When you talk about Philippino history and then Roman history, as a Venezuelan it's been making me think about our history and like, I've always thought there's a lot of similarity there but now it's like...its so similar. Your house is haunted too! I always think about how we won wars against the colonizers but their ghosts are still there, and they still sit at the dinner table with us every night. Your work is so cool, I feel like I can extend that train of thought further through time. I've never been interested in Rome but now I kinda am!
Venezuela 🤝the Philippines: being haunted houses (colonized by Spain)
also that is so SO real, the ghosts really are with us!! THEY ARE AT!!! OUR DINNER TABLES!!!!! ngl, once you start noticing it, it's impossible to NOT notice how they've crawled into the spaces and just. stayed.
ancient Rome is so weird for it too, because if you asked me about it, I wouldn't immediately put ancient Rome down for haunting the Philippines, except for the fact that like Catholicism, it's fucking everywhere. it's gotten in the cracks and spaces between the walls. On the stage of theater, Nadres' Hanggang dito na lamang at maraming salamat: the main character is named after Julius Caesar
Closet Queeries, J. Niel C. Garcia
and so many people are named after figures from ancient Rome (I know enough Mark Anthonys I've run out of differentiating nicknames for everyone) that it rivals Catholic saints for naming conventions. neo classical architecture had it's moment in the sun in Manila, our ilustrados brought some of it back when they returned from Spain to call for reform, and then independence, and I am struggling to hold back a plague-infection comparison about that. like, something else crept in with Spain, and like Spain's ghosts, it Did Not Leave.
but on the other hand! there's a long, centuries long, tradition of using the events of the Fall of the Republic to discourse, discuss, to vent or call for action, current events. it provides a interlocutor when something hurts too much to say directly, it provides a stage to explore a tragedy that echoes in our own histories, it gives a script to voice an ideal that a government might otherwise put down. how many centuries have we used Brutus (and Cassius) to rail against Tyranny, and how many centuries with equal enthusiasm have people used Julius Caesar as a martyr to justify the rights of Kings and Empires? these things are equally as important (in a different way) from the ancient events that actually transpired. (this specific topic, of Brutus & the Assassination of Caesar and it's literary revivals in history, are the focus of The Brutus Revival, Manfredi Piccolomini)
and the cores of these things conflict with each other, but in that friction, it's like there's an invitation to sit down and think for a minute. to look back at history and feel it's immediacy in the present.
ANYWAY I got carried away, but I am glad!! that my stuff could make Rome interesting!!! I hope that you find new doors of thoughts to explore!!!!!!!
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When I read priory I tended to envision Sabran with a very classical 16th century appearance.. softly powdered face, plucked eyebrows, all that, because we know she's beautiful but beautiful in the time period Inys is based on meant different things. It's interesting to me that most fanart portrays her in a 21st century beauty ideal way
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This is a personal post.
My younger self found Dear America too depressing because almost all the books featured a death, but I loved The Royal Diaries, which also featured a lot of death, including some pretty tragic stuff (the Anastasia diary was one of my favorites). Doesn't really make sense. Is it less depressing if it happened in real life and therefore has to be part of the story, rather than a fictional death contrived to add obligatory Drama to the narrative?
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may I also bring this contribution as you wander down the enstars rabbit hole (it's enstars characters and their supposed crimes)
OP I appreciate you so much, but I fear that you are trying to kill me? Just -
Just a few questions.....
- Why are Switch and the seniors of Ryuseitai and Wataru??? on kidnapping?? (wait, did he kidnap Hokuto is that it?)
- Wait, what did Tetora and Sora DO?
- Midori's in attempted murder?????? WHY???
- What's with forgery?? Why's that on there? Why am I questioning forgery when sexual harassment and murder are RIGHT there???
- Yeah, I still can't believe there's a literal idol duo who is also a mob group....
- "tried to break the windows with an iron pipe" what - of course Hokuto has the ultra specific one (I love him so much. Rich airhead princess to me, so far anyway).
- Bullying for Subaru NO what have you DONE starshine boy???
- and at this point I've given up on getting mentally tortured by the others
I am eternally grateful for this list. Why did it have to exist? OP, come back here and let's just talk - actually. No, I desperately want to sit down with the writers and ask what they've experienced to do this.
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Aspect of Order: Primordial & Present-Day
One of the first deities, part of what is known as the Primordial Triad. It created the planes alongside the Aspects of Chaos and the In-Between and held dominion over the Material Plane. It embodied order in the way nature has order: the life cycle, gravity, the tides, the surety that the seasons will change, the patterns that appear in flora and fauna alike, the symmetry of pinecones and butterflies. It was associated with the night as a time of quiet preparation where the world rests, and when one can see the remains of creation in the darkened sky. It is said that the two moons of the Material Plane are its eyes, watching over its creations.
All three members of the Primordial Triad are referred to with "it", so ancient and unfathomable that applying a mortal, transient concept of gender to them seemed almost blasphemous.
Almost.
The modern-day conception of Order is quite different. Though she still reigns over the night and natural laws, her followers have placed her at the forefront of the creation process, reducing the In-Between's role and rejecting Chaos altogether. Though most present-day cultures think of her in this way, many of them do not emphasize her: she is an invisible Over-God, keeping the other deities and forces in line and maintaining cosmic balance from behind the scenes. In places where she is worshipped heavily, however, she is placed at the forefront of the pantheon. In those cases, worship of deities with overlapping domains is either illegal (ex local gods of justice) or considered secondary to her (ex the god of the Wilds). The worship of smaller, local deities is usually discouraged or suppressed over-all in these areas in order to encourage a more structured, uniform religious practice. While both aspects of Order championed paladins, Primordial Order also championed druids and rangers while Modern Order champions clerics.
Ancient theologians debated whether or not Order and Chaos were two aspects of the same being (ironically, there was no question that the In-Between was its own separate force). However, following the iconoclasm that effectively forced Chaos out of the pantheon and created the modern conception of Order, such lines of thought were considered heretical, and then blasphemous.
The iconoclasm did have an unintended consequence, however. Crying motifs appeared in some art of Primordial Order around that time, particularly in the areas that resisted the iconoclasts more intensely. Some scholars believe that it may have been a direct reaction to the event: Order mourning the loss of its counterpart. Others have argued, however, that the lack of such motifs (or equivalents) in depictions of the In-Between prove this wrong. After all, why would it not also be grieving?
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