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#and it's just so sad honestly
mingyusbinch · 1 year
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REST IN PEACE, DEAR MOONBIN (1998-2023)
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drawnfamiliarfaces · 5 months
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Some Extras from HoM AU Act 1: What was Left Behind.
Character Sheet references of the Boys (+extra about height lol) I made, to help myself draw the comic and some pages/panels without effects/unobscured because I am proud of them ;)
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cinnamontoads · 7 months
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don’t think I’ve put any of my zosan doodles on here before bc im shy but it’s mostly a lot of the same
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batsyart · 1 year
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so i read the newest update of @somerandomdudelmao‘s incredible apocalyptic series and i’ve been crying ever since-
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cactus-juiceee · 9 months
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epilogue
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puppetmaster13u · 6 months
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Prompt 74
When a new black-haired blue-eyed person appeared in the manor, one could easily be forgiven for thinking that Bruce’s adoption problem had struck again. So color many a batkid surprised that no, this kid isn’t a new sibling, no he didn’t get grabbed from the street, and actually he’s here for Alfred. Apparently Alfred never found it important to mentioned that he has a husband- that the kid kind of implies isn’t human what with the casual way he says he himself is half human- and that this kid is apparently their child. For once it’s Bruce’s turn to come home to a surprise sibling. 
Danny on the other hand just learned that his Clockpa has a semi-mortal partner who has offered to take him in, (in another dimension even! And there’s aliens!!) while the ancient takes care of some stuff at home. And yeah it’s in a rich-manor but Sam has proved that not all rich people are evil, and based off of Mr Pennyworth’s stories the Waynes weren’t bad either. Though based off of the others’ reactions perhaps he should wait to mention that there wasn’t one new family member but three…
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dkettchen · 11 months
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I'm just sAYING-
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kunikidas-lost-glasses · 10 months
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Okay but Gojo raised two children at 17/18 alone with like zero experience on how to be a good parent while he was training to become the strongest and shortly after loosing his best friend who had also been the one he had been in love with in one of the most horrendous and cruel ways possible all while keeping up an incredibly cheerful and carefree personality.
You can't tell me that this man wasn't emotionally, mentally and probably also physically exhausted during that time.
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cozylittleartblog · 1 month
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here comes the boy ~ hello boy ✨
cleaned up a couple of the vash doodles i did while learning to draw him :)
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feelingtheaster99 · 6 months
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Brennan was really COMING AFTER the intrepid heroes in Fearful Symmetry. He asks most all of them their fears and just describes these brutal, psychologically devastating situations for all their characters (except Kirsten but only because oh yeah he KILLED HER).
Like Emily tries to say, oh yeah Fig’s greatest fear is seeing her friends and families hurt and Brennan’s like NAH it’s actually the fact that you believe you are putting up a charismatic front and not good enough for anyone
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dollypopup · 2 months
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I think it's interesting to look at the 'Mr. Bridgerton' scene as a backdrop for the eventual mirror scene. Firstly, in the fact that I think we've kind of misinterpreted it.
So many people are of the mind that scene's purpose to 'drag' Colin, but really, that scene has 3 primary functions. The first is to inform Colin that Penelope is aware of what he said of her, thus opening the door to clearing the air between them and providing an avenue for which Colin can apologize. The second is to establish the ground that they are currently on: Penelope has given up on the dream of Colin Bridgerton, in particular the perfect prince that can do no wrong, and has made it clear to him. It also creates distance between them that they will bridge.
But the third, and to me the most wrapped up in the mirror and the inner workings of their relationship is that it reveals how Penelope feels about *herself*. It's not necessarily an echo of what the ton considers her as, after all, we have a lot of evidence indicating that, for all intents and purpose, people aren't *unkind* about her, but rather that they ignore her. Audience members recognize this as Penelope's own shyness being the cause, she is often sitting off on the sidelines or not really talking to much of anyone, in the books she's referred to as the 'one who doesn't speak', and her LW business takes her away from being a character in the action of the ton to a bystander, kind of a self-fulfilling prophecy of sorts that perpetuates itself. Pen felt unseen so she became LW to have some power, but then LW herself must remain unseen and Penelope continues to be by design of her own making.
No, I think what it really reveals is that Penelope has incredibly low personal self esteem. We as a fandom has lauded that scene as her dragging Colin, saying that he's cruel and calling him Mr. Bridgerton is absolutely meant to create distance between them, but I don't think she's dragging him.
Because the person she is *actually* dragging here. . .is herself. And it is a general theme in her life. In Whistledown. Aloud. Even with Marina, when she complimented her, she assumes that she's lying. When Edwina says she's wearing a pretty dress, Penelope puts herself down and doesn't believe her, even when the compliment is genuine. In truth, Portia is not seen as being particularly unkind to Penelope. At least, speaking as someone who's mum was *awful* about my size and weight and outfits, Portia is. . .overall rather mild. She's not KIND and loving, not by a long shot, but she's also not targeting Penelope only. She's plenty mean and critical to Prudence, too, even to the point where she foists her off to her own cousin as a pawn piece. Penelope has low self esteem because of a lot of reasons, she's bullied by Cressida (I think a lot of girls are, she was pretty mean even to Daphne in S1) and her family isn't very tender to her, and she's not being pursued at every turn, but part of it is also her own perpetuation.
Listen to what she says "Of course you would never court me" "I embarrass you" "I am the laughingstock of the the ton". She sees *herself* as an embarrassment. She puts *herself* down. Arguably, more so than the ton does. She's meaner to herself than anyone else is, aside from Cressida. And honestly? Looking at Colin's face there. . .he is HURT that she considers herself this way. That she's projecting that onto him. Yes, he's hurt that he hurt her, of course he is, he never wants to hurt her. And yes, he's ashamed that he said he wouldn't court her the way he did and that in doing so, he validated her fears that she is unloved and unwanted, but also because. . .she already feels that way about herself. She's felt that way for years. And it's painful to care about someone, to see them as wonderful, and realize. . .they don't feel the same about themselves at all. I don't think Colin is out here feeling so wounded over the fact that she called him cruel and won't refer to him by first name anymore, but that he's most hurt by what she says about herself.
Because he *doesn't* see her the way she accuses. She says she never expected him of all people to be so cruel, but he feels the same way. He never expected her to be so cruel to *herself*. He wants to go somewhere private, not because she is an embarrassment, but because he wants to have a private conversation with her. Maybe assure her. Maybe explain himself. Maybe hash it out. But god Luke Newton's acting. . .he is *aching* for her. And it feels like he's going to do those lessons not in atonement for what he said (thank god) but to genuinely help his friend who thinks badly of herself. To lift her up. It's not about him at all, not about earning forgiveness, but about elevating Penelope. And that's. . .fuck, I just find that's just so heart stoppingly beautiful.
You can see, in that scene, how much he cares about her. How deeply and genuinely he adores her as a person. And just how painful it is for him to know he has validated, whether on purpose or otherwise, how poorly she feels about herself. How low her self-confidence really is. She is giving him a glimpse into the cracks of her heart, and when he sees them, he wants to reach out with both hands and make it feel better. Make her feel better.
After she says 'even when I change my entire wardrobe', he looks so fucking crushed. So 'don't say that'. So 'you really believe that?'. So 'God, I hate that you think that way'.
Because regardless of it all, he does love her. It's not romantic yet. It's not sexual yet. But he genuinely, truly, from the bottom of his heart, thinks she's wonderful. That was evident even in the 'purpose' scene. Every time Penelope opens up and reveals a facet of herself, he likes it. He likes her barbs and her dreams, he likes talking to her. He likes her. And he feels awful that he hurt her. And he feels awful that she's hurting herself. He loves her. He wants her to love herself.
And that's where the mirror scene comes in. Because the mirror scene isn't about sex, not really. Not entirely, at least. The mirror scene is about *intimacy*. The mirror scene is about being seen. Not just her seeing him, or him seeing her, but for Penelope to see *herself*. In a way, through his eyes. Because hers are biased rather negatively toward herself, which is evidenced in the 'Goodnight Mr. Bridgerton' scene, and in so many little moments we've already gotten where she's literally looking down on herself, feeling down. She doesn't necessarily *like* what's in the mirror, but he does. Because he likes *her*. And he wants to show her that he does. Show her that he finds her beautiful and have her recognize that in herself.
The 'Goodnight Mr. Bridgerton' scene is about Penelope revealing how she sees herself. The mirror scene is about Colin showing her how *he* sees her. The Goodnight scene is about Penelope thinking she means nothing to him, that he thinks of her the way she thinks of herself, that this is how everyone thinks of her, and the mirror scene is a direct response to that: No, he doesn't. No, he doesn't think she's embarrassing. No, he doesn't think she's a laughingstock. No, he doesn't think she's unappealing. And he doesn't think she should, either.
And he's going to show her that. Not just tell her, but show her. The mirror scene is so often a focus on Penelope, so much of Polin is in Penelope's focus, but approaching it from Colin's perspective and his motivations is so fulfilling, too. It's a glimpse into them in conversation, and a demonstrate of how Colin loves her. How Colin loves in general, openly and earnestly and altruistically. How he encourages her to be braver and more confident in herself, bolstering her because he just likes her *that much*. How he finds the most fulfillment and satisfaction in caring aloud. The mirror scene is a demonstration of his heart in reflection.
When Luke Newton said the first word that came to mind with the word 'Mirror' was 'Exposed', he doesn't just mean physically. He means emotionally, too.
God this couple is so fucking good.
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baldysgate · 9 months
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Karlach was stumbling all over her words in this dialogue with Halsin~
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sorry but not even a phrelationship phreveal could make me feel the pure unbridled joy and shock that this video made me feel
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the-dragongirl · 8 months
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I have found it. The best improbable Halloween skeleton.
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Never in my life have I been so tempted to drop $30 on a decorative halloween item. It's a sewing machine! That is bones!
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kabru-of-utaya · 2 months
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The thing for me with the Kabru and Laios scene in ch.76 is that I think making it romantic takes something fundamentally away from it and away from Kabru's character arc. However you choose to see their relationship, personally, I don't see them as romantic- I think it has to be exclusively a confession of friendship and one of the very very few times in the manga that Kabru is ever genuine. It's so fucked up how we went from the beginning when Kabru said he doesn't trust the Toudens, he thinks they're doing something shady, he thinks they're malicious, he doesn't trust Laios, to now such desperation that he's chasing after him and grabbing onto his clothes like a child begging him to stop and listen to him. It's such a sad display considering how Kabru is always so well put together. Him getting so desperate that he admits how all he ever wanted was to be Laios's friend, and then his look of horror as he realizes he admitted something he never wanted to admit, he was vulnerable without wanting to be? Then for Laios to turn around and say he was lying, that there were better ways to make friends, and that he didn't have time for this conversation. Oh, it hurts so bad. Kabru has no real friends, not really. Only Rin has gotten close enough to be considered it, he has been a hated child all his life, he has never fit in anywhere. You would never guess it with the way he acts, with his casually confident he is and how personable he is, but he didn't fit in from the moment he was born. No one truly knows him. How lonely to be disowned and hated by all your family besides your mother, to lose your mother when you were still so young, to be taken to a country where no one recognized you as someone to be respected because of your life span, to not be allowed to take on dungeons how you wanted to because you weren't good enough in the elves eyes. Even now, even when he wanted to make friends, Laios and Falin never noticed him, never paid attention, never listened, and what is Laios doing in that scene beside the exact same thing. He tried to shut down Kabru so many times, to the point that Kabru had to force him to listen by way of physical force. How sad for such a horrifying admittance to simply be, "I always wanted to be your friend". I think taking that scene to be a lead-in for romance undermines how truly sad and lonely Kabru's life has been leading to this moment where such a gutwrenching confession is just that of wanting a friend.
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jacarandaaaas · 5 months
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I know it’s probably been said before but as an artist I can’t help but praise the character design of encanto
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Like look at this whole cast of characters who are all related to eachother and still so distinct! One of my all time favorite facts about this movie is that the family are color coordinated! I love that so much because not only does it make it easier for the audience to tell which character comes from what side of the family but it’s also visually appealing!
Also the fact everyone’s outfit contains symbolism relating to their gift!? genius. and mirabels skirt being her own personal scrapbook where you can see she has everyone’s symbol a clever way to display her genuine pride for her family! Isabelas dress being closer to almas magenta than the other members of julietas family emphasizing shes closer with alma and is seen as her successor! I especially love how after “what else can I do?” She changes her dress colour to a dark blue representing that she’s finally found herself and doesn’t want to be just almas clone! She feels more comfortable with her own family and shows it by representing their color!
Also let’s talk about how pepas family all wear warm hues as shown to be bright, fun and ultimately happy. Which makes a lot of sense considering how pepas gift requires her to be happy all the time to avoid “bad weather”. Her family also wear warm tones to possibly help her maintain this and also because compared to what we see in the movie pepas children have a little less pressure and are considered more fun to be around! Also the fact green and magenta are opposite colors on the color wheel and Bruno and alma have a strained relationship. genius.
I just want to appreciate the character design because I feel like it’s just so creative and has had so much thought and heart put into it <3
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