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#ancient greek influence
doodlerose · 2 months
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irate-iguana · 1 year
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Help.
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sarafangirlart · 15 days
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If your understanding of Hephaestus as a character and his relationship with Aphrodite comes solely from the GOW Games maybe stfu idk
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radlymona · 2 months
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ENOUGHHHHH
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hanzajesthanza · 8 months
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thinking about all of the wonderful book witcher designs that i’ve seen from fanartists across decades of fandom (i.e., way before i joined the fandom) and how different everyone’s designs are, yet how they all are so similar because we’re all inspired by the same descriptions, we’re all working with the same text. the distinguishing features come from creating based upon our personal interpretations and imaginations, which are unique to us. and yet all images, in all of their differences, are the same character, the same description, the same text
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maxellminidisc · 29 days
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Greek and Roman power structures are why I hesitate to call most things people call "queer" about their societies queer on the internet or like when people ask the stupid question of "Do you think theyd be into bdsm?" I'm like do you WANT that kind of inherently bad for consent society to be into bdsm???
Putting my thoughts under a read more cause its lengthy and something that I've wanted to talk about for a while now!
Like I'm sure queer relationships with like 1) no weird power dynamic and 2) pedastry existed in these societies, we have always existed, but it would not have been easy. They most likely still would have had to have played the part of a man who followed the rule and roles of what a MAN had to to be considered a man on the surface of society, because if they didnt, they would've been ridiculed and seen as lesser men. A big example of one such rule in the sexual realm is men could not and should not be penetrated; penetration was the domain of those lesser than men, if you were a man who liked being penetrated you were a fucking joke. They would've even been called perverse for not having a weird power dynamic in their romantic or sexual relationship with other men.
Slaves, young boys, slave boys, etc were basically equivalent to women in classical Greek society: they are those below the status of men and thus suitable objects of ones sexual desires. Like think about how fucked up that is??? And on top of that courting was also fundamentally tied to this perception of these groups of lesser status and required guidelines, so seeming genuinely invested and lovesick in ones relationship to these lesser beings was also seen as ridiculous.
Like it was all seen as taboo for the WRONG reasons. They'd would be so confused, ridicule you, or frankly be pissed if you pointed out how awful the inherit vacuum for consent these dynamics are and rife for abuse of power these relationships would have been to begin with because you're basically questioning the standards of classical Greek masculinity.
And I also wish we discussed more how the classical periods in Greece and Rome played a part in contemporary homophobia. Like it's not all 100% the result of Christianity moving into these societies, but more so a chain with Christianity being the biggest domino to fall at the end. Rome in particular was influenced by these sexual and social ideas of class and sexual dynamics in Greece, so the undercurrent of homophobia inherit to those ideas made Christianity all the more appealing for aligning with those already establied ideas.
In the end sex was basically used the same way everything else was to men in classical Greek and Roman society: its about power, gaining power, flexing that power and through this, raising ones status in these societies. It left very little room for partnerships of equals and the little room that was there was probably incredibly suffocating for anyone who didn't want to abide by these rules and standards of masculinity or others of which they were expected to.
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turiyatitta · 3 months
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Unveiling the African Essence in Eastern Philosophy
A Tribute during Black History MonthAs we embark on the celebration of Black History Month, it’s essential to recognize the myriad contributions of African descendants not just in shaping modern civilization but also in sculpting the contours of Eastern philosophy. The historical interweaving of African traditions with Eastern thought offers a rich narrative, highlighting a profound exchange of…
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shrimpchipsss · 2 years
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as sure as flowers grow along the western wall,
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andromedaexists · 9 months
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thinking real hard about translations today, specifically translations of the Iliad
One of the things that Ehrman has instilled in us through class is that we, as translators, have to make a decision on what word to use and i just think that a lot of people used the wrong word for μῆνιν
i mean, the line is μῆνιν ἄειδε θεὰ Πηληϊάδεω Ἀχιλῆος (Sing, O Muse, of the wrath/anger of Achilles, son of Peleus)
and notice I put wrath/anger there, those are the two most common translations of μῆνιν. Wrath or Anger. but I don't think that does the story justice. Maybe it's because I've got my own story that I'm writing through the lens of the sublime and the wrath of the Gods but I think those words aren't strong enough.
I mean, book 21 Achilles doesn't get angry and throw a tantrum. Book 21 Achilles rages. Book 21 Achilles kills a God and nearly ends the Trojan War like years too early. Like, mans had to be put down like a rabid dog because he was going to upend the Trojan War Cycle and the Gods couldn't have that
that's not anger, hell, I'd say that's not even wrath
That's Rage
I think the first line should allude to that, gimme something like: Sing, O Muse, of the Rage of Achilles, son of Peleus. gimme the foreshadowing! make it dramatic! we all know the greeks loved drama, gimme!!
anyways, i'll def be using rage in my own translation but like. it's right there. and every translator has to make their own decision on what word to use, but also rage is RIGHT THERE
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oleworm · 1 year
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I must be one of the few people in the world who didn't bother to find out how the Peloponnesian war ended because Thucydides died in the middle of it, and well, there were other books I wanted to read after that instead of one of the continuations from where Thucydides left off.
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Way back Last year sometime the Pixel Daily theme was ‘silence’. So here is the ancient Egyptian god of silence: Harpocrates.
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evilasiangenius · 11 months
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It was a crisp, frosty morning following an evening of light snowfall when the former nanny Melita arrived at court to visit her brother Akakios, and for this disguise Aziraphale made sure to change some garments around, wearing some new clothes instead of that old favorite himation or the pleated chiton. After all, humans loved new clothes and if Aziraphale was going to be perfectly honest, so did he. Or she, for that matter, as she was now, at least for the afternoon.
As she walked down the colonnade toward the inner palace, she paused to glance at a courtyard. The pebbled mosaics could not be seen under a shroud of white, and the overcast sky seemed almost white as well, shrouded by bright-lit clouds.
She wondered when the blue sky would come back, when the earth would shake off its monotonal winter himation and trade it for a new green one, pinned with golden flowers draped about the rounded shoulders of hills.
“Oi! Melita!” Aziraphale looked up, hearing the sound of a familiar voice.
Crowley greeted her, taking her hands as if they truly were siblings. He was wearing that dashing military-style chlamys again and it sent a little flutter of envy through her, seeing him standing so tall and handsome. “Long time no see.”
Aziraphale smiled up at him, her lips tense. “Brother! You’re looking well.”
“How’s the family?”
“Oh, you know how they are,” Aziraphale said, looking around to see who was watching. “Numerous and quarrelsome...”
And then perhaps by chance or perhaps not, the colonnade quickly emptied itself as the humans around them left, going on about their own devices that just happened to be anywhere but in this particular courtyard, moving as fast as they could possibly go without setting off a panic.
“Right.” Crowley looked around as Aziraphale took her hands away reluctantly. “You ready to do this?”
“Yes, of course.” As Aziraphale rubbed her hands together, her eyes were fixed on Crowley’s fingers. “It’s not that hard.”
“Thought I’d ask you if there was something I could do to help. After all you’re doing this favor for me.”
“Just part of the job,” Aziraphale demurred. “It’s my responsibility, after all. I’ll be fine, you don’t need to worry about me.”
“I could join you? If you need some backup.”
“Best not,” Aziraphale smiled. “After all, perhaps your influence might get in the way. Signal interference. I might not be able to get as thorough of an inspection.”
“Oh right.” Crowley said, disappointed. “Forgot about the whole angel and demon thing, just for a moment. Meet me after? Let me know everything that you think I’d need to know, and then everything else as well. Just in case I can make some sort of connection somewhere.”
“Yes, of course,” Aziraphale said, though she did not suggest when or where. “I’ll be certain to tell you everything I can.”
“Sure.” Crowley sighed. “Best of luck and all that.”
x
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sarafangirlart · 21 days
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btw Ovid does say that andromeda was a dark skinned women
Yeah, while her ethnicity and nationality is all over the place in ancient sources she’s very much not a white woman. Last time I drew her her design was based on ancient Egyptian clothing and modern-ish Ethiopian jewelry. Tho now I wanna redesign her a little and make her Afro-Palestinian since the one real location that was specified in her story if Jaffa, Palestine.
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magicalgirlsasuke · 2 years
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having the show end with arthur dying before he can fulfil the prophecy to return magic to camelot is so disappointing that i dismissed it as the writer’s just wanting a memorable ending but i was thinking about it earlier and like what if merlin interpreted the prophecy wrong again, what if the prophecy was actually fulfilled in the first episode??
merlin assumes that arthur will legalise magic meaning sorcerers will be able to live in camelot freely -- bringing back magic. but from what i remember the old religion was mostly concerned with balance. so unlike merlin who’s personally invested in magic users being free, the prophecy may only care about magic levels being restored after the great purge. and what could offset the magic deficit caused by purge?? the most powerful sorcerer to ever live. maybe merlin was always the ‘magic’. by staying in camelot to protect arthur magic was returned to camelot.
arthur was very much helen of troy, he was never meant to play an active role in executing the prophecy. just as merlin made up the myth about excalibur and used his magic to loosen it from the stone, it was always merlin’s love for arthur that made him great.
this also solves the paradox (bad writing) of why it’s arthur’s ‘destiny’ to restore peace when the purge only happened because he was born. he was born to create emrys. merlin’s role in the series is a reversal of his role in arthurian legend in that he is driven to learn magic for arthur, rather than acting as a mentor to him.
after arthur dies and merlin believes he’s failed him and their destiny, i doubt he’d be able to stay in camelot. luckily the kind hearted and reasonable queen guinevere — the person most suited for rulership but only given the chance to through arthur’s love for her — will legalise magic, again restoring balance.
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tmema · 2 years
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if there’s anything ive learned while browsing cognates and suffixes and lemmas and adverbs and declensions it’s that english continues to be the weirdest language of all time
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creatediana · 2 years
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Lyric XXXIV of Bliss Carman’s Sappho: One Hundred Lyrics (1904)
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