Solo me tomó una semana entera de estar pintando a cada personaje, pero amo el resultado final de esta ilustración que hice del Baldurs Gate 3.
Amo mucho este juego y a los personajes 💕
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Farklı sevgiler aşılayın kalbinize. çünkü insanın mutluluk diye yaşatmadığı her zerre artık sessizlerin dilinde..
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really love dynamics that are like 'it honestly doesn't matter if you view them as romantic or platonic, the point is that they love each other. the type of love is inconsequential, all that matters is that it's there'. gotta be one of my favorite genders.
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It was a pity your lesson in the Weave ended so soon - I was enjoying our moment alone. Do you think about us being alone again?
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The question is, does Tav approve?
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Happy Valentine’s Day! Have a Theron.
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Pro-writing tip: if your story doesn't need a number, don't put a fucking number in it.
Nothing, I mean nothing, activates reader pedantry like a number.
I have seen it a thousand times in writing workshops. People just can't resist nitpicking a number. For example, "This scifi story takes place 200 years in the future and they have faster than light travel because it's plot convenient," will immediately drag every armchair scientist out of the woodwork to say why there's no way that technology would exist in only 200 years.
Dates, ages, math, spans of time, I don't know what it is but the second a specific number shows up, your reader is thinking, and they're thinking critically but it's about whether that information is correct. They are now doing the math and have gone off drawing conclusions and getting distracted from your story or worse, putting it down entirely because umm, that sword could not have existed in that Medieval year, or this character couldn't be this old because it means they were an infant when this other story event happened that they're supposed to know about, or these two events now overlap in the timeline, or... etc etc etc.
Unless you are 1000% certain that a specific number is adding to your narrative, and you know rock-solid, backwards and forwards that the information attached to that number is correct and consistent throughout the entire story, do yourself a favor, and don't bring that evil down upon your head.
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Imogen, 1888 by Herbert Gustave Schmalz (English, 1856–1935)
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385 hours in, still counting, 2 act iii saves and still i hit 'new game'
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Lace your heart with mine, let your sleeping soul take flight
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