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renranram · 7 hours

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Baby making ᶻ 𝗓 𐰁

nsfw + fluff

it's literally the title lmfao 😭

let's all be honest here and be straight to the point, schlatt wants to impregnate you ever since he saw you interacting with kids in unpaid intern

ludwig knew by putting both of you two in his show would make great content but he didn't expect he'll actually be an uncle soon

“ baby “ schlatt leans in as you work on editing a new video of yours, “ hm? yeah? “ you look up at him as you lower down your headphones

“ can't you edit later? wanna kiss you “ he states, whiney as he starts pecking your neck, you gasping, feeling his teeth sink in, “ jay… i dont think that's kissing “ you pat his back, hoping to crack a joke

“ y/n… be honest with me okay? “ he pause, pulling away as he faces you, cupping your cheeks as he continues, “ what do you think about children? “ he asks out

as you burst out chuckling, finding him adorable by saying that in a straight face, oblivious of his intentions

“ what? don't laugh im being serious “ he couldn't help but chuckle as he fixes your hair, “ no… it's just… i thought it was gonna be a serious question then you asked me about babies “ you smile

“ it is serious “ he defends himself, smiling at you as you take a deep breath, calming down as you nod, “ uhm… well… i like children..? “

schlatt looks at you weirdly, teasing you, “ ay! i dont mean it that way! “ you playfully hit your fiancé

“ i meant… i wanna take care of children, im happy to take care of children “ you explain thoroughly, as schlatt continues to tease you, as he cocks up one of his eyebrow

“ oh shut up schlatt, you know what i mean “ you chuckle as schlatt sighs, pecking your cheek, “ … okay okay i get it… but you know.. uh.. what about our own children? “

“ our children? “ you repeat, blinking in surprise, “ h-huh…? “ you ask as schlatt caresses your hair

“ toots… i… wanna have children with you “ schlatt confesses, “ our marriage is in 3 weeks… “

“ come on… please… ever since lud’s show… i wanna just… fucking bend you over and fill you up with babies toots.. “ he leans his face on your neck, as your body shivered, feeling his hot breath on your neck

“ jay..! “ you exclaim, surprised, “ what? if you've only seen yourself taking care of those kids, you dont realize how much im excited to wife you up and make you carry my children so badly “ he caresses you hair

“ y/n… babe… please “ he starts pecking your neck, “ toots… please… let me fill you up, let me see you carry our children “

“ … jay “ that's the word that you can mutter out, “ can we do it? “ he gently asks as you take a deep breather, before slowly nodding, “ … okay “

“ fuck… im gonna make love to you all night holy shit “ he chuckles in success as he easily carries you up from your desk as you squeal, surprised

the two of you lock lips, kissing eachother as schlatt holds your back for support before gently setting you down on your guy's bed, hungrily devouring your lips but being so gentle as he slips his hand in your shirt

fondling with your breast, that's why he preferred whenever you don't wear any bras, for easy access if yk what i mean

he gently removes your shirt, liking how your nipples perk up, as he breaks the kiss a string of saliva connects your lips, as he kisses your breast, his lips sucking on your nipples as he looks up at you with those endearing eyes of his

“ angh… jay “ you moan out as he trace kisses all over your body until it reaches your hips, his hand gently guiding you as he removes your pants and panties

“ does it feel good? “ he asks, as he threw your last piece of clothing on your bedroom's floor, as you nod in response, “ i want you to feel so good okay? “ schlatt smiles

as he gently divides your legs, making you spread out for him, “ fuck… how do you get this wet so easily? “ schlatt states before gently entering a finger in, causing you to gasp

“ because… you make me so wet “ you chuckle softly as schlatt chuckes too, slowly thrusting his finger in and out as he leans in to peck your clit

he savors your pussy as he digs himself in, tasting you as he moans out while you arch your back in pleasure, holding onto his hair as you moan his name out, “ jay… fuck “

he swirls his tongue in, fucking your hole with his tongue, he can feel your flaps flutter as he continues on

he licks your clit, swirling his tongue around it even sucking it, “ feels so good toots? feels so good hm? “ he repeats, mumbling as he eats you out

“ yes… yes… ah… schlatt “ you gently pulls on his hair as he continues to thrust his finger in while tongue fucking you, adding another finger causing you to gasp again as you rolls your eyes back

you wrap your legs around his head, locking him in as he notices your breath fastening, you're close, he continues to lick you out as your moans are getting louder and louder every second

“ b-babe… ugh… im cumming “ you breathe out but immediately regretted it as schlatt pulls away, as you whine, “ what the fuck “ you groan out, now pouting

“ dont look at me like that “ schlatt chuckles, “ im not letting my wife get an orgasm because i ate her out “ he replies as he unties his jogs, lowering it revealing his hard dick, not wearing any underwear since it's only you two home

“ remember, our focus here is getting you pregnant with our healthy babies, not tongue fucking you until you're pleasured “ he smiles, teasing you as he pats your cheek, pecking you

he slowly pushes his tip in, teasing you as he rubs it on your clit, “ then get me pregnant already… you're just teasing me at this point “ you pout as he slaps the side of your hips

“ so impatient, are you this eager to be a mother already? “ schlatt pushes his whole size in, gasping, feeling his dick fill you up, you can feel it throbbing inside you

“ fuck! “ you gasp out, as schlatt holds your hips, slamming his dick inside of you, as you gasp again, moaning, enjoying how you easily bounce off just from a thrust

“ you look more prettier like this, “ he teases you, leaning in as he folds your body in half just to able to lock lips with you again, “ i should fuck you everyday so we can be sure you get pregnant “ he added

his rolls his hips, his hands trailing all over your body, touching every part of you, his hands trace your curves, admiring your shape and body

kissing your forehead, cheek, neck, everywhere, this man makes you feel loved everytime, “ you're gonna look so pretty with my kids, yeah? “ schlatt fucks you up

“ you're gonna be my little pretty wife okay, gonna see you carry our kids, gonna make you be a pretty little housewife “

after saying those you can feel his pace fasten, god, it really does feel different without the rubber, you thought, as your room fills with moans, skin slapping, thrusts, groans and squelches

“ ah ngh jay- jay- please… “ you moan out, pulling on his hair as you can feel him throb, his thrusts getting aggressive every second as your body limps in pleasure

“ im cumming.. im cumming.. baby, toots.. ugh.. im gonna fill you up, im gonna fill you up with my babies, you're gonna… fuck… look so pretty pregnant, you're gonna be the most prettiest.. fucking housewife ever “ schlatt starts to peck your face before catching your lips

the two of you kiss, your tongues tangled with eachother as he finally cums inside of you, while you squirt your juices, unison with his orgasm, schlatt pulls out, chuckling in amusement as he sees his semen leaks out of you

“ fuck… you're gonna be a the mother of our children soon “ he smiles, pushing his finger in to keep his semen from leaking

a full year had passed, your child was finally brought on the world, you sigh out as you publish a new video, as you look behind, seeing schlatt was holding your daughter, carrying her as he smiles at you

“ is she asleep? “ you stand up, approaching them, “ surprisingly yeah, she's been behaving for me “ schlatt gently caresses your daughter face

admiring as the 3 month old scrunches her face in her sleep, “ she's a big mama’s girl huh? “ you ask, as schlatt nods, “ i think she loves you more than me “

“ but in her defense, if you're my mom id prefer you “ schlatt jokes as you chuckle, leaning your head onto his shoulder

#chuckle sammy #chuckle sandwich #jschlatt #schlatt #sleep deprived podcast #jschlatt x reader #schlatt fanfic #schlatt x reader #jschlatt x you #schlatt x y/n #jschlatt x y/n #jschlatt x reader smut #jschlatt fanfic #jschlatt smut #schlatt x you #schlatt x reader smut #schlatt smut

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witch128chick · 1 day

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i watched the toh pilot episode, here's my reaction

ooookay i so wasn't expecting what i just watched- I WANT MORE

(if you haven't watched it yet but want to do it without spoilers then don't open this)

alright alright i lost my shit actually

Amity stood up for Luz and the fact that she said this was the first time anyone had done that for her is just so sad...

and Luz gave her a drawing as a 'thank you' ( ꒦ິ ཀ ꒦ິ ) she's so sweet

oh and also!!!! first bigger change is that Amity was an exchange student in the human realm! i wonder why her parents sent her there and if there's any angsty reason for that (cuz yk yeah i'm a sucker for angst esp if it's Amity related)

my first thought when i saw this frame: "if i could picture how my mind looks like this would be it"

girly just casually grabbed a key and travelled between realms- do most witches and demons have a portal key or is it exclusive??

Luz met Eda!!! also they teleported later- so cool (ง ◉ _ ◉)ง

i heard that the Owl House was meant to be a shop first and now we can see how it would've looked like!

awww Luz is so excited!!! i love her (˶˃⤙˂˶)

that ceiling looks so prettyyy

Luz i have to say it again and i will never stop saying it: i love you you're amazing pls never change

another bigger change!! Lilith is headmistress in the high school!!! and everyone's afraid of her- shes's a boss bitch and ik she's evil but i love her

girllll--- (ง ͠ಥ_ಥ)ง why are you like this???? you had no business being this mean-

she threw away Luz's drawing from earlier whyyyy (·•᷄∩•᷅ )

side note: the demon on the left is Boscha's pilot?? yk 3 eyes and everything...

i loved this scene! Lilith is so cool and everything! and i absolutely love the sibling mocking between them it's priceless-

and said mockery pissed Lilith off sm that she turned into a beast ༼;´༎ຶ ۝ ༎ຶ༽ does she have the curse in this version? is it really a curse or can Lilith turn into that thing whenever she wants to??

soooooooo omg- i can't Lilith got trapped... somewhere!!!! and her hand is chopped off now

i am soo curious about this like what happens to her after this??? where does she go? how does she get back? will she seek revenge??

oh uhm all i wanted to say regarding this frame is that guys- yes. relatable

Luz is literally this emoji 🧍🏼‍♀️just in a lying position

noooooo this was sooo sweet!!! (*꒦ິ꒳꒦ີ)♡

i love how it was Eda who screamed bc the drawing that Amity threw out the window hit her in the head-

Eda complimented Luz's drawing and omg it touched her sm (っ˃̣̣̥ -˂̣̣̥ς) she only felt accepted and understood by Eda i'm so sad rn

and the biggest plot twist happened

i am not okay

EDA'S WORKING FOR THE EC??????? since when? how? why???

i'm guessing Lilith is also working for the Emperor but like Edaaaaaaaaaaa

i can't get over this

i saw someone say smth about a betrayal and this scene but i wasn't expecting THIS

tho i'm pretty sure Eda wouldn't hand Luz over (but i do have some alternative ideas for how this could play out)

is Eda cursed here too? how would she get another key to send Luz back to the human realm? what happened to Lilith??? where's Camila? we saw Amity starting to change her mind about Luz but how different her arc would've been here from canon???

i am so fixated on this rn this will occupy my brain for a good few weeks i think

and i absolutely hate myself for wanting to write a fanfic for this- I HAVE TOO MANY PROJECTS AND IDEAS ALREADY!!

but guys pls if you see anyone writing a fic for this lmk!!!

so yea i'm crazy rn i loved this and will definitely watch it again

the lore, the questions...

#owl house #the owl house luz #eda the owl lady #toh pilot #the owl house pilot #king owl house #owl house lilith

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prince-liest · 2 days

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First off; I LOVE 666!!! 'Multi-series hard kink/edge play pwps (though I'm with you on the 'without plot' being a total misnomer) that are actually in depth psychoanalysis of characters and complicated relationships' is one of my favorite parts of any fandom ( I'm being specific with that because no really for years in a lot of fandoms there's been that one ((or 2)) series that like. Will stick with me forever and make me think about sex/intimacy/myself differently. And your fic is 100% that for HH). I have a lot of squeeing about a lot of it that I hope to be able to coherently comment about at some point but for now!!!!

I was wondering if there was specific purpose behind where certain scenes take place? Like if they're at 'Vox's place' or 'Alastor's place'? because I thought there was a pattern of when Vox is (or ends up) subbing it's at his place (where he would feel safer and therefore more comfortable being vulnerable maybe) and vice versa with when they're at the hotel. But looking back at it to write this maybe I'm making that up? Because they just mostly do take place at somewhere of Vox's? Because I guess Alastor did end up 'going home' at the end a lot. In which case is there specific reasoning behind them not being at Alastor's place as often? (Does he just have less privacy at the hotel lol?) Idk I thought I was getting something, especially with that 'we're at the heart of your territory' line in part 8??? The more I type into this rambly chatty ask the more I think I was just overthinking. But it stood out to me anyway. ANYWAYS. *Finally pauses to breathe*

I really appreciate your series and I love your interpretation of these two weirdos relationship!!! Every snippet and every update I see drives me crazy!!! Thank you so so much for all your work!

Ahaha, I'm so glad to have written that fic for you in this fandom! Someone left a tag on one of the art posts for 666 recently that said "can't wait to see what emotional revelation unsafe kink will lead to this time" and it's. Pretty on point for the series, ehehe. With the likes of Alastor and Vox, it's really hard to dive into any form of intimacy without, like, emotional repurcussions, and that's my favorite thing to write! Thank you so much!

As for your question: To be perfectly honest, there's no specific pattern behind which location I choose for a fic as far as their roles are concerned! They mostly take place preferentially at Vee Tower because Alastor doesn't want to invite all the fuss and bother of Vox's...everything...to the hotel until much later in their reacquaintence. It's much easier to decide that he's done with whatever's going on and to dip out of Vee Tower than it is to have to remove Vox from the hotel (or, well, at least in theory: he portals Vox back into his own bed pretty easily after their night of drinking, haha).

Alastor inviting Vox over for drinks is a sign that he's actually, like, opening up a bit in certain ways by actually inviting him into his living space. Previously they'd mostly only been at the hotel transitionally, and during the second time they slept together, which is also the first time Alastor actually slept with Vox for reasons other than "for the meme", and was looking for a more comfortable, controlled environment to try this new thing in. (And also gave fewer shits about kicking Vox the fuck out without a second thought.)

In a way, the locations follow the general pattern of Alastor's emotional evolution throughtout the series: he's fine with it being at his place at first because he feels more secure and doesn't give a shit about Vox; then he transitions to being more careful and shutting Vox out of his personal space; and now he's slowly gotten to the point where he's comfortable inviting Vox in on occasion.

Alastor's opinion tends to matter more between the two of them as far as location is concerned, so it's mostly down to that, plus occasionally me thinking, "Hm, this episode would be cool to do in blue shark tank mood lighting," hahaha.

#ask #personal #callmeicarus #666 live on air #my writing #hazbin hotel #t #long post

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trans-cuchulainn · 8 months

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wish abled people would understand fluctuating disabilities more. i told my boss my knee was better today than friday and she's like "I'm glad it's slowly getting better" but it's not Getting Better, it's just having a good day (and tbh it's worse now than it was when I said that) and tomorrow it'll probably be unable to bear my weight again. like. stop thinking of these things as a straight line progression because they're not and I'm tired to having to explain every bad day like it's some bigass new problem when it's just. the nature of these things

#i also wish adobe acrobat would stop freezing on me because it's like the whole reason i came in today #bc i dont have acrobat at home #and it's being so shit I can't actually do any work #painblogging #disability

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camellcat · 3 months

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WTFFF I thought thirteen would be my new girl crush love of my life heart eyes wife you-came-after-twelve-you-must-be-better-than-they're-all-saying bbygirl and then I had to sit down and watch as she told a man who (if he were not a murderer, of course) literally every regeneration before her would've LOVED and FULLY SUPPORTED that "the systems aren't the problem. how people use and exploit the system, that's the problem. people like you" </33333 !?!?

#WHERE IS THAT POST THAT SAID NINE WOULD KILL THIRTEEN FOR BEING A CLASS TRAITOR #WHY WOULD YOU SAY “ERODE PEOPLE'S TRUST IN AUTOMATION” ALL WORRIED AND CONCERNED LIKE THAT???#WHEN DID YOU START LIKING AUTOMATION OVER PEOPLE THINKING AND DOING THINGS FOR THEMSELVES???#AND WHY ARE YOU TRAVELING WITH A COPPER??? WE HATE COPPERS??????#did we FORGET into the dalek?? how about how he treated danny?? god there's so much more I can't even remember off the top of my head #(I understand soldiers are different from cops but c'mon don't even PRETEND twelve would've been any nicer if blue or danny were just COPS)#also a bit off topic bUT MAY I JUST TALK ABOUT ARACHNIDS IN THE UK FOR HALF A GODAMNED SECOND—#I know the companions are usually the ones to do the doctor's dirty work here but like #I just can't see the other doctors NOT having the business man lure the spider for being so fuckin annoying about it #like I was genuinely surprised when they had him do that whole song and dance about not doing it and then he actually just. didn't do it #the doctor LOVES fucking with evil rich business men this is PERFECT. plus why not get back at him for being awful to their companions?#absolutely gobsmacked thirteen let him act like that. I am wrong in thinking that the others would've shut his shit down a LOT quicker??#anyways. I love jodie whittaker and it's just so upsetting to have her doctor do something so wildly off #THIRTEEN PLEASE I HAD SUCH FAITH IN YOUUU I WAS IGNORING THE HATERS AND FOR WHAT #I can SEE the other doctors in her still I can FEEL them they're there she's doing an AMAZING job but. oh my god. what did they make her do #I can't even say she feels ooc as a whole because jodie is bloody brilliant. it's just these... moments. that don't make ANY sense to me...#especially coming off of twelve?? I get the radical personality switch but that belief is a core part of the doctor. or at least I THOUGHT #thirteenth doctor #doctor who #I still love all of you who love her and reading ur posts/fics but I. will not be making any myself. I do not think.

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homuncvlus · 12 days

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Buy me a coffee

THIS HAS BEEN SITTING IN MY DRAFTS FOR LIKE TWO HOURS ASKING FOR THINGS IS LITERALLY MY WORST FEAR BUT FUCK IT WE BALL

my mum could really use £30-40 for groceries. We've spent a lot of money fixing stuff this month like replacement pipes and central heating (that really should be our landlord's responsibility..). She only has £150 left but we've still got bills to pay later this month so not much to spend on food and other necessities. Universal credit + her wage doesn't get paid until the end of the month (something is coming next week too but idr) 🥲

Usually we ask family and close friends for borrowing money but no one has been able to lend any aaa

No pressure to donate whatsoever — but if you have some extra money, any support would be greatly appreciated mwah <3

#minimum wage paired with her being a single parent and all that isn't really the best combination but eh #If it weren't for everything breaking at once I wouldn't have to ask #Anyway I need to shit on my landlord for a sec because I'm so pissed off #He doesn't fix anything (or at least takes a long time — he's been “fixing” our fence for thr past 4 years because its soo expensive and #otherwise he can't go on his quarterly holiday 🥺)#And he still has the audacity to raise rent every year when we've been renting for 10+ years now and never missed a payment #How do you go from £900 to £1500 a month for 2 bedrooms #We even pay a day in advance just in case something doesn't work or we can't pay later #But the one time she payed at 10 in the morning on the day he automatically started asking if its been transferred bc he can't see it #Even though its any time during the 24h and then the grace period #Its in the contract that YOU WROTE erm #Maybe stuff wouldn't be breaking all the time if you actually invested in high quality pieces #When we signed the first contract he literally bought the house 2 days prior and didn't renovate anything lmao #lasar being incoherent

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lord-squiggletits · 8 months

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I need to reread the comics again to have specific arguments/evidence for this, but like

I feel a bit like I could've been sympathetic to the way other Cybertronian colonies view Cybertron, if it weren't for the fact that at least several of them (as in, ones that get notable dialogue/screen time) are so low-key self-righteous?

Like, idk... there's a lot of criticism of Cybertronians because they're so "warlike" and how their obsession with violence and vengeance is just dragging the whole galaxy down with them, but uh. The Autobot-Decepticon war was basically a product of societal ills bubbling over for like 6 million years beforehand and then finally boiling over into a 4 million year war that lasted as long as it did because the people involved had immense social/psychological trauma from being "raised" in an oppressive society.

So when the colonists come in being all 'omg you people are so violent and uncivilized why don't you just like, stop fighting' it kind of pissed me off a little bit as a reader/person like. Idk the colonists really came into this society of people full of massive amounts of trauma where even before the war society was super oppressive and no one has any experience of living "normal" lives unaffected by violence and bigotry. And the colonists were like "ummm wow why don't you guys just??? stop fighting???." Like idk it wasn't EVERY SINGLE MOMENT, in fact I think that when it was played for laughs it's quite a funny "fridge horror" type element. It was just annoying because like.... IDK???? It's just really annoying to watch a bunch of people who lived relatively sheltered lives on their own planets come to a different planet full of traumatized people and be like "omg why are you people so fucked up" IDK BRO MAYBE BECAUSE THEIR SOCIETY WAS OPPRESSIVE AND THEY LIVED THROUGH A LIFELONG WAR???

It also doesn't help that the colonies were literally founded based on imperialism and conquest so like, it's fucking rich to hear colonists scolding Cybertronians for their violence ruining the whole galaxy while literally sitting on planets that their Primes colonized from others. The hypocrisy of this is briefly mentioned in Unicron (literally the FINAL STORY OF THE SERIES) but like, that's basically the only time Cybertronian characters are given a reprieve of sympathy from other characters in universe and it's so tiresome.

I've talked to other people who didn't like the colonists and thought they basically (narratively speaking) existed just to shit on the existing characters, and it's actually really easy for me to sympathize with/outright agree with that assessment of the story considering how much of exRID/OP seems to be preoccupied with "Cybertron/the Primes/Optimus sucks" with very few reprieves for anything positive happening and even fewer chances for characters to get to explain themselves and experience a little bit of justice? Like, as the audience, it's just very frustrating to see the characters you spent hundreds of issues keeping up with get shit on by a bunch of "literally-who"s and then not really get a chance to ever defend themselves, either by literally defending themselves in conversation or having some sort of narrative thing happening that vindicates them at least symbolically

#squiggposting #paused work to muse about this which i prolly shouldn't have lol #oh well i'll still get stuff done #like idk an example of this is how pyra criticized OP for using religion to manipulate people #(lets just ignore how she said she would teach OP but never actually did)#but in the story there's never any sort of confrontation where pyra learns about history or talks with OP #and OP gets to be like. yeah on my planet primes fucking sucked and i'm the only one trying to redeem their image #also ive been fighting an endless war that lasted 4 mil years in which me being a shining figurehead was basically #the sole motivating force keeping my army from just collectively succumbing to endless despair #and i also had to use this shining figurehead image i had to keep the opposing army from genociding a bunch of organics #like not once does OP get to express his side of things he's basically just shit upon endlessly by other characters as he keeps doing plot #i feel like i had another example but i can't recall who/what was involved lmao #like idk it's not just that barber's writing is depressing and dark and edgy. i LIKE stories that do that kind of thing #it's just that it feels a bit as if the story is ENDLESSLY depressing and dark and edgy with almost no reprieve #as if it's mostly presenting the flaws of the characters with no chance for them to justify or redeem themselves #idk i feel like there was another better point/example i was gonna make but i can't remember it #like idk i guess a dark depressing story would've been better if the characters at least got to defend themselves #bc as is it basically feels like they (esp OP) get shit on endlessly and never once get to express anything about it #so like. they get shit on in universe. but also as the reader since there's never a contradicting viewpoint or the character defending them #it's as if you're supposed to take this one-sided criticism of them at face value and it just doesn't seem fair AS THE READER #if i read about OP getting shit on by some people and defended by others and also him expressing his opinion on himself #then that just feels like a normal fair narrative where i get to take sides #but if it's just OP being shit on and he hardly expresses much about it #then it feels like i as the reader am expected to agree with the portrayal being shown?#but in reality the portrayal just feels negative and unfair and one sided to me #and why the fuck do i want to read a story that's just the characters i know and like on an endless shame parade #also shout out to 'literally who' aka slide calling OP 'literally fascist' lmao #one of the most cringe moments of the entire comic. wait no. i can think of a more cringe Slide Moment #when unicron is about to destroy the planet and trypticon is getting shot and dying(?) in the background #and the story decides to pause and focus on Slide so she can monologue about how evil and tyrannical OP is

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dressupdragonne · 3 months

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I usually only post stylings and leave the talking to the tags, but I needed to get this out.

I'm so discouraged by the game here lately. I've contacted support several times about the crashes. I tried to make my entry this weekend 5 times and I never even got to the submit button. It was crashing mid styling. Sometimes before I even got to the sticker screen. My device is within their "requirements" for fluid game play. When I proved this to customer support they straight up went "oh we'lllet devs know of this issue" because they didn't have an counter argument against my device or its active storage at all.

My enjoyment in this game is dependent on me actually using the items I acquire. I'm not here for scores, I'm not here for competitive play, I'm here to make pretty pictures. And when I can't even make a casual styling outside of any competition entry or anything without the game crashing halfway through my efforts. What's the point of playing anymore?

#shining nikki #sorry for the sour post #I'm just so fed up with literally not being able to play the game #the game works so well when I'm doing events #buying packs #literally any aspect that isn't ACTUALLY STYLINNG NIKKI #god forbid I try to make a beautiful scene with depth #anything over like 5 stickers crashes #it's INSANE to me they think that they can sell stuff on an app that is taped together with duct tape #I love these graphics #I love the clothing #but if it's not even playable on mobile devices then release it for computers like damn #I'd play the shit out of this on my computer and still have fun and recharge #phones just can't take the load of this game #I mean shit my damn near brand new iPad Pro can't take the graphics load of this game #runs slower than my iPhone 12

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will-o-wips · 5 months

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It is 4 am. I'm staring at the ceiling of my bedroom, coincidentally having my phone right in my line of sight, and write this with the exasperation and intense focus that I probably won't ever have again. I'm about to attempt to make any sort of sense of the latest Hayao Miyazaki movie, The Boy and the Heron (or rather, How do you live? in Japanese), that I watched for the first time in theatres a day ago.

I cannot claim to be right, or to know everything about this movie. Actually acclaimed critics and people with obviously more braincells than me have probably better takes than I do. But I must speak, lest the insanity truly take over my brain, lest I really end up combusting because of how much I want to talk about this.

Prepare yourselves for the most incoherent train of thought and line of consciousness you will ever experience.

FILLED WITH SPOILERS READ AT YOUR OWN RISK. YOU WILL NOT UNDERSTAND UNLESS YOU HAVE SEEN THE MOVIE.

Before I start with my actual thoughts, however, I'll state my personal feelings about the movie, because I feel that matters too, and this is my post anyway so! But I personally left the cinema feeling somewhat mellow. I was not insane about it yet. It was,,, "meh". The impression of the ride was great; I was giggling along with the funny and even sometimes not purposefully funny moments, I enjoyed the animation to the point I would genuinely flap my hands in excitement at how good it was, I understood the story in great lines by noticing small details and going "oh so does this mean x?". But I did not cry. Not a single tear during or after or before the movie. I did not waver with my opinion on it as I rambled about it to my friends online and irl, much to their annoyance. I did not hesitate when I put it in my silly little Studio Ghibli movie tierlist maker that I update whenever I watch another one of these films together with my friends, categorized (in)discreetly under "all vibes no plot but there's a witch/wizard". I still don't, in fact.

So, given all of this, you'd probably say that I disliked the movie. That I would not have so much to say about it, after doing my mandatory ramble and update. Wrong. I still have more to say, somehow.

Despite that, I didn't rewatch the movie itself. I read an entirety of one (1) review of it, together with one (1) random video essay of 8 or so minutes, covering the basics of it. I reblogged one (1) post about its protagonist on tumblr and otherwise kinda read through the rest of the posts on here. I did not re-experience or re-examine this movie again. I cannot (again) accurately reference anything besides that what I vaguely remember from watching it a day or two ago. It's not playing anywhere near me anymore/not out anywhere else yet, so really, I don't even know what possessed me to write about this, or even say anything. The most fascinating thing (to probably all of us here) is; what made me change my mind about it?

It might've been the review on IndieWire. David Ehrlich and his well-written review, bringing things into much needed context as to why this movie was created. It could've been the fact that I've actively processed the movie better, now a little bit of time has passed. [Honestly it deserves a second watch/view for something more concrete, but I'm repeating myself with this, you get it.]

But I don't even really understand it myself. I felt and still feel so detached from this movie in a sense. I appreciate the artistry that went into it, and I adore the way it simply tells the story and leaves it up to interpretation. It references every single film Hayao Miyazaki has ever made before, and elements of other Ghibli films can probably be found in there too, if you looked hard enough. The vibes were similar to those of Spirited Away, and Howl's Moving Castle, given how inexplicably fantastical the world was. It just existed and breathed, and we as the audience jumped straight into it. We never got more exposition than what was needed; honestly I have a feeling that the second half of the movie was the vaguest piece of media I have ever consumed in my life. But it also had this perfect balance of the more drama-focused Ghibli films. The Boy and the Heron, in my opinion, is like the golden middle between reality and fantasy, both in terms of its narrative as well as comparison between other Ghibli movies.

This might also be the reason why I felt confused. The lines between reality and fantasy were so effortlessly blurred, that you could only process a singular picture. And when things are vague to me, I constantly need to pick them apart and analyse them, simply to satisfy my own curiosity.

The moment before I stepped into the movie theatre, my friend who watched along with me told me they heard it was a film about grief. I nodded along and said "yeah, okay, that just means it's another one of many Hayao Miyazaki and Ghibli films. Most of them are about some kind of loss, and dealing with it, either way." I sat down together with them; row 9, chairs 17 and 18, with my two bottles of water (one carbonated, one stilled) and the bag of terribly sour packaged chocolate pretzels I bought at the theatre itself. Horribly overpriced for the quality, I must say. My friend held onto the popcorn, and we sat through the ads, talking and laughing, anticipating something that was supposed to blow us away.

I cannot speak for my friend, but I think they really liked the movie regardless. They didn't cry at it either, even though we both know of each other that we always cry at such things. Somehow this movie evoked a certain stillness in us both; a stalemate between emotions and confusion. Maybe delayed processing. Maybe something else entirely. We both, or at least I, hid it until later.

It was midnight, and right before we stepped on our train home, I was excitedly going on about the references and animation, the things I did appreciate. I bragged a bit about how I recognized Kenshi Yonezu's voice in the final credit song that we didn't get to listen to entirely, because it was so late and we had to rush to get home. They laughed at me and told me to take some time to actively formulate any coherent thoughts on it. I disagreed (lovingly and jokingly of course), and we left it at that.

In the train itself, the same high dimmed into a simmer, the excitement replaced with contemplation, and I kept talking.

I told them: "I believe that this truly is his last film. This felt like a goodbye." And in return, they replied: "It's crazy how this is the last time we'll ever get to live in such a moment. The release of the final Ghibli movie in theatres.

"I'm glad we got to go."

I was too.

I got home, rambled about the intrinsic way The Boy and the Heron referenced other Ghibli movies to my online friends who had yet to see it. Followed by a heated tangent about how When Marnie Was There truly could have had better direction in regards to the narrative, as well as how Only Yesterday was the most boring out of all Ghibli movies. It was a nice night. I didn't think about the movie again.

The following morning, I contacted other friends, who told me about how Robert Pattison voiced the Heron in the English dub, which I hadn't seen or heard at all. He did a great job, judging by the trailer. This led me to another opinion, namely the video essay (I will try to find it and put it in the notes later if you are curious), which claimed something similar to this (of course, paraphrased):

"This is a farewell. The one true movie to tie such an expansive career. It is another movie where you are allowed to explore the magical together with the main character, while sticking close to the processing of it all."

The review I read said it was a swan-song, that it was the question and title of the movie in Japanese, posed at us, after The Wind Rises left it open to interpretation at the end of its run. That this was a story about the legacy that Miyazaki is leaving behind, how reality and fantasy coexist together, possibly influencing each other (not explicitly said but what I interpreted that review saying, so no this is also not completely like this).

Other tumblr posts I've seen on here say it was a film most likely dedicated to his son, Goro Miyazaki. That it was a gentle "I'm sorry, the shadow I leave behind is huge. I know that you will try and fail to fill it. It's okay; you don't have to. You can leave it behind. It's alright if this legacy dies with me."

Some other sources I've seen compare the main protagonist to Miyazaki himself, trying to grapple with the ending.

Yet somehow, all of these interpretations seem to fail to explain the entirety of this movie. The bigger picture if you will. These themes and moments and interpretations are not wrong, but to me, they're not satisfying enough.

Because maybe I am the only one who actually was insane about this moment, but I will never forget the delivery room scene between Mahito and Natsuko. How Himi addresses the magic stone, pleading to let the two go, saying "Natsuko and the boy who is to be her son". (Again, paraphrased, I cannot remember the exact line.) Maybe I am the only one who witnessed the whimsical fire witch and the going back in time plots and the fact that a younger Kiriko and Himi were there, already part of an ecosystem. How we already know from the other grannies in the house that Mahito's mother disappeared once for a whole year into the tower, and then came back the same as before. How the pelicans were BROUGHT there, that they did not belong there, and yet were forgetting how to fly. How they ate the Warawara, these creatures that were rising above to be born in the upper world. How the Heron's weakness was his 7th tail feather (or something along those lines), and how the fish and the frogs chanted for Mahito to join them in the tower. That the great-great-uncle was hoping for Mahito to succeed him and build a new tower, yet the king of the parakeets butted in and haphazardly did the job, resulting in it immediately toppling over, as well as the stones getting cut.

I think about the final scene where the Heron says "It's best to forget. Do you have any keepsakes?" And Mahito shows not only older Kiriko's figure, but also a piece of the stone paths they walked upon in order to get to the centre, the beating heart, the magic stone and his great-great-uncle.

How this is taking place during a war, that the timeline goes from his mothers death that Mahito cannot get over, to the welcoming of his stepmother and his new younger sibling. Them moving back to Tokyo. The way the tower completely collapsed. Completely and utterly collapsed and perished; not even a trace of it left behind. The way that older Kiriko keeps yelling it is a trap to Mahito in the beginning, but that both he and the Heron know. That it is inevitable to tread this specific path. That he must see for himself, whether his mother is truly alive. The way she both was and wasn't; first a mirage of her older self disappearing into a puddle of water, and second a firey spirit of her younger self coming to help Mahito. The way that he reads and cries at the book she left him, the way he hits himself with a rock after his big fight with his classmates; the way Mahito in general drowns consistently in the beginning of the film. He drowns in the fire that he lost his mother in. He drowns in the mud and the dust when he tries to enter the tower at first. He drowns in his dreams, in his tears, drowns right into his quest to find Natsuko (straight through the floor, by behest of his great-great-uncle), drowns in pelicans trying to eat him, nearly drowns in the actual sea until younger Kiriko fishes him out.

Now these things may seem like me just randomly naming shit that happens in the movie. Hopefully in a slightly poetic way, possibly. I could go on and on about the imagery, truly. But my point is, this movie may have been Miyazaki's last movie, his way of closure, his way of speaking to his son about his legacy, his way of describing the grief of losing his mother (idk if this is autobiographical or not. It very well may have been), yet...

Even so, it doesn't really fit the entire picture. It feels incomplete. The analyses always focus on the true meaning behind this movie, what happens behind the scenes, this one key climactic moment between Mahito and his great-great-uncle. But that's as if you would ignore the rest of the movie in general. As if the fantastical aspects weren't there to abstractly tell a story besides just being a symbol of closure for the person that directed it.

Personally, this is a tale of rebirth. Of losing yourself, and then rediscovering yourself in a way. I associate it with my own personal loss of my grandfather; the family member I felt closest to out of everyone.

The way you look back at such a traumatic stage in your life, something that irrevocably changed you for good, something that you probably don't ever want to relive again, but also mustn't forget. The way you instinctively are afraid to learn about who the person you love and grieve was, before you were in their life.

To this day, I still cannot speak to my mother about whether my grandfather had a favourite song before me forcing him to sing along with my favourites. A favourite book before he read out bedtime stories to me tirelessly. Who the boy in him was, and what wisdom and life lessons he carried on, into his grave, into the hearts of his children.

This movie depicts so much more than just grief, it's so much more than just legacy, even. It directly reflects the way I know I would have felt had I dared to actually see things for myself. If I actually dared to go through my grandfather's old things; the books he wrote and dedicated to me, the books he read when he was young. This movie depicts not how to live, but how to live on.

And the only way to live on is to move forward. To look at the foundations upon which it was built, to evaluate whether you truly want to have this be your burden to carry for the rest of your life. Mahito's abstract grief in regards to his mother, and the solace he finds in the fact that he at least knew who she was; that he at least had her in his life as both his mother and the girl that his stepmother knew, that at the very least he knows his mother would do it all over again, if she could. That despite everything, she did not regret a thing, and that she was not afraid. That somewhere, in the past, she lives on, happily marching toward this fate, because she knows that Mahito will be there to meet her again in the future.

And Natsuko, god, she worries relentlessly about whether Mahito will accept her. She worries to the point she yells at him, telling him that she hates him and his existence, because he rejects her so coldly and yet still bothers to show up in front of her during her most vulnerable moments. That he only takes and takes and takes; he steals her cigarettes in order to learn how to sharpen a knife from one of the servants. He uses those techniques to create a bow and arrow, a weapon. He gets into fights at school, he gets gravely injured on the side of his head, leaving a lasting scar.

If I were in her shoes, I would be furious at him too. Especially if he walked straight into the delivery room, trying to drag me out of bed while I was doing my damn best to keep the other child in my belly alive.

That scene, that sheer rage, and the way it ALL FUCKING SUBSIDES the MOMENT Mahito accepts her and calls her mother. The moment Mahito understands that through the literal whirlwind of plasters, things used to tend to wounds, none of those pleasantries/guards will truly allow him to reach her. The way he tries to nurse his own wounds, as well as try to nurse hers, over the loss of their shared connection (Natsuko's older sister, Mahito's biological mother), will NEVER allow him to make a connection with her. By being careful, by being polite, he will never get to be her son.

And he realizes, in that moment, that he wants to.

The magic stone tries to stop this. The magic stone dislikes disruption; dislikes things changing, dislikes breaking traditions (the taboo of entering the delivery room). The parakeets in the tower flourish because they follow the magic stone's whims more or less. They agree to follow its rules, even if it means they are prone to its abuse, because it gives them an advantage, a place to stay. The pelicans have to eat the Warawara, because there is no other food available to them.

The way younger Kiriko says "you reek of death", and how they establish this place is mostly made up of death and dead people. Dead people, or dying people, creatures that are begging to survive another day. Creatures that are begging to be reborn. That want to change, that wish to fly once more.

My mother once gave me a poem dearest to her heart. We have always been a family filled with literature and stories, but my mother was always the best at both writing them and reciting them. She used to read them out to me, back when I was in a particularly bad spot mentally, to the point I could not get out of bed for weeks on end, to try and reach me. She read with the sincerest passion in her voice, a small plea to get me back to the girl I was before.

I cannot explain or remember the poem by heart, but once I was at my true rock bottom, she told me to look it up. A Serbian poem, written by Miroslav Antić (I will add the name of it later), that was about growing up and growing into your own person. It made me weep, for it had a phrase I think I can only translate to this:

"Run and don't look back."

Somehow, whenever I look at all of these birds and creatures in this fantasy world, trying to fly desperately, trying to get to the skies, trying to get to even live, and think about the fact that the only way they can is by leaving this place. That the only way they can fly and survive as themselves is by leaving this tower, this stone, this foundation. By leaving and being born, by leaving and being reborn.

And, after all of this. Somehow I'm not even done yet. I haven't talked about the great-great-uncle in depth, nor the king of the parakeets, nor the heron whatsoever. I have not yet even touched upon what I might think the magic stone is, and the sheer amount of like symbolism I picked apart in my brain because of my insanity.

I'm probably not the only one who noticed these things. But so far I haven't seen anyone actively share these things, so, I will do my best to continue and genuinely wrap it up as best as I can. So that this can also bring the same amount of closure as the movie does.

The magic stone is like a shooting star that came onto the earth. It realizes dreams and worlds of whoever dares to walk into it and claim to own it; like how Mahito's great-great-uncle got obsessed and built a tower around it, caging it, taming it. And yet he still had to play to its whims, consistently making sure his own tower of blocks did not fall, that all of his work did not amount to nothing. Personally, I do believe the great-great-uncle could represent Miyazaki himself. That Miyazaki is trying to express how he built Ghibli and that now it has been going on for so long, and it has become unmanageable to continue upholding it. That it is time to retire.

A thing I find interesting and remember pretty well is the conversation between the parakeet king and the great-great-uncle. How they talked about Mahito's transgression, breaking into the delivery room (side note: he broke in and broke through to Natsuko with his mother's spirit. Mahito became Natsuko's son with the blessing of his mother; with the sheer love she had for him being carried on and through), and how the great-great-uncle says something akin to this:

"It is why I wish for him [Mahito] to succeed me."

"I cannot overlook such a transgression."

I feel this is important. It is key to how the great-great-uncle views Mahito in this. Because Mahito was not sent out on this quest to find Natsuko out of pure selfishness. Sure, his uncle would have wanted him to succeed him, but the entire reason WHY he believed in Mahito to begin with, is the fact that this boy was able to break the foundation and the traditions in the first place. Mahito inherently disobeys from the chosen path. Mahito inherently does not believe the Heron when he says that all herons lie. Mahito doesn't waver when the heron flies straight at him, he doesn't sway when the frogs or the pelicans overwhelm him. Mahito stands firm in who he is, even if he is trying to deal with new circumstances. Mahito inherently goes to places he should not be in (his curiosity for the tower). Mahito has enough power on his own to create a new tower, but only by rebuilding it from scratch.

This ready acceptance that the great-great-uncle has towards Mahito's decision NOT to inherit his legacy, is what makes me believe this is what this movie is supposed to represent. Break away from the old, off into the new. Closure. Moving on.

This is also reflected in the sentiment that Mahito truly DOES move on. He goes back to his family, his father, school, he goes back with Natsuko as his mother and a new younger sibling to Tokyo. He returns there where he came from, but he is not the same anymore. He is reborn into a new Mahito.

And god I feel like I'm repeating myself to death here; I really should have thought about the structure of this, but give me some slack okay. It's like 6:30 am already and I'm still not done, despite continuously writing and labouring at this.

So, the tower that immediately falls apart by someone who always follows the whims of a dream (the parakeet king and the stone respectively). God it is just such a momentTM. Because in the end even this shows that the parakeets, too, even though they by far had it the best in that goddamn tower, had to leave. For they could not build something on their own without learning who they were outside of the already established. Outside of just following the rules and all.

They had to leave, my GODDDDD.

As I'm getting progressively more unhinged, we shall move onto the most unhinged character in this entire fucking movie. The Heron himself. God there's too much to unpack here, really, but the truth is, the Heron was supposed to be the guide to Mahito. The Heron was supposed to be Mahito's biggest, most aggressive enemy, the direct antagonist to Mahito's protagonist. The Heron doesn't want change. The Heron tries to bribe Mahito with the fact that his mother is still alive, that he need only enter the tower, and lose himself to illusions and dreams. That fantasizing about his mother being alive won't only drown him more, that it won't just let Mahito sink into the deepest pits of his despair and anguish about such a death, that losing yourself to the belief that something is there when it is not wouldn't only be counterproductive. The Heron masks himself consistently; he says that all herons lie. He says that he only has one weakness, his own feather, that allows the arrow to automatically target him. In essence, the Heron shot himself in the foot beak. He himself slipped up in his mirage world, and came out to be who he truly was, this weird little man with a huge nose and a conniving demeanour. He adamantly cannot disobey the dream, for then his true nature comes peaking out (a small detail I absolutely love is the fact that the Heron's feathers also disappear out of Mahito's hands when Mahito is called back to reality by the grannies. The grannies protect him in the dream world too, by being his tether and support system while he gets over himself and starts trusting Natsuko). The Heron doesn't WANT to be a guide, for in order to be a guide, you must tell the truth. You'd need to know some facts about the world around you and share this information with the ones seeking guidance. This is how I believe Mahito understood the Heron before we did.

It's not that all herons lie; it's just that this particular one does not want to face the truth/reality.

Another interesting detail: the whole reason why only Mahito was able to cover up the hole in the Heron's beak was reminiscent about how only those that called you out can really patch up your old image. Only those that have poked holes in your false narrative are able to fill them back up again, and even then it is not the same, and even then it will not always be comfortable/reliable.

Either way, the Heron, after this wings partially turn into hands, his true nature, is unable to fly all that well for a while. He relies on Mahito's corkscrew thing in order to relish in his comfort zone of lies again. But throughout the movie, the Heron slowly starts to ignore the corkscrew completely; simply opting to stay in his (frankly, freakish) half gremlin man half heron costume form. The Heron changes because Mahito inspired him to change. Even though his image used to be spotless before, and he tried to deceive Mahito, after a while, he stopped doing that. The mutual trust both Mahito and the Heron had grew. The Heron became a person, although his heron-ness would never go away.

The Heron thus warns Mahito that he should want to forget. That he will forget, either way. That this struggle of his to grapple with the reality of his situation, and the fantasy that he was delving into, will become a far-off memory that Mahito should not revisit. The Heron, I believe, is genuinely trying to look out for Mahito.

"Don't dwell in what you have already overcome. Don't revisit the things you have already outgrown."

And this is where the movie more or less ends. Mahito still keeps that stone, and his mother's book, and he goes back to Tokyo; the only crucial difference is that he has overcome his own grief.

Now, I've said this like a billion times now, but this is the rebirth. This is what I think this movie stands for. What it means, at its core. This is what it means to live; to move on and to cut ties with that what has no place in your life anymore. Miyazaki, I think, is trying to give us closure, a final farewell to Ghibli altogether.

Now I don't know about any speculation that he might come back again, and personally, I don't think it really matters. If he does come back, good for him. I just don't know enough to say anything for sure, so I'll just say I cannot say.

Either way, I think, even though Miyazaki conveyed the need for a new start/a rebirth, he didn't really end on the complete abolishment of all that used to be. You are allowed to keep mementos of it; even though the Heron advises not to. Mahito is allowed to reflect upon this experience, to see it as another stone in his foundation/formation, to say that, yes, the spirit of this change will always stay with me, although it has passed.

Just like how Mahito's mom was someone who returned to the past without regrets. She never came back. She was a spirit that pushed Mahito forward, and he will always remember her, but it's better that she stay a memory than become a fantasy.

This is why I'm so impressed by this movie in general. I'm so thankful that I was able to witness this with a friend of mine. I'm glad that I was able to see this, even though my insanity knows no bounds, and the fact that I didn't even think about any of this until I really sat down to look through the options of interpretations.

I'm so glad I got to go. Now it's time to run towards the future, and never look back.

#the boy and the heron #genuinely what was I on actually #I can't believe I am writing this/have written this #Disclaimer: I am really just saying shit please do not take this as the end all be all or whatever; I just need to say it just in case.#oh btw this is DEFINITELY not meant to critique or dismiss any of the people that have other opinions than I do #I just needed to put my own interpretation out there #together with my few flourishes of storytelling here and there even though I'm not even sure if it makes any sense whatsoever #the boy and the heron spoilers #spoilers #I think like. there is so much more to be said about this. there is so much more that can be touched upon #without the repetitive stuff of unstructured “just wing it” (ha ha get it. because there's so many birds and flying metaphors in this.)#essays and shit like this #like I haven't even touched upon Mahito's father and the entire airplane thing that could just be a reference but also-#it could be a metaphor in how his father is trying to overcompensate and how he just wants Mahito to fly again so he creates and works so-#hard that he eventually just ends up being absent in Mahito's life.#which is sickening. (positive/bittersweet)#anyway I am still just saying shit. enjoy the??? idk essay upon essay upon essay of late night insanity.

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