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raven-at-the-writing-desk · 4 months

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iconic moments from the octa and savana manga updates

***Manga spoilers below the cut!!***

So... uh... Leona sleeping shirtless (and in jeans???) is canon? (Leona is taking off and tossing his clothes to Yuuta and Grim in the first image, Ruggie's dragging Leona out of bed in the second image.) Or is that a creative liberty on the mangaka's part?? 😂

If you look to the bottom right of the first image, there's makeshift bedding for Yuuta and Grim~

STAN RAGI HE'S SO CUTE TTATT LOOK AT HIS CHEEKY LIL SMILE... And his fangies...

AIYFLIYOFAIYOFAIAFBAD NOT AZUL MAKING THE MOST OUT OF POCKET FACIAL EXPRESSIONS. . . . .. .... . ....... .. . . ... . . . . Between this chapter and the last, he's got enough sass to power the entire school...

There's a panel where we get a glimpse of Azul's socks, which matches the pattern that Floyd wears in his own Dorm Uniform. These must just be the default socks as part of their Dorm Uniform... It's very weird to think of Jade in these too😭

adbihlbvfvoyqevpbf I love how the manga shows Floyd leaning on Azul and Jade so often; it really helps to characterize Floyd as much more lax than the other two. It also paints Floyd as comfortable with getting up close and personal, especially with people he is familiar with.

MEANWHILE LOOK AT LEONA... WHAT'S WITH THOSE FACES HE'S SO DISGUSTED IN THE FIRST AND PRETTILY PISSED IN THE SECOND... (First is from the Episode of Octavinelle, second is from the Episode of Savanaclaw; you can really take note of the stylistic differences between the two mangaka here.)

Maybe she's born with it, it's Maybelline... asdgvaosdvavdasb The Episode of Savanaclaw artist is so extra when it comes to Leona's hair, it's very reminiscent of shoujo manga www

... I know Yuuta and Grim are being kicked out of house and home but 1) GRIM LOOKS SO CUTE CLUTCHING ONTO HIS TUNA CANS, 2) Yuuta looks adorable too, look at the leek sticking out... and 3) damn, I wish the twins would loom menacingly over me too

Yuuta has been my favorite manga!Yuu so far 😭 Boy's not only kind but his own skills to help him out of a pinch without getting violent or fighting... He convinces Leona to let him sleep over at Savanaclaw dorm by cooking Leona food he actually (begrudgingly lol) likes. AND THAT MEANS A LOT COMING FROM LEONA, WHO HAS A ROYAL PALATE AND IS A SUPER PICKY MASTER CHEF/CULINARY CRUCIBLES JUDGE.

AYO, we got the first cover art for the Episode of Octavinelle manga... Big fan of the golden octopus and the intricate tentacles. And, once again, Azul's posed in that smug businessman way 💀 knowing that you'll probably purchase him...

This volume will be avaliable on the 26th of January.

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inbarfink · 8 months

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It is actually super thematically important that the Gumlee Subplot is, like, the Fluffiest Fluffy Coffeeshop AU in existence.

Because the whole universe-ending danger Fionnaworld faces is, like, to me it reads very much as a metaphor for the value of art and creative works that are self-indulgent?

Like, the whole Problem is that Prismo is not supposed to use his powers of Creation for his own personal enjoyment - he’s only supposed to use it to grant Ironic Wishes for others. Metaphorically, I think this is like a Creative making art for a studio or some other kind or employer, or for the sake of some specific audience or something.

And while Prismo found some creative fulfillment in his job, he also wanted to make something for himself, something private, something self-indulgent. And thus Fionnaworld was born. A personal creative project made with no other consideration but the artist’s own sense of fun and pleasure.

Which is very appropriate considering how in the real world Fionna and Cake, while it grew into more than that, it was originally just the personal lil’ creative doodles of Natasha Allegri did for fun while she was working as part of the AT Crew.

In the eyes of the Scarab, and apparently the greater cosmological laws that he enforces - the existence of Fionnaworld is an ‘abomination’. Prismo shouldn’t be allowed to use his powers of creation for anything but his designated role of creating for the sake of others.

And it seems like the resolution of the whole Scarab and Prismo plot thread is going to be on some level a reinforcement of the value and importance of creative projects - or whole universes - that are born out of self-indulgence and a desire to have fun and nothing more. You know, maybe it's not the worst thing in the world for Prismo to do something for fun, Fionnaworld clearly grew into something more than just God's self-indulgent doodles... something like that...

So it seems only appropriate that our main representation of Fionnaworld once the plot kicks into gear, the thing that gives the viewers a face and a personal angle to the unfathomably monumental task of saving a whole universe - is a Fluff-tastic Coffeeshop AU.

In many ways the icon of silly indulgent fiction that exists just for personal pleasure.

Especially as it contrasts against the generally much darker and grimmer ‘Authorized Universes’ we’ve seen.

Of course, not everyone creating silly fanfics for just their own sake is gonna create peaceful low-conflict Modern AUs. I bet there’s tons of AT fans creating fanstuff for their own sakes that are going to make stuff that’s just as heavy and dark as Vampireworld or even Extinctworld. Sometimes self-indulgence looks like angst and pain.

Buuuutt, the Fluff-heavy fanfiction and Coffeeshop AUs are still associated with wish-fulfillment and self-indulgent fiction in a way that really feels thematically important.

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katshelluvacritic · 7 months

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Ok so, I heard viv added a bg character in the new ep that is based off of her critics, and it was this guy

And bc of that, I thought I’d make a redesign and a lil rewrite of him and stuff, I remember showing it to a few friends so, I thought I’d show it here!

Meet, Ernie! Or what everyone calls them (including me), Rem!

So, when I first saw this guy (that being in a screenshot of another hh/hb critic post of this guy), I actually kinda think the design was nice and simple, though I kinda thought it was too simple personally, so I thought I’d add a lil more to it!

I thought I’d base this guy’s design off of those geek characters from the 2000s since I think that’s what viv was going for based off of the glasses and facial hair she gave him, so that’s what I did! (And also bc I think those kind of designs are really silly)

And I also based this guy’s hair off of rodrick’s hair from diary of a wimpy kid!

I also thought I’d give him more facial hair bc the lack of characters having facial hair, wrinkles, etc etc is insane. I also made his skin purple to compliment the green in his color palette too! (And also bc I have lust imps have purple ish’ skin to in my au rewrite of this series to represent they’re from that ring!)

And I gave him those gloves ppl use to draw on those tablets to represent they’re an artist bc since viv is basing this guy off of the hh/hb critic community that prob includes artists too bc the majority of that community DOES have artists in it (like myself) after all!

Ok! Now for the rewrite of this guy, based on the design (bc I haven’t fully watched the episode yet) , I assumed that since is apparently supposed to be based off of viv’s critics and also noting the fact viv can’t handle criticism, I assume he’s gonna have some incel ish’ personality. So because of that, that is what motivated me enough to rewrite him!

In this rewrite rem is basically just a very normal guy. People usually bully him because he looked like a stereotypical nerd in appearance but in actuality he holds surprisingly strong morals and beliefs for an imp who is born in hell!

He became very critical on upper class (that being the the sins themselves) because of the way they treat imps and hell hounds (especially characters like fizz and blitzo)!

So bc of that, he is trying to unite a bunch of imps to protest against the upper class for imps to be treated better! :-]

So in other words, thank you vivziepop for making this character for the critic community so I can rewrite and redesign them! He’s such a silly guy

[ EDIT: Apparently this guy was based off of lincar rox, someone who viv dealt with, not her critics. I do apologize about spreading misinformation about who creepzo was based off of, I should’ve done more research instead of assuming he was based off just that. ]

#helluva boss critical #anti vivziepop #vivziepop critical #helluva boss rewrite #helluva critical #hazbin critical #helluva boss #helluva boss criticism #helluva boss critique #vivziepop criticism #vivziepop critique #hazbin hotel

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fordtato · 11 months

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The Gravity Falls Timeline

All of this is based on my video, but I assume not many people will want to sit through 2.5 hours of me working this out, so here's a condensed written version.

Some rules I set for myself: If the actual name of an IP, a person or an event is referenced in J3/the Show, I included it into my math for my timeline (ex: references to Ronald Reagan or The Eurythmics, or other REAL WORLD figures). If a REFERENCE is made without the actual name being referenced (ex: in the Journal, Ford mentions Phantom Bustifiers, a reference to Ghostbusters, a movie that didn’t come out in our world until 1984), I did not put that into this timeline (I know what year Ghostbusters came out, but not which year Phantom Bustifiers came out).

With that in mind, let’s begin:

The Stans are born June 15 1951.

Evidence:

Their Bar Mitzvah happened when they were 12 (not 13, as is typical) and their birthday is on June 15th. Because a Bar Mitzvah is dependent on one’s birthday on the Hebrew calendar and not the Gregorian calendar, this means that their 13th Hebrew birthday must land on a date that is BEFORE their 13th Gregorian birthday, something that is typically more rare (the Hebrew birthday is usually AFTER one’s typically celebrated birthday).

The only viable year where this applies is 1951, when their birthday lands on Sivan 11, resulting in a 13th Hebrew birthday in May of 1964, BEFORE their 13th birthday on June 15th

The Stans find the Stan O War in spring of 1964 at age 12 (or 1961, if you think they were 10)

Evidence:

There are two viable dates for when they find the Stan o War, depending on if they’re 10 (the same age Stan was when he started writing Lil Stanley in the Lost Legends comics) or 12 (the same age as Dipper and Mabel). I think that the way the artist drew the young Stan twins in the Lil Stanley comic looks (age 10) looks slightly younger than how they look in the series (and they are designed a little differently than they look in the Jersey Devil comic, when we KNOW they have the Stan O War already), but there is evidence for both sides.

I lean toward them being 12 because they pull out a sharpie, which wasn’t invented until 64, but there is a reference to a Bruce Springsteen song in a magazine in Lost Legends, quoted by someone named “Brucey S, age 11” and Bruce Springsteen would have been 11 in 1961, so this might be 1961 (or the magazine Ford is reading from might be an old magazine.) I went with 1964, because I think 12 parallelled the ages of Dipper and Mabel better.

Stan gets kicked out in spring of 1969 right before they turned 18. Ford starts at Backupsmore in the fall semester.

Evidence:

Stan makes a reference to Jackie O, which means Jackie Kennedy already remarried to be Jackie Onnassis, and is also still in the public eye, something that would be progressively less common after 1969 (she also happened to visit New Jersey in spring of 1969 and that would have made state headlines, something which is probably a coincidence, but nonetheless very interesting).

Furthermore, there is a portrait of Nixon in the principal’s office, and he would have been sworn in in early 1969.

I think 1969 is more likely than 1970 because ‘69 gives more wiggle room for Shermie to be the baby (more on that later) and for Ford to get at least one PhD.

-Stan dates Carla “Hotpants” McCorkle,(reconnecting for another date after the one at the theater in their teenage years), probably in 1971 (if this “hallucinatey” date even happened at all; if you dont think it happened at all, disregard).

Evidence:

We know this is a later date, when stan is an adult, because his design matches the designs on one of his fake IDs from his years on the run. It was likely 1971 because that is when the term “hotpants” was used to describe those short shorts.

The hippie aesthetic also started dying down after 1972 after the Manson attacks, so I picked 71 for the Juke Joint date.

Ford graduated from Backupsmore at the very earliest 1974, MAYBE early 1975.

Evidence:

In the journal it says he went to Gravity Falls in 1975, but we know he couldn’t have graduated earlier than 74, because we know that he played DDnMoreD in college, and he says in the journal that it was copyrighted in 1974. He also says Stanley always mocked him for playing it, which literally isn’t possible, so he’s either misremembering Stanley mocking him for an EARLIER TTRPG, or this copyright is for a later edition (though I think it must be the former, since DDnMD is a clear reference to DnD which WAS copyrighted in 1974. Still. Up to you.)

This means he completed his PhD in 6 years (or, three years ahead of schedule as described in the series). I believe many of his other PhDs were honorary degrees, and didn't bother working them into this timeline. He got them later.

Stan joins Rico’s gang in the late 70s

Evidence:

Sometime in the late 70s, Stan gets tangled up in what is implied to be the Colombian cartel, which would have been most active in the late 70s, between 75 and 79. Following his trajectory on the map in ATOTS showing his path across the country, he headed below the border toward the end of that trackline, so it was probably later on.

Ford started Journal 3 in 1981, shortly after meeting Bill in 1981.

Evidence:

He says he discovered his muse in 1981 in J3. He also says he is starting J3 six years after he started investigating Gravity Falls (which he did in 75). He also says early on in J3 that he is in his 30s, and he would have turned 30 in June of 1981, three days before he started J3.

There is some fuckery here on how he’s known his muse for “two years” midway J3, and the way I explain that in the video is that the first part of J3 spans nearly 2 years, and there is ample evidence that he wrote many pages out of order. This might be a page from later on in 1982, early 83, instead of mid-81.

We know that Reagan was already in office at this point.

Fiddleford shows up in July of 1982. Fiddleford begins making the memory gun after the Gremloblin incident later that year.

Evidence:

We know at least a year has passed because if you track the months, they go from June, to August, and then later on down to July again when Fiddleford is called. As for the Gremloblin incident, it happened relatively close to the bunker incident (which would have been closer to summer, since it was still hot outside) but it was followed closely by the carnival, where they had squash for sale, and squash are in season after September, typically.

First Portal Test is on January 18, 1983

Fiddleford falls through the portal, his head poking through, on January 18 1983, the day after the confrontation he had with Ford in the diner.

Late February, 1983 - The Portal Incident

Evidence:

There are three many reasons I chose this date. Firstly, we know it is 1983 not just because it follows the trajectory of earlier dates, but because we know that Ford has heard The Eurythmics’ chart topper “Sweet Dreams Are Made of This” because when he returns he says he is looking forward to their next one, and that came out in January of 83’, before he would have been sucked through.

Secondly, five weeks after January 18th, it would still be snowy in up-mountain Oregon where Ford is, but not that snowy in New Mexico where Stan is when he gets the post card.

Thirdly, we know at least 5-6 weeks have passed because Ford describes about this many weeks during his “paranoid era” in the journal (more than one instance of “a couple weeks, several weeks, a few weeks”, etc.).

In the year 2000, Dipper and Mabel are born.

Evidence:

I know most people think it’s 1999. And that is fine, but I have ample evidence that the show takes place in 2013, not 2012 (see below), so 2000 would have to work for their birthday.

But 2000 also gives a little bit of wiggle room to Shermie being the baby. (If you don’t think Shermie is the baby, disregard this section). If Shermie IS the baby, then if he was born in spring of 1969 (late 68 at the earliest), then you can barely fit two generations of Pines in the space between 1969 and 2000. It would mean that both Shermie and his kid would need to be 15 when they had a kid, which is … not great, but not impossible? I dunno man, take it up with Hirsch. (Or just assume the baby is Shermie’s kid. Follow your dreams).

In 2013, Dipper and Mabel visit their Grunkle Stan in Gravity Falls.

Evidence:

The Northwest ghost died in what is described in the journal as “The Great Flood of 1863”. The Northwests are trying to keep this flood under wraps in J3, because they don’t want people finding out about the lumberjacks killed in the flood. The Northwest Ghost swore with his dying breath to come back 150 yrs after his death. 150 years later from 1863, is 2013.

The 1040 form that Stan is filling out his Tax Fraud note on in the truth-telling ep is a 2012 form. To file tax returns, you use w2s 1040s labeled under the PREVIOUS year

Sevral Timez shouts "2013"

1983 is 30 years before 2013.

Note: This would mean that the Stans are 62 at the end of the summer, which might mean that they are "pushing 70" as Stan describes himself.

Anyways, here's the full video if you have 2.5 hours. Otherwise, enjoy this resource!

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#gravity falls #stanford pines #stanley pines #gravity falls theory #gravity falls meta #Youtube

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euroquision · 3 months

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No, Iceland is not up to "dirty political tricks" and neither is Bashar Murad

Hey lovely people, spirits, souls, and ghouls of Tumblr! To those of you who don't follow me on TikTok, there's a video I made just yesterday concerning Iceland (the lil Eurovision Country that Could!), Israel, a certain Irish TikTok-er with impressively horrible media literacy, and our dearest friend Bashar Murad. If you're not on TikTok, that's wonderful and dear god you don't need to subject yourself to that app. Instead, I wanted to make a post that explains what's going on, what's being said, and why one (1) Palestinian is not responsible for the aforementioned "dirty" political tricks.

If you're following Eurovision or just Bashar Murad himself, consider giving this a read.

So let's begin! First: who's calling Bashar Murad/Iceland "dirty"? Where am I getting that word from and why is it in quotes? That's because: it IS a quote! Buck wild, I know. This is a quote from the TikTok account AllThingsAdam.ie, run by the Irish Eurovision...fan? Podcast-haver? Idk, I'm not saying "journalist" because if I wanted to have a laugh, I would just watch the Unicorn edit I made a couple months ago. Did I share that here yet? Just in case, here it is:

Never fails to make me smile. Great edit, Me! Anyway, back on topic: Adam McCallig is a person with a TikTok account that has half a million followers, he has a podcast where he's interviewed Eurovision and NF artists, so he's definitely a "known figure" to a certain point. I can't sit here and say he's some random troll, y'know? So, in a TikTok that has since been deleted from his page, he accuses Iceland of being up to "dirty political Eurovision 2024 tricks." I created a TikTok where I briefly show this video, and here's a link to that! You can watch that for my condensed version of everything I'm talking about here, but this Tumblr post is for those who like reading what I have to say in longer form. Here's that video:

Since Adam's video is now "gone," I will do my best and summarize what he stated with whatever journalistic integrity I have. First: you hear him open the video with the word "dirty." So no one can say I'm putting words in his mouth -- no no, these are lifted from the source material, honey. Next, he goes on to claim that Bashar "has no connection to Iceland whatsoever." As much as Adam wants this to be true, it just...isn't?? Like, let's ignore Bashar's longtime collaborations with HATARI. Instead, let's look at him literally performing on the Songvakeppnin stage in the 2020 NF season:

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Additionally, the claim "Bashar has no connection to Iceland" rings very hollow not only when we know this claim is false, but it's not one Adam brings up about the many artists trying to represent a country other than their own in the 2024 NF season. Adam says he "knows that countries can let artists from whatever country represent them," but he hasn't made any videos about Marcus & Martinus (Norwegian) competing in Sweden's National Final. Tali (Israeli-born) is representing Luxembourg this year, and MEGARA (Spanish) are representing San Marino. "Foreign" artists representing any country in ESC is FAR from new, and if it were a punishable offense, Celine Dion would just have to settle for being Canadian.

However, as soon as Bashar Murad takes the stage and the colors of the Palestinian flag are visible, Adam is ready to take to TikTok and say "dirty political tricks" are at play -- before deleting it later, like I mentioned. In fact, not only did he delete it! Mere hours before writing this post, I used my second TT account to peep his page and he posted a video saying "One of these four songs should represent Iceland in Eurovision!" and showed snippets of four songs competing in the Icelandic NF Grand Finale, which takes place on Saturday the 2nd of March. However: there aren't four songs competing to win for Iceland. There's five. Which four did he show? The fours songs that AREN'T Bashar Murad. And yet, he's the one being dirty in all this? Adam, sweetie, the dirty call is coming from inside the dirty house.

Now, you might wonder if Adam has kept this kind of energy when talking about Israel's Eurovision participation, which at time of writing is still very much up in the air. But thing is: he doesn't. At least, not really. Adam has posted a video condemning the alleged song that Israel is trying to submit to Eurovision titled "October Rain." I won't go too deep into that -- please follow @/IsraelBreaksRules on Twitter for more details on this!! But basically, what Adam is attempting to do is play some sort of "political centrist" take on Eurovision, while simultaneously trying to say "Keep politics OUT of Eurovision!!" And at the end of his deleted video, Adam claimed that while "what happened in Gaza is terrible," Iceland is just as guilty for playing political tricks as Israel might be, and Bashar Murad's participation is just as bad.

Two things wrong with that statement, Adam. One: It's not what "happened" in Gaza. It's not past tense. It's on-going. It hasn't stopped. That's actually -- believe it or not -- WHY WE'RE STILL HERE. And two: JUST AS BAD?? REALLY??

If you watched my TikTok response that I shared the link to, you'll have seen the evidence I shared. But I wanna share them again just so you all can clearly see how the "political tricks" at play this year are not on the part of Iceland, nor would they be "just as bad." Where do we begin? Maybe we could begin with the fact that "Wild West," Bashar's song, has been spammed with negative reviews by anti-Palestinian ESC fans. This is mathematically observable when you notice "Wild West" has roughly THREE TIMES as many reviews as the other Icelandic NF songs on EurovisionWorld.com. You can check them out here and see the numbers yourself.

But it doesn't stop at bad reviews. Israeli ESC fans have begun a campaign to mass vote against Bashar, specifically for Hera Bjork, one of the four other competitors in Iceland's final on Saturday. This is really funny to me though because if Bashar doesn't win, it should totally be Sigga Ozk, right? GO TIFFANY!!! Anyway, I digress. A link to an article covering this voting campaign can be found here!

Not only is Bashar facing backlash, hate, and organized efforts AGAINST his participation, Israel is funneling money and resources into Facebook ads that look like this, claiming to shape the narrative:

...as well as filming "comedy" "sketches" like this "song" called...

*deep existential sigh* "Jews Pua" Link to that video here, if you can stand three minutes of awful propaganda containing just the right combination of shitty, easy rhymes and enough pinkwashing to put "Cops at Pride!" to shame. All of this should make it VERY clear to anyone observing this situation as a whole that the political tricks at play are NOT being done equally from everyone involved. Dare I boldly say: this shit is INCREDIBLY ONE-SIDED and we need to remind ourselves of the awful reality that is Israel's access to the money, ability, and audience of their "dirty political tricks" more so than Bashar Murad or Iceland ever could.

Lastly, let's just acknowledge the racism-shaped elephant in the room. Now, I as a white American am not here to play "Racism Police." That will never be the case. What I am about to say applies to the greater conversation, and it's not just an "Adam" problem. It's a problem we see happen when one (1) Palestinian decides to exist and write a song, and the way the world has been built around us conditions us to see that and scream "dirty political trickery afoot!!" Truly, ask yourself is this is "equal" in any way shape or form, as Adam posited. Adam and people like him will treat Iceland and Israel as equal, but that doesn't automatically make them "equal."

We are living in a world where Israel is currently being sued for genocide. That is not an exaggeration, it's just something we can all see and talk about. Israel is a country that has the money, platform, and bias of the most powerful countries of the world to not be held to the same standards of responsibility for the horrible things they're doing, nor is my own country being properly held accountable for PAYING for these things they're doing. Race is something used as a tool to identify oppressed peoples not just because it's discriminatory, but it tells people who aren't part of that group that people like Bashar Murad are simply political just by existing. Nowhere does Adam mention that Bashar and his song "Wild West" are about his journey as an artist having to leave his home and travel thousands of miles to the global "west" to even have a chance of representing Iceland (not Palestine, not Gaza, just Iceland) in Eurovision while the country responsible for the death of his people are facing MUCH less scrutiny from the Eurovision powers that be, let alone Irish TikTok accounts with re: shitty media literacy skills.

My final message to you is this: if you're someone paying attention to Eurovision and you maybe feel confused or overwhelmed by Israel, Iceland, Bashar, etc. etc. etc., here's what I want to tell you:

This is not an equal game. Iceland/Bashar are nowhere near on the same level as Israel and the money/access they have to GLOBAL levels of propaganda. Israel, in fact, verbally confirms how they want to use Eurovision to "shape the narrative" which is far dirtier, far more political than just the song "Wild West." Moreover, thinking that treating Eurovision as apolitical or that EVERYONE deserves the SAME level of EQUAL scrutiny only helps Israel at the end of the day. The things they've done, are doing, and hope to do are representative of tens of thousands of people they've killed in the last few months alone. Would you genuinely look at Bashar Murad trying to represent Iceland and say "Yep, these two things are the same"? My hope is that you wouldn't, but people like Adam clearly do.

Don't be like Adam. Don't play this weak-ass centrism card that ultimately helps no one and just makes it easier for people to shift blame, suspicion, or anger towards Bashar Murad. This is not the fight being had right now, and don't let it waste your time. Focus on what and who matters, which is obviously: the country doing genocide and wants us all to be chill with that.

PS. As a personal recommendation, "Wild West" and "Into the Atmosphere" are my two favs to win for Iceland, so def go gives those a stream. And while you're at it, let Bashar himself take you on a visual journey that might help you understand his message a bit better.

Much love you all. Thank you for being here. EuroQuision out.

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#eurovision #es #eurovision 2024 #esc 2024 #bashar murad #free palestine #free gaza #iceland #songvakeppnin 2024 #israel #euroquision #tiktok #twitter #Youtube

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atyourmerci · 10 days

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✩maddas mind✩

atyourmerci masterpost

As promised the 1K follower cele!!!

✩ ✩

maddas fic rec hall of fame

(The ones I could find)

Deliverance

Priest abby. When I tell you I think about this daily. Truly one of the most immersive erotic forms of POETRY I’ve ever read. World building, character development, BANTER- there’s not a thing I’d change about this.

I do desire we may be better strangers

Childhood best friend abby. This story wrecked me in the most beautiful way. I messaged the author after reading because I needed to know EVERYTHING about the dynamic of abby and reader. This inspired to the light is to the darkness I was so hung up on the world. such a tender story.

Are you sure miss

I was such a holdout on farm abby at first but I read this and it literally flipped a switch in my brain. Anything rose writes I’m fuckin sat but this one holds so dearly to my southern heart. Also this story inspired ‘anything for you miss’ that will probably see the light of day 40 years from now

Perfect sin

One of the first authors/fics I read for abby so this holds dear to me. Got me into sub!abby. I have reread this fic a couple times it’s so beautifully crafted.

I know it when I see it

Pornstar Joel. God Idek where to start on this fic. At this point it could be a novel, a movie, a tv series that people would fucking eat alive. I think about this daily. My friend introduced me and we talk about this story everytime we have fic discussion coffee dates.

✩ ✩

maddas fan art hall of fame

Beanie abby

I am kaitie’s #1 meat rider. I have this photo printed out into a Polaroid bc I’m clinically obsessed

Ellabs

This art single handedly turned me into an ellabs apologist

Cowboy abby

No thoughts just abby in a cowboy hat. World shattering

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me me me!

I’m 21 (cancer baby<3) southern belle born and raised in the south (yeehaw) (my friends horse not mine)

Some of my fav artists: Lana, Paramore, Sza, backseat lovers, Nirvana, deftones, tv girl, snail mail, Chappell, lil Wayne

Interests: horror films (esp old ones), fun little drinks, I make my own jewelry!, reading/writing, the moon, wine and a gotdamn cigarette(I’m old okay)

I’m in school to be a marriage and family therapist but currently I’m a nanny :)

I fall somewhere deep between being an introvert and an extrovert. I love clubbing but I also love going nonverbal in my bed

In my free time I do yoga, read, and have existential crisis about comprehending my worth on this planet

As pictured above that’s my son Venus. I got him from someone I met off tinder (prob don’t do this)

This is all that I could think of but if you wanna know anything just ask! I’m an open book and love interacting with you guys :)

✩ ✩

Thank you so much for 1K I truly cannot even fathom this currently. I never thought anyone would be interested in reading my deranged thoughts and mind but yet here we are. Love ya like always <3

#maddamilestones #maddarants #abby anderson #the last of us #abby anderson smut #abby x reader

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crystallizedtwilight · 6 months

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Do you believe any of the theories as to how LSB got there? Like how they died and such?

No. I've heard the theory, but it doesn't always fit with other 'canon' events if we look at how they're classified across comics, merch, and at least some of the artists' opinions. Not everyone in Halloween Town is undead, Sally was made/born there! So in my AU they're just lil monsters and always have been 😄

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glitchcipher · 1 month

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Portal peak rant

To be honest I really wish I was born in a time when the portal fandom was really popular, like I know we’re lucky to still have a fandom now but look at all the cool stuff that happened then, people were making Wheatleys left right and center, portal was relevant in pop culture and ppl knew it off a whim, it was constantly praised for its innovativeness, fanfics were churned out, blue sky was at its peak, MORE WHEATLEY OBSESSION, AUs and so much fandom glory came out of its peak and I’m really sad I’ll never get to be apart of or see it, and don’t get me started on all the cool portal con meet ups, plenty of portal cosplays at relevenant cons and just so much amazing art and talent and love was poured in, now the fandom is significantly smaller with a lots of dedicated artists who I adore, but at the same time portal fading into obscurity hurts oddly in a way, might just be my obsessions but for the amazing work of art that the game is valves kinda let it fade into obscurity, which is super disheartening to me, and I know I could be interpreting this all wrong but portal deserves more recognition and popularity in todays media in my opinion. I don’t even know why I sparked this rant but I suppose with Fairlith (the director and actor for GLaDOS in the portal musical) selling her GLaDOS costume and boots off just kinda sparked that people no longer really hold the fandom as dear, made me a lil sad, wish I could have gotten the boots, but oh well I’m just a teenager what do I care.

#rant #portal #fandom #portal fandom #idk why I did this #fairlith #portal the musical #portal 2 #sorry if it’s kinda venty this has been on my mind a lot #fyp

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jihyoruri · 6 months

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i wanna see wow!yn and nwjns!yn interacting… like does wow!yn lowkey post about her sister on her ig or is she a lil bit overprotective of her?

it looks like they’re complete opposites honestly, nwjns!yn give off such soft spoken favorite kid energy and you have wow!yn who is a rebel and chaotic by nature

I gave you guys a little bit of an interaction in the the chapter before the recent one 🤭 and hopefully more but yeah they are veryyyy different COMPLETE OPPOSITES.

ur so right about nwjns!yn giving favourite kid energy but she also has both of her parents in her life (wow!yn’s step dad and wow!yn’s biological mom) she’s very soft spoken and also a hopeless romantic, she’s like the stereotypical pastel colour girl who loves artists like taylor, olivia, sabrina etc

and then we have wow!yn who’s not a hopeless romantic at all, very sarcastic and reckless our fav teenage dirtbag and only has one of her biological parents in her life (she really does love her step dad tho and calls him dad he’s been with her since she was practically born but it still does mess up someone when you realize that ur “dad” isn’t ur actual dad and ur real one was an asshole because that’s all ur mom will ever tell you about him) poor wow!yn fr

and YES she’ll post like an “ugly” or caught off guard photos of nwjns!yn on her story and she is really protective over her little sister because she knows how soft nwjns!yn and you’ll see that when nwjns!yn series comes out 🤭

#wow!yn #nwjns!yn

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vague-humanoid · 6 months

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@midians-world @dirhwangdaseul

Missing pronouns and double-entendres

Historians have traced the roots of country music at least to the 17th century, but the “big bang” moment for the industry didn’t happen until the 1920s.

In 1927, record producer Ralph Peer traveled from New York City to Bristol, Tennessee to hold recording sessions with “hillbilly” artists from the surrounding areas. The Bristol Sessions, as they came to be known, introduced the world to artists like Jimmie Rodgers and The Carter Family, foundational figures in what we now call country music.

That same year, in New York, an artist named Ewen Hail recorded “Lavender Cowboy,” a story-song about a boyish figure “with only two hairs on his chest” who takes on a group of outlaws and dies a hero’s death. Adapted from a 1923 poem by pulp writer Harold Hersey, “Lavender Cowboy” appeared in the 1930 film Oklahoma Cyclone and has since been covered many times, most notably by Vernon Dalhart in 1939.

A couple years later, the Prairie Ramblers recorded “I Love My Fruit,” a Western swing-style novelty song so ripe with double-entendres that the group recorded it using a pseudonym. Attributed to the Sweet Violet Boys, “I Love My Fruit” is gloriously homoerotic, with lyrics that extol the virtues of (among other things) chewing on banana skin.

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The 1960s saw the emergence of Wilma Burgess, a mainstream star who wasn’t able to be out but also never hid her identity. A protege of prolific producer Owen Bradley — who saw her as a potential successor to Patsy Cline — Burgess insisted on recording songs where the love interest was not referred to by gendered pronouns. When she did occasionally record songs addressed to male lovers, she did so under the agreement with Bradley that her next recording would be a song of her choice. Her songs “Baby” and “Misty Blue” both cracked the top 10, and she still holds the record for the most charted singles by a gay country artist.'

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Burgess left the country music industry in the late 70s, but she remained active in Nashville’s queer scene, opening one of the city’s first lesbian bars in the early 80s.

Queer country music’s “lost pioneer”

No queer country history would be complete without the story of Patrick Haggerty, the man responsible for what’s widely considered the first openly gay country album, Lavender Country.

Haggerty grew up on a dairy farm in rural Washington, the sixth of ten children born to hard-working parents. Despite growing up in the repressive climate of the 50s, Haggerty has said his father was accepting of his sexuality, which was evident from a young age.

After getting kicked out of the Peace Corps for being gay in 1966, Haggerty decided to devote his life to activism, becoming involved with the Gay Liberation Front. His anger over the injustices of the era became the basis for Lavender Country, the 1973 album that would define his legacy.

The album, which Haggerty recorded with his band of the same name, is scathing and often funny, featuring would-be classics like “Back in the Closet Again” and “Cryin’ These C**ksucking Tears” delivered in a loose, folky style.

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With the support of the Gay Community Services of Seattle, 1000 copies of Lavender Country were created, advertised in gay periodicals, and sold at gay bookstores. Despite the limited number of copies, the album attracted a fair amount of attention in the gay underground. “Lavender Country” played at Seattle Pride and other gay events in the region.

The band disbanded in 1976, and Haggerty thought his music career was behind him. A self-described “screaming Marxist b***h,” he became further involved in activist circles, later co-founding the Seattle chapter of ACT UP and running for Seattle City Council and the state House of Representatives as an independent.

the article goes into more, like Lang's Shadowland

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#Youtube

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