANT TO ME YOU KNOW THAT ALRIGHT. IT'S IMPORTANT YOU KNOW LAIOS AND FALIN AREN'T THE SAME JUST GENDER SWAPPED ALRIGHT? Shuro hates (hates a strong word for it honestly but it's the simplest to use) Laios because he himself was raised to know and rely on subtle social cues and etiquettes that Laios doesn't pick up on while doing the opposite: being very outspoken and unknowingly making things awkward in some situations. THATS WHAT SHURO HATES. We see that Falin while still very weird in her own right is much more conscious of peoples feelings and social cues which Shuro appreciates.
SHURO DOESN'T HATE LAIOS FOR LIKING MONSTERS AND WEIRD THINGS AND LOVE FALIN FOR THE SAME HE HATES LAIOS BECAUSE HE DOESN'T RECOGNIZE THE ONLY WAY SHURO KNOWS HOW TO COMMUNICATE BOUNDARIES AND SHURO IS BAFFLED BY IT CONSTANTLY.
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These are highly subjective interpretations but to me Jadzia and Seven are two (opposite?) flavors of gender indifference:
Jadzia: gender depends on what's funnier in the moment/what allows her to commit further to the bit. Always aware on some level that she's putting on a show and she loves it, especially if other people get confused. Not her job to explain! Figure it out yourself!
Seven (Voyager edition): wants OFF this ride, it's already a concession that Seven is using I/my/myself pronouns instead of we/us/ourselves, why is being an individual tied so closely to gender in the first place. She/her is, for the moment, just the least exhausting option when interacting with others among pronouns that all feel alien to her
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What are Carma's and Sidus's pronouns?
Sīdus' pronouns are he/they (tbh i feel like he doesnt care abt gender/what you refer to him as))
Carma's are he/they/it but they dont even realize/ know or understand what pronouns are. but if he did/ after a ton of internalized and stunted emotions come to the surface they might experiment with she/her pronouns
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This is hyperspecific but one of my favorite accidental tropes is a thing I've taken to calling 'occam's trans twin'.
It's very specifically about media that has a set of clearly identical twins except for the fact one is a woman and one is a man. In theory, yeah, there might be some weird worldbuilding or magic shenanigans or whatever that would allow for a set of identical twins of different genders, but it's just simpler to assume one is trans instead of bending over backwards assuming nonexistent authorial intent otherwise.
Extra funny points when it pulls the sister trope, the 'schrodinger's trans twin' in which both twins have the same amount of trans vibes that, until proven in canon, they could both potentially be the trans one. They both are the trans one and not the trans one at the same time.
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i can't decide which i like more:
the idea - very much canonical and in the author's original concept and view of magic - of the dark arts taking a toll on one's exterior and looks. tom riddle sacrificing his beauty willingly in the name of eternal life, black magic as something that innately corrupts. bellatrix escaping from azkaban with the barest vestiges of her ancient beauty. going from one of the most beautiful women in england to a shell of her former self and no amount of dark magic being able to fix it. and she just. doesn't care. goes from pretty, proud and vain in her youth, to the feverish, fanatical glow harry sees in the department if mysteries. finally she sheds the petal of the rose - look like the innocent flower, her master had once said - and only the thorns remain. the parallel with voldemort himself. the idea that they like each other better now, the only ones to like their respective new appearances better. bellatrix because she can taste the power radiating off him, because she knows how resentful he was of his old face. (oh, he's never said anything explicitly, he would rather be flayed alive than speak of his filthy muggle father to her, but she knew he didn't like himself, took no pride in his aesthetics, it was most unusual, really.) the dark lord because he's reminded of her sacrifice - she was the only one who didn't denounce him, who tried to find him - every time he looks at her. she gave up everything for him: her reputation, her family, her freedom, her health, her beauty, her youth.
or.
the horcruxes are an isolated case. not all prices to pay for power are physical. some dark magic sucks at your humanity, your emotional regulation, your empathy and gives back superficial little gifts. its roots are far from the deep anger, desperation to cling to life of an horcrux. these are ancient witches' remedies to be the most envied in the village. the idea that rotten cores hide behind the prettiest faces. and bellatrix was always vain, always took immense pride in her beauty, her black, pure features. when she escapes from azkaban she tries everything in her power to be herself once again. she still drips with obsession but gradually regains all of her beauty too. cruel people can still be beautiful. gorgeous people can still be inhuman. and yet there is something so human about a woman making her way through the ranks of a very militarised group and still caring so much about what she looks like, still having insecurities, being preoccupied with mundane things like age and decay - and hating it because he would hate it, he hates weakness, and still not being able to help herself. the dark lord was always a collector of shiny things, was he not?
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Can you draw Kazui teaching Haruka a magic trick please
I didn't know which kind of magic trick you wanted, so I hope both of these are okay hehe thank you for the very cute idea
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people hate shuro for telling laois he had beef but like guys that scene is when laois admits that his party accidentally turned falin into a draconic monster. Also tbh ik shuro doesn't state this as his issue but if a guy i knew for ages consistently fucked up my name i'd have beef with him too. ALSO he literally does care guys he gives laois that bell
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One thing I find weird about visibly transitioning is realizing that while you as a human haven't changed in regards to personality or what have you, people's perception of you has, and sometimes that means you'll be treated differently.
I've noticed that as I become more "visibly" male to people, they are much more willing to say that I am "aggressive". Oftentimes, I'm not even doing anything out of the ordinary, I'm acting like I always have, and to be honest, people don't say how I'm being aggressive. It's really jarring because I haven't changed - my personality is the same. But I think what has changed is the fact that I am read as male doing the things I always have, so I'm treated with that lack of nuance.
I bring this up because it's an aspect of transition that can be very difficult, and even dangerous. I wonder, if I'm being seen this way, how are other trans people being seen? These things are important to consider because it can compromise our safety
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I love the idea of it being maybe a couple of days after the Captain has died, and he has gotten over the intense initial shock of being dead and the subsequent freak out that follows it, and he has reverted back to just being ‘the Captain’ and trying to make some order of his existence and keep himself busy, and presenting himself to the other ghosts as a ranking officer and their leader, and he has a little speech, and one of the ghosts makes a remark about some weird or wacky thing that they did or do, or suggests something unusual, and Cap is immediately horrified and just exclaims ‘but that’s not proper behaviour!’, and all the other ghosts just scoff a bit or kind of ignore him, but Fanny gives an approving noise and says ‘quite right, Captain!’, and basically them just becoming quite close quite quickly due to their love of rules and order and ‘proper’ behaviour.
Just Fanny finally finding another ghost who understands her and agrees with her and her constant adherence to the strict rules she was forced to follow when she was alive, and the Captain finding in Fanny a person who understands and appreciates his need to maintain his status as Captain and find a sense of order within the madness.
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