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#being on stage with erik being on stage with erik being on stage with erik-
slashingdisneypasta · 1 month
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Erik Destler x Fem!StageActress!Reader || Would Include...
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Erik Destler always learning your on-stage romantic interests part totally and then 'dispatching' of the poor guy just before he's meant to go on so he then can always taking his place would include...
Warnings: Contemporary musical references, I don't care, shoot me. Also just basic Erik creepiness; murder and not-super-consensual kissing/touches (dub con at most).
Tagging: @marinerainbow and @masqueradeball .
🥀 Erik falling for you almost the moment you entered the Palais Garnier for the first time. He has no chill, we know this. He's like a Disney Princess. One song and he's fallen hopelessly in love.
🥀 Erik always keeping an eye on the cast lists when they come out- checking who you are and if you have a romantic interest. If you do, that person is now his main target. He may not kill them immediately, he'll wait until the final show on the final night, but there is a big red bullseye on their back now.
🥀 Erik practising 'his' lines (The lines of your on-stage romance) in his sewer room, reciting them to a dummy wearing some... familiar clothing. What? No, he didn't sneak into your chambers in the middle of the night and steal them from you! No, no! Absolutely not!... though you are missing a dress exactly like the one the doll is wearing. *cough*
🥀 Erik treating that doll of you with the utmost care. Almost as much as he'd treat you, the real you, with (Or, how he'd like to treat you. Only the lord knows if Erik could actually be gentle if given the chance to hold you). Its really creepy. Imagine his fingertips only grazing the dolls cheek very gently, but his eyes drift downwards (even though, again, its JUST A DOLL- ITS JUST STUFFING, ERIK!- Y O U ' R E T H E O N E W H O S T U F F E D I T- ) with very desire-filled eyes. Imagine him on one knee before the doll, holding its hand in his, its dead-eyes staring off into space while he professes deep speeches about love that are supposed to be romantic but just come out wrong and infatuated off Erik's tongue. Imagine Erik's hand wandering in the middle of a particularly heated scene; completely lost to his imagination.
🥀 Erik n e v e r, ever stealing the part of a villain. Even if that villain gets much more heated, or charged scenes with you then your actual love interest (Duke Monroth, Professor Callahan, Judge Turpin, Scar, etc). He wants to be your hero. Your prince, your true love.
🥀 Erik watching your every show, in his special box 5, studying you with eyes so hot you swear you can feel them on your skin every night. Paying so close attention, so he knows exactly how to compliment you on stage; how to be your perfect stage partner. This is why your scenes in every last show at the Palais Garnier are so impossibly electrifying to the audience- and, to you.
🥀 Erik allowing your casted partner to appear in the first few scenes with you during that last performance on that last night, so you never really know when its going to stop being the one guy and start being Erik- you're on your toes. Waiting the whole performance for the hand you grab onto to be Erik's. (He's waiting for the perfect moment to step in. The moment when you're really, really in character; lost to your art.)
🥀 Erik being the Christian to your Satine during 'El Tango De Roxanne' (His eyes upon your face. His hand upon your hand. His lips caress your skin. It's more than I can stand), 'Crazy Rolling' (See how I leave with every piece of you. Don't underestimate the things I will do), and 'Your Song Reprise' (Look at me... Satine... Why else live, if not for love?) in Moulin Rouge.
🥀 Erik being the Fiyero to your Elphaba during that super fucking charged 'As Long As You're Mine' scene in Wicked. You know? With you both on your knees on the stage surrounded by dramatic mist and you cant keep your hands off eachother?? *cough cough* I mean, with you both on your knees on the stage surrounded by dramatic mist and Fiyero and Elphaba cant keep their hands off eachother??? XD (Kiss me too fiercely, Hold me too tight; I need help believing, You're with me tonight, My wildest dreamings, Could not foresee, Lying beside you, With you wanting me // Every moment, As long as you're mine, I'll wake up my body, And make up for lost time.)
🥀 Erik being the Prince to your Sleeping Beauty, Snow White during the True Love's Kiss Scene. Oh yes, he definitely goes there. Did you doubt it?
🥀 Erik AS THE BEAST IN 'EVERMORE' TO YOUR BELLE IN BEAUTY AND THE BEAST!!!?
🥀 Erik never appearing at the end of the production to bow- he cant. You know that. So he makes his last moments on stage with you last, because honestly- who knows when the next time will be?? Its not like he can come call on you like a normal person... 🙄he's a dramatic freak. He holds your hand a few moments longer then necessary, or a little tighter. He kisses you one more time even though its not scripted.
🥀 Erik leaving you a bouquet of flowers in your dressing room after that last show on that last night. Signed simply, ceaselessly yours.
~
🥀 You tell yourself every time that the show must go on. You tell yourself, that thats why you don't stop it; Don't do anything.
🥀 You are lying to yourself. You cant deny the electricity crackling all over your skin every time you see Erik on stage with you, every time Erik touches you under fake pretences. You've never felt quite the same on stage then when he's there with you; you feel like you're really the characters... and there is nothing on earth like that feeling. No one else can give you this. No one but him.
🥀 You expect it now and anxiously await the moment when your practise partner (Just Erik's understudy. Thats what you're thinking of them now; the men who are actually cast) dematerialises from the stage and its Erik.
🥀 You always leave the flowers from Erik at the grave of the man who died. Its sick, the game (?? habit?? r e l a t i o n s h i p??) you're in, but you cant stop. And you cant apologise, so you can only do this.
🥀 You working extra hard to get lead roles at the Palais Garnier. As soon as one show is over, you have a hunger to do it again. Get another part, get Erik back on that stage with you.
Its like an addiction.
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watzuu-lmk · 6 months
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Silly lil headcanon
In my head, Wukong is the best when it comes to dealing with children. He like, engages with them more than he does with adults.
Whereas Macaque who i think would be really awkward around children, but he is great when it comes to dealing with like,, adolescents and young adults. People who are mature is easier for him to deal with.
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upsyturvyy · 2 years
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and your shirt matches the keys!
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CRYING AND SCREAMING FINALLY SOMEONE CLIPPED THIS NOW I CAN SHOW MY FRIENDS I LOVE YOU MANKAI PHANTOM
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britishchick09 · 2 years
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palais garnier vs. opera comique! ;)
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nipuni · 7 months
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We went to see Phantom Madrid last weekend!! ❤️ Geronimo Rauch was amazing!! I'm going to write my thoughts on the whole performance under a cut for those interested 😊
I am going to be comparing it to the London version for reference since it's the only one I've seen live. I think my first impression was that It was better than I expected it to be! I read opinions about the Trieste production and I was a little worried but I found that I enjoyed a lot of the things I've seen being criticized.
The stage spinning around was awesome and added so much depth to scenes and made transitions very smooth. The backdrops were very nicely done!
As for costumes I think they were pretty good with the exception of Aminta's dress and the Masquerade costumes being kind of underwhelming.
The singing was good overall, although the translated lyrics are weird sometimes. The main songs translate well but some others become very confusing in Spanish, some wording seems forced and some notes are slightly altered to fit the phrases. Raoul is very calm and soft, maybe a little too much at times, Christine is very neutral and simple. Geronimo was amazing tho no notes!
Now the acting! I have opinions 😫 This show was very Christine and Raoul centric to such an extent that it flattened the plot for me 😬 Christine seems scared and disgusted from start to finish so there is no conflict in her character. She is never torn, she recoils from the phantom's touch during Music of the Night, and during Final Lair she sings the "pitiful creature of darkness" lines looking at Raoul the whole time backing away towards the phantom and steeling herself and only turns reluctantly at the last second to kiss Erik. She comes back to return his ring and just leaves it on the organ stool as soon as he turns around because she's scared to get close to him, when he sings "I love you" she shakes her head at him 🥹 like girl please give us something!!
Geronimo's phantom is a delight tho!! He whimpers, crawls, cries, screams, pants, it's great. He's acting his butt off and is the highlight of the show for me.
A thing that I really liked was in the end when the mob comes Erik is curled up in his bed crying and Madame Giry finds him there and tells him to hide under the covers and leads the mob away from him, I thought it was sweet and transitions into LND nicely.
OH also!! I really enjoyed the Phantom swinging on a rope across the stage during the ballet and Buquet's hanging, it's so good!! the flaming chandelier scene is also good!! in Final Lair they actually hang Raoul in the air which was very nice too! (and with his shirt still on) and even the angel wings and flying that I've seen people hating on was honestly so cool. It didn't look as goofy as I expected it to, it's very smooth and the lighting makes it scary, he casts thunder and flies!! the wings are not very visible since the scene is very dark. The light work was super good in general.
Masquerade and Don Juan were a bit of a let down, much simpler but not bad. I think my main issues were about the choices for Christine really 🤔 and I think some scenes needed more movement, especially the roof one (they couldn't move because they are sitting on a ledge)
The show in general feels a bit one note compared to the West End version but it was good!! I'm just nitpicky 😂 also I want Geronimo's autograph!! I love him 😭
Anyway if you want to see/hear more let me know on discord wink wonk 😁
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skamenglishsubs · 1 month
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The evolution of Wilhelm's decisions across the seasons
While preparing to do my season 3 Subtext and Culture posts that are very single-episode focused, I was struck by another thought which is the recurring pattern with which Wilhelm breaks free in stages:
In season 1, Wilhelm is being moved to Hillerska as punishment, and at the start he's pretty much set on resigning himself to his fate. Except he meets Simon, which starts him on his his journey to freedom, as they hesitantly start something.
Erik dying is a huge setback, he tries to revert to being a straight role model, fails miserably, admits to himself he's really in love with another boy, and they start having a relationship in secret. That fails miserably, because of the leaked video, and ultimately because Simon rejects being in a secret relationship.
But he decides that he wants to try having an actual relationship with another boy, despite the royal expectations. He chooses Simon, discarding the idea that a crown prince can't be queer.
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In season 2, Wilhelm is tentatively exploring other relationships with other members of the upper class, who presumably wouldn't have a problem with a hidden relationship.
Meanwhile, Simon is apparently in a public relationship with Marcus, this causes Wilhelm to be consumed by jealousy, and all his other relationship attempts fail miserably. He doesn't want someone else, he wants Simon. And eventually Simon comes around to accepting being in a hidden relationship with Wilhelm, if that's the only way it could work.
But he decides that he wants to try being open about having a relationship with another boy, despite the royal expectations. He chooses Simon, discarding the idea that the monarchy can dictate his public image.
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In season 3, both Wilhelm and Simon are trying to make their public relationship work, and they overcome the awkwardness of being seen together at school at least.
They try to combine Wilhelm's role as crown prince with their relationship. He tries doing the job, the charity foundation, the formal birthday dinner while including Simon, and it fails miserably because of the intense pressure that's being put on him due to his role, and due to him and his family's inability to deal with their grief after Erik.
So the show slowly moves to this inevitable depressing conclusion where Wilhelm resigns himself to his fate. He says goodbye to Simon, makes up with his family, and appears to accept his duty.
But he decides fuck all that shit, despite the royal expectations. He chooses Simon, discarding the entire monarchy, finally breaking free all the way.
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The show is filled with points in the story where Wilhelm could have made a different choice, veering off his path. He slips up a bunch of times, he chooses to break up after Erik dies, he chooses to make out with Felice, he chooses his duty to spite August. But he gets there in the end, he makes enough good decisions, and each one brings him closer and closer to freedom.
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apocalypse-shuffle · 1 year
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THE PHANTOM | ERIK (multi iteration)
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“An Amati to be Worshipped” (Erik Destler |The Phantom of the Opera x Fem!Reader)
| Erik just can’t keep that mysterious demeanor about him when it comes to you. Or his temper. Or his lust.
| NSFW, 18+, minors dni, violinist!reader, (TW: stalker!erik, non con voyeurism, masturbation) questionable history/depictions of 1800’s French culture (I tried)
| picture source: shots from Ben Crawford & Emilie Kouatchou’s run as The Phantom & Christine on broadway
| 1k+ words
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In one word Erik was miserable.
His truest obsession, his sweet violinist, was out sick and as such he didn’t get to peer down upon her from box five as she drew those elegant fingers across her bow and string.
He missed her sun worshipped skin like a starving man missed food. She stood out like the brightest star from the pit. Playing her violin like it came as easy as breathing, much in the way Erik himself played his many well versed instruments.
Watching the performance earlier that night had been truly disappointing. Not even Christine’s voice could make up for the lack of the melodic rises and falls that came from his violinist’s strings. It was a clear missing puzzle piece in the whole show. One that irked him down to his soul and made him vow to gut the hapless fool in your place while you recovered.
And he wanted to curse that too.
The newest stage hand had forgone cleaning up the stage after pre-rehearsal a few days ago and you, his greatest muse, had slipped and fallen.
Your decent from the stage to the pit had almost made him reveal himself from his elevated position in the rafts. You’d dropped so abruptly, so thoroughly, that you’d screamed. A wretched sound forced from your mouth that had made even Erik gasp and want to reach for your fallen form.
Erik himself, with that fear and fury still thriving through his very spirit, had only just come from doing what he promised when he saw the tears tracking down your face. He’d gutted DuBoi within an inch of his life, the worm wasn’t worth being taken to his torture chamber, and left him to rest for his remaining hours as he chocked on his own tongue.
He stomped through his passage ways now, in search of you of course. After avenging your ails he was near giddy to get back to what he’d taken up doing since your most unfortunate injury.
He rounded the narrow corner to your bed chambers in the sick bay and hummed lightly as his eyes finally lay upon your form.
You were exquisite.
He could watch you for hours, and did. With the opera house quieting down after the night’s lackluster show and Christine not being due for a lesson, his presence was not needed anywhere else as twilight descended.
You mostly read, books from Senegal that were in a French dialect he was too unfamiliar with to read easily, and worked on your music. That was always his favorite part of the night.
Whenever everyone retired to their shared quarters you would sneak off, usually to the roof, lean against the Angel statue and pull out your beaten pieces of sheet music to write on. You’d hand draw the measure lines with steady hands and the finest ink you owned and then you’d be off.
Many a night Erik had watched as you embarked on the painstaking, and very familiar, process of writing your own music. You wrote, playing on your violin to check your song, until your eyes started to droop and the sun began to peak in the horizon.
You’d cringe, sigh, laugh and celebrate on the roof at your melodies, good and bad, and Erik would watch and wish to celebrate alongside you. To help guide you into finding your musical voice. To embrace you in your combined cheer.
He longed like no other to feel the touch of another. Of companionship.
There’d been many nights that he’d fantasized of stealing you away. As far as he was concerned the light of mundane people didn’t deserve to be blessed by your darkness. A darkness that he’d cherish. That he’d compliment, even.
Your songs weren’t amazing by any measure, you were clearly a beginner, but they were yours and he lived to hear you.
He’d read you music, even hummed your baby masterpiece in his free time. Tweaked little bits and sung it to you until the subtle change in tune got stuck in your head and you’d put the tweaks to paper. Even twisting them again yourself to fit your song more preferably. He always liked your changes immensely, and was honored that you mixed parts of him into that bit of your soul.
You were doing that tonight, in fact. Last night he played a new idea on his own violin. Behind the walls as you’d slept he’d had the pleasure of serenading you and now that his melody had sneaked into your subconscious mind you were writing away.
Erik closed his eyes as you began to play. Even bedridden without an audience, and your own choppy tune being strung together, you were amazing.
He listens to you for hours. Ear practically up against the wall Erik stays up and then subsequently falls asleep with you.
When he wakes he can tell the sun hasn’t risen yet by the dead silence that meets him but he knows you’re asleep. When he rises from his seated position in the cramped pathway and looks through the peephole to the sick room he confirms his guess. The area is still lit but you yourself are passed out, having seemingly been in the midst of playing until the moon’s siren song pulled you under.
He watches you silently. Eyes tracing your figure. Your dark skin just about twinkles under the harsh lights. The yellow lighting of the gas lamp doesn’t do you justice and yet somehow you manage to enrapture him still.
Your shut eyes flutter as he looks upon you. A smile graces his lips; you're enchanting. He wants to be able to speak with you. To mark the creases of your smile up close. To trust you with the secrets of why he hides in the shadows. To feel what it'd be like to have and to hold you.
To feel you succumb to him.
Completely.
He can’t help it. Almost against his wishes his mind turns to thoughts of you beneath him. To the way your skin would yield to his hands and his to yours.
To the arch of your bodies pressed together and the sounds he would siphon from your plush lips.
It makes him squirm in place as he watches you with different eyes. Sinful ones.
His eyes travel down your body and instantly Erik knows how he’s going to spend the rest of the opera’s still hours. You’re allure too strong and Erik too weak for you.
Unable to tear his eyes away from your breasts, Erik can only desire the pleasure of the flesh having his sweet violinist would bring. Your satisfaction has long been made a priority of his after all. It would only make sense for him to satisfy your more…sexual needs.
Even though he could only dream of it currently.
He imagines himself in there now. How he’d start by putting his hand to your cheek, the first touch of another’s skin he’d have in decades. He closes his eyes as his breath stutters out of him.
He would challenge the very God Christine prays to every night, a fool's errand perhaps -but one he would happily embark on, for the chance to see the stark contrast of his skin against yours.
Once more he opens his eyes to gaze upon you. He imagines after he touches your cheek he’d let his fingers trace down your throat and sternum before pausing just above your breasts. Trembling slightly, Erik thinks of caressing and cupping them, of running his thumbs over your dusk nipples. Marveling at how lovely they felt in his hands. Of the gentle sounds you’d give him in return.
Not letting himself think, he lets his hands travel over his own body, cape falling to the floor as he unclips it. He pictures leaning down, putting his lips around your right nipple, and beginning to circle it with his tongue while gently pinching the left one.
He imagines the way your eyes would flutter as he stimulates you with his mouth. Tongue gently sweeping over the stiff peaks of your nipples as you sighed your satisfaction.
Thereafter is when he allows himself to fully succumb to his rampant imagination. All his dreams of whimsy coming through in his mind's eye.
He thinks of you waking up, of skilled dark fingers moving to gently lift his head up, of the smile you’d give him.
“Was last night not enough? Have you come back for more?”
“Whatever you will give me.” Erik sends his own smile back. An action his face is largely unused to but that he is happy to make happen for you.
Your fingers run over the top of his head, through the few skant hairs there.
“Then give me your full devotion,” you say and Erik’s heart sours before he’s going back to your chest.
He says, "With pleasure," and lightly bites your nipple, pleased to feel you shudder.
He’s had the pleasure of learning recently that you were extremely responsive to touch and by god does he wish to apply that knowledge.
Erik then allows himself to fully be given to conjured images of you giving way beneath him. To him delving between your folds and the heavenly noises you make for him.
The thought of you crying out his name is what finally has him spurting into his hands, stuttering gasps falling from his mouth.
When Erik next opens his eyes, the scene of you so beautifully coming undone seared behind his lids, there are tears stuck to his lashes and pooling in his eyes.
His breath hiccups from his chest as he relaxes his hold on his cock. The spent organ flopping onto his thigh.
Erik allows himself to gaze upon you once more, something near shame threatening to claw through him as a few droplets cascade down his cheek, before the morning settles and he is once again back to the reality of being known no longer.
A monster forever bound to his faith hidden in the looming loneliness of shadows as his only company.
Its only shining light being you.
NOTES: Ohhhhhhhh. I hope y’all liked this. I just live for Erik being a needy pathetic simp.
P.S: I won’t respond cause this is a side blog but I do like comments, you can leave one.
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leatherjacketed · 10 months
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half the time talking to fellow wincesties is like being in a group of trauma survivors and we're all just sitting around each other in a circle of chairs talking about how Eric Kripke did us this irreversible way and now we can't close our eyes without being haunted by those weird brothers of his. and we're all just constantly getting victim blamed and gaslighted by other people on here saying, "Eric Kripke didn't do that to you, you guys do it to yourselves. It's not really there, you're just imagining it." and like, no. no sane person would ever do to this to themselves. we have been driven to the point of insanity by one man and his paradoxically covert yet somehow still rampant incestuous motel-backpacking all American dreamboats and the people will still shout "blasphemy" like the only blasphemy isn't the fact that there are actually people so desperate to deny and defend against something that is right there in front of their eyes that they would lash out against anyone around them that points it out. the only solace and escape from the charades the fandom plays is by either watching the show itself or talking to other wincest truthers who have gone through the seven stages of grief and embracingly accepted the madness one Erik Kripke has produced for validation that your trauma is real and that you aren't in this madness alone.
...anyways.... wincesties, please interact
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my bohemian ass woke up at noon on a friday so I'm not firing on all cylinders yet, but there is this important distinction in the novel, The Phantom of the Opera, and the musical The Phantom of the Opera. I understand why a novel length distinction is cut for time and narrative tidiness for a medium that happens on stage, but I think people draw some very unfair, unflattering and incorrect conclusions from the stage that they port into their reading of the novel.
that is: Erik, the phantom of the opera, knows about Christine and Raoul's engagement and he's actually totally cool with Christine's plan. This is not incel behavior. This is not ~toxic masculinity~ or whatever contemporary bullshit you want to spew on the intentionally sympathetic monster in gothic literature. Raoul is supposed to leave on a naval expedition to the north pole. Christine's plan is to be engaged with him until he leaves. "This is a happiness that will hurt no one," she says. I don't have the exact quote for it but later on she relates how Erik knows and approves, at least of this intended to be limited engagement engagement. Why? Because he's the happiest of men with Christine, and he wants Raoul to experience that happiness. He does also expect Raoul to, you know, fucking leave when he's supposed to, but still. Christine and Raoul are romping around the Opera, kissing and crying together, and our ghost dude here is just like: good for them.
What sets him off is not the idea of a romantic rival. He does not, imo, feel "entitled" to Christine's love or whatever batshit nonsense the Erik-as-incel narrative huffs like paint fumes. What sets Erik off is how Christine has lied to him: not about the engagement, but about the degree of visceral disgust she feels for Erik specifically as a result of his deformity. She details, in graphic detail, how she closes her eyes instead of looking upon him, how she tells him that she only averts her eyes because she is in awe of his genius. She tells Raoul how horrible even physical proximity to Erik is, how grotesque his face is, how the horror of an animated corpse proclaiming his love to her is--well, horrible, and horrifying. Erik is on the floor, on his knees, kissing the hem of her dress, and Christine has her eyes closed the whole time.
I also think contemporary audiences can't handle that. They need Christine to be a pure and wholesome Good Girl (regressive bullshit), who is the victim of an evil evil man, and only the victim (also regressive bullshit). But also because she is a female character in the contemporary mind, she is allowed no flaws. She must reject Erik because he is a bad man. It would be ableist otherwise, yes? And the contemporary audience cannot handle lack of physical beauty being the reason. There can be no nuance to Christine's reactions. She is Good. Erik is Bad. That's all there is to it. The audience member is so sure that they themselves are above moral reproach, too. That's what is at stake here, also.
Never mind that Christine herself, repeatedly, notes that Erik is right when he says that if she thought he was handsome, she would stay. Never mind that when Raoul asks her if she would still love him if Erik were handsome, Christine declines to reply.
To be clear: this is not a Christine bashing post. I think her complexity here is fascinating. I hate a flat one note ingénue and that's not what she IS, and it pains me that fic authors write her that way, as if it's superior. No! Here she's human and she's magnificent! She's conflicted! Erik is alluring but also in ways that are no fault of his own, terrifying.
We gloss over the intended body horror of the novel. I know I do. I forget that he smells like rot and death, that he's cold and clammy to the touch, that he moans like a ghoul, that is supposed to have a gaping nose hole and eyes you can only see in the dark.
I don't think Christine is wrong to lie. But it's easy to understand, if you let yourself, how betrayed the monster might feel when he finds out about all this concealed disgust.
So, two points here
The rage upon being unmasked isn't just because he's unmasked and she broke a rule or whatever. It's the death of his whole gambit and his last hope, and Erik is, canonically, very smart. He knows this. He knows his face IS the issue. He knows it is THE issue. He reads Christine correctly in that the Angel of Music bit is ultimately forgivable in her eyes, and she likes that he brought down her favorite horse, she absolutely is there for their shared spiritual musical raptures. I want people to understand this: ERIK IS RIGHT about his own situation, a LOT of the time. He comes to some bad conclusions after, but in terms of understanding what's happening around him, he's accurate.
And so the rage and despair post Apollo's Lyre isn't "oh no, she loves Raoul," or even "how dare she, that SLUT," as some people make it out to be. It's the realization that he's been a monster to her this whole time. All this time he thought that she saw him as a man, and she has not. All the presumably good memories he has of her and her two weeks she lived with him are now revealed as lies. She's been enduring this whole time, not acclimating. She feels horror. She feels, again, disgust. She's shuddered at the touch of his hand in hers and put on a brave face and he's believed her up until this point, and he's having his physical inadequacies and his uncharacteristic naiveté described in excruciating detail to his romantic rival. He probably feels real fuckin stupid, on top of all else. He's been duped. He also feels disgusting and unlovable, because Christine has just repeatedly described him as disgusting and unlovable.
It is, of course, wildly incorrect to then decide to blow up an opera house about it.
But it's not entitled incel behavior and that's such a boring and contemporary narrative to shove a beautiful example of gothic literature into. Intellectually lazy and artistically myopic. I think most of us, if we're honest with ourselves, can think of a time we thought somebody liked us--maybe romantically or sexually but also maybe not, maybe just as a friend, as a bestie--and we turned out to be very wrong, because the person was just being polite or avoiding awkwardness or whatever. That is: they lied, in a very understandable and justifiable and socially expected way. And how did that feel, dear reader? Not great, right?
The point of the phantom of the opera is that it's a bunch of normal human experiences turned up to the max, dialed into a sublime hum that goes so hard it turns inhuman and terrible. It's that what makes a monster, what makes a man line, which is only interesting to walk if it's identifiably very human in parts. So Erik isn't just romantically rejected: he is rejected in just about EVERY way possible, besides his divinity of music. And this is supposed to the story of his entire life, over and over again, just most vividly and poignantly illustrated by his failure with Christine, when he most desperately wants to be just like everybody else.
And I think it's a shame to lose that very basic narrative and thematic point, but also a shame to lose the nuance of: Erik wants to share his happiness with Raoul. He loves Christine so, so much that he seems to find Raoul's lovesick desire very relatable. Of course, who wouldn't allow his fellow man a glimpse of heaven? And I just chose my words carefully there, if not the rest of the post. In his approval of Christine and Raoul's playful engagement, Erik is briefly engaging on a man-to-man level. He feels human about it. And when he feels human and accepted as human, instead of a walking horror show, he's immediately kind of gracious.
It's when he finds out that he's been a monster and not a man this whole time, in the eyes of his beloved and his rival, that he seems to go: I'll show you what a monster is.
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04/02/2024 Daily OFMD Recap
TLDR; Rhys; Rosie; Taika; Vico; Watch parties; New Calendar; Fan Spotlight; Articles; Love Notes; Daily Darby/Today's Taika
= Rhys Darby =
Rhys posted a video about his 25 Anniversary Comedy Special!
Rhys Darby's IG Story
= Rhys & Rosie =
Rosie posted a cute picture on her IG Story, and there's a sneaky Rhys in the Reflection Src: Rosie's IG Stories
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= Taika Waititi =
A silly sneaky picture from Rita of our favorite director!
SRC: Rita Ora's Instagram
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= Vico Ortiz =
Vico's got a patreon up! Feel free to check it out here!
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= Matt Maher =
Matt Maher is back to stage on June 1 and June 2! Thanks @adoptourcrew for giving him this shout out!
PlayWritesHorizon Link
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== New Save OFMD Crew Calendar! ==
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Wednesday and Thursday: # PirateExperts, 1000% Facts! - Produce and share completely real historical artefacts and sources documenting the events of OFMD. Tag @saveofmdcrewmates on the various socials!
== Watch Parties! ==
Taskmaster NZ Series 1 Watch Party with @saveofmdcrewmates! When: April 3-12 (W,F, Su -2 eps each) Time: 11 am PT/ 2pm ET/ 7pm BST Where to watch: YouTube, TVNZ, Channel 4
Twitter Hashtags:
#Quartermaster
#OurFlagMeansDeath
#Taskmaster
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= In Progress Watch Parties! =
Join @iamadequate1 for Flight of the Chonchords April 8-12! More Details to come!
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== Fan Spotlight ==
= Cast Cards =
Today's cast cards are the French Ship Captain, Daniel Olson! The poor man only wanted to share good bread with the world! Thank you @melvisik for giving him a spotlight!
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= Podcasts =
There's a new episode of Never Left! Please check it out on all their socials which you can access via their Linktree!
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Artwork was created by Amy Gleason, you can see more of her art @AmysBirdHouse on instagram and in the comic series Mighty Mascots. Our theme music is Gnossienne 5 by Erik Satie, preformed by La Pianista
== Articles ==
== Love Notes ==
Hey lovelies. I know this recap is late-- I am having a habit of falling asleep a the end of the day now, new meds may be contributing to it, so please accept this Love Note as a start to the new day!
Everybody is trying very hard to keep each other afloat right now. We're all staying active in one way or another, whether that's sending lovely letters, or engaging in fandom fun and discourse. Sometimes it's not always fun though. We all get frustrated, we all repeat ourselves, and we all struggle with those things. Sometimes we say things we don't mean, or we say things that people misconstrue, and miscommunication can be rampant.
Just remember that we all make mistakes, and we're all human.
Take a step back.
Take a moment to breathe, go for a walk, go for food, or water, or go scream into the void.
We're all crew, and we do all care about each other even if we don't necessarily agree on things the fandom. We all have our own lives going on and outside factors that make the day to day harder, and we all need to give ourselves some grace for that too. Sometimes emotions get high and taking a step back can help, I know I've needed it lately. @areyoudoingthis reminded me of this yesterday and it really helped me feel more grounded. My brain gets overstimulated sometimes, and it's hard to break away from the thing that's overstimulating it, it's like it wants to keep going and deal with whatever is bothering it.
Just a gentle reminder that you are allowed to detach for a while. You're allowed to take a break. You're allowed to have your opinions, and your concerns, and your frustrations. You are human, and we are all so very flawed, but that's what makes us beautiful. Try not to beat yourselves up for being human.
Take a break, lean on a friend, verbally vomit frustrations into the voice or into a Safe Space Ship. Do what you need to do to get you through the day ok? We all want that. We all want YOU to be okay. If you step away, we'll be here when you get back because we love you crew. Don't forget that, even when tensions are high, we care about what happens to you, and we love you. You deserve grace too.
== Daily Darby / Tonight's Taika ==
Today's theme! Wet and Cars!
Daily Darby courtesy of @fandomsmeantheworldtome!
Today's Taika courtesy of @meluli!
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rose-margaritas · 9 months
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The act of primping is a sensual matter 💋
The headcanon of Erik knowing how to use makeup led to this idea of him doing Christine’s makeup before she goes up stage and of Erik’s head being filled with nothing but the idea of drowning in her kisses.
Part 2 here
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gulnarsultan · 2 months
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Can I request oneshot: Dark younger Erik Lehnsherr/Magneto(x men movie) x fem s/o whose mutation is that her power is giving people bad luck and because of this power she always isolates herself because she doesn't want to hurt anyone. she was found by Erik whom he fell madly in love with her, and he doesn't care about her power and tells her to embrace it and so with huge reluctance she did; personality wise she is gentle and soft spoken and when he reveals his dark love for her instead of being afraid and running away, she is compliant (This takes place the after First Class when Erik left the X men to recruit mutants to join him that's when he first met fem s/o and noticed her power he gave her the codename misfortune since then she's with him all the way to Dark Phoenix)
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Hello. Thank you for this beautiful scenario. Honestly, I especially like writing Erik as a dark or yandere. I hope you like it.
◇ Sweet misfortune ◇
After leaving the X-Men, Erik began recruiting mutants to his side. He found several mutants with different abilities. Then he was walking through a neighborhood and saw your reader. He felt as if his heart had stopped for a moment and he couldn't breathe. The reader enters her house a few minutes later. Erik spends weeks gathering information about the reader. No matter what, Erik was determined to hook reader. He meets the reader by pretending it's a coincidence. The courtship process, which lasts a few weeks, quickly progresses to the lover stage. The reader is anxious and insecure about her mutation. However, Erik is very helpful to the reader regarding her mutation. Erik's obsessive love soon comes to light. Unlike Erik's anxiety and fear, the reader did not fear, did not try to escape, or did not fight. Erik is very grateful for this situation. Once you both start a relationship, breaking up is out of the question. From now on, you will be together until your last breath. Erik is protective, possessive and jealous towards you. The reader and Erik have a happy family. Erik is determined not to lose his family again.
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henneseyhoe · 1 year
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2| KILLA HOTLINE
(Pls forgive me if the smut part is bad, I’ve never written phone sex lmao)
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“Killa hotline, how may I satisfy your needs tonight, love?” a silky smooth voice erupted from the other side, soothing R&B music playing lowly in the background. I couldn’t help but to pause, my words immediately got caught in my throat, leaving me unable to speak. ‘Why did I do this again..?’ I wondered, my lips sewing themselves together. I heard a deep chuckle after a few seconds, the man finding humor in the situation. “Cat got your tongue? You must be new”
He speaks again, making me let out a quiet moan involuntarily, my thighs clenching together. “Y-yes” I finally spoke, my response coming out more timid than I wanted it to. “Yes…what?” He was silent after, waiting on my response. I looked around my room I’m confused, trying to think about what he was pushing me to say. “Yes?” I asked, still confused.
I hear him move around, sounding as if he was typing on something “…we’ll work on that response later. What’s your name, shy girl?” He asks, and I swallow down pressure of nervousness that had bombarded my throat. “Uh—..Kate..lyn. My name is katelyn” I stammered and mentally cursed myself out for sounding like this.
‘Jesus, Y/N. this man isn’t even in your face and you stuttering like you cold’
The man laughed, not believing a word, rightfully so. “Be serious. What’s your name? I promise it’ll sound better rolling off my tongue than katelyn” he says, a small smile growing on my face. I rolled my eyes, trying to loosen up a little. “Sorry, I don’t know why I lied” I chuckled.
“I’m Y/N. It’s nice to…meet you?” I question my greeting, wondering if that was even the proper way of saying that. “Now that’s more believable. You have a beautiful name, Y/N. I know it’s just as pretty as that face” he said, the sound of my name doing exactly what he said, rolling perfectly off his tongue.
I trapped my bottom lip in between my teeth, hiding my smile as if he could see me gushing. The sound of my name coming from him made my stomach turn. “Thank you…what’s yours?” I ask, starting to play with the strings to my sweatpants. “..I’m Erik, but you can call me anything that slips out after “yes” and a moan. It’s nice getting your call tonight”
‘he was in one of the pictures in the email. damn, he was fine’
I pulled the phone from my ear and squealed, reaching up and grabbing a pillow to muffle myself. I wondered what had gotten into me, I wasn’t usually this shy or giddy when it came to men anymore. Hell, I barely paid them mind in real life, but maybe it’s cause it’s over the phone. I threw the pillow back to its place and put my phone back to my ear “you okay?” He asked and I hum a ‘yes’.
“Yup. So…Erik, or Killmonger, should I say?this your hotline alone?” I ask, gaining a bit of confidence. He chuckles. “Nope. It’s three others, you lucky you got me though” I raised an eyebrow. “And why’s that?” I asked, settling back into a comfortable position. “Cause, I’ll have your legs shaking without even being there” I gasp quietly, now crossing my legs to stop the newfound pulsing. “Oh— that’s…interesting.” I respond, and he hums back.
“So, how’d you find my number and stage name?” He queries and I try to think of a less unserious story, but decided to just tell the truth. “My friends. They signed me up for the email thing and…I guess I stumbled upon the number and your picture with your name under it” explaining, I shook my head, still not believing how my girls would go against me like that by giving these people my email.
“Well, did you like what you saw?”
“Huh?”
“My picture, doll. Did you like it?” I smile at the nickname and kick my feet in the air girlishly, holding in a giggle. “Yes. I liked it. I see why they call you Killmonger” I attempted to flirt, swirling the draw string of my pants around my finger. “that ain’t why they call me that”
My eyebrows raise, now wondering how I was gonna piggyback off of that to maintain the flirting lines I had already made up in my head to say. “Then why?” I could practically hear a smile growing on his lips before he spoke “cause I kills the pussy” he responds and I immediately go silent, muting my phone.
Switching myself to kneel on the king sized bed, I put my head face down in the covers and squeal once again, nothing but tingling surrounding my clit. ‘Girl, get it together’ the voice in the back of my head spoke and I sighed, lifting my head and shaking it before unmuting the phone.
“…boy bye. Can’t be that good” I simply said, ignoring the butterflies in my stomach. “You wanna test it out?” He said suddenly, cutting any other sentence I had off. I struggled to find a response “I-…what?…” he continues “I’m serious. What do you think this hotline is for, ma? I’m here to make you cum as many times as you want. Just say the word”
I was astonished, yet confused with what I was supposed to say. Was I really about to have phone sex with a nigga I didn’t know from a can of paint like this was the 90s? Yes. Yes I was.
“Okay…yes” I spoke, rolling onto my back.
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“That feel good, baby?”
“Yes, yes, yessss” I mewled, rocking myself onto my fingers. kneeling onto my bed with my face in my pillows and my hands shoved into my panties, I kept a bullet vibrator placed on my clit turned onto a low setting as my fingers went a pace that was a bit faster. my phone laid next to my head on speaker, Erik encouraging me to keep fucking myself. “Slow it down a little. I don’t need you cumming so soon” he says, his voice being deeper than when we started to converse.
I whined and slowed down my fingers movements, wishing I could do what I really wanted and jump through this damn phone.
“Mhmm, I know, baby. Daddy know how that pussy just beggin’ to cum, right?” He asked softly, making me clench around my fingers. Moaning into the phone, I struggled to not fuck myself faster to the sound of his voice. I could have came right then and there with him humming into the phone like that.
“Answer me when I talk to you, Y/N” he demands and I whimper, my legs starting to shake. “Yes, daddy…I wanna cum so bad” I said, my tone barely above a whisper.
“Good, that’s what I want. Now put that vibrator down and rub that clit for me”
“Yes”
I nodded as if he could see me. feeling my juices start to drip directly into my panties as I pull my fingers out, them not being able to keep in or block the essence of me from spilling anymore. Removing my vibrator from my panties, I carelessly tossed it to the other side of the bed and began rubbing small circles on my bundle of nerves, my eyes rolling back into my head. “Shhh—it!” I moaned shamelessly, just now remembering no one could hear me from the penthouse, a pro of living all the way on the top floor alone.
I heard Erik’s breath on the other end speed up along with mine, a low groan erupting from his throat before he spoke.
“I hear it. I know you close��
He kept going with his encouragement, pushing me closer to cumming.
“Mmm, just imagine how this dick gon’ feel stretching you out. I’d have you beggin’ for a break”
“Arch that back too. I wanna make sure I’ll have the perfect view”
“Faster, baby. Get that pussy soaking for daddy to drown in”
My clit jumped at my touch, signaling that I was getting closer and closer to my release. “I’m gonna— I’m g-“ before I could get any word out, I felt my panties get soaked, my legs closing and my upper body popping up on instinct. I gasped in shock at the scene, looking down at not only my legs but my comforter being completely wet with my release.
“Oh shit…” I shook, actively coming down from my high while still looking down at the shocking amount of wet spots underneath me, tiny ones from the splash dotting around the larger one that was directly below me. I heard Erik shift then sigh “so…what was that about it not being that good again?” He spoke cockily and I glared at my phone before cautiously getting off of the bed, careful not to get anything on my carpet.
“Shut up…” I mumble, still in awe, thinking ‘Damn, if he could do that with only his voice, imagine what the dick could do’
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britishchick09 · 2 years
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i found a super cool video of the palais garnier chandelier being down! :D
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"Anyone who has seen a stage or screen adaptation of this novel knows that sex seeps from the pages just as surely as it does from Dracula or Frankenstein. One commentator described Erik himself as "a walking phallus" who frightens people with his vulgar sensuality. Raoul is certainly very uncomfortable with Christine's autoerotic raptures - fits of orgasmic euphoria that she experiences when she sings for Erik - and she herself is open about Erik's spiritual union with her, claiming that "His spirit entered mine and breathed harmony down my throat." Just before the Unmasking scene she finds herself lost in ecstasy watching Erik play the organ with a lover-like vigor. Her actual reason for removing the mask is not to see his secret. In a line removed from the most common English translation (1911), she claims that she "needed" to watch his face "which was unquestionably being transfigured by the ecstasies of eternal art." In other words - like many lovers - she was drawn to watch her partner's face contorting in the pleasure-pain of climax. ... much of Erik's villainy has to do with Victorian male uneasiness with the female orgasm: Erik not only encourages Christine to enjoy herself (so to speak) - he teaches her how to reach new levels of passion, how to experience heavenly pleasures that transcend her mundane experiences. Symbolically and literally, Erik coaches Christine in self-love in a manner so captivating and exciting that millions of "phans" continue to consider the story of the skull-faced stalker wallowing in a swampy dungeon to be the sexiest, most arousing romance in print."
-- M. Grant Kellermeyer (Old Style Tales' Phantom of the Opera: Annotated and Illustrated)
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