Emptying my brain...
Recently, there was quite a kerfuffle in the SPN fandom, over the realization that several self-proclaimed “BNFs” had been Mean Girling fellow fans into hating on certain other fans and certain other members of the cast of SPN. Thoughts have been percolating around in my head about this for a bit. Here goes...
There has already been some discussions of warning about how cult-like these tactics seem: the initial lovebombing, indoctrination, evolving into intimidation and threats if people don't fall in line. The hunger to belong and smug feeling of group-think is a helluva drug. The fear of losing favor and being ousted from the silo is also a helluva withdrawal.
I wonder if there's a reason all these manipulative personalities, every one of them, have been from the Destiel quarter of the SPN family. Is it sheer numbers? Or does it begin with the selling of the ship as this monumental slow-burn greatest love story ever told (even though the show's actual canon does very little to support this fable)? The relationship between Dean and Cas has been romanticized to a legendary degree, and the fanon has become the preferred telling of the tale, replete with lengthy subtextual navel-gazing over lamps and fictional beer brands and artfully staged gif sets on tumblr. Every whiff of the show has been recontextualized to point to Destiel. A stroll through any given list of Destiel All-Time Fave Fics is chock full of AUs and characters that feel more like Any Two White Guys than the actual characters from SPN.
Maybe this primes D/C shippers to be more susceptible to grift, to believe anyone with charisma and confidence and leadership aspirations, who promises the fruition of some manner of Destiel endgame. Which, okay. I totally get how deeply we often feel about our fandoms and the dynamics, how we project onto the characters and idealize the ships as more than the show intended.
It'd be fine... if fans then didn't feel the need to evangelize for the ship and punish those who got in the way. Some groups have been actively attacking the cast and parts of our fandom for years, as well as making actual bank off it all. Under the guise of inclusion and camaraderie, they dangle paying admission into their sacred inner circles like worms on hooks. They took, and are continuing to take, money to offer glimpses behind the doors of their Patreons or special levels of their Discords, where those lucky customers would theoretically be honored with friendship (parasocial, much?), and gifted with the potential of supposed insider info, and/or proximity to the cast and crew at conventions.
In return, that same congregation would be used as a tool to attack and discredit the parts of the SPN milieu that the grand poobahs dislike. They would be asked to buy their merch, to keep their secrets, to send hate mail to each other in order to place the blame on “the other side”, try to get competing fans (or even TV shows) canceled, carry the torches of hate, and the list goes on.
I don't know where this is going exactly, but there's a difference between bickering over which ship has the best blorbos or whose fave is the most girlboss, and actively trying to generate a lemming-like mass of obedience, enough to impact the IRL health and well-being of other people. Fandom can rally to accomplish such good feats (and lord knows the companies and studios that own our favorite franchises have figured this out), but every coin has two sides. Just, be aware of which one you're on, I guess.
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“Hey, Hueso.”
Hueso sighs.
Moving his gaze to his left, he sees Leo casually leaning up against the wall next to him. The turtle isn’t looking at him, instead he seems to be staring at nothing at all. Strange, but not necessarily unheard of from him.
“We’re closed, Pepino.” Hueso states, moving a little away to continue closing down his restaurant-
“Can any portal be portal-jacked?”
Hueso pauses.
It’s a simple enough question, one that Hueso’s fairly certain he’s given an equally simple - if not a bit harsh - answer to. Granted, it was more in regard to the likelihood of bad portals being jacked rather than any at all, so maybe now that Leo has admittedly become much more competent with his portals, he’s just worried it’ll happen again.
The invasion certainly made the boy more…cautious. Quieter, too.
“Well…” Hueso runs a bony hand down his face, “From what I know, the possibility always exists, Pepino. However, it is far, far more unlikely to be portal-jacked when the portal is made by a master, rather than some reckless amateur.”
Leo nods his head, almost vacantly. If Hueso wasn’t paying so much attention he may have missed the way Leo seemed to look a little sick. Despite himself, concern builds within him.
“So-“ Leo starts, his voice soft in a worrisome way before he clears it, “So…if the portal was just- really strong, it could still be jacked if made by a beginner?”
Hueso watches closely even as he nods in answer, “Sí. Your own portals are strong, no?”
Leo shakes his head, “No, like- imagine a portal way stronger than mine ever were. Something huge and stuff. More, uh. More locked up dimensions and time, less…just space.”
“Hm.” Hueso frowns, considering the strange question. “Well, in truth I have yet to come across many portals on that level, but there’s nothing to say that it’s not possible-“ The smallest furrow of Leo’s brow makes Hueso hurry to add, “-ah, but there’s also nothing that says it is possible.”
“So…it could happen? It’s not a definitive “no”?” Leo asks, the smallest of shakes present in his tone.
Hueso puts a hand on Leo’s shoulder. “No lo sé, Pepino. I haven’t come across such portals enough to give a good answer to you.”
Something in him hurts a bit when Leo visibly plasters on a grin. “Ah, man. Well- Gracias, Hueso, this was just a stupid thing to get all hung up on anyway.”
Hueso looks closer at this annoying, insufferable, horribly quiet and reserved boy. He sees the dark circles peaking, barely visible thanks to the mask. He sees the scars of healed injuries never to be forgotten displayed all across the boy’s body. He sees the look in Leo’s eyes, a depression and worry that is…hard to look at, in someone so young.
He sees all of this in Leo, and as much as he sometimes wishes to deny it, he cares enough about him to gently ask. “Are you okay, Pepino?”
“Oh- yeah, yeah, don’t worry, Hueso, I’m not about to whine to you again or anything.” Leo laughs, backing away out of Hueso’s reach. “It’s just a little question, just something that’s been bothering me, y’know? Wanted to ask an expert.”
“Pepino-“ Hueso starts, not quite sure what to say. The words “you can come to me whenever you need to” are true, and yet he can’t bring himself to say them before Leo already is swinging a katana.
In the light of his blue portal, Leo sends Hueso his signature, manufactured grin. “Thanks for listening, Hueso!”
And then he’s gone. Just like that. Standing tall and confident with not a shred of that worry and reservation and fear left behind. It was the look of a soldier heading off to a battle he knew was terrifying, but one he also knew he needed to keep a brave face for.
It would have been a commendable look, if not for the fact Leo was heading home.
Hueso stares at the residual sparks of the portal for just a moment longer before moving to continue closing. Next time, because there will always be a next time, Hueso will have a fresh pizza waiting.
And, hopefully, a bit of that insufferable turtle he knows so well comes back to grab a slice.
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I'm still seeing a lot of angry takes in the tags about how excessive Watcher's current costs are and how all fans really want, apparently, is "just shane and ryan sitting in a basement" back again. While I do think Watcher is probably spending over budget and that's a real issue, a lot of the takes I'm seeing show a fundamental misunderstanding of how video production works and where costs actually lie. So a few quick things that I just keep seeing that are bothering me:
It was never just Shane and Ryan in a basement. BFU did a great job selling that conceit and making sure you never saw anyone beyond them and maybe TJ, but they absolutely had other crew members with them on ghost hunts and they didn't do all the work on BFU themselves. This Q&A from Season 2 lists 36 people on staff for Buzzfeed Unsolved. It's fair to make arguments that Watcher may or may not need 25 people, but those arguments should not be coming from a place of "before it was just Shane and Ryan and nobody else."
If you don't know how many people are needed to make a professional video from a TV/film standpoint, you will not have a reasonable grasp of why Watcher wants to keep 25 people on staff. Sure, some YouTubers get by with a ring light and a contracted editor. The Watcher team have stated repeatedly that they do not want to work as just YouTubers and see themselves more as a production studio—so why do people keep referencing the YouTube model to understand their business? This is like asking the local shake shop why it doesn't function like the kids' lemonade stand down the block. The item category is similar but they're not trying for the same products or process.
The "gold dusted food" is not the big budget sink you think it is. On most TV shows I've worked on it's normal to partner with businesses that are shown onscreen and work out a deal where the price of the product (in this case the gold food) is reduced or eliminated in exchange for the free publicity. Watcher very likely made a deal with every restaurant it worked with to make the Korea trip affordable for the company. The real budget spends are on things you're probably not seeing but that still matter: camera and lighting equipment is expensive, insurance for that equipment is expensive, business overhead and paying your staff are expensive. So again—it's fine to critique Watcher for the streaming plan and the perceived budgetary issues, but go into this knowing the costs might not be coming from the things you see onscreen.
My source is that I work in TV and film and actually have a clue on how the industry functions. Again, 36 people worked on Unsolved (and those were the people mention in Season 2—who knows how big the team blew up past that in later seasons). Entertainment work is real work, and demands decent equipment, competent staff, and the same types of business and budget problems you'd find in any other business (overhead, staffing, etc.). Feel free to critique Watcher's business model, but first try to understand where that model is coming from and what goals it's attempting to serve.
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