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#because you WILL find it
marypsue · 5 months
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Keep seeing that post where OP starts like 'Thinking about...grieving the undead' and then adds on about like. Real life situations where people have not died but have left your life and you would have reason to grieve them.
All respect, that's an important concept, but that is not what I am thinking about when I read 'grieving the undead'.
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cozylittleartblog · 2 months
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cant tell you how bad it feels to constantly tell other artists to come to tumblr, because its the last good website that isn't fucked up by spoonfeeding algorithms and AI bullshit and isn't based around meaningless likes
just to watch that all fall apart in the last year or so and especially the last two weeks
there's nowhere good to go anymore for artists.
edit - a lot of people are saying the tags are important so actually, you'll look at my tags.
#please dont delete your accounts because of the AI crap. your art deserves more than being lost like that #if you have a good PC please glaze or nightshade it. if you dont or it doesnt work with your style (like mine) please start watermarking #use a plain-ish font. make it your username. if people can't google what your watermark says and find ur account its not a good watermark #it needs to be central in the image - NOT on the canvas edges - and put it in multiple places if you are compelled #please dont stop posting your art because of this shit. we just have to hope regulations will come slamming down on these shitheads#in the next year or two and you want to have accounts to come back to. the world Needs real art #if we all leave that just makes more room for these scam artists to fill in with their soulless recycled garbage #improvise adapt overcome. it sucks but it is what it is for the moment. safeguard yourself as best you can without making #years of art from thousands of artists lost media. the digital world and art is too temporary to hastily click a Delete button out of spite
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thatrandomblogsays · 4 months
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Annabeth: I, a child, had to earn Thalia’s love, that’s how the world works! I have to earn my moms love. Love is transactional, you gotta be worthy of it first silly :)
Percy, listening to this on the train
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corviiids · 4 months
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my top bit of advice going into the new year: compliment people. especially strangers. literally everyone you interact with if you can. when you buy coffee in the morning compliment the barista's tattoos. when you're chatting with a coworker tell them that by the way you like their outfit. always find something they've chosen to do on purpose. nail polish, jewellery, tattoos, hair colour/style, statement accessory, outfit, etc are all good bets. things people hope will be noticed. things that aren't too personal so it doesn't make them uncomfortable (eg probably not their physical features). i've gotten into the habit of scanning everyone i talk to for something about them that i think is cool so i can tell them. it's a great habit because it makes me notice people and realise just how many neat little details there are in people's presentation of themselves that might pass me by if i wasn't paying attention. and it brings out so much joy. you'd be surprised how much it disarms people to receive an unexpected compliment from someone they don't know. it is the most sincere smile you will see all day long. it feels nice to make people happy but it also means you win the social interaction. establish dominance by complimenting a stranger's earrings and disappearing into the fog
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callisteios · 8 months
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Hi, feel free to take my new uquiz to discover what kind of vampire you are!
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greyias · 9 months
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Oh look, it seems everyone has been opted into the unfortunate "experiment" now. For everyone who has been blissfully using the old UI up until now, welcome to hell :)
Do you not like hell? Do you want to leave and crawl back up into the sunlight of the old UI? Well, have I got a link for you! A beautiful tumblr user (who is not me) has gone and fixed things beautifully for you already: https://github.com/enchanted-sword/dashboard-unfucker
You will need to have Tampermonkey installed on your browser of choice, and once that's done, just go to the github link above, and peruse the readme to install. And voila! You have your old dash back!
The authors of XKit Rewritten said during the experiments that at the time, since this was an "experiment" they weren't going to implement anything to revert to the old UI (although who knows if they'll do it now). And the dashboard unfucker has worked beautifully enough for me to where I genuinely couldn't tell if they had ended the experiment or not.
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lgbtlunaverse · 3 months
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There's a version of the "don't go grocery shopping while hungry" rule specifically for writers where you should never under any circumstances be allowed to touch your draft within 3 hours of reading a really good story. Because sometimes when you read something great your head goes "fuck this is so much better than my stuff I should make that more like THIS instead!" Look at me. That's the devil talking and you should close the document NOW.
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emptyjunior · 5 months
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Can't stop thinking about reverse Scott Pilgrim au where Ramona has to fight all of Scott's exes, Punk drummer Kim, Megastar Envy Adams with an army of groupies, Femme fatale Lisa Miller, Jaded obsessive Knives Chau, maybe an alternate timeline version of herself.
And when she's all done it's just kinda Wallace standing there and she's like Wallace what are you doing, I'm meeting Scott's ex here and he just gives this sad shrug smile and she's like Oh and then he pulls out the baseball bat-
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dduane · 11 months
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...Just read this thread. JUST READ IT.
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hansoeii · 6 months
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It's about who.
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catmask · 6 months
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with that said there are characters that a fat maybe not canonically but they are spiritually. to me. they may not be drawn that way but i know whats true. ive seen it like a sort of prophet
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inkskinned · 10 months
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at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"
like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.
"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."
... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.
and i'd still keep writing.
i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.
i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley
"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"
and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.
it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.
you create because you're greedy.
#every time someones like ''AI will replace u" im like. u will have to fucking KILL ME#there is no replacement here bc i am not filling a position. i am just writing#and the writing is what i need to be doing#writeblr#this probably doesn't make sense bc its sooo frustrating i rarely speak it the way i want to#edited for the typo wrote it and then was late to a meeting lol#i love u people who mention my typos genuinely bc i don't always catch them!!!! :) it is doing me a genuine favor!!!#my friend says i should tell you ''thank you beta editors'' but i don't know what that means#i made her promise it isn't a wolf fanfiction thing. so if it IS a wolf thing she is DEAD to me (just kidding i love her)#hey PS PS PS ??? if ur reading this thinking what it's saying is ''i am financially capable of losing this'' ur reading it wrong#i write for free. i always have. i have worked 5-7 jobs at once to make ends meet.#i did not grow up with access or money. i did not grow up with connections or like some kind of excuse#i grew up and worked my fucking ASS OFF. and i STILL!!! wrote!!! on the side!!! because i didn't know how not to!!!#i do not write for money!!!! i write because i fuckken NEED TO#i could be in the fucking desert i could be in the fuckken tundra i could be in total darkness#and i would still be writing pretentious angsty poetry about it#im not in any way saying it's a good thing. i'm not in any way implying that they're NOT tryna kill us#i'm saying. you could take away our jobs and we could go hungry and we could suffer#and from that suffering (if i know us) we'd still fuckin make art.#i would LOVE to be able to make money doing this! i never have been able to. but i don't NEED to. i will find a way to make my life work#even if it means being miserable#but i will not give up this thing. for the whole world.
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thepromiscuousfinger · 10 months
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COD lobbies are toxic af, but lawd these are some good ones
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deadmomjokes · 2 years
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PSA: tomatoes are not spicy. Tomatoes and tomato products should not be spicy. Pizza sauce isn't inherently spicy. Tomato-based pasta sauce is not spicy. Ketchup is NOT spicy.
If tomatoes are spicy, you have an allergy to tomatoes.
This announcement brought to you by my almost 29-year-old husband learning for the first time in his 2.8 decades of putting food products into his mouth that spaghetti and saucy pizza aren't spicy foods
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bowenoke · 9 months
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irl i don't normally tell people my pronouns unless they directly ask, but this has led to a very silly occurrence i call DLC pronouns. my gender is a sidequest you can unlock in the dialogue tree if your character has a high enough lgbtqia+ stat . or if my pride keyring falls out of my pocket.
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peachesofteal · 5 months
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Light on - single mom/neighbor fic Simon Riley/female reader Prompt: Protective Simon. For the beautiful and talented @lethalchiralium
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Simon’s phone is ringing. 
Price raises an eyebrow from the end of the table, pausing mid-sentence, confused. Simon’s phone never rings. It’s always on full volume, because he never gets phone calls, except for ones from the 141, and they’re all here. At this briefing.  
His fingers find the ringer, ready to silence what he’s sure is a nuisance call, some telemarketer or robot, when he reads your name across the screen. 
You’ve never called him before. Unease tightens across his chest, and without any explanation, he excuses himself from the room and the bewildered looks being cast his way. 
“Hey, you-“
“Simon?” You sound off. Like you’re trying to be calm, but there’s something lingering on the edge of your voice, something scared. His spine goes stiff. 
It’s enough to propel him into action, his fist thumping against the window of the brief room, jerking his head south. I’m leaving, the motion signifies. Emergency.
“What’s wrong?” 
“N-nothing. Just… there’s this guy that’s been like, half a block behind me since I got off the train.” He closes his eyes. The fucking train. He wants you to stop taking the train. He needs you to stop taking the train. 
“He followed you from the platform?” 
“Well, he could be walking this way too…” 
“Where are you?” His keys are already in his hand, and he’s running down the hallway, past bewildered administrative staff and everyone else, bursting through the back door and into the truck. His phone chimes with multiple text messages, Price, Johnny, Gaz. All wondering where the hell he ran off to. Only Johnny’s text scratches the surface: Is it your neighbor? He waits another second in silence, hoping you’re trying to get your bearings. “Sweetheart?” 
“I’m… I think we’re coming up on seventh and Warsail. ‘m not too sure. I’ve kind been walking in a roundabout way.” We’re coming up on seventh… we. 
The baby is with you. 
His foot slams the accelerator onto the floor, counting his breaths as he maneuvers each turn in the road. Do you have the stroller? Are you carrying her? Did this guy peg you as an easy target because he knows what Simon knows, that women are more likely to go along with instruction if their child is threatened? That you’d never leave Emmaline behind? That you’d do anything to protect her? 
He feels sick. 
“Are there other people around?” He’s calm on the phone, trying to visualize the street, the buildings, the alleys. Easy spots where cars could reach the highway in seconds, and then be gone. Cramped alleys that connect to others like tangled webs, able to swallow a human being easy, disappear them into the darkness. It makes his stomach turn over. His fingers tighten around the steering wheel so hard; it hurts.
“Yeah, it’s close to the end of the day, so-“ 
“Stay where others can see you. Are you sure you’re on seventh and Warsail?” 
“Yeah. We’re in that park. I-I… wanted to take Emma to see the ducks.” Your voice wavers. “Simon he’s still behind us.” He’s turning the corner now, a block from your cross streets, and instead of yielding for oncoming traffic like he should, he floors it through an intersection, abandoning the truck still on, half parked in an empty street spot.  “Stay where you are, sweetheart. Okay? I’m coming.” 
“You… wait, what? You’re what?” He doesn’t hang up, but keeps the phone against his ear, and takes off down the street in a sprint, fully subscribed to the worst-case scenarios that have been building in his mind, images of you and Emmaline bloody and bruised, or worse. He gets them confused for a moment, memories mixing with the present, two things swirling together until they become indistinguishable, noise and panic roaring too loudly in his head. 
It all comes screeching to a stop. 
He spots you in the park. You do have the stroller, and you’re by the little pond, headphones in, Emmaline in your arms, her little beanie pulled down over her ears. You’re glancing around, nervous, saying his name into the mic. He scans the rest of the faces, passing over anyone who doesn’t strike him as a creepy git, until he finds his target: a skinny, younger guy lurking on the edge of the fence line, watching you. He hangs up the phone and moves across the park involuntarily, rolling his shoulders, and he vaguely sees you from the corner of his eye, mouth dropped open in shock, faintly calling his name. 
“Hey, mate. C’mere.” He shouts, half the people in the vicinity startling in his direction. Everyone seems to move away, like a magnetic force, pulsing outwards as he overtakes the guy with an easy grab to his upper arm. “You like stalking women with babies?” He hisses in his ear, voice low with barely contained rage. The guy is younger than him, but rail thin, and coked out. Probably looking for money. Simon jerks him closer, and he actually yells for help, like he’s a victim. It’s enough to ground the situation, making Simon realize he has an audience, and he grits out a final warning before shoving him away. “I ever see you around my girls again… I’ll fuckin’ kill you. Piss off.” 
“What did he say?” You’re frantic, rubbing Emmaline’s back in a circular pattern, over and over like you’re trying to calm her, even though she’s perfectly content. It’s you who needs soothing, he realizes, and he takes your hand without questioning it, letting his instincts guide him in regard to you without overthinking it. 
“He was high, love. Looking for money.” He doesn’t want to scare you but… he doesn’t despise the idea of instilling some hypervigilance. Maybe this will convince you not to take the train. 
“Oh my god.” 
“Think I scared him off for good though.” He looks around, and then slips off his mask, wide thumb stroking a soft touch on Emma’s cheek before giving you a gentle squeeze. “It’s alright now.” You visibly relax, but don’t let go of his hand, tilting your face up to his, all bright and beautiful, still coming down from the adrenaline of your fear with a whisper on your lips, meant for only him to hear. 
“Our hero.”
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