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#but I still enjoyed and loved them :)))
galaxylover06 · 2 months
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Sometimes I also like gay hedgehogs
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dekariosclan · 4 months
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Imagine Gale as a talented and impressive young man, able to compose the Weave at will, skilled in a way that few can match, and favored by the Goddess of Magic herself. Imagine that because of these accomplishments, he’s caught the eye of a few up-and-coming magic adepts, and he falls in love with one of them—his first real love. Gale isn’t one to toss the ‘L’ word around lightly, so when he tells them he loves them, he means it; he gives himself over to them completely.
And in return, they love him for his potential. For his status. For the magic he can command. They love the wizard they see on the surface, but not the man underneath. They are attracted to his power, but not to him.
So of course the relationship fails, after the thrill of his magic wears off. But because Gale is a resilient young man and he’s caught the eye of so many, he soon falls in love with another.
And then it happens again. And again.
And each time Gale’s heart is ravaged, his ambition to become a better wizard grows, because he’s being shown time and time again that his magic ability is all that matters.
So much so that, by the time Mystra decides to elevate him from Favored to Chosen to Lover, he welcomes her with eager, desperate arms. Because if all his worth is in his magic, and that’s all he has to offer, and that’s all anyone wants from him, who better to love him than the Goddess of Magic herself?
Except…there’s a nagging voice in the back of his head that whispers she doesn’t really love him. There’s anxiety in his heart as time passes, and he reaches both the limit of what his talents can do and what Mystra will allow him to do. And most troubling of all: a growing panic that, just like his other lovers, she will soon grow tired of him and discard him if he can’t improve his magic any further.
He tries pouting, and pleading, and begging her to let him take more power, to let him be more for her, but she refuses. Smiles patronizingly. Tells him to be patient. But Gale can’t be patient when his power is tied so closely to his self-worth; he can’t be patient when doing so in the past has only ever lead to heartache.
So he does what he believes will be a Grand Romantic Gesture, one that will finally put him on equal footing with the woman he loves. Instead, it turns out to be a folly that dooms him and destroys his talents. And just as he’d always feared, Mystra tosses him aside the moment his magical gifts are gone—because what’s left of him holds no value for her.
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Imagine Gale in his tower, alone, afraid, the ever-hungry orb in his chest, with only his tressym there to help him. No other friends to speak of. His colleagues forced to keep away for their own safety. His magical talents utterly stripped down, so that even when he does try and distract himself with illusions, he’s bitterly reminded of what he used to be capable of. Waking every morning wondering if it will be his last, ending every day full of loneliness and disappointment.
…and then he meets Tav.
At the lowest point in his life, at his most vulnerable, when he knows he’s going to be considered a burden, he meets this stranger and their group. So he does what he can to be useful—assigning himself to be camp cook, offering up his (now meager) magic skills, turning the charm up to 11—as he desperately hopes this will somehow work out. He’s pleasantly surprised when, after providing only minor details of his condition, Tav agrees to help him. He’s even more surprised when they actually follow through.
Imagine how Gale feels as Tav treats him kindly. As he grows to trust Tav, and then grows to like them. Imagine his surprise as he opens up and shows them more and more of himself, and they don’t turn him away.
But then his condition worsens. And he has to reveal everything: the foolish mistakes he’s made, and how dangerous he is as a result. He clings to Tav’s hand as he shows them his folly. He’s at their mercy now, and he knows this might be the last time he’ll ever feel the touch of another being, if they decide—and Gods, why wouldn’t they decide?—to cast him out.
…but they don’t. They don’t. Instead, they tell him to stay.
Imagine the relief Gale feels. The gratitude. And perhaps…just a hint of something more. Something that he dare not name, but that flares to life every time he thinks of how warm their hand was in his. Something that feels dangerously close to jealousy, when he’s had too much to drink and sees Tav smiling at another…
But he knows these are all foolish thoughts, because he has nothing to offer Tav. They are wonderful just as they are, but he…he is an empty shell of a man, a discarded husk of a wizard, and while they might tolerate him, he could never believe they might actually want him.
And besides, he still thinks of Mystra. He still longs for Mystra. She who cast him out, but to whom he still feels tethered. Sometimes he needs to cocoon himself in the weave, just to try and calm his fears and bring some joy back to his life, because magic is his life. And sometimes he just needs to see her face, even though that hurts as much as it heals.
One night he’s lost in thought, having conjured Mysta’s image after settling down at camp. Thinking that even if she hadn’t ‘loved’ him—certainly not in the way he’d loved her—she’d given him enough otherwise, hadn’t she? She’d amused him and been amused by him, they’d shared countless pleasures, why hadn’t he been satisfied with that?
Gale is so lost in thought he doesn’t realize Tav has come up behind him. Until they ask a question, startling him out of his trance. He’s a bit shaken, so he tries to turn the conversation from Mystra to the weave itself. And then a wonderful idea occurs to him, something that he’d been toying with already: what if they were to conjure the weave together?
He can show Tav how important magic is to him, let them experience what he does, perhaps even impress them a bit. But most importantly, share a moment with them. As friends would do…
He’s elated when Tav agrees. He leads them through the steps effortlessly, and they’re a surprisingly good student, following his instructions correctly (if a bit clumsily). He’s as excited as they are—perhaps even more so!—when they succeed in channeling the weave.
It’s such a pleasant, familiar feeling for him, like coming home to his tower in Waterdeep. Even as the weave connects him with Tav and makes them one, he’s easily able to hide his innermost thoughts, because he’s done it so many times before.
…but he’s forgotten that Tav has not.
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Imagine Gale knowing every romantic partner he ever had only wanted him because of how he could raise their status, or how he could amuse them, or how he could command magic for them. And, each time, he was happy to oblige them, even desperate to oblige them, because if that was the price of their love, then he was sure it would be worth it.
But it still all came to nothing.
Now imagine Gale connected in an intimate way with someone he likes very, very much—while being what he considers his lowest, most worthless, and most humbled self. As far from the powerful, impressive wizard he once was as he could ever be. And suddenly a vision enters his mind from the lovely creature standing next to him. Only, to his complete and utter shock, it isn’t one where he is providing them with a service, or wowing them with his magical ability, or granting them some kind of power from one of the spells he commands.
Instead, when he sees their desire laid bare before him, it’s a vision of kissing him. Of holding his hand. The two most basic forms of affection and physical connection. The two things that he would still be able to offer them even if every last ounce of his remaining magical abilities were stripped from him. The two things he could share with them even if he was no longer Gale of Waterdeep, and just plain old Gale Dekarios instead.
Imagine the embarrassment and trepidation he feels at first, because surely he is mistaken?…and then the elation when he realizes that he is not. So much elation that his concentration is broken, the weave dissipating as he forgets about channeling it, as he forgets about Mystra. Because all that matters to him now is the image before him—the most pleasant and welcome image he’s seen in a very, very long time.
Imagine how that would feel…and how besotted, enamored and completely devoted he’d be to Tav afterwards. To know that someone finally—finally—just wants him.
Just imagine.
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kaladinkholins · 3 months
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Very interesting to me that a certain subset of the BES fandom's favourite iterations of Mizu and Akemi are seemingly rooted in the facades they have projected towards the world, and are not accurate representations of their true selves.
And I see this is especially the case with Mizu, where fanon likes to paint her as this dominant, hyper-masculine, smirking Cool GuyTM who's going to give you her strap. And this idea of Mizu is often based on the image of her wearing her glasses, and optionally, with her cloak and big, wide-brimmed kasa.
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And what's interesting about this, to me, is that fanon is seemingly falling for her deliberate disguise. Because the glasses (with the optional combination of cloak and hat) represent Mizu's suppression of her true self. She is playing a role.
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Take this scene of Mizu in the brothel in Episode 4 for example. Here, not only is Mizu wearing her glasses to symbolise the mask she is wearing, but she is purposely acting like some suave and cocky gentleman, intimidating, calm, in control. Her voice is even deeper than usual, like what we hear in her first scene while facing off with Hachiman the Flesh-Trader in Episode 1.
This act that Mizu puts on is an embodiment of masculine showboating, which is highly effective against weak and insecure men like Hachi, but also against women like those who tried to seduce her at the Shindo House.
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And that brings me to how Mizu's mask is actually a direct parallel to Akemi's mask in this very same scene.
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Here, Akemi is also putting up an act, playing up her naivety and demure girlishness, using her high-pitched lilted voice, complimenting Mizu and trying to make small talk, all so she can seduce and lure Mizu in to drink the drugged cup of sake.
So what I find so interesting and funny about this scene, characters within it, and the subsequent fandom interpretations of both, is that everyone seems to literally be falling for the mask that Mizu and Akemi are putting up to conceal their identities, guard themselves from the world, and get what they want.
It's also a little frustrating because the fanon seems to twist what actually makes Mizu and Akemi's dynamic so interesting by flattening it completely. Because both here and throughout the story, Mizu and Akemi's entire relationship and treatment of each other is solely built off of masks, assumptions, and misconceptions.
Akemi believes Mizu is a selfish, cocky male samurai who destroyed her ex-fiance's career and life, and who abandoned her to let her get dragged away by her father's guards and forcibly married off to a man she didn't know. on the other hand, Mizu believes Akemi is bratty, naive princess who constantly needs saving and who can't make her own decisions.
These misconceptions are even evident in the framing of their first impressions of each other, both of which unfold in these slow-motion POV shots.
Mizu's first impression of Akemi is that of a beautiful, untouchable princess in a cage. Swirling string music in the background.
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Akemi's first impression of Mizu is of a mysterious, stoic "demon" samurai who stole her fiance's scarf. Tense music and the sound of ocean waves in the background.
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And then, going back to that scene of them together in Episode 4, both Mizu and Akemi continue to fool each other and hold these assumptions of each other, and they both feed into it, as both are purposely acting within the suppressive roles society binds them to in order to achieve their goals within the means they are allowed (Akemi playing the part of a subservient woman; Mizu playing the part of a dominant man).
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But then, for once in both their lives, neither of their usual tactics work.
Akemi is trying to use flattery and seduction on Mizu, but Mizu sees right through it, knowing that Akemi is just trying to manipulate and harm her. Rather than give in to Akemi's tactics, Mizu plays with Akemi's emotions by alluding to Taigen's death, before pinning her down, and then when she starts crying, Mizu just rolls her eyes and tells her to shut up.
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On the opposite end, when Mizu tries to use brute force and intimidation, Akemi also sees right through it, not falling for it, and instead says this:
"Under your mask, you're not the killer you pretend to be."
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Nonetheless, despite the fact that they see a little bit through each other's masks, they both still hold their presumptions of each other until the very end of the season, with Akemi seeing Mizu as an obnoxious samurai swooping in to save the day, and Mizu seeing Akemi as a damsel in distress.
And what I find a bit irksome is that the fandom also resorts to flattening them to these tropes as well.
Because Mizu is not some cool, smooth-talking samurai with a big dick sword as Akemi (and the fandom) might believe. All of that is the facade she puts up and nothing more. In reality, Mizu is an angry, confused and lonely child, and a masterful artist, who is struggling against her own self-hatred. Master Eiji, her father figure who knows her best, knows this.
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And Akemi, on the other hand, is not some girly, sweet, vain and spoiled princess as Mizu might believe. Instead she has never cared for frivolous things like fashion, love or looks, instead favouring poetry and strategy games instead, and has always only cared about her own independence. Seki, her father figure who knows her best, knows this.
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But neither is she some authoritative dominatrix, though this is part of her new persona that she is trying to project to get what she wants. Because while Akemi is willful, outspoken, intelligent and authoritative, she can still be naive! She is still often unsure and needs to have her hand held through things, as she is still learning and growing into her full potential. Her new parental/guardian figure, Madame Kaji, knows this as well.
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So with all that being said, now that we know that Mizu and Akemi are essentially wearing masks and putting up fronts throughout the show, what would a representation of Mizu's and Akemi's true selves actually look like? Easy. It's in their hair.
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This shot on the left is the only time we see Mizu with her hair completely down. In this scene, she's being berated by Mama, and her guard is completely down, she has no weapon, and is no longer wearing any mask, as this is after she showed Mikio "all of herself" and tried to take off the mask of a subservient housewife. Thus, here, she is sad, vulnerable, and feeling small (emphasised further by the framing of the scene). This is a perfect encapsulation of what Mizu is on the inside, underneath all the layers of revenge-obsession and the walls she's put around herself.
In contrast, the only time we Akemi with her hair fully down, she is completely alone in the bath, and this scene takes place after being scorned by her father and left weeping at his feet. But despite all that, Akemi is headstrong, determined, taking the reigns of her life as she makes the choice to run away, but even that choice is reflective of her youthful naivety. She even gets scolded by Seki shortly after this in the next scene, because though she wants to be independent, she still hasn't completely learned to be. Not yet. Regardless, her decisiveness and moment of self-empowerment is emphasised by the framing of the scene, where her face takes up the majority of the shot, and she stares seriously into the middle distance.
To conclude, I wish popular fanon would stop mischaracterising these two, and flattening them into tropes and stereotypes (ie. masculine badass swordsman Mizu and feminine alluring queen but also girly swooning damsel Akemi), all of which just seems... reductive. It also irks me when Akemi is merely upheld as a love interest and romantic device for Mizu and nothing more, when she is literally Mizu's narrative foil (takes far more narrative precedence over romantic interest) and the deuteragonist of this show. She is her own person. That is literally the theme of her entire character and arc.
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favoure · 10 months
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heyyy <3
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cheerioskid · 10 months
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more hermits i enjoy watching but don't draw that often
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peachesarts · 10 months
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greelin · 9 months
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getting emotional about the concept of people buying food for others. cooking for them. bringing leftovers home for someone else. Warmth and care stored in there for real. insane
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mikimeiko · 7 months
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Our Flag Means Death Season 2 - one gif per episode (with the first gif from their first scene and the last gif from their last scene) | Jim Jimenez
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toadallytickles · 6 months
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"Ticklish tomboys are always welcome." // inspired by this post ♡
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knife-filled-plushies · 7 months
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i love these two so i decided to doodle them hsjfhskfj
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tiny bit of style experimentation
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u3pxx · 7 months
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symmetrical tool headshots of the good omens and bad omens sillies 🤍🖤 one where they're normal and one where they're also normal nothing to see here forces of heaven and hell who want to put them on trial ;^PP
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and also, bonus swap crow aziraphale and fem swap zira and crowley based on this drawing of mine!
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canisalbus · 4 months
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I'd like to say that I love your art but never really saw the older stuff where Machete is just getting the shit kicked out of him by a homophobic universe so I only know your cute gay dogs as operatically dramatic dudes getting into Situations that only homosexuality can save them from.
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b4kuch1n · 3 months
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THEE audiodrama disguised as podcast
#sherlock and co#s&co#sherlock holmes#john watson#mariana ametxazurra#Ive been thinking abt these design SO much lmao. even while doing other things#decided to take cues from acd/granada more. hence sherlock's headband to mimic slicked back hair#and I went with Colors bc. well first of all Im a clown. but second of all I recall some stuff abt victorian fabrics and uh. the wonder of#arsenic green etc#they were enjoying the colors I can commit to some#and. okay Im so real with u Im also a long haired john truther bc he has a podcast of course he'd have long hair but#I think its gonna take a Hot minute. currently this is still like the slightly-grown-out regulation cut#john's jacket is bc he and sherlock are 90s kids. this was a moment of enlightenment to me. I can give john every windbreaker on earth#mariana gets the jean jacket bc I like to imagine she's a y2k kid#(sherlock I think is only 90s kid in year of birth that man's childhood was skipping class to burn shit in the wood)#(but he canonically sews which I fucking love so much. he has not bought new clothes for almost a decade#if a shirt's disintegrating no it isn't. not on his watch)#a lil sad I cant figure out how to give them hats lol I feel like thats the most victorian thing there is. a stupid hat#I can at any moment give one of them a beanie. but I refuse#there are. like a Hoard of other scribbly sketches I did to get used to drawing them. but those are for me those are not for the public#and also theyre in my sketchbook and Im too lazy to scan them#happened mostly during lunar new year lol. I was getting Hard whipped then thank u s&co for carrying me thru#ok I do other things now. have this for a while ok? thank u#have a good night lads. enjoy motion
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noxious-fennec · 6 months
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A redraw of an old thing because exam season is the only time i get creative energy ig
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ryllen · 2 months
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Look what came through the mail today! The letters & ( •̀ω•́ )σ 3 little gremlins from letterstoear.
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Just wanna say i adore the flower stickers on the letters too much, they are that much worth mentioning.
#letterstoear#nui#twst#twisted wonderland#sebek zigvolt#malleus draconia#twst grim#mod posting#okay but i love squishing the bears with my thumb; they just have the right thickness to be pressed on#i really like the flower stickers; they look like romantically artistic wax seal#the letters are pleasantly nice#i love the part where cheka personally request for an audience with yuu thru sebek 🥺🥺🥹🥹 too cute hnggh .......#sebek becoming our little mailman for our little invitation aw 🥹 for those who wanna know the context of the letter;#i requested a letter from sebek that he sent home while he was away accompanying malleus on other country duty#my other favorite part is just him simply opening the letter with 'My love'#i'm sealed 🥹 the first paragraph is written so sweetly#i enjoy reading the letter slowly outside in peaceful afternoon today; i ran it through together with sebek nui#this will be my treasured keepsake from now on 🥹; it seriously made me miss letters and wish i have someone to send this kind of letter to#it was a bit funny how the envelope sebek's letter came from is sticked with the guys from free! sticker fhsdsh 🤣😂#and me with the white haired guy like WHo are u?? fsjdsdjsd (´つヮ⊂); but it's a really nice service#the thank you letter came with such a cute and yummy folding paper; thank you for the stickers too#i feel like there's a bit whoopsie on grim's winky eye fshfh like i think the sharpie just blurs the separating space '<' supposed to have#and just combine it all together into one angry eye; and sebek bear's eyes are just a little bigger than i expected it to be#but the more i look at them i think they are just having a little individuality & still cute#i embraced it all together while knowing the fact none of handmade thing would always be the same one with the other; hehe sebek nui has fr#i kinda forget that there's this kind of clip earring fshd; because i always get the ones that work like screw from aliexpress#i know that the literal clip one would just be literal meaning of pain fsh; just like the magnet one my father once got me when i was a kid#it was painful but pretty; tho i lost it quickly bcs magnet easily get loosed once one part of it moves around when u touch ur hair or face#anyhow i had a pleasant day because of this; thank you very much ! sebek nui said 'thank you' too! ‧₊˚❀༉‧₊˚. ❀ ✿ 𖤣…
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skitskatdacat63 · 9 months
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2009 Abu Dhabi Grand Prix - Sebastian Vettel(ft. Mark Webber & Jenson Button)
#fantastic podium!! maybe my favorite of this season?????#sebmarkson podiums are my fav ever nothing can top them#and both mark and jense were being so cute with seb this race aaaahhhhhhh <333333#theres something about seb that makes older men want to cuddle him and pick him up and pour champagne on him#haha thank you to dru for showing me seb getting drenched on this podium a few weeks and making me hype for this race!!#this race was very very good as well. like the last laps battle btwn mark and jense was insane#its very good when i already know the results of a race but the racing still makes me sit on the edge of my seat and scream a bit#i mentioned this before but i love how this race felt like an epilogue and it was nice to see everyone having fun and enjoying themseles#thank you everybody for joining me on another season journey!!! it been so much fun. ive really really enjoyed 2009#brawn is just soooooo cool to me. their story is insane!! im glad ive gotten to watch thru this season before the docu abt them comes out#but also very fun to see the beginning of rbr getting to the top of the field. every good result just felt so rewarding and worth it#anyways dont wanna do too much commentary abt it since ive discussed it a lot. onto 2010 next!!!! i shall miss you 2009#though i will say. it was rly interesting in this race to hear their team predictions for next season bcs a lot of it doesnt pan out#mark webber#jenson button#sebastian vettel#sebson#martian#sebmark#f1#formula 1#formula one#we do a little bit of f1#2009 abu dhabi gp
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