now i’m kinda curious to hear what you think of proshipping.. if you don’t mind of course
I'll share my thoughts, and if theres anything I say that doesnt make sense feel free to point it out to me because I mostly write with the help of a translator. Under the cut because I wrote too much stuff.
TLDR: proshippers hate me because I dont want to look at glorified depictions of pedophilia/incest/etc, antis hate me because my content isnt 100% sanitized. I stay around anti circles because I find it slightly easier for me to talk about my headcanons with them even though I think they can be insufferable.
So the thing about proshipping. From what I've seen it means being "anti-harassment" and being in support of curating your online experience, which sounds great on paper and that's practically what I do. I have over 3k accounts blocked on my personal twitter to navigate the website more easily and I also dont care if someone blocks me if they dont like my stuff.
Except proshippers never consider me a proshipper because I am uncomfortable with viewing glorified depictions of topics like pedophilia, incest, rape, all that stuff. The same way people are uncomfortable with excessive blood and gore (which I also can't really handle seeing). Whether or not it's always easy to tell if it's glorified is an entirely different topic, which is precisely why I stay away from all depictions in general to avoid being intrusive.
And what's interesting is that I do not label myself an "anti". Mainly because I don't even know what the term "anti" is supposed to mean ("anti-" what exactly. Genuinely please tell me because I actually dont know) But the ones who label themselves "proship" always call me an anti, because again I do not wish to engage with content related to pedophilia etc, and that alone apparently enough to be considered "a person who harasses others over fiction" even if I mind my own business and have no interest in forcing my personal tastes on others, especially if they make it clear that they wont change their mind. Which makes me believe that for a lot of self-identified proshippers, the definition of being "proship" would be more similar to "I love fucked up stuff and if you dont then youre lame and it obviously means you can't tell the difference between fiction and reality" which honestly seems like insecurity to me.
Forgive me for bringing up this up once again but I want to mention an example to make it easier for me to explain: yknow the whole thing with me drawing Minori and Reigen and labelling it "non-cp" which caused a wave of both self-identified antis and proshippers harassing me over that (I'll say that proshippers were more bold about it since the antis harassing me were all anonymous). Proshippers saw me saying "I dont ship that" and interpreted it as me being defensive and in denial, as if I said "guys I swear Im an anti !!! please dont think im a proshipper !!! ", when I meant "I dont want to discuss this with others in a shipping manner because thats not how I see it and I dont want to enter a space Im not comfortable with"
I admit I responded to this situation in a petty manner, but this was after several days of harassment done directly in my inbox and publicly (sometimes I wish yall remembered that group chats and priv accounts exist). My point is that simply saying you don't like seeing pedophilia in fiction is enough for proshippers to believe it's justified for them to harass you over it (and I'm fully aware they'll say it's not harassment, only when antis and "puriteens" do this to them then it's harassment)
Now about the anti side. Don't get me started on them either. If proshippers see me as an enemy then this must mean that I always get along with the ones who call themselves "antis" (I do not). Note that Im only talking about adults here, I dislike beefing with children and I think their feelings about this are entirely reasonable (I'll elaborate on this when talking about internet safety)
But anyways. I think a lot of adults are discourse-brained and do way too much. Im thinking of nonsense like "this ship is problematic because they are 'sibling-coded' so thats basically incest" "siblings giving each other a hug gives me proship vibes" things of that nature. And you're not allowed to do anything that even has the smallest possibility of being interpreted as "problematic", because then they'll harass you for it, and if you clarify your intentions, they expect you to apologize for "misleading" them because clearly they didnt do anything wrong by making assumptions about you.
There's almost no room allowed for creativity with them, everyone has to follow fanon because they consider it canon, if you ever want to try something other than the same boring domestic fluff then it's "too much" (and not even platonic affection is acceptable to draw in certain cases). Which is incredibly fucking boring to me who wants to see different types of content. People even said I was enjoying incest for drawing Reigen selfcest, and that I was "making others uncomfortable" by drawing it. Genuinely seems to me that they only care about moral superiority, that they never think about anything in depth, and I dont think they realize that it also shows in what they create: boring and repeated fanart and headcanons where the only thing you can say about it is "thats cute", nothing more because you saw it ten billion times already. You cant draw two people showing platonic affection that absolutely nobody would bat an eye if it happened in real life, you cant discuss something specific in more depth without people saying you have a fetish for it, and then they'll harass you based on their speculation that it's a fetish. I dont think many realize this, but fandoms are full of autistic people, so it's normal to see people who are interested in very specific things that dont make sense to others! I wish people were less judgmental, but at the same time I dont care if people think Im weird. I think what I mean is theres no reason to mistreat weird people who do no harm to others.
So yeah if you call yourself an "anti" I'll assume youre spend too much time engaging in fandom discourse and you're the type of person to believe that fanart where two people are holding hands is the equivalent to drawing them fucking each other. Which I think is a very childish mindset to have and it's worrying that many adults think this way. I also think that as an adult they should be capable of blocking stuff they hate instead of constantly arguing with people online because at this point it's just mental torture.
The thing about internet safety I mentioned earlier, I'd say this is the one thing that I'll always prioritize discussing whenever proship discourse comes up.... To put it simply: filter and limit the visibility of your content, do not put triggering stuff in the main tags, stay in your own circles. Whether or not you believe fictional rape/pedophilia/etc is bad is irrelevant, my point is that these are objectively triggering topics and should be filtered just like how there are warnings for violence and blood even if it's not real.
"But it's the parents' responsibility to control what kids look at online, this has nothing to do with me!" and I agree with the parents being the ones Primarily responsible. However the reality is that children are online and there's nothing you can do to stop it from happening. Kids will also enter spaces theyre not allowed in, theyre children and children are rebellious especially teenagers, I was like this as a teenager too. You'd be lying if you said you were always obedient since childhood and never did anything you were told Not to do. And you can't really expect teenagers to always block and not interact if they see something triggering. It's your responsibility to block them if they interact with you, because what I see most of the time is adults bickering with teenagers who are uncomfortable, calling them "puriteens", putting them on blast and allowing other adults including NSFW accounts to dunk on them.
Humiliating and degrading teenagers does not "teach them a lesson", it only makes the teenager more stubborn and reactive. Adults must accept that kids will always find their way in there even if your content isnt easily accessible. So I think it's stupid to feel offended at a child because they got upset when they found upsetting content like how any normal child would react. Which is why I wish more adults would keep blocking without saying anything petty to provoke teenagers.
Before someone pancake-waffles me and says "so youre fine with antis doxxing people" no I do not support doxxing. Ive been doxxed so I know it sucks. However the only times Ive seen it go this far is after continuous arguing because nobody knows when to stop. Im not saying this applies all the time nor am I saying doxxing is fine, but there are ways to minimize this sort of outcome as much as possible. Both sides have doxxed people over petty arguments that couldve easily been avoided if they just blocked each other and moved on.
The topic above (internet safety) is probably the only thing related to this where Im actively telling others what they should be doing. It's not only teenagers who are triggered by depictions of pedophilia etc but also adults like myself. In my case Im old enough to block content I dislike without saying a word, however I cant help but think that there's not enough being done about filtering especially when I do not search for this type of content and I still see it all the time.
I also think it's important for me to mention that I have a very poor sense of morality. I do not have a personal moral code that I adhere to, and I mostly stick to the basic universal ones that make sense to me. So I will not discuss the "morals" of consuming this stuff because I am not adequate to share an opinion on this, and I know the most popular topic of discussion related to proship discourse is morality which I frankly find counterproductive. I dont understand why people should care so much if I find something morally correct or not, unless it's to make themselves feel better about having a "superior opinion" to mine. Though I will say that if a man tells me he's into rape "but only in fiction!" then I dont think it will stop me of imagining myself bashing his skull repeatedly with large rocks. Maybe Im too mistrustful of men in general.
Final point I want to clarify is that I am not trying to assert some sort of superiority over people by disliking both sides, like saying "Im not an anti or a proshipper Im a Normal person" or something like that, and Im not expressing a "neutral" stance on the topic of fiction's influence on reality either. There are topics like racism and orientalism in fiction that Im vocal about (which is expected since Im Algerian). I genuinely believe there are many things that are interesting to discuss and should be prioritized, but too many people are chronically online, subjective and defensive, at this point I dont even think it's accurate to say that disliking one side automatically means you support the other side regarding fiction. To me, "proship discourse" is not about the debate of the effects of fiction on reality, censorship in media, etc. It's about everything I described earlier that happens online.
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i had a ridiculously long post in my drafts about my lil firefly knockoff thing ive got buzzing around the brainpan but what if i didnt do that, and made it much shorter
basic setting shit - different systems are daisy chained together by something called the Interstellar Highway, which are fantasy bullshit that basically tunnels through space and loop around the edge of systems for a speed boost. Because of the speeds needed, every system on a highway has a structure called the OnRamp, which basically fucking catapults you onto the highway. theyre great.
it used to be that you would stop at every system on the highway to refuel and to check ship integrity, because engine efficiency wasnt good enough for long journeys. however, in the last 40 or so years, industrial-grade engines have gotten to the stage that they can go 2-3 systems without stopping, and that has naturally meant some systems have started languishing.
the system the story takes place in is one of those, where it primarily acted as a pit stop. the only traffic it really gets now is its own import traffic, which generally goes maybe 1 system over in either direction for essential goods.
because of the lack of Business, the systems sucking shit, and a lot of people in the inner system rely on a gig-economy of delivery ships that travel between them and the onramp.
the ship at the story's core is one of these gig economy ships. it's a like 30yo ship, bought on loan by one Captain Foster Cline, whose hectic routes throughout the system have gotten him within sight of owning the ship outright, but not quite.
the crew can be divided into sub groups, starting with the "captain core":
Foster Cline, a guy in his 50-60s. pretty nice guy overall, jovial and hard-working. owns and manages the ship, and can do most of the jobs alright
Andrea Seward, lady in her 40s. shes very cautious and 'safe', preferring known routes and repeat customers. handles a lot of the paperwork and accounting, though she can apparently pilot.
Ogawa Yuuji, guy in his early 50s. really sweet guy, always trying to help and offer advice even when its unasked for. works as the ships gunner and security guy, as well as being a general strong pair of arms.
These three have known each other for years, Cline and Ogawa in particular going back to before he bought the ship, and Seward being one of their first 'hires' when they went into business.
Then we have the younger gen:
Jalen Romilly, man in his late 20s. He's a guy who likes to follow rules and structures, always wanting things planned out and knowing what's happening. He's also particularly worried about diseases and germs, so he keeps his areas of the shop spotless. He's the ship's slow and steady primary pilot.
Gideon van der Karmozijn, man in his early 30s. He's a creative guy, loves tinkering and trying new shit, and he's always confident it will work. He's the ships primary mechanic, and secondary pilot.
These two are more recent hires, the last 5 years or so, replacing an irregular churn through other pilots and mechanics over the 30yrs of the ships operation.
The basic vibe is this ship always starts its route at the OnRamp, and the captain core + Romilly will sit down and plan out what jobs they're taking for the next little bit, trying to layer as many on top of eachother as they can for maximum profit, with the understanding that they'll revisit the list at every stop to tack more onto the end, continuing a month-long rush of work before they will return to the OnRamp station for a week.
It's gig economy delivery, and it can vary a good deal. You'll get people asking for medicine, businesses asking for raw materials, groups requiring transit from point a to point b, people needing you to transfer shit on their behalf, so on. Most of them it's pretty uneventful, though the need to try and get good profit margins means sometimes tensions can flare. it can be a big mess.
The "show", such that it is structured in my mind, would begin with 2.5 ish episodes of the 'regular shit' for these guys. obviously some of their more exciting or complicated jobs, drama with someone unwilling to pay, so on. at one point they do end up picking up a package from a shady 'merchant' where the implication is that their goods are all stolen. And it's like, well... ? not much we can do. Cline has been a good client of theirs for years, yknow how it is.
then during the third episode, they follow up on a job that needs them to go to a vineyard in high country of one of the planets to pick up a delivery bound for a bar on a different planet. they land a little ways off, and the captain core traipse off to go sort everything out with the owners while the younger gen man the ship.
at which point a group a ruffians descend upon the ship to try and take it.
karmozijn manages to barricade himself and romilly into the bridge and radio for help, and ogawa bounds off. before the others can respond, they get cut off by some members of the group, and shit just fully ensues. cline and seward get into a short firefight in the woods, ending in cline being fatally shot and seward scaring off the hijackers by convincing them that the vineyard owners are coming with firepower (they are, but they were still a few minutes out). on the ship, meanwhile, ogawa ends up fighting the hijackers in the engine room, managing to defeat or scare them off but receiving serious injuries.
with the aid of the vineyard owners, they get cline's body back to the ship and karmozijn is able to very patch-repair the mechanisms in the engine room so the ship will go. because, well... they're in the inner system, aren't they? high country, no less, middle of fucking nowhere. ships damaged, going slow as shit but theyre in a rush. nearest hospital? nearest hospital with SPACE? fucking hell. romilly is eventually able to make contact with an ambulance ship thats willing to make a detour to meet them on its way to somewhere else, and thus they get on a fuking move.
they don't make it to the rendezvous before ogawa dies.
whereas there was nothing they could do for cline, ogawa shouldn't've have died. his injuries were bad, yes, but evidently manageable. with prompt medical treatment, he would've pulled through. and they couldn't get him there.
the ship, two crew down, hobbles back to the OnRamp. each begins a rapid suite of various tasks - Seward is handling job cancellations, paperwork, the police investigation, and also volunteers/demands to be the one to tell Cline's daughter what happened. Romilly is handling talking to Ogawa's family, as well as hiring a new gunner on the double so that they can try to resume work quickly. Karmozijn is handling ship repairs, trying to make it fit into their suddenly stretched budget. and everyones grieving, and everyones handling it pretty poorly.
into this hectic period, covered by a few episodes in my mind, the crew expands not by the expected one, but by three - the new crew:
Petra Cline, Foster's daughter, in her early 20s. she's an adventurous sort who loves to try new things, and in this specific instance shes pissed. She all but demands to be allowed aboard by reasoning with Seward that since the ownership deeds were in Foster's name, as his next of kin she legally owns the ship. Seward decides not to press the issue (it may come up later anyway)
Zayvia Eskarra, nb in their mid 30s. An awkward and poorly social but lovely individual, they're brought on as the ships new gunner largely by dint of being the first person to apply for the position.
Ko Xue, woman in her last 20s. She's confident and brash, working on a vibes-based level on a lot of things. after the first 4/5 crew job goes Okay Ish but not ideal, it's agreed that they need a new pilot to replace Romilly so that he can shift into a managerial position (Sewards idea), and Ko takes that primary pilot role.
A new crew of 5/6 established, they continue on, doing a whole bunch of shit. its largely the same work, very episodic job-of-the-week business. the main underlying thing is the way the crew adapts and grows close, or apart, as the case may be.
there are a few key plots that would occur throughout in the show:
Ko is an extremely qualified ship pilot. like, highway certified. The fact she's working as the primary pilot for a dinky gig ship is bizarre, and it eventually comes to light that this is effectively a side gig for her main job, which is working for a prestigious, slightly dubious inter-system organisation who have their fingers in a lot of pies. she joined because she thought they'd help her make a difference in her dead-end system, but has found that to not be the case, and is locked into an exceptionally long contract. this interferes with her work on the ship on a number of occasions, and some members of the crew are PISSED when her status is revealed because it means shes loaded. its a whole thing.
Romilly has a family (siblings and parents) he supports with his delivery money, who occur throughout depending on how he's doing. there's a lot of drama there about whether he can afford to send the majority of his paycheck their way, especially closer to the vineyard thing, and later too. complicated stuff for him.
Eskarra is, notably, the only member of the crew who is not from the system. They're actually from a place some 4 systems down the highway, having been stranded here when the ship they were working on got 'pulled over' for illegal smuggling, being briefly locked up, and then being unable to pay for passage back home. This causes a sense of disconnect, since they arent anywhere near as familiar with the system as the others, which Eskarra attempts to rectify by like. doing chores. i love them.
Ko and Karmozijn hit it off really well because they both like pushing the ship to the limit, something that upsets both Seward and Romilly, with Romilly taking particular issue with the way Ko handles the ship - he is forced to concede she is the far better pilot, however. As close as the two become, though, Ko expresses little interest in him outside of their shared interests.
Eskarra and Romilly start lowkey dating. its a whole thing
Seward basically alienates everyone aboard the ship as she tries to live up to being the kind of captain that Cline was, which she demonstrably cannot be. she takes a special dislike to Eskarra because they are 'inferior to Ogawa in several ways', many of which have nothing to do with Eskarra's job.
Petra Cline, on the other hand, gets to be on pretty good terms with the majority of the ship, though shes on better terms with the new crew than she is with the others owing to, yknow, The Situation With Her Dad. She's the main person who is still close to Seward, because shes the one person Seward isn't rude to (or the one person who gets an unforced apology from her when she is).
She also bounces between different sectors of the ship as she learns various parts of the trade - piloting from Ko, mechanics from Karmozijn, and very limited combat stuff from Eskarra (predominantly knife-based and gun safety, with very limited opportunity to actually fire the gun bc Eskarra refuses to discharge the gun on the actual ship on principle). She does not interact with Romilly much at all, lmao.
and then we hit Da Big Thing, da big plot that i have in my noggin - a few episodes long arc in the acute sense, and certainly a longer thing overall. The Party Split.
now i have no fucking idea how we get here. my vague vibe is that there's possibly a ship that crashes off the highway into something, and theres a general sense of oh. we should uh. we should do something about that. after maybe arriving to help ferry some of the passengers to the OnRamp, maybe one of them goes 'hey. my mcguffin. can you go back and get it. ill pay you to get it' and the crew goes... yeah. sure. sure we can fetch your mcguffin. just sign this thing right here to show that we're not scavengers in case anyone asks and we'll go for it. its good pay.
and basically they're hunting for this thing, and since the ships fucked its basically picking through debris, and they aren't the only ones. guess who shows up? the shady merchants from earlier! where better to steal from than a downed ship? and they heard about a valuable mcguffin 👀
conflict ensues t'fuck. seward, romilly, and eskarra basically head out on the hunt, leaving ko, karmozijn and cline (lol) on their ship. everyones under fire. this is a mess. at some point, karmozijn tells cline that the communications are being jammed and she needs to go tell the captain (seward) that, and also that the shields are busted. she agrees, books it out. she doesnt find seward, instead finding eskarra, who is maybe Understandably Unhappy that she entered what is at this point an active fire fight, gives her a knife JUST IN CASE and tells her to fuck off back to the ship, they'll deliver the message. off they go.
on the ship, karmozijn has abandoned his station and headed to the bridge, has a conversation with Ko that quickly devolves into 'we should just get out of here, this isnt worth it' which Ko seems very lukewarm on.
on the ground, Karmozijn finds Seward to relay the message, which confuses her because Ko has been communicating with her consistently throughout the whole thing, including during her conversation with Karmozijn. And the shields seem fine? Somethings up.
Karmozijn abandons his attempt to be coy and flat out asks Ko to elope with him, which she rejects. He knocks her out, seizes the controls, and ITS. GO. TIME.
Karmozijn, Ko in tow, leaves the crash site.
Seward and Eskarra, stuck out far from the ship, end up being cut off from connecting with the rest of the crew by members of the shady group, being captured.
Cline and Romilly end up meeting up at the site where their ship used to be, and witness the departure of Seward and Eskarra with the other group.
the next bit is basically an episode for each team:
Karmozijn keeps Ko under lock and key, telling her that she could just travel with him (the under appreciated mechanic), but that if she won't he plans to just drop her off on the outskirts of some town somewhere with all her things. She manages to finagle him into letting her start packing said things in preparation, then slips away from him and leaves in the emergency shuttle. he does not pursue. she puts up a report about the ship theft, particularly paging her wealthy primary employer about the matter, and heads back to the crash site.
Cline and Romilly are forced to survive together, which is somewhat difficult because they aren't close, the ship is in so many pieces that its not a super viable shelter, and they aren't in a very hospitable area. Romilly focuses on finding things for their survival (food, shelter, so on) and Cline tries to apply the things she's learned from Karmozijn to create a distress beacon. The two end up genuinely coming to some understandings about the other, as their respective skillsets compliment fairly well. its a good camping time. it is pretty dicey though.
Seward and Eskarra are taken back to the shady merchant's base of operations and interrogated about whether they found the mcguffin or know anything about it. Despite her general demeanour, Seward holds up really well under the pressure, whereas Eskarra cracks pretty early - (un?)luckily for them, they don't know anything anyway. Seward makes a few escape attempts, without Eskarra, and for which Eskarra is punished - this does nothing to change Seward's actions. It doesn't help Eskarra that it is revealed (to Seward, anyway) that Eskarra was a former contractor of the shady merchants.
Finally, Ko returns to the crash with the shuttle and picks up Romilly and Cline, gets them fed and warmed up, and then they all mutually agree that they need to at least make an attempt to rescue Seward and Eskarra. They are actually successful, despite Seward trying to convince them to not go back in for Eskarra (Romilly, their pseudo-boyfriend, insists. thank god for homosexuality). its drama
the mcguffin almost certainly ends up being in Cline's possession, or possibly Romilly's, as the two people who remain at the crash site. so they can get back to the station (possibly with a detour for a refuel) and they can get that good good money.
obviously there are still like. consequences from this. which take some time to resolve. for instance, Karmozijn still has the fucking ship. Seward has made her dislike of Eskarra pretty fucking explicit. theres shit going on. they gotta fucking figure that out. they're also down a mechanic, a role cline probably fills at least in the interim.
its a whole thing. this is all meaningless.
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Ratted out
sometimes friends and family accidentally (or purposefully) reveal things they shouldnt :)
characters featured: Leona, Kalim, Jade, Jack
ufff idk whats wrong with me but i ended up creating an entire (unrelated to this fic) movie plan related to twst this is mentally stable activities, truly
also unrelated but the new event got me SCREAMING how do they look so good😫
ᐟᐟ☆๋࣭ ⭑໑ Leona Kingscholar
when hanging out with your boyfriend Leona, a little lion boy suddenly jumps him and he immediately lets you go
who is this child???
"Uncle Leona!" the boy clings onto him and you can feel the annoyance eminating from Leona
it's like its own aura thats how annoyed he is🥴
so his nephew (you presume) looks to you all of a sudden and asks "who are you?" with an innocent look on his face
"I'm his lover...?" you said, a little unsure. But when you looked to Leona, he had a look of pure horror on his face...? What is even going on?????
"What?! No way, you're dating Uncle Leona?!" the kid got all excited and ran off somewhere before you could stop him
"...What have you done?" Leona hissed at you through clenched teeth, holding his forehead
you do realise you just revealed that he's dating you to the most big mouthed child in the world, right? that his whole family will know in a matter of minutes, right? that you've basically just invited yourself to every future family gathering at once, right?
and sure enough, in a few minutes he got a surprised text from his brother which he left on read 💀
"Damn brat..." he muttered under his breath, you still confused over what just happened
ᐟᐟ☆๋࣭ ⭑໑ Kalim Al-Asim
let's be real babes there is nothing for his siblings to rat him out on because he immediately told his family he was dating you
however....😈
his siblings happened to overhear a little something...
"Hey, hey." one of Kalim's younger brothers pulled your sleeve, wanting to tell you something
"yes?" you answered absentmindedly, thinking he's going to start talking about a strange thing he saw today or something
"Kalim's gonna marry you." he whispered to you, looking around to make sure no one heard
You laughed a little. "If you think so." you pat his little head
"No, he was like, asking mom if he can marry you soon. We heard it." another one of his brothers joined in after hearing the tea being spilled
"What?! Really?!" you're both extremely surprised and happy and mad at his brothers for ruining the surprise right now
oh well, what's done is done, and now you know Kalim is SERIOUS about you
that gets you thinking about wedding stuff now...🤔
What none of you know tho is that Jamil overheard all of you
"Okay, maybe we need to scrap the whole surprise wedding proposal thing..." he sighs, making a mental note of it and preparing to dissapoint poor Kalim
ᐟᐟ☆๋࣭ ⭑໑ Jade Leech
jade is like... oddly nice to you after you first meet him
you're a little wary of him considering his reputation but he hasn't done anything weird at all so... might as well accept his gifts?
one time he approaches you with jade in tow and you think absolutely nothing of it since they're together like 90% of the time anyways
"Hello there, are you enjoying your lunch?" he just sat down next to you without asking if he can at all 😔
"Uh, yeah, I suppose." you didn't really know what to tell him and it seems he doesnt know how to continue the conversation either so u just kinda... stare at eachother while Floyd casually steals a bit of ur food
"Maaaan, aren't you like, supposed to be crushing on Little Shrimpy or something? Then taaalk about stuff, I'm bored." Floyd looked bored when he saw the two of you didn't start talking about weird stuff
Jade simply smiled at you, telling you to ignore Floyd
But on the inside he was planning approximately 10 ways to... get rid of someone without others noticing
or alternatively, just beating the everloving crap out of his twin brother if the first plan is not a possibility
"Do you have a crush on me?" you wanted to know now...
"That's for you to think about." he smiled oddly eerily, but then just started talking abt something mundane 😥
ᐟᐟ☆๋࣭ ⭑໑ Jack Howl
You're visiting him for the first time because you got curious what his family is like
OF COURSE HE'S AN OLDER BROTHER IT ALL MAKES SENSE NOW
his younger siblings immediately ambushed you with their little sniffer noses as soon as you stepped in the house🤔
"Who are you?" they asked, always curious about anyone that Jack brings over
When you told them who you were, they immediately ran away to "TELL MOM" and were literally screaming that the two of you are dating so loudly that the whole neighborhood could hear
You could also hear some woman (who you presume is his mom) laughing from somewhere in the house so uhhh.... atleast she isn't mad about it?
You looked back at Jack who seemed more annoyed than anything
"Aren't you gonna... go stop them?" you asked, raising a brow.
"Nah, I was gonna tell mom I'm dating you anyways. I'm just mad that they beat me to it." he crossed his arms, huffing in annoyance
"Actually, speaking of, isn't me dating you kinda a big deal? You told me before that wolves have one partner for life." you actually got kinda nervous, i mean, you gotta impress his family good now
"It is. But I think everyone's just happy I got someone at all." Jack looked at his overly excited siblings who were still celebrating
"Wow, that's sad." you sassed him 😝
"...I shouldn't have brought you."
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