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#but I also love writing too much
lunathebee · 1 year
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UMMMM SO....I GUESS THIS IS A COMEBACK POST LOL
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egophiliac · 5 months
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happy new year Ego!!! Just wanted to let you know that I absolutely adore your twst fanart and the tags are just an absolute pleasure to read! You are my greatest inspiration for my personal twst art and I just wanted to thank you for your wonderful masterpieces <333 if possible, may I ask what are some of your headcanons for the diasomnia family? If not for diasomnia then any other characters are fine as well!
thank you, and happy new year! 💚💜💚 that is amazing to hear; it's always a little bewildering but super flattering that other people like my silly little doodles so much!
I don't think I really have any really solid headcanons and also canon keeps validating me left and right (FLUFFY DOMESTIC DIAFAM IS REAL). mostly just kind of...impressions and general thoughts, if that makes sense! lately though I've been kind of obsessed with thinking about Lilia's hair, and specifically when/why he ended up cutting it. (l-look, we're bouncing around the timeline and I gotta make decisions about these things when I draw, it's relevant) (I mean I would probably be weirdly fixated on this anyway, but.)
I think I've settled on the idea that he kept it long until he went to NRC, partly because 1) I like drawing The Ponytail, and 2) I think he thought of NRC as a chance to reinvent himself a bit! he gets to go and be a wacky carefree teenager for a few years and have fun! (officially he's there to keep an eye on Son #1, but how much trouble could he get into, really.) so he gave himself a Cool Teen Haircut to go with his fresh new Cool Teen Persona!
also maybe he had some reflection on his hair's troubled past with three kids...
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...and had to weigh his vanity versus the fact that he was going off to be around hundreds of kids on a daily basis, and. the choice suddenly seemed obvious.
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#art#twisted wonderland#twisted wonderland spoilers#twisted wonderland episode 7 spoilers#twisted wonderland episode 7 part 6 spoilers#twisted wonderland book 7 spoilers#twisted wonderland book 7 part 6 spoilers#this is my blog and i'm going to write a million words about lilia and you can't stop me#but anyway i do genuinely get the impression that he's using Pretending to Be a Teenager as a chance to be even sillier than usual#he's a very silly man he's just being EXTRA silly#supported by his recent birthday card where he says he was specifically trying to cast himself as an adorable little brother-type#because he wanted the other students to give him free shit and save him seats and things like that#it worked for about a week before he turned out to be way too good at stuff and everyone just kind of ended up in awe of him instead#and he was like DANGIT. I'VE RUINED IT FOR MYSELF.#(then he and epel went on to talk about their hypothetical vtubersonas because the birthday cards are INSANE but anyway)#i'm bad at headcanons :( sorry!#unless it's dumb things like...what pokemon they would have or whatever#(malleus would have some kind of special fancy-colored dragapult) (but i digress)#i have a hard time putting things into words. just know that i love the grampa bat and his weird kids very much.#my brain is also still kind of fried from the last couple of weeks#i am however starting 2024 off the way i intend to continue it: in deep contemplation of anime hair#(sorry if these look weirdly aliased) (i realized about 3/4 of the way through i was using the wrong brush and i didn't want to restart :U)
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finsterwalds · 2 months
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Thinking about better call saul if the action took place in france just because I wanted to see them in cunty robes lmao. More thoughts under the cut!
Obviously the action and the whole premise of bcs/brba wouldn't work in france (legal system aside, the whole cartel and walter white storyline would have to suffer major changes due to social security and the mexican cartel well. not existing here stricto sensu). But let's talk about the real Important Stuff : their names
I think Howard Hamlin would work well as Edouard Hamelin. He looses the cool HH initials yes, but it works really well as a genuine french name imo, and Howard/Edouard are pretty close phonetically
Chuck could still be called Charles without any realism issue, but he'd be nicknamed Charlie rather than Chuck because that's what a french person would go for... nicknames don't work the same, yeah
Kimberly Wexler and James McGill, I have no idea lmao. James when translated becomes Jacques, but it's such a boomerish uncool name that I cannot resolve myself to call my boy like that. It's also one generation too old. Jimmy being born in '60 could technically be called Jacques, but it'd be old-fashioned, as it's a name mostly given to the kids of the decade that came before him. McGill is an irish name, so something funny could be making Jimmy a breton with a funky last name like Gall/LeGall ? That's hilarious to me. But who knows.
Saul Goodman is a pun, so this is even harder for me to conceptualize. Saul's marketing would definitely not work in france at all, as no one would realistically hire a lawyer with a puny name and such chaotic displays (+ I think ads for legal démarchage are illegal mind you). However, let's have a crack at it. It would have to be a pun based off an expression similar to "it's all good man", or implying something positive and familiar... I need to think on that one.
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momotonescreaming · 1 year
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I need more fic where Steve does dumb teenage boy, bastard older brother shit The party rings Steve to ask for a ride to the arcade, and he asks them if their bikes got flat tyres, or broke. And when they say no, Steve just says - cool, you can bike there then - and hangs up. He goes back to flop on his couch to watch the baseball because he has plans today and they do not involve leaving the house or wearing pants. He goes out to lunch with Dustin, both of them going to a diner together. And Dustin forgets his wallet, it's fine, and he watches Steve order two burgers, two fries, two drinks. Only when they arrive Steve starts eating both of them himself and laughs his ass off when Dustin shrieks indignantly (Steve gives him one of the burgers. It has a bite taken from it). Steve is working a shift at Family Video with Robin, the pair of them reshelving the rewound tapes. He asks if she can hold his stack while he ties his shoelaces - and Robin says yes - and after he finishes retying his laces he just, doesn't ask for the tapes back. And he doesn't say anything and sees how long Robin can shelve his tapes for him before she realises.
Steve whispering in Eddie's ear, dropping his voice low in that way he knows Eddie likes. Acting all coy and sexy and asking Eddie if he wants to know what Steve's thinking. When he says yes Steve burps in his face super loudly and Eddie laughs so hard he almost pukes.
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gummi-ships · 5 months
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nordidia · 2 months
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having a very rough night so raph doodles needed to be made
when in need, mash two interests together
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eyrieofsynapses · 5 months
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why Aurora's art is genius
It's break for me, and I've been meaning to sit down and read the Aurora webcomic (https://comicaurora.com/, @comicaurora on Tumblr) for quite a bit. So I did that over the last few days.
And… y'know. I can't actually say "I should've read this earlier," because otherwise I would've been up at 2:30-3am when I had responsibilities in the morning and I couldn't have properly enjoyed it, but. Holy shit guys THIS COMIC.
I intended to just do a generalized "hello this is all the things I love about this story," and I wrote a paragraph or two about art style. …and then another. And another. And I realized I needed to actually reference things so I would stop being too vague. I was reading the comic on my tablet or phone, because I wanted to stay curled up in my chair, but I type at a big monitor and so I saw more details… aaaaaand it turned into its own giant-ass post.
SO. Enjoy a few thousand words of me nerding out about this insanely cool art style and how fucking gorgeous this comic is? (There are screenshots, I promise it isn't just a wall of text.) In my defense, I just spent two semesters in graphic design classes focusing on the Adobe Suite, so… I get to be a nerd about pretty things…???
All positive feedback btw! No downers here. <3
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I cannot emphasize enough how much I love the beautiful, simple stylistic method of drawing characters and figures. It is absolutely stunning and effortless and utterly graceful—it is so hard to capture the sheer beauty and fluidity of the human form in such a fashion. Even a simple outline of a character feels dynamic! It's gorgeous!
Though I do have a love-hate relationship with this, because my artistic side looks at that lovely simplicity, goes "I CAN DO THAT!" and then I sit down and go to the paper and realize that no, in fact, I cannot do that yet, because that simplicity is born of a hell of a lot of practice and understanding of bodies and actually is really hard to do. It's a very developed style that only looks simple because the artist knows what they're doing. The human body is hard to pull off, and this comic does so beautifully and makes it look effortless.
Also: line weight line weight line weight. It's especially important in simplified shapes and figures like this, and hoo boy is it used excellently. It's especially apparent the newer the pages get—I love watching that improvement over time—but with simpler figures and lines, you get nice light lines to emphasize both smaller details, like in the draping of clothing and the curls of hair—which, hello, yes—and thicker lines to emphasize bigger and more important details and silhouettes. It's the sort of thing that's essential to most illustrations, but I wanted to make a note of it because it's so vital to this art style.
THE USE OF LAYER BLENDING MODES OH MY GODS. (...uhhh, apologies to the people who don't know what that means, it's a digital art program thing? This article explains it for beginners.)
Bear with me, I just finished my second Photoshop course, I spent months and months working on projects with this shit so I see the genius use of Screen and/or its siblings (of which there are many—if I say "Screen" here, assume I mean the entire umbrella of Screen blending modes and possibly Overlay) and go nuts, but seriously it's so clever and also fucking gorgeous:
Firstly: the use of screened-on sound effect words over an action? A "CRACK" written over a branch and then put on Screen in glowy green so that it's subtle enough that it doesn't disrupt the visual flow, but still sticks out enough to make itself heard? Little "scritches" that are transparent where they're laid on without outlines to emphasize the sound without disrupting the underlying image? FUCK YES. I haven't seen this done literally anywhere else—granted, I haven't read a massive amount of comics, but I've read enough—and it is so clever and I adore it. Examples:
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Secondly: The beautiful lighting effects. The curling leaves, all the magic, the various glowing eyes, the fog, the way it's all so vividly colored but doesn't burn your eyeballs out—a balance that's way harder to achieve than you'd think—and the soft glows around them, eeeee it's so pretty so pretty SO PRETTY. Not sure if some of these are Outer/Inner Glow/Shadow layer effects or if it's entirely hand-drawn, but major kudos either way; I can see the beautiful use of blending modes and I SALUTE YOUR GENIUS.
I keep looking at some of this stuff and go "is that a layer effect or is it done by hand?" Because you can make some similar things with the Satin layer effect in Photoshop (I don't know if other programs have this? I'm gonna have to find out since I won't have access to PS for much longer ;-;) that resembles some of the swirly inner bits on some of the lit effects, but I'm not sure if it is that or not. Or you could mask over textures? There's... many ways to do it.
If done by hand: oh my gods the patience, how. If done with layer effects: really clever work that knows how to stop said effects from looking wonky, because ugh those things get temperamental. If done with a layer of texture that's been masked over: very, very good masking work. No matter the method, pretty shimmers and swirly bits inside the bigger pretty swirls!
Next: The way color contrast is used! I will never be over the glowy green-on-black Primordial Life vibes when Alinua gets dropped into that… unconscious space?? with Life, for example, and the sharp contrast of vines and crack and branches and leaves against pitch black is just visually stunning. The way the roots sink into the ground and the three-dimensional sensation of it is particularly badass here:
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Friggin. How does this imply depth like that. HOW. IT'S SO FREAKING COOL.
A huge point here is also color language and use! Everybody has their own particular shade, generally matching their eyes, magic, and personality, and I adore how this is used to make it clear who's talking or who's doing an action. That was especially apparent to me with Dainix and Falst in the caves—their colors are both fairly warm, but quite distinct, and I love how this clarifies who's doing what in panels with a lot of action from both of them. There is a particular bit that stuck out to me, so I dug up the panels (see this page and the following one https://comicaurora.com/aurora/1-20-30/):
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(Gods it looks even prettier now that I put it against a plain background. Also, appreciation to Falst for managing a bridal-carry midair, damn.)
The way that their colors MERGE here! And the immense attention to detail in doing so—Dainix is higher up than Falst is in the first panel, so Dainix's orange fades into Falst's orange at the base. The next panel has gold up top and orange on bottom; we can't really tell in that panel where each of them are, but that's carried over to the next panel—
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—where we now see that Falst's position is raised above Dainix's due to the way he's carrying him. (Points for continuity!) And, of course, we see the little "huffs" flowing from orange to yellow over their heads (where Dainix's head is higher than Falst's) to merge the sound of their breathing, which is absurdly clever because it emphasizes to the viewer how we hear two sets of huffing overlaying each other, not one. Absolutely brilliant.
(A few other notes of appreciation to that panel: beautiful glows around them, the sparks, the jagged silhouette of the spider legs, the lovely colors that have no right to make the area around a spider corpse that pretty, the excellent texturing on the cave walls plus perspective, the way Falst's movements imply Dainix's hefty weight, the natural posing of the characters, their on-point expressions that convey exactly how fuckin terrifying everything is right now, the slight glows to their eyes, and also they're just handsome boys <3)
Next up: Rain!!!! So well done! It's subtle enough that it never ever disrupts the impact of the focal point, but evident enough you can tell! And more importantly: THE MIST OFF THE CHARACTERS. Rain does this irl, it has that little vapor that comes off you and makes that little misty effect that plays with lighting, it's so cool-looking and here it's used to such pretty effect!
One of the panel captions says something about it blurring out all the injuries on the characters but like THAT AIN'T TOO BIG OF A PROBLEM when it gets across the environmental vibes, and also that'd be how it would look in real life too so like… outside viewer's angle is the same as the characters', mostly? my point is: that's the environment!!! that's the vibes, that's the feel! It gets it across and it does so in the most pretty way possible!
And another thing re: rain, the use of it to establish perspective, particularly in panels like this—
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—where we can tell we're looking down at Tynan due to the perspective on the rain and where it's pointing. Excellent. (Also, kudos for looking down and emphasizing how Tynan's losing his advantage—lovely use of visual storytelling.)
Additionally, the misting here:
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We see it most heavily in the leftmost panel, where it's quite foggy as you would expect in a rainstorm, especially in an environment with a lot of heat, but it's also lightly powdered on in the following two panels and tends to follow light sources, which makes complete sense given how light bounces off particles in the air.
A major point of strength in these too is a thorough understanding of lighting, like rim lighting, the various hues and shades, and an intricate understanding of how light bounces off surfaces even when they're in shadow (we'll see a faint glow in spots where characters are half in shadow, but that's how it would work in real life, because of how light bounces around).
Bringing some of these points together: the fluidity of the lines in magic, and the way simple glowing lines are used to emphasize motion and the magic itself, is deeply clever. I'm basically pulling at random from panels and there's definitely even better examples, but here's one (see this page https://comicaurora.com/aurora/1-16-33/):
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First panel, listed in numbers because these build on each other:
The tension of the lines in Tess's magic here. This works on a couple levels: first, the way she's holding her fists, as if she's pulling a rope taut.
The way there's one primary line, emphasizing the rope feeling, accompanied by smaller ones.
The additional lines starbursting around her hands, to indicate the energy crackling in her hands and how she's doing a good bit more than just holding it. (That combined with the fists suggests some tension to the magic, too.) Also the variations in brightness, a feature you'll find in actual lightning. :D Additional kudos for how the lightning sparks and breaks off the metal of the sword.
A handful of miscellaneous notes on the second panel:
The reflection of the flames in Erin's typically dark blue eyes (which bears a remarkable resemblance to Dainix, incidentally—almost a thematic sort of parallel given Erin's using the same magic Dainix specializes in?)
The flowing of fabric in the wind and associated variation in the lineart
The way Erin's tattoos interact with the fire he's pulling to his hand
The way the rain overlays some of the fainter areas of fire (attention! to! detail! hell yeah!)
I could go on. I won't because this is a lot of writing already.
Third panel gets paragraphs, not bullets:
Erin's giant-ass "FWOOM" of fire there, and the way the outline of the word is puffy-edged and gradated to feel almost three-dimensional, plus once again using Screen or a variation on it so that the stars show up in the background. All this against that stunning plume of fire, which ripples and sparks so gorgeously, and the ending "om" of the onomatopoeia is emphasized incredibly brightly against that, adding to the punch of it and making the plume feel even brighter.
Also, once again, rain helping establish perspective, especially in how it's very angular in the left side of the panel and then slowly becomes more like a point to the right to indicate it's falling directly down on the viewer. Add in the bright, beautiful glow effects, fainter but no less important black lines beneath them to emphasize the sky and smoke and the like, and the stunningly beautiful lighting and gradated glows surrounding Erin plus the lightning jagging up at him from below, and you get one hell of an impactful panel right there. (And there is definitely more in there I could break down, this is just a lot already.)
And in general: The colors in this? Incredible. The blues and purples and oranges and golds compliment so well, and it's all so rich.
Like, seriously, just throughout the whole comic, the use of gradients, blending modes, color balance and hues, all the things, all the things, it makes for the most beautiful effects and glows and such a rich environment. There's a very distinct style to this comic in its simplified backgrounds (which I recognize are done partly because it's way easier and also backgrounds are so time-consuming dear gods but lemme say this) and vivid, smoothly drawn characters; the simplicity lets them come to the front and gives room for those beautiful, richly saturated focal points, letting the stylized designs of the magic and characters shine. The use of distinct silhouettes is insanely good. Honestly, complex backgrounds might run the risk of making everything too visually busy in this case. It's just, augh, so GORGEOUS.
Another bit, take a look at this page (https://comicaurora.com/aurora/1-15-28/):
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It's not quite as evident here as it is in the next page, but this one does some other fun things so I'm grabbing it. Points:
Once again, using different colors to represent different character actions. The "WHAM" of Kendal hitting the ground is caused by Dainix's force, so it's orange (and kudos for doubling the word over to add a shake effect). But we see blue layered underneath, which could be an environmental choice, but might also be because it's Kendal, whose color is blue.
And speaking off, take a look at the right-most panel on top, where Kendal grabs the spear: his motion is, again, illustrated in bright blue, versus the atmospheric screened-on orange lines that point toward him around the whole panel (I'm sure these have a name, I think they might be more of a manga thing though and the only experience I have in manga is reading a bit of Fullmetal Alchemist). Those lines emphasize the weight of the spear being shoved at him, and their color tells us Dainix is responsible for it.
One of my all-time favorite effects in this comic is the way cracks manifest across Dainix's body to represent when he starts to lose control; it is utterly gorgeous and wonderfully thematic. These are more evident in the page before and after this one, but you get a decent idea here. I love the way they glow softly, the way the fire juuuust flickers through at the start and then becomes more evident over time, and the cracks feel so realistic, like his skin is made of pottery. Additional points for how fire begins to creep into his hair.
A small detail that's generally consistent across the comic, but which I want to make note of here because you can see it pretty well: Kendal's eyes glow about the same as the jewel in his sword, mirroring his connection to said sword and calling back to how the jewel became Vash's eye temporarily and thus was once Kendal's eye. You can always see this connection (though there might be some spots where this also changes in a symbolic manner; I went through it quickly on the first time around, so I'll pay more attention when I inevitably reread this), where Kendal's always got that little shine of blue in his eyes the same as the jewel. It's a beautiful visual parallel that encourages the reader to subconsciously link them together, especially since the lines used to illustrate character movements typically mirror their eye color. It's an extension of Kendal.
Did I mention how ABSOLUTELY BEAUTIFUL the colors in this are?
Also, the mythological/legend-type scenes are illustrated in familiar style often used for that type of story, a simple and heavily symbolic two-dimensional cave-painting-like look. They are absolutely beautiful on many levels, employing simple, lovely gradients, slightly rougher and thicker lineart that is nonetheless smoothly beautiful, and working with clear silhouettes (a major strength of this art style, but also a strength in the comic overall). But in particular, I wanted to call attention to a particular thing (see this page https://comicaurora.com/aurora/1-12-4/):
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The flowing symbolic lineart surrounding each character. This is actually quite consistent across characters—see also Life's typical lines and how they curl:
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What's particularly interesting here is how these symbols are often similar, but not the same. Vash's lines are always smooth, clean curls, often playing off each other and echoing one another like ripples in a pond. You'd think they'd look too similar to Life's—but they don't. Life's curl like vines, and they remain connected; where one curve might echo another but exist entirely detached from each other in Vash's, Life's lines still remain wound together, because vines are continuous and don't float around. :P
Tahraim's are less continuous, often breaking up with significantly smaller bits and pieces floating around like—of course—sparks, and come to sharper points. These are also constants: we see the vines repeated over and over in Alinua's dreams of Life, and the echoing ripples of Vash are consistent wherever we encounter him. Kendal's dream of the ghost citizens of the city of Vash in the last few chapters is filled with these rippling, echoing patterns, to beautiful effect (https://comicaurora.com/aurora/1-20-14/):
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They ripple and spiral, often in long, sinuous curves, with smooth elegance. It reminds me a great deal of images of space and sine waves and the like. This establishes a definite feel to these different characters and their magic. And the thing is, that's not something that had to be done—the colors are good at emphasizing who's who. But it was done, and it adds a whole other dimension to the story. Whenever you're in a deity's domain, you know whose it is no matter the color.
Regarding that shape language, I wanted to make another note, too—Vash is sometimes described as chaotic and doing what he likes, which is interesting to me, because smooth, elegant curves and the color blue aren't generally associated with chaos. So while Vash might behave like that on the surface, I'm guessing he's got a lot more going on underneath; he's probably much more intentional in his actions than you'd think at a glance, and he is certainly quite caring with his city. The other thing is that this suits Kendal perfectly. He's a paragon character; he is kind, virtuous, and self-sacrificing, and often we see him aiming to calm others and keep them safe. Blue is such a good color for him. There is… probably more to this, but I'm not deep enough in yet to say.
And here's the thing: I'm only scratching the surface. There is so much more here I'm not covering (color palettes! outfits! character design! environment! the deities! so much more!) and a lot more I can't cover, because I don't have the experience; this is me as a hobbyist artist who happened to take a couple design classes because I wanted to. The art style to this comic is so clever and creative and beautiful, though, I just had to go off about it. <3
...brownie points for getting all the way down here? Have a cookie.
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luxaofhesperides · 2 months
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I'm not sure if you're still taking Ghostlights requests, but if you are: Dick asking Duke to take Haley to the dog park for him in order to set up a meet-cute for him with the guy with the weird green rottweiler
And if you aren't, just know that you're doing great and I appreciate the hell out of you
“Oh, shoot!” 
Hearing Dick rush around as a frantic mess is not uncommon while he’s in Gotham. There’s too many people wanting to spend time with him that he ends up pulled in a bunch of different directions. Dick’s always in a rush, always busy, always making time for people because he has more love than Duke has ever seen in a person.
Dick’s also got pretty good time management skills after years of doing this. He’s only cutting out a few minutes early for their designated three hour catch-up session. 
That doesn’t mean he’s going to do it gracefully, though.
“Almost lost track of the time!” he says, moving to the couch to pick up his jacket. “Hey, Duke, can do you me a favor while I’m out?”
“Sure, what is it?”
“Can you take Haley to the dog park? I usually take her twice a week around this time, but I totally forgot to include that in my calendar this week so I’ve got plans with the Titans just outside the city, and no time to take her out.”
“Yeah, man, of course I can take her to the dog park. The one attached to Robinson Park, right?”
Dick nods, shoving his shoes onto his feet. “That’s the one! Her treats are also in the bag hanging next to her leash. Oh, and she has a friend at the dog park! Don’t be scared when you see him, he’s just green.”
“Oh…kay?”
“Great, thanks! Bye, Duke, I’ll see you later!”
And with that, Dick is gone, closing the door to his safehouse as he dashes into the hall. 
Duke is left alone in Dick’s Gotham safehouse, blinking dazedly at the empty space where he once was. He’s certainly a whirlwind of activity when he realizes he’s going to be late. He’s also skilled in just saying things and leaving before any questions can be answered.
Haly jumps up onto the couch next to Duke. They share a look, then Duke shakes his head. “You have to deal with that every day, huh?”
Haly, the good girl that she is, doesn’t say anything bad against her owner and just puts a paw on Duke’s thigh, her tail wagging. 
“I hear ya, girl. Let’s go to the dog park to meet your green friend,  I guess.”
He has no idea what that means, honestly. Is Dick just talking about a dog that got its fur dyed green? Or is Haly’s friend like… a mutant dog? 
Well, he’s not going to find out by stalling. 
Duke pets Haly, then stands up and walks to the door. Her head perks up as soon as she hears the jangle of her leash being moved, and then she’s running to the door, looking up at him expectantly. Smiling, Duke slips the harness onto her, then attached it to the leash. He gives her another quick pet before shoving on his shoes and grabbing her bag of treats and waste disposal bags. 
He double checks that he has his phone, then takes hold of Dick’s spare safehouse key and steps out into the hallway with Haly. She waits patiently as he locks the door, checks that the lock holds, then runs down the hallway, ripping the leash right out of his hands.
“Haly! Wait! Stop, girl!”
She happily ignores him and goes straight for the elevator, leaving him to run after her and quickly scoop up the leash as soon as he’s close enough.
“Of course you’re a little escape artists,” he says to her, “Just like your owner.”
Haly woofs softly, then stands up and scratches at the doors of the elevator. Shaking his head, amused, Duke pushes the button to call the elevator and wonders if Dick has to deal with this every time they go to the dog park. 
On one hand, it wouldn’t surprise him since Dick is absolutely the kind of guy to give in to his dog’s every whims and spoil her rotten. On the other hand, Duke fully believes that Haly is smart enough and cute enough to misbehave only when Dick isn’t around so he never believes people when they try to tell him about all the mischief she’s caused. 
Dogs and their owners really do reflect one another. The internet was right about that.
Duke makes sure to keep a tight grip on Haly’s leash once they leave the apartment building. The streets are busy, as they tend to be on weekends, and the sight of Haly straining against her leash, ready to run, brings a smile to more than one face. 
He plots the route to the dog park in his mind, then starts up a light jog, tugging lightly on the leash to prompt Haly to follow him. 
It’s nice to run just for the sake of it. Haly makes a good running partner as well. 
How long has it been since Duke had time to relax and not be prepared for the worst? All the running he usually does these days is to catch up with criminals or run for his life. Being out during the day, moving through the city, without any lives in danger? Genuinely nice and relaxing. 
Maybe he can offer to take Haly to the dog park from now on. Join Dick whenever he goes. Create a set few hours where he doesn’t do anything but enjoy being outside in one of the few places where the smog of pollution and chemical toxins isn’t so thick in the air. 
He’ll just have to make sure Dick doesn’t agree to something else during those days. It’s still strange to think that Dick could forget to do something involving Haly when he’s such a good dog owner and a pro at juggling various responsibilities and a busy schedule. 
Well, they all have off days. This must be one of Dick’s.
The sidewalks get wider once they reach the street that leads to the park. Families fill up the space, walking with strollers in front of them or lined up at a food cart. The vivid green of spring fills the grassy fields that lead to the large patches of trees, marking the edge of Poison Ivy’s territory. Clovers decorate the ground, bees moving from flower to flower. 
There are other dogs on walks as well, making circuits around the park or running after toys. Duke spots a cat in a walking harness as well and wonders if he can convince Damian to get one for Alfred the cat. 
The dog park is on the other end of the park, as far away from Ivy’s territory as possible. The fenced off areas are separated into big dogs and small dogs, with a helpful guide as to which dogs go where posted at the entrance. 
Duke slows to a walk, breathing deeply to help settle his heart rate back down to something normal. Haly walks by his side, tail wagging, as she watches the other dogs run back and forth behind the fence. 
She’s still small, just growing out of puppy size, so Duke leads her into the small dog area, carefully making sure the gate doesn’t open enough for any quick dogs to make a break for it. He walks over to a bench and sits down before undoing the harness on her, setting her loose. 
Haly licks his hand once, then darts away, barking lightly as she joins the other dogs tumbling around each other. 
Amused, Duke leans back at watches as the other dogs sniff her, then do their funny little bowing stomps, moving back and forth before running off so she can give chase. 
He figures staying for an hour will be good enough. That should get the most of her energy out, and then they can make the long trek back to Dick’s safehouse so he can pick her up before he heads back to Bludhaven. Pulling out his phone, Duke settles in to wait, keeping half his attention on Haly just in case any of the other dogs decide to get a little too rough.
The first twenty minutes pass peacefully. Haly runs around and the owners of the other dogs give her pets when she runs up to them. One even went over to Duke to offer him a pack of fruit gummies. 
Then a loud bark fills the air and Duke jerks upright, watching with wide eyes as a colossally large dog, green and glowing and slightly transparent, comes barrelling down the street, headed right towards them. 
He doesn’t have time to yell Haly’s name before the dog is in the fence. None of the other dog owners look alarmed, though, so he watches carefully, prepared to jump up and save Haly at a moment’s notice.
“Cujo!” someone yells from down the street. A guy with dark hair comes running up and smoothly jumps over the fence. “Cujo, how many times do I have to tell you not to run off like that?”
The green dog, apparently Cujo, barks happily.
“And you’re too big for this park right now, buddy. Shrink, boy. It’s time to be small.”
And then Cujo… obeys? The dog shrinks, and instead of being the size of a bus, it’s now small enough to be carried in someone’s arms. 
Green dog is not enough warning for all of that. Dick owes him so much for this.
Actually, he’s kind of shocked that Dick never mentioned this to anyone. Surely a giant green dog would get people’s attention. Why is this the first time he’s heard about it?
“You new around here?” someone asks, and Duke turns to see the person who gave him the fruit gummies.
“Kinda? It’s my first time coming to the dog park. I’m looking after Haly, that one right over there.” He points out Haly, who is running in circles around Cujo.
“Ah, I see. Dick mentioned someone new would be coming today.”
Duke narrows his eyes. He’s starting to get the feeling that he’s been set up for something, but he’s not sure what. 
“I’ll give you the spiel we tell all newcomers, in that case,” they continue. “Cujo is a ghost dog. Poor thing died during some animal testing, far as we know. Danny looks after him, since Cujo got attached to the kid years ago before he moved to Gotham. He’s a kind one, but very nervous, and we’ve all got an agreement to keep quiet about him and Cujo round this parts. You better be holding your tongue, as well, ya hear me?”
“Sure thing,” Duke nods. “My lips are sealed.”
He’ll just ask Dick about the ghost dog situation and do his own investigation if needed. But Cujo is just a dog, and his owner is just a guy. Nothing threatening, nothing requiring a Bat’s attention.
“Good,” they nod. “I’ll get out of your hair now.” They’re gone before Duke can reply, adjusting the hat on their head as they head back to their group in the back left corner of the dog park. 
Satisfied that things are under control, Duke relaxes back into the bench, watching Haly and Cujo tumble around with the other dogs, barking happily. Haly’s still growing into her paws, so she trips and falls often, but gets up without a moments pause, ready to keep playing.
From the corner of his eyes, Duke catches sight of someone walking towards him. 
He looks over and finds Cujo’s owner—Danny, wasn’t it?—approaching. Their eyes meet, and Danny offers him a sheepish smile and a wave. His eyes are a dark blue that seem to glow with some otherworldly light, and Duke can swear he sees something shifting around him, as if the air has turned visible and twists around his body like wisps of smoke. 
“Mind if I sit with you?” Danny asks, and Duke moves to the side a bit.
“Go ahead,” he says.
“You’re Duke, right? Dick told me about you last week.”
It’s looking more and more like Dick is up to something, and Duke will need to get his revenge. “Did he? All good things, I hope.”
“Aha, yeah, all good things. Um, actually I think I should apologize? I maybe said you sounded like my type so Dick promised that he’d get you here somehow. Sorry if this is messing up your plans for the day.”
Oh. Oh! 
Well. That’s interesting. 
Duke quietly shelves his plans for revenge against Dick and takes a proper look at Danny. He’s shy, but with a bright smile, glowing eyes and strange smoke curling around him still, and messy black hair windswept from chasing after Cujo. There’s a flush in his cheeks and his long fingers fiddle with the string of his dark red hoodie. 
“Don’t worry, I didn’t have any plans today. This is way better than just sleeping all day.”
“Well, I don’t know about that,” Danny laughs, “There’s nothing I like more than being able to sleep all day. That would fix me for sure.”
There’s a loud bark, and Danny’s eyes snap back to Cujo, who is growing bigger. “Cujo!” Danny yells, voice sharp. “Shrink down, or we go home.”
Cujo grumbles, whines, then goes back to being little. The green dog only has a moment to look sad before Haly is tackling him, sending them back into another chase around the park. 
“Sorry about that,” Danny says, slouching against the bench. 
“It’s all good,” Duke replies. “So. I’m your type, huh?”
Danny’s cheeks turn a deep, charming red. He looks away, then nods and ducks his head down. 
“And that hasn’t changed after meeting me?”
Danny shakes his head, then peeks over at Duke, gaze slowly moving up his body until he meets Duke’s eyes. “Definitely hasn’t changed,” he says.
Now it’s Duke’s turn to feel his cheeks burn, flustered and pleasantly surprised by Danny’s boldness. It doesn’t help that Danny is cute, someone he can see himself falling for. 
“Good,” he says, then knocks his knee against Danny’s. “I wouldn’t mind getting to know you more. On one condition.”
“Oh? And what would that be?”
“Tell me what Dick told you about me. I wanna make sure he wasn’t sharing an embarrassing stories about me. If I’m gonna make a fool of myself, then I’ll do it myself with no outside help.”
Danny’s laugh is bright and warm and sends butterflies dancing in Duke’s stomach. “Fair enough!” he says. “And you know what? I’ll trade you for embarrassing stories. Trust me, I have so many. Nothing you’ve done can be worse that the dumb shit I do on a regular basis.”
“Woah, woah, woah, confident, aren’t we? Don’t say that until you’ve heard about some of the stupid situation I choose to throw myself into.”
“Please, I’m an younger brother. If anyone knows how to be stupid, it’s me.”
“I’m part of the disaster that is the Wayne family. I think that has you beat.”
“My parents are mad scientists and my dog is a ghost. Try again.” The teasing smile on Danny’s lips makes him want to be reckless, to keep pushing, to go down this path as far as he can.  Duke can’t remember the last time he clicked with someone so instantly, to be so comfortable with them so soon. 
Damn. He’s gonna have to thank Dick for this, isn’t he?
As if on cue, his phone buzzes in his pocket. Duke pulls it out with an apologetic smile to Danny, who leans back a bit to give him some privacy.
The text that pops up is from Dick. It’s a photo of him and Danny from the side, heads bent close together as they talk with bright smiles. He can just make out the wild red curls of Kori’s hair. 
“I’m gonna put jello in his socks,” Duke says cheerfully, already looking around to find where Dick is hiding. 
He probably already moved locations, the ass. 
“What’s up?” 
He holds out his phone so Danny can see the screen. Danny stares at it, then looks around, then stares at the screen again. 
“...Is he watching us?”
“Yep.”
“...Should we do something about it?”
Duke shrugs. “I mean, I’m up for hunting him down and tackling him if you are.”
“I can do you one better,” Danny says with a sharp grin. He whistles, and Cujo comes running over, Haly at his heels, and he skids to a stop to sit before Danny. “Cujo. You remember Dick?” Cujo barks, as if answering. “Fetch! Go fetch Dick!”
Cujo jumps to his feet, grows from the size of a pug to a bear, and takes off for the art instillation farther into Robinson Park. Moments later, they hear a yell followed by loud laughter, and Cujo and running back, Dick hanging from his mouth, with Kori, Donna, and Roy following after him at a leisurely stroll. 
“I think we’re gonna get along great,” Duke says. “He’s gonna wish he never set us up.”
“That’s the way to do it,” Danny agrees.
“Say, wanna grab lunch together tomorrow?”
Danny blinks, then blushes again. “What, like a date?”
“Yeah, as a date. You up for it?”
“How could I say no? I was promised embarrassing stories.”
He watches as Cujo drops a rumpled looking Dick to the ground, half his shirt soaked with saliva. He dramatically mimes being shot in the heart when he sees them both looking at him, and goes limp when Kori picks him up and tries to set him on his feet. 
Then he tries to act very calm and cool as Danny leans against him. “Think he’s gonna follow up on our date?” Danny asks in a low voice.
Duke closes his eyes and tries not to despair. He didn’t even think of that. “Worse. He’s going to tell everyone else, then we’ll have every available Wayne kid stalking us on our date.”
“Guess I’ll have to rely on you to chase them off, huh?”
“Or we can sic Cujo on them again.”
“Or that,” Danny nods. “It’s always effective.”
He’s really going to have to bring his best to the date tomorrow, just to stay a step ahead of everyone else. Maybe he’ll ask Barbara for a favor and get her to lead them off? And if Bruce gets involved, then Duke is fully prepared to flashbang him, grab Danny, and run. 
It’s going to be a disaster.
It’s going to be fun.
He’s already looking forward to it, and from the mischievous smile on Danny’s face, he’s not the only one.
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vanyafresita · 4 months
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after seeing this post by the artist afkeii on instagram, i got inspired to write a poem... and then i drew something to make it into a zine...
the way i feel about romantic love is... complicated... but i've known i'm on the aromantic spectrum for over a year now ! yippiee !
if you'd like to have a physical copy, feel free to [download the print version here] , and check [how to put it together / make a 8-page zine here]
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yugsly · 7 months
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The TV star must look his best!
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beetle-baguette · 3 months
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In my John Lennon era (I have a bandaid on my finger)
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misa my love
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poorly-drawn-mdzs · 11 months
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Master manipulator vs Master manipulator
 [First] Prev <–-> Next
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bri-cheeses · 2 months
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“Have you ever been in love?”
The question seems to take Evan by surprise. “What?”
Barty repeats the question, shifting up into a sitting position. His hands dig into the ground, still damp from last night’s rain. “Have you ever been in love?”
There’s a beat of silence. Then, looking down at his feet, Evan quietly answers, “Yes.”
Suddenly, Barty is mad at himself for asking. He can’t even say why he asked in the first place; he simply had the thought, and being the impulsive person he is, he asked without thinking. Now he wishes he hadn’t, if only to have avoided this odd burning in his chest caused by Evan’s answer. And really, he should drop the topic, based on downcast tint to Evan’s response, but he can’t seem to let it go. So instead, he presses the issue.
“When?” he asks, looking intently at Evan.
At that, Evan looks to his left, purposely avoiding eye contact with Barty. He stubs out his cigarette on the grass next to him, a thin curl of smoke rising up from it as he does so. “A long, long time ago.” His voice is dark with something Barty can’t name.
“Did it end well?”
Evan cuts him a look. “Who said it ended?”
At his words, something twists inside Barty. Suddenly there’s a lump in his throat as he works to get out his next sentence. “Well, you said a long time ago. So I thought that it was a, uh, past thing.”
“Yeah. It was a long time ago. When I… fell in love.”
Barty knows he’s the one who started this conversation, but he really hates the way Evan says love in reference to some mystery person. At least he used past tense, though, meaning it’s a thing of the past.
“So what happened?” Barty questions.
“They didn’t want me in the way I wanted them. Still don’t want me that way.” There’s something bitter in Evan’s tone, and he’s gone back to refusing to look at Barty. In contrast, Barty stares at him intently. He feels as though he’ll be able to see through Evan’s exterior and into his insides, where all his secrets are hidden, if he only looks hard enough.
“Who was it?”
“Does it matter?” Evan’s voice is biting as he sharply turns his head back towards Barty.
“Yes. No. I don’t know.” Barty leans back onto his elbows, tearing his gaze from Evan. It’s almost comical how their positions have changed; now, Evan stares at Barty, and Barty looks out over the lake in an effort to avoid his gaze.
“It was no one important, okay?”
“Oh.” Something settles in Barty when he hears that, even if Evan’s tone contrasts with his dismissive words. “They were—still are—an idiot, though. Just for the record.”
Evan laughs in that disbelieving way of his, as if he’s sharing an inside joke with himself. “Yeah?”
“Yeah,” Barty says definitively. “I mean, you’re perfect. And whoever can’t see that is an idiot.”
“Perfect?”
“Yup.” Barty means it, too.
“Yeah, well,” Evan scoffs, “it isn’t good enough for them. So it doesn’t matter.”
“Well, you’re good enough for me,” Barty says hotly. “So don’t worry about that asshole. Because and me? We’re best friends, and you’ll always be good enough for me. You know that, right?”
Evan is avoiding Barty’s gaze again. He picks at the grass next to him, focusing on that instead. “Right,” he says somewhat bitterly.
“I mean it,” Barty insists. “You are.”
Evan looks at him, smiling sadly. “Thanks, Bee. But it’s getting cold. I think I’ll head back inside if that’s all right with you.”
“I—okay. Yeah, uh, sure.”
With that, Evan gets up and begins the walk back to the castle. Barty watches him go, thinking their entire exchange over.
He’s not entirely sure where the conversation went sour enough to get Evan to leave, but clearly something must’ve caused his abrupt departure. Even if Barty had thought he had said the right things to get Evan to cheer up again. He had meant what he said, too; Evan always would be good enough for him. Barty honestly couldn’t imagine a better best friend.
So Evan shouldn’t, Barty thinks heatedly, have ever been hung up on some asshole who couldn’t even see how amazing he is.
Barty continues to sit there, close to the shore of the lake, and watches Evan’s retreating form. And as he watches Evan reach up to wipe at his eyes, trying and failing to act like it was nonchalant gesture, he resolves to find out who Evan was talking about. And he’s going to make them, whoever it may be, pay for how they hurt Barty’s best friend.
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thekittyokat · 21 days
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you ever just have a lot, a LOT of feelings all at once about a character and not even remotely enough words or brainpower to FORM the words to describe everything you're feeling. so it feels like you may explode. yeah
#sorry i got really into my feelings about mark hoffman again#the very specific version of him in my brain that i really really wish i had the time and energy to properly share with you guys#saw#well until i muster the energy to explode all of my feelings out into a fic. if you want to TRY and understand#know that my three biggest hoffman fic insps right now are as follows#your best kept secret hoffman. a series of mistakes hoffman. and rushed like a dreadful wind hoffman.#there is a very clear throughline just know i am extremely emotionally compromised rn#thinking about theee fics vs the canon path hoffman spirals down#something something the absolute tragedy of watching a man's descent into madness#the transformation of a man into a monster#and what could have saved him from himself and kramer's corruption#sorry i'm rambling so much oh my god i was just having such a crying fit out of nowhere about this#do you think he could feel it happening. do you think he was aware he was losing his mind.#the script version of him fucks with me so bad. the crazed rankings and the longer hair and him not being well kept anymore#it's impossible to think he didn't know he was deteriorating#fuuuck okay i need to either chill or write a whole longfic rn#i project on that guy so much i truly don't know if i could properly write my vision of him#until i do something more substantial the full extent of my hoffman exists for me and my boyfriend only. they get me like no one else#well ginny and jenna also get me. please read best kept secret and a series of mistakes Oh My God#where am i going with this. i like tag rambling actually this is a nice way to do it without forcing EVERYONE to read my delirium#anyways if you've read all of this i think i love you? feel free to dm me about hoffman and my very specific headcanons and aus#maybe soon i'll try and start writing my fics about this tragic man#i could never say any of this on twitter btw they'd string me up for my opinions on him as a sad wet beast who could have been fixed#if only he hadn't been weaponized first#god i'm too tired to even be as embarrassed about this as i should be. thought i unlearned cringe already#but i've been spending way too much time on twitter and they HAAATE hoffman there#rip. i know it's not that serious but i'm sensitive rn and hate feeling lonely in my thoughts#ok bye for real otherwise i'll never shut up. i might tag ramble more often bc this was therapeutic in a way i needed badly#cat chat
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idyllcy · 10 months
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couple tiktoks with the robins
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Word count: ~ 700
Summary: cheesy tiktok trends with the robins :3
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𓅫. "Heard you're looking for a boyfriend" - Tim Drake
"'kay, just," you show Tim the tiktok, fingers laced together, practically begging him to do the tiktok with you. Tim grimaces, but it's minimal effort, so he listens. He stands to the side as the audio plays from your shared airpods, waiting for you to move the camera to the side. He hates to admit it, but as he steps next to you to lean on the mirror, raising a brow with a mask on and your eyes light up, his breath catches in his throat. You're always so pretty— too pretty. You're always so pretty. And god, if doing couple trends meant that you'd stare at him like that, then he'd do all of them with you. (Though, he has to make sure none of his friends finds out about them. The embarrassment would eat him alive) Tim waits for you to stop recording, the noise going off in his ear as he steps next to you, staring at the tiktok. He looks just as lovesick as you. "Aww, you're supposed to look a little intimidating." You mumble quietly. "You're looking at me too cheesily" "You look too excited too." Tim sticks his tongue out at you, pointing at the way your pupils were blown wide. "Maybe we're both just lovesick fools." Tim doesn't see a problem with that.
𓅫. "she is the best thing that's ever been mine" - Jason Todd
"I know this is a trend for sapphics but please please please PLEASE—" You beg. "The only photos I'd be able to put are the ugly ones of you." Jason rolls his eyes. "No." "But you have a whole album of—" "No." You pout, jutting out your bottom lip at Jason as he wavers slightly. He doesn't even have capcut downloaded. He doesn't want to download it. It's just a silly tiktok trend, and sure you're obsessed with showing him off on your private social media, but there was no way he was posting you on his accounts. You grumble, going back to scrolling through your phone, typing on it, and Jason assumes that you're complaining to your friends about how he won't do the trend. He goes back to his own phone, putting his airpod back on, a video playing. You could complain all you want— He wasn't doing it. Yet, the recently deleted app on his phone and the newly downloaded video on his hidden album suggest anything but. Stupid. It's in his drafts. (Not that he'd tell you.)
𓅫. "Oh, I can't stop singing" - Damian Wayne
"Stay still." You set your phone on the table as you squish onto Damian's lap, and he raises a brow at you, setting his pencil down. He notices your phone recording, and you pull out your lipstick. Damian pauses. He knows this audio. He's pretty sure one of his classmates was showing him it a while ago. You draw half a heart onto your cheek, pressing your cheek to his affectionately, warmth pressed to Damian's cheeks, leaving the mark of a heart... no you drew the half the wrong way. You pause, the mistake registering in your head as the audio continues playing. "Habibbti, I don't think—" You burst into laughter at the accident, hiding your face in his collar, kicking your legs in embarrassment. Damian purses his lips in amusement with you, running his hand down your back soothingly while shaking slightly. That was funny. "Sorry for messing up and making you pause." You stop laughing after a while. Damian smiles, shaking his head, reaching for a wet wipe on his desk. "Would you like to try again?" Who are you to say no?
𓅫. "stay with me, I don't want you to leave" -Dick Grayson
"Okay, so—" "I'm in." Dick gives you two thumbs up. "I recognize this audio." "I really can't surprise you with any couple trend, huh?" You laugh. "Sweetheart, I'm on Tiktok more than you." Dick smiles, handing you your lipstick. You pout, taking it anyway, peppering Dick's face with kisses before the lipstick dries, smudging some of the kisses, letting the others look fine on their own on others. Dick presses kisses back to your skin while you reapply the lipstick, some of the red on his lips getting on yours, causing you to pout. He was getting you red too. You finish, eventually. (Dick's face is practically a red mess from both you and the lipstick) You step to the side to wipe the lipstick he got onto your face, setting up your phone and starting the tiktok. Dick stares at you the whole time, eyes gentle, sick with an affection reserved for only you, lips pulled into a foolish smile. You pout when you ruin your lipstick, only for Dick to reach for your chin, the phone panning to his face, a mess of red on his face, a stupid smile on his face, eyes crinkled, holding all of the love in the world for you and only you. (and god do you melt at the sight)
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