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mainscandy · 2 years

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Must be love on thebrain

Earlier this year, we begged the question “does pop radio have an issue with Beyoncé?” - a star who is on equal footing with Rihanna, sharing the duties of bringing the old sounds and spirit of R&B to the forefront of the mainstream. The success of “Love on the Brain” on pop radio today is a rare find, because traditional R&B’s presence on the format is an oddity. With Rihanna’s delivery, there’s an earnest sincerity that’s rarely been felt in a ballad since “Hello,” which in itself recalls the theatrical flair of classic ’90s ballads like Celine Dion’s “My Heart Will Go On” or Toni Braxton’s “Un-Break My Heart.” The mystery of the song’s subject - which reasonably could have been about Drake, Anti’s only credited guest and her rumored at-the-time boyfriend - adds to the mystique of the pop star’s storied history with romance, which continues to engross media and fans. In a way, “Love on the Brain” serves as a continuation of the themes of emotional and mental abuse explored on Anti as well as her previous albums, 2012’s Unapologetic and 2009’s Rated R. Immediately upon Anti’s release, some critics noted that the chorus lines “It beats me black and blue but it fucks me so good/And I can’t get enough” evoked the singer’s past of domestic abuse at the hands of ex Chris Brown, adding additional layers of complexity to the lyric and making it a richer, if sometimes borderline-uncomfortable listen. If there is a singer apt enough to tackle the heart-wrenching emotional depth of the lyrics, that would be Rihanna. The song’s edgy R&B backbone suits urban radio listeners, while the retro factor and Rihanna’s star brand completes pop and adult contemporary needs.Īnother key factor in the song’s magnetic success is its vocal performance and context. It offers a timeless sensibility, as a traditionally pop-friendly ballad with contemporary cadences - its soft doo-wop sway and gently supportive backing vocals juxtapose nicely with Rihanna’s stunted, almost trap-like vocal approach and frank lyrical expletives. Analogous to one of Anti’s motifs of mixing the old with the new, “Love on the Brain” is practically a sonic paradox. 2016, with Lady Gaga’s Super Bowl-promoted power ballad “Million Reasons” following in February of 2017.īut if there was a challenger to buck these trends, it would be Rihanna’s “Love on the Brain.” It was the single off Anti that has united all demographics, both among her Rihanna Navy and the general public, across genres and ages. As far as slow-tempo ballads with minimalist production went, the retro stylings of Meghan Trainor and John Legend’s duet “Like I’m Gonna Lose You” made for a rare success story, reaching the Top 10 in Dec. 1 on the Hot 100 and helping Adele practically sweep the Grammys, but it would also be the last solo female performance to reach the Hot 100 summit for nearly two years, until Taylor Swift’s highly anticipated, electro-tinged statement single “Look What You Made Me Do” did this summer. The song was a massive success, debuting at No. Not only that: Adele’s “Hello” seemed to have both opening and immediately shut the door on the big female ballad with its massive surprise release in October 2015. In a way, Rihanna releasing “Love on the Brain” so late in the game - despite its early accolades - seemed like a misread of the music climate, just like releasing “Kiss It Better” the same day as “Needed Me” had proven to be for the former. Meanwhile, hip-hop had emerged as the clear sound of the streaming world, which was beginning to dictate the momentum of radio and the charts to an unprecedented degree. 5 peak on March 25 - more than a year after Anti’s release in January 2016.Īt the time of its release as a single, radio formats were still in the throes of a love affair with Chainsmokers-flavored EDM while phasing out dancehall riddims (noticeably lead by “Work”) in favor of trap-pop bangers. 80 and climbed slowly from there, becoming the Bajan icon’s landmark 30th top 10 hit on March 4, 2017, finally hitting a No. On the Novemissue date of the Hot 100, “Love on the Brain” reentered at No. The cut was first serviced to rhythmic and hip-hop/R&B radio stations, followed by Top 40 pop and adult contemporary. Following all this early promotion, along with the cut being a staple during Rihanna’s Anti World Tour and a highlight of her MTV Video Vanguard Award medleys, “Love on the Brain” finally became an official single on September 27, 2016.

#Must be love on thebrain

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jamisonholcomb59 · 2 years

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Gucci Belts

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#fake gucci belt #faux gucci belt #fake gg belt #fake gucci belts #gg belt fake #gucci belt look alike

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apocalypticgargoyle · 3 years

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so, SO, Hear me out. This has been stuck in my head for DAYS. Can i request a Sapnap x reader smut, BUT Incubus!Sapnap. My brain is mush. Perhaps reader doesn't believe in demons etc, so they're trying to prove to themselves that these things indeed don't exist by trying to summon a demon, what type of demon? they don't know. Unfortunately(fortunately) for them, the ritual works and Sapnap is summoned. Afab reader with any pronouns, and Dom or switch Sapnap.

i literally love this idea sm. thank you for trusting me with it. [thank you to a friend of mine who helped me w some of the plot elements.] I hope you enjoy and happy reading! xx

𝐑𝐄𝐕𝐄𝐑𝐒𝐄 𝐘𝐎𝐔𝐑 𝐑𝐄𝐆𝐑𝐄𝐓. ⛧ 𝐢𝐧𝐜𝐮𝐛𝐮𝐬!𝐬𝐚𝐩𝐧𝐚𝐩 (18+)

pairing: incubus!sapnap x afab!reader

warnings: nsfw (minors dni), mentions of an Ouija board, blood, oral (fm. receiving), smut, domination, choking

Your fishnets clung to your legs, yet provided little protection against the nipping breeze dragging icy fingers across your skin. You rubbed the arms of your jacket, attempting to generate more warmth as your breath fogged around you. Your friends giggled and kicked at each other, hanging around their shoulders and acting drunker than they actually were. It felt like icicles picked your heart each time you faintly felt like you were enjoying yourself, all because of Him.

His words echoed in your head each time a man approached you, finding yourself nearly too suspicious to believe they wouldn’t end up like He did: cold, distant, and arrogant.

The club had been too loud, in your opinion, but you’d be damned to let one of your friends know. They were focused on finding you a squeeze to preoccupy you while you got over Him. You didn’t need a distraction, you just needed to get rid of the thought of him.

One of your friends grabbed your arm, dragging you down a portion of concrete steps and into a lower-level shop. You briefly caught sight of the neon sign above the door, LOCAL PSYCHIC blinking in bright pink piping to welcome in tourists. You scoffed to yourself as you shrugged through the beaded curtain over the door.

The shop smelled of incense and a potpourri of unfamiliar herbs. A slender woman with long black hair looked up from a magazine, gold eyeliner sparkling in the dim lighting of the store. She watched the group of you carefully as your friends went straight for the Ouija boards in the corner. As you looked over her various shelves of exotic species of crystals, you could feel her eyes burning into your shoulder.

You sighed quietly, grabbing a green hued crystal and approaching her in lieu of your group. “So, this will get rid of my bad juju if I stick it in my bra, right?” You quipped jokingly, making her smuggly grin.

She straightened up, revealing a metal band t-shirt that you couldn’t pronounce the name of, let alone knew. “Gorgeous, you’ll need a fist full of moldavite to cleanse what you’ve got going on,” she jested, voice raspy and surveying. “Give me your hand,” she stated, more than asked. You reluctantly reached for her, her boney ringers cupped your hand, rings catching the candle light beside the cash register.

“Does it say I’ll disappear mysteriously after a boating accident?” You leered, making her bite her lip.

You could practically feel her breath on your skin. She studied your palm closely, wetting her lips. “I think I have something better than moldavite, though,” she quirked before digging her nail into the center, making you hiss. She drew a bit of blood from the wound, placing a business card against the spot. The center of the card oozed the crimson color seeping from the cut. “Call this number when you get home and all your bad juju will clear, my love. Him included,” she whispered. “You don’t believe in demons do you?”

“Of course not,” you answered, your eyes locked on hers as she smiled darkly at you, almost forebodingly. You flipped the card in your hand, a number plastered on one side and “REVERSE YOUR REGRETS,” printed boldly on the other. Your eyebrow perked at her. “What, is this a demon calling card?” You quizzed almost sarcastically.

Her dark, full lips twisted up. “I guess you’ll have to find out.”

Your mouth ran dry as she smirked, fingers brushing against your own as your hand slipped from hers. You found it hard to speak on the bus ride home, or even form sentences while you were crammed between two of your friends as they all sparked chatter about their upcoming finals. One of the main reasons they bought the Ouija board was to ask a ghost to write their history and philosophy theses.

Your apartment was dark and alluringly quiet compared to the night of bright lights and ridiculous EDM you had endured for most of the night. You let your jacket slip to the floor as you switched on a lamp, washing your hands as your mind relayed what the woman from the shop had said. As you dried your hands, your eyes traveled towards the living room, the dark fabric of one of His hoodies peeking out from between the couch and the wall. You bit your tongue, anger flashing into your veins. “Even Him…” you thought, remembering what she had told you.

You grabbed your phone, slinking over to where your jacket was and fishing the card from your pocket. The red smudge of blood almost perfectly split the phone number in half. “You don’t believe in demons do you?”

“No, what kind of respectable adult believes in demons,” you grumbled to yourself, dialing the number. You turned the card over again, eyeing the words as you waited for the call to connect. Instead of ringing normally, three long dial tones sounded over your receiver, sending a shiver down your spine. Dogs of your apartment complex began to bark, sending feral noises of discomfort into the air.

An automated voice began to speak, startling you slightly. “Thank you for your call. Your sacrifice is pure and has been accepted. Congratulations.”

Sacrifice? The line went dead, your power fizzling out as well. You froze, your feet feeling as if your shoes were filled with cement. In an instant, your array of candles sparked to life, brightening the room. Your heart thundered in your chest, unsure of what was happening. Sacrifice?

You held your breath, waiting for what was to come. It seemed as if your apartment had been removed from the city outside, instead an eerie silence settled in the room, making it almost suffocating to be alone.

“Hello, dove,” a dark voice called from behind you, making you jump a foot in the air, chest wheezing from the jump scare. A man smirked at you, resting his chin in his hand as he looked at you. He dominated one of your chairs, his other hand drumming his fingers against the leather. His suit was well tailored, but he wore it rather lazily with his crisp white shirt unbuttoned. He wore dark nail polish, making his fingers appear longer.

His eyes trailed your body, pressing his lips together as you realized how tightly you were clutching your phone and the card. “How did you get in here?” You asked, your voice barely audible.

He stood, straightening the sleeves of his suit jacket. He walked over to you, his tongue darting out to wet his lips. Your breath was measured, your body drawn to him as if you were an animal in heat. “You summoned me, puppy,” he answered, voice dipping an octave before dragging the card from your fingers. Your skin burned and sparked at his touch. His smell was intoxicatingly enticing, making your mouth water.

He held the card between two fingers, his eyes locking to yours indefinitely. “You even bound yourself to me,” he noted, letting his finger pad draw across the blood stain on the card. “Little minx,” he mumbled.

You swallowed. “What are you?” You managed, words uneven and almost jumbled.

He turned slightly on his heel, circling around you slowly, fingers dragging against the fabric of your shirt before snaking around the back of your throat. His thumb teased against your skin almost as if he was restraining himself from ripping you in half. “They call me Sapnap. Some might categorize me as a demon, but that seems rather exaggerated, don’t you think?” He responded. “I’m here to help you reverse your regrets.”

You inhaled sharply. “What does that mean?”

He chuckled darkly, his lips brushing against the shell of your ear. “Baby, I’m here to make you feel good again,” he divulged, the heat of his breath skimming against your neck, urging you to submit to him. "I'm here to make you forget all about Him."

In an instant you found yourself pinned beneath him, the sheets on your bed cast aside along with most of your clothes. He watched you sternly as he slipped his jacket off his shoulders, unbuttoning his collared shirt, pupils blown with lust at your hungry appearance.

Sapnap ground his hips against yours, tugging on your thighs to bring you closer to him. Your back arched slightly, fingers digging into the sheets as his lips traveled from your neck to your chest, one of his large hands palming your breast. You stifled a moan, hips bucking against him. He pressed his tongue against your navel, licking a strip against your skin before he was in your ear again. His fingers curled around your waistband. "Uh uh, dove. I wanna hear you."

He leaned back on his knees, teeth nipping at the inside of your thighs as he trailed towards your core. His eyes danced up to yours, briefly gauging your reaction before slipping his finger between the skin of your hips and your lacy undergarments, tugging them down your legs. He pressed open mouth kisses to your thighs once more, teeth grazing the sensitive flesh with a restraint you had half a mind to egg on.

He hooked his arms around your thighs, burying his face where you needed him the most. Your body reacted to the pleasure of his tongue almost instantly, fighting to clamp your legs around his head as your toes curled. Sapnap was taking his time with you, eating you out as if you were his last meal, humming slightly to send vibrations against your nerve endings.

You threaded your fingers through his dark hair, rolling your hips against his mouth and muttering his name. He moved, teeth sinking into your thigh as he pressed his finger into you, making you moan incoherently. You tugged at his hair, earning a groan in pleasure as you noticed him grinding against the mattress. His lips were back on your heat as his finger curled inside of you.

He added another finger, finding your sweet spot almost as if your body had been made for him specifically. With each swirl of his tongue and his moans at the sight of you enjoying the chase of your orgasm, the more the tension began to build within you. He quickened his pace as he watched you pant, coaxing you closer to the edge.

Sapnap moved his head from side to side, flattening his tongue for more friction, pumping his fingers in and out of you. "Cum for me, baby," he commanded, breath hot against your core. You relinquished control of your body, letting your climax rip through your body, leaving you breathless and stunned.

He wore the devil's smile as kissed the inside of your knee, praising you heavily for heeding to his demands. "Good girl," he cooed, voice dark and drawn with lust as he moved to press his lips against your shoulder. "Such a good girl."

His lips traveled beneath your ear, nipping at the skin before pressing his tongue into your mouth, one of his hands holding your chin.

He discarded his pants, spitting in his hand and stroking himself a few times as his eyes burned into yours. He dragged you towards him, gripping onto your hips before driving himself into you. You groaned at the pressure, grinding against his hips and earning a smirk from him. "So needy. Have I not been good to you thus far?" His words dripped with a god complex you had yet to taste.

You whimpered slightly before he rolled his hips against yours. He retracted himself before slowly thrusting into you, watching with pride as you writhed for more of him. "I could kill you, you know?" He stated, thrusting into you harshly, pressing his hands into the mattress on either side of your head.

You chuckled breathlessly, your fingers wrapping around one of his wrists. "You won't," you moaned as he set a pace, digging his hips into yours.

Sapnap's other arm moved, wrapping his hand around your neck and squeezing slightly, as if showing you he could do worse. "Says who?" He provoked, pressing his lips against yours, teeth dragging against your bottom lip, eliciting a moan from deep in your throat.

His thrusts were becoming sloppier, deeper as he buried himself into you. "Me," you answered. He grinned deviously, pinning your knee to your chest and pounding into you, basking in your moans like they were personalized ego boasts. "I can take it," you groaned quietly, enticing him. He tightened his hold on your neck, causing your vision to blur in pleasure as heat rushed through your body, his roughness a perfect catalyst to your cardinal hunger.

"That's right, sweetheart," he grunted, eyes seeming to burn brighter with your submission. "Take it," he mirrored, his pace relentless against you as if testing your limits. He pressed his thumb in your mouth, moaning as your teeth rested against it, tongue darting out against it. You focused on his eyes, trying not to roll your own as your body ached to climax.

You could see the veins in his neck becoming more prominent and he removed his thumb only to grip your jaw in his hand, shoving his tongue into your mouth to lap at your whimpers. His hands moved to pin your forearms to the mattress beside you, his lips melding against yours as the two of you pushed each other to orgasms. You could feel his pleasure coming undone within you, finally acting as the jumping-off point for your second climax.

You panted, hurriedly attempting to catch your breath as he pulled out of you, sighing in pleasure.

He moved to begin dressing, holding your card between his teeth as he buckled his belt around his waist. Your mind blurred in bliss, still riding your high. It didn't really bother you if he left or stayed.

He finished buttoning his shirt as you sat up on your elbows, watching him straighten his appearance. "I'll call on you soon," he stated, tucking the card with your blood on it into his breast pocket.

You quipped an eyebrow at him. "This is a normal thing now?" You questioned, the situation seeming different.

He patted his pocket to gesture to the card. "You're mine, dove. I get you whenever I want," he smirked. He rested his knee on the edge of your bed, leaning down to press his lips against yours possessively.

#sapnap smut #sapnap fanfic #sapnap x reader #sapnap imagine #sapnap x you #sapnap x y/n #incubus #demon au #mcyt fanfiction #mcyt imagine #mcyt smut #mcyt x reader #🍭 anon

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meltingsandwhich · 3 years

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Planning your wedding with Eddie Diaz would include...

Honestly Eddie doesn't care as long as he's married to you

Buck is obviously the best man

Both of you asking for Christopher's opinion (he was the first to know about your engagement)

Sometimes you're a little indecisive, it takes you a long time to pick something

"Cmon hurry up and pick something (Y/N)!"

Going dress shopping with Maddie, Athena, and Hen

Eddie talking to Bobby, because he's nervous about marrying you

You and Eddie getting a little stressed about planning

So you both asking ideas

"No Buck, we are not having EDM playing "

Athena coming to your aid on the big day

You talking to Christopher and asking how he feels

He was really excited about it

Everything goes to according to plan on the big day

Eddie literally smiling like an idiot the entire time at you

Him feeling like he can love someone again thanks to you

Thanks for reading!

#911 fox #eddie diaz x reader #9 1 1 reader insert #eddie diaz #911 headcanons

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queerpanikkar · 3 years

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What are their majors?

Does Chris exist?

who is roommates with who?

what year are they?

I just love college aus so much and i am always curious about how people interpret characters in that setting.

Ahhh okay okay- this is going to be SUPER long and super specific, sorry!!

Majors:

Okay first, Eddie. Eddie was hard. I thought about making him ROTC but like, no. So, to answer two of your questions at once, I'm going to make Eddie a teacher with a focus on children with disabilities. That's where he meets Chris (who lives with his grandfather Bobby heheh), and the two connect immediately.

Eddie's putting himself through college, which is why he's an RA. But he also works weekends at a local coffee shop (yes I am merging a coffee shop AU into this college AU). Buck is a frequent visitor.

Buck is a marine biologist and you will not change my mind. He got caught in a tsunami over the summer before his freshman year, but he never even thought about changing his major. He's obsessed with helping animals and the environment. His ADHD definitely gets in the way with school sometimes (and yes, he was prescribed meds, but they make him feel weird and sick and really it only is detrimental to his school life not his personal one, but that's why he's got the best friends). Likes to take a bunch of random classes when they fit though because he just loves learning about things, so he's like...the university cryptid. Everyone feels like they've had at least one class with him.

Hen is Biology (Pre-med, of course!). Do I even need to explain? Doctor Hen my beloved. But, she definitely is minoring in something like woman studies or anthropology so she can get a better understanding of the intersection of culture and being a medical professional in a way that some doctors...don't. Stan Hen.

Chim...Honestly, Chim was kinda hard, and I'm not 100% sure I'm right on this. But Chim as a Comms major just makes sense to me. But like, Digital Comms, so he does social media and website creations and stuff. He's pretty laid-back overall, but this man is obsessed with internships. The annoying (but lovable in Chim's case) person who had an internship every semester and then complained that he had so much work to do.

Albert is 100% undecided. That man doesn't know what he wants to do AT ALL so currently he's taking 1 philosophy class? (it fits my vibe, Chim!) He's taking a Music Production class for sure, and he makes stupid EDM music that drives Ravi insane. And then just a bunch of core classes.

I headcanon Ravi as a linguistics person, idk why. I think he didn't want to become an engineer or doctor (like maybe was expected of him as it is in my South Asian family) but he's still super smart, right? He's taking two language classes and a couple of data science classes, but really he wants to do humanitarian work if he can make a living career out of it. Idk no one but Hen really understands his major, but they all ask him for help studying because he's literally so good at everything? School, check. Sports, check. Social life, A-. He can't sing though, which is fine until someone tells him to shut up in the communal showers.

I'm thinking I'll make Maddie a drop-in character so that she can fall in love with Chim? But she graduated undergrad early and is going to PA (physician's assistant) school.

Roommates:

Buck has rich people money. Yes, he hates his parents, and they suck, but he's got rich people money to put him through college (and if he spends half of it tipping at Eddie's coffee shop, that's his business). So he lives in a dorm room by himself, has his own personal bathroom and everything, ugh. He's neighbors with Eddie though (walls are thin)...

Ravi and Albert are roommates. They can't stand each other, but if you ever bring that up they'll get so offended. (Wtf? Ravi's my best friend, bro).

Eddie's an RA, so he's also got his own room, but he can frequently be found at the apartment off-campus that Chim and Hen share.

Years:

Eddie is a sophomore. Chim and Hen are juniors. Buck and Ravi are freshman. Who knows when Albert will graduate, two years early? Two years late? Who knows.

And yes, I know in canon Albert gets his undergrad in Korea when he's like 16, but I don't want that for him. I want him to be chaotic as he should.

Anyway...hope you had fun reading that LMAO. Feel free to send follow-ups/fix my headcanons.

#em you're rambling again #Buddie college AU say it with me #buddie #ask answered #alwayseddietrash #aj <333 #em writes

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cherryistired · 2 years

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I have no idea what JSAB is but I am very invested in your art based on it. So shape. So color.

I'm going to take this as an opportunity to talk about JSAB because I love it sm

Just Shapes and Beats is a bullet hell game with colorful shapes set to really good edm and chiptune music. That's it that's the game

It's got a story mode that, despite having a pretty barebones storyline with characters that never talk, actually manages to be interesting??? It's v fun and I got attached to the cube friend so that's gotta count for something

It's got like 50+ levels, only SOME of which are story mode levels. here's a couple of my favorites:

https://www.youtube.com/watch?v=lyrRB_yY3Ig

https://www.youtube.com/watch?v=hHC1xiUA2gg

https://www.youtube.com/watch?v=UVpbc1aCJjU

Story mode takes like a few hours to beat, & there's a couple other game modes that bring a lot of interest and replayability to the game.

It's like $20 bucks on steam. please buy it I need more friends to play jsab with

#jsab #just shapes and beats #asks #i just. fucking love this game ok #it's literally so fun #also the colors & shapes in the game make for some TASTY art which is why i draw it a lot lmao #doomed-jester

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radramblog · 3 years

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Radiohead Retrospective Part 4: We’ve got heads on sticks

Your name is Thom Yorke. You’ve just released what is considered one of the best albums of the 90s, if not of all time, and you’ve achieved a level of fame that at least one band member considers akin to the Beatles. Through the release of OK Computer, you’ve proven that even if people are pretty much over Oasis at this point, British rock bands still rule the airwaves. You’re also stressed the fuck out over just about all of this, and having a very hard time accustoming to the life of a celebrity- let alone the usual mental health issues.

What will you do?

Apparently, the answer was to write the fourth album to be as far away from the previous few as possible, seeking influence from IDM groups like Aphex Twin, jazz stuff, and just some bizarro instruments and experimentation and leaving a lot of the “rock” stuff behind. The primary genre listed for Kid A is usually Electronica or Ambient, with various off-kilter rock subgenres lagging behind, crying “you’re still gonna do guitars and stuff, right?”

Well…not as much anymore. But this era of Radiohead, this career-suicidal swerve, still proved monumentally successful, and showed that the band still had it, and that sometimes artistic risks do pay dividends.

A side note: I usually link music videos for the tracks I discuss as part of each post, as you’ll have seen in previous parts of this series. Kid A, however, doesn’t have any singles, and it sure doesn’t have any music videos. So…maybe just listen yourself. I’m probably in over my head here anyway.

I think the first 5 notes of Everything In Its Right Place are some of the most iconic in all of music.

Some personal background- Kid A was the first Radiohead I ever listened to. A particular cool and good mate of mine was a fan in high school, but I’d never listened to them at all, and I trusted his opinion musically, so I went to buy one of their CDs the next time I was at the shop. And for whatever reason, the cheapest one was Kid A at 10 bucks, and I didn’t want to gamble more than that, so that’s the one I got.

So the opening notes of Everything In Its Right Place were the first Radiohead I ever heard. And considering how much I obsessed over this band, in high school and beyond, it’s no surprise that this song is one of my favourites.

Not only did this song introduce me to Radiohead, it was effectively a gateway track for electronic music in general. This was the early 10s, and the majority of what I knew as electronic stuff was the EDM that was drowning the airwaves at the time. I hated that stuff out of principle, because being a hipster like that was definitely a personality. I don’t think I would ever have gotten into Vaporwave, into IDM, or into any electronic music the way I eventually would were it not for Everything In Its Right Place.

Now that I’ve spent 250 words talking about myself and not the actual song, we should probably stop that. Everything In Its Right Place is defined by this steady build of layering vocals and effects onto the relatively calm synth line, distorted vocals and word salad lyrics and manipulated noises growing and getting more chaotic before it just stops- the vocals fade out, the effects drop, and you’re left with the synth line- except it’s been slowly changing itself the whole time, and you don’t realise because you’ve been distracted by everything else at the same time.

It’s worth noting (and I don’t know if this was the case with OK Computer, because I don’t have an original copy of that one) that this was an album without liner notes, without the lyrics in the cover booklet. But at least in this case, the lyrics don’t matter as much as the v i b e. At least, that’s what I think.

On the topic of unintelligible lyrics, Kid A has a title track! I believe literally two Radiohead albums do this, the other being The Bends (though Hail to the Thief and In Rainbows do appear as lyrics). The song itself is an ambient, quiet piece that feels something like a twisted nursery tune- incredibly affected vocals, a syncopated (?) percussion, and a synth (I think???) that…I don’t know how to describe it, but it feels nursery-rhyme-y. If you’ve heard this song a few times, or you know what to listen for, you can piece together the lyrics somewhat- and they are, frankly, kind of unsettling. What is standing in the shadows at the end of your bed, can it please leave? And imagery of the Pied Piper is always either extremely silly or extremely unnerving, with this clearly leaning towards the latter. There’s a lot going on here- especially for a track most probably wouldn’t listen to outside the context of the full album. I know I generally don’t- not the kind of thing I generally am in the mood for.

We’re at 850+ words, and we’re only up to The National Anthem? Fuuuuck. Well, anyone who wasn’t on board the IDM train can at least appreciate this one more, it’s got an actual bassline. A killer one, at that, that drives the whole track. Well, you know, that and the B R A S S. Seriously, it sounds like they invited a marching band to this bad boy. The combination ends up sounding mostly like controlled chaos, a jazz band traffic jam wound together by that B A S S. But the bass can’t hold it forever, and eventually that shit breaks free and just, it just honks all over the place.

I’m frustratingly running out of things to say about this song I really like, as opposed to the other songs I really liked. Unfortunately, ya boi forgot to take his neurotypicalification pills today, and so I’m getting very distracted. Hopefully, that slightly unhinged nature suits the album somewhat.

The next song, How To Disappear Completely, is a Big Mood with a fun story attached. The main lyrics- I’m not here, this isn’t happening- were allegedly something none other than Michael Stipe from R.E.M. told Thom to help him deal with that massive stage fright that came with Getting Big. Fun trivia aside, this song is gorgeous, luscious with massive strings, an acoustic bend, aethereal vocals, and a background drone running through the thing that makes sure your hair is always a little on end through the thing. It’s a song whose lyrics are an attempt to escape anxiety, whose instrumentation serves more to reinforce it- a calm, melodic piece that builds into nervous swells and threatening strings. A song about fighting your fear, and losing.

Fuck me it’s a bit depressing isn’t it. It’s potentially the most emotionally revealing song the album has- a lot of the lyricism on other tracks is more metaphorical, or subtle, but the meaning in How To Disappear Completely is evident even just from the title. You get lost in the strings and they go from calming, to imposing, to downright menacing (and then back again) in the song’s final minute.

Treefingers, on the other hand, has a lot less to say, and by that I mean it’s an instrumental. A very atmospheric, ambient one, and thereby one I don’t have a lot to say about. I’m not sure I’m particularly good at commenting on regular music, but this kinda thing is a whole different animal. I have no idea how to interact with discussing this. I like it? I will say, that one note right at the end, that echoes for a bit, the one piece of clarity in this muddled, reverbed sphere, feels especially poignant, for reasons I cannot describe.

We go from ambient instrumental to arguable the most rock-song-like track on this album, Optimistic, certified banger that it is. Some might argue that it doesn’t fit here, but like, did they even hear the lyrics? The bridge? It more that deserves its place on one of the best albums around. The little way the guitar scales up during the chorus is excellent, the proggy drums and riffs are glorious, it’s just a very good rock song.

Also this is the first song with the lyric “dinosaurs roaming the earth”, which, aside from being a bit of a non-sequitur, would return two albums later. And I’m really looking forward to that one.

In Limbo is a song I kind of always forget exists until I hear it again. It’s antimemetic, the way the song goes slipping from my mind until I hear those opening notes again. I’m going to be honest, it’s probably because it’s also the most mid song on the album. Far from bad, but it isn’t doing anything that How to Disappear Completely or Optimistic aren’t doing better. If I had to remove any track from this album, it might be this one?

Watch me get fucking lynched from the fandom for that one, if I ever post this to r/Radiohead or whatever. Which I might, though as much as I’d like more people to read my things I’m also extremely anxious about the potential response. Like the album I’m discussing today, I’m terrified of fame.

Incidentally, In Limbo is also the shortest track on the album (Treefingers beats it by 11 seconds), though this isn’t initially obvious online at least, because people keep messing with Motion Picture Soundtrack. But we’re not there yet, hang on.

We go from the forgettable (to me) In Limbo to the utterly mesmerizing Idioteque. Anxious but danceable, confusing but emotive, messy but tightly controlled. I love this fucking song to death. The reason I got the particular Radiohead poster that I did was because it has lyrics from this on it.

I’ve heard that lyrics for this album were largely pulled from a hat, and nowhere is that more clear than here (or maybe Everything In Its Right Place). Despite this, there’s a pretty clear theme in them, a continuation of some of the themes of this and the last albums. A condemnation of wealth and cowardice in the face of ecological disaster. In the form of an apocalypse disco.

What a lot of people don’t know about this track is that it actually samples an extremely old electronic music piece- one written in 1973, on a particularly old computer. The track, mild und leise, is a very interesting track considering its age- I’m reminded of Selected Ambient Works by Aphex Twin- not so much musically, but about how that reason was as influential as it was because it was the first time songs had sounded like that, because it was the first time songs could sound like that- I suppose it’s somewhat similar in that way, if older. These pieces and their composers inexorably linked by the allure of technology, and how that could be used to define new eras in music history- in Radiohead’s case, it certainly defined the next few albums in their lifespan.

Jesus mild und leise is long, it’s still going as I write this. I need to get back to Kid A, man!

Idioteque leads directly into Morning Bell, admittedly another less memorable song. Largely percussion lead, plenty of falsetto, and with a very unsubtle theme if you listen to the lyrics. I recall seeing someone saying that “cut the kids in half” was a really surprising and spooky line, and, yeah, sure, it sort of is, but it’s only particularly bad if you don’t pay attention for the rest of it. It’s about divorce, dude, it’s not subtle.

Or apparently not, according to one interview, but Thom said the interpretation isn’t invalid, so haha still winning baybeeeee.

I think the only part of this I really can’t do without is the outro, because the last minute and a half of this song is really cool. The mumbled lyrics go really well with the rising percussion and eerie effects that end the track.

Our final song is Motion Picture Soundtrack, or, Exit Music (for Walt Disney’s Depression Nap). This and Street Spirit I think are what really cement Radiohead’s reputation for brutal closers, both of them being tragic but hauntingly beautiful in different ways. In this case, it’s the instrumentation- glittering harps attempting the echo 50s Disney. There’s actually a version of this song from the OK Computer era with extremely different instrumentation, piano rather than organ, and no harps (and a third verse that is utterly brutal). Regardless, this is the song they chose to close the apocalypse that Kid A is on- the final lyric being “I will see you in the next life”, as the glittering echoes into the night. Poignant and tragic, but a little hopeful- the next life hopefully won’t have the struggles and pain of this one.

And then, of course, there’s the hidden track. Nicknamed Genchildren by some (that’s just the username of the dude who uploaded it to Napster back in the day), officially known as Untitled, and the true closer to the album. With Spotify slapping it right at the end of Motion Picture Soundtrack, it’s not clear the true nature of this song- it’s actually hidden on the original album, after several minutes of silence, just long enough that you’ve forgotten you left the player running (or you’re still crying from Motion Picture Soundtrack). I don’t think there’s a real word for what this sounds like other than heavenly, and incredibly brief piece I’ve heard compared to the pearly gates. After all, if we end on “I will see you in the next life”, then what can this be but that?

Thus closes Kid A, a gorgeous and powerful album, yet an insane swerve for any rock band to pull, not just Radiohead. A bold strategy, and yet it paid off for them- Kid A would not only be massively influential, it was also massively successful both critically and commercially- but not to the standard of OK Computer before it. But they obviously weren’t trying to do OK Computer part 2, just as that album was deliberately not The Bends part 2.

Kid A would pretty much get a Part 2, though, less than a year later. And it’s that album we’ll be discussing next week, obviously. Until then.

#ramble #music #radiohead #kid a #idm #idm has to be the most pretentious acronym on the planet

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leam1983 · 3 years

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Felix the Reaper - Thoughts? Review?

Can't really go into too much detail, it's rather late as it is and the ol' bed is beckoning, but I also want to couch this down somewhere while it's still fresh...

So, Death as a concept - as a character - obviously permeates the whole of human civilization. You've got Anubis and Osiris, Humbaba the Undying, thousands of years of mythology surrounding the concept of life leaving you and your flesh-bits rotting, generation after generation of people processing grief in visual and abstract forms - and now, we're sort of living in a context where Death isn't really all that scary anymore. We understand it, we can push it back in some cases - and when we can't, then we can sort of map out its occurrence. What started as just this inexplicable force swiping at hunter-gatherers and that warranted Danse Macabre paintings across Medieval France is now something we can put an almost-precise date and time on. There's a bunch of "death clocks" online that project a potential DOD based on your age, gender, health status, habits and BMI; sort of turning the concept of memento mori into a shockingly literate manifestation.

You will die, one day. We're so aware of that that a bit of science and Web design wizardry can shit out a half-serious guesstimation of when it'll happen. Pre-Colonial aspects of Death survive in Mexican culture in the forms of both calaveras and the Santa Muerte cult, and the inevitability of death now even counts as a game mechanic in the SoulsBorne genre. You've got Terry Pratchett's extremely Humanist rendition of Death and, well, Hollywood faff à la Meet Joe Black. The short of it is we're far from the robe-wearing zombie we used to plop everywhere as a reminder of our own supposedly sinful urges or on the fleeting nature of youth.

Another item that's of interest is the notion of life and youth being represented as the Maiden - and of Death being in love with her. Sometimes, the affection isn't returned and disgust is shown. That's most of Holbein's death-related works, in this case. In others, the Maiden leans in, lets the skeletal figure push a hand underneath her skirt and against one of her thighs. They share a kiss, press against one another in the way honest lovers might. He's a dried-out corpse with a bloated midsection and she might've stepped out of some sixteenth-century church in the Netherlands, but their liplock is intense and genuine. In one statue, the Maiden looks like she might've just surrendered to the Reaper's arms, but her hands are also touching his scythe....

Eroticism, a commentary on suicide or plain acceptance - there's several ways to look at that duality, and it's even managed to worm its way over to cultures that don't natively have similar associations with human remains. The Japanese, for instance, do have their own Gashadokuro concept, but the locals of Nagasaki needed their initially-exclusive exposure to Portuguese traders to shrink down their massive skeletal eidolons of doom and to design woodblock prints where a Danse Macabre effectively meets the dress codes and habits of the locals under sakoku, or the Emperor-mandated closing-off of Japan to the outside world.

Death as a dancer. Death, especially, as a force that's quite lively, despite its attributes. A force that falls head-over-heels for Life in its own anthropomorphized form.

This is what Danish devs Kong Orange opted to work on in Felix the Reaper. Their Death has a human name, has a thing for the stuffier ends of Business Casual, is maybe eighty pounds overweight - and won't ever, ever, let the music die. He's also in love, obviously - and in love with Betty, the equally portly and nimble personification of Life. The pair look a bit like a Fernando Botero couple waiting to happen, with ample waists and sagging breasts held aloft by spindle-thin legs - but if Ghostbusters taught us not to cross the streams, then you can assume that Life and Death starting a tango in the same workspace could have severe coincidences on the biosphere. Not that Felix cares, he'd want nothing more than for Betty to notice him. His supervisor is voiced off-camera by Sir Patrick Stewart, who's as delightful as always, and who sort of plays the part of the well-meaning supervisor who eventually realizes his new employee's quirks don't diminish his potential.

And what is Felix's job, exactly? Well, he's Death. He's not getting paid to distribute hugs and kisses, obviously. He gets sent to the mortal plane to, well, kill people, and more specifically, to kill people in precise and pre-ordained ways. His "televator" takes him to an instant frozen in time, and he has to alter the surrounding scene so that once time resumes its course, the requisite accident or happenstance occurs. You do that by picking up items, flicking switches, and placing targets in the path of whatever it is that's set to kill them. You also move the sun around the world using a magical sundial doohickey, as Death can only move in shadows. You're basically Death in the same sense as in the Final Destination movies, except you really, really, really want to twerk and sashay your voluminous heinie through the small changes needed to turn a nothing-burger into a drunk huntsman getting his head stuck in the stump of a decapitated deer, so the dejected and near-sighted hunter you've been following mistakes him for a target and shoots his spear through his brain-case.

And yes, Felix does twerk and he certainly sashays. Dude dresses like a stuffy librarian, sure, but seemingly loses all inhibitions once his headphones come up - which allows the player to share in his personal soundtrack. This particular Reaper seems to have a thing for very bass-driven and samply EDM, with occasional forays into Ambient and Jazz. His many, many, many idle animations all sync with whatever it is that's playing, and so does the variety of prances, somersaults, grands jetés and twirls he goes through while moving from place to place. Comparatively, you get the sense that Felix's coworkers are more the dour and solemn type - with a few unsubtle cameos from Skeletor and Manny Calavera in the opening cinematic - and Felix, well...

Let's just say it's a wonder he has those hips and that paunch. If he twirls around for every little thing he does, then you'd assume he only sits down to hoover an Olympic athlete's worth of food once a day. Or maybe I'm overthinking things because, well, death.

And therein lies the problem, honestly. In thinking, I mean. Felix is a puzzle game through-and-through, and also ties into a Challenge system in order to really tickle those completionist nerves. The starting scenarios are braindead-easy, but the later ones left me stumped for fifteen minutes per screen. Add to that the notion that the game doesn't check off some of them as complete if you only do the bare essentials, and you're left with another would-be mobile offering that doesn't reach its endpoint until you exhaust every little bit it has to offer - even if you're effectively done with the main gameplay loop. It's a great game, but there's just not a whole lot to do in those six chapters, beyond repeating bits of drudgery until your noodle clicks or you give up and look up a solution online.

It's a shame, too. The isometric perspective is perfect, and the game could've been pitched as a hybrid between a puzzler and, say, XCOM: Enemy Unknown. You'd take cover to hide from moving targets or to escape daylight and instead of shooting at them, would emerge from cover to move items around or solve puzzle elements. You could've had Death evoke the illusion of a friendly face to inject some more concrete narrative delivery, for instance. Steal a friend's features, magically conceal yourself, and then have your target piece her own weaknesses together, leaving you to retreat and regroup before executing your plan of attack. But no, everything is out in the open and everything is spelled out for you. Kong Orange could've also stolen a page from Hitman Go and set multiple triggers in place to truly sandbox the experience.

What is there is fun - it oozes personality and charm - but there's just not enough of it to justify Steam's full asking price, IMO. Comparatively, the Switch's online store is currently running a sale for it (as of Sunday the 15th, at least) and lists it as being 2,15$. Two bucks for a few hours of harmless fun is a pretty good deal, as far as I'm concerned. It also underlines why the devs and Daedalic Entertainment alike consider it as having "bombed", as the marketing effectively targeted Devolver's usual stable. It's not crunchy enough, however, and not exactly irreverent enough to warrant that comparison. A more hefty Felix could've earned its full 20$ price point on PC - and Kong Orange's very design for Betty makes it obvious that if Felix ever returns, it'll be in a co-op setup with the love of his, well, unlife.

I'd be up for more of this cuddly, swinging skelly - assuming the devs mature a tad and put something together that's just a smidge more compelling.

#felix the reaper #pc #switch #ps4 #review #puzzle #game #indie #felix #the #reaper #fat #skeleton

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spicykoreantatertots · 4 years

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Outro: Her

Pairing: Taehyung x Reader

Word Count: 652

Rating: PG

Genres: SFW, Idol AU, Fluff

Summary: You and your new boss, Kim Taehyung AKA: V, hang out at a club. This is a prequel to Idol.

Warnings: None.

A/N: This is part of my new drabble series that I’m doing for ficswithluv’s Bulletproof Bingo! 24 drabbles in 12 days so I can get that blackout before the deadline. See my challenge post here and the master list here! Message or send an ask to be on the taglist!

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Following the final show of his tour, Kim Taehyung invites the production and stage out to a club to celebrate. He rents out the space and encourages everyone to bring a friend or significant other to the party. He spends his time in the VIP lounge, so most people don’t get to just rub elbows with him.

The club, Cypher, is in downtown Seoul. It’s fancy. The drinks are high end and worth more than most people’s hourly wage. The DJ has a really good mix going tonight and you are just thrilled to have a break. Touring is not easy for you. Traveling for months at a time takes its toll, but it is a job you love.

“Ma’am? Mr. Kim would like to see you in the VIP lounge.” One of his personal security guys has approached you just as you were about to go onto the dance floor.

You’re a bit nervous to see Mr. Kim. And by a bit, you mean a lot. This past tour, you got to know him pretty well. You were training to take over as the production manager for the upcoming tour. It’s a big promotion for you and a big step forward in your career.

Kim Taehyung is one of the absolute sweetest men you’ve ever met. He genuinely cares about the people around him. He’s also got an amazing personality. He’s funny and smart and just so much fun to be around. You’ve developed a bit of a crush on him.

You follow the security guard across the bar and he opens the door to the lounge. It’s bigger than you expected. It looks like a miniature version of the club behind a set of doors. There’s two bars and dozens of people. You recognize a few of them as higher ups in the entertainment company that manages V.

“Y/N! Over here!” You turn and see Taehyung in a corner booth with your boss, well former boss. She motions for you to come over.

“Hey! How’s it going?” You ask as you awkwardly slide into the booth. Your former boss somehow takes this as her cue to leave the booth.

“I’m doing well, I hope you’re enjoying yourself tonight. You worked hard on this tour.” He smiles pouring a glass of champagne for you. The glass alone probably worth a few hundred dollars.

“Thank you, you worked pretty hard too.” You giggle and when you look at him, he’s looking at you. Heat rises in your cheeks. God he’s beautiful.

“That’s why they pay me the big bucks, I suppose.” He muses. “Congratulations on your promotion, by the way. I’m looking forward to working more closely with you.” He winks.

After a few more glasses of champagne and a little more chatting, he invites you to dance with him. He extends his hand and you’re surprised.

“Mr. Kim, are you sure about this?” He freezes at your question.

“I’m so sorry, I’ve made you uncomfortable.” He let’s go of your hand and takes a step back.

“No! I just... I’ve enjoyed getting to know you. I don’t want to... confuse my feelings.” You blush, basically admitting that you’ve got a crush on him.

“Oh!” He laughs. “You’re not confusing anything, but you say the word and we’ll stop.” He smiles and extends his hand once again. “And you can call me Taehyung.”

He leads you onto the dance floor. The dance floor soon becomes crowded. Everyone in the room flocks to him like moths to a light. And boy is he bright.

EDM songs fill the room. Colorful lights are swirling around. Taehyung is behind you, his hands on your hips, his breath in your ear. Your bodies moving in time to the beat. It’s too good to be true.

The flowers and invitation to dinner on your doorstep the next morning tell you that maybe, just maybe, it can be good and true.

~~~~~~~

A/N: Thank you so much for reading. Check out my masterlist here and the series masterlist here. I’m always looking for betas, people to beta for, and friends so send me a message! :)

#ficswithluv #fwlbingo #magicshopnet #bangtanhq #kim taehyung #taehyung x reader #taehyung #tae #V #taehyung fan fic #bts fan fic #taehyung idol au #taehyung fluff

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