Playing around a little with my Nomu!Aizawa... scars based on when he gets snatched, hair down to his middle-back, extra extra scruff because of an even more diminished ability to care for himself, a faded mark on his ring finger...
If you thought Aizawa couldn’t get more tired surprise! As a Nomu in my AU his main purpose is Shiggy’s alarm system (I love the head canon that Shigaraki is an Aizawa fan because he’s the kind of selfless hero he wished saved him as a child, so in this AU he gets that wish aaa). It means that even when he does get to sleep his quirk will open an eye automatically anytime something makes a noise near Shigaraki. I also kind of wanted to go with Kurogiri’s naming mechanic and give him a Nomu name that translates, so Yabureme is how he’s known!
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trying to describe black sails to people is my personal sisyphean task. “it’s a pirate show” bad. “it’s functionally a prequel to treasure island but also it’s not at all” bad again, and also confusing. “it’s about pirates trying to destroy western civilization” mostly only true of the second half of the show and also doesn’t fully capture what i love about it. “it’s a pirate show about the power of stories, how civilization uses shame to keep people in line and turns them into monsters, and the power of queer rage. it’s got some of the best acting, writing, everything of any show i’ve ever seen.” the most accurate, but way too long and makes me sound pretentious and insane. send help i just want to talk about my favorite show.
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i could not be a guy dealing with a mind consuming monster transformation curse deal. i would not fight it i would descend right into that fate within the first hour id never turn back no one would ever see my true face again id live in the woods forever
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since it's my birthday I'm sharing what I have (ROUGHLY) written down so far for my ot3 video analysis' section on the long way down job (if you haven't been able to figure it out yet, that's one of my favorite episodes)
Here we are seeing the aftereffects of the San Lorenzo Job in real time in the relationships between the characters. It seems as though Hardison is feeling off-balance in his relationship dynamic with Parker, who we we remember confessed her feelings and willingness to pursue a relationship with Hardison at the end of the Big Bang Job (note, there weren’t many relationship developments that happened between them in the San Lorenzo Job for obvious reasons- i.e. they were actively trying not to die). Hardison, who has been living that slow-burn life for the past three years is obviously ecstatic that this is happening, but it seems as though there is a disconnect between his expectations and reality of the relationship. NOTE: One of the wonderful things about Hardison is that he doesn’t expect anything from Parker- he wants her as she is in whatever way he can have her. When I’m talking about expectations, I’m saying that he doesn’t know how to act with this new relationship development- he doesn’t know where the ‘lines’ are of Parker’s comfortability and what she is ready for, which is leaving him a bit confused and unsure of how to act.
For example, he goes in to hug her but she either doesn’t notice, doesn’t compute what he’s trying to do, or isn’t up for that level of physical affection at the current moment. She high-fives him instead
[significance of eliot 'don't touch me bro' spencer not only giving hardison a hug but INITIATING IT because parker didn't take his open arms as an invitation. talk about how much lighter he looks after the events of the san lorenzo job- it's almost like a literal weight has been lifted off his chest]
It’s easy to see the Parker-Hardison dynamics in this episode, but don’t miss how there is also significant development in the relationship between Parker and Eliot. Parker and Eliot are paired off for most of this episode climbing the mountain to try to recover the incriminating notebook from the dead mountaineer. They work efficiently in tandem, literally keeping even pace with one another.
[talk about heart-wrenching cave scenes here]
And when they’re free, this closeness and ability to be on the same wavelength is displayed when they are confronted by the gunman looking to destroy the evidence. He grabs Parker and points a gun to her head, demanding that Eliot hand over the notebook. She yells at him to not hand it over, but in actuality, she is distracting the gunman from noticing her sliding the dead man’s cellphone with an incriminating video into his pocket. Eliot plays along and into the bit, throwing the notebook over to get Parker back.
[talk about hardison being so happy to hear parker (and eliot) over the comms. talk about how he isn't expecting a hug and is resigned (if not content) to do a high five and is floored when parker practically jumps into his arms. where she knows it's safe and warm.]
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Lmao more about Grover aging at a rate of 0.4 instead of directly by half (12/28 = 0.4285). This is also assuming that Grover is only aging physically slower, but his mental/emotional capacity ages chronologically and with experience.
But anyway Grover has to get a fake ID to go to bars with Percy. When Percy turns 21, they realize ah shit Grover looks 16ish once they pull up to the club and immediately get turned away. Grover does have an official ID with his actual birthdate. In the past as a Keeper for Percy, Bianca and Nico, he also had a fake ID with an adjusted birthdate for whatever age he was supposed to be. He doesn't have either of those IDs anymore (he had to get a new one for B&N because Percy's would've put him at 14 and he needed to be put into 12 year old Bianca's class), so it's not like he handed over the fake one.
But the bouncer gives him a once-over and is just, "yeah no". They try to argue but the bouncer is like "if you wanna fight on this, I'm gonna keep your ID and call the police" so they give up (or rather Grover makes Percy give up because he got that look in his eyes and getting arrested on his birthday is not a birthday gift Grover wants to give).
In the end, they skulk around to some minimart and grab one of each alcoholic bottle with a weird name or label that they can find, are grateful the cashier doesn't seem to care that Grover looks 16 and barely even looks over his ID when he flashes it. Then they huff it back to Percy's apartment and taste test each drink on the floor of Percy's bedroom, because the whole point of going to the bar was to taste something that wasn't cheap beer stolen by the Hermes cabin.
Grover has a wildly fantastic tolerance for alcohol and Percy discovers that he is a lightweight.
The next time they try to go to a bar, Grover is sporting a temporary glamour from the Aphrodite cabin to make him look older. About half way through, they ring up Annabeth to make her do the math on how old Grover would have to be to actually look 21, and then the math on how long that would take because neither of them can subtract double digit numbers. Percy rediscovers he is a lightweight and, when the glamour finally starts to wear off, has to be carried back to his apartment by Grover, which makes for a ridiculous image of what appears to be a disabled 15 year old carrying around a grown man who won't stop talking about how much he loves his friends, including said disabled 15 year old.
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