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#anyway its the misogyny
soldier-poet-king · 10 months
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I don't understand why Sakura is the most widely hated Naruto character (it's the misogyny, I know it's the misogyny).
Because sure, I found her kinda boring in part one, lacking any notable combat skills or motivation beyond her crush on Sasuke. But also. She's like 12 ffs.
But post timeskip??? I'm only a few volumes in and she's GREAT? She becomes an incredibly skilled medical ninja AND one of the heaviest hitter fighters we've seen this far. Like just pure brawn and brute force. She's incredible. And her motivations are more rounded out, ofc she still cares about Sasuke, but her primary goal is to protect her friends and village, it's friendship focused.
(And before you say oh ofc the girl character has to be a caring motivated person, Naruto's WHOLE THING is caring abt his friends. That's his motivation, his goal is Hokage but his motivation is his friends. His whole stchick is being the I love my friends guy. Everything with both Sasuke and Gaara is motivated by Naruto's friendship and compassion for them. Once again. The misogyny.)
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spitblaze · 1 year
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I will say this once because I'm tired of seeing stupid discourse: anti-transmasculinity is not about being treated bad because we clock as men, it's about being treated as stupid little girls because transphobes think we've been tricked into this.
It's kind of the opposite of transmisogyny- instead of fear and revulsion, it's constant condescension, the implications that we've been whisked away from femininity by scary bad guys, that we're going to cause 'irreparable damage' because we don't know what's best for ourselves, somehow. People fearmonger a lot about the "ugliness" of transfem people, but for transmasc people that 'ugliness' is used as a warning- you'll look like THIS! You'll go BALD! Your top surgery scars will leave you MUTILATED! A lot of aesthetic concerns. Worry about our 'beauty'. Because it comes from that same stupid reactionary 'we gotta SAVE the WOMEN' shit, but this time they have to save them from getting 'stolen away', as if we're being seduced or pressured into this. As if we can't make our own decisions.
For TERFS specifically, they're losing one of their own. We're 'gender traitors', willingly aligning ourselves with the half of the population they consider unilaterally dangerous and evil.
We aren't REALLY trans, we just want the benefits that men get. You don't actually want to transition, you're just trying to avoid misogyny.
You aren't actually a man, you're just a self-loathing lesbian.
Why can't you just be a butch girl? Why can't you just be a tomboy?
Why can't you just be something that I don't think is icky?
Anyway. Like all things, it boils down to misogyny. Women stupid and gentle, dont know what best for them, evil men trick into taking man juice, must save because lady stupid and dont know what best for them (having babies and being Feminine).
Theres like. Obviously more to this but I'm just a Transmasc Rando explaining this from my perspective, and I'm not the best with words. Anyone is free to hop in and add on to this
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macrotiis · 5 months
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I wanna rant a little bit about that last post coz like I have feelings about it.
Reproductive rights are a huge part of feminism, but it's really important that it ISNT "sex-based oppression" bc tying birthing ability to the universal experience of womanhood is actually REALLY FUCKING MISOGYNIST. Like you're rly gonna say that women incapable of having children experience less oppression than those who can?
The bioessentialist idea of "sex-based" oppression is heavily weighed on the idea of a cis woman capable of giving birth to children as the definition of woman as a sex & gender. It is a damaging social construct that harms all who are socially classed as women in some way, regardless of actual gender or actual sex.
Like you realise already that definition of womanhood excludes a huge amount of women? And that it is so untrue to these women's actual experiences of misogyny?
It misses how misogyny treats infertile women regardless of sex as being "broken" because they are unable to fit the social role of womanhood.
It's also just like incorrect to the wider experience of misogyny of women who can have children at certain points in their lives, bc girls & women aren't capable throughout their entire life of having children. But young girls still experience misogyny up until puberty & past that, & misogyny doesn't go away after menopause, in fact menopausal women are treated as undesirable or used goods because they aren't typically capable of having children anymore.
The bottom line to all this is that, there is no one single universal experience of womanhood as a social role beyond just being a woman & you cannot exclude trans women from the experience of misogyny. Misogyny isn't "sex-based", bc sex is socially constructed in a way that does exclude a lot of women.
I rly beg fellow transmasc's & trans men to go out & spend time with trans women, talk to them about misogyny & their experiences with misogyny.
You wouldn't have these weird ass ideas about misogyny if you branched out more & tried to relate to trans women & their experiences with misogyny. It would fix a lot of the misconceptions folks have about radfems, TERFs & transmisogyny. Ppl get too caught up on this idea that TERFs hate trans women for their supposed relation to men & maleness, which is actually deeply untrue because really the crux of TERF ideology & most transmisogyny IS misogyny. It's rooted deeply in trans women not neatly fitting into the box of cis perisex white abled womanhood, it's about trans women being the wrong kind of woman, which IS the universal experience of misogyny & womanhood that all women & those socially classed as women face.
The sooner you stop treating transmisogyny & TERFism as a symptom of hating men & actually about hating women, the better your understanding of these ideologies & the better your understanding of where trans women fit in social roles of womanhood AND of your own place as a trans man.
You should rly be open to relating to & talking with ppl about any experience of misogyny that is outside your own, be that from trans women, women of colour, disabled women, intersex women, ect, because there are facets of misogyny you haven't experienced that are important to talk about & recognize.
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trainwreckgenerator · 8 months
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hey do you guys remember razias shadow? cause i just did
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quietwingsinthesky · 3 months
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see my brain just doesn’t register the idea of anyone having a ‘one true love’ which is why the common fandom tropes of making canonical love interests terrible in order to justify why your ship is better always bugs the shit out of me. it feels like the only reason you would do that is if the idea of the characters in your ship having any other sort of romantic relationship that was important to them, even in the past, is a threat to their current one, therefore all their past relationships need to be demonized in order to make them ‘not real love’ so that they remain pure and chaste and ready for the True Love of the endgame ship.
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Need I say more
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mandysgirlf · 7 months
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me finding out a bunch of wwdits fans don't like the guide and rank nadja as their least favourite out of the main vampire group
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lollytea · 8 months
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Tbh I think the Barbie movie handled its theme of existentialism better than the feminism.
#the feminism of the barbie movie is nothing new#its nothing you wouldnt have seen in a 2016 tumblr post#and in its efforts to platform the struggle of misogyny it unintentionally shrinks the issue of other forms of bigotry#like it IS about a cis conventionally attractive white woman and the prejudice that she applies to her#because shes a woman. so is not on the TOP of the privilege scale and is going to face bigotry as a result#like Greta Gerwig clearly wrote what she knew#and she didnt feel she was educated enough to touch any other topics#the mistreatment of women is a layered topic and it is a complex matter depending on the varied range of women in this world#queer women trans women women of colour#they dont all experience misogyny in the same way that Barbie does#so its definitely not a very rounded discussion#like even Gloria focuses entirely on the pressure of just women in general#like you can claim that shes speaking from her own experience but. its very mouthpiece-ish#her speech is for the purpose of whacking you over the head with the film's message#yknow i think the focus leans too heavily as ''look what we as girls have in common''#but doesnt touch enough on ''but look how we differ too.'' a balance between those two concepts would have been nice#i feel like Sasha being like ''hell yeah white saviour barbie!'' was like a lazy acknowledgement that theyre AWARE of this issue#but like. theyre too deep into the script now#anyway yeah i was just thinking about this cuz of that gifset#Barbie feeling unsafe and being objectified in a public space#while Ken faces no issues whatsoever. even tho he is a loudly colourful flamboyantly dressed man on rollerskates#because we are going for a misogyny message here. so we need to poof homophobia out of existence for a bit okay??#like this is basically what i mean. putting misogyny under the spotlight#and as a result quietly pretending other social disadvantages dont apply right now. bending reality to reinforce the message that we want#this isnt like. a scathing criticism on barbie btw. i dont have a film critic brain#im dumb and i love everything#also im really not the person whos qualified to talk about this#this is just some word vomit because i cant stop thinking about it#anyway i think the themes of what it means to be human and live and breathe fucked royally#i loved that stuff
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even-disco-baby · 9 months
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YOU — “No. There is still a chance.”
DOLORES DEI — “You think so?” Her voice is weary.
EMPATHY — Everything about her is weary. She is the Innocence of weariness, of heroically borne suffering.
CONCEPTUALIZATION — That is the picture you have painted for yourself, at any rate.
YOU — “You looked back. That’s the memory, the moment, that I can’t stop returning to. You looked back. I had a chance, for just that moment…”
DOLORES DEI — She meets your eye, gaze still forever cast back over her shoulder. Time stops. The stars are stilled, the ocean silent. There is *nothing* beyond this memory. Nothing at all. All of infinity is contained in this single moment when anything and everything was possible.
“Oh, Harry…” She sighs, soft as eiderdown. “We never had any chance.”
And just like that, the wave of time collapses under its own weight, obliterating everything. This moment was six years ago. She is gone from here. Gone, gone…
PAIN THRESHOLD — You cannot leave. There was nothing outside of this moment, and now there is nothing at all. It’s all gone. There is no point. I’m sorry. I can’t do this any longer.
VOLITION — Please, don’t say that…
“Okay. Well, fuck me, then.”
“How would *you* know?! You gave up! You didn’t even try!”
“We *must* have had a chance, at some point… Doesn’t everyone get a chance, if nothing more?”
“How could you say that…?”
DOLORES DEI — “Because it’s true,” she says, matter-of-fact. “There is no moment in time that you can turn back to, no branching paths, no infinity. There is only what happened. I looked back… and then away.” She closes her eyes, turning her back to you.
“The moment ended. *We* ended. That is all.”
SHIVERS — A wave crashes against an unseen shore, ocean spray tickling the back of your neck. You shiver, but no one shivers with you. You are alone in this intersection. Why are you here?
“Why can’t *I* end?! Why can’t this all just stop? Please, make it stop…”
“Ended? I’ve barely even started! I got a chance to start completely over as somebody new! I don’t need you anymore! You’re just dead weight to me now.”
“No. That wasn’t the real ending. We’re a part of something so much bigger than this intersection, telling a story that encapsulates all of history! There’s *more* to this, it *means* something.”
“Then… What am I supposed to do now…?”
DOLORES DEI — “No, Harry.” She turns back to you again now, and she looks… sad.
“We were not metaphors. We were people. Our narrative was not intelligently designed. It simply followed the patterns of history, because those are the only patterns we *know.* We tried to create something new, but we failed. There is no narrative reward for our failure, no satisfactory ending. There is only the immutable past and the unknowable future.”
RHETORIC — There is no assurance of what is good or deserved or what may bring relief. There is no assurance of punishment, either. There is no assurance of anything. Not even of a future. I don’t know what to say to make this bearable.
VOLITION — Even so… As long as you live, *something* is promised. Can you live with that?
I can’t, I just can’t do this anymore…
I can. It’s enough.
I don’t know. I just don’t know.
I can at least try for a little longer…
VOLITION — That’s all I ask. That’s enough.
#disco elysium#harry du bois#dolores dei#suicide tw#ummmmm haha *twirls hair*#sorry this isn’t more of the dolores saga im really trying to get back into the swing of things 😭#this is smth that won’t make it into the saga but that i was thinking about nonetheless#im not too fond of the whole ‘’dora is literally dolores dei’’ thing tbh#i feel that the mundanity is what makes their story impactful#and also just. makes it feel like somebody is kinda going overboard on projecting onto their proxy ex. lmao 😭#idk like the metaphor gets a little TOO metaphorical for me. but that’s just my onion. im an rgu fan so who am i to judge#anyway this is more my take on the harry/dora story#which is that dora was Just Some Guy and ultimately we have to live w the fact that we’ll never get the full story#because she literally exited the narrative#we can speculate about what her and harry’s relationship was like and how much of the blame is on each of them#dora’s lack of class consciousness vs harry’s violent misogyny etc etc#and like. it’s not that there’s no value in examining those things bc there definitely is value in it#in examining what patterns you DO see repeating in your life and in the world around you#that is what politics is really… examining the system and all its moving parts#but ultimately the past is immutable… our perception of it changes as we gain new context and understanding but what’s past is past#and there is no way of knowing with any certainty what the future holds#that’s where the overlap of all of these political and personal conflicts is for me#and why it comes back to harry questioning whether it’s worth it to even live#it’s about whether or not you can live with the grief of the past and the uncertainty of the future#i want to learn to live with it… to work toward building a future that i want to live in#anyway. coughs
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lurkiestvoid · 1 month
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"transmisandry/transandrophobia does NOT exist!! transmascs can ONLY experience TRANSMISOGYNY"
---> tagged "tme"
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moreclaypigeons · 3 months
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No like seriously ARE we ready to talk about the misogyny in fandom spaces
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hecksupremechips · 24 days
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When I think about Mizuki in aini it’s like, I know something is just so off about her but I have trouble articulating it. It’s really frustrating cuz she was like my favorite character in the first game and when I play the first game I feel like I have a really good idea of who she is as a character. Like she acts strong and and hangs out with people much older than her and has to take on a fuck ton of responsibility but she’s also just a kid she cuddles with a rabbit toy she raises fish in the fridge she can be kinda gullible in the way that kids are and she doesn’t always understand more mature jokes. She acts sassy and hostile towards Date but she’s described as kinda and compassionate by Hitomi and she defends the weak and loves her friends deeply and thinks Aiba is cute. She pokes fun at Date for being grumpy at the shrine and then excitedly holds his hand and drags him over to the offering box to pray for his safety and she gets scared when there’s danger and she hugs Date for comfort but then tries to brush it off because she was taught to feel shame whenever she required basic attention and affection. She was hurt badly by her biological family and finds herself at home with Date despite her fears of him not caring for her. Like she’s a really solid well rounded character with strengths and weaknesses and her story makes me feel every possible emotion known to man
Then I play aini and I was soooo excited to see that Mizuki was gonna be a protagonist and that she had Aiba (its what made me buy the game immediately after finishing the first game lol) and then like. I honestly can’t tell you a damn thing about her character in aini. Like she’s the protagonist for half that game and I can’t think of any particular struggles she has as a character or like any moments where she stands out. It’s like, I know this is Mizuki she has the same basic features of that character but she’s not really given much? And anything new you learn about her is just like, retcons of her already established and well written backstory that just. Really didn’t need to be made and honestly they just kinda do a disservice to her character
Like first off there’s the Bibi twist which. Oof. I have some pretty complicated feelings about Bibi in general like okay. When she appears as the masked woman I was totally on board and thought she was really interesting and I was so prepared for her to be a favorite character her somnium is probably my favorite one in the game. And then she was revealed to be Mizuki. And it was revealed that we were playing as her for half of the B side of the story and we didn’t know it. Like, where to even begin. They stopped writing Bibi as her own character and she pretty much just became Mizuki except idk, she has a bigger grudge against Ryuki and has a heart condition I guess. And like I think it really speaks to how flat Mizuki was in this game if we can play as two completely different characters and have them be indistinguishable. Bibi shouldn’t be anything like Mizuki, they’ve lived completely different lives. And I hate the clone twist like good god I really hate the clone twist because IT ADDS NOTHING TO MIZUKIS CHARACTER OR HER CONFLICT. In fact it like, actively goes against her arc from the first game??? Cuz like half the point of Date and Mizuki’s relationship is there to show that family isn’t what you’re born with, it’s what you make. Both Date and Mizuki feel like their little family can’t exist because they’ve been taught, like most of us have, that biological family is the most important and real and valid way to have a family. You’re supposed to love and respect your biological parents because they MADE you, and Date has to live with the anguish that he can’t be Mizuki’s REAL father because they aren’t blood related. So like, to pull the rug away and go "oh yeah btw I guess Mizuki was adopted lol" it just completely erases what made her story so impactful to most people. And the clone reveal adds nothing like Mizuki doesn’t NEED this at all she wasn’t looking to discover the truth of her backstory because. There wasn’t any truths that needed to be discovered, we already know her deal and so does she. And her having a clone doesn’t really fit with the half to whole theme cuz like, she wasn’t looking for a fucking clone or like a secret sister or anything like that. It’s just stupid it’s so stupid
What Mizuki needed was like, a new actual conflict that required her to overcome challenges and grow as a character. A lot of people, myself included, have complained about how her relationship with Date just isn’t talked about hardly at all, how he went missing for 6 years and they didn’t even get a proper reunion and the game kinda mocks you for wanting one. We dont get any context as to how Mizuki coped during that time like she was completely alone for the most major years of her life she was separated from the one person who was her real family and we don’t know what she felt during all that cuz the game refuses to talk about it. And there isn’t much indication that the adults care about this either, Boss maybe has a soft spot for her but that’s kinda the extent of it, she makes a joke that Date is probably off chilling in a hot spring in Atami so clearly no one is giving Date’s disappearance the weight it deserves. So like, we have this potential thing we could work with here like why is Mizuki a detective now and why does she care about this case? Because her dad was taken by tearer and has been gone for 6 years and she’s been all alone and she wants to find him and find out if he’s even alive and she wants to kick tearers ass cuz he tore (hehe) her family apart. And this can also give her an actual connection to Ryuki too like Ryuki is the one who betrayed Date and knew some shit about tearer and saw what happened to Date and he just never told Mizuki the truth and she’s spent all this time looking for Date so this would be like, pretty major conflict when it all gets revealed. And it actually gives what Ryuki did actual consequences that affect him cuz honestly the fact that no one seems to care that much about Date’s disappearance makes Ryuki’s guilt and depression seem completely fucking useless lol. So here we go, that’s some conflict for Mizuki to have and it gives her a personal connection to the case, we can add more to it but really even this alone is way more than what she’s given in the actual game. And I think just the big problem with her in aini is I think the writers were too afraid to do anything that could ruin her character or cause her to change too much so they just like. Didn’t write anything that could allow her to develop and instead just fucked with already established information about her which. I honestly don’t know how that is seen as better??? In what fucking world. It just feels really pointless to have even made Mizuki a protagonist to begin with since they don’t really do anything with her and lol I think the writers realized this so that’s why like. Ryuki gets all the character conflict but makes lowkey no progress in the case and the real investigation doesn’t happen until the Mizuki side cuz they needed to make up for the fact they didn’t write anything for her alskla
So yeah just to wrap things up, Mizuki just didn’t get to be a character in aini and she wasn’t given any interesting conflict despite how easy it would’ve been cuz the writers were too scared of doing anything with this character that could ruin her but dude. Dont fucking make her the protagonist then if you’re too scared of doing anything with her. Don’t piss me off like that
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spitblaze · 20 days
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You know I probably would have figured out something was up with me genderwise sooner if people assigned female at birth were not conditioned from a young age to absolutely loathe their bodies in order to sell beauty products and diets and unattainable standards
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lorephobic · 5 months
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2, 17, 22 for Saltburn
2. a compelling argument for why your fave would never top or bottom
this means nothing to anybody who follows me for saltburn, but i just answered this question about my other blorbo and came to the exact same conclusion for the complete opposite reason. oliver quick would NEVER top because he is clawing to be the main character of every room that he enters. he wants to be desired so badly that he'll reinvent himself into whoever he thinks you want.
there's a sort of trope in obsession-related media where the obsessor ends up forcefully taking from their victim exactly what they want. and i think that oliver subverts this narrative by never taking anything from felix. he never asks for more than he's given. when he finally has the opportunity to kiss felix, he doesn't. he takes from venetia, and he takes from farleigh, and he takes from james and elspeth, but at the crux of his character, is his need to be taken by felix. this is, of course, a metaphor for bottoming LMAO
17. there should be more of this type of fic/art
ok so tbh i'm not a huge fic person because i'm so incredibly picky about the way that the media that i care about is interpreted, which is why i've never read a single saltburn fic and honestly i probably won't ever, just because i feel like there is very little room in this story to expand and no way to twist and rewrite it in a way that is true to the characters that i care so much about. but WITH THAT BEING SAID, i was honestly so totally astonished by @125hr's cattonquick art that it made me realize that maybe i do want to see more beautiful art of them kissing and we can all pretend like they had their moment<333
22. your favorite part of canon that everyone else ignores
this should honestly be it's own post, but since my last rewatch i've been thinking a ton about the final dance being a reflection of felix's initial tour through saltburn, which has been talked about! but what i haven't seen talked about is all of the other scenes that end up echoing each other. felix's life on the screen and oliver's role in it form a perfect mirror image, starting and ending with oliver staring at felix at parties and not being able to touch him. starting and ending with oliver watching felix have sex with someone that's not him. starting and ending with oliver fucking people who aren't felix in an attempt to get closer to him. on a second rewatch, when you know all of the signs, there's such a devastating sense of oliver returning back to square one, lost in a crowd full of felix's friends and nobody even knows his name. there is a time before felix and there is a time after felix and exactly at the center of this timeline, there is a man on his hands and knees in a bathtub getting the closest he will ever get to the thing that he wants.
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theonlyadawong · 2 months
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also. totally get that capcom gives each re character one (1) consistent personatlity trait, and claires one trait is that she's very caring and that's fine, but what is so irritating is that fans think that claire being caring translates to claire being motherly which is so wild. that woman has the energy of a big sister, and even then, she's ALSO the same woman who knocked the shit out of a senator. so.
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stardust-vi · 1 month
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Dumb ramble but I hate that you can't critique The Thing you love within a fandom space without some dude breathing down your neck like "Well actually that means you hate The Author and The Thing! And what about all the times The Author did this Good Thing? Checkmate, liberal." as if you can't be critical of something because you love it and want it to be better.
#just. i'm in a rush rn so i'm probably not articulating myself well and i could go more in-depth with my thoughts#at the risk of someone spinning my words into “cringe blue hair pronoun wants to cancel araki!” which... will happen inevitably#even though i don't know how many times i can repeat “i do not hate araki#this is specifcally about jjba btw because like.#look i love it and araki has done some good things (or at least had good intentions in most cases)#but i'm so over the fact he constantly has to reach for some form of traumatizing women in his writing#and I already hear “well it shows they're a villain!”#but does he HAVE to use assault? why does he have to use that instead of demonstrating their villainy in other ways#that don't need to use it as a crutch#i'm not even saying you can't ever write about assault#that's not my argument either.#I'm not even accusing him of being a bad writer or person but just. Can we please retire the overusage of assault for shock value?#i obviously don't hate people who enjoy the series regardless#i'd be a massive fucking hypocrite#i mean i've literally been in this damn fandom for 6 years and just now decided to post my art.#but i'm tired of any time someone brings up legit criticisms of the misogyny in his writing#it's met with “but araki did this-” like it changes anything.#i'm glad he did somewhat improve writing women over time compared to the earlier parts#that said. that doesn't cancel out the blunders he did make or will make in the future#even if he has good intent.#or really any criticism of the writing being hit with “but its not supposed to make sense#anyways rant over. probably going to delete later bc im tired.#tw assault#assault tw
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