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#because she's part of Steven's Universe
artbyblastweave · 5 months
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I'm not the first to mention this, but one bit that I thought was really clever in Steven Universe is the ways in which the show subtly justifies the cartoonism of the principle cast always wearing the same outfit for ease-of-animation purposes. The gems are a gimme in that they're all hardlight-projections, and even before that's solidified as a plot point they're otherworldly and superheroic enough that you don't really think to question it. But Steven canonically just owns hundreds and hundreds of those star shirts, which are leftover merchandise from his father's fizzled-out career as a rock star. Into which you can read a whole bunch of other stuff if you really want to, right? And I do want to. It's reflective of Greg's misplaced optimism that he got hundreds of those made in the first place, and it's a benign but visible example of how Steven's life is shaped by the knock-on effects of decisions his parents made before he was even alive. He's got his mother's superpowers and he's wearing his father's shirts.
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screwpinecaprice · 2 months
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She probably wears men's pants.
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stardestroyer81 · 3 months
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So, guess who's Steven Universe trash now?
After being convinced by my fellow Starfighters to give the series a shot, I've since fallen in love with it only fifteen or so episodes in, and I just had to whip up a design for what my Gemsona would look like! MASSIVE shout-out to @stephysalcido and @minxxikuo for collaborating with me on her design— it wouldn't have been possible without them! 💚✨
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coockie8 · 6 months
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I huge part of the disappointment surrounding Omegle shutting down for me, personally, is like now where am I supposed have the most unhinged roleplays ever with people who just barely understand the source material that I will literally never hear from again?
::Edit::
Didn't know I needed to say this but I am very much not actually looking for alternatives here, and no alternative you can give is going to match the unhinged energy omegle brought to the table
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I'm normal
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zanathan-aisling · 4 months
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pisses me off so much much that i’m not immune to people arguing about steven universe
#what is it about that g-dforsaken cartoon that makes my bones weep for blood#its like. the perfect combination of well intentioned progressive storytelling bungled themes antiblackness fandom culture and shipping bul#bullshit queer community physiology kids show and actually-good-except-all-the-bad-parts#anyways any defense of the show that starts with ‘lily orchard is full of shit huh’ immedialy into the trash you fucking go#not all criticism of the fucking thing stemmed from one annoying youtube skank. people have been hypercritical of SU since before that vide#was a glimmer in orchard’s eye - people have been making great and godawful points about it since steven fucking two#STEVEN TWO?!?#SEASON#like some points made against it ARE bullshit! but not all of them! and when real life seems to have spat out a few strawmen for yall to ar#argue against you’ll never make actual progress on the genuine fucking issues people have on it! its useless!#also it really irritates me that bc some people escalated criticisms of the diamonds to ‘su condones nazi redemption’ all responses to the#shows approach to justice just get countered with ‘but RS is jewish’.#like YEAH and actually her jewishness does inform the shows approach to justice abd punishment but that doesn’t make the end result GOOD#also judaism isn’t. spiritually speaking. 100% about reform and self-reflection rather than christian damnation barbarity or whatever#there is in fact harder edges to our shit its just unlikely steven universe would include WD getting hanged along with all her sons orchang#changing her mind at the last second because she hasn’t earned an uncomplicated admittance of fault and she sends and army after the#escaping stevenites only for said army to get drowned alive as the sea closes around them#lol#(or that it SHOULD have#imo while the diamonds did escape proper justice from just a tonal and like. thematic cohesion standpoint a violent execution of the#dictatorial class really would NOOOOT fit the show in any sense)
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yardsards · 2 years
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opalite is such a lovely stone (or, "stone", cuz it's manmade like glass). it's different colours depending on what angle you look at it and where the light source is and what's behind it. in the light, it gets a cloudy yellowish colour like the morning's first weak rays of sun. but on a black background it practically glows blue. very underappreciated, tbh.
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introvert-celeste · 1 year
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Fun fact I learned yesterday: lapis lazuli glows under uv light!
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It's difficult to capture because of the exposure, but you get the idea. There's lots of pinkish speckles all over.
And of course my Steven Universe brain is imagining Lapis with secret freckles you can only see in uv light and now I'm inspired to write a oneshot.
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peppercosmos · 5 months
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Updated Version of my previous MEW!Shiba.
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so a little bit of a more updated taste for your viewing pleasure as my previous version i thought wasn't cat enough and more leaned to my dragon OC so thought hey why not remodel it.
took personal inspo on the legs from @phlurrii (also known as @meaumania ) <3 otherwise took genetic mutations to a new level like most cats normally do. - so time for a bit of lore! she was born as a "Fused embyro"(basically means when one fetus envelops the other twin causing mutations take as for example Venus the cat, which also called Chimeraism: A genetic chimerism or Chimera is a single organism compased of cells with more than one distinct genotype) hence the one extra ear, dual coloring and two tails, she lost her Left arm in a fight with another pokemon while protecting her colony, which was an arcanine who burned her face(Left) aswell, her colony disbanded after team plasma captured one of their kits using it as a testing guinea pig and eventually died from it. most of their colony split into several smaller groups eventually ending up in sinnoh primarily. Shibari(shiba) ended up in Unova and traveling to galar and Kanto for the Zarude Tree and Tree of Beginning.
similarly to @loupy-mongoose 's concept of mews not being able to reproduce until safe this same rule and a slight change to it applies to my universe, and flowers do exist aswell but only apply to female mews in my verse and female presenting mewtwos This flower in question is white primarily with hues of blue and iridescent purple shifting green and only when they decide that they are able to provide enough food and shelter for them.
similarly to marsupials they have a pouch they carry their young. that is all <3 she currently resides in Kanto around the forests staying far away from human contact . Themesong likely has to be: Love like you - Rebecca Sugar / Steven universe. (she will eventually be able to trust humans but refuses to be caught, and if caught refuse to fight or do anything of the sort.) She does have a current interest in knowledge and is learning on how to read.
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mbat · 2 months
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youtuber i like having really bad opinions about shows and characters i love
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captainsweet · 3 months
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I'm confused how me writing some request somehow ended up with most of the cast being dictators, a literal war happening, literal slavery and tons of racism, and so many other sucky things. But then again, they did request it to be Steven Universe based, so... What else do you expect.
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thetreetopinn · 5 months
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Sources for Somerton's Plagiarism from Hbomberguy's Video (as much as I could get)
I went back through Harry's video, focused entirely on the sources James Somerton pulled from in the hopes of creating as much of a comprehensive list as I could--though my Google-Fu is not very strong. I did however find something I thought was forever lost and that made me very happy--specifically the magazine Midlands Zone containing the column by Steven Spinks that Harry poignantly used as an illustration of gay erasure... while Somerton uses it to sound like HE is waxing remorseful about the very subject.
This is not a complete list, I'm sure. For one thing, I was only able to attempt to pull sources that Harry himself mentioned in the video. Surely there's so very much more out there. I expect there to be a great deal more internet archeology to unearth just how much writing and culture Somerton has stolen like he's the British Museum of Natural History but for gay people.
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Harry's list of mentioned youtubers:
Alexander Avila - https://www.youtube.com/@alexander_avila Matt Baume - https://www.youtube.com/@MattBaume Khadija Mbowe - https://www.youtube.com/@KhadijaMbowe Lady Emily - https://www.youtube.com/@LadyEmilyPresents Shanspeare - https://www.youtube.com/@Shanspeare RickiHirsch - https://www.youtube.com/@RickiHirsch VerilyBitchie - https://www.youtube.com/@verilybitchie
Harry created a convenient playlist of videos by these and other people he wants to bring to everyone's attention.
Please give them your support.
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Midlands Zone Magazine - Column by Steven Spinks
After a great deal of searching, I found an archive of the "Midlands Zone" magazine, where you can read through past issues dating all the way back to February 2014. I have also found the issue from which Somerton took Spinks' poignant discussion of gay erasure: Overall archive Specific Issue - Pages 16-17
It will not allow you to download it, but you can read it exactly as it appeared in print form.
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My best effort to find the exact book or article Somerton lifted from to be able to get attention to the original writers
Tinker Bells and Evil Queens By Sean Griffin
The Celluloid Closet By Vito Russo Wikipedia article about the book Wikipedia article about the documentary My weak google-fu could not find where you can access the book or documentary. Check your local municipal or university library for book or documentary, or if you know a good source for one or both, please reblog with it added
Camp and the Gay Sensibility By Jack Babuscio
The Groundbreaking Queerness of Disney's Mulan By Jes Tom Personal site with links to social media accounts
Why Rebel Without a Cause was a milestone for gay rights By Peter Howell
Why "The Craft" is still the best Halloween coming out movie By Andrew Park
Opinion: From facehuggers to phallic tails, is 'Alien' one of the queerest films ever? By Dani Leever
Women and Queerness in Horror: Jennifer's Body By Zoe Fortier
[Pride 2019] We Have Such Sights to Show You: Hellraiser and the Spectrum of Queerness By Alejandra Gonzalez
Revealing the Hellbound Heart of Clive Barker's 'Hellraiser' By Colin Arason
Queering James Cameron's Aliens (1986) By Bart Bishop
Demeter and Persephone in space: transformation, femininity, and myth in the 'Alien' films By David Greven
Fears of a millennial masculinity: Scream's queer killers By David Greven (Scholarly site, unable to access original work, offers a way to request a full copy of the text in PDF)
Queer Subtext in Stephen King's It - Part 1: 'Reddie' Character Analysis By Rachel Brands Rachel is the very unfortunate lady who found out she was being stolen from because she supported Somerton through Patreon and saw one of his videos early with her writing--lacking any form of citation or credit
How 'It: Chapter Two' Leaves Richie Tozier Behind By Joelle Monique
When Horror Becomes Strength: Queer Armor in Stephen King's 'IT' By Alex London
Why Queer People Love Witchcraft By Amanda Kohr
'The Favourite' Queers The Past And The Present By Giorgi Plys-Garzotto
(Wuko) Crush (Mako x Wu) By MoonFlower on YouTube
5 Terrible Movies With Awesome Hidden Meanings By J.F. Sargent
The Radicalization of Sexuality: The Queer Casae of Jeffrey Dahmer By Ian Barnard
Netflix's 'Dahmer' backlash highlights ethical issues in the platform's obsession with true crime By Shivani Dubey
The Possible Disturbing Dissonance Between Hajime Isayama's Beliefs and Attack on Titan's Themes Original Article by "Seldom Musings" (Author has made all posts not related to Attack On Titan private and has retired from the blog)
Everyone Loves Attack on Titan. So Why Does Everyone Hate Attack on Titan? By Gita Jackson
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The following people are otherwise named in the video. There are no direct citations of articles or books by them in said video. I am unable to guarantee that I have identified the correct individual.
Darren Elliott-Smith Michaela Barton David Church Claire Sisco King Amanda Howell Jessica Roy
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Telos announced and cancelled a film likely based on this book: The Final Girl Support Group - By Grady Hendrix
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I refrained from including certain sources.
First off only focusing on Somerton's work.
Secondly not including anything that might be visible enough to not require amplifying their voice (I cannot speak for all of those I have found links to, but journalism is frequently a thankless job).
Thirdly any source that is of a nature that is antithetical to the very existence of the queer community, such as the right-leaning source that didn't make it into Somerton's video, but Harry was able to identify as a source he had considered using.
If you feel I have missed a mentioned source--or you know of a source from material that was not covered in Harry's video--please do not hesitate to reblog with added details.
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Please share this information far and wide, and please add to it if you find more material that can be positively identified and linked to the creator/writer.
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aidaronan · 1 year
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"First movie you ever saw in theaters?" Steve lounged opposite of Robin on the couch in his living room, the stereo on low, spitting out Madonna on the local radio station.
"Oh, that's easy." Robin bit off part of a licorice. "Freaky Friday. I remember because I was terrified for weeks that I'd end up switching places with my mom and have to, like, balance a checkbook or something."
Steve laughed, separating m&ms in his hand. "You still don't know how to balance a checkbook, do you?"
"Like you do." Robin playfully glared at him. "Okay, here's a good one. First kiss."
Steve ate the sole blue m&m first, a grin spreading across his face because he usually lied about his first kiss, but he didn't have to. Not with Robin. "Camp Stronghold when I was nine. We met up in the boathouse after lights out to trade contraband."
"Contraband, huh?" Robin raised her brows.
"Candy. I swear my parents loaded me up like I was going to prison. 'This is as good as cash in there, Steven.' I think my dad wanted me to network or something. Because, you know, I was totally gonna start a small business with a group of eight-year-olds."
Robin snickered. "And the kiss?"
"Ah. I didn't actually want candy. I just wanted this kid to like me so bad, and I didn't know why until we were there in the dark tripping into each other because we couldn't see. I had all these butterflies, and we were standing close enough that I could feel the heat off his sunburn in the air." Steve could still picture it. The way he couldn't see more than a few inches in front of his face. "Then he kissed me, just this quick peck on the lips before he turned tail and ran. I left the boathouse with a Snickers and one massive first crush."
"Did anything else happen?" Robin asked.
"No. It was the last week of camp and I think he freaked himself out over it. I don't know. He didn't even really say bye to me after we climbed off the bus to meet our parents. Never saw him again. I honestly never even thought to get his name."
"That sucks."
"Yeah. I just hope he's doing okay, you know? That he's got people in his life that make him feel like he's allowed."
Robin looked at him softly, reaching out to give his ankle a squeeze. "Hey, you never know. You might run into him again someday. Maybe he's your soulmate or something."
"Please. I think you're pretty obviously my soulmate." Steve nudged Robin with his foot. "But I guess he could settle for 2nd place."
"Oh, there's a toast for sure." Snacks tumbling off her lap, Robin reached for her can of Coke on the coffee table and raised it as high as she could reach. "To both of us finding our 2nd places."
"Cheers to that." Steve thrust his own Coke into the air.
____
It felt like a big cosmic joke that Steve would be in a boathouse when he realized who Eddie Munson had been all that time. Eddie had looked so different when he'd transferred into Hawkins that Steve had never even given him a second look, not during their shared classes, not during any of those cafeteria tirades. Not during the numerous occasions where he gave the kids rides to D&D.
"Wait, wait, wait, wait!"
It was the eyes that finally pulled back the curtain and cut away all those in-between years. Steve had never been close enough to clock them, but he couldn't deny them now. Not at such close range, Eddie holding a broken bottle against his neck, trembling with so much fear that Steve worried he might actually use it.
Dropping the oar from his own shaking hands, Steve said the only thing he could think to say.
"Well, this brings back memories."
Eddie didn't respond, the fear in the air drawing out every second, making it feel infinite. Behind them and in another universe, Dustin said a bunch of stuff Steve barely heard for the pounding in his ears. He watched beads of sweat roll down Eddie's forehead and waited for something to give.
Like clouds fat with rain, Eddie finally broke open, tension draining out of him, arm and weapon dropping to his side. He exhaled a shaky breath, maintaining eye contact, his expression too complicated for Steve to fully read.
Steve was about to say something else when Eddie finally spoke, cocking his head to the side and leveling Steve with a look.
"And here I spent all these years thinking you forgot."
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novantinuum · 3 months
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Steven's Breakdown Was Inevitable From the Very Beginning
I feel like the thing that fucks me up the most about Steven Q. Universe and how well conceived he is as a character is that the fundamental building blocks of why he reached his breaking point in SU: Future were laid out as clear as day in the span of legit only the first four episodes of the original show. The writing was literally always on the wall that future him would struggle with matters of self worth and identity in relationship to the others around him.
Let's take a look:
Gem Glow
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"Awesome! What are these things?"
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Foundational Trauma #1: Steven's home is always either under threat or actively being wrecked by antagonistic forces/beings, and he constantly copes with this by pushing down his fear in favor of a curiosity and silver linings based mindset.
Look at his initial shock when he opens the door and gets tackled by one of these things, and then his response when one of them spits acid:
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The kid's freaked the hell out about all this, and while I do think there's a part of Steven that genuinely IS curious about what these lil critters are, I think he's subconsciously using that curiosity as a way to distract himself from his own fears and anxieties. This is Steven actively learning how to ignore the deeper problems in favor of emoting a facade to the others in his life that he can totally handle himself in scary situations like these.
The underlying reason why is incredibly apparent, when you look at the example from the next episode-
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"I don't know what a magic lady like her ever saw in a plain old dope like me..."
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Genuinely- from the bottom of my heart- I think the above quote from Greg is a moment where his own insecurities around the Gems actually rubbed off on Steven.
At this point in time, Steven may be living with the Gems... but he hasn't started to harness any of his powers at all, so in his own head he might as well be the same as his dad- another human, just one who happens to have a gem! But the way Greg talks about himself... given Steven was living with him in the van for years before moving in to the beach house, he had to have heard negative self-talk from his dad like this before.
And then there's the rest of the Crystal Gems... always speaking of Rose with such reverence as if she were an all-powerful goddess... and Steven can't help but look back at himself, and his gem that won't work... the gem that the others still identify as Rose's...
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"Your gem-! You have Rose's gem!"
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And maybe he starts to wonder if- without any working powers- he's just a plain ol' dope like his Dad, too.
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"Please work... Unlock! Activate! Go! Please-!! Everyone's counting on you, you can't just be useless!"
Foundational Trauma #2: Steven has Rose's gem, and as such, is constantly living under the silent expectation to live up to a standard that he simply cannot ever hope to achieve, because he doesn't KNOW her and he never will.
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I want to highlight one of Steven's expressions while his dad is talking about Rose- look at that sad look. My god, I just wanna hug him. This is the expression of a child who has already come to terms with the fact that his only relationship with his mom is through the rose tinted stories that other people tell him about her.
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So. Steven has learned so far that he needs to push down his feelings and emote a false veneer of cheer and bravery even when he's afraid, because the rest of the people in his life have expectations and hopes for him due to the legacy of his parentage and he can't bear the thought of letting them down. (And in a sad way, at this point "letting them down" literally just means... being an ordinary human boy. I believe Steven at this stage of the show is flat out scared to be human, because to be human is to fail at being a Gem, and no amount of love and sacrifice in the name of humanity in the seasons to come could've ever saved him from the fundamental fact that the wedge between him and this whole half of his being was already drawn long before the events of season 1 even started. But I digress.)
Let's see where we go from there. Let's check out Steven's first "mission." Or as Pearl puts it about 35 episodes later, his first "test."
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"Yeah... they can't all be winners."
This episode is tinted with a little bit of tragedy for me on rewatch, because I genuinely do think the Gems handled the situation as well as they could've. They were supportive of Steven's successful ploys, and (for the most part) responded with grace when he majorly blundered and left the Goddess Statue at home. The main problem, however, is that Steven has already developed a bit of a complex about impressing the three of them-
Foundational Trauma #3: Even when they claim otherwise, Steven has convinced himself that affection from the Gems is transactional, and that when he messes up he's not truly a part of the Crystal Gems.
Of course we the audience know this isn't true- I mean, hell, Amethyst even said as much in episode one after her slip-up ("and you're fun to have around, even if your gem IS useless!")... that the Crystal Gems wouldn't be the same without him. But Steven... the poor kid is a complicated little guy living a complicated life, and whether they intended it or not, the language used they've used around him thus far has not backed up their attempts at fully embracing him, human parentage and all.
Thus, Steven just spends the entire episode wracked with anxiety trying to find creative non-power using ways to make the mission easier so he can convince them he's useful to have around.
Look how nervous he gets even when all three of them are visibly and vocally supportive of his presence here:
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This is the face of a boy who feels like he's under constant judgement and scrutiny from those around him.
Blessedly, viewing this episode in isolation, he experiences a brief moment of mental respite where he finally accepts the Gems' encouragement and agrees that his ideas 'can't all be winners,' but this lesson does not stick for him moving forward. A shame, really.
Together Breakfast
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"What's the matter, Steven?" "I wanted us all to have breakfast together, so I made Together Breakfast! But everyone keeps leaving..." "Oh, that's nice..."
Taken in context with what we've learned already in the last three episodes, Steven's desperation to spend quality time with the Gems here and his sadness that they keep leaving him alone doesn't just exist within a vacuum. He spends the whole morning watching them shuffle in and out of the temple, or come back from missions he wasn't invited on, and with the disastrous result of the LAST mission he went on probably fresh in his mind it's not hard to understand why this bothers him.
Foundational Trauma #4: Steven internalizes that the price of "not being useful" is that the Gems actively ignore him, meaning that the only way to guarantee their attention is to work as hard as he can to become a stronger member of the team.
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I know this screenshot is usually used as a lighthearted meme, but I wanted to include it because I think it's a good example of how Steven's intense desire to impress permeates every facet of his personality at times. Just LOOK at how desperate he is to make Garnet laugh at his joke, to be the one that's at very least "fun to have around," as Amethyst put it in episode one.
The Gems do eventually drop what they're doing to spend time with Steven by the conclusion of this episode, but this only comes after Steven shows his growing strength and "proves" himself by saving their butts from the breakfast monster.
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If he successfully gained their attention in literally any other way he might've come away from this episode with a different lesson, but no. Instead, his fears were proven true- the Gems value strength and utility, and if he's not exhibiting that, then what use is he to them?
These fears of his can be seen weaving throughout the foundational fabric of the entire show, but I think Steven lays out what he sees as his "stakes" in the clearest way possible in the episode 'An Indirect Kiss.'
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"But- if I don't have powers, then I can't hang out with Amethyst, or Garnet, o-or Pearl, and- I-I can't go on missions!"
And these same insecurities even rear their ugly head as late as the movie.
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"I can't believe this... for the first time in years, everyone's in danger, everybody needs me, and- I'm useless!"
Powers = Utility = Worth = Other's love, for Steven. Everything is transactional to the end, which is a hilarious double standard he's set for himself when he's made his reputation as the kid who always listens and encourages and gives others a chance to change, no matter their messy history with him.
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So let's recap and restate those foundational traumas from Steven's perspective.
One: The only way to cope when your life is constantly under threat is to bury the damage and pretend to be fine.
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Two: Everyone expects you to live up to the standards of someone you're not.
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Three: The Gems only love you when you're of use to them.
Four: If you ever stop being useful, the Gems won't want anything more to do with you.
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In sum, Steven's habit of burying his feelings for the benefit of others was there from the very beginning, not just since 'The Test.'
Those unreachable standards he felt so daunted and intimidated by all his life were the ones set by Rose, at first... but over the course of the series, the dynamic of this shifted. As Rose's influence fell into the background, Steven's rose into the front. And so it's with great irony that- by the time of Steven Universe: Future, the expectations this exhausted, worn down teenager is fighting to once again achieve are the ones HE set for himself. Many of young Steven's selfless actions during the war are quite admirable when analyzed in isolation, but almost none of them are sustainable. He set himself on fire just to save the world, but teen Steven is genuinely unable to see this for what it is yet- as a tragic sacrifice of his own childhood. You can't burn your own ends for others forever, not at all. His breakdown was simply inevitable.
When it comes to the interconnected beliefs three and four, these are exactly why the ultimate confrontation at the end of I Am My Monster HAD to be one fueled by selfless love. Steven is at his absolute lowest at this point- he's everything he fears he's become, trapped in a form that's nearly incapable of reason. He's big and angry and spiky because that's a part of the facade- because a part of him WANTS to scare the Gems away, wants to be left alone forever, believing this the fate he deserves as price for his misdeeds.
In this form, by his own definitions he is NOT useful to the Crystal Gems at all.
But they don't care.
Because it never WAS about Steven's 'usefulness' to them, they simply love him for being Steven.
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With this in mind, the conclusion of Steven Universe: Future wasn't just a salve to teen Steven's immediate struggles, it was a salve to the foundational insecurities that have been plaguing him his entire life.
And hopefully... from this point on... his family's shows of love and encouragement will be enough to finally convince Steven that he's more than worth their time...
No matter what path the future leads him on, and no matter what form he takes.
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xcherricutie · 2 months
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🌺 drift away 🌺
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[Lucifer Morningstar x Reader]
[Part One] [Part Two] [Part Three] [Part Four]
[Word Count - 1.4k]
[Tags: Angst, songfic (I can't help myself)]
[Notes: My first Hazbin Hotel one shot. Still new to Tumblr, and new to writing one shots, I'm used to writing longer form. Hope this post is up to the standard. It's like, 1 in the morning and I have work tomorrow morning, enjoy. I will hopefully get out a part that's kinda like a prequel, I wanna do Other Friends lol. Obvs inspired by Steven Universe.]
Let’s go in the garden, 
You’ll find something waiting, 
Right there where you left it, 
Lying upside down...
Excitement shot through your system, your feet dragging along the ground as a giggle bubbled from within you. You paused every few seconds as the man before you looked back, a single brow raised at your antics. He took a few steps forward, the sounds of your feet tapping as you followed along filling the air. He sighed, turning around. His eyes, golden sclera and deep red irises, landed on your own, though unfocused. Almost as if looking straight through you. 
He’d tried to keep you here, to stop you from following. He knew you were only doing what you were meant to do. You were made for him. An angel born purely to keep Lucifer in check, to keep him happy. You loved being by his side, you loved spending time with him on Earth, in the garden. You thought he loved it too. You thought he loved you. 
Taking a deep breath, Lucifer forced a smile for you. His wings softly flapped behind him, lifting him off the ground, raising him to be just above your face level. His finger tapped your nose, his enchanting voice coming through. “Here in the garden, let’s play a game, I’ll show you how it’s done.” 
“Here in the garden, stand very still,” His hands on your shoulders, you looked up at him with a beaming smile, happy to spend time with your love. 
“This’ll be so much fun,” Your voice, soft and delicate spoke, earning a smile from him. Your heart fluttered at his smile, his cheeks crinkling slightly as his eyes closed, appearing relaxed. At least to you. But appearances weren’t all what they seemed. 
“And then he smiled, that’s what I’m after,” You clenched a fist, pressing it to your chest, trying to calm your fast beating heart. You could feel the eyes of the demon behind you on you, the very demon that came from him. “The smile in his eyes, the sound of his laughter.” 
You could see the scene replaying before you all over again. You could even hear the soft chuckle that had once escaped his lips, his hands softly squeezing your shoulders. You knew she could see it too, but you didn’t want to acknowledge the memories that had begun to rush back to you, memories from long ago. Memories you’d wished you could forget. 
“Happy to listen, happy to play, happily watching him drift away...” 
Lucifer’s grip loosened on your shoulders, his wings flapping as he pulled away, leaving you to your little game. You watched him fly into the bright sky, disappearing in the light of the sun with another. But you didn’t think anything of it, because he loved you. He was playing with you, spending time with you. 
The girl behind you could only watch in silence, her throat squeezing closed as she tried to keep her inner turmoil to herself. She knew exactly where she was, exactly where you had taken her. The wilted bushes, the out-of-control bramble, the spiraling roots through the grass. This was the long-abandoned Garden of Eden. This was where it all began. Where Charlie’s father, Lucifer, had started humanity’s spiral into chaos, starting with you. 
“Happily waiting, all on my own, under the endless sky...” You glanced up to the stars dotting the night sky. Everything seemed to be happening so fast. You never wanted anyone to see this, you never even wanted to see it again yourself. Yet, here you were, sharing your vulnerability with the person you’d come down to Hell to kill. The princess of Hell herself, and Lucifer’s daughter, Charlie. You had let her in, showing her your memories. “Counting the seconds, standing alone, as thousands of years go by...” 
The roots had begun to cling to your still form, your body aching, your wings begging to be spread once more. Your hair, once something you had been proud of, now in shambles, grown out nearly to your feet. Deep bags had sunk into the skin under your eyes, a telling sign of your exhaustion. For how much longer must this game go on, you wondered, but never dared voice it. You were meant to make him happy, right? 
“Happily wondering, night after night, is this how it works? Am I doing it right?” Your fists clenched, unable to bear looking at your old self any longer, watching as your sickened form disappeared, turning into speckles of gold in the wind. You stepped forward into the place where you had once showed Charlie your older memories, resuming the familiar stance you had been in for over ten thousand years. “Happy to listen, happy to stay, happily watching him drift away...” 
A cool breeze blew through your hair, reminding you of the countless nights you took solace in the feeling, the only thing that reminded you that you were still alive, still conscious. Your eyes met Charlie’s, a faint smile on her face as you spotted the tears welling in her eyes. You turned away with the breeze, taking a step in the opposite direction of Charlie, startling her as she was quick to follow. 
“You keep on turning pages, for people who don’t care, people who don’t care about you,” 
You walked along the edge of a pond, legs brushing against the soft petals of the flowers surrounding the pond. The breeze pulled along the flowers, a long dead water lily being ripped from the ground. Grasping the weakened petals of the flower in your hand, you turned to Charlie with a soft smile, placing the flower in her blonde hair that felt just the same as his. Just as you pulled your hand away, turning your attention to the water, the flower crumpled in her hair, falling apart. 
“And still, it takes you ages, to see that no one’s there, see that no one’s there, see that no one’s there, everyone’s gone on without you...” Your eyes drifted back to the spot you had become a part of for so long. The spot you thought would one day claim you and set you free from the pain that he’d left behind in you. Charlie’s eyes followed, her eyes widening to see more of your memories, more of what her father had caused. 
“Finally, something.” 
The two seraphims, Sera and Emily, stood before you, fear and sorrow written across their faces. Emily ripped roots that had grown to hold you down tightly off, while Sera ran her fingers through your broken hair, tears streaming down her face. 
“Finally, news, about how the story ends.” 
Sera rambled on and on about everything you had missed. About how humanity had progressed. About the angels that had replaced you in society. Everybody thought you were dead, at the hands of the Devil. You didn’t understand any of it, not until she explained just what had happened, why you were even standing here, playing this game. 
“He isn’t an angel anymore, fallen long ago, leaving you for Lilith, and his brand-new daughter...” 
“Isn’t that lovely?” 
Tears streamed down Charlie’s face as she watched your younger self burst into tears, sobbing violently into Sera’s chest as she hugged you tightly, muttering useless apologies over and over. You cried and screamed, telling her to stop lying and to bring you to Lucifer, to end this game already. You begged and pleaded, telling her that it wasn’t like that, that he loved you, he asked you to stay and play with him. He couldn’t abandon you. You were his angel, his love. 
“Isn’t that cool?” 
You ignored the pain that squeezed your heart, watching as your memories faded in those familiar golden glimmers, begging that this would be the final time you’d have to see them. You ignored the hot tears that dripped down your cheeks, your emotions leaking through, escaping the tight hold you’d kept them in for so many years. 
“And isn’t that cruel? And aren’t I a fool to have happily listened, happy to stay, happily watching him drift, drift...” 
You squeezed a fist to your chest, your heart slowing down finally as you sighed deeply. This was the end. This garden, where everything had begun, would finally see the end of the story. Where you would finally let go of the memories that haunted you for ten thousand years, and move on with your life, putting an end to his little game. 
“Drift away...” 
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kiapet2 · 1 year
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Alright, it’s less than a week since the Owl House finale aired and as expected I’ve already seen two direct comparisons to Steven Universe’s ending and several more vague-blogs, because one of this site’s hobbies is using other queer shows to put down Steven Universe. So let’s do this, then. Let’s compare the endings of Owl House and Steven Universe, and what each is ultimately trying to say.
Steven Universe and the Owl House are both shows that deal heavily with the clash of individualism and self-expression vs. socially-mandated conformity, and both shows’ final villains ultimately embody this conflict. One major difference, however, is that Owl House approaches this from the perspective of legal/societal structures, while Steven Universe approaches it from the perspective of family structures.
Steven Universe has always been about family--and particularly the ways traumas and biases are passed down through a family--and it has always heavily used the language of metaphor to discuss these topics. The Diamonds are the ultimate extension of this theme, something a lot of bad-faith (or just bad) takes on the ending miss; they interpret the diamonds in their literal capacity as dictators, rather than the way Steven Universe always portrays them, which is as matriarchs, i.e. the heads of a family who dictate and control all the family’s other members. This metaphor becomes more and more blatant until it outright becomes text, with the Diamonds turning out to be Steven’s literal family members, with whom his part of the family is estranged because of their previous controlling behavior.
In accordance with this theme, we ultimately find out that the Diamonds’ toxic ideology, with its rigid standards of perfection, are not only something they enforce on the gems below them, but also on themselves. They are suffering from the system in their own ways, unable to live up to the standards they themselves created. And who among us hasn’t known someone like that? A parent or grandparent who grew up under a cruel, oppressive worldview, and instead of rebelling against it internalized it--who turned around and said “I dealt with this, and so can you”? And so the ending of Steven Universe is the Diamonds realizing exactly how toxic the rigid ideology they’ve spent their lives perpetuating really is, and confronting the fact that their adherence to this ideology is what destroyed their relationship with Pink, and that the only way they’re going to have a relationship with Steven is if they’re willing to commit to changing both themselves, and the family structure they’ve enforced for so long.
Emperor Belos, in contrast, is not suffering from the structures he created, because his rules were never meant to apply to him. He sees the witches (and demons, and so-on) as lesser beings, evil beings, who exist to be controlled, and ultimately, exterminated. And every element of the society he built--the schools, the government, the police force, the religion--he intentionally constructed to keep these lesser beings under his control. The real-world allegory isn’t hard to see, here. And because what Belos represents in the story is, in fact, a fascist leader, the story shows that he can’t be reasoned with in any way that matters, and instead he is ultimately ground into paste beneath the boots of the people he sought to destroy. Different themes, different endings.
Now the usual argument that comes up here is as follows: but the Steven Universe ending isn’t as realistic! Not everyone is going to change, not everyone is going to be able to be reasoned with. Not every older, conservative family member is eventually going to accept you for who you are. And while that is true, ultimately SU isn’t meant to be realistic; it’s meant to be a power fantasy. Rebecca Sugar has come out and said before that they wrote a world in which there was good in everyone, because that’s the way she wishes the world could be. That’s the world they want to be able to believe in. And I am never going to begrudge a person, much less a queer person, for finding healing in writing that kind of world.
But you know what else is unrealistic? What else is ultimately just a fantasy? Grinding your government’s fascist leader into paste under your boot, then taking over and remaking society into something that accepts everyone. Sadly, Trump is not likely to get his ass beat any time soon. And more generally, punching fascists, while ideologically sound, is something most people are not going to get to do, due to real-world consequences such as “getting beat up by the fascist’s angry friends” and “being arrested for assault”. And even if you did depose one leader, our very society is set up in a way that perpetuates all manner of injustices, and systemic change is a complex and lengthy process that almost certainly won’t be completed in our lifetimes. But it’s fun to imagine we could, isn’t it?
Both endings are power fantasies. Both show the way they want the world to be, rather than the way it is. They are very different power fantasies, which fill very different--and at times conflicting--needs. And in situations like that, internet culture really likes to pick one to be the right fantasy, the right way to look at the world. 
But the truth is, both fantasies are needed! Some people need stories about your queerphobic relatives finally realizing the error of their ways and taking the necessary steps to accept and reconcile with you. And some people need stories where you get to grind fascist bastards beneath the heel of your boot. It’s okay if you prefer one type of fantasy over the other! But in the end, both are valuable, and both are important. 
And isn’t it wonderful, for us to have such a diversity of great queer stories? That we can explore both of these deep, conflicting needs? Let’s appreciate each of these fantastic works for what it was meant to be, rather than trying to pit them against each other or make them conform to a single, “best” way to tell a story.
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