You'll have to contend with any planes already in the air. The moment those Tomahawks hit, the enemy will know you're coming. Your time to target will be two minutes and thirty seconds. Any longer than that and you will be exposed to any aircraft the Tomahawks may have missed.
This is what you've all been training for. Come home safely.
TOP GUN: MAVERICK (2022)
dir. Joseph Kosinski
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excuse me i need to Muse on something for a moment
so in Wally's secret 'vinyl' audios, specifically the last few (if we're listening to em in chronological order), obviously he starts to sound more strained/distressed. his breathing is more labored, like it's taking all of his energy to make contact.
but the audio that really caught my attention was the "But i still can't see" one. cause he just said he has more eyes than he did before. he knows We draw them a lot, and it's thanks to that that he can see. but he still can't see?
so my question is: where is Wally physically? cause although he can (assumedly) see the WHRP goings on, he can see through the eyes We draw, that could all be on a, uh... more Intangible level of sight. like the spiral pit is forming an eye, and then there's the eye on the ceiling in the secret Staff Only section - could Wally be in the pit, that space between his reality and Ours, "watching" through the eyes? but unable to actually see with due to the pit being pitch black nothingness? is he somewhere else? is he stuck? he can see, but he can't... see.
(or is he trying to explain an abstract concept - he's not actually viewing anything, but he can sense it. like how he knows We're there, even if he can't see or hear Us. but he just doesn't have the words to describe it other than using physical senses - see, hear, look.)
and him saying "...that I can see. But it is still... I can't..." but it's still what, Wally? dark? something else that he doesn't have the words to describe, so he just says that he can't see?
i know that in the Livestream Trivia Document (compiled by @/the neighborhoodwatch) there was something said about Wally being in a box. my first thought reading that was "oh, so he's in storage? the physical puppet, i mean?" which would make sense - show's over, there's no more use for him. pack 'em up and put him away. but that paired with the "can't see" audio makes both seem a lil... connected.
Wally can't see > he's likely somewhere dark > the inside of closed boxes are dark > Wally's in a box. (or maybe the Neighborhood is the box? it's a stretch, i know, but the map is a box. television sets are often set up in "boxes". maybe it's less of a physical storage box and more of a 'boxed in' sort of thing...)
one question i've had since the Start of my interest in this incredible project is: how is Wally communicating? how has he connected to the site? how does he connect to our reality? the pit almost definitely has something to do with it - most likely acting as a bridge, or the deteriorating of the barrier between our two 'worlds' - but if Wally is in a box and Not the pit or even just in the puppet's reality... how is he reaching us beyond just seeing through the eyes he's given?
or is he in their reality, and he can contact through the pit or something, but he can't actually see the other side? Our side? he knows it's there - that We're there - but none of it is visible to him. maybe his apparent disassociation in the 14 bug audios is a demonstration of him contacting Us. we can see through him, but it's a one way street.
and speaking of the pit - i just had a thought. his whole thing with Us letting him in, opening... the pit on the neighborhood map is getting bigger and clearer. but the presumed Other Side, the one on the Staff Only ceiling, is small. it's the size of a ceiling panel. it seems to me that Wally is chipping away at his side of the pit or 'portal', trying to reach Our reality, but he needs Us to do the same thing on the other side. the QA can hear him calling, but there's no phone on their (Our) side of the pit. how do We call back???
there's a fundamental barrier & lack of understanding between Wally and the QA/Us. he's trying. he wants to be let in, but what does that mean, really? let him in where? open what? he's desperate. he wants us to understand. he's trying so so hard Without the right tools to clearly communicate what he wants. he can't see Us, We can see him, both know the other is there, but there's no way to connect. and the attempts are hurting all parties involved, however unintentionally
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He Lives
So, back in May (2023), I decided to pick up a knitting project and he is finally done! Meet, my son;
Now he's sulking
The great Grim-sama has tuna!!!!!!
Grim jumpscare
Tail details
Toe beans :3
I used weight 4 yarn and 3mm straight needles for the body (it was hell), whereas the bow is weight 6 on 6mm needles. I had an old spiral crystal necklace that I didn't use, so he has an actual amethyst crystal for his magestone. He is around 40 or 50 centimetres tall, and very potato-shaped. He is potato-shaped so he can't run away from me or the crimes that he commits.
I didn't use a pattern for this, it was all eyeballed (I came to regret this when it came to the limbs). But I do have a very rough mock-up for a pattern (it's just shapes though).
To awaken him, I played Circle of Life and gifted him tuna. It was a whole-ass dance sequence.
Tags; @twistwonderlanddevotee, @krenenbaker, @identity-theft-101, @inkybloom-luv, @eynnwwyjth, @officialdaydreamer00
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i know I'll get a lot of hate for this but
Scarecrow>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>> Joker
DC stop with the over glorification and draining J, Scarescrow has much and more potential.
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What's your opinion on jee in the live action avatar? (And the whole 41st Division change)
anon... not like natla is the worst that could have happened to this franchise. but i really couldn't vibe with the natla...
jee is just... younger jee i guess. and the 41st surviving was like... cheep writing vise? Something to force us getting emotional, which to me personally didn't work?
so.. uh... -srugs- Ehhh
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only watched clips of fit pov so I'm not fully informed yet but the evolution of fit deciding the "homophobia" is real is interesting.
like, initially he saw it for what it was: tubbo lashing out because he felt left out. he called tubbo out on this, he told ramon this, he laughed about it. tubbo was also cartoonish in his distaste, it was obvious he was hurting underneath.
but slowly he's become more and more genuinely annoyed by it even though tubbo has toned it down massively
tubbo basically just does his performative ick when faced with fitpac moments like one might if their parents kissed in front of them. he certainly still feels left out but it's also a bit (one pac loves to poke at bc he knows it's tubbo being stubborn and resistant to love)
but to fit, who wants tubbo to show him that he still cares about morning crew, it bothers him that tubbo can't just leave it be. it hurts every time tubbo rejects fit & pac's relationship, even jokingly. he doesn't understand why tubbo feels left out. he wants morning crew back to what they used to be.
tubbo for the longest time was the only person there with them when fit and pac were developing their relationship. no ramon. no richas. no mike. he teased fit but he also supported him. he was the buffer they needed to start acknowledging their feelings. he was their friend.
but now tubbo is standoffish. he shies away where he used to budge in. he doesn't know his place around fit and pac anymore and he's not brave enough to ask. he's scared of the answer.
and fit doesn't get why tubbo can't just believe they love them the same as before. why he's not acting like before. he feels rejected. he feels ignored. the comments about fit and pac have started to feel personal instead of just tubbo being insecure.
so when he sees tubbo reaching out to foolish, it hurts him. it seems like tubbo has just given up on the morning crew. and he wants to lash back. he wants to warn foolish about how tubbo can hurt him. he wants tubbo back. so he frames it around the going joke, that tubbo's homophobic, but it doesn't quite land (fit's not as good as tubbo at making jokes out of his own pain). it just ends up feeling too real and that's exactly the problem.
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kitty side characters
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day 64
@sparkvampweek day 4; Sparkling's birthday
"Happy birfday I made you brekast :]
Don't go in the kitchen"
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first art post of the new year!!! granted, i don't share my art here that much anyway, but– shhh.
hehehehhhooo,, here's something i've been working on for 'bout a month,, albeit not consecutively– took a few,, very very long breaks in between working on this,, but i managed to finish it in the end! am i satisfied with it? .......ehhhh? not completely, but if this took any longer, it might not have seen the light of day, so like. ¯\_(ツ)_/¯.
anyway,, made a little poster for my favorite fic, tommyinnit's services for villains, vigilantes, and various other vagabonds, by @scorpionoesit!!! it's really really good,,, and i've always wanted to make more art for it,, so i decided– poster! at least,, that's what it's mean to resemble,,, dkdmkdmdkd.
i will freely admit,, i'm... not the biggest fan of the fan-made logo i tried to design for it,, feels a bit boring, and could definitely have used a bit more pizazz, something to make feel more like the fic itself(what does that mean? you figure that out),,,, but– again, steam was running low,, dkdnksjs. graphic design is my passion. i do also have other complaints, but i'm afraid i already punched my one-use self-critique card,, oh well,,, dkdnkxjdkd.
regardless,, even with the flaws only i can really see,, this still turned out pretty okay!! hope you enjoy it, mx. scorpio and mx. alibi!!! and i hope everyone else has a wonderful new year!!!!
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The different parts of Gotham War not lining up at all in terms of plot, character motivation and characterization is bad enough, but now that DC is suddenly trying to explain when other titles like Detective Comics and Batman and Robin are taking place in relation to Gotham War it gets even worse because now all of these storylines make so much less sense too.
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What an ending. DFF was an excellent character study rather than a romance, whodunit, or even murder revenge. It's unnecessary to take sides or impart some sort of morality on each of the characters. I think this series showed that people are grey, neither all good nor all bad. (Except maybe Top, it seemed like he really was just a shithead.) Each have their own motivations, fears, and pressures. People are selfish and will do shitty things to survive. That doesn't necessarily make them evil, just human. They are allowed to feel guilt, regret or try to make up for what they did. That doesn't mean they're "good" or redeemed either.
That being said, Non, White, and Uncle Dang didn't deserve their fates.
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:(
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I've been in a creative frenzy these past few days and I went from just having a vague idea of just a regional map for my dnd campaign, to suddenly having a rough topological world map almost finished. It's in the cahill butterfly projection because it's easier to ideate in and I cannot be asked to account for much distortion so I just decided to make the world fit easily onto the projection. I'm not gonna be too anal about the tectonic realism but my goal is for someone with like a bachelor's in geology to be able to take a look at this and think it at least feels truthy (and you can see some of my sketching of what the tectonic activity is)
next step: atmospheric circulation
next next step: oceanic circulation
next next next step: climate zoning
next next next next step: drainage basins, rivers, and hydrology
next next next next next step: major eco-zones
next next next next next next step: major cultural zoning and fitting in the other cultures I've thought of but haven't mapped yet onto the map
I desperately need sleep
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