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#but at a certain point you just need to accept that something isn't perfect and that people are going to like it anyway
yandere-paramour · 2 days
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How would Atalanta react to a darling that point blank refuses to have kids? Especially after the talk with her father. I mean, darling refuses to continue the cycle, and it will end with her and Atalanta. Like no amount of punishment changes, darlings mind on the matter. I can imagine Atalanta being so confused since she sees nothing wrong with her behavior.
On a separate note, I would have kids with Vivien he over here winning the best father award, lol. It probably doesn't matter, but I just imagine how indignant Atalanta would be like you will have his kids but not mine.
Oh my gosh, I can't even imagine how pissed and bewildered she would be. "You would rather have this rowdy boy give you children and not her? You are aware he does not have money nor education nor ambition. He cannot give the child a life like I can." She would absolutely insist she's not throwing a tantrum but her face is red and her fists are balled and she's two seconds from stomping her foot like a toddler.
Atalanta would be deeply, deeply hurt that you do not want to raise a child with her. She really, really needs an heir, and... she loves you, she wants to raise a family with you. She does not see anything wrong with her behavior, this has been her entire life. To her, it is perfectly acceptable to love obsessively, to cherish and adore your partner to the point that you are willing and able to kill for them, to love your spouse enough to correct their behavior so that they can be happy with you. According to her, her parents have a perfect relationship and she wants to be just like them (except gay).
But... this is something different. This is not something she can punish away, and she can see it in your eyes that you're not backing down. She cannot make you compromise if she wants you to be happy. And she does, she wants you two to live in marital bliss and for you not to resent her. So she won't force you on this.
It isn't too bad. She would not have done the bulk of the child-raising anyway, and she's certain she saved a lot of time, money, and effort by not raising someone. But she still needs an heir, even if you don't want to raise one. Her father had siblings; if one of them has a worthy daughter she can mold into a cutthroat mogul, then problem solved. If not, Atalanta will simply use her endless time and resources to find a worthy girl. She'll place the child with some trusted people and direct her raising from afar, thus fulfilling your request not to have a child yourselves. She'll pay for a top-notch education, provide instructions for proper business acumen and moral compass, and ensure the girl knows exactly who she is, who she will become, and what she's meant for.
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chaosxcrushed · 24 days
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There's a certain CCCC summary video that we really, really like. We think it is a great video for people if they want to grasp the story more clearly, if they're confused, or if they're listening to the album for the first time.
That video being Chonny Jash and the Weight of the Mind on Youtube by W3tBl@nk3t. We think they cover it really well.
However, I'm sharing this for a different reason; they say few certain things that really struck with us until now, that I'd like to share with the fandom. Sometimes, we see people really just.. Miss the point of CCCC entirely, and I'd like to shine a light on what was said here. If you'd like to hear this for yourself on video, the timestamp is 35:57-36:45.
“..I bet we all could relate to that, they are the prime example of the side of you that suffers and the side of you that hates yourself for suffering:
The side of you that just wants to slow down and feel everything even to the unhealthy extent of not being able to do anything else(1), but also the side of you that so desperately wants you to get over it(2).
Sure, laying in bed all day every day to rot isn't healthy, but neither is boiling things down and invalidating your own emotions. Both are paths to inevitable disaster, and that's what Chonny is doing here. Keep in mind that the idea behind this album is being whole, and that means neither of these sides are entirely in the right or the wrong; this album is about inner compromise and acceptance(3).”
1.) The side of you that suffers; Heart. He is representative of Whole's emotions, he holds them. Your emotions can go haywire, especially when one's mentally ill and has no way of their feelings being validated. An emotional person like Heart suffers under the weight of crushing, devastating feelings. He wants to feel things out, have time to just process everything, even if it takes them days or weeks to get over it. It's not healthy, but feeling is what he does, and he wants to help because he knows he has importance. Solely focusing on just your emotions isn't the best thing to do, however.
2.) The side of you that so desperately wants you to get over it; Mind. Many people have been there, have wanted themselves to stop wallowing in their own emotions and just do something else, even to the point where you think feeling things out is unnecessary. This is also unhealthy, but not intentionally. Like Heart, Mind just wants to help, everything he does is in best interest. This is what he thinks will get them to move on the quickest; to leave behind emotions and focus on anything BUT that. Also not the best thing to do.
3.) This album is about inner compromise and acceptance; About being whole. Neither of Heart and Mind are right nor wrong. They have their own ways of doing things, of what they think will help their whole self out the most, but both are unhealthy despite the good intentions. They fight over who's wrong or right, when they shouldn't even be doing so in the first place. It's your thoughts against your emotions, basically; your feelings contradict your thoughts, and it leads to an inner war of sorts. This won't make things better, which is why you can't have Mind over Heart or vice versa; you'll need both of them. In the album, they are only able to be whole when they get along. They harmonize, they 'combine', they see eye to eye with each other and work together instead of fighting over and over. Inner compromise is achieved with this, and acceptance can lead them away from any disaster that there's to come.
What we're trying to say is that mental health is a large thing tackled within CCCC, and yet we see a lot of people who overlook it; thus, end up missing the point of the whole album. We see a lot of people believe Mind's perspective a little too much and treat Heart quite harshly, or the other way where people demonize Mind and say that Heart is perfect, when it's not really that in the slightest.
This is not a hate post towards people's interpretations of CCCC or how they view characters, I'm just saying that people can tend to overlook what's in the very narrative, and we see a concerning amount of people do such.
Anyways. Stream CCCC and put your Hearts and Minds in the get along shirt. Have a nice day.
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gingerjolover · 2 months
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I need jb riding my strap for Valentine’s Day 🫠❤️💗
OOOOOH BABY
this one is SO highly requested, and ive got some opinions
shall we take a blurb-esque journey together?
RPF smut under da cut, minors gtfo<3
there was no specification for reader but i think this could be soft!gf reader or even masc!reader bc realistically i think you're getting treated like a princess on valentines day
i do think jules has certain feelings about v-day like maybe the capitalistic affects on holidays riddled with consumerism
but she also will use ANY excuse to spoil you
so vday could be a day where jb literally just does whatever you want, like you wanna go to the aquarium? you bet your ass she's taking you to the aquarium. movie marathon? oh babe, she's on it and has snacks and drinks and the living room all cozy and decked out
depending on how long your relationship has been going on for or even if its relatively new but maybe it' your first vday together, its clear that jb is a GIVER
like she would literally rip the moon from the sky and give it to you kneeling down holding it on a silver platter for your taking
but the one thing that you really want is to give back to her
and there are plenty of things that you can do for jules, she strikes me as a "just wanna be in the same room and breathe the same air" kind of lover
like after a long day you washing her hair, giving her tense muscles a massage, rubbing cuticle oil on her nails and giving her hands a massage with some nice lotion, "coloring" in her tattoos, or even just giving her a long hug or cuddling and pressing kisses to her skin are all acceptable physical means of compensation for what she does for you
but she doesn't ask for things, especially during sex
she strikes me as someone who isn't quite stone, but maybe somewhere adjacent where like yes of course she wants to get off but she finds SO much pleasure in making you feel good that sometimes she doesn't NEED to
but you want to spoil her so after a really nice dinner or maybe a fun day at home, you're both snuggled up and on the couch or the bed and i think the approach might be a little different
soft!gf is definitely more timid when initiating sex, not like timid like shy but more passive? like jb knows your body better than you do practically and she knows by the way you squirm that you want her to fuck you
regardless, i think jb's perfect starting point is her being able to make you cum at least once with her mouth/fingers OR a combo
like thats a starting point, it can only build up from there but to her that is the best way for her to gauge where you're at and its a good spot for her to be (girlie LOVES to be between your thighs, she eats like she's never eaten before i will die on this hill)
and jb will usually kiss up your body afterwards, her wet chin and lips smacking kisses on every part of your skin
the little fucker loves to press her lips to yours, mumbling against your mouth, usually along the lines of "tastes good, hm?", moving away from your lips and pressing kisses on your face, her brown eyes twinkling mischievously
and usually your hands in her hair as she makes her way down, tongue and teeth teasing a nipple, sucking hickeys into your chest but tonight you tug on her hair gently
she looks up, lips all puffy and pink, baby cow eyes blown out with lust, "what're ya rushin' me for?" or something comes out of her mouth, her lil southern twang making an appearance
and you're like, "the strap," and she's smirking, thinking you're being needy and she tries to dive back in, "be patient..."
"no i- i wanna use it on you," tumbles out of your mouth, confidence skyrocketing from your first orgasm
and she looks like a deer in headlights being like, "huh- w-what?"
and all it really takes is you whining a please, before she's helping you adjust it on your body
i feel like soft!gf has very little experience actually wearing the strap, maybe masc!gf has more experience despite jb being the giver in the relationship
either way jb is sitting lowkey awkwardly, her cheeks are a pink mess or she's doing that eye thing where it's kinda giving side eye
"we don't- i don't have to do this jay, i can just use my mouth," you say, making sure she knows she has full control
and she's stammering like, "what?! no i just-"
"what baby?" you ask her so sweetly, running a hand through her hair, and she's shaking like a fucking leaf
"if you keep looking at me like that with that, thing, on you i'm gonna cum," she says quickly, hella embarrassed that just you kneeling on the bed with it is doing something to her
it's honestly a blur but next thing you know jb is on top, riding the strap, your hands on her hips
and she talks about you being whiny.... biiiiitch she is the WHINIEST mf ever on the strap okay
she literally can't form coherent words, her forehead is glued to your shoulder, her breathing heavy as her hands press on the bed next to your head
you have to encourage her to keep going, truthfully she doesn't have a ton of rhythm, like the way she moves her hips is sloppy because she's feeling more than just the base of the strap on her clit like she would normally feel
i think you'd adjust slightly, pushing her up gently and thrusting upwards and she would damn near shriek
it takes a lot to get her worked up sexually, she's the dirty talker when she's domming you but she has no words, just little mumbles and whines and whimpers and they sound so pretty you can't help but patronize her just a bit because she does the same to you but a million times worse casually
"doing so good jay," you'd breathe out and she's about to lose it
poor jb's literally leaking all over the base of the strap like she can't help it
and when she cums she literally squeals and you have to stifle a giggle because her face is buried into your neck
she moves in to overstim territory pretty quickly so you kinda move her off of it and pull out which she does not like and she kinda huffs when you do
and then you pull out all the stops
lots of kisses, warm cloth, ice water through a silicon straw (she likes to bite them this is my hc another hill i will die on), words of affirmation and praise and then a nice soak in the tub
i wouldn't say she's in subspace but she is kind of in a haze until she's laying with her back against your front in the tub and its almost like she sobers up
"you're in my spot," she grumbles, the grumpiness in her voice a result of absolute vulnerability
you just giggle, pushing her hair out of her face and kissing her cheeks
"we can switch" before she's scoffing like of course you were going to switch
there is definitely a debrief about how she felt, i think she can't quite articulate how much she likes it but its not going to be an everyday thing because as much as it felt good she feels more pleasure getting you off
*insert cheesy "happy valentine's day" exchange here* which julien engages in with an eye roll and a small smile before going into the history of western consumer driven holidays
and of course when engaging in pillowtalk, she does spitball some "new positions" that you could try if "you ever want to ya know, wear the strap again," and you're like.... "so you liked it?" with a smirk, and she's kinda playing it off before being like, "maybe for my birthday we could..."
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gffa · 8 months
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saw someone say "dickbabs is bad cuz they're written as a stereotype of smart nerd/dumb jock which is a disservice to their characters" and its so weird cuz i cant think of any comics where they're written that way?? like the best comics of them are the ones where they're working on cases together combining both of their strengths and resources to solve crime and theres plenty of those.
also i've noticed so many dickbabs antis have a problem with barbara's intelligence in general which is odd to me. esp when dick himself is never intimidated nor threatoned by it and its sad. its like ppl claim to like girlboss/malewife couples but then when there's actually a couple that displays that dynamic in a way that matters and isnt just based on appearance or physical traits its too much and they back out!
I just wish certain Dickbabs antis would stop putting their "why this other pairing is so much better than DickBabs" stuff in the #dickbabs tag, like you are not helping me think better of your competing ship with that kind of behavior, it just comes off as so desperate to be mad that other people like something you wish they wouldn't like. Otherwise, I don't really wander into spaces that aren't into the things I'm into, because I'd much rather spend my time yelling about why I DO love the thing I love, so in that vein, LET ME TELL YOU WHY I LOVE DICKBABS SO MUCH. (To be clear, it's perfectly fine not to like the ship or like it in a different way, we'll still get along fine! It's not the sum total of EITHER character's role in the comics, there's plenty to talk about them without getting into this relationship! I'm just not here for those who need to go out of their way to shove it in my face that they don't like the ship, but disliking it and staying in your lane--as many, many lovely people do! the majority I would even say!--is of course fine.) (To further clarify, I don't know the context of the original post mentioned here, it's not part of anything I'm speaking of, this is purely about trying to shove it in others' faces, not about how other people interpret ships differently from me while staying in their own lanes. So I'm probably not speaking about the original post whatsoever here!) For me, I think the heart of their bigger relationship is built on their mutual support for each other, that they each have established themselves individually and have their own books and their own time in the spotlight, but they keep gravitating towards each other because they're better and stronger and more fun together. That each of them gladly takes their turn being the support for the other, because that's what relationships do! And they do it with such love, like-- I love them because they've known each other so long that they really get each other, they get that the other isn't perfect, and they've made the choice to be with that person even when their issues have thorns. Like, I loved everything about their conversation in Nightwing #96:
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That is exactly what he needed to hear--she wasn't being cruel or dismissive of his issues, she wasn't even really being mean about the issues he picked up from Bruce, because she's right, Bruce does have some really shit traits that he passed on to his eldest. She's not saying that either he or Bruce are bad for it, she's just accepting that it's part of the man she loves and she'll cut through it with him because he's worth any effort it would take to be with him. I love that she laughs right in his face about breaking up, because that's not cruel or dismissive either, it's just Dick being ridiculous and sometimes it's part of his charm and they've always teased each other--the thing is, it's also always followed up with warmth and care, she asks him point blank, are you happy with me? Because you are allowed to be happy. I'm allowed to be happy and I'm happy with you, you're worth dying for, let's do this together. Or I love their earlier dynamic in the Batgirl comic as well, just after Bruce and Selina's failed marriage (this is before they got back together, like in the above):
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I love SO MUCH that Babs isn't sure that she necessarily wants a marriage any time soon, she doesn't trust yet that it could last, but what she does want is someone who would be there if she needed them, that at this point in time she feels like moments are all any of them are allowed to have, so what she wants is someone who will always answer when she calls. At this point, she's afraid to commit because she doesn't feel like they get that kind of thing, she's afraid of her own feelings, that really gets hammered in during the Death Knight storyline where they're fighting against the end of the world, the collapsing of the multiverse, and Bruce is tired of their bickering, so he tells them to just "skip to the end", which is basically, Dick wants to symbolically marry her, but she's afraid because she doesn't want her feelings for him to get in her way, she's terrified of losing him again:
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But he's there for her, he says that it's just for tonight, he can put it aside when they need to, and later he'll win her back. This is who Dick and Babs are to me--they dance around each other because their feelings are so intense and sometimes it feels like they're on different pages (Dick's a romantic who wants to get married someday and knows it, she isn't sure she wants marriage but something less defined), but then you dig into it a bit and realize they are on the same page, it's just that their costumed lives, the traumas they've both lived through, make them scared of that level of intensity. And that's why Babs being the one to say, once they're together, no, we're happy together, we're allowed to be happy together, is so important. It's why she refuses to not come along with when Dick is going to the founding of the Alfred Pennyworth Foundation and doesn't take his shit about trying to keep her safe in Nightwing #88.
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Because they take turns supporting each other, they take turns being the one to say I love you so much that I would fight the world for you, that they make each other stronger and shore each other up. Even before they got back together, they supported each other and were always there to listen, to joke around to lighten the mood, to just be a friendly ear without expectations of anything else:
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Plus, they are adorable when they're flirting:
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DICK'S IDEA OF A HOT DATE IS A NIGHT ON THE SOFA IN SWEATPANTS, EATING POPCORN, AND WATCHING THEIR FAVORITE SHOW. HE UNDERSTANDS HER, OKAY.
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Ultimately, I love them because sometimes she goes to him. Sometimes he goes to her. Sometimes she cuts through his bullshit with love. Sometimes he cuts through her bullshit with love. They're always there for each other, even when they're not together. They have a blast flirting with each other. They're both aware of the other being a hot mess sometimes, but they know that's part of the person they love and deal with it. They're partners.
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dez-wade · 7 months
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GODDDD OKAY Tubbo and Bagi are honestly like, the perfect people for Forever to become closer with BECAUSE they are very blunt and upfront. It's something I appreciate about Phil's friendship with Forever too like they're take no bullshit and will directly talk to him if there's an issue.
It's especially helpful since I feel like Forever struggles a lot when people are sarcastic with him in English or "obviously" not being truthful or not being direct since it isn't HIS language. Bagi speaks Portuguese too, and Tubbo also struggles with sarcasm and is usually quite straight forward which is something I feel like Forever needs since he's quite earnest and open with the people he loves.
He does just deserve so much more, and he DOES have so many good friendships that both him and his fans don't realize where the other person actually cares for HIM and HIS safety and happiness nd not his title as president. (Etoiles, Philza, Cellbit, Pac, Roier, maybe Tina, the other Brazilians, etc)
I knowww his character is just like that, far too forgiving and willing to accept the way others treat him but I need him to be friends with someone who won't take his shit but also won't let certain people walk all over him and call his one sided trust and loyalty "friendship". Just...I want him to be close with people who care for him and for him to realize just how many people he has who trust him and that being ganged up on and accused of horrible things because you dared disagree with ur "close friend" isnt Normal Friend Things
Sorry I think Forever finally realizing it's a duo, NOT a trio made me finally snap after months of watching him fight while feeling completely alone since he thought he only had those two who treated him with mistrust and actively tried to turn everyone against him and richas who was uninterested in having a relationship with him before being literally kidnapped
Ramblings about q!Forever and his friendships.
You made a really good point about Forever needing to have friendships that are more blunt and upfront. BBH likes to lie and gaslight for fun, Baghera does that too sometimes and Forever usually takes it as face value. Which is why he snapped on Bad and started talking Portuguese when he went all mockingly "it's sarcasm" when Forever didn't understand. They also do a lot of mind games that Forever wasn't even aware of.
People got mad that Forever never believes when BBH says something but that's because HE ALWAYS LIES. I think what happened now made sure that Forever will never believe BBH again, even if he tells the truth (that he only tells after telling 10 lies before) because it finally clicked to him that BBH will lie about everything because he can, even if there's absolutely no need to. He actually trusted BBH every time he said he didn't do something that he actually did (like the pranks on his base).
Having him get closer to people who are more earnestly like him, don't do mind games and are clear about what they're feeling is something that he definitely needs. It also explains why he has such a warped sense of what his friendship with Baghera and Bad actually were.
I REALLY wish he learned about what happened with his gun. What would have been just something small before, with the current situation, it would really enlighten him that is something that is always happening. For big, and small things.
I stop deluding myself that he'd cut ties with them for good, I just really need at least that he stops treating them priority and value his friendship with other people more. No matter who it is at this point, as long as it's someone who just earnestly likes and trusts him.
I always had people saying I want Forever to have a "yes-man" because I complained about BBH and Baghera never agreeing with anything that Forever decides to do. But they never supported him in any of his decisions. Like, I think the only thing they didn't complain about was N.I.N.H.O. and hell I think if Forever tried to come up with that idea today they would twist into the worst case scenario. And even then, after he was completing NINHO, I remember Etoiles tried to come up with an idea of having a council with the strongest members on the island so they could mediate between conflicts that could affect everyone like the Regret arc. Forever liked the idea and tried to tell Bad, who immediately twisted into the worst case scenario that they would be bullies that arrest people. So it's something that always happened, you know? Even before the election arc. They never trust him to make big decisions. It's something that made me appreciate insaneduo so much back in the election arc, because it was such a relief to see him speak with someone who valued his ideas, added to it, or just argued normally why it wasn't good.
I think the reason he's so forgiving is that he's trying to be his better self, since he wasn't a good person in the past, so he thinks he should be the bigger person and let people walk over him. I don't think he found a balance of what a good person that helps the people actually is. There's also the fact that at the end of the day, he's at a point where he truly doesn't care about anyone or anything besides Richarlyson and making sure that he leaves the island. That's why he can't even hate Cucurucho (despite obviously not liking him) even with the fact that he pretty much tortured him, because Richarlyson wasn't affected so he thinks it's not important.
I really, really wanted that Forever had someone at his side that didn't make him feel Richarlyson was everything he has. That if, God forbid, Richarlyson died one day he'd at least think he still has someone for him besides just dying together with his son.
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izzysillyhandsy · 6 months
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A cool death - Ed's theatrical, performative suicide
"You know, I thought I'd have a cooler death than this. Something like being eaten, eaten by a tiger, or massaged to death by mermaids, or… belly-flopping into a volcano."
It seems I'm not done analysing The Scene from S2E2. It is a wonderful scene, perfect for rewatching - the music, the lighting, the double meaning of the things being said and the things unsaid, and the way it almost feels unreal, artificial and staged.
This is Ed's arranged suicide and he is playing by his rules, expecting Izzy to go along with it (as per usual). And at first, Izzy responds to it.
It is obvious to everyone that Ed is a highly dramatic person who loves the fantastical, symbolism and storytelling; he has a rich imagination and loves to perform. With Izzy, this is more hidden (especially in S1) but in S2 it becomes clearer and clearer that, in that regard, he is not that different from Ed. Both of them creating Blackbeard (their greatest fuckery) is only one example. The Kraken and the Shark is another.
For almost their whole lives, Ed and Izzy have been performing, creating theatrical illusions of their preferred realities to keep them safe, in charge and help maintain a certain lifestyle. But these illusions also helped in covering up their weaknesses (Ed can't kill, Ed can be unstable, Izzy loves Ed far too much, they're incapable of letting the other go, etc).
So is it any wonder that Ed, at his lowest point and just wanting everything to be over with, views his own suicide as a form of fuckery? He needs someone to kill him (the no killing rule extends even to himself) and so he arranges reality in a way to make that happen.
And for Blackbeard, it can never be an ordinary, boring, basic death. His death has to be cool and pretty intense.
Luckily, he has just the right person for the job - the master of real, sincere intensity: Izzy, who would do anything for him, who'd play along and follow him right into the fantasy, who has been with him for so long that he'd just get it.
And Ed makes it completely clear from the start - "I had a dream about you last night. I dreamt that you killed me." - this is about Ed and how Ed wants to die, dreamt up to the last detail. He holds Izzy's gaze. "It was good for me." - please do this last thing for me. He softly touches Izzy's (ungloved) right hand while standing up and getting into position - "I was standing. Just like this."
Izzy, probably half delirious from bloodloss and pain, follows Ed's every move with rapt attention.
So, how does Ed arrange his death? How does he imagine his last ever fuckery, his last shared fantasy with Izzy?
The execution of a mythical creature
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Ed positions himself very carefully, at a good distance to Izzy and between Izzy and the stairs leading up to the door, with rays of sunlight coming from above.
From Izzy's POV, Ed must look like an angel ascending to heaven. Ed's posture and especially the way he holds his arms - almost a crucifixion pose - add to the impression. The sunlight frames him like a halo.
Contrary to the beginning of the scene, Ed turns his back to his executioner and calmly closes his eyes. He stands tall, proud and beautiful, accepting his fate with grace.
Perfect, beautiful and untouchable
Ed might be at his most beautiful and sublime in this scene. He is calm, dignified and regal. Izzy isn't granted the same status.
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While Ed is a statue of perfection, Izzy lies on a filthy bed below him, drenched in his blood and god knows what else.
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He's sweaty, his hair sticks to his face and his clothes are rumpled (and Izzy is normally so well groomed). His leather vest and even his omnipresent right glove are missing, as well as half a leg. He's so weak, he probably wouldn't even be able to sit up properly.
Also, in stark contrast to Ed, Izzy is almost hysterical. He's laughing maniacally, his face is contorted, and he's wildly emotional.
Ed is above it all, tragically beautiful and serene.
Surrendering to his fate
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Ed almost projects the image of a hero or a revolutionary being executed by an evil henchman. He's Ed here - not the Kraken or even Blackbeard. His fate is decided by Izzy, Blackbeard's first mate. I think in Ed's mind, it is fitting that the man who "egged Ed on" to stay in his Blackbeard persona finally kills him when he can't do it anymore.
When Stede left him, Ed returned to Izzy without any plan what to do next. When Izzy kind of decided for him (at least that what Ed tells himself I think) Ed realized that he couldn't be what Izzy wanted him to be any more. He escalated the Blackbeard fuckery to become essentially Izzy's worst fear and nightmare.
Now, at the end of it all, he's back to being Edward, Edward who just wanted to be himself. And the man who had controlled him for decades gets to execute him. One last time, Ed is at the mercy of Izzy.
It is a compelling fantasy.
And Izzy finally, finally decides to stop playing.
At the beginning, Izzy seems entranced, a little hopeful, nostalgic and maybe even elated (even if everythings fucked to hell, at least this Ed wants to share with him). But as soon as Ed gets into position and expects Izzy to act executioner to his theatrical, arranged suicide - he just can't do it anymore.
Izzy could never kill Ed in any circumstances, but this must have been like a slap in the face (or, to be as dramatic as Ed, a dagger through the heart).
Izzy destroys the fantasy by essentially treating Ed like a little kid - "Ooh, you scared, Eddie?" and "Clean up your own fuckin' mess". He's not playing the part Ed chose for him, this is not who he is.
Izzy is not Ed's executioner. He is not a maniacal puppetmaster. He's not a higher power and Ed's not at his mercy. Ed is not a perfect, untouchable mystical creature and Izzy is not a hysterical wretch.
When Ed leaves (slightly disappointed, but not surprised, maybe even grudgingly approving), Izzy kills himself. Without any fuckery, theatricality and without an audience.
With his trusted scene partner gone, Ed immediately abandons his dignified hero fantasy. He throws himself into his next fuckery - the deranged killer. I'm quite sure that one wasn't as meticulously planned.
But when Izzy inexplicably comes back, the tables have turned. Izzy, who has finally taken control over his part in their shared destiny, appears on deck in the midst of lightning strikes and thunder. Now it's Izzy who is calm, dignified and untouchable - a mythical creature himself. Back from the dead, indestructible, disarming Ed with an impossible shot.
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And Ed? Ed is visibly impressed. God I love those two. For the last time, Izzy is giving Ed what he wants, but on his own terms.
Finally, the crew kill Ed in the most dramatic way possible, in the middle of a fucking storm, on a ship doomed to sink with every soul on board.
Ed and Izzy can be proud - this was the most impressive fuckery of their lives.
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shinjisdone · 2 months
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So I've recently have been obsessed with the idea of an Yandere Self-aware video game character and how they'd mess with the game
Its mmmmmmmmm super specific but I've been thinking about Makoto Yuki from Persona 3 a lot ;.;
Like- uughhh imagine you've been playing the original P3, P3FES AND P3P like the FREAK THAT U ARE and Makoto knows you!! He remembers you. And now you're back again with Reload.
Spoilers for P3 and Makoto's character and arc but will be mentioning when spoilers end:
Makoto to me is like ✨perfect✨ because a character who canonically would not care about dying and being hurt but caring for others
And then realizing he is in a video game which gives him a sense of doom???
At the very end of each game, he is going to die. But at the end it also means nothing when you press New Game again.
He goes through his year in Iwatadoi and actually starts living and caring for others and himself. More for others since he is ready to peacefully sacrifice himself.
And then, it happens all over again. The same places, the same people, the same shadows and events and deaths.
You are the one causing all of this and he doesn't know what to think of it. He never really cared until he did but now nothing seems real? Should he care then?
Even if all these repeating steps still feel real to him and fulfill him? When he feels you guiding him to make the right choices, when he hears you being so immersed into the game?
It all means nothing in the end. But you keep coming back, the real thing. You bring him such fullfillness and bonds and even though it will all be severed, it will happen again.
He oddly looks forward to it. To living and dying.
So he looks forward to you.
END OF SPOILERS BUT GAME MECHANICS WILL BE MENTIONED:
Imagine Makoto just over time beginning to mess with the game either in favor to you or to build an connection with you too:
Makoto already knows what will happen. Story cutscenes will be done with quickly in a way that you won't notice. For him, it's just seperating the time he could spend with you.
Special characters such as Igor, Elizabeth and Pharos could have an hunch that something is off. The remaining cast would react a but differently when Makoto acts out-of-character but are ultimately coded to not care.
If certain items or personas are wanted by you, Makoto will rig the game to have those drop more often for you.
He cannot say many lines since he is not supposed to speak a lot. But small lines, like during battle, change slowly and seem to be more directed at you. Such things as "What shall we do?" and "I'll end this quickly, don't worry."
"I'm strong enough to take on the Reaper if thats what you want."
The UI will seem like it's staring right at you.
When in battle and you need a certain crit or whatever, Makoto will go on all out in his turn - especially when he hears you praising him ("Yo, go, Makoto! That's my boy!") It makes him melt.
Fuuka would then say something akin like, "Wow, our leader is on fire!"
This is another point that differntiates the others from you in his eyes.
You give him a name. He doesn't even know if it his real one but he feels so much more accepted than being called "leader" by the others.
They cannot THINK of an name. But you can.
Makoto will smile much more even at the beginning of the game. Characters will point out how odd it is but he will make sure to hide it quickly.
It's mostly noticable during idle animations but once he notices that you might be staring, he'll hide as if he were shy.
The many lyrical songs will have different meanings and words sung. Slowly you will note that this isn't Lotus Juice singing anymore but a completely, different and artificial one somewhat hiding behind the lyrics and whispering sweet nothings to you.
You may hear completely new songs that are bursting with love and romance (Color Your Night comes to mind)
Dialouge options also change more on how he REALLY feels. Knowing the best answer at a test (he'll give you a hint), dislike for an activity (but he'll do it for you), his real thoughts towards characters or jealousy when romancing someone.
("Riding out until the day I meet you,)
(I look up to the sky, asking lotta "Why?")
("I watch out for all surprises, what it provides us, ...n҉o҉t҉h҉i҉n҉g҉ u҉n҉t҉i҉e҉s҉ u҉s҉.҉"҉)
("You know you leave me in a trance, ͕͗i͕͕͗͗t͕͗ ͕͗m͕͕͗͗e͕͕͗͗a͕͕͗͗n͕͕͗͗s͕͗ ͕͗e͕͕͗͗v͕͕͗͗e͕͕͗͗r͕͕͗͗y͕͕͗͗t͕͕͗͗h͕͕͗͗i͕͕͗͗n͕͕͗͗g͕͗ ͕͗t͕͕͗͗o͕͗ ͕͗m͕͕͗͗e͕͕͗͗.͕͗") ("Always watching over me s҉o҉m҉e҉h҉o҉w҉, you make me feel invincible...")
Since you are a sane person, you of course dislike Kenji.
So when you have to drag yourself to his social links, Makoto will actually skip them while you can still obtain all perks. It's like you see Kenji's face as he suddenly looks shocked before the entire event is skipped. Makoto waits at the entrance patiently for you. He doesn't want you to suffer :(
In such intinces of romance however, Makoto cannot hold himself back. He usually goes with whatever you choose since he wants to make you happy but he has to draw a line when romancing characters/maxing out social links.
A part of him understands they are all game characters...but the more frequent you choose to romance, no matter in which game, the more anxious he becomes.
When you always choose one person, he wonders if they are your favorite and not him. The same when you choose others in other playthroughs and don't get me started in the harem routes.
And they are all females as well. Do you like girls? Only girls? How about him, can he have a place in your heart?
MAKOTO doesn't like Yukari, Fuuka, Aigis, MItsuru, Yuko or Chihiro...HE likes YOU.
So all of this 'dating' feels like lying to him. To himself and his feelings and especially to you...at first he can tolerate it all if it means it makes you happy dating these people.
But you shouldn't be liking anyone else anyway.
So after a while, he has had enough. Dating is done impossible in all the games now through a kind of 'glitch' or all social links will be immediately reversed. The moment you get a chance at an romatinc dialogue option, Makoto will promptly choose the thing that will ruin your chances - by letting out his TRUE thoughts.
"I know you dont like me, Yukari, so stop pretending." "I hate the way you are so clingy, Chihiro." "A robot can't care for people. Only real people outside of games can."
He will be at his most noticable then and might not hide himself from you anymore. He just wants to be with you and give him the feeling of being alive again and again and again.
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sandy-the-glader · 10 months
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George x reader (fem or gn you choose) so reader is the new neighbour, while they are talented too their parents didn’t make them work, got to go to college and have a somewhat normal life. However Lockwood & Co are the only people their age and they are lonely during summer so they decide to ask them if they want a hand (they are clueless on how agencies work) and Lockwood is so desperate with administration and/or stock deliveries he accepts. Reader starts working at Portland Row, never going on the field and while reader gets on well with Lucy and Lockwood, George is a bit more cold bc not only reader is treating this as a summer job, he resents reader for the opportunity of pursuing their studies and prob jealous of reader and their family next door. Too specific perhaps? Pick what you want but I need more George x reader 🫠🫠🫣
New assistant
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Character: George Karim × Fem!Reader
Type: fluff, tad bit of angst
Length: 3.2k words
Summary: (Basically the request above!)
Trope: Girl Next Door/Grumpy x Sunshine (I'm sorry i love George and this trope)
A/n: LONG A/N omg don’t worry about the ask being too detailed it actually helps me out a lot because I can just fill in all the details and this was the easiest one to write out of all my requests so thank you I really adore it! I did change a few things so I hope that's okay. Enemies to Lovers oneshot coming out soon (hopefully) also I’m so sorry this came out late I’ve been slacking big time!! Also if you guys wanna request for Gilbert Blythe from Anne with an E I would love it
"Hi." I greeted. "I'm Y/n the new neighbor next door and I just wanted to introduce myself and ask you something." I pointed with my thumb to my left referencing my house.
"Oh hello. I briefly spoke with your father this morning." He recalled.
"I apologize if he isn't the most talkative. My mother is the chatty one." I cleared my throat. "You're Anthony Lockwood right?" He nodded.
"Most people just call me Lockwood but please come in." He moved to the side. I stepped inside and the layout basically mirrored our house. It was very cozy and homey.
The walls were littered with artifacts it was almost like a mini museum to look at. It was really extraordinary to see. There was also a little bench and an umbrella holder mainly with rapiers in it.
He lead me into the living area and it was just as cozy as the hallway I sat in one of the chairs and he briefly excused himself. I looked around the room keeping my eyes busy.
I sat patiently just waiting for Lockwood to return. I heard some clattering in the kitchen then he soon came back with a sheepish smile playing on his lips.
"Sorry about that." He placed a tray of biscuits and tea in front of me. "I normally would have George do that part but he's out of the house at the moment."
"Oh, it's fine I really don't mind." I tried to calm his stressed mood. That's why I wanted the job. "So I overheard the other day that you needed an assistant? I was in need of a job so I was hoping I could help around here? Take some of the load off your guy's backs?" I asked nervously.
Since the houses were connected sometimes you could hear them talking in certain rooms. The other day is when I heard a male voice complain about needing more people and how there was never enough time for re-stocking salt bombs or preparing chains. I only knew so much about both items but I was sure willing to try.
"Ah yes, that would be perfect around here. We've all been working and we don't have time anymore for certain things." He chuckled. "Um, do you happen to have any talents? Just curious."
"Oh yes, I have touch and a bit of sight. I just never became an agent because I wanted to go to school." He nodded understanding the situation. "And my parents never forced it upon me. They always thought the business was too dangerous so..."
"Well frankly we really are desperate but you will get the same pay as George and Lucy. I want to thank you this will honestly be more help than you may think." I shook my head.
"It really is not a big deal I'm really in need of a summer job right now and this helps me too." Before I could elaborate the front door swung open and it revealed a pair arguing about something.
"No no no that's actually wrong!" The boy argued. I assumed that was George and the girl was Lucy.
"Please not in front of our guest." Lockwood gave them a desperate smile. "This is Y/n. She moved in last week." Lucy gave me a small smile and placed her bag by the entrance of the room. She walked over to me and shook my hand.
"I'm Lucy Carlyle. It's good to finally meet you." she looked at the other boy trying to tell him to introduce himself. He sighed as if I was causing him a problem.
"George Karim." He spoke before walking off.
"I'm sorry about him. He’s not good with new people." Lockwood apologized.
"It's okay! I understand." I let out a nervous chuckle.
The rest of the day was full of many things mainly the tour of the house/ where everything was located. It was a little nerve-wracking because I wanted to make a good impression and make sure I did the job right.
At the end of the day, Lockwood explained the times he wanted me here and when I could leave. Everything sounded good and maybe I would actually have a good summer this year.
As the sun started to dip down below the trees across from our houses, I quietly shut the door of Lockwood and Co easily slipping out of the house.
I pulled out the key and slid it into the lock. I opened the door and was hit with a pleasant aroma. Garlic, spices, it was some recipe I couldn't place.
"I'm home." I called out. I heard my dad in the kitchen and my mom was somewhere in the house. I filled up on tea and many biscuits over at the house so I wasn't exactly in the mood for something to eat. I slipped off my shoes and went up the stairs to my room.
-
Walking into 35 Portland Row the next day there was already chaos. Lockwood was running around searching for his tie, George was complaining about tea and Lucy was yelling about chains.
"Lockwood!" I got his attention and he slowed down a little bit. "I'll help you find your tie okay? What's happening what's the rush?"
"We have to talk about a case with a big company in 15 minutes, we woke up late and we were not prepared. They wanted to see our equipment and-"
"Hey. Again I'll find your tie, I'll pack up some salt bombs and flares. Slow down it's gonna be alright. You hired me so you wouldn’t be stressed.” He nodded and gulped lightly.
I made sure to stop by the kitchen first to see George in distress about how they somehow had absolutely no tea in the house.
“Hey you can go get ready I’ll be sure to pick up some tea later.” I proposed to George. He hummed as if not to care and walked out of the room. He has been so difficult already and I haven't even known him for 24 hours.
Lockwood’s tie was in the kitchen on one of the chairs. I snagged it and headed down to the storeroom. Lucy was a stressed mess going through chains and trying to go through flares at the same time. "Lucy." I interrupted her thoughts. "How about I sort and oil chains for you guys and I'll take care of the supplies. Go have a quick breakfast, George and Lockwood too.”
She sighed and briefly hugged me.
"Thank you."
"Yeah of course!" She quickly ran out of the storage room and I heard her head up the stairs.
There were many different types of flares to choose from, salt bombs too. I grabbed a few different kinds and placed three in a smaller bag down here obviously for missions.
I walked out of the storeroom and slung the bag of supplies over my shoulder to carry upstairs. Lockwood had been pacing in the kitchen and Lucy had a piece of toast in her hand. Not sure where George had wandered off to but I was nervous for them all to be on time.
“Tie and supplies.” I handed both things to Lockwood and a wave of relief washed over him.
“Thank you Y/n truly you’re a lifesaver.” I nodded and stepped back. They both started to drift out of the room and soon the house was filled with silence.
Well, that was one way to start the first day. What was I thinking? I don't know how to oil chains or how I'm supposed to sort them. How hard could it be..?
-
"Why did you let her put everything together?" George grumbled in the taxi.
"What do you mean?" Lockwood furrowed his eyebrows.
"She just started here and she acted like she could fix everything and how do you know she will just do everything right?"
"Because I hired her and I have faith. George, you just have to give her a chance." George grumbled in response and just stared out the car window.
-
Over time and working at 35 Portland Row I seemed to realize one thing that never seemed to change. George Karim.
It's like he goes out of his way to pick on things I didn't do correctly. It is possibly the hardest thing to deal with.
"We needed more salt bombs."
"Why didn't you get flares while we were out?"
“That’s not how you do it!”
Even when I'm not working and I'm hanging out with Lucy he will complain were "too loud" or "disturbing his peace"
He is extremely different around me. Whenever I walk into the same room as him it's like his whole mood changes. There's always this look in his eye I could never understand.
Anger? Hatred even?
He was friendly around Lockwood and Lucy but never me. I was really determined to figure out what I did to make him this way with me.
-
“Hey Luce?” I rolled over on Lucy’s bed.
“Hm?” She asked as she was painting her nails black.
“So you know why George isn’t fond of me?” She snorted.
“He’s fond of you even thought he might not like to show it exactly..?”
“It makes it sound like you’re just trying to make me feel better.” I groaned.
“Hey.” She looked at me pausing her nails. “Over these past couple of months, you’ve become like my closest friend. Why would I lie to you?” She put the nail polish brush back into the bottle and placed it on the side table.
“Because you’re Lucy Carlyle and you’re the most mischievous person I know.” She gasped before throwing a pillow at me with her non-painted hand. “See! Mischief!” Maybe and hopefully Lockwood would know.
-
"Lockwoooooood." I wined. He was surrounded by books in the library. He jolted up at my voice.
"Oh um hi." His eyes were wide and tired.
"Lockwood you need a nap." I frowned. He has a few empty tea cups surrounding him.
"Nevermind that. What did you need?" He blinked a couple of times trying to wake himself up. He looked quite a mess I wasn't even sure I should be asking him this right now.
"If I tell you, you must take a nap after." He nodded and kept blinking.
"Do you know why George doesn't like me?" Lockwood sat up and looked shocked.
"He doesn't not like you." I groaned.
"Ugh, that's what Lucy said! But it's true he obviously dislikes me I can see it in his cold eyes." Lockwood cracked a smile.
"He does i promise. But if you want to make any of us happy in this house.. food is the way to go."
"Thank you!" I beamed. Not only did I get a tip for George but for all of them.
-
I placed all of the bags of food on the kitchen table. I took Lockwood's advice immediately.
I made sure to purchase my own ingredients. George was picky about people using his spices or things in the fridges without his knowing and even if you did ask it was most always a definite no.
I wanted to cook for Lockwood and everyone else! Just a small nice gesture. And also to make George like me more.
I’ve had little experience from cooking but just enough to make this recipe. My family made it constantly and kept the ingredients and steps on a little note card in the kitchen.
I did my best and followed along as well as I could. I added everything as it should be, no more no less.
The smell attracted Lockwood into the kitchen.
“Oh Y/n. Hi.” I hummed. “I thought George was cooking.”
“Nope. Thought I’d do something for you guys. You’ve had a long week. You better have taken that nap like I told you.” The agents had many back-to-back cases making them extremely exhausted. Of course, I packed their gear each and every day and made sure they had something in their system before going off to fight visitors.
And since George has been tired he hasn’t been cooking meaning they’ve only been eating out.
“That’s very thoughtful. And I have by the way.” Lockwood flashed his signature smile and raised his hands in defense. "May I help?"
"Oh no, Lockwood! You sit down while I do this for you okay?"
"You've been doing so much all month! And the month before that too."
"Thats my job Lockwood." I chuckled.
"Just let me help a little bit." I sighed. I knew I couldn't keep him from helping since this is his kitchen and the boy is stubborn.
I don't know how but in a matter of minutes he made it so astonishingly messy.
"Hey if you keep making it this messy you're cleaning it up."
"Okay okay!" He laughed. With the extra help, the dish was being made way faster than before. Even if his real purpose was to mess up the kitchen and I swear it was.
"Can you go grab Lucy and George for me?" Lockwood hummed and he pulled his lanky body out of the kitchen and up to the bedrooms.
I started to place all of the food onto the table and I made everything as neat and pretty as I could. I wanted tonight to be special and I wanted George to actually like me. Even if it was just for tonight that wouldn't be all that bad.
One by one the members of Lockwood and co trudged down the steps and landed into the kitchen. A small chatter filled the room and it felt really nice to have this again.
Since they were always eating out this week I could never really join them and besides I was never at the house past the time they left at dusk. I always did the chores during the day and I only stayed if they asked me to.
They all pulled out a chair and Lockwood grabbed drinks and such . Soon they started grabbing their own servings of the food and their faces morphed into a interested grin. Except George of course he kept his plain look but I swear I saw the corners of his cheeks twitch as if he were going to.
The actual part where they tried the food was nerve-wracking. I was worried they wouldn’t like this but as soon as George spoke out my worries faded away.
"This isn't bad." George hummed
"Yeah, this is amazing Y/n! Where did you learn to cook like this?" She shoveled some more food into her mouth.
"Eh you know just my parents." George glanced down at his food.
"You should stay in tonight." Lockwood offered. "The food was great like they said and I'm sure we could all find something to do together."
I thought for a moment. The plan sounded lovely but I was sure I had plans later tonight.
"Well, my parents must-" George abruptly stood up and stormed out of the room and out of the house. The door made a loud bang. We all sat in silence.
I didn’t know what happened did but I for sure knew it had something to do with me.
I wasn't sure what to do so I followed George out of the house and saw him sitting on the steps with his hand propping his head up. I didn't say anything I just sat next to him.
"I'm sorry for whatever I did to you. I don't know what I said or did but I just don't want you to be angry with me." George was silent for a moment his eyes glued to the street.
"I'm not mad at you." He finally said looking over at me. "I'm jealous." He admitted. I almost laughed but I was genuinely curious. I was doing Lockwood and Co's dirty work for gods sake. And of course, I wasn't mad about that that's what I signed up for. But in that moment I finally realized that look he gave me. It was jealousy.
"Jealous of what?" I frowned.
"Your relationship with your parents." He sighed. I was shocked but it made sense. All I've been talking about since I arrived here was my parents. I looked at him waiting for him to elaborate. "My parent's raised my siblings to be so successful they were all born engineers and I was just the odd child. When I got fired from Fittes they looked down on me they were so disappointed they barely even let me tell them why."
I was partly glad that George didn't hate my guts but another part of me felt sorrow for him.
"You're not an odd child." George scoffed at that. "It's true! You're so smart I've seen it. You crack most of the cases and Lucy tells me how quickly you find the sources. I've heard how hard you work to do research for this agency. Coming into this agency I had absolutely no idea how anything worked and now being around you and all the others… I feel like I know everything.” He nodded softly.
I scooted closer to him and he smiled.
“I know what it feels like to not fit in. In high school and even college, I was always a loner. I didn’t fit in with the other kids. Most of them would have parties and have fun but I was always sucked into my studies and that’s what made people not notice me. Well, I couple did and tossed me around for it but usually, they were drunk asshole boys who just wanted to get into a girl's pants.” George gave me a concerned look. “But here I feel like I have a place. Like I’m heard from and you guys understand me. And George… we all fit in together.”
It looked like something clicked in his brain. Like he finally realized something.
“You shouldn’t have to get your parent's approval to be successful.” I nudged him.
“I guess I just always paid attention to what I needed to improve on or do better I never realized what good was happening in front of me.” I patted his thigh. “I always preferred everything to be perfect. I think that’s why I made comments to you so much.”
“I’m also quite glad you don’t hate my guts.” He laughed. “I’m serious! I actually thought you hated me.”
“I’m sorry. I’m just not a big fan of the unfamiliar. But you have been working here for well over two months.”
“It’s okay I just hope we’re okay from this.” I pointed between us.
“Yes yes.” He clarified.
“Now can we go back inside? And it’s quite hot and I want a donut.” I complained. George stood up and offered a gentle hand. I took it and struggled a bit because I swear I was almost melted to the ground.
We entered quietly and went back down to the kitchen where we saw Lockwood and Lucy giving each other very lovey eyes.
Me and George exchanged very well knowing looks.
“You know if you two are going to keep looking at each other like that you might as well kiss.” He spoke out making them jump in shock.
“Yeah it’s really quite painful you know?” I crossed my arms.
“No, we’re not like that I don’t know what you’re talking about.” Lockwood fumbled with his words.
“Yeah, we aren’t doing anything.” Lucy flushed. “Yeah well since when are you two partners in crime?” I shrugged.
“Now.”
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daphnebowen · 2 months
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A have a question for you, did you like the Percy Jackson movies?
omg, so sorry for taking so darn long to respond to this ask anon! I started responding to it a while ago and then one thing lead to the next. but I'm here now... and accepting more asks!
okay, so as a kid growing up I remember actually seeing part of the first movie in school or after school club or something, and as a kid that movie was everything especially since I hadn't read the books. Now as I've gotten older and read the books and rewatched the movies again - thinking, "it won't be that bad, right?" well, if my jaw dropped to the floor and confused facial expression weren't enough hints for you I don't know what is. my dad watched it with me a couple of years ago when I last watched them and even he was confused. He barely knows anything abou Percy Jackson and was like "isn't he supposed to be, like, twelve? That kid looks like he's twenty" it's just - I don't know how to explain it. I think the movies might have been a good stepping off point. they did some things decently, from what I remember of the lotus casino and such. but a lot of what they changed affected the dynamic and the general, like, vibe of the story. So while the show does change a few things, a) it kept the original storyline very close with only a few changes and b) some changes were needed for sakes of pacing and translation. making a first person pov into a tv show with so many diverse characters and plot lines can be really difficult!
another thing I heard from someone and actually really agreed with is that the movies can be enjoyable if you don't consider them an adaptation of the books. I think i agree with this statement. sure not every adaptation can be perfect, but when you look at the show versus the movie there's just a certain, I don't know what that allows the show to feel more in tune with the books. Like it's something missing in the movies that really connects you to the magic of camp half blood. and some people love the movies and don't love the show as much, and that's okay. to each their own. but yeah, i hope this makes sense! In summary: the movies shouldn't be watched in the sense of "this is the Percy Jackson series written by Rick riordan." it should probably be viewed as a whole other thing. so yeah, as a kid, those movies were everything, but as i got older something about them made me mad and i just refused to watch them anymore. Sorry I couldn't go into more detail, but it's been probably three years since I've seen the movies and can't remember a whole lot of details.
thanks for the ask!!
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cosmics-beings · 2 months
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I’m still on the “megatron isn’t really a slave and the miners were actually happy being miners and therefore couldn’t be slave’ as if stocklholm syndrome and forced conditioning isn’t realistically a part of slavery and megatron at the end of the day was one of the few to break out of it.
But that’s not the point of this post.
I think that the reason a lot of people have trouble admitting that megatron was a slave and that he was an oppressed person is because it forces them to actually hold autobot society accountable for the flaws in the system. A system that forces slaves to revolt and has slavery in the first place is a flawed system.
A system that creates people for a certain purposes and forces them into that purpose while others get to choose what they want to be and forge their own bodies, a system that allows castes to choose and dictate how one lives their lives, a system that even has forced labor (slavery) is a flawed system. And yes, that makes Megatron and the Decepticons oppressed which is why they revolted, and I think people have trouble accepting that.
Transfomrers IDW 1 isn’t ever supposed to be viewed through a black and white lens. It is more than obvious that the Decepticons became something terrible at the end; a genocidal, oppressive regime. That is something that we can’t ignore.
But at the same time none of that would’ve happen if there wasn’t an unjust society that mistreated, abused and oppressed half of the bots there. And I don’t think that’s what people want to admit.
No the autobots are far from perfect, that is the whole critique. most of them lived in privilege and never even had to think about what was happening around them until the war hit. A lot of them used their privilege as autobot and high ranking authority to their advantage (i.e prowl, whirl, sentintal prime). 
The fact that Optimus was one of the few to outwardly call them out and he was somewhat scrutinized for it until he war isn't supposed to be a good thing. it's supposed to show their corruption.
The system was designed to be oppressive and to hold people down. Which is why there was a war.
I honestly don’t think this was something that needed to be explained but hearing people say that megatron wasn’t a slave and basically act like him and all the other miners were happy and were forced laborers just leaves a bad taste in my mouth. Especially as someone who has traceable slave ancestry in my lineage and a lot of things people say to prove the megatron isn’t a slave I’ve seen people use irl before which is you know, gross. 
AND this isnt' saying that the autobots are terrible, irredeamable people. but acting as if they weren't in the wrong or that the society they created wasn't inherently oppressive, which is why a revolution was needed, is just missing the point.
you've got to sometimes accept that your faves are flawed. and that is what makes them interesting! having the autobots presented to us as the good guys for years and then reading idw1 and seeing how morally corrupt they are is INTERESTING. that doesn't make them unlikable it makes them interesting.
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fizzingwizard · 2 months
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Five: the one you've been waiting for, about Moomintroll!!
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It is so much fun to go on a rescue mission to find Moomintroll. The bittersweet beginning, with Moomintroll sad as Snufkin leaves for the winter, and Snufkin's dread when he returns in spring to havoc and no Moomintroll... mwah. Love it
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Goodness Snufkin chill out would ya
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Snufkin might love you, Moomin, but that doesn't mean pics of your body gone splat in the mud isn't absolutely getting posted on his Instagram
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So in this game Moomintroll is pretty angelic. He doesn't have a bad word to say about anyone. It's nitpicking of me, but yeah, that take isn't for me. I like my hospitable, awkward, endlessly tolerant Moomins with a pinch of spice. Actually it's rather funny because so much of the game characterization seems to pick off the cartoon, but Snufkin and Moomintroll themselves are just so nicey-nice...? At least we spend enough time with Snufkin to hear him take a few digs at the other colorful characters lol.
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I MISSED TAKING A CAP OF SNUFKIN FALLING ON HIS ASS that would have been perfect revenge too ugghh
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BUT THE PIGGYBAAAACK
AAAAAAAAAAAAAHHHH
[fizz.exe has stopped working]
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Can't get over how cuuuute this is. If the whole game sucked, it would still have been worth it just for this ending haha. Btw I will definitely have a piggyback in a fic some day and this is the inspiration xP
I love how Snufkin's flower-covered hat blends right in with the flower bed when they're hiding teehee
So theme again. When Snufkin hurts his foot, he encourages Moomintroll to go on without him. But Moomintroll says no, we'll go together, hence piggyback. This is my favorite way the theme comes out, and not just because it's cute, but because it involves Moomintroll overtly offering to help and then really helping. Not needing to be coaxed and indulged or endured first. Yes, in the real world there are all types and we all need to get along. But Snufkin accepts nearly all help, talks to everyone kindly (much more kindly than they are to him!), and isn't even wrong when he tells Moomintroll to go on without him - neither does he make a fuss about going together anyway.
So what growth is he supposed to have here? He doesn't decide to not leave in winter anymore (and I certainly wouldn't want him to). The story is like "Snufkin learned something" and it's... that he should keep being friends with the people he's already friends with? Even though he never said he planned on doing otherwise...? Or are we just punishing him for daring to go on loner adventures period? Maybe a cut scene showing him running away from the Fillyjonk or avoiding parties or something would have helped frame things better, but as it is - I fully understand what the story wants to say, I just don't believe it actually says it.
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Take this scene. In essence, I don't have a problem with it. But, since when does Snufkin kick people out of Moominvalley? More likely he's the one skedaddling... "But it's the Park Keeper!" So? In Moominsummer Madness he destroys the park but the Park Keeper still is the one with authority, so it's Snufkin who tries to leave. That's minor, though, what bugs me more is this "Moomins tolerate everyone!" bit. Of course it's not bad...! But Moomins definitely do not tolerate everyone and go to lengths to drive certain types away... Including potential romantic threats haha. This isn't a complaint, the game just goes in a different direction than what I prefer when it comes to Moomins. But Moomintroll is a little over the top, that's all I'm saying...
"He just dammed the river without asking and imprisoned all the animals and caused a forest fire... But I'm sure deep down he's a nice guy"
psst fizz it's a game for kids...!
yeah i know it's my blog and I'll bitch if I want to bitch if I want to bitch if I want to
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I digress. The point is how cute these two obviously are. Gaaah. The piggyback 💕💕💕 Also Snufkin's little (>m<) face!
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justatalkingface · 6 months
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The Dabi Benchmark of Insanity: A Helpful Guide
What is it? Why won't I shut up about it whenever I talk about villains?
Yeah; this is largely a reference post, for the people who haven't seen this term before... which makes sense, since I made it the fuck up awhile ago and then never really clarified it again, even though I kept using it. I do that a lot whenever I feel the need, but I think this is the only term I've kept using consistently, and I usually explain what I mean in those posts when I make something up, so the DBI is a bit of an anomaly in that sense. I like to think it's self explanatory, really, so it probably doesn't need explanation, but... eh. I talk a lot. One more post won't hurt.
Fundamentally, the DBI is the idea that there's a... limit to how crazy a character can be and still be sympathetic; after a certain point, it doesn't matter how bad their backstory was, no one is going to like the guy eating babies. Authors can (and often do) try to make a truly fucked up character sympathetic anyways, but once they pass that point the response generally isn't sympathy but, 'JFC, can this guy shut up about how we should all like The Masked Baby-Eater already? That guy's an asshole'.
I say 'crazy' for a reason, BTW. The sheer factual amount of evil deeds a character does only has a limited effect on how readers will consider them; how the character is presented, and how they act as they do these deeds effect that reception as well. An easy example is how in something like Gundam, a character who does something objectively horrible (kill someone, start a war, etc etc), but because of how they're developed, and way they act as they do it, we will still sympathize with them. Meanwhile, if there's a school story, a character who is just rude and cruel can be absolutely loathed, by everyone, even if what they did can't possibly be compared to the Gundam character.
It's not that you can't make a good character if you go beyond this point, it's the opposite really: there's plenty of good, memorable characters who are festering shitholes devoid of positive character traits, but we're not expected to find them sympathetic, just really cool or iconic in some way. Making them sympathetic imposes limits on how out there that character can be.
I call it the 'Dabi' benchmark because I feel like Dabi is the perfect example of an edge case, a person who is horrific and broken, but you can still just feel for him why he's like this. It's core to his fundamental design as a character, from his traumatic backstory, to how he's broken and scarred and barely held together by his sheer will, so that while he's an objectively terrible person, cruel, sadistic, who kills easily and wants only to destroy, the reason he's like that is something intrinsically understandable and thus easy to sympathize with.
(Of course, the problem with Dabi is that, as MHA went on, Hori kept changing Endeavour to try and make him sympathetic, while at times intentionally making Dabi seem more at fault for his situation to mitigate Endeavour's blame, which damaged Dabi's characterization on a fundamental level and makes him less sympathetic... but that's not Dabi's fault, that's inconsistent writing)
At the same time, though, I must repeat that he is a terrible human being who does horrible things, and which puts him at that very edge of sympathy, only being accepted by people by how good his backstory is, how fucked up yet human is motivations ultimately are. If his actions had pushed beyond that point, if, for example, instead of just killing people he cold bloodedly tortured them for no real reason, his reception would have been less positive than it was.
In short? The farther a character goes past the Dabi Benchmark of Insanity, that is to say, the more a character is crazier than Dabi, the more people are going to look at you like you're crazy when you try to make them seem sympathetic to the audience.
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artscloudy · 9 months
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Guys I just found out there are SEVEN TYPES OF LOVE LANGUAGES like whaaaat?
We have the famous five ones that are:
Gift giving
Words of affirmation
Quality time
Acts of service
Physical touch
And then TWO MORE:
Shared experiences. I thought it was just something similar to quality time but it's more like doing new things together, such as trips, concerts, adventures with your loved ones. And I think that's so interesting. Do you ever feel like you want and need to share an experience with someone just for the sake of knowing you shared a great experience with them? And you love someone more after that?
Emotional security. This hits hard. I just thought it was obvious and underlying to all the other types of love languages but apparently it isn't. We needed to point out that feeling emotionally safe when you are with someone is a completely different way of showing love than just being with them or doing the choirs they hate for them. And I think that's fundamental now that we have so many types of relationships that seem perfect marriages and stuff from the outside but actually leave so many scars inside.
But what if I can't just say one thing resonates the most with me and I want all of the love languages to a certain extent? Do I really need to pick one or two? Should I accept to be either encouraged by words or kissed when I'm not feeling confident? Am I asking too much when I say I want to have both of them?
Sorry for the little rant
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buckevantommy · 24 days
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alright i finally managed to get a copy of the ep and i'm watching it on my smallass iphone screen which isn't ideal but i can't wait 3 days to get access to a bigger screen so here we go:
i need to know if that rainbow flare on buck was intentional
i might be looking too hard but that hand grabbing buck's throat and then eddie's junk could be foreshadowing for you know what, i mean who's to say?
oliver deserves a fucking oscar for his nervous smitten buck performance
tommy shaved for their date which is so old school i love it but i also miss the scruff and need to see its return asap
hints of Tommy Backstory, my beloved
the convo about renting out a home with marisol and eddie but including buck is making me think of how buck is possibly being 'rented out' to tommy in the narrative for now but later eddie will be the one to buy
i understand tommy ending their date early but WHAT HAPPENED to him picking up buck from his loft?? and don't tell me he ubered for a first date when we know he drives. although i get not wanting to drink and drive ig
also: tommy was meant to pick up buck at 8pm and now they've finished dinner so wtf is eddie and marisol doing starting their dinner at like 930pm is that an LA thing bc that's insane
'oldest italian restaurant' sign just makes me think of tommy and buck's age gap and i giggle and gasp
buck's reaction to being rejected is breaking my hearrrrt. tommy opened him up to his sexuality and buck was So Excited and now this guy is just dumping him?? who is he supposed to bounce his restless bisexual energy off now??
we're not even 10mins in so i have no idea what the bulk of this ep is gonna be about
oH YEAH THE GAY MOMS pls let them be happy
BUCK COMES OUT TO MADDIE ACCIDENTALLY like a true bisexual disaster
The Guy Thing is very much The Point buck, you sweet thick cinnamom scroll
buck is doubly an ally. he's a bially.
keep talking buck i am cackling you adorable baby bi
insane thing to have eddie post-sex with his nun gf after buck was gushing about tommy
it's okay buck, false starts with difficult convos happen, you'll get there
something something buck intending to come out to eddie and eddie explaining his sex problems all while eddie gets sweaty and swole
LIKE SEAMONKEYS! buck i adore you
buck wishes he could lend eddie a hand but he can't bc he's no homewrecker and bc eddie is quote unquote straight. not bc he himself is taken, bc the hot pilot dumped him and oh now i'm sad again :(
there's some buck+guilt [re:self worth] meta glanced over here that makes me wanna delve into some introspective reads
buck giving good advice is something that can be so personal
hen saving a rescue dog after it attacked the firefighter trying to save it as a parallel to their current foster child situation. it's just good storytelling. the dark stuff is getting hopeful
HANG OUT WITH THE BOYS eddie you don't know how perfect your words are
i really love the way they chose for buck to come out to eddie. trying to do it at a certain time didn't work for him, it was too daunting. but as soon as eddie mistook buck's date with tommy for something platonic? buck doesn't want to hide anymore. it really speaks to the human and especially the queer experience - that need to correct someone's misinterpretation (someone important to buck) of who you are.
GAY TOMMY CONFIRMED
supportive eddie and 'this doesn't change a thing between us'
buck finally getting to talk to his friend about getting dumped by a guy he was really hoping for more with
eddie's turn to give good advice to buck re:his dating life and we come full circle
buck's relief at eddie knowing and accepting him. the double-back for the hug. the comfort is all there.
i want to shower the wardrobe department in love for putting buck in that slutty blue 70s polo for his date within tommy and then the sky blue sweater and now this tight stripey number i am digging the vibes
buck hearing that he didn't screw things up with tommy, tommy just didn't want to pressure him bc the feels are mutual! and buck taking responsibility for his behaviour bc he's mature like that he's a good dude
i love lou but oliver literally glows - and i don't mean from the sunshine - he lights up every scene
the way buck gushed about tommy's confidence to maddie and now he's the confident one reassuring tommy that he wants this and that it won't be weird for tommy i am so proud of him
HOUSTON WE HAVE HAND HOLDING
sad my buddy chim was barely in this ep :(
WEDDING TEASER and we've got a Hangover situation and a missing groom omg
the writers are working their magic and we are reaping the rewards.
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fastcardotmp3 · 1 year
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Re: the tags of that post you just reblogged from me - AU where Steve and Eddie swap roles for just the final fight (Eddie’s with the girls, Steve’s with Dustin) but with an added subplot where we meet Steve’s parents early in the season & maybe they’re trying to get him to grow up/move out/think about his future, or something else, but they’d have to feature somehow so we still get that ending scene except it’s Robin telling his parents he didn’t make it (im picturing a very tragic recontextualising around the phrase “you need to do something with your life” leading to Steve drawing the bats away from Dustin)
That’s just my quick thoughts though, I’d love to know how you’d do it!
oh I LOVE this you've got my brain spinning I have so many thoughts and it's all your fault!!!
(I am so sorry for how long this got)
I think there are for sure many versions of this plotline that could work BUT here goes nothing
I definitely agree that we'd need to introduce Steve's parents early on (in my ideal world we'd have met them sooner than s4 for this plotline but alas I'm not in charge I'm simply posthumously script doctoring) and I think one version of the conversation there could come from a place of wanting what's best for him, but centering itself around ambition and choice in a way that sticks with Steve.
"You had so much ambition when you were still in school, Steve-- all of your sports, how sociable you were-- what happened to that? Where did you lose that along the way?"
And Steve flounders a little bit, because he's gotten to the point after season 3 where he can see himself better from the outside, is just that touch more self aware and good at reading not just other people's feelings but his own.
So it takes him a beat to put it into words, but he's able to, is the thing--
"Maybe I don't need to go down the-- the usual path to end up where I want to end up."
"Is this where you want to end up?" his mother asks, "working at a video store for the rest of your life?"
"It's not about that," Steve shrugs, pouring two travel mugs of coffee all the while, one for him and one for Robin.
Because he knows it's not about that, he spent all of last summer learning it's not about that and the months since discovering that there's a certain amount of peace in knowing that things aren't perfect but that matters less when you have your people around.
"What's it about then? Steve, I just-- I don't want you to get stuck here, when I know you could do so much more with your life if you just chose to."
"I'm not doing nothing with my life, Mom!" he laughs, exasperated but certain for once in his goddamn life. "I'm-- I'm actually doing really well right now, I've got good friends and I've got the kind of job where I'm kept busy while I figure out what's next for me and I'm just... happy, I guess? Like, can't my ambition just be to keep doing stuff that makes me happy? Can't I choose that?"
And he has to go to work, has to walk out and promise her that they'll talk about it more later, talk about it with his dad too, but Steve knows what he cares about and this isn't going to shake his resolve.
What he cares about is this group of people who have changed his life even more than the monsters did, who brought enough good into it to at the very least match the bad, and in some cases (like the girl already monologuing as she climbs into the front seat of his car and accepts her coffee with a mocking kiss to his cheek) somehow usurp the bad.
Steve doesn't have to be what this town expects of him, what most likely to end up rich superlative voters expect of him, what his parents expect of him, because his life isn't about being any particular something, it's in the doing.
It's in the swinging of a baseball bat, the swinging of his fists to keep the people he loves safe.
It's in the morning drives to get Robin to school on time and the late night ones to make sure Dustin meets curfew.
It's in the friendship he's managed to find with Nancy in the past year, the knowledge that this version of them is the best one by far.
It's in the days driving the kids to the trailer park to visit Max even if she ultimately ends up refusing to come out with them, because at least they're doing it, at least they're trying with her.
It's in this, too, when they drive out to Reefer Rick's place and some of the claims of happiness start slipping through Steve's fingers again with the proof that it isn't over, the fight.
But they've beat it before and they can beat it again. It's in the doing, and Steve has gotten knocked down many a time but the thing he always does is he always gets up on the other side.
He knows this. He trusts in this. He's built a fucking worldview around this because that's where his ambition went, Mom.
That's what happened to "Steve Harrington, actually a cool dude."
Steve's humble enough to thank Eddie for saving his ass, but he's done this enough times to still be able to reassure the guy who calls him badass that, "It always looks hopeless right before we win. Don't freak out too bad if it looks like the end of the world, huh?"
Eddie looks at him like he has two heads, says he's jealous of Steve's optimism.
Even Robin tells him that she thinks they might not win this time but all Steve knows is that they always have before. All Steve knows is that his instincts usually work out, let him protect the rest of them long enough to make the big and vital moves necessary to beat this thing.
All Steve knows is that he just, he's changed a lot but-- He's just the same kid who was cocky enough to run back into the Byers' house to fight a monster, stubborn enough to let the Russian's beat the hell out of him before he'd let them do the same to Robin and he--
"I don't know, I still have hope. Maybe this is the first time we actually win. Forever."
There's this sense of finality to it, hanging in the air, and she doesn't look convinced there in the same way she doesn't look convinced when he and Dustin are saying goodbye to the other three at Eddie's trailer, but Steve kisses her once on the forehead and says, "what are you waiting around for? Go kick some ass, your schmuck will be here when you're done."
His instincts have always protected them in the past.
It's his instincts that have him formulating a plan the second he realizes the bats are going to get inside the trailer, going to make a break for the gate and attack whole swaths of people unprepared for such a thing.
Dustin will be mad about being abandoned on the other side, but Steve's pissed him off before and he's always gotten over it.
It's in the doing, his ambition.
It's in the doing, the key to a well-spent life.
It's in the doing, the being of Steve Harrington, overconfident nature and all.
He always gets back up, every knock to the head and blow to the ego, Steve always gets back up, so he holds his ground and fights. Leads the bats away and keeps them there.
His mother wasn't wrong that he's changed, but she wasn't right when she claimed the thing he'd lost was his ambition. He'd found it, this force of nature in his chest that makes him willing to face down hell if it means the people he loves are safe.
He always gets back up, a tail around his throat.
He always gets back up, teeth in his flesh.
Steve Harrington is a pro at getting knocked down.
"I'll get up in a second, just-- just a second--"
"Steve there's-- there's so much blood-- Steve, you need to-- you have to get up now--"
"It's okay, it's okay, we won, just-- just another minute. Wanna see that-- Rob and the others made it back. Then we--can go--"
Dustin is crying. Dustin is holding him.
And Steve is bleeding out, he thinks somewhere indistinct and hazy at the back of his mind. He'll get up and fix that in a minute.
"You die, I die! Hey, hey motherfucker! Don't close your eyes-- you die, I die, you hear me?!"
It's in the doing, really, that Steve does as he's told just long enough to see the other three come stumbling out of the tree line towards them.
It's in the doing, in the choice of it, that he dies knowing they won.
(His mother wails when Robin approaches her at the shelter two days later with sunken eyes and unwashed hair. His father sinks into the closest chair and takes the offered keys to a maroon BMW with trembling hands.)
(It's in the doing that this time, in order to really win, they have to cling a little bit to his hope.)
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girlwithwolftatoo · 2 years
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Hii, could you write how the moonboys would react to a reader having an ED? I've been having a really hard time recently. If you're uncomfortable then I totally understand <33
Dear anon: I'm sorry I don't know what to say to you, so I hope the headcanon help a little. Lots of hugs <3
Marc Spector:
He's used to take mental notes of everthing, and of course some small issues about you cannot passed unseen. Yet, he's not sure how to ask you gently if you're okay, he doesn't want to feel like a nosy.
But obviously you'r not as fine as you should, and he must take the lead. "(Y/N), did you eat this morning?"
Oh you'd wish to simply nod and pass the topic, but those piercing eyes won't let you go until he's completely sure you're sincere.
Maybe you try to act defensive, but Marc knows how to deal with that.
You end up feeling embarrased 'cause he found out. "Look, I know I'm less than perfect -" "Don't say that" "But it's true!" "I don't want you to be perfect, I want you to be happy and safe"
Perhaps Marc isn't the best caretaker, but you can be sure he'll do his best, being around you and helping you to get a healthy food habit.
Jake Lockley:
We can think of him as a "street sibarite", enjoying everything around simple, slightly dangerous life. And since his hobbies are music and food, he's always up to take you to eat street food or to any other nice, not well-known place.
That was when he noticed you struggled with eating. "Don't you like it, corazón?" "Oh, no, it's delicious! I just... hmm... ate earlier and I'm still a little full"
Yes, he can pass it once, maybe twice, but the third time you show symptoms of your ED he's direct: "You're sick, aren't you? I mean... with that" (pointing at your barely touched dish)
Won't try to attack the problem directly, but does his best to make you happy in different manners. He can be very romantic and intense in his love languages, and it includes, of course, food.
Though they're not his favorites, he cooks or buys healthy meals for you, and sits to eat along with you to be sure you actually eat. And everytime you manage to make your three meals, he rewards you with something you like. Yes, it's not the best idea, but Jake loves making you feel good and happy.
Steven Grant:
Sweet boi never misses details. He quickly finds out something's not very well with you, but since he can't tell exactly where the problem is, he rather uses subtle approaching.
Like, you go on a date and he invites you for a lunch. Now, since he's a vegan he doesn't eat too many junk food, and asks you about your favorites to "compensate" for going with him to his places. "No I don't eat that" "Really? Oh well, I was thinking of caramel apples but that's okay-"
He can be very open about his own issues (like the sleeping problems and stuff) now he has more confidence around you. Also, this is a good techique to allow you to speak anytime you need to.
But if you still are quiet about the elephant in the room, he'll do his best to bring it on. "Uh, love, I don't want to sound like a creep or somethin' but... I have noticed you don't look comfy when we eat, is it the food choice or...?"
He'll hold your hand and listen to you. He'll be very kind and protective and won't say anything against you. "Hey, it's fine, it's not your fault... If you want to, I'm here and I'll help you. I mean, I'm not the best for that but... we can get some help for you, and I'll be there for you too"
Actually keeps his promise and search for a good therapist. He goes with you, and is very discrete with the topic, even putting himself in the eye of the hurricane (like saying it's you who takes him to therapy).
Sometimes you may feel you're going backwards, a very common thing while dealing with certain issues. You feel bad for Steven 'cause he's been supporting you and don't want to make him dissapointed. He's not. He never will. He'll be there in your ups and downs, and he'll always tell how proud is for you. "Accepting it is the hardest thing, love, and you did it very well"
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