atla small town modern au
it’s katara & sokka’s hometown in the southern water tribe, which is being taken over by ozai’s industrialist company as a factory town
their dad is the mayor but he’s gone missing so vice mayor bato has been handling the work and sokka is running his and katara’s household
(hakoda’s missing because ozai hated that he was enacting anti-firecorp policies)
bending is still a thing. katara is a starry-eyed soul who wants to leave her small town to learn waterbending in the big city
sokka is a total pragmatist who thinks the town would collapse without them (he MAY be right)
aang is an undocumented immigrant from the air temples who was sent on the run w gyatso towards the nwt with crucial info to bring to journalists to bust open the evils ceo ozai wrought upon the air nation (e.g. labor exploitation, chokehold on clean water sources)
he got this quest cos he’s still the avatar in this au
got waylaid and separated from gyatso (who might be dead?) and ended up in the swt town
now uses his bending in secret to stack shelves in the local supermarket while trying to figure out how to get to nwt
(he may or may not be putting it off because the responsibility terrifies him)
unbeknownst to aang (and most everyone), the situation in the air nation is getting worse—actual violence is starting to happen
the water damage siblings take him in because they figure it’s their responsibility as the mayor’s kids. but over time they find him so endearing he becomes practically family
zuko has been disowned from his father’s giant conglomerate and believes that by catching the runaway avatar he will be brought back into the family
he pushes iroh into moving into town. he thinks iroh doesn’t know it’s to catch the avatar
in the meantime he picks up a job at the local boba shop and accidentally becomes a vigilante
(sokka develops a huge crush on the mysterious blue spirit)
unfortunately for him the description of the runaway has been switched around, and he thinks toph (another runaway in the same town) is the avatar
toph is friends with aang and is gleefully misleading zuko
she and aang are both out of school youth. toph spends most of her time trouncing people in sports at the local courts but her spending money comes from a huge stash of cash she took out of her parents’ safe before running away
aang is a regular at the boba shop and befriends zuko. zuko thinks aang is just the avatar’s friend and aang thinks zuko is neat. they bond over being new to town
azula comes to town at some point and immediately realizes that toph is not the avatar
(iroh knew all along but doesn’t tell zuko because he a. it’s a good lesson for his nephew and b. he finds it funny)
BONUS:
azula enrolls in the local school trying to find the avatar, accidentally develops a homoerotic rivalry with katara instead
iroh takes her in and sets off her redemption arc
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Save Your Life
Summary: You save Robin, only because you don't want some lowlife criminals to kill him; That's your job
Pairings: Robin x Villain! Reader
[You could see this as another part to Don't Let Me Down, but not a direct part 2]
[Short again]
You weren't always watching Robin, even though he seemed to think otherwise. No one had time for something stupid like that- At least not with a million other superheroes/vigilantes running around that you had to keep an eye out for. The only person who seemed to always have an eye on Robin was Slade, but that was none of your business.
With that being said, there were times where you did do a little stalking on him. That's what lead to this situation-
---
He was going to die. Alone. Maybe it was how he was supposed to leave the world? He didn't know, but he didn't feel good. Though his life was about to get much worse. Especially when he saw a familiar face looking down at him.
He groaned as you crouched down to his level. His eyes may have been fucked up and bruised, but he could still see you; Annoying, troublesome you.
"Wow, you look like shit."
He huffs, but doesn't respond in any words. He couldn't fall asleep, because he doesn't trust you; Although, he couldn't stop his eyes from slowly falling.
You watch as he closes his eyes, as you examine his body. His clothes were torn and he was covered in cuts and bruises. You hoped you didn't encounter it. Though, it didn't kill him, so it couldn't have been that bad- Unless it was him...
You shook your head, before raising a hand to his face. A light glow emits from your hand, before it covers his face. You hear him groan again, but you decide to ignore it. His face slowly starts to heal, with the skin quickly healing over the cuts.
He groans again, but his eyes stay close. You stand up, slightly kicking him.
"Okay, buddy. You have to get up, I'm sure your idiot friends are looking for you. So, stop being a baby and get up; you're fine."
He only groans, causing you to roll your eyes. You look around, before clicking your tongue and looking back at him. You sigh, trying to decide what to do. But before you can make a decision, the world decides to make it for you and you hear voices- Their voices.
"I think he's over here, guys!"
You quickly crouch, before flying off, leaving him for his friends to find.
---
Robin awakes with his neck painfully stabbing him. He looks around to find himself in the tower. He didn't remember how he got there, but he did remember that you had helped him. Why did you help him? Maybe you were all that bad- No, he shook his head. You were evil just like the rest and he was sure you were trying to lower his guard. Though, if anything, this just made him more on guard.
There was a part of him though that knew you had caught him at his most vulnerable and instead of killing him you helped him. It was strange and he didn't like it. But maybe you were changing? He doubted it though. He knew you liked causing mischief, it seemed in your nature- So for you to change, it'd have to be a miracle. But, maybe one day you would change, and he could offer you a spot with the Titans. Anything could happened, he supposes, but not any time soon.
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exploding my pc with my brain. also here’s an unedited snippet from the jegulus raising harry vigilante au
Pansy freezes and Harry’s stomach drops as they turn to face the source of the command. Up to this point, they’ve managed to avoid any run-ins with any heroes or police officers, and Harry had desperately wanted to keep it that way. He doesn’t want to find out the level of cruelty they are willing to inflict now that he is not one of them.
There’s a team of six running down the street, four of them heading towards the wreckage while the other two come straight for Harry and Pansy. Pansy takes off running, and Harry knows he should follow her—knows it’s his best shot at getting out of here unscathed—but his body is moving in the other direction before he can stop to think about what he’s doing.
Within seconds, he’s back in front of the little boy, shielding him from these “heroes” with his own body. He survived them once. He can survive them again.
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I can’t believe I never saw this before.
Katsuki remembers his conversation with All Might about penance and atoning right in the middle of Deku’s solo fight against Shiguraki. And it would seem oddly placed if it weren’t for how that conversation ended, with All Might telling him that Izuku doesn’t blame him or think he needs to atone, but that they should talk it out themselves to clear the air.
And right as All Might says “You have plenty of time to talk” we transition back to Katsuki in real time, watching Deku risk everything, and starting to panic.
Yes, that episode is about Katsuki. Yes, we got insight into his head that wasn’t available before. This is the first time I think we understand that not only is he starting to change, he also sincerely regrets how he treated Izuku before. That’s all important and good.
But there’s something about All Might telling Katsuki he has time to fix things if he wants, transitioning directly to Katsuki realizing he might not have any time left at all to do anything right by Izuku, not if he dies fighting Shigaraki before Katsuki can work up the courage to talk to him.
It’s with those words from All Might echoing in his head that Katsuki jumps back into the action, ordering everyone around him, including the Number One hero, to help him execute a plan that would have worked if All For One hadn’t stepped in.
Katsuki is terrified that Izuku is going to die before he gets the chance to fix anything and that, my friends, is Good. Content.
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52/WW III Part One: A Call to Arms #1 (2007)
You know you’ve hit rock bottom when you’re standing naked in front of a monument meant to honor a dead version of yourself while you’re alive, holding the Nightwing suit in one hand and the pill helmet in the other
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Playing around a little with my Nomu!Aizawa... scars based on when he gets snatched, hair down to his middle-back, extra extra scruff because of an even more diminished ability to care for himself, a faded mark on his ring finger...
If you thought Aizawa couldn’t get more tired surprise! As a Nomu in my AU his main purpose is Shiggy’s alarm system (I love the head canon that Shigaraki is an Aizawa fan because he’s the kind of selfless hero he wished saved him as a child, so in this AU he gets that wish aaa). It means that even when he does get to sleep his quirk will open an eye automatically anytime something makes a noise near Shigaraki. I also kind of wanted to go with Kurogiri’s naming mechanic and give him a Nomu name that translates, so Yabureme is how he’s known!
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k so just found out they're all married? like this is their ceremony they're signing the documents? congratulations to the polycule ig can i get you any rings or something like that any honeymoon funds
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I dunno man, the fact that it seems to some that Kanej isn't endgame at the end of Crooked Kingdom is wild to me
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i have mixed opinions on the tim adoption (esp bc of how overplayed it is in fic) but my one firm belief is that making tim work an office job, much less a managerial one, is incredibly stupid. this kid is a teenage dirtbag let him follow in dick’s footsteps and spider-man it up in a city of his own
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Also in the replies of the Steph concept art on twitter announcing she was gonna be in a new project at DC (posted by Travis Mercer), there were at least 3 comments saying "will Tim be there?" I don't care how hard you ship timsteph I'm exploding you with my eyeballs if you do that on my girls post again
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Embalming: History, Theory, and Practice, Sixth Edition
[TEXT ID: As we yearned for physical connection with the ones we love, we also longed to be present with the ones we had lost.]
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There is something interesting about how often the earlier a deconstruction of a genre that would later get a Whole Ton Of Them is the more likely it is to actually go deep into the Actual Faults of the genre.
Like again Vigilante 1983 is not perfect, constantly back and forths on if Adrians right or wrong, and goes insane in the last set of issues (before the last three which go back to being great) but I still think its a way better deconstruction of the idea of a violent vigilante hero guy then other stuff that claims to do the same thing but is incapable of letting its cool male leads look actually vulnerable or stupid for longer then a panel or two
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Saying Jason needs to be taken down a few pegs because – and let me get this is straight – he was acting like a villain…? Like he was supposed to be…??
yeah y’all lost it I’m genuinely so sick😭
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idk meta about my interps of riddler and aaron and what it means for them and how they treat each other
spinning off in my own little world has yielded what I am absolutely sure to be an only slightly insane interpretation of tb!riddler; this is someone who's been dismissed, belittled, scapegoated, used countless times, whose inflated sense of ego is... yes, an inflated sense of ego, but also a cover for an insanely damaged self-esteem and general inability to connect with other people. he's defensive of his interests because they've always been mocked until they're useful, he's defensive and selfish with his skills because when he works for someone else and does as he's told he's accustomed to taking the fall. he doesn't trust when people are nice to him because he's been primed to see it as an attempt at manipulation... and he worked as an operator for a carnival game in what I see as his late teens + early twenties while he was getting his degree, so he knows full well what it's like to be manipulative. being an operator for a fun little carnival game where the fun of playing is the real prize is different from leading someone on and stealing their work, though. the biggest similarity is that the games are rigged from the start and only an idiot wouldn't see that (he didn't see that, what does that make him).
so it leaves him intensely distrusting, competitive, accustomed to relying on only himself (except for his little nerd armada, god I love the riddlemen they're perfect in every way) and letting himself be the only person to call the shots. at the same time... he is desperately reaching out for connection. he's lonely! he wants to be validated and treated like he has value for being just a person, not for his immense smarts, though he'd appreciate that too.
aaron coming into the picture doesn't necessarily change things so much as it puts a new coat of paint over it, because eddie finds himself in the same position his own father was in (and failed) but also... not at all. not in the slightest. he saw, in aaron, a kindred spirit who was used, who was abandoned, someone who wanted to get back at a system that was rigged from the start. and, I mean, it's not like Batgirl and Robin aren't on the scene. (and prank and scorn, which is its own thing.) the way I see it, eddie didn't intend for aaron to be more comfortable as sphinx. it just... happened. eddie sinks deeply into riddler as a protective layer against the world (prickly intellect and a mean streak that quite frankly dissolves the very second it's not of use?), aaron takes the thing he loved that became a horrible burden and a source of pain and turns it into the weapon he uses to get back at the world as sphinx.
to some degree, eddie is trying to protect and nurture the child in him that loved puzzles and was shot down at every turn. aaron is the opposite; he grew up fast, too fast, was on a global stage at fourteen and acting like an adult (without the adult privilege of making decisions for himself) and being treated like an adult with his area of expertise. eddie trips facefirst into love with someone who is only using him, and pays the price; aaron carefully portrays himself as someone unattainable and undesirable in his relationship with the other villain sidekicks, prank and scorn. (the context for that is sphinx went to them each separately, after their respective disasters, and went; hey. nobody's going to look out for us. people are going to try and use us. people won't take us seriously. we have to look out for each other. and they have a groupchat where aaron talks scorn down from doing dumb violent shit and donnie goes through cycles where he relapses into prank with joker. all very interesting. I should talk about it later. he's very much a mother hen because like eddie, he needs a sense of control and he cares deeply for people).
so... aaron acts like an adult, mainly. eddie helps him make a fake identity and aaron takes over from there. he's trying to be as convenient as possible, and it never comes out but he's afraid that he'll be discarded as soon as he's more trouble than he's worth-- which would distress eddie if he found out. sphinx is useful, and smart, and eager to please, and takes care of himself. sphinx is altogether more comfortable to be than aaron, who is anxious and doesn't know how to ask for help or care and feels ashamed that he wants it. eddie is his superior, not a father figure. neither of them know how to navigate this.
when aaron graduates high school, he goes to college-- this is when he stops being sphinx and starts being tyto, triggered by him investigating the disappearance of a classmate and friend and discovering a seedy underbelly to newark. it's where his and eddie's similarities come to an uncomfortable forefront. aaron, when given the opportunity, is obsessive. he's willing to wait, but only for so long. a few years ago I was pretty adamant about aaron not killing, but over the years I've honestly changed my mind... I think that he doesn't intentionally kill, but it's happened. and with the people he's targeting, he's not especially guilty about it.
anyway, eddie doesn't figure out about tyto for a while, he thinks that aaron's just retired aside from visiting gotham and doing sphinx stuff for him as a favor on long weekends and holidays, and when he does he's surprised at how much he does not like it. he did invite sphinx into the whole business with the promise of getting back at people who hurt them (and the world, in general, and the way things are rigged, and it's fine for them to break the rules because nothing is fair) but that was stealing money. blackmailing people, at most! silly bullshit like jello bombs. people in speeding cars they control so they're not really in any danger. distractions. you know. supervillainy? tyto is not a supervillain. tyto is not even necessarily a vigilante, though that's what he's treated as. tyto is indeed getting back at people with precise and violent intent, much as an unsupervised nineteen year old with extensive training and too much compassion for his own good might.
it's not going to end well! it's a hopeless crusade that leaves power vacuums and is endless work, and what's going to happen when aaron graduates? How the hell can Eddie respond to that? he can't tell aaron to stop because he's not in charge of him anymore. he doesn't disagree with what aaron is doing but it might get him killed, and in fact there is a high chance that it might get him killed.
anyway I think that's what makes eddie realize that he cares for aaron a lot more deeply than he ever expected he does, or should. and once again things are spiraling out of his control and the only thing he can do is watch and hope there's enough pieces left to pick up.
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“Slasher,” Moon Knight (Vol. 7/2014), #1.
Writer: Warren Ellis; Penciler and Inker: Declan Shalvey; Colorist: Jordie Bellaire; Letterer: Chris Eliopoulos
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