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#and most of these involve relationships
kiragecko · 4 months
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Height and Bodytype Headcanons for the Batfamily
Note that most of the people I hang around with are germanic and tall. I recognize that 6 foot is not the average height for men, but it is around here, and that affects my concepts of what's normal!
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Dick - 5'11" (180cm), and built like a martial artist/ballerina. So, slim with noticeable muscles. Can be shorter if the people he's around aren't all giants - I like him being one of the shorter people in the room.
Babs - 5'10" to 5'11" (178 to 180cm), and angular. She's got boney, pointy limbs and face. She had noticeable curves before her accident, but has never had a particularly slim waist - she's just busty enough, tall enough, and had big enough thigh and butt muscles, to look thinner than she was. Still has the chest, but her large shoulders and softer stomach has changed her silhouette. I like her being taller than Dick in heels, but don't care too much in flats.
Jason - 6'2" (188cm), and built like a Large Rectangle. Big boned, muscular, AND chubby. Jason being at least a little chubby is IMPORTANT to me. Is either slightly shorter OR slightly taller than Bruce, so height can vary to make this possible.
Tim - 5'6" (168cm) and has a similar build to Dick, but usually slightly less defined. Weight fluctuates quickly - he has to concentrate on his diet to keep weight on - and fat usually appears on his limbs first, making them look softer and less muscular than they actually are. But when he forgets to eat a few meals it becomes obvious that he's in shape (if you somehow manage to see him without his usual 3 to 5 layers). You are allowed to imagine him taller but you ARE wrong.
Steph - 5'8" (173cm) and curvy. Anywhere from slightly chubby to moderately fat is good with me. Muscles are never visible no matter how in shape she gets and this frustrates her. ¿Why must she look so cuddly?, she wants it to be obvious she can kick people's teeth in!
Helena (Bertinelli) - 5'9 (175cm) and almost as angular as Babs, but scaled thinner/narrower. Average chest size, but breasts are long/droopy, and don't project much. Lack of curves and small bones make her appear weaker and less muscular than she is. Do not be fooled. Though her proportions also contribute to a subtle sense of hunger and intensity that many people find subtly uncomfortable.
Cass - Anywhere from 5'4" to 5'8" (163 to 173cm). I have no preferences as long as she can wear Tim's clothes. Build like Small Rectangle. She is all muscle. No room for curves. The only weight she gains is muscle, no matter how much she eats. Japanese wrestler Mayu Mukaida seems like a good reference.
Damian - 4'6" to 5' (137 to 152cm) and he ... look, I do not know how to describe an 11 year old. Muscle isn't visible, he just doesn't look noodley. Or chubby. Like, he's 11! That's his body type! (I HAVE an 11 year old. They come in noodley, sticklike, chubby, and not varieties. If you draw that kid with defined muscles you're telling me his family is abusive and okay with warping his skeleton.)
Kate - 5'7" (170cm) and her face is the most angular of the bunch, but the rest of her is stocky gymnastic curves. (Female gymnasts can have SUCH cool bodies - lots of muscle, but none of it defined. It doesn't look the same as fat-based curves, but it also doesn't scream 'muscles' to the casual observer, and I love it!) Her muscle turns to fat QUICKLY, and then she has to build new muscle which doesn't affect her fat deposits much, so she usually has some chub. (Especially when recovering from injuries.) Fat usually appears in her breasts and thighs first - she has a LOT of bras to account for frequent cup size changes.
Duke - okay, I know adult Duke is going to be around 6'1" (185cm). And I know 15-16 year old Duke hasn't finished growing yet. But I don't know how tall he currently is! He's more muscular than most of his siblings, but also lanky. Big hands and feet he hasn't quite grown into ... Hmm, I have decided he was 5'5" and almost stocky when he first started hanging out with Bruce, but has grown at least 3 inches since then and they're having to limit how much he trains because he doesn't HAVE any bodymass left to convert to muscle, it's all going into height. Next month it will be 4 inches.
Bruce - 6'1" to 6'3" (185 to 191cm) and BIG shoulders. 70s martial artist-shaped Batman is really cool, but modern musclebound hulk also seems accurate. He is Shrödinger's Bat. My Batman started in 1939 (which is 15 years before 2011 and 16 years before 2023) and it doesn't make SENSE for him to be 6'3" then. But he is now? Maybe he had a growth spurt when he turned 30. Height can vary to properly scale with current child.
Alfred - 6' (183cm), thin, and boney. He matches his pencil-thin mustache. NOT frail. No old-people bird bones! He's still in his mid-60s. Enough muscle to lift an unconscious Bruce, but it remains a mystery where that muscle is hiding.
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arabian-batboy · 8 months
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Duke and Damian moments I think about a lot.
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gunstellations · 3 months
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a little family
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tanoraqui · 1 year
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the real problem with The Silmarillion is that the creative sandbox is SO big, from the literal world map to the many-millennia timeline to the characters who are half historical figure constructed from 6 different half-contradictory drafts, half mythical archetype, and don’t even get me STARTED on the theological philosophy… that there is NO chance anyone else will remotely properly write the fic in your head. In other fandoms, I can be pretty sure that at least the people in the carefully chosen 12-person discord server I belong to all have the same fic in their heads that we jammed together at 2am, with the same interpretations of character and theme which we’ve debated and discussed at length. But The Silmarillion? You can spend 3 hours discussing a single character in like a 5-year period and walk away completely happy with shared headcanons BUT SIMULTANEOUSLY certain that their interpretation of the character is fundamentally different than yours, such that any fic they write would suffer from notable if not severe “he would not fucking say that” disorder…and that both your and their interpretations are completely reasonable reads of the text, so you can’t even be mad.
So you HAVE to write ALL your own fic or it’s AGONIZING.
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cluescorner · 16 days
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Tim Drake has a weird fucking function
The thing about Tim that I find unique is that his life became SO MUCH WORSE after joining the heroing thing. Everybody else had a mid-to-shit life before becoming a hero/living with Bruce and mostly everybody (except Jason who LITERALLY DIED) had their life improved by being a hero/being Bruce's kid (or at least it is typically portrayed as such.
Tim had the exact opposite trajectory. His life wasn't perfect before he became Robin, but like...multi-millionaire/billionaire (canon is unclear, but he's within Gotham's upper-strata) kid with both natural intelligence + charisma and a bright future ahead of him and parents who were emotionally neglectful but nothing really beyond that (which is also a form of trauma, but all of the info we have indicates that the Drakes were no Arthur Brown or David Cain) and he still had other people he could rely on outside of them. He went to boarding school, which could be something horrible OR something amazing depending on your own thoughts/experiences. I grew up having a commute where we'd drive past a really pretty and rich af boarding school that literally everybody in our area DREAMED of going to, so to me the idea of going to boarding school sounds incredible but mileage may vary. Tim seems like the type of kid who would thrive in that though. Based on what we know in canon atm, his pre-robin life was fucking amazing.
And then he starts being the sidekick and working towards becoming Robin. His parents immediately get kidnapped and poison themselves through drinking tainted water; his mom dies and his dad is in a coma. This is not the fault of Robin, but Tim himself muses about the idea that Robin and dead parents are linked: to become Robin completely, you must lose your parents. And with how fate/destiny/canon events can operate in comics universes, maybe he isn't that far off. Once his dad wakes up, their relationship becomes strained as the man grieves the loss of his wife and realizes that his son has been doing vigilantism as a hobby. It is unclear exactly how good of a parent Jack was before the incident, but the results of Tim's involvement with the Robin mantle has definitely made things worse between father and son. Jack will also die within quick succession of 2 of Tim's best friends, his girlfriend, and his other father. He will also effectively lose like 1/2 his loved ones in the fallout of all of that mess including: his older brother, his other friends (both civilian and superhero), and the stepmother with whom he shared what I would argue is his best parent-child relationship (Dana also may have died, but it's left unclear). He has stopped pursuing higher education (the moment he even applied for college he 'died', and it seems he hasn't made another attempt since) and if he wasn’t a major focus of the media before he sure is now. He tries to quit briefly (in fact he initially was planning on quitting once someone more suited came along) and cannot bring himself to do so. Even when he does manage to get away for a while, his superhero life impacts the pre-robin life he is trying to go back to. Leaving is an impossibility, this is all there is for him now. He also isn’t allowed to make mistakes anymore, not when lives hang in the balance. The one who enforces that impossible standard the most (besides Bruce depending on who's writing) is himself. He’s got TRAUMA now and people want to hurt him constantly. He is constantly questioning his own sanity and morality and place in the world. He almost dies like every month. Tim grows colder and less grounded, he is becoming both a better and a worse version of himself at the same time. He’s saving lives in the same few issues as he’s setting up a Saw movie plot for the man who killed his father. He is haunted by the ghosts of his past and the looming figure of his future. His life becomes SO MUCH FUCKING WORSE after he becomes Robin. Some of it is the fault of others, some is the fault of circumstance, and some of it is due to his own actions. But basically all of Tim's worst traumas and life-changing moments are either tied to or caused by Robin. Dick's parents would still be dead, Jason would still be living on the streets, Stephanie would still have Arthur Brown for a father and a lot of other things that deserve their own posts/IDK if they've been retconned, and Damian would still have been raised in the eco-cult where death is a constant. Those are life circumstances that occur without the involvement of Robin, the only one who even needs Bruce involved at all in their series of events is Damian. But Tim? All of what is considered his 'worst' moments occur after he assumes the role.
This idea is what I find the coolest and most fascinating about Tim as a character. Being a hero is usually portrayed as either an outright awesome thing or a righteous duty that one must fulfill or (maybe in a grimmer and/or more grounded story) a sacrifice to your interpersonal relationships/mental health that is made for the greater good. For Tim, being a superhero actively ruined his life (both because of the general circumstances surrounding being a kid vigilante and the choices he made as part of that role). It's never portrayed that way in canon because we need to come out of issues going 'wow being a superhero is so cool! I'm gonna buy the next issue!', but when you just look at Tim's life literally everything really bad that we know of occurred after he became Robin.
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commsroom · 4 months
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let's kill hilbert is a great hera and minkowski episode in how well it displays some of the best and worst of their dynamic (and highlights the source of their ongoing miscommunication.)
"i'm doing the best i can here, so just, please, try to sound a little less patronizing?" / "i'm not being patronizing, i'm being critical." sums up the disconnect: that what minkowski sees as professional criticism and an attempt to combat future problems, hera takes as a personal attack. ultimately, minkowski's suggestions to lighten her burden are well-meaning and closer to what hera needs than any faith in her ability to do her job (there are things she can't do, and things she shouldn't have to), but she's been made to believe her worth as a person - and her continued survival - hangs in the balance. and so, the scene that leads to that one, where minkowski takes the navigation controls from hera: "no, it's fine! i can -" / "i don't care what you can, give me the controls right now." stands out for the wording used, the different things that are meant by it, and what it reinforces for hera: i can't do this. i'm not good enough.
it makes sense that the resolution, where minkowski tells hera, "you are the smartest person i've ever met, hera; focus that intelligence [...]" is one of the moments she thinks of at the end of memoria. because it's a turning point for their relationship, because it's a show of trust ("i trust you" coming very shortly after "i need to know that i can trust you."), because it's a show of respect and the only moment in the entire show where someone refers to hera by rank, but also...
i think there's something to be said for how minkowski's voice at the end of memoria is a direct expression of belief in hera's abilities, while eiffel's "use the force, luke" shows that what hera values about eiffel is... well, eiffel, but i think it's also true that both of these things show something about communication. they show hera's understanding of eiffel and minkowski's unique communication styles, what they say and what they mean by it, and that shows what they mean to her.
"you are the smartest person i know, hera" (a slight alteration from the original line that has a ton of implications re: context and memory) isn't really about her intelligence, or even her ability. contextually, it's a direct counterstatement to "i don't care what you can" and, by association, and through their connection - minkowski's voice becomes, quite literally, like eiffel's, another voice in her head counteracting what pryce has made hera believe about herself.
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liquidstar · 7 months
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honestly does anyone else think that the what:if routes are perhaps telling us that some sort of collision between subaru and reinhard is just inevitable in nearly every route
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sonknuxadow · 1 month
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thinks about the idw sonic issue where rouge and amy and cream went on a mission together and they were staying at that hotel or resort or whatever it was and amy and cream were eating breakfast and rouge shows up at the table like Damnnn everybody here is wearing cheap jewelry. Not worth stealing. and amy is like Ummm...... is that really the best example to be setting for cream :/ and rouge is like Absolutely not cream if youre going to try to rob a bunch of people at a hotel make sure theyre rich first okay
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booasaur · 1 year
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The Nevers (2021) - 1x12
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antisocial-author · 1 year
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Soul Eater 🤝 She-Ra and the Princesses of Power 🤝 The Owl House
implied but not explicitly canon girlboss x malewife ship that is central to the plot
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haleelah · 8 months
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Jason : I can't fix him.
Jason : But I can sure as hell marry him and pull him away from the influence of his demanding father. Maybe then that would finally calm him, and I'm sure as fuck It will do wonders for his frayed self worth.
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Look, it’s him, Shadowsight, and only Shadowsight
What do you mean there’s something behind him?
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hoffmanstits-enjoyer · 9 months
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Rosalee: when i first met you, i thought you and Monroe were a couple
Nick: what?! wait... ha-ha Rosalee, that's very funny-
Rosalee, unimpressed: raise your hand if at any point you thought Nick and Monroe were a couple
Holly & Hap: *raises hand*
Bud & The Eisbibers: *joining*
Frank, Barry & Roddy: *out of the loop but doing it*
Hank, Wu, Renard & Juliette: *you guessed it*
Nick: OKAY! i guess this is a thing now- Monroe, why are you raising your hand?!
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tennessoui · 2 months
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Ah, has Padme noticed that Obi-Wan is assigned to Senate duty and that's why she's making assumptions about why Anakin is worried?
this chapter and the last chapter take place within like...an hour or so of each other -- so no one knows yet about obi-wan's new assignment cause he's been given it only a little bit ago!
i think padmé really is trying in this chapter, trying to speak anakin's language and understand him - and i think she really does, as much as she can. she's relating her experiences of being worried about anakin to anakin's experiences being worried about obi-wan (which baby, honey. are you really not going to notice that you're talking to anakin as if he's obi-wan's wife).
in my opinion, she's not really making assumptions about why anakin is worried here. anakin flat out tells her that he was worrried that obi-wan was injured, that that's why he stayed.
she's really just trying to get him to realize that he shouldn't go running off to be by obi-wan's side every time he gets an intrusive thought that obi-wan could be hurt when logically there's a very slim chance that he has been been and a very big chance that he could get help IF he ever was. because the war is over. obi-wan has amazing access to the best healthcare on coruscant. he would be FINE if he felt a sudden twinge in his chest or whatever.
it's just that anakin doesn't want to hear that. anakin doesn't want to live in a world where he can't drop everything to get to obi-wan's side. anakin doesn't want space between him and his master. he doesn't get why he should. if that's because of the war, like he sorta implies in the chapter, or if it's always been like that for him--for them, i don't think matters as much right now as the fact that anakin and anakin's wife are on solidly opposite ends of this debate
and it's really only going to get more rocky from here as we move away from the end of the war and both of them have different expectations of what comes next
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not-poignant · 2 months
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@trachymedusa replied to your post “raphael casually laying out the actual...”:
But Raphael said that he owes Astarion a favor! Surely Astarion can use that as leverage to negotiate better terms for himself somehow. HE USED TO BE A MAGISTRATE
​I think it's a mistake to assume that Astarion is anywhere on the same level as Raphael for negotiation power. One has been alive for thousands of years and lives and breathes contracts, the other was a Magistrate for a proportionately short period of time and then was tortured, brainwashed and a slave for like 200 years.
Astarion can certainly negotiate better terms for himself if he wants, but Raphael will likely only allow him one better term, and there's certain things in the second contract that are completely unavoidable (i.e. Astarion cannot access the sun if he does not perform these things he won't want to do, it's literally part of the Rite).
But it's always important to keep in mind, imho, that this is still very much an experienced torturer with thousands of years of experience with contracts, vs. Astarion, who has more experience being a torture victim, and has more time under his belt as a torture victim. Their power differential is huge, and they'll never be equals, favour or not. It's tempting to think Astarion has significant leverage, but he only has whatever section of rope Raphael allows him for the most part.
The favour will make things more fun though, which is why Raphael offered it lol
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altschmerzes · 9 months
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like i should not have to say in the notes of my fics on ao3 'this is a gen fic, it is clearly marked as a gen fic, it is not meant to be shippy, please respect that' when the fic is already clearly marked as gen and with tags indicating the dynamics are not romantic/sexual.
and then it still doesn't work. people still do this shit, no matter how loudly or clearly people say that on their fics. nobody can make you read and interpret a fic a certain way but what is it gonna take for you to understand other people's gen fics are not about your ship and you absolutely should not be saying things about your ship to the author based on their gen fic. most of fandom is already about you and what you're interested in can you not be happy with that and leave me and my fics and every other gen fic out there the hell alone.
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