Tumgik
#book is pictures and tears by james elkins
vitruvianmanbara · 6 months
Text
Tumblr media
i’m serious i need to go to the museum and stand 18 inches from a rothko…..
462 notes · View notes
sourkitsch · 2 years
Text
Tumblr media
from Pictures & Tears : A History of People Who Have Cried in Front of Paintings by James Elkins
37 notes · View notes
christinedepizza · 1 year
Text
Tumblr media
0 notes
thinkpink212 · 1 year
Text
Tumblr media Tumblr media Tumblr media Tumblr media
Feed the mind to nourish the soul
Nonfiction Book recommendations
🌷 Fearing The Black body: thé racial origin of fatphobia By Sabrina Strings
🌷 13 Things Mentally Strong People Don’t Do By Amy Morin
🌷 Homo Deus: A brief history of Tomorrow By Yuval Noah Harari
🌷 Breaking The Habit Of Being Yourself By Dr. Joe Dispenza
🌷The Anatomy of Loneliness By Teal Swan
🌷 Thé Secret By Rhonda Byrne
🌷 Atomic Habits By James Clear
🌷 Why We Eat (Too Much) By Andrew Jenkinson
🌷 Pictures and Tears: A history of people who have cried in front of paintings By James Elkins
73 notes · View notes
metaphrasis · 1 year
Note
Any books and essays you’d recommend?
Fiction:
(Ideal for the darker, colder months)
Frankenstein, Mary Shelley
The Picture of Dorian Gray, Oscar Wilde
Dracula, Bram Stoker
Steppenwolf and Demian, Hermann Hesse
Just Kids, Patti Smith
Jane Eyre, Charlotte Brontë
Death & the Dervish, Meša Selimović
Macbeth, Shakespeare
Essays:
On language:
Nobel Lecture (1993), Toni Morrison 
How Words Fail, Cathy Park Hong
Politics and the English Language, George Orwell
Of Strangeness That Wakes Us, Ilya Kaminsky
The Meanings of a Word, Gloria Naylor
Mother Tongue, Yoojin Grace Wuertz
Borrowing a Simile, Walt Whitman
Word Order, Lewis H. Lapham
Four Essays, Mikhail Bakhtin
Nature: Chapter IV Language, Ralph Waldo Emerson
The Strange Persistence of First Languages, Julie Sedivy
What Do You Lose When You Lose Your Language? Joshua Fishman
Here is a list of essays on translation I have recommended on a former blog
Other:
A Defence of Poetry, Percy Bysshe Shelley
Art Objects, Jeanette Winterson
Preface to the History of The Renaissance, Walter Pater
The Laugh of the Medusa, Helene Cixous
Ways of Seeing, John Berger
The Work of Art in the Age of Mechanical Reproduction, Walter Benjamin
Portraits: John Berger on Artists, John Berger
Pictures & Tears: A History of People Who Have Cried in Front of Paintings, James Elkins
Resources for essays: Lapham’s Quarterly, The Paris Review, Poetry Foundation
31 notes · View notes
zombiesun · 1 year
Note
39 :D
39. Five books you absolutely want to read next year?
ignatz / monica youn
pictures & tears: a history of people who have cried in front of paintings / james elkins
the poppy war / r.f. kuang
last ones left alive / sarah davis-goff
memories of emanon / shinji kajio
2 notes · View notes
heavenlyyshecomes · 4 years
Note
Your non fiction book posts are always so sexy!! Do you have any recommendations for some preferably by South Asian writers?
Omg thank you! Honestly I rarely ever read nonfiction much less by south asian writers but here's some I've read or have in my tbr + other nonfiction I've loved:
My Seditious Heart: Collected Nonfiction, Arundhati Roy
Remnants of a Separation: A History of the Partition through Material Memory, Aanchal Malhotra
The Emperor of All Maladies: A Biography of Cancer, Siddhartha Mukherjee
Incarnations: India in 50 Lives, Sunil Khilnani
In an Antique Land, Amitav Ghosh
City of Djinns: A Year In Delhi*, William Dalrymple
The Fall of Language in the Age of English, Minae Mizumura tr. Julia Winters Carpenter & Mari Yoshihara
Say Nothing: A True Story of Murder and Memory in Northern Ireland, Patrick Radden Keefe
Still Life with Oysters and Lemons: On Objects and Intimacy*, Mark Doty
Pictures and Tears: A History of People Who Have Cried in Front of Paintings, James Elkins
A Field Guide to Getting Lost*, Rebecca Solnit
Dangerous Beauty: Medusa in Classical Art, Kiki Karoglou
Nonrequired Reading: Prose Pieces, Wislawa Szymborska tr. Clare Cavanagh
In Praise of Shadows, Junichir Tanizaki tr. Thomas J. Harper and Edward G. Seidensticker
The Lonely City, Olivia Laing
258 notes · View notes
zahut · 3 years
Text
“In the past, paintings [faded] into memory, and people had to cherish their memories or risk forgetting the pictures altogether. Before the invention of airplanes and cars, paintings were substantially harder to see, and before the rise of modern public museums, the majority of paintings were effectively off-limits to most people. We tend not to notice such slow changes in our cultural habits, but they have a far-reaching effect on the ability pictures have to move us. In prerevolutionary China, before there were museums in the Western sense, paintings were largely in the hands of the court or of aristocrats. Aspiring painters sometimes made long and arduous voyages with the hope of persuading owners to show their jealously guarded masterpieces. Some paintings became the objects of almost religious veneration. They were copied, of course, but no one could entirely trust a copy. A painter might only see a rare painting once, for a few minutes, and then it would have to be held in memory for years, and perhaps for an entire lifetime. Painters who wanted to learn the style of some ancient master would be lucky to see two or three of the master’s paintings in a lifetime of traveling.
Today everything has changed. We can fly quickly from city to city comparing pictures, or wait for large traveling exhibitions to bring together all of Pollock, or Cézanne, or Picasso. These days reproductions are good enough to serve as passable stand-ins for the originals. If you’re on vacation and you see a picture you like, you no longer have to store it up in memory against the near-certainty that you’ll never see it again. At the very least, you can buy a book or a postcard to remind you of the original and keep your memory fresh.
Most of us are happy with the new arrangements: within limits, we can see what we want when we want. Yet I wonder if the Chinese customs might not be better than ours. If I had known I would only see [that] painting once, I would have looked hard, and tried to memorize it. I might even have made a sketch of it, and labeled all the colors. Later I could have tried to nourish my memory by reading over my notes and trying to call it to mind […].”
— James Elkins, Pictures and Tears: A History of People Who Have Cried in Front of Paintings
12 notes · View notes
ironpour · 3 years
Note
what are your favorite non fiction books?
good question. ive recently read and really enjoyed Underland by Robert Macfarlane and Hungry by Jeff Gordinier 
ive posted short reviews of both on goodreads recently - https://www.goodreads.com/user/show/91836846-oliver-fletcher
The Butchering Art by Lindsey Fitzharris was fun
one of my faves of all time is The Empathy Exams by Leslie Jamison
and also Pictures and Tears by James Elkins
11 notes · View notes
mesogeios · 4 years
Text
“In the past, paintings [faded] into memory, and people had to cherish their memories or risk forgetting the pictures altogether. Before the invention of airplanes and cars, paintings were substantially harder to see, and before the rise of modern public museums, the majority of paintings were effectively off-limits to most people. We tend not to notice such slow changes in our cultural habits, but they have a far-reaching effect on the ability pictures have to move us. In prerevolutionary China, before there were museums in the Western sense, paintings were largely in the hands of the court or of aristocrats. Aspiring painters sometimes made long and arduous voyages with the hope of persuading owners to show their jealously guarded masterpieces. Some paintings became the objects of almost religious veneration. They were copied, of course, but no one could entirely trust a copy. A painter might only see a rare painting once, for a few minutes, and then it would have to be held in memory for years, and perhaps for an entire lifetime. Painters who wanted to learn the style of some ancient master would be lucky to see two or three of the master’s paintings in a lifetime of traveling.
Today everything has changed. We can fly quickly from city to city comparing pictures, or wait for large traveling exhibitions to bring together all of Pollock, or Cézanne, or Picasso. These days reproductions are good enough to serve as passable stand-ins for the originals. If you’re on vacation and you see a picture you like, you no longer have to store it up in memory against the near-certainty that you’ll never see it again. At the very least, you can buy a book or a postcard to remind you of the original and keep your memory fresh.
Most of us are happy with the new arrangements: within limits, we can see what we want when we want. Yet I wonder if the Chinese customs might not be better than ours. If I had known I would only see [that] painting once, I would have looked hard, and tried to memorize it. I might even have made a sketch of it, and labeled all the colors. Later I could have tried to nourish my memory by reading over my notes and trying to call it to mind [...].”
— James Elkins, Pictures and Tears: A History of People Who Have Cried in Front of Paintings
672 notes · View notes
devouringyourson · 3 years
Note
Art anon here :) unfortunatly I don't know any web series but you'd probably enjoy James Elkins' books. 'Pictures of the body: pain and metamorphosis' and 'Pictures and tears: a history of people who have cried in front of paintings' are both beautiful reads.
Hello beloved. Those titles have already grabbed me wow. Thank you! I've forgotten how to get texts for free after uni but I'll have a good look for a e-download of these
1 note · View note
self-aware-elephant · 4 years
Text
Tumblr media
“The attendants told me that the visitors who are most moved are the ones who stay for more than a few minutes, but do not sit and meditate. They look intensely, and for a long time... A few viewers report a turning point, the moment when they have seen everything they can, and they sense it’s time to look away. ‘So absolutely antagonistic and chilling,’ one visitor writes. If those people then stay on, if they stick it out and keep looking, they begin to feel much stronger emotions. They are the ones most likely to cry. Their entries in the visitor’s books are usually short—a line or two. A few are very brief, and I wondered if the visitors were still crying as they wrote.”
James Elkins, Pictures and Tears: A History of People Who Have Cried in Front of Paintings, 2004. Ch 1. “Crying at Nothing But Colors”
Comments from the Rothko Chapel confession books overlaid upon one of fourteen purplish-black Rothko canvases inside the Rothko Chapel.
31 notes · View notes
029110k · 4 years
Note
Do you have any art book recommendations ?
Some of my faves are John Berger Ways of seeing, Portraits, Landscapes, James Elkins Pictures and tears, Joseph Beuys What is art, Ad Reinhardt Art as art, Mark Rothko The artists reality, Simon Morley The sublime, Joan Kee Models of Integrity. There are a lot of books on specific artists that I like but that depends on which artist interests you
14 notes · View notes
thoroughlyfagged · 5 years
Text
10 books i want to read in 2019
tagged by @hcsperrhodos
caliban and the witch: women, the body and primitive accumulation - silvia federici
alias grace - atwood
something wicked this way comes - bradbury
pictures & tears: a history of people who have cried in front of paintings - james elkins
literature and evil - george bataille
and many more that i’ve left half-read these last years and i’m too embarrassed to mention, i tag @coeurcordium
5 notes · View notes
mesogeios · 4 years
Note
Hi Lana, what are your top five books you read in 2019?
Hello! I really can’t narrow the list much more: I’ve tried and it just doesn't seem genuine. Below, you’ll find a list of books that I’ve read this last year and that have particularly impressed me (and significantly changed me). I can’t recommend them enough:
Dracula, Bram Stoker
Medea, Euripedes
Faust I, Johann Wolfgang von Goethe
Steppenwolf and Demian and Poems, Hermann Hesse
The Glass Menagerie, Tennessee Williams
Painting and Sculpture in Europe: 1880-1940, George Heard Hamilton
Sapiens: A Brief History of Humankind, Yuval Noah Harari
Pictures & Tears: A History of People Who Have Cried in Front of Paintings, James Elkins
In Search of Lost Time: Swann’s Way, Marcel Proust
The Myth of Sisyphus, Albert Camus
Amedeo Modigliani 1884-1920: The Poetry of Seeing, Doris Krystof
89 notes · View notes