#but also i could write a fucking trilogy about you.

[kindlythevoid]

As promised. Memes:

And as promised, ranting:

Okay, so, real talk, I did not actually like everything in this book, but I still fucked with it SO HARD. Like, honestly, I picked up what this was putting down (a little heavy-handedly, but done so well imho???) and the WAY IT WAS WRITTEN????

Like, I did a course on the Aeneid. And obviously it was a Roman mythos, not Greek, but DAMN, CLAIRE NORTH. I could see my translations!!! Written in the vernacular of english!!! RiGHT THERE IN THE TEXXT!!!! I GOT SO FREAKING EXCITED!!! It's just, such little things. The phrasing of a certain line. The odd usage of certain similes or metaphors that go off about people or places. The strange diversions to explain events or people right in the middle of the text before jumping straight back into the story. IT WAS SO VERGIL GUYS I SWEAR.

(i haven't had to translate the greek myths sorry guys and I read the odyssey so many years ago in english many apologies am working off what I got)

And, like, as I said, it was very heavy-handed as it backhanded the greek poets for ignoring the women but, like, she was right??? It was insane guys. It was absolutely insane. And everyone was so nuanced and had personalities and hopes and dreams and backstories and at points I was worried she was going to sacrifice the guys to further the women??? Which, like, I understand the irony, and obv couldn't super fault her for it, but she ended up balancing everyone out so well??? Like the guys were in the background instead but they were still all unique and had different priorities and shit.

Just, this whole book was such a breath of fresh air. Damn.

#as a believer in odypen tho I am a little concerned with how the trilogy is gonna go #but i dont think i can blame her #and honestly i'm not a hundred percent sure if its bc it was thru hera's eyes and if there was a biased narrator #WHICH IS SUPER COOL IN AND OF ITSELF #and obv as a major pjo reader I was eyeing hera with hella suspicion #but obviously this is someone else's interpretation of hera and i honestly kinda fucked with her #like i didn't super like her all the time but she was a damn good narrator #like i didn't like clytemnestra a whoooole bunch like hera but also yeah i could absolutely respect her #like shit this book SLAPPED #I still get so fucking excited about the actual writing itself #it was such a cool blend of classical-writing and just straight up british slang it was so much fun to read fr fr #would recommend if you like feminist books and/or classic greek retellings #i'd have to research to see if any of the things happened in the background of the odyssey or some shit #but overall its a really neat read i think #just yelling into the void #ithaca #ithaca by claire north #meme time #hera #the odyssey

[leafy-m]

alizayd for character opinion bingo 🧍🏽‍♀️

Thank you! 💖

Alizayd al Qahtani is the fucking best. There is no contest. He's empathetic, he's a sass machine, he's got a backbone made of righteous steel, he's a nerd raised to be a jock and was the best zulfiqari of his generation through sheer determination. He's the smartest (and tallest) man in the room that loves to help people and is also an oblivious social loser. He's a math genius and an economic wizard that outsmarted the Royal Treasury's best accountants as a teenager to secretly fund and make the Tanzeem's illegal transactions untraceable, and *During a Recession* got a millennia-old decrepit hospital to be completely rebuilt and functional in like 6 months. He also actually listens to people, and did possibly the most romantic thing in the series by building Nahri her private Cairo-themed office. He's self-sacrificing and self-denying to a fault and all he wants to do is fix things (and swim, and read), and he perfectly fits into soldier life and civilian life.

My man has the best character arc of the trilogy as he learns and grows past his early prejudice and indecision while sharpening his best traits. He is constantly reevaluating himself and his actions while still holding on to what matters to him, like his faith and his idealism that Daevabad can be improved. Even in the depths of his bitterness or grief, he always returns to trying to do the right thing, and not holding unrelated people responsible for the actions of others. He has the best motivational speeches in the series. His great grandpa is a crocodile and their scenes together are hilarious.

My man Alizayd has some Lord of the Rings: Return of the King-level epicness, in how he is descended from both Zaydi al Qahtani and the marid-blessed Armah. Zaydi, who rallied the djinn world against the genocidal Nahids and overthrew them to take Daevabad 1400 years earlier; and his ally Armah who commanded the marid to help take the city and Suleiman's Ring, and made the ultimate sacrifice by staying allied with the djinn. Ali is constantly compared to Zaydi in City of Brass and Kingdom of Copper, but there's this steady transfer of similarities to Armah in Kingdom of Copper and Empire of Gold, until Ali is truly representing both sides combined as he aids Nahri and a global army that he put together in three days to once again take back Daevabad from a genocidal Nahid. The man is a fucking legend, and with any other author or director it would unquestionably be at the forefront of the story. Instead it hides in background details foe readers to piece together, like it's barely worth mentioning.

This is because my man Ali also has the self-confidence/self-esteem of a shy beetle hiding six feet under the earth, and the author's subtle/vague writing style and inability to stand up for what she's trying to say when people misunderstand has created... how do I word this... A lot of wiggle room for bullshit?

Ali gets dragged a lot for being self-righteous and a fanatic, because characters that are threatened by him in the book call him that, and readers parrot it without any consideration or critical thought. Is it self-righteous to be against slavery? Or to create personal boundaries regarding drinking and premarital sex? Is it fanaticism when he argues against corruption, or practices his religion *in a completely normal way?* I dare say no! But Ali is both black and muslim, so he gets a shit load of shit from every corner, and with the author unable to really clear things up and too cowardly to even admit that Ali is her favorite character without immediately asking everyone to forget she said that (Oops. Also: no), it makes me very, very concerned for whoever ends up playing Ali in the Netflix show. Because if past is any pretext, he's definitely not gonna get paid enough for all the harassment he'll face. And if the author can't stand up for her characters and book themes now, how will she do it when the audience is much, much bigger and louder? :/

As much as I love Ali and his countless parallels with Nahri, and have a thousand headcanons for him (and a thousand fic & art ideas/wips), the series itself (or rather how it undid all its narrative themes in the end to appease loud fans who never understood what the series was trying to say in the first place, along with the author's blindspots regarding the Nahids/Daevas), has made me incredibly bitter. 🙃 I am someone who worships canon encyclopedically and remembers everything, and have come to the unfortunate realization that I cannot in good health ever read this series again.

So my beloved blorbo Ali exists for me in a weird dimension that I cannot really interact with anymore. Made worse because I still desperately want to see fandom stuff, but then also viciously tear apart everything I find. 💀

Idk how to end this. Thanks for the ask! ☺️

#The stupid thing is that I'm still trying to finish my fics #Because I LOVED writing Nahri and Ali???? #Like yes my god he deserved better; but when they worked it was So Good 😭💖 #And I feel guilty because We Fucking Won in River of Silver and I still can't get past my bitterness #Doesn't help that the final story is a time paradox and proves that no one on Team Daevabad is doing any due diligence with fact checking #Don't even get me started on the changes to the Gazebo scene -- I'm still mad about how she watered down his lines #I literally cannot think about this series without ranting #Even the good parts just remind me of how it gets fucked up later #And most people don't even notice??? All the praise I see makes me feel insane #And all the Dara fans and other readers completely misunderstanding the series makes me insane #I've never seen a series ask its readers to remember so many details and nuances; and then Get Worse the more you understand! #And not in the 'oh its so much more tragic' sense; but literally 'they stopped fact checking things' sense #It's a series that runs on vibes but is also completely against the vibes its sending out #Fuck I wish I could quit this series 😭 #How do other fandoms manage this kind of bullshit omg #Hhhh #Ok I'm done #Alizayd al Qahtani #The Daevabad Trilogy #Long post #My posts

[cocobirde]

𝐃𝐈𝐒𝐀𝐏𝐏𝐄𝐀𝐑𝐄𝐃 | JOHN DORY

request. @Striped_Scheme on wattpad Requesting a JD x Reader where they've been dating since BroZone days but he kinda just left her with no goodbye and tries to reconcile and convince them to come help and save Floyd lol ("Technically we never really broke up"☝🤓) word count. 2.2k warnings. the word fuck lol. timeline. pre-trolls trilogy, pre-trolls band together. song. baby it's cold outside with some slight alterations (tell me he wouldnt. i DAREEE you.) a/n. honestly. idea was good, but my writing was not it so apologies but love u... thanks for reading lolz... probably rushed... (i do that alot in my writing how to not rush help me) no doubt ooc characters, characters will always be ooc.

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"He's gone? What do you mean gone?"

Floyd could sense your distress. Panicked voice squeaking and your eyes darting all over the small backstage area for your boyfriend, on how exactly he could've left without you catching him.

You were in front of the stage, courtesy of being the partner of a band member, which was amazing but also granted limited viewing if they went too far back. From what you did see, the expressions were a solemn mixture of embarrassment, anger, disappointment.

You barely paid attention to the fans, who were also attempting to go in the same direction as you. Getting caught up in them took a whole lot of convincing the security.

But still, you were just at the door, and you heard him through it. Where had he gone? Was he okay? He fell from a very tall place in front of a crowd of fans, which was probably more damaging to him compared to actually getting injured—but not for you.

You watched him stumble backstage, stumble.

Baby Branch hid behind Floyd, wrapping the little leaf-sewn vest around his body, looking from his older brother to you, worried.

Where's the rest of the band?

"He just left. Everyone did. The band's..." Floyd paused, sighing, "BroZone's over."

You stood confused, your brows furrowing at his words. Over? How could they be over? This was just the start of their world tour. The band couldn't just break up over one failure.

"Over?"

They weren't that fragile, were they?

You loved all the brothers; they were like your own family, but your worries were set on only one of them for the time being.

"Did J at least say where he was going?"

Floyd nodded his head but remained unsure of what your thoughts would be on his answer. He glanced down at baby Branch, who was huddled around his leg.

"He was upset, really upset," he explained. "Said he was going to go hiking to the Neverglades... alone."

The change in your face told him everything, and he was quick to extend his hands in front of him. "But John Dory always says crazy things like that, and he never goes through with them. I'm sure he probably just went up to The Point."

That did seem like a logical explanation, and it was. Floyd may not have been the oldest, but he always had reason and logic behind his smart words.

"You're right." You were still stressed, no doubt, but that calmed your fears down. "Are you guys gonna be okay?"

Floyd spared another guilty glance at Branch and nodded, offering a soft smile and urging you to go look for your lover.

▃▃▃▃▃

The troll tree was huge, and even with its large size, it was hard to find any area that wasn't already occupied. Trolls made sure to take advantage of all their space; it was their home, and they made the most of it.

But even with every taken, there was one place that was free from everyone else.

A special spot reserved for you and your lover.

The Point.

Little knew about the spot, and those who did ensured it remained private.

Hidden in the leaves was a branch sticking out high enough to conceal the ugly Bergen town that surrounded them and gave them access to the beautiful night sky.

You and John Dory liked to go there a lot. Whether it be dates or to blow off steam (not like that for the weirdos), if he'd go anywhere after an accident like today, he'd go there.

He was very athletic and made a show of it whenever you'd go together, carrying you up. Bridal style or pulling you up with his strong locks—the point was, you had trouble going up on your own.

It took a while—a hard struggle—but it'd be worth it to see your boy up there and cheer him up.

They couldn't just break up; they just needed their leader to see that.

"John Dory?"

You called upon reaching the top, pushing the heavy leaves out of your way, careful not to slip off the branch.

"Baby, are you here?" Your voice was soft; you didn't want to alarm him. He could be really sensitive sometimes.

That thought brought a faint smile to your face. A smile fell upon the realization that he wasn't up here. If not up here, where could he have gone?

Home?

Knowing JD, you doubted it. If this was as serious as Floyd had put it, as serious as he looked, he wouldn't have just gone home.

And so your search ensued.

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You spent days looking for him. Not a spot in the tree was untouched or unsearched by you. Somehow, the troll had just disappeared. No signs. No letters. No goodbyes.

He left you alone to suffer. Wondering where he'd gone, if he was okay, and if you guys were okay.

It was a coincidence, truly.

How on the day you reminisce when he left you without even a word explaining his sudden disappearance all those years ago was the same day you'd find John Dory on your doorstep.

"Come on, baby, could you let me in?"

"Baby?" you scoffed, remaining with your back slammed against the door in exasperation. "You lost the right to call me that a very long time ago."

One moment you were having a nice day, reading a nice book by your fireplace, enjoying the pitter-patter of rain outside, and the thunder struck, shaking you in the best way possible.

And the next...

"It's cooold..."

He whined, banging on the door desperately.

You couldn't bear to look at him; the second you already spent doing so when you opened the door was enough. He had a face that you'd never forget.

How'd he even find you?

"Go. Away." you growled.

"But it's cold outside."

You clenched your jaw, glaring at the door handle as he shook it. JD used little effort to push at the door; by the weight of it, he could tell you were against it. Not that it mattered.

He was strong; he could easily open it if he wanted to.

"You simply must go."

"Baby, it's cold outside."

If John Dory thinks a little singing is enough to serenade you, he is more of an idiot than you are already aware he is. You weren't a teenager helplessly in love with a silly musician from next door, you were grown.

Mature.

His tricks weren't going to work on you.

"The answer is no."

"But baby, it's cold outside."

He put more pressure, pushing, and you cursed for the lack of a lock on your door.

Trolls don't do locks! They don't have anything to worry about!

Except ex-boyfriend's trying to come in and ruin your life all over again.

"The welcome has been-."

"You should feel so lucky I dropped in."

You rolled your eyes, sarcasm dripping with your words, "So nice and warm."

He pushed the door, slipping a leg in to stop it from shutting completely, peeking a crack. You groaned and peered through it at him.

Sharp glares were directed at him, and gosh, if only looks could kill, he would've dropped dead right now.

He looked stupid.

Stupid puppy eyes with his stupid goggles and a stupid pout on his stupid face. He was soaked from head to toe, the rain falling on him more and more every second he stood outside.

My, did he look pathetic?

BANG!

He shrieked, desperation on his face and voice, jumping at the loud crash of thunder, lighting up the dark sky.

He turned back to you, singing rapidly.

"Look out the window at that storm!"

"Ugh, okay! Come in!"

His face lit up, the door swinging open, and he rushed in, soaking your carpet with rain as you shut the door behind him, slamming it hard enough that the whole house shook with force.

He glanced at you in surprise, getting a glare in return.

JD opened his mouth to speak, obviously nothing nice with the smug look on his face, and you were quick to shut him down.

"Don't."

He clamped his mouth shut, smirking and holding his hands up in defense. "I wasn't gonna say anything."

"Stay."

You urged with a pointed finger, walking off to your bathroom in search of a towel.

"Yes, your majesty."

You hated him with every fiber of your being, but you weren't cruel. He might've been, but you weren't. Any troll would do the same as you; offer him some refuge from the storm outside.

Returning with a towel, you didn't bother passing it to him, tossing it and smacking him right in the face.

Maybe you were a little cruel.

He reacted with a huff, taking it and wrapping it around himself, not bothering to dry himself like ordered, but more like a shelter from the cold.

"Is that how you treat your boyfriend after all these years?"

John Dory tutted, shaking his head in disappointment as he took a single step in your direction.

"Boyfriend?" you scoffed.

"I mean, technically, we never broke up."

Oh, you wanted to punch his little ugly face so bad.

"You disappearing without saying anything was us "technically" breaking up." You did air quotations with another roll of your eyes, speaking before he did, exasperated.

"Why are you even here, John Dory?"

He stayed silent for a few moments, pondering what exactly to say. What could he say? He knew it was stupid of him to even come in the first place. He knew you'd be angry, upset, but not like this.

You didn't look the slightest bit happy to see him.

His smugness dropped along with his shoulders, and he took a breath.

"I need your help."

He looked dead serious. So serious.

You shook your head, your lips curling up in disbelief. "You need my help. Right." your arms crossed, "You leave, disappear off to who knows where, say nothing, suddenly come back after 20 years, and you decide you want my help?"

A short and dry laugh left you.

John Dory really was unbelievable.

"I knew you wouldn't want to see me..."

"I don't want to see you." You cut him off with a grimace, ready to say more-

He had that same desperate look.

Honestly, it brought you back. It brought you back to all those years ago, when both of you were young.

John Dory was always a terrible boyfriend, cocky and arrogant, bossy, too busy with BroZone to give you the time you needed. It hurt you. You loved him so much, and he didn't seem to always reciprocate those feelings. And each time you guys would argue and break up, he would be the first to return with a bouquet of your favorite flowers.

"Leave me alone, John. You can't just come back and expect me to accept you. That's not how life works! If you wanna be in a relationship, you have to commit-..."

"Can you please just listen?"

He stared at you with a small pout, furrowed brows, eyes pleading into yours for you to give him a second chance. His stupid, loving eyes knew exactly how you worked. How exactly to work you.

The only difference right now was that he came empty-handed.

Nevertheless, it effectively shut you up.

"I fucked up all those years ago, I know. I fucked up leaving you. That's the biggest mistake I've ever made. I should've said goodbye, apologized, invited you to come with me- I should've done something!" He ranted, "But I didn't. And I just left..."

John Dory expected you to say something. One of your snarky remarks and cut him off, tell him he's wrong or right, and degrade him on what a terrible person he is because he is well aware of it.

But he's trying.

"Baby, you of all trolls know how terrible I am at apologies," he sighed.

And you didn't bother to correct him on your name; looking at him up and down, eyes still narrowed. You were still angry, you'd probably be angry for a very long time, but for the moment... you'd put it aside.

"What do you need help with?"

His face lit up, beaming at you at your acceptance, not denying him completely, not shunning the troll out, and kicking him back into the rain. You were hearing him out.

You noticed the look and huffed, "Just because I'm asking does not mean I'm going to say yes."

"Floyd's been kidnapped."

Your expression softened, and your mouth fell open in a quiet gasp.

"Kidnapped?"

"I got a letter from him saying he got kidnapped by popstars Velvet and Veneer." He went on and explained the story about how he went to see him and help him escape, only to fail: "-The only way to free him is by singing the perfect family harmony."

You loved Floyd to this day. It'd been years since you'd last talked to him, heard of him at all, but the same amount of affection you felt for the troll remained.

"I need to get the band back together. And... I really can't do it on my own. I'm not sure if they want to see me any more than you did-."

You cut him off a lot.

"I'll help," he grinned. "But not for you. For Floyd. Don't think I've forgiven you yet."

"Yet?"

"Shut up."

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#trolls band together #brozone #trolls #trolls x reader #john dory x reader #jd x reader #brozone x reader #hes soo ugughhh #cocowrites🖊 #what other tags do i put #trolls john dory #trolls brozone #trolls jd

[comicaurora]

top three changes to the star wars franchise?

Like, top three things I would change if I was in charge of the franchise top to bottom?

This is Big Cheating calling it "one change", but scrap the prequels. The original trilogy already implied an incredibly simple by-the-numbers dark fantasy origin story for Obi-Wan and Anakin and if we strip away the space veneer we can easily see that Anakin's original backstory was implied to be "prodigy warrior-wizard is tempted by dark magic (and an established evil sorcerer-emperor who has clearly been in power for more than a scant 18 years by the time of the original trilogy) which slowly corrupts and twists him into a monster who eventually has a fight with obi-wan that he loses, also he has a relationship with a woman who survives to raise Leia for at least a few years". Those are the only points you need to hit, and you could tell a very compelling simple-meal-well-made sword and sorcery adventure with a guaranteed tragic ending. The original prequels fail at holding to the ONLY points of canon they needed to hit - the innately corruptive power of the dark side SLOWLY leading to Anakin's downfall, the empire being an existing threat for a long time and the jedi correspondingly being an ANCIENT religion rather than being less ancient than 9/11, and Padme being alive enough for Leia to remember her a little bit. Close your eyes, clear your mind, let the tropes flow through you - a By-The-Numbers Story will come to you and you will see the completely inoffensive prequel tragedy we could've had. Also, never show Yoda, preserve the fun twist in the original movies.

Easy change for this one. Finn's a force-user with a plot about inspiring a stormtrooper rebellion, another plot that literally writes itself, also let the sequel trio actually all hang out for more than five fuckin minutes because the only thing that ever made Star Wars work was the raw charisma of the actors having a good time and the chemistry was really solid for the only time in the final movie they were allowed to share screentime.

And while we're gutting the sequels, how about letting the hero's victories actually fucking matter. Luke gets to actually reinvigorate the jedi way and doesn't have all his victories ripped away in the name of sequel bait, and can serve as an extremely powerful but very busy Jedi Ex Machina who turns up in the darkest hour to save the day, Mandalorian-s1-finale style. The Empire doesn't just get magically replaced with Empire 2, Now With Less Charisma, let the threat be something actually new or a natural consequence of a newly liberated galaxy in sudden turmoil - feudal tyrants ruling over planetary fiefdoms squabbling to fill the Emperor's power-vacuum, more sith lords coming out of the woodwork now that their greatest rival is gone. Leia and the other rebel leaders struggling to reinstate some semblance of democracy in a scarred and shattered galaxy too accustomed to the crushing totalitarianism of the empire. How goddamn unoriginal to start a sequel by undoing every happy ending from the original series for retreaded drama, as if the universe could only ever hold three problems in it.

#asks #not aurora

[partycatty]

I can't get enough of young Johnny MK11! I love him, god!🥵 How do you like this topic for fanfic? Fem!reader put his jacket and glasses on his naked body, and took sexy selfies.😎❤️‍🔥 Johnny saw this aaand here I’m already giving way to your fantasy hehe~

Thank you in advance! I like the way you write! Well done💕

i'm not sure if i read it right ?? lmk, but i went with my interpretation

johnny cage > call me

johnny's out late working, as usual. you've had enough of waiting and decide to bait him into coming home early

warnings: PHONE SEX TEEHEE

notes: do you guys also like genuinely tweak out wishing he was real? he's so perfect? peak malewife? wishing u were [REDACTED] his [REDACTED] rn?

masterlist

• you were often left to your own devices when it came to living with johnny. he, after all, was a star constantly running around on new projects. any studio would be at his knees for just one contract. he was hollywood's richest man, and you were lucky to call him your boyfriend.

• sure, it had it's moments. the paps stealing upskirt shots from you wasn't ideal, neither was the bush stalking. but you could see past that. what was hardest was when johnny would be gone all through the night, dressed in that stupid ninja mime getup that you learned to loathe since it pulled him away more than his other works. does the world really need a ninja mime trilogy? yes, apparently.

• boredom overtook you, since browsing on your phone for eight hours was now becoming a horrible habit on your neck - and mental stability. you took to mopping the floors, tidying the countertops, dusting his awards. finally, you settled on your walk-in closet.

• it was spacious, big enough for you to each get a side. your side was always decently organized to your liking, but johnny's was... atrocious. jackets hung on one sleeve, some on the floor. the only thing that was neatly organized on his side was the giant rack of sunglasses. he always had a pair to match the outfit and occasion. he probably had about three pairs on him at work.

• as you tried to rearrange his clothing, his distinct, classy scent filled your nose, sticking to the inside of your nose and you couldn't help but feel heated. you missed him, him and his dick. you took a deep whiff of his iconic blue and purple jacket, the one he left at home knowing he'd have to get in costume anyway.

• you threw it over yourself, embracing your torso and spinning in the mirror. it fit him perfectly, but on you it was like a blanket. the sleeves sagged off of your arms and your midsection was swimming. his size was impressive, his form shaped like a greek god.

• you couldn't help yourself, the memories of him and scent turned you on. blame pheromones, dammit! but, you realized you could take advantage of this.

• throwing your shirt off, you donned the jacket again, wearing it like he does - chest exposed. a purple pair of sunglasses practically screamed your name from the rack and you put them on. you looked just like him...! no, not really.

• touching yourself in his clothes was not a new idea, but there certainly was a new idea blossoming in your head. you pulled your phone out and snapped a mirror selfie, trying to flex like he does but your muscles were muffled from the loose fabric.

• how's this for the next cagecon? you text johnny, attaching the photo. you didn't expect him to reply right away, considering he was at work. but before you could lock your phone for the moment, his name popped up within milliseconds.

• don't take me away from work, baby! johnny replies with a winking emoji.

• what if i want to? it's so lonely in your mansion, you reply with an angel emoji, sitting on the edge of your shared bed as you fight a grin. you angle the phone downward, capturing your bare chest. your nipples brush against the jacket, making them stick out through the front. johnny takes a moment to reply, but you feel your phone vibrate once, then twice, then three times.

• fuck, you're so hot in my clothes.

• i'm taking my break early. can't work with a boner.

• the third message was a short video of him palming himself through that stupid costume. the only thing you can thank that outfit for is how prominent it makes his bulge.

• phone sex through texts was also nothing new to you two, considering the distance. as your fingers sink under your panties, assuming that's where things will go before you get a fourth message.

• call me. please.

• you sit up straight, biting your lip. his desperation always got you going. you kicked your pants and panties aside.

• you send one last photo, your body spread out on the bed in his clothes. your hand conceals your dripping pussy playfully.

• why should i? you shoot the message out, giggling at your own words.

• johnny doesn't even reply, he opens your message and calls you. you eagerly accept his call. his voice is echoey and rough. you realize he's hiding in the bathroom. his breathing is heavy.

• "are you proud of yourself?" he asks in a low rumble, trying to stay quiet but his flustered huffing makes his voice whiny. "look at what you did."

• he sends a photo. his cock is eager and out, and you see a teardrop of precum on his tip. you happily exchange that photo for another one, a short video of you gingerly touching yourself. he lets out a breath he didn't know he was holding.

• "i couldn't wait til i'd get home," he admits, and you hear the slick sounds of him jerking off. "i want to, i want to come home and fuck you like that, but i'm here for another two hours."

• "you couldn't have waited?" you ask in disbelief, circling small loops on your aching clit.

• "no." johnny's reply sounded so sure of himself, so convinced in his words. he was as firm as he would've been if you asked him if he killed someone. he knew this to be a fact, he could not wait. "i can't help it, sweetheart. you're just so... god."

• his breaths get heavier and needier, you can sense he's speeding up on himself. you try to match what you assume is his pace, one that he confirms through another video. he held the phone below his dick, giving you a delicious view of his abs and bobbing adam's apple as he swallowed hungrily.

• his arms were painted white, but his hands were his usual flesh tone since he wore gloves for the costume. even still, his veins were incredibly prominent and really helping you reach your climax.

• "we gotta make this quick, baby," he grumbles into the phone, muffling his moans through bitten lips. you're a little louder due to your privacy, much to his delight. "people'll start looking for me."

• "johnny," you whimper out, back arching up off of the bed. "i'm already close." through your haze, you get a video of you masturbating wildly, the jacket now sliding down to your sides and fully revealing your tits as you fuck yourself. "i-i need you, i need you so bad-"

• "i know, baby," he breathlessly replies, straining himself to avoid moaning out your name and attracting attention. "let me hear how badly you need me."

• you could only spew out utter nonsense at this point as your orgasm is dangerously close. he seems to get the memo, though, and gives you permission to cum with him. your needy cries and his muffled grunts make a perfect chorus that you only wish were in person.

• when your breathing slows, as does his, you hear him chuckle to himself. a new message appears in your chat.

• his weeping dick was cradled in his palm, as was a entire handful of semen dripping down his fingers. he wanted to show you just how hard you made him cum from phone sex alone.

• "round one was now," he mumbles as you hear him tear a piece of toilet paper to wipe his hand. "round two is when i get home. you gonna be ready for it, princess?"

• the phone rests on your bare, damp chest as you fixate on the ceiling. you take the sunglasses off and wipe your face with a smile.

• "i'm always ready," you reply with a giggle.

• "that's my girl. see you in two hours. i love you." and with that, he hangs up, leaving you a naked, sweaty mess that's only concealed in his jacket.

#mortal kombat #mortal kombat x reader #johnny cage #johnny cage x reader #johnny cage smut #mortal kombat smut #mk11 #mortal kombat 11 x reader #mortal kombat 11 #johnny cage mk11 #marley writes ☆

[deathsweetblossoms]

The Prisoners Throne thoughts

Spoilers beneath cut! Heads up for a critical review but a positive Jurdan review 😂

Also did anyone catch the Roiben and Kaye mention? It was subtle but it was there..

I’m a little all over the place with my initial thoughts on the whole thing, but here are my main takeaways:

The pacing was weak, especially in the build up (or lack of build up) to Oak’s discovery of The Ghost being the main poisoner of his mother. In the span of two chapters, Oak goes from incandescent rage towards Ghost and his sisters/family, to then processing all of that because of the Ghost’s death?

My issue here is we never really saw Oak talking to his family despite his POV lamenting that they avoid uncomfortable topics. He’s right. They do. And so I would’ve liked for a genuine heart to heart.

On the topic of the Ghost’s death — what the fuck? Also incredibly weak. We didn’t spend enough time getting to know Garrett for that death to be impactful in any way (unless you are me and you’ve been crushing on the Ghost for years). The attitude around the entire thing was so blasé that I genuinely thought he was going to be brought back to life in a few pages.. I just don’t understand what Holly was trying to do here.

Overall this probably needed to be a trilogy so she could develop more of these ideas, because even the romance with Oak and Suren felt a little off kilter to me.

Otherwise, every Jurdan scene was incredible. Cardan, despite his few appearances, carried this whole book on his back for me. Don’t get me wrong, I LOVE OAK. The tragedy of his upbringing, the way he was supposed to have a happy childhood but was turned into a monster by Madoc is so bittersweet.

I think the abdication of being heir was solved a little too easily? But it did leave the door open for some speculation about a Jurdan baby 👀

I was right about the political problem being about the Undersea and I’m really wondering if she’s going to write that from Jurdan POV or from Nicasia.. so that’s exciting!

I wish we had more *Elfhame* in this book. Where was the magic of TCP? I just felt something was lacking and I can’t put my finger on what.

Suren having a rebirth moment like Cardan only adds to my criticism that Oak/Suren has too many similarities to Jurdan that I wish had been avoided — BUT. I love the imagery of it and I’m happy our monster girl got the happy ending she deserves.

A lot of these Cardan moments had me going absolutely insane — him protecting Jude? Him playing with Leander? Oak pointing out that Cardan is brave and picked up a sword to fight in the end as well? Omg!!

How do I feel? Weird. I’m NGL, I feel kind of strange about this book. Perhaps I need to reread the duology or the entire series.

Some other odd things I noticed:

Lady Asha is still alive and kicking it at court? Lol.

Oak thought Taryn was the kind hearted sister who wanted a gentler world

The amount of dead deer imagery (the deer heart in the Citadel, the dead deer on Madoc’s clothes) that made Oak feel ill at ease was equal parts cute and sad LOL. My sweet hoof boy 🥹

The removal of Valerian’s curse and the confirmation that there was, in fact, a curse. What does this mean for Jude going forward?

#the prisoners throne #jurdan #the folk of the air #tfota #oak greenbriar #the prisoners throne spoilers

[ladyluscinia]

Ok, I think I might be exiting the "are you fucking kidding me?" period and ready to make a real argument, so lets talk about Three Act Structure!

Is OFMD S2 just the "Darkest Hour"?

A very common explanation I've been seeing for some of the... controversial... aspects of S2 is that it's meant to be that way. That the middle act is where the protagonists hit their lowest point. Where we get the big failure point. Where everything looks kind of shit.

S2 is supposedly just that point. It's The Empire Strikes Back. People have been making that comparison since before the first episodes even dropped, telling everyone to expect something that could be disappointing or unsatisfying - it's just a matter of needing to wait for S3 to pull it all together.

It's not a baseless framework to consider the show through - I'm pretty sure David Jenkins has mentioned it in interviews (or at least mentioned he planned for three acts / seasons) so it's certainly worth asking how he's doing at the 2/3rd mark.

So - quick summary of Three Act Structure:

Act 1 introduces our characters and world. It includes the inciting incident of the story and the first plot point, where a) the protagonist loses the ability to return to their normal life, and b) the story raises whatever dramatic question will drive the entire plot. Act 2 is rising action and usually most of the story. The protagonist tries to fix things and fucks them up worse, in the process learning new skills and character developing to overcome their flaws. Act 3 is the protagonist taking one more shot, but this time they are ready. We get the climax of the story, the dramatic question gets an answer, and then the story closes.

If you want examples, the Star Wars Original Trilogy is a very popular template. And, hell, he said it was a pirate story... the main Pirates of the Caribbean trilogy also does a solid job with their three acts.

Let's compare. (Spoiler: I'm not impressed 🤨)

---

First thing I need to establish... Wait. Two things. First is that Three Act Structure is flexible, so we can't really analyze success or failure by pulling up a list of necessary plot beats that should have been hit in X order. Second is that if you tell me you are writing a romance with a Three Act Structure - where "the relationship is the story" - the first thing I'm going to do is ask you how you are adapting it. Because while there's not necessarily anything preventing you from applying this to a character driven plot, most people are familiar with it as plot structure for externally driven conflict.

Unless there's a reason the status of the main relationship is intrinsically tied up in the current status of the war against the evil empire, a standard Three Act Structure is going to entail either an antagonistic force that absolutely wants your main couple apart being the main relationship obstacle OR the romance aspect being a subplot to the protagonist's narrative adventure. None of those sound like how the show has been described.

So how is OFMD adapting it?

---

Act 1

(Can't figure out how well Act 2 is doing if we don't start at setup.)

Right out the gate, OFMD breaks one of the main "rules" for a story where the Acts are delivered in three parts. Namely the one where the first Act is treated as an acceptable standalone story, with it's own satisfying yet open ended conclusion.

In Star Wars, A New Hope ends with the princess rescued, Luke finding the Force, Han finding his loyalty, and the Death Star destroyed. The Empire isn't defeated, the antagonists still live... the story is not over, but this one movie doesn't feel unfinished.

Similarly, Curse of the Black Pearl gives Jack his ship back, Elizabeth and Will get together, and Norrington has the English Navy let them all off the hook and give Jack and the pirates one day's head start.

OFMD's final beat of S1 being Kraken Arc starting is not that, even if Stede returning to sea is still a pretty hopeful note. Now... I don't necessarily think this was a bad call. At least, not if the story is the relationship. It's easy to close on a happy ending and then fuck it up next movie if the conflict is external and coming for them. Not so much if you're driving the story with your protagonists' flaws, in part because it should be really obvious at the end of setup that your main characters need development and can't run off together right now. I actually like that they were risk-takers and let S1 look at the situation clearly vs doing a fragile happy end, because it takes into account the difference between a character-driven and plot-driven narrative.

I think OFMD's Act 1 actually ends at maybe the Act of Grace? Well, there through the kiss on the beach, counting as our "first plot point" before everything goes wrong, basically.

At that point, they have setup the story and characters. We've been introduced to Edward and Stede's current issues. Signing the Act of Grace does make the intertwined arcs between them real - it's no longer a situation that either one of them could just walk away from like it was in 1x07 - and we narrow in on the (alleged) driving question of the show:

It's not about "Will Stede become a great pirate?" or "Will we develop a better kind of piracy for the crew?" - the show is the relationship and the big question is "What is Stede and Edward's happy ending?"

Act 1 ends on their first solution, being together and making each other happy and admitting it's more than just friendship. Act 2 starts, appropriately, by saying both of them are currently too flawed for that to go anywhere but crashing and burning.

Now... looking back, what does Act 1 do well vs poorly?

I think it's really strong on giving us the foundation for BlackBonnet's characters and flaws. We aren't surprised Stede goes home or Edward goes Kraken (or at least... we weren't supposed to be surprised. There are still a lot of holdouts blaming Izzy for interrupting Edward's "healing" despite how at this point in the story it doesn't make sense for Edward to have the skills to heal... but I digress). The relationship question is compelling at the end of S1, the cliffhanger hooks, and the fandom explosion of fics did not come from nowhere - the audience was invested.

I also think Act 1 does a great job of settling us in the universe. We understand the rules it abides by, from how gay pirates are just a fact of life to how there's no important organs on the left side of the body. Stede has a muppety force field. Rowboats have homing devices, and port is always as close as you want it to be. Scurvy is a joke. The overblown violence of pirate life is mostly a joke, but we are going to take the violence of childhood trauma seriously.

Lucius's fake-out death, while technically part of Act 2, works well because Act 1 did a good job of priming everyone to go "obviously this show wouldn't kill a crew member for shock value, and we're 100% supposed to suspend disbelief about how he could have survived getting flung into the sea in the middle of the night." And we do. And we get rewarded for it.

Regarding antagonists - a big focus of any setup - the show is deliberately weak. The one with the most screentime is Izzy, and he's purposefully ineffective at separating our main couple. Every antagonist is keyed to a particular character, and they function mostly to inform us of that character's flaws and development requirements. The Badmintons tell us about Stede's repression and feelings of inadequacy, and Izzy tells us about Edward's directionless discontent and tendency to avoid his problems. Effectively - the show is taking the stance this will be a character driven narrative where Stede and Edward's flaws are the source of problems and development the solution. No person or empire (or social homophobia) is separating them...

...which leads me to something not present - there nothing really about the struggle of piracy against the Empire. Looking at Curse of the Black Pearl... we see piracy is in danger. The Black Pearl itself is described as the last great pirate threat the British Navy needs to conquer. Hangings are omnipresent - Jack is sentenced to die by one almost as soon as he's introduced to the story, when his only act so far had been to wander around and save Elizabeth from drowning. OFMD tries to invoke this kind of struggle in 2x08, but there's no foundation. Our Navy antagonists are Stede's childhood bullies, and so focused on Stede the crew isn't even in danger when they get caught. The Republic of Pirates is getting jokes about being gentrified, not besieged.

Even the capture of Blackbeard by the Navy is treated as a feather in Wellington's cap but not a huge symbolic blow against piracy... because we just do not have that grand struggle woven into Act 1. You only know the "Golden Age of Piracy" is ending if you google it, or have watched a bunch of pirate shows.

Overall, a solid Act 1, well adapted to the kind of story they've said they were looking to tell - a romance in the (silly-fied) age of piracy, instead of a pirate adventure with a romantic subplot.

---

Now, Sidebar - Where is the story going?

The thing about the dramatic question - in OFMD's case: "What is Stede and Edward's happy ending?" - is that a) there's normally more than one question bundled up in that one + sideplots, and b) while you aren't supposed to have the answer yet, you can usually guess what needs to happen to give you the answer.

Back to our examples... Luke's driving question is "Will the Empire be defeated?" Simple. Straightforward. Also: "Will Luke become a Jedi?" The eventual climax of our story from there is pretty obvious... the story is over when Luke wins the war for the Rebellion in a Jedi way. That's the goal that they are working toward.

Pirates of the Caribbean is a bit more complicated. We're juggling more characters and have a less defined heroic journey, but there are driving questions like "Is Jack Sparrow a good man?" and "Is Will Turner a pirate / what does that mean?" and even "Will the British Navy defeat piracy?" They get basic answers in Curse of the Black Pearl, and far more defined ones in At World's End. Still, this is another plot-driven narrative. They've laid the foundations for the Pirates vs Empire struggle, and when that final battle turns into the trilogy climax then you know what's happening.

OFMD is not doing a plot-driven narrative. To judge how they are doing at their goals, we have to ask what they think a happy ending entails in a character sense.

Clearly it's not the classic romantic sideplot, where the climax is the first kiss / acknowledgement of feelings. They've teased a wedding in Word of God comments a lot, so that's probably our better endpoint. Specifically, though, a wedding where both of our protagonists aren't ready to flee from the altar (big ask) and where they've both grown enough that their flaws / mutual tendencies to run away from life problems won't tank the relationship.

In Stede's case it's still massive feelings of inadequacy and being too repressed to talk about his problems. Also he ran away from his family to chase a lifelong dream of being a pirate - "Is Stede going to find fulfillment in being a pirate captain, or will the real answer be love?" Edward meanwhile expresses a desire to quit piracy and retire Blackbeard, but we also find out he's struggling with massive self-loathing and guilt from killing his father - "Is retiring what Edward wants to do, or is he just running away?"

If they are going to get to a satisfying wedding beat at the climax of their story, what character beats do we need to hit in advance?

Off the top of my head - both characters need to self-realize their flaws (a pretty necessary demand of anyone who runs away from problems). They are set up to balance each other well, but also to miscommunicate easily. They have to tell each other about or verbally acknowledge that self-realization so it can be resolved. Stede has to decide how much being a pirate means to him. Edward has to decide if he's retiring and what he wants to do. They both need to show something to do with getting past their childhood traumas given all the flashbacks. Through all this, they also need to hit the normal romance beats that convince the audience they are romantically attracted to each other and like... want to get married.

Oh, and this is more of a genre-specific sideplot, but once they demonstrate a behavior that hurts the people who work for them, they need to then demonstrate later how it won't happen again. Proof of growth, which is kind of important in a comedy where a lot of the humor is based in them being massively self-centered assholes. Stede doesn't earn his acceptance in the community until he kicks Calico Jack off the ship, making up for causing the situation with Nigel in the first episode. A workplace comedy can get a lot of material from the boss as the worker's antagonist, but if you want the bosses to stay sympathetic you have got to throw them some opportunities to earn it.

All that sounds like a lot, but like - the relationship is the story, right? If we spend so much time on establishing flaws big enough to drive a story, we also have to spend time on fixing them. Which is where the turning point hits.

---

Act 2: How it Starts

This is where the full story reality-checks your protagonist. Glad you saved your boyfriend and embraced new love in Act 1, but his repressed guilt means he's about to completely ghost you, and your own abandonment issues and self-loathing are about to make his dick move into everyone else's problem.

Again, it's a non-conventional choice OFMD has this start at the very end of S1 rather than with a sudden dark turn in the S2 premiere, but it's still pretty clearly that point in the Three Act Structure.

In Star Wars, The Empire Strikes Back opens with a timeskip to our Rebellion getting absolutely crushed and hiding on a miserable frozen planet. The Empire finds them as the plot is kicking off and they have to desperately flee. They get separated. Han and Leia try to go to an ally for help and end up in Vader's clutches. It's a sharp turn from the victorious note that A New Hope ended on.

Pirates of the Caribbean's Act 2 starts dark. Dead Man's Chest opens with our happy couple Will and Elizabeth getting arrested on their wedding day for the "happy end" escape of the last movie. Jack has not been having success since reclaiming his ship, and we'll soon find out he's being hunted by dark forces. As for the general state of piracy, we get a horrifying prison where pirates are being eaten alive by crows, and a new Lord Beckett making the dying state of piracy even more textual. "Jack Sparrow is a dying breed... The world is shrinking."

The key here is making a point that our heroes aren't ready. This is the struggles part - things they try? Fail. The odds do not look to be in their favor.

Now, OFMD apparently decided to go all-in on flaw exploration, especially with Edward. The first 3 episodes of S2 are brutally efficient in outlining Edward's backslide. In S1 you could see he had issues with guilt and feeling like a bad person. S2 devolves that into a destructive, suicidal spiral where Edward forces his crew into three months of consecutive raids, repeats his shocking act of cruelty with Izzy's toe offscreen (more than once!), escalates it with his leg, and finally they state directly that Edward hates himself for killing his dad so much that he fears he's fundamentally unlovable and better off dead.

Stede's struggles are subtler, but most definitely still there. He's deliberately turning a blind eye to tales of Edward's rampage, half from simply being too self-centered to care about the harms Edward causes others, and half from being unable to face or fathom that he had the ability to hurt Edward that much. Upon reunion he wants to put the whole thing behind them, not addressing why he left in the first place. Very "love magically fixes everything" of him, except Stede is no golden merman.

Interestingly, here, BlackBonnet's relationship dysfunction has very clearly been having a negative impact on the surrounding characters we care about. Make sense, since it's the driving force of the story, but that also adds a lot more relationships we need to make right. Like... Edward is the villain to his crew. The show focuses on their trauma and poisoned relationships with him. And then draws our attention even more to Stede taking his side to overrule their objections to him.

For a story where the conflict and required resolutions are primarily character based, and the setup had already given the main couple a good amount to work with, dedicating a lot of S2 to adding more ground to cover was... a choice. Potentially very compelling on the character end, certainly challenging on the writing end... but not a complete break with the structure.

Bold, but not damning.

---

Act 2: How it Ends

Now it is true that Act 2 tends to end on a loss. Luke is defeated by Vader and loses his hand, and Han has been sent away in carbonite. Jack Sparrow for all his efforts cannot escape his fate, and he and the Pearl are dragged to the locker.

But the loss is not the point. The loss is incidental to the point.

Act 2 is about struggles and failure, but it's also about lessons learned. There's a change that occurs, and our cast - defeated but not broken - enters the final act with the essential skills, motivation, knowledge, etc. that they lacked in the beginning.

Luke Skywalker could not have defeated the Empire in Return of the Jedi until he'd learned the truth about his father and resisted the Dark Side in The Empire Strikes Back. (Ok, confession, I'm using Star Wars as an example because literally everyone is doing so, but frankly it's a better example of formulaic Three Act Structure repeating within each movie because on a trilogy level - relevant to this comparison - it is a super basic hero's journey in a very recognized outfit and as such the Act 2 relevance is also... super basic "the hero tries to fight the antagonist too early" beat where he learns humility. Not really a lot going on. So, for the better example...)

Dead Man's Chest has a downer ending with the closing moment of the survivors regaining hope and a plan against an enemy now on the verge of total victory - a classic Act 2. But in that first loss against Davy Jones we get Will's personal motivation and oath to stab the heart, Jack finally overcoming not knowing what he wanted and returning to save them from the Kraken (being a good man), Elizabeth betraying Jack (being a pirate), Barbossa's return, and Norrington's choice to bargain for his prior life back. The mission to retrieve Jack from the World's End is the final movie's plot, but things are already on track to turn the tables back around as we enter the finale.

Now, relevant sidenote - one major difference between Three Act Structure within a single work vs across three parts is that Act 2 continues into Part 3, and only tips over into Act 3 about midway through. This is because obviously your final movie or season cannot just be the climax. That's why both movie examples start with a rescue mission. They have to still be missing something so they can get the plot of their third part accelerating while they go get whatever that something is.

But if you wait until the 3rd movie / season to get the development going at all - you're fucked.

Jack's decision in the climax of At World's End to make Elizabeth into the Pirate King goes back to the development we saw in the Pearl vs Kraken fight in Dead Man's Chest. So does Elizabeth's leadership arc. Will's whole arc about becoming Captain of the Dutchman gets built upon in the third movie, but it starts in the second. Not just as an idle thought - he's actively pursuing it. Already consciously weighing saving his father vs getting back to Elizabeth as soon as he makes the oath. Everyone is moving forward in Act 2. Their remaining development might stumble for drama, or they might be a bit reluctant, but I know that they know better than to let it stick, because they already faced their true crisis points.

I'm not sure we can say the same about OFMD.

S2 does a good job of adding problems, yeah, but there's not really any movement on fixing them. Our main couple stagnates in some ways, and regresses in others.

Stede opened Act 2 by running away in the middle of the night back to his wife without telling Edward anything. We know he did it because of feeling guilty and his core childhood trauma of his dad calling him a weak and inadequate failure. Now in S1 he actually speedruns a realization of his shitty behavior with Mary, but what about S2? Well...

He continues to not talk to Edward about... pretty much anything. My guy practiced love confessions galore but Edward only finds out about going back to his wife via Anne, and it gets brushed aside with a love confession. He seems to think Edward wants him to be a dashing pirate, or maybe he just thinks he should be a dashing pirate. Idk, it doesn't get examined. Regarding his captaincy, they give him an episode plot about Izzy teaching him to respect the crew's beliefs, but this is sideplot to a larger arc of him completely overruling their traumas and concerns (and shushing their objections) to keep his boyfriend on the ship so. That.

Stede kills a man for reasons related to his issues, shoves that down inside and has sex with Edward instead of acknowledging any bad feelings. At least this time Edward was there and knows it happened? Neither Chauncey's death nor his dad have been mentioned to anyone. He gets a day of piracy fame that goes to his head, gets dumped, and ends on a complete beat down by Zheng where he learns... idk. Being a boor is bad? He's still wildly callous to her in the finale, and spends the whole time seeking validation of his pirate skills. He reunites with Edward, kisses, and quotes Han Solo.

Where S1 ended on a great fuckery, his S2 naval uniform plan after they regroup is ill defined except to call it a suicide mission - and we don't get to see what it would have been because it devolves into a very straightforward fight and flee. And gets Izzy killed. Quick cut funeral (no acknowledgement of his S2 bonding with Izzy), quick cut to wedding (foreshadowing), quick cut to... innkeeper retirement? Unclear when or even if BlackBonnet discussed Stede's whole driving dream to be a pirate and live a life at sea, but I guess that got a big priority downgrade. Despite the fact he was literally looking to Zheng for pirate-based compliments in the post-funeral scene.

I guess he's borderline-delusionally dogged in his pursuit of love now - so unlikely to bolt again - but he's also got at least a decade of experience mentally checking out in a state of repression when he's unhappy. And he's stopped being as supportive and caring toward the crew in that dogged pursuit, while arguably demonstrating a loss in leadership skills, so, um, good thing someone else is in charge?

And if Stede is a mess, Edward's arc is so much worse.

As established, they devote the Kraken to making Edward worse. He literally wants to kill himself and destroy everyone around him in the process because Stede left, and this is fixed by... Stede coming back. That's it. The crew tries to murder him and then exiles him from the ship (and Izzy takes the lead on both, indicating exactly how isolated Edward has become), but it's resolved in half a day by Stede just forcing them to put up with his boyfriend again. Like they think he murdered Buttons and still have to move him back in???

The show consistently depicts Kraken Era as a transgression against the crew, but they also avoid showing Edward acting with genuine contrition. He admits he historically doesn't apologize for anything, and then mostly still doesn't. It's a joke that he's approaching probation as a performance (CEO apology), and then the only person he genuinely talks to is Fang - the one guy cool with him - and the only person who gets a basic "sorry" is Izzy - the guy he really needs to be talking to. Edward's primary trauma is guilt, but apparently he only feels it abstractly after all that? He's only concerned with fixing things with Stede, despite Stede being about the only person around who hurt him instead of the reverse.

Speaking of primary traumas, Edward hating himself doesn't really go anywhere after the beat of self-realization. Apparently Stede still loving him is enough of a bandaid to end the suicide chasing, but he doesn't like. Acknowledge that. Edward is maybe sorta trying to go slow so he doesn't hang all his self-worth on Stede again (you can speculate), but they a) absolutely fail to go slow, and b) he doesn't make any attempt to develop himself or another support structure. Just basically... "let's be friends a bit before hooking back up." And then we get the whiplash that is Blackbeard and/or retirement.

Kraken Era is Blackbeard but way worse, like no one who has known Blackbeard has ever seen him. In the Gravy Basket Edward claims he might like being an innkeeper, before destroying his own fantasy by having the spectre of Hornigold confront him over killing his dad. The BlackBonnet to Anne & Mary parallel says running away to China / retiring makes you want to kill each other - burn it all down and go back to piracy. Stede rightfully points out prior retirement plans were whims. Edward gets sick of the penance sack after a day and puts his leathers back on to go try "poison into positivity". But also claims to be an innkeeper (look - two whole mentions!) when trying not to send children to be pirates after teaching them important knife skills.

Killing Ned Low is a serious, bad thing that prompts ill-advised sex and then going hardcore into retirement mode - leathers overboard, talk about mermaid fantasy, get retirement blessings from Izzy, end up dumping Stede for a fishing job instead of talking about how he's enjoying piracy. The fishing job, however, is also a bad thing and a stupid decision because Edward is a lazy freeloader fantasizing about being a better person. We have an uncomfortable, extended scene of "Pop-Pop" weirdly echoing his abusive dad and then sending Edward to go do what he's good at - disassociate, brutally murder two guys, fish up the leathers, rise as the Kraken from the sea. He continues with comically efficient murder but also he's reading Stede's love letters and seeking to reunite with him so... wait, is this a good thing? Post makeout / mass slaughter he's trading compliments on his kills with Zheng so. Yeah. Looks like it. Murder is fine.

Wait, no, skip ahead and Izzy is dying and Edward suddenly cares a whole lot as Izzy makes his death scene about freeing Edward from Blackbeard. Now being a pirate was "encouraging the darkness" because Izzy - a guy who had little to no influence over Edward's behavior - just couldn't let Blackbeard go. Murder is bad again, and he is freed. Minus the little detail that the murder he explicitly hates himself over was not related to Blackbeard or piracy whatsoever, so presumably haunts "just Ed" still. Anyway he's retiring to run an inn with Stede now, as the "loving family" Izzy comforted him with in his dying moments sails away from the couple that can best be described as the antagonists of their S2 arc. Also Edward implicitly wants to get married. It's been 3 days since making out was "too fast". He's still wearing the leathers.

So most of the way through Act 2 and Edward's barely on speaking terms with anyone but Stede, who he has once again hung his entire life on really fast? Crushing guilt leads to self-hatred leads to mass murder and suicide, but only if he's upset so just avoid that. He's still regularly idealizing Stede as a non-fucked up golden mermaid person (that maybe he personally ruined a bit) because he barely knows the guy. His only progress on his future is "pirate" crossed out / rewritten / crossed out again a few times, "fisherman" crossed out, and "innkeeper ?"

Just.

Where is the forward movement?

It's not just that the inn will undoubtedly fall apart - it's that the inn will fall apart for the near-exact same reasons that China was going to at the beginning of Act 2, and I can't point to anything they've learned in the time since that will help them. I guess Stede realized he loved Edward enough to chase after him, but that was in S1! They should be further than this by now. You can't cram another crisis backslide, all the Act 2 development, and the full Act 3 climax into one season. Certainly not without it feeling like the characters magically fix themselves.

If they just fail and keep blindly stumbling into the same issues because they don't change their behavior, then Act 2 doesn't work. You're just repeating the turning point between Act 1 & Act 2 on a loop.

---

Where Did They Fuck Up?

Actually... lets start on what they did right.

The one consistent aspect of S2 that I praised and still think was done well in a vacuum (despite being mostly left out of the finale) was the crew's union-building arc.

With only 8 episodes and more to do in them than S1, side characters were going to get pinched even if the main plot was absolutely flawless. That was unavoidable. With budget cuts / scheduling issues, we regularly have crew members simply vanish offscreen outside of one scene, meaning cohesive arcs for your faves was not likely. Not to say they couldn't have done better - my benefit of the doubt for the TealOranges breakup and Oluwande x Zheng dried up about when I realized he was literally just her Stede stand-in for the parallel - but something like Jim's revenge plot from S1 was realistically not on the table without, like, turning half the crew into seagulls to afford it.

The union building works around this constraint really well. They turn "the crew" into the side arc, and then weave Izzy's beats in so that they aren't just about Izzy. The breakup boat crew working together to comfort each other and protect him turns them into a unit, and Stede's crew taking it upon themselves to address the trauma vibes while the captains aren't in the way solidifies it across all our side characters. The crew goes to war with Stede's cursed coat and wins, they Calypso their boss to throw a party, and they capitalize on a chance to make bank with an efficiency Stede could only dream of.

We don't get specific arcs, but Frenchie, Jim, and Oluwande are defaulted to as leaders in just about every situation, and Roach is constantly shown sharing his inventions with different characters. Individuals can dip in and out without feeling like the sideplots stutter. Any sense of community in S2 is coming from this arc - even if there are cracks at the points where it joins to other storylines (Stede and Edward, Zheng, etc.)

So why does it work? Well, because it's a workplace comedy, and you can tell they are familiar with working on those. They know where the beats are. They know where to find the humor. They know how to build off of S1 because they made sure the bones were already there - an eclectic group of individuals that start as just coworkers, but bond over time in the face of their struggle against an inept boss who they grow to care for and support while maintaining an increasingly friendly antagonism because, you know, inept boss.

OFMD does its best work in S2 when it's being true to its original concept... and its worst work when it seemingly loses confidence in its own premise.

"The show is the relationship," right? It's a romance set in a workplace comedy. The setup of Act 1 was all about creating a character-driven narrative. So given that... where the hell are we getting the dying of piracy and a war against the English Navy?

That's not a character-driven romcom backdrop, it's an action-adventure plot from Pirates of the Caribbean or Black Sails. It's plot-driven, creating an antagonistic force that results in your characters' problems. Once the story is about the fight against the Empire, the dramatic question becomes the same as those adventure stories - "Will the British Navy defeat piracy, and will our protagonists come out the other side of the battle?"

Forget the wedding. The wedding is no longer the climax of the story, its back to the happy ending flash our romantic subplot gets after winning this fight.

Except, of course, trying to pivot your story to a contradictory dramatic question near the end of Act 2 can be nothing short of a disaster, because either you were writing the wrong story until now, or you've completely lost the plot of the real one. I shouldn't even be trying to figure out if they are doing this, because it should be so obvious that they wouldn't.

And yet.

What do the Zheng and Ricky plots add to the story if not this? Neither of these characters have anything emotionally to contribute to Stede and Edward - they truly are plot elements. It's a hard break from the S1 antagonist model, but it also takes up a lot of valuable screentime. This was considered important, but still Zheng's personality and motivation only gets explored so far as it's an Edward-Stede-Izzy parallel with Oluwande and Auntie, and they only need the parallel for Izzy's genre-jumping death scene. Which follows a thematically out-of-left-field speech about how piracy is about belonging to something good (workable) and how Ricky could never destroy their spirits (um...?). And then David Jenkins is pointing to it and saying things about "the symbolic death of piracy" and speculating S3 might be about the crew getting "payback"??? An idea floated by Zheng right before our temporary retirement, btw.

Fuck, the final episode of S2 didn't have time for our main couple to talk to each other because it was so busy dealing with the mass explosion of Zheng's fleet and Ricky's victory gloat. We get lethal violence associated with traumatic flashbacks until they need to cut down enemy mooks like it's nothing, at which point we get jokes with Zheng. The Republic of Pirates is destroyed outright, and it feels like they only did it because they got insecure about their "pirate story" not having the right kind of stakes. Don't even get me started on killing a major character because "Piracy’s a dangerous occupation, and some characters should die," as if suspending disbelief on this aspect makes the story somehow lesser, instead of just being a fairly standard genre convention in comedy. Nobody complains about Kermit the Frog having an improbably good survival record.

Did someone tell them that the heroes have to lose a battle near the end of Act 2, so they scrambled to give them one?

Just... compare the wholly plot-driven struggle in 2x08 to Stede and Edward's character-focused storylines in 1x10 and tell me how 2x08 is providing anything nearly as valuable to the story. Because I can't fucking find it.

At best they wasted a bunch of time on a poorly integrated adventure plot as, like, Zheng's backstory or something, and just fucked it up horribly by trying to "step up" the kind of plot they did for Jim. In which case the whole thing will be awkwardly dropped but damage is done. Otherwise, they actually thought they could just casually add a subplot like this because they've done something wildly stupid like think "pirate" is a genre on the same level as "workplace comedy" and can just trample in-universe coherency while you draw on other media to shore up their unsupported beats.

Bringing us to the most infuriating bit...

---

"...end the second season in a kinder spot."

If this was the goal, the entire season was written to work actively against it in way that is baffling and incompetent.

The really ironic thing is that the reason that the Act 2 part typically gets a downer ending is because of the evil empire that OFMD did not have to deal with until they pointlessly added it. A plot-driven story has an antagonistic force - a villain - that the heroes need to defeat. Something external working against them. The story ends when they beat the thing, and it's not much of a climax if they do most of the defeating before you get there. Ergo, they have to be outmatched up to the climax. Ergo, the second part cannot end on them feeling pretty comfortable and confident going into the third.

The same rules do not apply in the same way to a character-driven arc.

We already established Edward and Stede declaring their love is not the end of the story. Nor, necessarily, is both of them confidently entering a relationship. Even once they've developed a bunch they will have to show that development by running into the kinds of problems that would have broken them up before and resolving them better.

David Jenkins keeps talking about this idea that S2 is getting a hopeful open ending and S3 will get into potential problems, and like... I don't see any reason why they couldn't have done that successfully. They didn't, but they could've.

If S2 grew them enough as characters and then had them agree to try again in the last minute of the finale, they absolutely could have had a kind and hopeful ending where you were confident they could do it. And then a potential S3 can show that. It's a bit rockier than they were counting on, but they have learned enough lessons to not break up. And then the overall plot can build to proposal (start of Act 3) and wedding (the romantic climax). It doesn't have to be a blow out fight to be emotionally cathartic.

(Hell, the main rockier bit that they overcome in the S3 Act 2 portions could be marriage baggage. I'm sure they both have some. It would work.)

In the same way focusing on our character's long term flaws and character-driven conflict makes an Act 1 "happy ending" more difficult, I suspect it makes an Act 2 "happy ending" easier.

Instead they wrote an Act 2 that failed to convincingly start development and got confused on its direction, and then presented a rushed finale ending in a copy of the predictable disaster from S1 as though it's a good thing. They yanked the story at least temporarily into an awkward place where a romcom is trying to sell me on a bunch of serious drama / adventure beats that it has not put the work into, and inviting comparisons to better versions of those same beats in other, more suited media that make it look worse. The need to portray everyone as reaching happy closure overrules sitting with a major character death and using it for any narrative significance, while still letting it overshadow those happy endings because a romcom just sloppily killed a major character with a wound they've literally looked into the camera and said was harmless.

If I'm being entirely honest, Dead Man's Chest ends effectively at Jack Sparrow's funeral and then cuts to the British Navy obtaining a weapon of mass destruction, and it still feels kinder and more hopeful just because I leave with more faith the characters are actively capable of and working toward solving their problems.

OFMD S2, in contrast, has half-convinced me our main couple would live in a mutually obsessed, miscommunication-ridden horror story until they die.

---

Additional Reading

Normally I link stuff like this in the post, but that requires more excitement than I'm feeling right now. Here's my alternative:

Where I thought they were going with Edward - really outlines the mountain of character development they still have unaddressed

Where I thought they were going with Izzy - touches on a lot of themes that might be dead in the water & also context that's still probably relevant to why Izzy got a lot of focus in S2

My scattershot 2x08 reactions

An ask where I sketched out the bones of this argument, and another where I was mostly venting about the fandom response

This one, this other one, and this last one (read the link in op's post too) about genre shifts and failure to pull them off

The trauma goes in the box but it never opens back up - the whole point of Act 2 is that they needed to start opening shit like that - and also they focus so much on needed character growth and so little on following through

They can't even carry through on character growth that we got last season???

Why Izzy's death feels like Bury Your Gays ran smack into shitty writing

EDIT: Oh and this post is REALLY good for outlining the lack of change in way less words than I did

#our flag means death #ofmd #ofmd s2 #ofmd s2 spoilers #ofmd meta #three act structure #character arcs #blackbonnet #genre #blackbeard ofmd #stede bonnet ofmd #my meta #ladyluscinia #ofmd critical

[shera-dnd]

As someone who was a nerdy teenage boy in the early 2010s I too suffered irreversible damage to my brain chemistry thanks to the movie Scott Pilgrim vs the World

A movie that resulted in most boys of my generation either wishing they were Scott and going down the incel rabbit hole, or wishing they were Ramona and taking E

You can guess which one I was

This eventually resulted in me also reading the comic trilogy and realizing that WOW Scott Pilgrim fucking sucks

I later found out through reading Seconds that Bryan Lee O'Malley just loves writing utter shithead protagonists and then putting them through hell until they come out better the other side

It's safe to say I enjoyed the comic better. In fact I think the movie was very much made with those incel Scott fans in mind

Now in comes Scott Pilgrim Takes Off! a show made to be the diametric opposite of the movie. A show made for us, the Ramona fans who took E

Y'all this show reads like official Scott Pilgrim AU fanfiction and I mean that in the best way possible

The series takes the focus away from Scott and instead spends its run time humanizing EVERYONE ELSE. Scott may still be the title character, but this isn't his story anymore

This is everyone's story. His friends, the exes, and especially Ramona, who takes the leading role in the show. And everyone has the space to shine, grow and develop

In the comics Scott and Ramona are so far in their own heads that they can't see the world around them properly, and the movie is too busy sucking Scott's dick, but this show brings that world to life

So if you wanna see Ramona go on her own adventure, watch Knives grow past her crush on Scott, and see all the many ways the exes can become better people

FUCKING WATCH THAT SHOW!

I could ramble about every last episode bit by bit, but tbh y'all should experience this on your own

I hadn't expected to love new Scott Pilgrim media in the year of our devil 2023, but here we are I guess

#self indulgence #scott pilgrim takes off #scott pilgrim #scott pilgrim anime #also I may need to write some kim x roxy fanfiction later

[3d-wifey]

TBOSAS was a great movie and an even greater miss---here's why:

The problem here is no fault of the movie. It's not that it isn't a good adaptation or that it cut out too many important scenes. The casting was amazing, the acting phenomenal, the writing and plot translated immaculately into the screenplay format, and the ending was tragically beautiful. All of those boxes are ticked. The problem lies with one thing: Coriolanus Snow.

To understand what I mean, I'll bring the main trilogy to the stand. All of the books were written in first person from Katniss's pov. There were things that we as the audience don't know because Katniss doesn't know them and vise versa all do to her inner monologue. But there are also things we as the audience do know that Katniss doesn't because she's an unreliable narrator. She often misreads people because, whether she'll admit it or not, she's highly suspicious of those that aren't obviously weaker than her and is quick to judge in general. Her biases and black and white moral standpoint can be attributed to her environment, ptsd, and, though not confirmed, Autism (source: I'm actually Dr. Autism) or bpd. So, in this case, she's unreliable, but we understand it's not malicious and it was translated well in the movie (i.e. her thinking Peeta wanted her dead, her thinking Peeta is only acting like he's in love with her, her misconceptions about Finnick.)

Coriolanus Snow on the, other hand, is an entirely different case. He's a bad person at the start of the book and that isn't up for debate. His thoughts about Lucy Gray should make you angry, let alone about people who knew and cared for him for years (Tigris and Sejanus). He is also an unreliable narrator, but in a completely different sense than him. While hers is founded in ignorance and defensiveness, his is built in paranoia and narcissism. He's obsessive, possessive, demeaning to any and everyone, and thinks he's owed more than he is and hates anyone that has what he doesn't. We get all this through his inner thoughts as well (him hating the very idea of Lucy Grey being with anyone before him and likening her to a whore---implying she's slept with peacekeepers, wanting to own her in the literal sense of the word hating Sejanus for having basic human empathy, hating looking down on the Plinths who have been nothing but kind to him, so on and so forth). I say he's bad because, though he hasn't done any of the horrible things he thinks about or acts on them is because he didn't have the power or social standing to back them, something he has plenty of as a president. All this to say, the movie lacks that insight into the character that we gain with Katniss. Enough that people that have only watched the movie genuinely believe he was a nice person drove to the brink or thought there was a little gray area in regards to his morality. Enough that people that think the actor is hot will say they like "Coryo" not Snow, or some people send hate mail to the author because they think she tried to humanize him/excuse his behavior, the exact opposite of the point of the book. I don't fault the movie too harshly for this too harshly. Other than having a voice over, they could do very little to convey his every horrid thought. And because of this and Tom's phenomenal acting, Snow was able to manipulate the audience just like everyone else he fucked over.

Snow is a narcissist who can't wrap his mind around people genuinely being kind while having no ulterior motives, because he would never do that from the kindness of his heart. He thinks everyone is trying to back stab him and want to turn on him and are out to get him or are trying to embarrass him because that is what he would do if he was in their position. Unlike Katniss, he can read people and he can act his ass off, but unlike Katniss, he can't see the best in people because he doesn't want to/it doesn't benefit him. He had many opportunities to do the right thing or the kind thing and actively chose not to.

He, more than anyone in the Capitol, even more than Sajanus, should know what the Districts go through. He grew up poor, starved, and was forced to grow up too soon. He knows what it means to have nothing, be starved, and go into the arena and almost be killed. Yet, he looks down on them and sends children who were younger than him when he went into the arena, to their deaths because it benefits him.

He's a horrible person. He's always been bad, but he strove to be worse. I'm not saying the movie wasn't able to portray this in it's own way, but since it's not as obvious and in your face if you're too focused on how cute you think his face is, you can miss it. You'll find reasons to justify his actions just like he does and, ironically, become like his inner monologue where he continuously made himself the victim in almost every scenario.

Again, great movie! Fantastic even, my I beg of you, read a book. Or watch a youtube essay about it.

#tbosas #the ballad of songbirds and snakes #coriolanus snow #coriolanus x lucy gray #i can see why people ship him and sejanus in the movie since you aren't forced to read how horribly he thinks of my poor boy :( #coriolanus x sejanus #sejanus plinth #sejanus deserved better #sejanus my beloved #sejanus plinth the man you are #sejanus plinth you will always be famous #if you hate sejanus for any reason you'll go to hell and burn with Snow (REAL NOT FAKE!!!) #lucy gray baird #lucy gray x coriolanus #coryolanus snow #coryo and sejanus both are like ”i can fix him” and they’re both wrong #tigris snow #tigris snow i'd treat you so right #grandma'am snow #ma plinth #strabo plinth #hunger games catching fire #the hunger games #coriolanus snow you FLOP #3d wifey talks

[essektheylyss]

Ten Books to Know Me

@aboxthecolourofheartache reblogged her version of this from ages ago but she'd tagged whoever saw it and it sounds very fun and difficult so let's do it!

Tris's Book by Tamora Pierce - I had a habit as a kid of always picking up the second book in a series, so this was the first of Tamora Pierce's books I read. Emelan had an effect on me on a microcosmic level, I'm pretty sure. Anyway, the protag of a whole world of mine is named Tris now, in homage to Trisana Chandler, so. the particulate is still kicking around in my brain.

Ptolemy's Gate by Jonathan Stroud - Another childhood FAVE. This series as a whole started fucking with what I understood a book to be. Also the ending of it has a vice grip on me to this day, and it is probably why so much of my writing is very vibey and favors ambiguous endings.

Cyrano de Bergerac - This was the first assigned reading I had in high school that I utterly LOVED. I love this play so much, I love the tragedy, I love the quiet sorrow. This was also the first proper tragedy that I remember really loving.

The Opposite of Loneliness by Marina Keegan - This is a book of poetry and short stories by a Yale creative writing student who was killed in a car crash very soon after graduating, compiled by her professor after her death. I read it repeatedly in college; it is really quite lovely.

Underland by Robert Macfarlane - Apologies to Box who wanted reading recommendations, but she is who introduced me to this book if I remember correctly, and I have spent the two years since I read it habitually picking up Macfarlane's writing without even realizing it. Absolutely phenomenal writing.

Staying with the Trouble by Donna Haraway - @ professor Haraway I know you are a semi-retired scholar and also in the most expensive college town on earth but are you looking for research assistants cuz uh

The Mushroom at the End of the World by Anna Tsing - I actually read both Staying with the Trouble and this book on the same weekend in the start of 2021. I compromised on not including Entangled Life by Merlin Sheldrake, which I felt was very cliche of me, by including this book, which had as much of an effect. Read those three and Pantheologies by Mary-Jane Rubenstein and you will have some semblance of an idea of what the spiritual portion of my brain looks like. In the interest of not writing the same blurb four times I left the latter two off but know they make up a little microcosm of 'you could make a religion out of this' for me.

The Cat Who Saved Books by Sosuke Natskukawa - A Japanese novel about a cat who appears to a teenager after the death of his grandfather, a bookseller. I read it when I was very frustrated with trying to read contemporary fiction and it was a bright spot among that. (I am still very frustrated with the state of contemporary fiction and this book remains a light.)

Braiding Sweetgrass by Robin Wall Kimmerer - Okay I read this one most recently out of this list (over the summer) but it had been on my list for a long time and it really does live up to the hype because it is just so luminous in every sense.

Annihilation by Jeff Vandermeer - I had to put this one last simply because HOLY HELL. Rewired my brain. This is the goal I aspire to, this is the dream I dream, this is the highest peak among the mountain range of writing aspirations that I climb. If I can one day write anything even akin to the Southern Reach trilogy I will be ready to die, but that is an utterly unachievable goal so God's just gonna have to let me live forever, I guess.

#this was SO difficult I'm ngl #I had several more that I agonized over #the fact that there is no le guin on this? insanity. but regardless #also there were some that I didn't include cuz I read them too recently and didn't want to go too hard with the recency bias but #if anyone has read both underland and braiding sweetgrass 'the language of trees' features both authors and is STUNNING #megs is reading #also everyone read the alan dean foster novelization of star trek (2009). that was the other one from my childhood that hit so hard

[ceilidho]

Regarding the mwiii spoilers: genuine question from someone who has never played the games or closely followed the og storyline. You say the writing was lazy, could you maybe elaborate a tiny bit?😊 are they just blindly trying to recreate the og storyline?

Btw I’m also actively choosing to ignore that, just curious about your opinion! But feel free not to answer if you don’t feel like it❤️

this is the one and only time im going to talk about it in depth so:

(mw3 major spoilers below, avoid if you need to)

Soap's death being a) so completely detached from the actual plot of the game that it happens 5 minutes before the game just fucking ends, b) a complete rip off of the original games (going into this, i thought Price might die in this version of mw3 as sort of an inverse to the original trilogy, which imo would've been much more conceptually original given how much has been changed with this retconned trilogy) but without any of the emotional weight that was in his original death (which was FAR more impactful and given more time for the audience to watch Price grieve), and c) given all of max 5 word sentences from his team in the last scene of the game is.......

there was no narrative purpose for Soap's death at all? it didn't serve to push the characters from point A to point B, it didn't motivate the others to "continue on" after Soap's death, it didn't pose any kind of real problem for the characters because Price fixes the bomb after soap dies in like? a second? it's not like they had to go retrieve someone/something because Soap was so vital to the core problem that without him there was a serious risk of the bomb going off.

it just felt cheap and honestly like it was added in the eleventh hour. it felt like they realized that the game lacked an emotional weight so some exec or a writer pitched the idea of just killing a beloved character "because that'll make people sad." if soap HADN'T died in those last 5 minutes, the story wouldn't have suffered at all or really been massively changed.

PLUS even if you want to make the argument that there are plenty of scenes that don't contribute to the narrative but help enhance the overall story, Soap's death didn't even really have any emotional weight! Price - I think - says something when Soap dies but it's barely anything. Ghost lets out a "JOHNNY!" which was sad but also nothing really follows that, Gaz doesn't even SAY anything, and then that piss poor funeral scene at the end wasn't even a proper funeral. they just said a couple words that mean nothing ("he was the best of us" HUH?? HOW?) and scatter his ashes.

boring! yawning! sloppy! LAZY!

[journalsouppe]

Ever since I accidentally picked up and played DGS, I knew I needed to play PLVSPW. I decided to alternate playing ace attorney games with professor layton games until I finished the main trilogies for both and could finally play plvspw, and it was so worth the wait. I love this game so much it is everything I could have hoped and more, so so so much more. Highly recommend to honestly anyone!!!

All of the Professor Layton stickers are from jordydrawsmerch which can be found here and here. All of the Phoenix stickers are by Peachcott!! Every other sticker is from Daiso!

Writing typed below!

Rating: 9.7 Played: Fa 2023 Port: 3DS Favorite? Y Replayable? Y Recommend? Y

Comments

AA stickers by Peachcott, PL stickers by Jordydraws

THE MUSIC???

WITHCES??? TALOS???

HIS NAME IS NOT FUCKING CAR ACCIDENT

I like the UI esp with how the stylus interacts with the screen

Omg the yiga

Omg traveling is easier AND they give you coin and puzzle hints

OH IM JUST NOW IN CORT AFTER THAT INSANE SEQ

WHAT IS GOING ON

LOVE maya’s model

THE REUSED ASPECTS IN DGS OMG

THE CUNTY POSE AAAA

THE PIPE WHACK LMAO

WHITE PAYNE

Love the design of labyrinthia

Im curious if nick and maya will be bombarded with puzzles

I LOVE how the 3D and tech of the 3DS are used to make more dynamic puzzles

A LIVE EXECUTION?

Lmao B&W LSOH moment (Kira ate flowers which is smth that happened in the original non-musical little shop of horrors movie)

SOME GUY

WHAT DO YOU MEAN MAYA AND NICK HAVE BEEN HERE FOR 5 YEARS

Cinderellia lol

Omg the book roof

Labyrinthia at night music is sooo pretty

Kira is the killer… right?

I am so stressed about Luke and maya

Hershel to see the storyteller??

THE PRINCESS TUTU AND DROSSELMEYER VIBSE ARE OFF THE CHARTS

Luke is too small for the defense table T_T

THE STORYTELLERS DAUGHTER??

THE BELL TOWER??

Curse…

LUKE NOOO

WHAT IS GOING ON?? T-T

LMAO NOT ANOTHER PARROT WITNESS

BARNHAM NOO

Top of town so pretty

Major shrek 2 vibes

Is that a bust of cabanela

Layton said lets go somewhere more private LMFAO

I love the nick and Luke dynamic… but at what cost T_T

LAYTON’S ??? AND HIS THEME AHHH

HERSHEL NOOOO

Obsessed with rouge’s design and tattoo

THE WAY I SCREAMED WHEN I SAW HERSHEL AHHH

Love the assistant/mentor switch

MAYA EATING RAMEN AND HERSHEL DRINKING TEA IN THEIR PIXEL ART

^ Maya copies other idles! luke writes in his journal and nick reads his paper!

LOVE darklaws claws!

the vigilante witnesses....

is it really a layton game if there's no tower

GOD DAMN HERSHEL love his sword fighting

omg who is bezella

will layton act as the prosecutor??

the battle against the professor is so nerve wracking

just learned why its called pl VS pw

GO OFF KIRA

ESPELLA AND DARKLAW AS KIDS AWW T^T <333

ooo darklaw's laws have the eyes on them

the "magic" is so complicated

i feel like eve the cat is v important but overlooked

WHERE IS LUKE I MISS HIM T^T

love the belfry search

ooo this is like princess tutu x tunic

this took a sharp turn omg

THESE LADIES T~T

FORK LIFT CERTIFIED LUKE LMAO

BARNHAM!

love eve's black outfit

YURI LETS GO

PROF??

EDGEWORTH??

Summary

This game is everything I hoped it would be. yes it's a Professor Layton crossover, but it also has the charm of DGS x Princess tutu x tunic. The ending was very layton-esque, along with all the reveals. I truly had such an amazing time playing this game. I was initially introduced to this because I heard that DGS was inspired by it, so it was my mission to play both aa and pl's original trilogies before playing. And I am so glad I did bc the wait was so worth it. You can absolutely see the influence this game and professor layton had on Shu Takumi. There's so much passion and creativity between plvspw an dgs that makes playing them all the more enjoyable. I loved how all the main characters interacted with each other, I especially loved how hershel and phoenix swapped assistants. The new characters were also so fun. Espella, Barnham, Darklaw, the story-teller, they were all so unique and enjoyable to interact with. The animation was stellar. This 3D style really works for both PL and AA and im so glad both series took inspiration from it. The music and art was phenomenal, this game honestly should win awards if it hasn't already done so. I also love how any character pulled into an aa game will have their gay moments: phoenix x hershel and espella x eve especially. I can't wait to make art or even write for this game, I will definitely add scenes from this to my ballet au ^^! What a phenomenal game, what a fun premise with the most convoluted layton-esque ending. It was so perfectly I highly recommend!!

#journalsouppe #bullet journal #journal #video game journal #ace attorney #professor layton #plvspw #professor layton vs phoenix wright #plvspwaa #plvspw spoilers

[hopefuloverfury]

I always get so sad when I think about the bachelors and bachelorttes not being able to achieve their dreams :( so how do you think the game would be different if they had? like before they meet the farmer? (i love your writing by the way,,,)

While I was thinking about this, the main question in my head was “Why would any of them still be in Pelican Town if they achieved their dreams?” Sooo I had to put them through some bullshit to get them all in one place lmao. Thank you for enjoying my writing, it means... way more than any of you probably realize. Anyway, this was fun to think about, and I hope you have fun reading it! <3

Mentions of parental death, abuse, infidelity, dysfunctional familial relationships, and reference to Leah’s shitty ex (FUCK YOU, KEL!)

Sam was the lead singer of his own band, but is now struggling to find his new normal after the members decided to go their separate ways. It certainly doesn’t help that they ended on negative terms, and their fanbase has become fractured due to the controversy surrounding the break-up. Sam has come back to Pelican Town to spend time with his family and figure out which direction he wants to take his career, but his band-mates said ill-intended things about him before they broke up, and he’s struggling to make amends with his perception of himself. He tries to write new songs, but he isn’t liking anything he’s come up with, and it’s reflecting poorly on his self-esteem. He wonders if his fans will still be there waiting once he’s ready to release his solo-music, and is paralyzed with fear about what will happen to him and his career if they aren’t.

Sebastian is a professional coder. He saved up enough money to move away as soon as he turned eighteen, and has only visited for holidays since. He was previously engaged while living in the city, but after his fiancé cheated on him with a coworker, he returned to Pelican Town to pick up the pieces of his heart. During his time away he managed to check himself into therapy, so he’s well-equipped to handle conflicts with his family, and his relationship with his mother and sister have improved dramatically since, which is really nice. He is trying his best to pursue a healthier relationship with Demetrius, but the man really doesn’t make it easy. Robin also added an extension to the house, so he doesn’t live in the basement anymore. His room has a window now, but he still prefers the rain, and discovers with surprise that he likes the rain in Pelican Town more than he ever did in the city. It’s nice to see the frogs again.

Alex is a professional gridball player. His mother passed away before she could see him achieve his dreams, but his father has contacted him many times. Alex knows his father doesn’t actually want a relationship with him, though, because the only times he’s contacted him is to ask for money. Alex blocks his dad’s number after catching sight of him on the news, trying to drag Alex's name through the mud, but eventually moves away when his dad breaks into his apartment and wrecks the place. He settles back into his bedroom at Evelyn and George’s house, and tries not to feel too drained by the legal proceedings. It’s pretty relaxing though, going back home during his off-season. Not to mention he really missed the summers in Pelican Town.

Elliott is a reputable author. He’s written a trilogy or two, a smattering of stand-alone novels, and even has a few broadway credits. But after years of constantly writing, he’s burnt out and tired, and needs a break, so he moves out of his stuffy apartment in the city and into the cabin on the beach. He commissions Robin for expansions and repairs, and it’s turned into quite a nice place, if he should be so bold to say so. He talks to Willy a lot, and after hearing the stories the fisherman has collected over the years, he kind of wants to write a book about pirates or some other kind of adventurer, but nothing is coming to mind. He’s got an excess of inspiration and drive, but the moment his pen hits the paper, his mind goes blank. It’s incredibly irritating.

Shane is one of the most notable film directors of the last decade, and he’s got quite a number of credits under his belt. His IMDb page is massive, and while he doesn’t get recognized on the street very often, anyone who knows anything about film will know his name. He moved to Pelican Town with Jas after the death of her parents. Riddled with grief, he had the presence of mind to recognize some bad habits were developing, and he couldn’t really handle the pressure of celebrity life anymore. He drinks occasionally, but he doesn’t consider himself an alcoholic. He only drinks a few times a week—and compared to his colleagues in the city—that’s nothing.

Harvey is an experienced pilot. He initially wanted to join the Ferngill Republic Air Force, but after many discussions with his parents, he decided to pursue an ATP certification and become an airline pilot instead. However, due to the recent trauma of a severe crash, Harvey is taking a break from flying. He’s become intensely afraid of heights, and the thought of getting in a plane makes him physically sick to his stomach. He’s been working on it, but it’s already been a year, and he’s not any closer to being back in the pilot’s chair. What’s wrong with him?

Maru went to university to pursue a career in STEM, but was quickly disillusioned and decided it wasn’t for her, so she decided to switch gears and abandon her dream school. Robin understood after a short explanation and told her to come back home, but Maru’s relationship with her father has become strained since, and even though they regularly experiment in the lab together, it causes some unnecessary drama in the household. Maru tries not to let it get to her too much, but it does. More positively though, her relationship with Sebastian has improved since they both came home, and they can actually hold a conversation without getting irritated at each other. She likes hanging out with her brother, but wishes that they could've gotten along like this as kids, too. They have a lot of years to catch up on!

Penny was a stay-at-home-mom up until a few months ago, when her partner suddenly decided domestic life wasn’t for them, and yanked the rug out from under her. With nowhere to go and no employment, she trudged back to Pelican Town with her tail between her legs and a toddler on her hip, to move back in with her mother. She teaches Vincent and Jas regularly, and works as a private tutor for a few clients in the town over. Pam chose to take on the majority of childcare for her grandchild, but she’s excelling at it and hasn’t stepped foot in the saloon in a long time. It should be a great thing, but Penny doesn’t know why she’s so bothered by it.

Abigail is an active member of the adventurer’s guild, a highly skilled swordswoman, and she will occasionally dabble with the magical forces of Stardew Valley under the careful guidance of her mentor, Rasmodius. Yes, she knows. No, she doesn’t mention it, and neither does he. She doesn’t live with her parents anymore. When she was looking to move out, she asked to buy the deed to the old farm, but was quickly shot down by Lewis, and decided instead to claim the decrepit cabin south of Rasmodius’ tower. Robin helped her fix it up, and after a few months, it was in good enough repair to move in permanently. She spends most of her days down in the mines, clearing the monsters on the lower floors. She’s never gone past level 20, if only to save herself from her mother’s tearful begging, but Pierre has given up. They don’t speak much.

Haley is a prolific photographer. Her portfolio is hefty, some photos dating back from when she was in high school, but the most recent picture is from three months ago, and she hasn’t picked up her camera since. She doesn’t know why, but nothing looks interesting enough to shoot anymore. The world looks flat and dull, but maybe that’s just the city. When her parents ask her and her sister to watch their house in Pelican Town while they galavant through the archipelago on some “soul-searching-journey,” she accepts without preamble. Maybe she just needs a change of scenery to get her inspiration back. Maybe she’ll find her muse?

Leah is a revered artist, and many of her pieces are in museums and art galleries. She tries to live in the city, but quickly realizes that she hates it, and after a few misses, she moves to Pelican Town. The lush flora and fauna kick her inspiration into overdrive, and with the amount of foraged greens she’s been eating since moving into the cabin next to Marnie’s, she doesn’t think she’s ever felt so good. Unfortunately her ex Kel is determined to sniff her out, and that puts a damper on her shiny new life in Pelican Town. She wishes it was because they actually loved her, but she knows it’s only because they miss the luxurious life Leah’s job afforded them. She tries not to think too hard about that, though.

Emily is a fashion designer! She’s had plenty of shows during different fashion weeks and other events, and many name-brands have collaborated with her. She does do stylist work on the side, and many of her clients are a-list celebrities or high profile professionals. She prefers the countryside, though, so when her parents offered her and her sister their place in Pelican Town, she jumped at the opportunity! Only thing is, it’s been years since her and Haley have occupied the same space, and every resident in town has a dark cloud of thick negative energy hovering over their heads. She’s overwhelmed with guilt, knowing she can’t do anything to help.

#stardew valley #sdv #sebby #elliott #sammy #shane #harvey #alex #maru #penny #abigail #haley #leah #emily #bachelorettes #bachelors #hc list? #kinda? #i don't know what this would count as lol #asks #anon #requests

[nateofgreat]

the dumbasses who think they know everything and were in George’s mind or something when he was writing the prequels and therefore their interpretation of them is “Right” and definitely what he meant and not completely opposite fanon….

just taking everything the fucking evil ass Sith Lord who manufactured a fucking galactic war to destroy the Republic and create the Empire/used the Clones to commit genocide/abused his power/played everyone and goddamn Anakin Skywalker says abt the Jedi as fact and totally correct and not biased at all.

like no i don’t think that’s the point of those conversations….you just wrongly think it is. the Sith are not “good” and murdering the Jedi and their babies was not getting rid of a “corrupt” (what the hell are they talking abt with that tired excuse? shut up) org. but also new official d*sney SW content feeds into those takes on the Jedi? especially with the sequel trilogy and D*ve Filoni’s works.

i mean say what you want abt the Obi-Wan Kenobi show and but it at least respected and admired and mourned them properly and showed how devastating Order 66 was from the POV of a youngling survivor and how traumatized Obi-Wan was from Anakin’s actions.

The dangers of writing fictional propaganda I suppose lol.

What's funny is that a lot of the things that the Jedi Order is blamed for are actually Palpatine's fault (an intentional design on his part) specifically for the purpose of distracting them or making them look bad.

Like everyone complains about the Jedi fighting in the Clone Wars when it was Palpatine himself who orchestrated the war and conscripted the Jedi to fight in it.

They complain that the Jedi command a "slave army" when the Clones are intended to be a metaphor for the draft, when Palpatine's the own who ordered their production and then literally enslaved them with inhibitor chips.

The Jedi "steal babies" (not true) and then Palpatine has all of the same babies everyone's so upset about the Jedi raising killed.

I don't understand why Disney's insistent on playing into it. It's like they don't get that the Jedi are the main selling point of Star Wars, they're not going to have much luck with the franchise if they waste all of their time complaining about them and acting like they all deserve to die.

As much as the Last Jedi's panned for this it at least presented the idea that the Jedi Order's failures didn't define them and that they could pass on what they learned from it all. Filoni looks more like he's going the route of, "They failed, they suck, they're wrong about almost everything, and they need to completely change." Which is uhh, not very intriguing.

I also prefer Kenobi, it was a good show. Most the complaints I see about it are mostly just minor plot holes and contrivances that I think could've been caught if they'd given the team a little more time to iron things out. So I blame Disney for that one. And showing how terrible Order 66 was fit nicely into it.

#Star Wars #Pro Jedi #In defense of the Jedi #Jedi Order #The Jedi #Dave Filoni critical

[antianakin]

what are your opinions on the sequels? specifically how luke (and his new jedi order) is portrayed. but also like just the jedi stuff in general, the training and everyone becoming force ghosts and somehow palpatine

Oh gosh, it has been a MINUTE since I've even watched the Sequels. I'm planning on rewatching them sometime early next year for Reasons, but for both episodes 8 and 9, it'll be the first time I've seen them since I saw them in the theaters. I MIGHT have seen episode 7 after its theater release, but not often. I can definitely say I haven't watched a single one of them since 2019 lol.

All of that to say, I don't remember them super well. I liked episode 7, but didn't care AT ALL for TLJ and was ho hum on TROS. My overall opinion is that it's too bad these characters didn't have anyone writing for them who seemed to actually CARE about them at any point and that nobody bothered to create a fucking blueprint for the entire trilogy and then stick to it. Say what you will about the execution of the Prequels, but Lucas had a damn vision in mind and a clear end goal for the story and the characters and he STUCK TO IT. You can go back to those films and rewatch them and find that story and see the arc he was trying to take the characters on. You may not LIKE what he chose to do or feel like it worked very well, but it's clearly THERE. The same cannot be said for the Sequels. The characters change personalities in basically every film, the primary motivations and intended end goals for them are never consistent, the relationships aren't built up well, and the theme and message of the Sequels is so muddied with all of these changes that they may as well not exist.

All of that is very broad, though, and doesn't touch much on your specific question about the Jedi and Luke and how they were portrayed in the Sequels. To be honest, I don't remember it very well, and when I saw these films, I was a pretty casual Star Wars fan who was still what I would now consider Jedi critical. I didn't hate them by any means, but I had absorbed the fandom osmosis of the Jedi having been too repressive/old-fashioned and how they caused their own doom. So I haven't watched them from a more pro Jedi lens yet in order to comment on it with any level of authority.

What I DO remember feeling was that making Luke bitter was a bad choice. There's undoing a character a little in order to allow them to develop somewhere, and then there's complete and utter character assassination and TLJ's characterization of Luke falls closer to the latter for me. The biggest thing anyone remembers about Luke is that he chose not to kill Anakin in ROTJ. That's his big climactic triumph. He goes on an entire journey towards understanding Anakin and having to accept that Anakin was a person making evil choices so that he could believe in Anakin's ability to be BETTER. That's kind-of the core of Luke's WHOLE JOURNEY. So I don't really get the entire concept of Luke reacting so violently to "feeling some darkness" in his teenaged nephew. He's already sort-of worked through that particular flaw of his and overcome it, why is he suddenly reacting this way? What's the point of that? And why would Luke just completely lose himself to cynicism and bitterness in the aftermath of that kind of failure? What was the point of leaving a piece of map behind or whatever? None of it really seems to make any sense to me and you can just FEEL Rian Johnson sort-of tossing things in the trash as he wrote this so that he could do his own thing.

All of that being said, what I've seen other people comment on is that there's a lot of shit Luke says in TLJ that are pretty anti-Jedi, but that the whole point is that Luke is wrong. Luke is succumbing to despair and so he feels like he's defeated and there's no point to anything and he's WRONG. The movie does pretty strongly emphasize that he's WRONG to feel this way and act like this. So I think a lot of people take what Luke says in this film sort-of at face value without taking into account that context that you're not SUPPOSED to agree with him any more than Rey does. I'm interested to see how I feel about it when I do end up rewatching them in a few months, but it rings relatively true to what I can remember.

It doesn't seem wrong that Luke and Leia could end up being able to ghost, it doesn't make any sense that Han can ghost but we all know that that happened specifically because Carrie Fisher died mid-filming and they had to figure out how to work around that, so I'm willing to give a little bit of slack to TROS for that exact reason.

I don't remember much training even HAPPENING on screen. I remember Luke barely teaching Rey anything at all in the one week she spends with him and Leia sending Rey on an obstacle course at the beginning of TROS. I wish they'd chosen to spend more time really showcasing more of Rey's actual training (or, ya know, FINN training in Force abilities at all), but I don't have any strong feelings about it at this point.

And as for Palpatine, I think everybody knows it was a bad choice to make at this point. It was lazy, it was silly, and it doesn't work. It feels like a direct response to Snoke having been killed off too early and disagreements between the directors and the studio execs about whether Kylo Ren should be a villain or not. It doesn't work and nobody likes it.

So, yeah, my feelings are a little faded at this point because I disliked them enough that when I do my Star Wars marathons, I never include the Sequels in it and I just stop at ROTJ. I feel like that says enough on its own.

#star wars #star wars sequel trilogy

[exquisiteserotonin]

Precious Possessions 10: Every Rule

Pairing: Dave York X F! Reader (Original Female Character)

Rating: E is for Explicit - 18+ only 🔞MDNI🔞

Previous | Next | Masterlist

Word count: 7401

Summary: Firefly takes some time for clarity and understanding about everything and everyone, including the role she plays in Dave's life and the one he plays in hers.

Warning: This chapter is incredibly PLOT heavy...and while it absolutely 100% includes Dave, is very focused on reader and her feelings for and about him. Angst. Religious symbolism. Angst. Violence. Angst. PiV sex - wrap it up lovahs, riding, mild restraints, creampie. Angst. Once again please DNI if you are not 18 and over. Also not beta'd, so all errors are my own. Please be kind.

A/N: Thanks to all my babes who encourage me to continue writing even though it can be fucking hard and so personal especially when you put your heart and soul into each character. Also, if you are familiar with the Equalizer trilogy then you will know and understand some of this.

@youandmeand5bucks @pink-whiskey-woman @redhotkitchen @arcanefox207 @legendary-pink-dot @sparklefarts38 @morallyinept @secretelephanttattoo

Taglist: @nerdieforpedro @sheepdogchick3 @casa-boiardi @missladym1981 @untamedheart81 @drewharrisonwriter @guelyury

“Lying on top of you is one thing, but getting close to you is another. I feel close to you, one with you, you’re mine whether it is acknowledged or not.”—Henry Miller 

In the morning you awoke with a start, reaching for an alarm clock that didn’t sound, for a body that wasn’t there. Morning light whispered through the paper-thin curtains, shining on the bare stone wall. Working together with the gentle breeze from outside, a slow sense of calm began to hold you. Seabirds and salt air surrounded you as you opened a window—a wooden shutter with three slats crooked, broken, and beautiful, the only barrier to a rectangle shaped hole in the stone.

Slow and easy, sometimes boring—those were your mornings since you had arrived. You stumbled through the first few days like an infant taking its first steps. No electronics, no real connection to the outside world, relying on shuffling through pages of a pocket-sized English to Italian dictionary to navigate your way through the occasional brief conversations you had with the Altamonte locals as you gathered your bearings.  

The constant overthinking presented an obstacle to overcome. By your eighth day there, the simplicity of life wouldn’t allow it. Neighbors shouted morning greetings through open and bright green shutters as you dressed. A t-shirt, white and crisp, a pair of well-loved jeans, and a black leather jacket finished with a pair of white sneakers. A uniform or sorts, you thought, as you descended the stairs from your apartment. A passerby could have been a mirror image of you just by clothing alone. Was this what people meant by “dressing like a local”?

At a nearby café, your ability to blend in was tested as you found your place in a sea of color neutrality, sitting at the lone empty table near the front door. A youthful and friendly server who looked to be no older than 17 approached you, her raven curls atop her head bounced when she stopped. Not a line tempered her smooth, dark olive skin as she flipped open her notepad with a smile. 

“Cosa desidera Lei?” 

“Un caffe per fevore,” you replied, with the young server nodding in acknowledgement at your order. 

From your purse you grabbed a journal of worn, brown leather. Its corners curled upward from opening and closing it frequentlly The pages lay ruffled and beaten with the gift of constant use. Your fingers also grasped a pen lost in the depths of your bag that met you like an old friend that had come to save you in your time of need. The ink flowed from your pen to the paper as you wrote about the salt air, the distant cawing of seagulls skimming the shore, and the mist of calm that seemed to settle over every corner of the town.

You turned your head to look through the clean windows into the cafe to observe the locals—individuals, couples, families. The images of them gleamed like reflections on a stream. In the window, you imagined Dave next to you—a mirage, a specter haunting and present no matter how hard you tried to push it away. In the back of your head, you asked yourself: Do I really want to? 

“Buongiorno!” a voice rich and deep in time and timber reached out to you. 

A newly familiar face greeted you. His hands, like his voice, showed evidence of assuredness through lines of time and wisdom that were beginning to settle on the backs of his hands. The smile lines on his face were set dark and deep into his face, indisputable evidence of living. 

“Buongiorno, Dottore!” you exclaimed, standing up to take his hands and give him a kiss on each cheek. 

“Everyday, at the same time, I see you here,” the rich melody of his voice and the kind smile he gave you managed to whisk away the chill that coursed through your blood, if only for a moment. 

“Well, the calm is a nice…change,” you mused and paused for a moment, contemplating if you really believed your own words.

Enzo settled down in the chair next to you, the smile beneath his mustache was warm and fatherly.  As he sat next to you, the young server returned carrying two small cups of coffee for both you and Enzo. You observed closely as Aminita, as Enzo lovingly called her, greeted him with greater familiarity than you had combined with an even greater respect. He spoke to her with the kindness of a doting grandfather. Bits and pieces of their melodic words met your ears, the depths of your brain manipulating them until you worked out their meaning in English. 

“So, what have you seen since you have been here?” Enzo inquired as he settled into a chair next to you. 

“Oh, it’s only been a few days, but,” you sighed with a dramatic pause, “just having the ocean right here has been more than enough.” 

Enzo smiled back at you and his eyes glimmered with excitement and wonder. It was the kind of gleam that you had only seen among young children and the old. Pressing his hands together he stood up and waved at you in a gesture for you to finish your coffee. You sipped as quickly as you could, your coffee just on the right side of warm---the cozy kind of warmth that wrapped you in an invisible hug on a cold day. 

“Andiamo,” he urged you as you swallowed the last of it. “Come on, I’ll show you the real Altomonte.” 

“Ok, ok!” you replied, conceding to him. 

Uncomfortably, you chugged the last bit of coffee with an audible hiss before you stood up. You took quick steps over the cobblestone streets as you followed Enzo. His gait was quick and determined for a 60-year-old. A smile curled at the corners of your lips as you watched him skip ahead of you with more excitement than a tour guide being paid to show you the village.  

He walked you through one of the many archways of the town, this one longer than others. The path was just wide enough to allow for the regular flow of movement brought to life by the villagers. What greeted you through the arch was more life than you had expected, not dark and dank as you had presumed. Nestled along the stone walls were market vendors selling homemade wears of rosaries, crucifixes made of wood from olive trees, and hand-embroidered scarves delicately adorned with intricate, swirling designs. You could feel your mouth drop open in awe as you caressed your fingers along a deep blue scarf with two white lilies embroidered at each corner. You were certain that the elderly woman who made this was grossly underestimating the time and talent it took her  to fashion such a unique and beautiful item. A small, rectangular piece of paper lay on top of the scarf and written in ballpoint pen was the price of a mere 50 euros. 

“Beautiful, yes?” Enzo remarked with a smile. 

His eyebrows were raised as he looked back at you. Reaching into your purse you pulled out your beige, leather pocketbook to procure a one hundred euro note. It called to you, that foreign feeling that you so rarely experienced of reaching for something that you just knew you had to have. It had only happened once before.

Your hand trembled slightly as you handed the woman the euro note, a sign of the thoughts of Dave that took hold of you. As the woman took it, the wrinkles around her smoothed from her wide-open eyes. The look of shock overcame her as she examined the note. She waved at you, her tone an odd mixture of gratitude and scolding that could come only from a strong Italian woman. 

“Ti prego di prenderlo,” you insisted in as humble a tone as you could. “E magnifica.” 

You watched in earnest as Enzo spoke to the woman, conceding to her and talking her down until she stared back at you with a satisfied glimmer in her eye while handing you the scarf. Immediately, you tied it loosely around your shoulders while following Enzo’s lead ahead of you. As you sauntered through the cobble stoned streets, Enzo pointed out the fish market. The owner, Angelo, waved at you alongside his wife and son as they proudly arranged fresh fish on piles of ice—waiting for villagers to snatch them up for their evening meal.

The sunlight greeted you on the other end of the archway, where ancient stone walls guarded each side and where Enzo stood at the foot of a steep set of stairs. He turned around to you and gestured towards the steps with excitement surging through his fingertips. 

“Have you gone up to visit the church?“

Your gaze followed Enzo’s upward to a church set into the mountains, that stood proud with its pristine ivory in color that was brighter against the lush, green foliage of the mountainside. A hint of premature frustration crept beneath your skin as you mentally took in the slope of the stairs. You were in good shape, you had to be. Yet your legs automatically ached with a phantom pain that you knew would come from traversing the steep climb to the church. 

Enzo gestured for you to come over, picking up one foot after another over narrow and steep stairs. The waves of the Mediterranean crashed over the walls guarding the village. The fresh salt air traveled with the breeze until it began to dance in your hair. 

“Climb these steps every day and you’ll be young the rest of your life,” he teased, “That is my doctor’s order for you.”

Something between a laugh and a gasp escaped you before he gestured for you to catch up. When you finally did, your eyes settled on the weathered rock as the air caressed your hair and your lungs filled with deep, cooling breath that led to a wistful sigh. 

“Come on, old man!” You took the chance to take a break from your jog to rib your dark-haired companion as he fought to catch his breath standing amidst a steep, but beautiful set of stairs.

You rocked your hips back and forth as you kept your feet bouncing from side-to-side in a stationary jog. He looked up at you, gathering his hands at his hips as sweat began to gather at the center of his charcoal-colored t-shirt, clinging to his lean, but broad-shouldered form. Not one speck of amusement found itself on his face as he glared at you. The steadiness of his stare caused you to slow your jog to merely stepping your feet beneath you. When a smile finally slid over the surface of his pouty lips, his eyes bore into you, heavy, dark, and tempting --- the look of the devil you always wanted to know. 

“I’ll be generous,” you recalled him saying, his words dripping like the sweetest nectar from the most forbidden flower, “and give you a head start.” 

“Just like you to assume I need one,” you challenged as you stood above him, placing your hands on your hips. 

He readied himself a few steps below you, a determined glint in his brown eyes that sent a chill scurrying up and down your spine. Simultaneously, it sent a warm, throbbing sensation at your center as he looked you up and down. He doubled down on his threat, setting himself in a starting stance to race up the stairs. You followed suit, turning your back away from him, trying to keep your focus ahead of you. His very presence behind you already threatened to consume you and though he was steps below you, you swore you could feel the heat of his exhales rippling on the back of your neck.

And with no warning, he spoke, “Run.” 

The memory of you leaping up the stairs traveled through your feet as you slowly made your way up the steep stairs leading to the church. It was silly really—the present was just a moving dichotomy of your memory. 

You didn’t dare look behind you. Doing so would have meant certain defeat. An feeling of nervousness mixed with intrigue filled you as you ran, ran, ran as fast as you could. The sense of him gaining on you heightened through every pore. Your feet pounded on the steps and your arms swung tightly with each quick stride. Quick breaths rattled from your lips as you focused your eyes to the top of the majestic stairs. Cockiness lined your lips into a premature victory smile, when you suddenly felt a pair of hands grab at your hips, forcing you to slow down to a rhythm that matched his body. You felt the heat of his warm fingers wrapped around your elbow as he pulled you into a dark, concealed alley. Breathing even harder than when you were running, Dave pressed you against the wall, his hips rolling against yours. 

His face was so close that you could smell the clean, yet intoxicating sweat that collected upon his skin that had been made golden with Sicilian sun. Each breath he drew was quick and in time with yours. A quick gasp escaped you as you felt his warm hand lower to skim the waist of your leggings, his thick fingers. A shiver circulated through your body as he toyed with the elastic band. 

“When are you going to learn, Firefly?” he growled into your ear, his lips brushing at your neck and earlobe. “I’m always going to catch you.”

***

“Bella! Bella!” 

Enzo’s voice sounded through the cloud of your memory. Without even really being cognizant of it, you had made it to the top of the ancient stairs. The breeze blew stronger at this height, whipping your hair across your face. As you brushed your waves back, your eyes beheld how the wind danced on the rich, blue water and how it made ripples that shimmered with the golden sun. 

“You see, all this makes Altamonte,” he gestured to the church, the statues, and the paintings of the woman. 

You stared at the wonder and pride in his eyes. Somehow, you knew he meant more than just this place. If he could, he would just stretch his arms from here to the ocean. From his voice that trembled with pride and from the gleam that shined in his eyes, you knew. Only an act of God could wash it away. 

“Come in child,” he said, as he gestured you over to the door of the church. 

“Oh no, I’m not religious,” you said as your shoulders shrunk from the discomfort of the words. 

You didn’t need proselytizing. 

“You think she cares?” Enzo asked, already halfway through the threshold of the church. “But you choose.”

Humoring him, you stepped inside. An unexpected shiver oscillated, tapped, and pricked over your body. Goosebumps arose beneath your sweater. The cold that lived in the walls easily could have trapped you, threatening to take away whatever life you felt beneath your skin. Instead, it invigorated you as they made union with the warm colors of the sun that painted the walls of church like they were her own, personal canvas. You peeked through the windows that let that light in. Each had a perfect view of the village. The beauty had you holding your breath as you marveled at how the stone buildings gathered together and overlooked the bluest water you’d ever seen. 

When you finally let yourself breathe again, you found a seat next to Enzo. He knelt in reverence, his eyes closed and hands clasped together. The flicker of several candles set the room aglow, his flame burning brightly among the many. 

You, on the other hand, sat with quiet patience. It was more like a museum to you. Your eyes settled over the statues and paintings that adorned the church. So much adoration for a woman filled in a church that was ostensibly governed by men. 

Maybe they had it wrong, you thought. Maybe the church was meant to be built upon the shoulders of a matriarch who chose her path of raising a leader, instead of a girl who was bestowed the gift of raising a savior. The way these thoughts meandered through your mind was nearly enough to make you laugh. Sometimes you shouldn’t be left to your own thoughts. 

Enzo settled back into pew in the empty space next to you. A deep sigh escaped him as he turned his head to you. His eyes softened in concern. A slight discomfort pressed onto your shoulders as you navigated your response to the kindness. 

“People always come and rest here, some pray, some meditate until they find an answer,” Enzo said, his voice imbued with the notes of great wisdom. “Even me.” 

You nodded in acknowledgement, waiting for him to continue. 

“And you, too, correct?” He asked. 

He didn’t even entertain you with the space or time to answer, not that you had one to give him. Not one that was truthful by any means. Instead, you nodded and waited for whatever wisdom he was ready to give you.  

“I don’t judge,” he stated with a look so deep with thought and an undercurrent of pain that you knew his words were true, “Nothing good comes from it.” 

He sighed again. The weight of whatever memory he was holding was heavy on his shoulders. The tired lines around his eyes seemed to grow in real time, a remnant of the pain that remained.            

“I’m not trying to…ehm…intrude in your personal business,” he paused to find the words, “but are you really here for rest, to find peace, as you say? Or…are you running from something?” 

And there it was: the truth. It had never left. In that moment you could have felt anger, maybe something bordering on hatred for someone cornering the truth out of you. But you didn’t, not this time. You met the doctor’s gaze with the same hesitancy of a child who was hiding something from a parent. Without words, he knew the answer but bore no judgment against you. Instead, he patted you reassuringly on the hand as you took in the warmth of the flickering flames at the altar. 

The sky was a bolder blue against the midday sun as you took your sojourn back to the main square. It seemed impossible that you’d spent as much time in the church as you had. Enzo held onto your arm lightly as you climbed down the steep stairs. A steady stream of pedestrians began to fill the cobblestone streets as you ambled through corridors from which you came. As you walked through the town, the warm and smiling faces of the locals continued to greet you even as Enzo departed from you to continue with his day. 

The remainder of your day moved in an ethereal mixture of fast and slow. From the time you made it back into town you were able to stroll along the seashore, allowing yourself to bathe in the wind as you dug your toes in the sand to buying bread from the local bakery and enjoying it with a cup of tea you watched the sky melt into shades of coral, purple, and then blue as the sun disappeared beneath the horizon. 

As a deeper blue settled in the sky, the evening sounds of Altamonte whispered in a different way than the sounds of the morning. The vibrations were buzzed with an energy that was somehow  enlivening but calming at the same time. It should have called you to join everyone. Instead, you let the sounds energize through the open window of your apartment. And you waited as the locals left the restaurants, drunkenly and lovingly alive. The whispers of the night called you as they always had, as they always would. While the citizens of Altamonte were beginning to turn in for the night, you dressed yourself and immersed yourself in the comfort of the late night. 

You approached a restaurant a few blocks from your apartment. A low, heavy feeling struck you in your stomach. Something pulled at your shoulders, tight and aggressive until it pressed and pulled at the skin of your throat. The invisible intensity threatened you with an unsettling and ominous aggression. You tensed into defensive mode as you moved closer and closer to the scene. Loud clatters of silverware and the dragging of chairs against the cobblestone streets set you into a stance that you only ever needed when a job with Dave and the team called for it. 

You dashed with light steps across the cobblestone to gain a better vantage point of the situation. Despite yourself, you heard Dave’s voice in your head as though he was walking you through a training exercise. 

“Your brain is your best asset. Read, know, and breathe the situation and you have the upper hand.” 

You slinked closer as your eyes focused on the situation before you. The threat: two men. His frame was wiry. He couldn’t have been more than 5’9” you surmised. His dark, wavy hair was slicked back, and the ends curled just past his ears. What he lacked in stature he made up for with menace. His stare was wide and manic as he loitered among the tables strutting forward towards a beautiful, young waitress who’d been cleaning the tables outside. The thin man’s counterpart was noticeably taller and more physically imposing. He stood with an unwavering posture, his wide shoulders. He had a closely cropped haircut, and a brow that dipped down into a deep frown that seemed permanently affixed to his face. 

Fear darkened the face of a young woman’s face as the thin man continued to advance on her, trapping her among tables and  into a corner. The owner, her father, stood in the doorway, his feet ready to stomp forward and rescue his daughter. A few strands of her hair fell over her face as she gestured to him to stay inside the restaurant. Two heavy and threatening hands belonging to the burly crony pushed her father back impeding any heroic action he might attempt. The thumping of your heartbeat was fast and loud in the silence of the night, fast enough and loud enough for you to take a deep breath with the hopes of calming it.

“Collateral damage is always messy and always a liability. Blend in: the less remarkable you are, the less of a target you become.”

With Dave’s instruction resonating in your head, you closed in on the restaurant picking up your pace to a light jog. The thin goon continued to advance upon the young woman as her father struggled against the tall man’s hold, keeping their attention from you. It was as though panic traversed through her body the closer you came. The fear that seemed to hide behind her eyes thumped toward you, pumping you with adrenaline and readiness. He held her hostage with a lascivious scowl as he pushed a strand of hair from her face. His hands grabbed the back of her neck, each finger white with violence as he dragged her forward, her skin already red with pain beneath his vice grip. Both men, so arrogant against the struggle of their captives, paid you no attention. 

“Let them underestimate you, then you can always find a way to get the upper hand.” 

All at once a scream from the waitress, yells, and grunts from her father as he struggled, rose in the air as you lunged towards the thin man forcing his grip from the young woman. Adrenaline pumped through every one of your veins as you pulled his thumb backwards and shoved him back with concentrated strength as you simultaneously pulled the gun that he so arrogantly placed in the waistline of his pants. Losing his footing, he stumbled backwards to the ground. You stood protectively in front of the girl as his brutish sidekick attempted to lunge toward you. 

The man raised his eyebrows for a moment and lifted the corner of his lips into a disgusting smirk. He was big and monstrous. You analyzed how each movement was stifled by how grotesquely bulbous his muscles were. Your foot was already hooked to the leg of one of the metal chairs closest to you. In the second he lunged in your directions, you lifted and ejected the chair at his solar plexus. With an additional, forceful stomp of your foot to his chest that knocked him to the ground. 

In the time it had taken you to knock them to the ground, the waitress and her father had escaped inside, and the sound of a police horn approached quickly. You looked down on the two men and brushed a few wayward strands of hair from your face. Adrenaline rushed from your veins to the tips of your fingers. 

The two men stood up, attempting to smooth out the wrinkles of their expensive Italian suits. The thin man glared at you with his hand placed protectively at his chest. It burned still from the pain you inflicted upon him. 

“I think that’s your signal to leave,” you stated with a voice as steadfast as your stance. You kept your hands tightly on his firearm.

With one more snarl, the men disappeared into the night. The motor of their car rumbled off, growing quieter the further they drove into the night. It was silent and more of Dave’s words surrounded you. 

“Never call attention to yourself, but if you have no choice, you need a plan to leave fast.”

The young waitress and her family looked at you, their eyes gleaming with grateful tears. The only thing you felt you could give was a nod. Receiving gratitude, handshakes, and hugs weren’t anything you were prepared or willing to receive. You just weren’t built for it. 

You rushed away using shadows and looking over your shoulder anytime you found yourself in the light. When you arrived back at your apartment, you set your already neatly folded clothes inside your suitcase. It was another trick Dave had taught you. 

Cellphone. Passport. Wallet. Keys. 

With all of them accounted for, it was time to go. You stared at the gun that you had taken from the thin man. You tried to sift through your options of discarding the weapon, when slow, quiet knocks tapped at your door. In an instant you were pressing your back to the wall, sliding along as you made your way towards the door with the thug’s weapon in your hand. It wasn’t in your itinerary to take care of two gangsters on your vacation. 

One, two, three deep breaths.

The knocks became quicker and more urgent. You listened closely for any noises that would alert you to the kind of weapons they had. Just as you reached to open the door you heard a familiar voice through the door.  

“Child, it’s me: the dottore!” 

You wanted to let out a huge sigh of relief, but your heightened vigilance had settled over your neck and shoulders holding you in a position that disallowed it. 

“Enzo,” you finally called out after much deliberation, “are you alone?”

With immediacy, he replied, “Yes!” 

His voice was as steady and confident as a surgeon who was moments away from performing life-saving surgery. You analyzed it, homing in on its lack of fluctuations, listening for any indication that someone else might be standing next to him waiting for you. You drew one more breath and opened the door. Seeing Enzo standing on the other side alone allowed you to let go of the breath you held in your chest. He rushed past you, closing the door behind him. 

“What are you doing here?” You asked through gritted teeth. 

“I heard what happened.” 

“How did you--,” you began to ask. 

“I know everything in this town,” he stated plainly, as he looked you directly in the eyes. “Where is the weapon?” 

You felt your brow immediately furrow at his request. This was the kind of situation Dave urged you not to find yourself in. Trusting people, feeling for people, even giving a little bit of yourself to anyone would be a folly in your line of work. One that would certainly get you killed. 

“No, not happening Enzo,” you insisted as you shook your head. “I cannot get you involved.”

“I think it’s too late for that.” 

You stared back at him, feeling a pressure of disbelief and gratitude as he held his hand towards you with a dish rag that he had pulled from a kitchen drawer. You pressed your lips tightly together and a painful sting of tears began to form at the corners of your eyes. Enzo reached his hand out to you again. 

“Are you a good person or a bad person?” 

An unfamiliar feeling of confusion, guilt, and sadness came over you. One that had you re-evaluating nearly everything. 

You replied to Enzo tearfully, “I don’t know.”

He stepped forward and offered you his fatherly stare. The one you felt was so undeserved. 

“Only a good person would say that.”

It was at that moment, you wondered, maybe, if Dave had it all wrong. 

You looked back at Enzo with a look that you hoped conveyed your gratitude. There were no words that existed that held enough magnitude to describe it. You grabbed your things quickly, looking at him once more before you walked out the door. He gave your arm a reassuring squeeze and you pulled him in for a hug. You held him tight, your hands nearly squeezing to the point where neither of you could breathe, shaking as you let him go. 

“Non dimenticare mai chi sei, cocca,” he said followed by a kiss to your forehead that instantly made you feel like you were truly cared for.

And with one last look, you disappeared into the night. The cool air met you and the sound of ocean waves ascended to your ears. Each smell and sound engulfing you and holding you in what you wished was a long goodbye. The bittersweetness of your tears met the corner of your lips. Yet somehow, each event, each choice, and each movement you made reminded you that all of this was just as it was supposed to be. 

***************************

The last 24 hours blasted by you like a bullet train. Everything around you moved in a blur while your body somehow moved at a pace slower than everything around you. You moved through each moment with an exhausted automaticity: getting off the plane, getting a taxi , and finding your way home. 

With caution still at its peak, you entered your home. You checked every room and every closet two times until you felt certain that no one had followed you from Italy. You held your phone in your hand staring at the black screen, contemplating if you should even turn it back on. With a long sigh you pushed the buttons at the side of your phone, setting it quickly aside on your nightstand before running to the bathroom to avoid any notification like they were a plague. 

You stepped into your spacious shower, jumping a little as cold water met your skin before gradually raining on your body with much needed warmth. You stepped out of the shower, drying off before wrapping yourself with your towel. You shook your hair with your fingers until your wet waves rested at your shoulder. A notification appeared on your phone connected to your security system.

Filling your lungs with a deep and steady breath you walked towards your kitchen to pour yourself a drink of water. Standing in silence, leaning against your kitchen counter, stood Dave. His eyes stayed only on you with his hands crossed over his chest. He was wearing his best poker face: no anger, no fear, no hate…but for a moment you spotted it: an inkling of relief, a hint of regret, a glint of—? No you wouldn’t let yourself welcome the thought.

You brushed past him, pouring yourself some water. You looked up at him, no words leaving either of your lips. The water was cold, refreshing, and awakening on your lips. As you walked past him back to your you could practically feel him seething. Coming at you like heat waves but bouncing off you as you kept your cool. 

Staring back at him from the end of the hallway just outside your bedroom you called to him.

“Are you coming to bed or not?”

You swore you heard a sigh of exasperation escape him as he crept towards you with his hands on his hips — the way he always did when he was particularly frustrated. Satisfied by his inescapable allure towards you, you turned away from him, confident in the knowledge that he would follow you. 

“I’ve got to hand it to you,” Dave spoke as he perused your hair, your eyes, your face, your skin, “I’m impressed you were able to be off the grid for as long as you did.”

“I don’t think that matters much now,” you declare looking up at him as he moved towards you. “I’m back.”

Dave took his hands to caress your face, his grip against your skin pressed with the perfect amount of firmness. A faint shine of gratitude emanated from his eyes. He would never say it, but you could see it. You could feel it from the touch of his hands and by the warmth emanating from his body—he missed you. 

It was enough. You pulled one hand from your face bringing it down to where your towel wrapped around your body in a tight tuck. With firm guidance you made him pull the towel off your body letting it tumble to the floor. His eyes darkened and he shook his head with a smirk near disbelief as he admired your body. 

“Fuck, you’re fucking beautiful as ever.” He groaned as he grabbed at the front of his pants. 

Nearly a month without him, not one text or phone call…by your own design. Forgetting him wasn’t the answer. Understanding yourself in your entirety always led back to the same conclusion: you were his. 

Not able to wait a moment more, you grabbed him by his dark sweatshirt pulling it over his head and tossing it away. You didn’t think you’d taken a pair of pants off a man faster in your life. His breaths came heavy and fast as you pulled him towards you, admiring his naked body as he did yours. 

And then you kissed him.

After so long without him, the fire that sparked from touching him burned hotter than ever. You pulled his body to yours so tightly that your breasts pressed onto his chest, feeling each desperate breath that rose and fell over him. Somehow your arms found their way around his broad shoulders while he wrapped his around you, his hands grabbing your ass massaging up your back, until his fingers are threading themselves in your hair. 

Your kisses were an exploration of renewal, of remembrance of how each other tasted while also, somehow, feeling brand new. His tongue had never been so needy before. The gruff moans that released from his mouth were so different and more unbidden than you’d remembered. And his cock, his lovely, thick, uncut cock, was so hard against your lower belly. The tip already cried for you with precum. 

With one swift movement you spun around and shoved him to the bed. His eyes widened with devilish excitement as he spread his limbs across the expanse of your bed. His cock stood at attention for you, ready to comply with your every demand. 

You crawled towards him, like a black cat slinking in the dark. The smell of him was so musky, salty, and clean as you lowered your face and then your mouth to the tip of his manhood. Holding the warmth of him again felt like a gift as he throbbed in your hands. The taste was even better as you took in the precum onto your lips and then your tongue, each taste bud lighting you up with desire. 

He moaned, his hand hitting your pillow with a thump as your mouth and tongue continued to worship him. 

“Oh shit, fuck!” He growled as he gripped your sheets. 

Not even close to satisfied you lifted your face from your handiwork, tucking your hair behind your ear. You glided forward over his body, giving him another kiss before straddling him, only letting him feel the outer lips of your wet cunt. He reached his hips upward for you.

“Tsk, ah ah ah,” you crooned, teasing him with another grind of your hips, “not til you beg for it.” 

“Fuck, Firefly, fuck—!” 

You moved your hips again. 

Dave couldn’t stop the moans that came from his beautiful lips. So beautiful, you traced your thumb over them. 

“Is that all you have to say for yourself?”

You grew wetter with each teasing press of your hips. 

An unintelligible and wanton groan came from him. 

You tugged him by the hair, his eyes staying on yours and his brows angled downward in a combination of anger, frustration, and desire unique to him. 

“Tell me, daddy.”

“Fuck, s—so fucking sexy,” he groaned. “Fuck I’ve missed this, your fucking body, my pussy.”

It was all you needed to hear.

You lifted your hips and braced your hand on his chest before you slowly began to sink over his cock. You bit your lower lip as you felt each thick inch of him enter you until he was so deep you could go no further. Pressing your hands onto his soft belly you began to move. Just that nearly sent him over the edge. 

“Fuck, Firefly, how are you even better than I remember?“ Dave praised, as he gripped your thighs with his hands. 

You rolled your hips slowly against his, adjusting to his thick size in your tight pussy. A shuddering breath left your quivering lips. With each bounce and roll of yourself on his massive member turned your breaths into loud and melodic moans. Not wanting to lose yourself just yet, you pressed your lips tighter together the more rhythmic your pace became. His cock throbbed within you, feeling impossible deeper with each move you made. 

“Ah, my god!” You whined, unable to keep silent as Dave suddenly thrust his hips upwards to match your moves. “God, your cock is so good.”

Dave could only muster a gruff moan before interlacing his fingers between yours. You could feel his breath becoming more erratic with each move of your tight cunt over his cock. His hands began to squeeze yours tighter and tighter as your pussy squeezed him.

With a quick forward movement of your hips, his hard member popped out from inside you. 

“Ahh, fuck!” He moaned as he gritted his teeth in frustration at the loss of your wet center around him. 

You climbed off Dave and reached over to your nightstand, pulling a rope from the drawer. You straddled his waist while fashioning a strong knot around his wrists, tying him to your bed frame. He looked up at you, hazy and hungry to feel his cock sheathed in the tightest walls of your pussy. A smirk unfurled itself on his lips as you rocked yourself along his shaft, anointing him with your nectar. 

“How does it make you feel,” Dave spoke, the sound coming from the deepest part of his throat, “thinking you have some kind of control?” 

The words stopped your gyrations and brought your face an inch from his. You could feel your breath circling his lips, close enough that you could see them quiver. With a strong squeeze of your right hand to his face you licked from his chin to just above his lips before kissing him. Your tongue parted his lips with a firm swipe, leading his tongue into a dance he had no choice but to follow. The way your bed frame rattled as you looked down upon him told you more than any words from him could say. 

“So you’re telling me this,” you squeezed and rubbed his cock with the tightest fist you could make around him, “is the gift I get after being gone for so long?”

You slinked your hips back down, teasing his cock with your opening. With the most sultry intent, you stoked his primal want for you, not settling onto him right away. The way he continued to fight against the taut rope around his wrists sent chills that emanated from your center.  He’d never say it, but you certainly knew everything he fought against confessing.  

Generosity began to sneak over you and you allowed him to fill you as you lowered onto him, inch by throbbing inch. And as though your life, your everything, depended on it, you took him for a ride. Consuming, savoring, and indulging in every delicious, warm, and pulsing inch. You brought him to the edge of ecstasy only to bring him back. Your bodies devolved into a beautiful mess of sweat and desire.

Until it was time. Neither of you could hold back. You clutched the headboard as your hips bounced vigorously on his cock. You looked into his eyes and he into yours until you both came with a hot, violent shaking of your body and an uncontrollable thrust from his hips up to yours. Together you filled the walls of your bedroom with a duet of rapturous groans and sobs of euphoria. 

Still holding him inside you, you graciously removed the bindings from his wrist. With urgency, he circled his hands around your waist until they gave your ass one more squeeze. The warmth of his hands traveled up your back and worked through more of your waves before they pulled you in for a kiss. Simultaneously hot and chilly aftershocks of your orgasm trembled through your body before you lifted yourself off him. 

“Goddamn,” he sighed, his voice cracking as you collapsed on top of him.

Minutes passed like hours as you breathed in time with one another. In the silence, you listened closely to each other's sounds. The unexpected feeling of his hand beginning to your hair startled you. He stopped for a moment surprised by your reaction, slowing the movement of his hand, wrapping his arm around you to caress your shoulder with an embrace. He slowed the racing of your heart with more slow breaths and a barely audible hush from his lips. You could feel the intentional slow rise and fall of his chest against your back, your eyes growing heavy until both of you fell into the arms of a deep sleep. 

Late into the night, you stirred with one arm tucked close to you and the other draped lightly over Dave’s. The hum of your ceiling fan drummed peacefully in your ears as your eyes fluttered lightly looking at his form lying next to you. You almost surrendered yourself back to sleep when a sudden thrashing motion shook you awake. 

You propped yourself up and saw Dave tossing next to you, sweat beading at his forehead. His voice started with quiet mumbles, groans, and bellows that shook with anger and fear. You reached over to him, gently caressing his forehead. 

“Dave…Dave?” You started gently. 

He continued to writhe as his brow furrowed and wrinkled his forehead. 

“S--, no, S-- Sa---,” he called out, still trapped in his nightmare. 

“Dave, it’s me!” You said more firmly wrapping his face with your hands. “I’m here. I’m here.” 

He awoke, startled as he looked at you with wild eyes. He pressed his lips to yours, wetting your mouth with a soft warm touch of his tongue, before turning your back to his chest and wrapping you in his arms. He thread his fingers between yours, kissing your shoulders. He murmured words you were almost certain he was unaware of before drifting back to sleep.  A demand? A request? A plea?

“Stay,” his voice breathed through the silence as he gripped you tighter against his warm body, “just stay.”

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