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spnscripthunt · 1 day

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The Supernatural Script Hunt came from humble origins, a handful of fans banding together to collect and preserve our fandom history, making as many scripts as possible accessible to fans worldwide. Since acquiring our first script over five years ago, and then branching out to involve so many fans supporting the work in the years since, it was always our intent to give it all back, and then some.

When we began this project, the fandom collectively had six scripts from five episodes and a single network outline. In the five years since we bought our first script to add to that collection, we are ending the project with a total of 163 scripts from 147 episodes, casting sides from 50+ episodes, 50+ call sheets, arenas from 18 episodes, and other related documents. A complete list of items in our collection is on the SupernaturalWiki, for a closer look, click here.

The time has come for us to offer everyone a final chance to own their very own priceless souvenir of the show and cast we all love so dearly. In doing so, we also want to honor the largest (hopefully!) legacy of our fandom: using our collective power for good. Which is why we're offering up some very special scripts (and a few other items!) in our collection in a raffle to benefit Undue Medical Debt.

Our goal is to raise at least $10,000 so we can erase at least one million dollars in medical debt.

How Undue Medical Debt Works:

You make a donation. They use data analytics to pinpoint the debt of those most in need: households that earn less than 4x the federal poverty level or whose debts are 5% or more of annual income.

Undue Medical Debt buys medical debt at a steep discount. They buy debt in bundles, millions of dollars at a time at a fraction of the original cost. This means your donation relieves about 100x its value in medical debt.

Together we wipe out medical debt. People across the country receive letters that their debt has been erased. They have no tax consequences or penalties to consider. Just like that, they're free of medical debt.

For every $10 you donate to Undue Medical Debt, you will 1) be erasing about $1,000 in medical debt and 2) be able to enter our raffle to win one of the items listed below.

Our Campaign Page

Our Raffle Site

Donated by Eric Kripke:

'Pilot' - "Original pilot that got tossed out -- whole different story -- enjoy this alternative reality Sam and Dean." To be signed by Jensen Ackles, Jared Padalecki, and Sam Smith at Creation Tour: New Jersey 2024.

2.22 'All Hell Breaks Loose: Part 2' - Yellow Revisions. To be signed by Jensen Ackles and Jared Padalecki at Creation Tour: New Jersey 2024.

3.16 'No Rest for the Wicked' - Goldenrod Revisions. To be signed by Jensen Ackles and Jared Padalecki at Creation Tour: New Jersey 2024.

4.01 'Lazarus Rising' - Pink Revisions. To be signed by Jensen Ackles, Misha Collins, and Jared Padalecki at Creation Tour: New Jersey 2024.

4.22 'Lucifer Rising' - Production Draft. "My director's copy - rare! Enjoy!" To be signed by Jensen Ackles, Rob Benedict, Misha Collins, and Jared Padalecki at Creation Tour: New Jersey 2024.

5.01 'Sympathy for the Devil' - Pink Revisions. To be signed by Jensen Ackles, Rob Benedict, Misha Collins, and Jared Padalecki at Creation Tour: New Jersey 2024.

6.22 'The Man Who Knew Too Much' - Production Draft. To be signed by Jensen Ackles, Jared Padalecki, Misha Collins, and Mark A. Sheppard at Creation Tour: New Jersey 2024.

Donated by Natalie Abrams:

Gotham Knights - 1.11 'Daddy Issues' - signed by show creator/episode co-writer Natalie Abrams. To be signed by Misha Collins at Creation Tour: New Jersey 2024. Thank you @deanismybuddy (twitter) for making this happen.

Reproduction Scripts:

3.15 'Time is on My Side' - Production Draft signed by Jim Beaver at Creation Tour: Burbank 2024; Jensen Ackles and Jared Padalecki at Jus in Bello 14; to be signed by Steven Williams at Crossroads 8.

The Winchesters - 'Pilot' - 4th Network Draft signed by Jensen Ackles at Creation Tour: Burbank 2024; Richard Speight Jr. and Rob Benedict at Jus in Bello 14; to be signed by Jim Beaver and Alexander Calvert at Crossroads 8.

Gotham Knights - 'Pilot' - Pre-Production Draft signed by Misha Collins at Creation Tour: Burbank 2024.

Walker - 'Pilot Script' - signed by Jared Padalecki, Jensen Ackles, and Richard Speight Jr. at Jus in Bello 14.

Walker: Independence - 'Pilot Script' - Revised Network Draft - signed by Jared Padalecki at Jus in Bello 14; to be signed by Mark Sheppard at Crossroads 8.

Other Signed Items:

Hardcover edition of Good Omens - signed by Neil Gaiman. Thank you to the staff at The Golden Notebook in Woodstock, NY for being extremely helpful and kind.

Family Don't End with Blood - signed by Jared Padalecki, Jensen Ackles, Misha Collins, and Jim Beaver

There'll Be Peace When You are Done - signed by Jared Padalecki, Jensen Ackles, Misha Collins, Alexander Calvert, and Sebastian Roche

Hardcover edition of Death (2022) - written by Neil Gaiman, art by Mike Dringenberg, John Totleben, Mark Buckingham, and Chris Bachalo. To be signed by Lisa Berry at Creation Tour: New Jersey 2024.

"To Be Continued" t-shirt made and donated by @shitannamakes (twitter), signed by Jensen Ackles at Creation Tour: Burbank 2024.

Dick Jr. and the Volunteers' "Fistfights and Hug-Outs" CD - signed by Richard Speight Jr. at JIB14

Rob Benedict "Leave The Light On" CD - signed by Rob Benedict at JIB14

"Saturday Night Special" CD - to be signed by Louden Swain at Creation Tour: New Jersey 2024 [album is subject to availability at Creation Tour: New Jersey 2024, it may be a different Louden Swain CD]

Autographed photos from Crossroads 8 [details TK, multiple winners]

Unsigned Items:

AFK pin designed by Phil Sgriccia in 2015 for Jared Padalecki, "only Jared had these pins unless he gave them to you" - donated by @slammtam

Supernatural 15 Seasons: The Crew Member's Souvenir

Supernatural: The Complete Series Blu-ray

Supernatural and AKF themed decorative pillar candles (six winners) - made and donated by @TheGreenCooler

Raffle closes on Sunday, June 30 at 11:59pm (EST). Winners will be drawn by a random number generator, we will submit the names to Undue Medical Debt's development staff to confirm the donations match the caps submitted to us on the Google Form, and we'll contact winners by Saturday, July 6 2024. Winners will have 72 hours to respond, and will be required to provide their physical mailing address and to cover the cost of shipping (for scripts it's currently $9.85 for priority mail insured inside the US, international rates and non-script rates to be determined as necessary).

PLEASE NOTE: IF YOU ARE UNDER 18 YEARS OF AGE AND WISH TO DONATE, PLEASE ENSURE YOU HAVE PRIOR AUTHORIZATION FROM CREDIT/ACCOUNT HOLDER.

As Castiel once told a patron of the Gas N Sip buying a lottery ticket, good luck!

Thank you to our con helpers, we never could have pulled this off without your help: abeautifulswan, AilesduSoleil, deanismybuddy, EmilieDK87, FangasmSPN, HanmeiCui, jennysun23, Julie_Fleming, KLFSPNcons, kreespa, kaurie_mac, marywinchstr, merenwen76AO3, MiaAW90, MysterioAmber, PurpleNurpleSPN, RMelton76, rowwyaboat, SDeeg13, shandataber, SuperWiki, zerbehunter

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cy-cyborg · 3 days

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Dealing with Healing and Disability in fantasy: Writing Disability

[ID: An image of the main character from Eragon, a white teenage boy with blond hair in silver armour as he sits, with his hand outstretched. On his hand is a glowing blue mark. He is visibly straining as he attempts to heal a large creature in front of him. /End ID]

I'm a massive fan of the fantasy genre, which is why it's so incredibly frustrating when I see so much resistance to adding disability representation to fantasy works. People's go-to reason for leaving us out is usually something to the effect of "But my setting has magic so disability wouldn't exist, it can just be healed!" so let's talk about magic, specifically healing magic, in these settings, and how you can use it without erasing disability from your story.

Ok, let's start with why you would even want to avoid erasing disability from a setting in the first place. I talked about this in a lot more detail in my post on The Miracle Cure. this line of thinking is another version of this trope, but applied to a whole setting (or at least, to the majority of people in the setting) instead of an individual, so it's going to run into the same issues I discussed there. To summarise the points that are relevant to this particular version of the trope though:

Not every disabled person wants or needs a cure - many of us see our disability as a part of our identity. Do difficulties come with being disabled? absolutely! It's literally part of the definition, but for some people in the disabled community, if you took our disabilities away, we would be entirely different people. While it is far from universal, there is a significant number of us who, if given a magical cure with no strings attached, would not take it. Saying no one in your setting would be disabled because these healing spells exists ignores this part of the community.

It messes with the stakes of your story - Just like how resurrecting characters or showing that this is something that is indeed possible in the setting can leave your audience feeling cheated or like they don't have to worry about a character *actually* ever dying. healing a character's disability, or establishing that disability doesn't exist in your setting because "magic" runs into the same problem. It will leave your readers or viewers feeling like they don't have to worry about your characters getting seriously hurt because it will only be temporary, which means your hero's actions carry significantly less risk, which in turn, lowers the stakes and tension if not handled very, very carefully.

It's an over-used trope - quite plainly and simply, this trope shows up a lot in the fantasy genre, to the point where I'd say it's just overused and kind of boring.

So with the "why should you avoid it" covered, let's look at how you can actually handle the topic.

Limited Access and Expensive Costs

One of the most common ways to deal with healing and disability in a fantasy setting, is to make the healing magic available, but inaccessible to most of the population. The most popular way to do that is by making the services of a magical healer capable of curing a disability really expensive to the point that most people just can't afford it. If this is the approach you're going to use, you also typically have to make that type of magic quite rare. To use D&D terms, if every first level sorcerer, bard, cleric and druid can heal a spinal injury, it's going to result in a lot of people who are able to undercut those massive prices and the expense will drop as demand goes down. If that last sentence didn't give you a hint, this is really popular method in stories that are critiquing capitalistic mindsets and ideologies, and is most commonly used by authors from the USA and other countries with a similar medical system, since it mirrors a lot of the difficulties faced by disabled Americans. If done right, this approach can be very effective, but it does need to be thought through more carefully than I think people tend to do. Mainly because a lot of fantasy stories end with the main character becoming rich and/or powerful, and so these prohibitively expensive cure become attainable by the story's end, which a lot of authors and writer's just never address. Of course, another approach is to make the availability of the magic itself the barrier. Maybe there just aren't that many people around who know the magic required for that kind of healing, so even without a prohibitive price tag, it's just not something that's an option for most people. If we're looking at a D&D-type setting, maybe you need to be an exceptionally high level to cast the more powerful healing spell, or maybe the spell requires some rare or lost material component. I'd personally advise people to be careful using this approach, since it often leads to stories centred around finding a miracle cure, which then just falls back into that trope more often than not.

Just outright state that some characters don't want/need it

Another, admittedly more direct approach, is to make it that these "cures" exist and are easily attainable, but to just make it that your character or others they encounter don't want or need it. This approach works best for characters who are born with their disabilities or who already had them for a long time before a cure was made available to them. Even within those groups though, this method works better with some types of characters than others depending on many other traits (personality, cultural beliefs, etc), and isn't really a one-size-fits-all solution, but to be fair, that's kind of the point. Some people will want a cure for their disabilities, others are content with their body's the way they are. There's a few caveats I have with this kind of approach though:

you want to make sure you, as the author, understand why some people in real life don't want a cure, and not just in a "yeah I know these people exist but I don't really get it" kind of way. I'm not saying you have to have a deep, personal understanding or anything, but some degree of understanding is required unless you want to sound like one of those "inspirational" body positivity posts that used to show up on Instagram back in the day.

Be wary when using cultural beliefs as a reasoning. It can work, but when media uses cultural beliefs as a reason for turning down some kind of cure, it's often intending to critique extreme beliefs about medicine, such as the ones seen in some New Age Spirituality groups and particularly intense Christian churches. As a general rule of thumb, it's probably not a good idea to connect these kinds of beliefs to disabled people just being happy in their bodies. Alternatively, you also need to be mindful of the "stuck in time" trope - a trope about indigenous people who are depicted as primitive or, as the name suggests, stuck in an earlier time, for "spurning the ways of the white man" which usually includes medicine or the setting's equivalent magic. I'm not the best person to advise you on how to avoid this specific trope, but my partner (who's Taino) has informed me of how often it shows up in fantasy specifically and we both thought it was worth including a warning at least so creators who are interested in this method know to do some further research.

Give the "cures" long-lasting side effects

Often in the real world, when a "cure" for a disability does exist, it's not a perfect solution and comes with a lot of side effects. For example, if you loose part of your arm in an accident, but you're able to get to a hospital quickly with said severed arm, it can sometimes be reattached, but doing so comes at a cost. Most people I know who had this done had a lot of issues with nerve damage, reduced strength, reduced fine-motor control and often a great deal of pain with no clear source. Two of the people I know who's limbs were saved ended up having them optionally re-amputated only a few years later. Likewise, I know many people who are paraplegics and quadriplegics via spinal injuries, who were able to regain the use of their arms and/or legs. However, the process was not an easy one, and involved years of intense physiotherapy and strength training. For some of them, they need to continue to do this work permanently just to maintain use of the effected limbs, so much so that it impacts their ability to do things like work a full-time job and engage in their hobbies regularly, and even then, none of them will be able bodied again. Even with all that work, they all still experience reduced strength and reduced control of the limbs. depending on the type, place and severity of the injury, some people are able to get back to "almost able bodied" again - such was the case for my childhood best friend's dad, but they often still have to deal with chronic pain from the injury or chronic fatigue.

Even though we are talking about magic in a fantasy setting, we can still look to real-life examples of "cures" to get ideas. Perhaps the magic used has a similar side effect. Yes, your paraplegic character can be "cured" enough to walk again, but the magic maintaining the spell needs a power source to keep it going, so it draws on the person's innate energy within their body, using the very energy the body needs to function and do things like move their limbs. They are cured, but constantly exhausted unless they're very careful, and if the spell is especially strong, the body might struggle to move at all, resulting in something that looks and functions similar to the nerve damage folks with spinal injuries sometimes deal with that causes that muscle weakness and motor control issues. Your amputee might be able to have their leg regrown, but it will always be slightly off. The regrown leg is weaker and causes them to walk with a limp, maybe even requiring them to use a cane or other mobility aid.

Some characters might decide these trade-offs are worth it, and while this cures their initial disability, it leaves them with another. Others might simply decide the initial disability is less trouble than these side effects, and choose to stay as they are.

Consider if these are actually cures

Speaking of looking to the real world for ideas, you might also want to consider whether these cures are doing what the people peddling them are claiming they do. Let's look at the so-called autism cures that spring up every couple of months as an example.

Without getting into the… hotly debated specifics, there are many therapies that are often labelled as "cures" for autism, but in reality, all they are doing is teaching autistic people how to make their autistic traits less noticeable to others. This is called masking, and it's a skill that often comes at great cost to an autistic person's mental health, especially when it's a behaviour that is forced on them. Many of these therapies give the appearance of being a cure, but the disability is still there, as are the needs and difficulties that come with it, they're just hidden away. From an outside perspective though, it often does look like a success, at least in the short-term. Then there are the entirely fake cures with no basis in reality, the things you'll find from your classic snake-oil salesmen. Even in a fantasy setting where real magic exists, these kinds of scams and misleading treatments can still exist. In fact, I think it would make them even more common than they are in the real world, since there's less suspension of disbelief required for people to fall for them. "What do you mean this miracle tonic is a scam? Phil next door can conjure flames in his hand and make the plants grow with a snap of his fingers, why is it so hard to believe this tonic could regrow my missing limb?"

I think the only example of this approach I've seen, at least recently, is from The Owl House. The magic in this world can do incredible things, but it works in very specific and defined ways. Eda's curse (which can be viewed as an allegory for many disabilities and chronic illnesses) is seemingly an exception to this, and as such, nothing is able to cure it. Treat it, yes, but not cure it. Eda's mother doesn't accept this though, and seeks out a cure anyway and ends up falling for a scam who's "treatments" just make things worse.

In your own stories, you can either have these scams just not work, or kind of work, but in ways that are harmful and just not worth it, like worse versions of the examples in the previous point. Alternatively, like Eda, it's entirely reasonable that a character who's been the target of these scams before might just not want to bother anymore. Eda is a really good example of this approach handled in a way that doesn't make her sad and depressed about it either. She's tried her mum's methods, they didn't work, and now she's found her own way of dealing with it that she's happy with. She only gets upset when her boundaries are ignored by Luz and her mother.

Think about how the healing magic is actually working

If you have a magic system that leans more on the "hard magic" side of things, a great way to get around the issue of healing magic erasing disability is to stop and think about how your healing magic actually works.

My favourite way of doing this is to make healing magic work by accelerating the natural processes of your body. Your body will, given enough time (assuming it remains infection-free) close a slash from a sword and mend a broken bone, but it will never regrow it's own limbs. It will never heal damage to it's own spinal cord. It will never undo whatever causes autism or fix it's own irregularities. Not without help. Likewise, healing magic alone won't do any of these things either, it's just accelerating the existing process and usually, by extension making it safer, since a wound staying open for an hour before you get to a healer is much less likely to get infected than one that slowly and naturally heals over a few weeks. In one of my own works, I take this even further by making it that the healing magic is only accelerating cell growth and repair, but the healer has to direct it. In order to actually heal, the healer needs to know the anatomy of what they're fixing to the finest detail. A spell can reconnect a torn muscle to a bone, but if you don't understand the structures that allow that to happen in the first place, you're likely going to make things worse. For this reason, you won't really see people using this kind of magic to, say, regrow limbs, even though it technically is possible. A limb is a complicated thing. The healer needs to be able to perfectly envision all the bones, the cartilage, the tendons and ligaments, the muscles (including the little ones, like those found in your skin that make your hair stand on end and give you goose bumps), the fat and skin tissues, all the nerves, all the blood vessels, all the structures within the bone that create your blood. Everything, and they need to know how it all connects, how it is supposed to move and be able to keep that clearly in their mind simultaneously while casting. Their mental image also has to match with the patient's internal "map" of the body and the lost limb, or they'll continue to experience phantom limb sensation even if the healing is successful. It's technically possible, but the chances they'll mess something up is too high, and so it's just not worth the risk to most people, including my main character.

Put Restrictions on the magic

This is mostly just the same advice as above, but for softer magic systems. put limits and restrictions on your healing magic. These can be innate (so things the magic itself is just incapable of doing) or external (things like laws that put limitations on certain types of magic and spells).

An example of internal restriction can be seen in how some people interpret D&D's higher level healing spells like regenerate (a 7th level spell-something most characters won't have access to for quite some time). The rules as written specify that disabilities like lost limbs can be healed using this spell, but some players take this to mean that if a character was born with the disability in question, say, born without a limb, regenerate would only heal them back to their body's natural state, which for them, is still disabled.

An external restriction would be that your setting has outlawed healing magic, perhaps because healing magic carries a lot of risks for some reason, eithe to the caster or the person being healed, or maybe because the healing magic here works by selectively reviving and altering the function of cells, which makes it a form of necromancy, just on a smaller scale. Of course, you can also use the tried and true, "all magic is outlawed" approach too. In either case, it's something that will prevent some people from being able to access it, despite it being technically possible. Other external restrictions could look like not being illegal, per say, but culturally frowned upon or taboo where your character is from.

But what if I don't want to do any of this?

Well you don't have to. These are just suggestions to get you thinking about how to make a world where healing magic and disability exist, but they aren't the only ways. Just the ones I thought of.

Of course, if you'd still rather make a setting where all disability is cured because magic and you just don't want to think about it any deeper, I can't stop you. I do however, want to ask you to at least consider where you are going to draw the line. Disability, in essence, is what happens when the body stops (or never started) functioning "normally". Sometimes that happens because of an injury, sometimes it's just bad luck, but the boundary between disabled and not disabled is not as solid as I think a lot of people expect it to be, and we as a society have a lot of weird ideas about what is and isn't a disability that just, quite plainly and simply, aren't consistent. You have to remember, a magic system won't pick and choose the way we humans do, it will apply universally, regardless of our societal hang-ups about disability.

What do I mean about this?

Well, consider for a moment, what causes aging? it's the result of our body not being able to repair itself as effectively as it used to. It's the body not being able to perform that function "normally". So in a setting where all disability is cured, there would be no aging. No elderly people. No death from old age. If you erase disability, you also erase natural processes like aging. magic won't pick and choose like that, not if you want it to be consistent.

Ok, ok, maybe that's too much of a stretch, so instead, let's look at our stereotypical buff hero covered in scars because he's a badass warrior. but in a world where you can heal anything, why would anything scar? Even if it did, could another healing spell not correct that too? Scars are part of the body's natural healing process, but if no natural healing occurred, why would a scar form? Scars are also considered disabling in and of themselves too, especially large ones, since they aren't as flexible or durable as normal skin and can even restrict growth and movement.

Even common things like needing glasses are, using this definition of disability at least, a disability. glasses are a socially accepted disability aid used to correct your eyes when they do not function "normally".

Now to be fair, in reality, there are several definitions of disability, most of which include something about the impact of society. For example, in Australia (according to the Disability Royal Commission), we define disability as "An evolving concept that results from the interaction between a person with impairment(s) and attitudinal and environmental barriers that hinder their full and effective participation in society on an equal basis with others." - or in laymen's terms, the interaction between a person's impairment and societal barriers like people not making things accessible or holding misinformed beliefs about your impairment (e.g. people in wheelchairs are weaker than people who walk). Under a definition like this, things like scars and needing glasses aren't necessarily disabilities (most of the time) but that's because of how our modern society sees them. The problem with using a definition like this though to guide what your magic system will get rid of, is that something like a magic system won't differentiate between an "impairment" that has social impacts that and one that doesn't. It will still probably get rid of anything that is technically an example of your body functioning imperfectly, which all three of these things are. The society in your setting might apply these criteria indirectly, but really, why would they? Very few people like the side effects of aging on the body (and most people typically don't want to die), the issues that come with scars or glasses are annoying (speaking as someone with both) and I can see a lot of people getting rid of them when possible too. If they don't then it's just using the "not everyone wants it approach" I mentioned earlier. If there's some law or some kind of external pressure to push people away from fixing these more normalised issues, then it's using the "restrictions" method I mentioned earlier too.

Once again, you can do whatever you like with your fantasy setting, but it's something I think that would be worth thinking about at least.

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thedevilsoftruth · 2 days

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Hey!, I just finished rewatching moon knight and now scrolling through the moon knight tags when I came across a post about how Mr knight is actually Marc Spector and Steven Grant is a playboy billionaire in the comics and I was shook. Then I came across your post of you ranting about the differences from the show to the comics, which blew my mind!, and now I’m so intrigued and curious about the true lore of moon knight, every time I try to search about it on google I just get references from the shows (so frustrating) I can’t afford to buy the comics, so if you can/want could you please tell me all the important and interesting facts/lore that’s in the moon knight comics?

Sorry for the long message, just came across your page and pressed follow, love your content!. ❤️

AAAAAAGGGGHHHH HOLY SHIT. HOLY SHIT. GIIGLING AND KICKING MY FEET IN THE AIR. HEY, LOOK MA, I MADE IT!! I GET TO EXPLAIN THE MOON KNIGHT COMICS LORE TO SOME GUY ON THE INTERNET!!

in all seriousness, this made my day. I'm so glad you enjoy my content, and I will happily explain to you the MK lore!

I completely get you on the not wanting to but the comics thing. Comics are expensive. Honey, imma be real with you, readcomiconline.li is where it's at. It's where I read all of the comics I didn't have.

So before I go on a tangent and explain things, and this goes for anyone wanting to start reading the comics, heres a little list of all the comics I've read so far in what I understand to be chronological order.

It's a little bit cheesy and a VERY long run, but Marc Spector: Moon Knight from 1989-94 is maaayybbeee where you want to start off, but maybe not. I didn't start off with this run, but even as bad as the old comics are, they're a bit important.

But, I HIGHLY suggest you start out with the Lemire and Smallwood run from 2016. It was the first run I completed, and it's an amazing run and VERY important to read. Many people say it's the best run. It's certainly a run, I'll tell you that. ( Also I didn't read that one online, I received it last year as a Christmas gift. Also readcomic doesn't have all of the issues, so be warned on that. )

Next I read From The Dead. And I moved on to Vengeance of The Moon Knight from 2009. And after I'd suggest reading Age of Khonshu, Devils Reign and then The Midnight Mission. You can read all of these for free on readcomiconline.li ( don't type in comics plural because it will direct you to the wrong site ) be warned though because there are a lot of ads and you will get jumpscared by anime boobies.

Now moving onto what you asked me for. The important stuff, right.

I'm new to this whole comic reading stuff as well, and for anyone else reading this who knows more than I do, please add additional information I missed down in the reply section. It would mean a lot. So now I'm going to give a you a quick run down on Marc's origin story. ( And for a quick disclaimer, I will come off as not taking myself seriously in some parts of this post because I don't take myself seriously lol. )

Marc Spector was born on March 9th, 1987 in Chicago Illinois into a Jewish family. His father was Elias Spector and his mother was Wendy Spector ( his younger brother being Randall Spector )Elias was a rabbi who manged to escape Nazi prosecution during the days of Hitler and all that jazz. Because Elias was a rabbi, Randall would get picked on at school a lot, and Marc would be there to stand up for him. Even at a young age Marc was exposed to a lot of violence. That could come from growing up yk... Kinda poor and having to stand up for your lil bro.

Marc's violent nature was really born when a close family friend of his, Yitz Perlmen was discovered to be a secret serial killer who targeted Jews. From what I understand, Perlmen tried to Kill Marc ( mind you Marc was like 11 or 12 ) but Marc had escaped but his traumatic experiences led him to form D.I.D

As seen in the Lemire run, the first time Marc had encountered Khonshu was when he was 12 and was getting diagnosed for his D.I.D Marc wasn't told to his face from the doctor about his disorder and was told to step outside the office. Marc tried to evesdrop on the conversation, and from outside of the doctor's office, he meets Khonshu. Khonshu tells him, " That man in there is not your true father. I am. " Mind you, Marc is 12!!! 12!!!! Khonshu began manipulating Marc since he was twelve because he was, obviously really fucking young, and traumatized. Khonshus tactics were to strip Marc away from his religion and culture and make him submit to him.

So anyways, Marc was sent to Putnam Psychiatric Hospital and would stay there until he was 18 when his father funeral came along and he was let go for a week to go visit his family. This is where we learn Marc's relationship with his father was complex. Marc tells his mother, Wendy, that his father must have been happy to send him away because he was embarrassed by him. Wendy and Marc have an argument, which ends in Marc saying he's going to the bathroom, when he actually leaves to his childhood bedroom and escapes out the window when he hears Khonshus voice.

Marc later enlisted into the U.S marines Corps and served as a private for a couple years. But on Marc's second tour to Iraq, superiors started to report his odd behavior and they found out that Marc had lied about his disorder, leaving him to be discharged. Marc joined the CIA and served with his brother Randall. Randall was jealous of Marcs talents and killed Marc's girlfriend, Lisa, because she was going to expose a gun scheme. Marc then like... Threw bombs at Randall and shit and then assumed he was dead...but he wasn't.

Marc left the CIA after that and started doing illegal boxing, where he met his soon to be best friend, Jean-Paul Duchamp ( usually refered to as Frenchie ) and they became mercenaries together and started killing a bunch of people, in Marc's case, for mooonnneeyyy!!! Get that bag, girlie. And then Marc got put on trial for war crimes!! His crime being yk...assistanting the president of this south African country called Bosqueverde as one does.

And then he started to do missions under this group call the Karnak Cowboys and fell in love with one of his groupmates, Layla El-faouly, as seen in later issues of The Midnight Mission. Then she fucking died when an escape went wrong.

So anyways Marc meets this funny lil guy named Raoul Bushman ( he is not funny lil guy, he's killed hundred of people, probably) So Marc works for him with Frenchie and they, together, set to north Sudan to raid a dig site. ( This should start to sound familiar, as it was briefly touched on in the show when Arthur's guys captured Steven and put cuffs on him and slammed him in the back of their car ) Looks like raid shadow legends went down again, and things started to get not so epic when Raoul killed the lead Archeologist of the dig site, Peter Alraune in front of his daughter Marlene. This pissed the ever loving shit out of Marc because even though Marc likes violence, he doesn't enjoy violence against innocent people, and so he punches the fucker but uh oh! The Raoul Bushman Strikes Back, and he fucking KILLS MARC IN RETURN AND EVERYONE ELSE EXPECT FOR FRENCHIE AND MARLENE AND THIS ONE MF WHO TOLD HIM HE WOULD TELL HIM WHERE THE DIG SITE WAS. ( really Raoul left Marc mortally wounded, but he was on the brick of death, basically)

Marc was able to regain conscious and drag himself halfway to Khonshus tomb ( which is what Raoul was looking for ) Marlene and a bunch of other citizens find Marc and they carry him to Khonshus tomb. Marc hears Khonshus voice for yet another time, and Marc is revived and becomes the Moon Knight we all know and love. Then he basically killed Raoul's guys and then fell in love with Marlene.

So that's his origin story. Now onto the stuff I know as fact but it won't be explained in chronological order because I haven't read a ton of comics to explain it in chronological order.

He used Steven as a a way to handle money and build wealth so they could have recourses like vehicles, weapons and a ton of other random bullshit ( go!! ) that they don't need. Jake was used as a new York taxi driver so that he had his eye in the streets and knew when shit was goin down. They're both kind of horny. Jake literally spends some of his free time in a strip clubs drinking rum. ( As seen in the midnight mission and implied on in the Lemire run. )

His relationship with Marlene was long, but didn't last because, if I'm recalling correctly, Marc had a mental breakdown and decided to basically stop working for Khonshu so he could be with Marlene. But soon after he started hearing Khonshus voice again and Marlene couldn't take anymore of it, so she left him.

And then there's that bullshit with The Midnight Man. All I know is that he passed away from cancer and had a son named Jeff Wilde. Jeff aspired to Marc and wanted to be his sidekick, kind of like Robin and Batman in the Lego Batman movie with a little less adoption, but Marc kept on refusing as a way to protect Jeff. The Jeff had this whole thing where he turned evil or some shit idk and I guess Marc killed him? I'm not sure. Please, moon knight gang, let me know what happened in the reply section because I'm ignorant.

Marc had his independence from Khonshu after banishing Khonshu to Asgardian Prison ( seen in Age of Khonshu and discussed in The Midnight Mission) and decided " fuck you, I don't need need you anymore. Imma do my own thing and you can't do nothing about it " and then he became Mr. Knight. Mr. Knight is kind of a detective and he consults with policemen ( as seen in From The Dead ) Moon Knight is the one who does all the fighting.

From where Marc's development is at right now, Marc was running a thing called the Midnight Mission, which was a place where citizens would go to to report strange things happening in the city.

Additional, fun information:

Marc has a daughter named Diatrice. He only knows about it because Jake had a secret relationship with Marlene on the side after Marc and Marlene broke up.

He sleeps all day in the tomb of Khonshu and fights crime at night. He's like a bat!!

His ringtone ( as seen in the midnight mission) is The Killing Moon by Echo and The Bunnymen. ( Y'all should listen to it, if you haven't. it's really good. ).

He drives a red convertible car ( as seen in the Brain Micheal Bendis run, don't read it it's REALLY bad and insufficient. ) and also a motorcycle ( as see in Vengeance of The Moon Knight)

He was originally supposed to fight mainly just werewolf's and um... Writers at Marvel had different ideas.

His favorite drink is an ice cold vodka ( as seen in the Midnight Mission)

He had a mansion and then his money went bye bye and now he lives in a haunted house ( as seen, once again, in the Midnight Mission)

Frenchie is also gay! Hes married to a man named Rob! ( And this is only from what I've heard, by he apparently had a secret crush on Marc at some point.)

And yeah. That's all I have for ya today. Thank you if you made it this far, and I hope I was able to satisfy your curiosity a little bit!

Goodknight everyone!!!

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jjinx1998 · 1 day

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xxtc-96xx Callout post

To start I want you to know I didn't want things to have to come to this but after recent developments and discussions from others I cannot ignore what's been going on for years now. This is a problem revolving around the user @xxtc-96xx , the comic Endertale, and the Undertale fandom. I will try to explain what I know and offer proof when I can, but there might be some sloppiness as this is my first real post on Tumblr. If there is any technical issues about this post, please let me know so I can fix it.

Let me start from the beginning. I have been a long time fan of xxtc-96xx since about 2016 (I will refer to them as TC to make it easier). I have enjoyed looking at the art they create for many years, mainly the ones revolving around Endertale.

Endertale is a fan comic that TC made of the game Undertale. It's a very decent story with a pleasant art style. I would recommend it but I cannot and I will get to why. You see TC has suffered from something that just about any creator can relate to, burnout. The most recent comic page being posted in 2021 though there was already a hiatus established before that.

While they made it long clear that they needed to go on break for personal reasons, people wanted to ask for when they will continue it. Some of them calm and reasonable and other's were very much not nice. TC answered them honestly at first.

Then it started to devolve into troll responses or just not answering.

Not just on Tumblr but people kept asking on Deviantart as well. In fact people are still asking today in 2024. It has gotten so frequent that TC felt it necessary to change their profile header to this:

And it has stayed that way for so long I lost track of when it started. To be fair, even I found the frequent questions to be overwhelming and they just like every artist who makes stuff for free is entitled to take a break from their work. However this post isn't a complaint about how long it takes to finish a comic, it's about something that started because of the wait.

See, their original reason to take a break was because they were too busy with personal matters for them to commit to an actual comic. But as their history up to today has shown that's no longer a valid excuse. As time went on they started to show an interest in the Pokemon fandom. specifically the pokemon known as Mewtwo. To make a long story short, what started as small doodles grew into a whole bunch of fancomics and animations. To compare, they have drawn nearly four times as many Pokemon drawings compared to Undertale. Now, it is perfectly fair and acceptable to find an interest in a different fandom. And while I personally prefer Undertale over Pokemon I completely supported their decision to focus on other fandoms and enjoyed what they made. I also understood their issues with the fandom at the time, some people were rather aggressive, rude, or demanding the comic to be completed, a comic that's completely free that they make no profit out of. I even recall one point they tried to unsuccessfully drag a different content creator into this issue as if it would somehow work.

However I started to notice they had a warped perception on the fandom. Rather than blame the few people that harassed them online with constant asks, they believed that the entire fandom as a whole is to blame as declared it all toxic. Something they insist on repeating to all their fans and making them believe their opinion as fact.

Now for the record I am very aware of how toxic this fandom was and can be at times. I was around since the beginning and have seen just about every drama that has come. From the fans harassing you for not doing the pacifist route in the first time playing, people arguing if either Frisk or Chara is a really bad person, arguing over Frisk's and Chara's gender, is genocide the right choice, is Toriel the bad guy or Asgore, and a controversy revolving around a certain creator of the au Glitchtale (the last one TC coincidentally emulates their "Delay work for one week for every ask" and finds it amusing). I know this fandom is not the best but I love it all the same, it's as much a part of my life as it is for TC. I know I am not perfect at showing my interest for Undertale, as this image of a private ask shows.

Or this time I made a obviously joke ask and apparently I didn't realize a lot of people don't understand sarcasm.

Or when I tried to ask this sincere and nonaggressive question, one of the few times TC isn't putting up some kind of attitude.

Or this other ask from me.

At the end of the day this is just a comic. No one has any right to demand them to continue it or make death threats, this is completely unacceptable. However, at the same time this doesn't mean the creator should dehumanize the entire fandom or punish the few that are being respectful. They wait and what do they get, people mocking them and bullying them. That's what I realized in the past week when I engaged in the comments of a few posts. TC allow their fans to bully the fandom.

I tried to be as calm and reasonable as I can and yet I get called out as a toxic fan. And in the end did TC scold everyone else, no, they basically told me to shut up. I overestimated the fans intelligence and if they could handle basic logic, read the comments for yourself to see my point. As someone with Asperger and anger issues, it's a god given miracle I am still trying to maintain my composure within this insanity that has been going on for years. I have spoken with several content creators who asked to remain anonymous about this entire fiasco and we have similar conclusions about TC.

TC has been through a lot of painful and hurtful comments over the years that they did not deserve in the slightest. They are entitled to do whatever they want with their comic and works. Saying a fandom is or isn't toxic is unhelpful as you fundamentally miss the mark on how fandom culture works. As a creator, it is not right to hang this hiatus over people's heads and string them along. TC does not respect their Undertale fans in the slightest and mocks those who is still waiting. They indirectly encourage their other fans to bully and dehumanize the rest.

I held back on making a comment about all this for two reasons. One, TC's fandom terrifies me. They are complete smug hypocrites who spend way too much time on the internet that they don't realize that if they use their words in real life they will get punched in the face for it. Two, despite everything I still believe that TC can change. I like to believe the best in everyone and that there is hope that maybe this time TC will realize they have become the very thing they hate. That hope has faded to cinders. I'm done with TC, my only concern is the people remaining to wait for the comic.

To everyone who is waiting for Endertale and/or following TC because you like their Undertale stuff, leave them and never come back. They do not respect you, they look down on you, they laugh watching you wait, you deserve better than them. Even if they do finish the comic eventually it will not be made out of love or passion.

DO NOT harass and bully them because of my words. I will not tolerate any attempt to do so.

My final words are for TC if they even decide to read this:

TC, I know we are not friends, you made that clear long ago but I was hoping we could've been. You were a huge inspiration for me in the past and was what pushed me to attempt learning about art. I looked up to you and tried to support you when you were feeling down. You are no longer that person.

You do not have the right to condemn an entire fandom as toxic and declare it as a fact of life. It's people like you that keep the fandoms so divided to this day. It's because of people like you I am scared for my life if I ever mention Undertale in public. Your fixation on the sins of the past prevents us from moving forward. I do not excuse what happened but the past is in the past, get over it and grow up, you are an adult so act like it.

You say you don't owe us any comic or works, well at the same time if you want to mistreat the fandom I care about then I or anybody don't owe you any respect yet I did for nearly five years.

Why? Because I cared about how this all made you feel. What do you see when you look at me, another obsessed toxic fan who should keep their mouth shut or a PERSON with their own thoughts feelings and beliefs?

One of your problems is that you think nothing ever seems to be your fault, just the fans who keep asking. Well maybe they wouldn't have asked if you didn't leave them hanging for almost five years. To me, it no longer matters if you finish Endertale or not.

Maybe you still think it isn't your fault, then that makes me the idiot for hoping you can be better. You hurt me, really hurt me. I don't think I can ever trust someone like you again.

Do you know what I really want?

Your apology. I want you to make a genuine apology to me and the fandom at your actions over the years. I won't block you because being the idiot I am I hope my words mean something to you and you'll want to chat.

But until you wise up ask yourself this familiar question,

Do you really think you are above consequences?

#Endertale #Undertale #call out post #toxicity #cw: vent #undertale comic #long post

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randomarttalent · 2 days

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Pie's family redesigns + Family tree

Original posts, info and links down below

Maud "Slate" Pie + Mudbriar "Walnut"

Maud "Slate" Pie I've kept Maud mostly the same all over, her pallet and color scheme are already good in my taste. She now has spots to match Pinkie but also as a hint to her special talent, as I wanted it to look like an opened geode. I didn't like that her cutie mark was only just a rock, it didn't say a single thing about her special talent. Now it says a bit more, showing off that she can find true beauty under what others might just see as a rock.

She wears her normal dress, as I didn't see a reason to change it. I've however added a small bracelet, which has different beads, to represent her sisters. As she might not show or say it much but she loves them all dearly.

Mudbriar "Walnut" I've darkened his pallet a little, more so his overall design didn't end up too light or dark. I've given him cloven hooves and a long tail, as I see him from a family of mixed unicorn and earth ponies. His markings are like branches/roots of trees, showing his connection to the trees. Same story for his cutie mark as Maud's, it was too simple for what his special talent is. So I've added a book but it's standing by its opening, as a small hint to tents, as he travels to examine trees, learning about as many as he can and writing it down for others to read.

Mudbriar now wears a travel backpack, which is for his travels. He doesn't wear much else, as he doesn't see the need to.

Gilda "Glory" + "Shady" Limestone Pie

Gilda"Glory" I've darkened her whole pallet and added some markings. As she's a mountain lion + tiger in this AU. Her design hasn't been changed much, I've added some jewelry but not much else.

"Shady"Limestone Pie Limestone's pallet is mostly the same, its his patterns that darken his look. Lime is trans in my AU, as his anger issues were caused by him not feeling whole/as he should be. His cutie mark has been changed to a broken opened geode, with lime-green stone, which resembles a lime.

He has a few pricings and wears a his band's t-shirt, which says ROAD KILL, Gilda also has one but she mostly wears it to his concerts, showing her support.

Trouble Shoes + Marble "Droplet" Pie

Trouble Shoes I've made Trouble Shoes slightly darker and added a few lighter strips to his mane and tail. He also now has a beard, which to those who don't know him, makes him look even more scary than before. For his cutie mark I wanted something more than just "bad luck". He of course still struggled to find out what he was meant to do, as he thought the clown nose and wig was some cruel joke the world did to him.

As for his clothing, I went with a nice jacket, kept his hat and his weeding ring.

Marble"Droplet"Pie Marble's pallet has mostly stayed the same, only receiving slight changes and the usual markings that come along with my redesigns. Her cutie mark now shows off how well she makes jewelry with the beautiful gems they find in Appleloosa. To me, her cutie mark never told a single thing about what she was to do, it said marble but what else? So now, she's a crystal collector and seller.

The clothing she wears is a simple shawl, her weeding ring, a few earrings, a few flowers from her middle oldest son, a sun anklet to represent her oldest son and a small bat wing hair tie to represent her youngest son.

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goodluckclove · 16 hours

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An Open Letter to a Professional Author

I came across a writer here who I imagine will probably never see this, but their presence was enough to make me pretty mad for two days now. I've decided to pen a little statement to this Long-Term, Professional, Full-Time, Published Author who makes a habit out of being deeply unpleasant in a way that apparently has only attracted an audience of other deeply unpleasant people.

People here seem to like it when I get mad. So, uh, enjoy?

Dear Professional Author,

I came across a post of yours on some feed here the other day and enjoyed your commentary. It was one of those writing memes that sort of called attention to actually writing as opposed to just thinking about your project - the kind that people usually respond to with some sort of joke expressing their repulsion at the concept.

You responded with distaste and I generally agreed. The tone was a little aggressive for me, but that kind of humor also leaves me generally confused. I personally ended up concluding that the self-deprecating humor was a coping mechanism for a larger issue that keeps these people from writing - intimidation, lack of confidence, physical or mental pain, things like that. You seemed to think it was a matter of will, which I found to be an approach that at the very least was well-intentioned.

Turns out it wasn't.

First off, I should say that this isn't about your political beliefs. Your political beliefs that are really more like general human beliefs. I don't want to get into that. Instead, I just want to talk about your writing. You are a full-time, published author, as you say in nearly post where you talk about writing. A major point of pride to you seems to be the fact that you are traditionally published. Any other method doesn't seem to be as legitimate to you. That's interesting to me.

You also don't seem to have much of an audience outside of people who mainly come to agree with your politics. I didn't really see a single positive interaction between you and another writer on here for as much as I was willing to scroll through your blog. That's also interesting to me.

I didn't spent too much time on your blog once I realized that you were definitely not the kind of person I would ever want any interaction with. What I did want to do is use your presence indirectly to prove a point that I've been wanting to get into for some time now.

To put it simply, I'll say this: a career in professional writing is not actually as cool or important as you might think it is.

Now I'll be direct and say that I've never been traditionally published for anything longer than a short story or long-term, unpaid column. You don't give any details on any of your writing, as far as I've seen (Once again - interesting!), so there's a chance you've made more in contracts and royalties than I have. But I'm a working writer. I've had a career in ghostwriting and technical writing. I've written and produced plays that have been featured in festivals in multiple states. I'm not speaking from a place of no experience, is what I mean to say.

What I also mean to say is that - while I view writing in many ways as a spiritual and healing act that I couldn't live without - it's also a job. It's not always exciting, and even when it is exciting it's only exciting to me. I consider the best date night to be when my wife works on video game development while I write my draft. I leave the house on a regular basis, but it's mainly to go to different places to write.

In short - I love to write, but I don't think it makes me cool. Or interesting. Or valuable. Or intelligent. Or just generally fun to be around and talk to. These are things I strive to cultivate in other aspects of the way I live and grow as a human being on this planet.

Being a Professional Author in one particular genre doesn't give you authority over the craft as a whole. You can't just throw yourself into conversations and start with I'm a published writer and assume that means you have the final say on any discussion. Believe it or not, in many cases it does not matter.

Lots of people are published traditionally, and it does prove some level of validity in their line of work. But there are a huge variety of people in the world of trad pub. There are people who write books in genres that don't apply to writers here. There are people who write books that aren't very good. There are even people who write trad pub books that are very good, but their careers are sullied by the fact that the authors themselves are not good people.

Being a successful writer does not mean you're a good person. Being a writer at all does not mean you are a good person. I believe in Death of the Author to an extent, but when that author insists on making a presence on a public website and doling out advice and opinions to other writers the lines start to blur considerably.

Writing is a job. You work it over a period of time and learn skills and strategies that work for you. The same applies to virtually every other job, including ones that society views as less romantic as something in the arts. Can you imagine me breaking into your home while you're making lunch and telling you how to arrange your cheese slices based on what I know as a full-time, professional sandwich artist at Subway? You might be interested based on leaning something you didn't know about a place you might've eaten at before. But that does not entitle me to your respect on its own.

I am not entitled to your respect based on how well I learned how to make a sandwich based on my hypothetical career at Subway. Just as I don't deserve it solely because I know two card tricks, can get out a variety of stains, read most of the works of the major beatniks, can make a really good carbonara, or any other specific about my life that ultimately does not play a huge part in who I am as a person.

When I am on my death bed, I hope to god the core of my character was not the fact that I typed stories from my brain until I got carpal tunnel. If my obituary begins and ends at "writer", no matter how positive the qualifier is before that, it will be the greatest failure of my life.

Because I am a writer. But that does not matter. It does not matter if you're a writer. It can be fun and enjoyable if you are, even better if you make a living at it, but it doesn't mean you'll be happy. It doesn't mean people will like you or perceive you to be the leader and teacher you might think you are. It certainly doesn't give you a free pass to throw cruelty at strangers for truly no real reason.

Professional Author, you had a chance to raise up the next generation of an industry I assume you must value. You're choosing not to, and that's fine. You don't have the obligation to. You do have the choice to not get involved and pretend to give advice that ranges from vague to untrue. You seem to be taking that responsibility very seriously.

It's like some twist on crab mentality, where instead of dragging crabs trying to escape the bucket you're swiping at anyone who tries to crawl in with you. Then, as they struggle, you're looking down at them and making comments on how easy it is to get in the bucket, if you only just do it and maybe read some books.

To all of us, I say this: question authority, even in the arts. Especially in the arts. Nobody knows as much as they say. That includes me, but I do know this - any branch of publishing feels really good. It's scary but it's fun. If you're traditional published or indie published or self published, it says nothing about how good your book is or how good you are as a writer or how valuable you are as a human being.

Don't be this lonely bucket crab. They seem mean and I'm tired of talking about them.

Best Regards,

Clove

#writeblr #writing community #writers on tumblr #on writing #writing #authors of tumblr #writer community #writing inspiration #writing inspo #writing rants #personal #clove is angry

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obstinaterixatrix · 7 hours

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I recently got my first office job where I am interacting with my coworkers regularly. do you have any evil conversation skills that you think i should learn first

1. Figure out the easiest/most comfortable ways to say the whole spectrum of soft no’s to hard no’s from a scale of ‘genuine regret (invites future attempts if scheduling allows)’ to ‘polite deferral (respectful and evasive, somewhat firm)’ to ‘stone-cold shut down (professional Fuck You)’; you gotta know them all and you gotta be able to deploy them as needed. or at the very least, you gotta know how to give yourself time so you don’t automatically say ‘yes’ when you don’t want to.

2. The easiest way to make a good impression on people is to balance being useful and making others feel useful, which means offering some of the specific knowledge/insight you have and also asking for/acknowledging the knowledge/insight of others. offering/asking can be a weird balance, sometimes for some people in some contexts it comes pretty naturally, other times I find myself parsing out one (1) resource bit by bit to gauge whether someone’s actually looking for it or if it’s received in a lukewarm way. If ‘useful’ can’t really be a selling point at the moment (e.g. starting with zero experience rather than having an established knowledge base in a new environment) then you can always swap out ‘useful’ for ‘interesting’. know a charm point you have that can hook other people’s interest, know how to find and highlight other people’s charm points. If you want a mutual relationship it’s better to make an effort to share equally (for some people that means intentionally holding back, for other people that means intentionally speaking more), but if you’re just trying to coast it’s usually easiest to keep turning the conversation back on them and track topics the other person can get chatty about (pets, kids, shows, how they’re doing, etc).

hang on those are too reasonable and not evil but I’ve typed it all out so I’m not deleting. so, there’s a bunch of worksheets about ‘rules for fighting fair’ and if you ever meet a coworker you fucking hate then you wanna take those rules and do the opposite of all of them in order to have an on-purpose bad faith conversation and to make it as miserable for everyone as possible

1. If the coworker you hate is trying to talk about one specific problem, disagree with whatever their definition is and refuse to compromise

2. Bring in as many stupid tangential asides as possible so their original point gets buried

3. If you want to be legit evil, always imply or directly state that whatever they’re going through is a personal problem and a Skill Issue

4. Always find a way to vaguely disagree with your coworker. If they have a good point, say ‘Well, no, it’s actually like [basically rephrasing their point]’; you can either be subtle about this (negging) or blatant about this (The Mansplainer)

5. There’s a limit to how disrespectful anyone can be as a new employee. Find that limit and keep just short of it.

6. Always deflect and blame someone else, or if there isn’t someone to blame, have different excuses at the ready for anything that anyone might take issue with.

to some, evil communication skills is to win. but I think the most successful (insufferable) application is when the point is to make everyone as miserable as possible. I’m not trapped here with you, You’re Trapped Here With Me. also I wouldn’t actually recommend doing many of these things if you want functional working relationships. but it’s good to keep in mind if you’re ready to go nuclear! but more seriously, I do think these are important evil communication skills to learn because if you recognize someone using them against you, it gives you the chance to make strategies based on their behavior. 1. If someone is disagreeing with you any time you try to express a problem, shut down the conversation and reengage with a mediator that will be fair to you; 2. if stupid tangents keep showing up, it’s up to you to be the terrier with its teeth sunk into the mailman’s leg; etc. anyway this has gone too long and someone else should probably be giving more legit advice

#ask #anonymous #whoops this got long #oh almost forgot #congrats and good luck! hope you don’t have to use the evil skills!

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yuurivoice · 2 days

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Not to tell you how to do your job or anything, and I don't think it's the audience's place to give suggestions when this is YOUR profession, it's just a small idea that occured to me.

But maybe in the upcoming Auron audio you could add a little note on the screen saying that new Auron content is coming soon, and then like do the same with future compilation videos, since they tend to do so well!! Like to let people know that if they like the characters, this is not where the story ends at all and they should stick around. I say this mainly cause I remember you once talked about how the major numbers on the Finn compilation didn't translate to a major increase in subscribers. Really hope this didn't come off as rude, I just think maybe if people think the compilations are the ENTIRE story it might not occur to them to subscribe!

It also might yield no results at all, idk. I just remember I didn't subscribe until multipleeee videos had been recommended to me over MONTHS, mainly because I had no idea that there was a story to be followed.

I've written like three different responses to this but as I yap on I get new conclusions and ideas. This is v3 of my answer lmfao.

Preface: People don't pay attention to shit and unless you are clever or use a hammer, they do not care. They want the content. ESPECIALLY if they aren't familiar with you. This makes any deliberate Calls to Action run the risk of annoyance rather than making a meaningful impact on conversions.

Bonus note: If a video is scheduled to premiere, there's nothing I can add to it at this point without doing a whole reupload, giving Thoo a bunch of extra work, and all that shit. So that wasn't ever an option anyway.

My approach in this current iteration of how I do things is that rather than slob on somebody's knob begging for a sub, they're encouraged to either watch more videos or go to the homepage. My working hypothesis is that you're actually MORE likely to get a curious viewer to drop by your homepage before they subscribe, because they want to see what else is available.

The most recent changes I made to the channel homepage should make it abundantly clear that there are multiple stories, characters, and styles of content to jump into. Making sure that the homepage is great has probably made a massive difference in that regard, without impacting the videos themselves.

Playlists are horribly underutilized in this niche in particular, and on lots of YouTube channels really. So I made sure to try and nail that down. Still need to get the channel trailer locked in but tbh I don't know how effective those really are in 2024.

All of that being said, a ~15 second welcome intro at the start that explains what the compilation is and invites viewers to sub/explore the playlists would probably be the easiest way to accomplish that without intruding on the listening/viewing experience in a way that feels desperate or pander-y. That in conjunction with the end screen prompt would probably be the easiest way to do it.

I don't feel like that immediately turns massive hit videos into untapped wells of subscribers that I missed out on, it could help contextualize things a little more and who knows, maybe it WOULD be a big deal. Hard to say!

The context for me not immediately being like OH IT'S A SLAM DUNK HOW DID I NOT THINK OF THIS is because I run a very lucrative business converting viewers to patrons and I have very minimal in-video notes about hearing the spicy bits on Patreon. People often figure things out for themselves if they're motivated enough, and you run the risk of chasing them off if you come across like a desperate ass hoe. lmfao

I appreciate the ask, but also can assure you that I've spent several hours mulling over these very specific issues and I've considered just about every angle. If I had included every little detail and wrinkle of information I was cooking up in the various iterations of this answer it would be a mile long. So trust me. I've thought about it in great detail, have worked with people on it, workshopped things and much more!

Y'all got me yappin' up a storm on here lately. lmfao

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winepresswrath · 6 months

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exorcist rules of social engagement seem pretty janky, but then you've got natori who (understandably) doesn't want to play by those rules and has (somewhat less understandably) resorted to reinventing "how to make friends" from first principles.

#press says nbf #look at me tagging! i've come so far #anyway i also think their relationship is extra interesting in terms of where it comes in the story #natsume starts out really alienated from both yokai and humans #he was obviously a sweetheart the whole time #but for the first few issues he's constantly citing the kindness he's recently been shown #as the reason he's started to like people and wants to protect them #it's also when he starts opening up to the idea of actually being friends with yokai #natori shows up and instantly showers him with attention #affection #understanding and connection #and yes he's a creepy weirdo about it lmao i sent a giant paper man into your bedroom to test you and showed up at your school #let's be besties #but if natsume didn't see him as a threat to the other relationships he's already invested in i think he'd feel very differently about him #in some ways natori is too late!#otoh a natsume who believes in friendship has also in some ways been softened up #i'm sure everyone has already had these thoughts i'm just spitballing

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eternally-tired-cryptid · 8 months

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on one hand I wanna write my fic ideas wherein my marvel oc gets sent to the alternate universe of Gotham and hijinks ensue whilst she tries to survive and get back and the batfam and such slowly learn more info abt her world and how it's being threatened atm and she needs to go back and help and whatnot.

But on the other hand, the readers wouldn't know the marvel related backstory of this OC and would have. No context for her going in

But ALSO then the readers would know abt as much abt this mysterious figure as the batcrew do, and get to learn via flash backs and her slowly revealing info to them as safety allows

Then there's also just a general. Idk if there's any sort of oc etiquette when it comes to writing oc centered fics? My brain goes so hogwild when I read anything that I usually avoid oc fics other people write just bc I usually read and enjoy fics at face value but I also go "now what would happen if this OC was here?" And that gets real complicated when other people's ocs are involved

#jasper rambles #this is a rambly one yall #fanfic discussion #fanfic etiquette?#i just. listen. i made a vampire oc for captain america specifically of the mcu.. and i was thinking and like. gotham is the Perfect City fo #r a vampire to live right. so like. then i was like what would she do if she ended up in gotham. how would that go. and then i could reveal #her marvel backstory thru tidbits she drops and flashbacks. bc i have her mcu timeline pretty well planned out #tho also her existence (along w a few pther ocs) drastically changes the course of the mcu so some things hapen VERY differently (mainly civ #il war and then the start of the following arcs) so like id aalso have to reveal where the canon divergence from the mcu is during the flash #backs. and then ALSO i have a p decent grasp of the batfam and whatnot but i havent had the oppurtunity to read many comics so i dont even.#what if i just FAIL at their characterization and im actually wronf magically #and then ALSO comes the question of should i include my batman dc oc? bc SHES a whole. package. theres a LOT to unpack w her. tho for this s #pecific fic idea i think itd be fun to just. have her be Another Batfam Member. like yeah shes got her own stuff going on. but this fic woul #dnt dive into it anymore than it dives into the other batfam members #the other issue is deciding where in the mcu timeline this oc gets thrown into an au and why and how or if that affects the mcu timeline fro #m there. cuz thatd need to be decided for the sake of flashbacks. and if im gonna ise flashbacks id love to try and plan it out so it aligns #with the plot happening in gotham. i dont necessarily want like. a running Plot in the flashbacks. but id want them to be scenes from her li #fe in mcu that reveaal stuff that helps understand the decisions she makes in the gotham plot #but ALSO in the gotham plot. id wanna have it either be that her presence has caused some sort of ripple that the gotham baddies are using t #o hirt people or else some other unrelated gotham baddies plot is happening and this oc being herself sees trouble and runs towards it to tr #y and help people. even tho she has her own stuff to deal w. and then makes herself a target of the gangs and also potentially screws someth #ings up bc she doesnt have as intimate of knowledge abt the baddies and gangs as the batfam do since most of em grew up in the streets of g #otham one way or another #so like. and like she can hold her own. she was a young woman in brooklyn in the 30/40s. but its still a different environment in gotham rat #her than in brooklyn new york. so itd be. yeah. tbh i feel like the fact that im putting this much thought into it means i will probably try #to write and post it on ao3. idk when tho. im trying not to post more fics on ao3 so i can focus on my xmen fic #sso. anyway if you read all this feel free to share your thoughts and or like. sorry not sorry for the rambly essay of tags <3 #i told you jasper rambles

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magnusmodig · 27 days

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rough childhood headcanon qs / anonymous / accepting !

╰┈➤ 1 . does your muse blame themselves for their trauma?

||. As is ever the case with Thor Odinson, the short answer is still, in itself, complicated. Ultimately the answer is, in my personal opinion, yes , though Thor is an incredibly introspective person, and so he can be self-aware enough of himself and his family situation to see it plainly for what it was. Thor is not a doormat. But whether or not he fully commits to acting on what he's feeling, and thinking based that awareness is its own issue. One mostly steeped in how Thor views himself and partly how he views his own family (specifically: he views them all with blinding rose-colored glasses ESPECIALLY once they've died, regardless of the damage they've caused him).

For some context on what I mean, by "how Thor views himself", I mean that he is shown to have something of an atlas complex (also known as: superman complex, savior/hero syndrome, codependency). Everything comes down to him. He's the strongest, so he'll do it. He can outlive and outlast, so he'll endure. He's the eldest, so it's his responsibility. So on and so forth very often times coming out as "I will solve this problem for you" statements most notably with Jane Foster. He takes failure personally, especially when other people are at stake, or the collateral. And he will hold himself accountable for tragedies beyond his control at length. In "The Avengers" and a deleted scene in "Thor: Ragnarok" he actively and repeatedly lumps himself in with his family (aka his father and siblings, mostly), and their catastrophic, destructive actions and pasts — both of which are things that thor himself actually hasn't partaken to any large degree (unless we count the failed Jotunheim heist and even that he WAS going to bail on before his temper got the best of his judgement.) He proceeds to call them (his family) "bilge snipe", while using the terms "we" (denotating himself as part of the issue) and proceeds to call the metaphorical bilge snipe "repulsive". He does this again in Ragnarok while telling Banner that "we're cursed to fight amongst ourselves while everyone else suffers for it"), meaning his opinions on the matter have not changed since 2012.

And by "blinding rose colored glasses" I mean that Thor has another tendency to see the good in people, partly in nature and partly deliberately, especially when seeking it out. And he does this especially when it comes to his family, and he will justify their actions by trying to step into their shoes even when it may not always be appropriate. (//gestures at literally all of thor: ragnarok and how he still idolizes his father to an obscene degree thankstaika re: "i'm not as strong as you", and even further back to the way thor speaks to odin in thor 2011 at the end of his banishment re: "there will never be a wiser king than you or a better father". He also idolizes Loki in "The Dark World" with the line "loki, for all of his grave imbalance, understood rule as i know i never will" and to a lesser degree does this with Frigga in the same film "she saved us all, a thousand times.")

From a slightly more psychological perspective:

The long and short of it is that it is much easier to blame yourself for things that hurt you that were beyond yourself. Especially when you can't understand it, or didn't deserve it. Especially when they come from someone you hold in high esteem, and hold a lot of love for. Like caregivers and family. In a twisted way, it grants the guilt-bearer some level of CONTROL over their emotions and their situation that they did not have in the moment the hurt occurred. If you're can blame yourself, then you're at fault. If you're at fault, then you can feel guilty, and if you're guilty, then you can atone. You can actively work to make up for it. ( "By blaming ourselves, we maintain the perception that we’re still in control of the situation and ultimately safe -even when we’re not." - rosscenter.com) This is especially critical in children who go through this sort of parental dysfunction and neglect. And the reason why I think this is not a development saved for his young adult -> adult years is because of exactly what we see on screen.

Thor comes from a family that is just as loving as it is toxic. His father was so good at being a wise king that he completely failed at being a good father. It's something Thor even calls out in "The Dark World" ("I'd rather be a good man than a great king") after speaking on how being king is losing who you are to politics and mind games and war. Odin as a parent, and Odin's overbearing, all-encompassing shadow of a legacy is what Thor's entire character arc was always about overcoming. His mother, Frigga, is by far the most decent of the bunch, but she is far from perfect. To pull from a previous meta on the subject, my opinion on frigga/thor is as follows: " [...] an unfortunate cycle in which [Frigga] spent SO MUCH ENERGY [...] making sure [Loki] felt seen/heard and had “some sun for himself” that she COMPLETELY neglected to see that her other son was in just as much pain as the youngest was [...] And only realized how estranged they had become when it was too late, and she couldn’t reach Thor anymore. (She also died before she could make it right.)"

His brother is arguably the person he was ever closest to (even among his friend group), up until his brother manipulated and betrayed his trust, killed him, attempted suicide in front of him, tried to take over earth as payback, tried to kill him again, rejected him outright, and then got put into jail.

Suffice it to say that while I think that Thor's issues stem from deep childhood trauma (and only ever further reenforced by the fact he ages so slowly), my dude's got some issues, and blaming himself for past trauma is definitely one of them. (When he can't get away with internalizing it and avoiding it any longer, anyways.) I do also think to a lesser degree this behavior does also count towards friends, just to a less extreme degree. With the main difference being: Thor adores his family. He wants to keep them close to him. He's incredibly protective of all of them. Which isn't to say he doesn't love his friends, because that would be the biggest lie. But friends come and go. Thor will always want to be a good friend, but he wants to be a good son even more than that. And so in cases of conflict with a friend and a peer, Thor will gladly and readily call out his friends for their bad behavior just as readily as he would also dismiss and justify their bad behavior towards himself. (you know like not checking in on him for five years in "endgame", apparently...)

#(i was going to go into a whole thing about children and their emotional/mental development cycles)#(critical stages in a child's life to teach emotional regulation and where anger issues stem from)#(both of which thor has TERRIBLE times with throughout his appearances)#(but i might just leave that for a different post that goes further into my thoughts on his childhood in particular...)#(someone else asked this question too (i think 2 others maybe) so maybe i'll make a prt 2)#( ooc . ) — stories that leap from the page .#( meta . ) — son of cosmos . lightning flows through thy veins .#( headcanon . ) — glory to the man who toils for his land . may it ever prosper .#( answered . ) — black feathers fall to a raven's call .#nonny asks #(one thing i think i should also mention is that thor is very much someone who seems to crave control)#(which makes sense given his upbringing)#(and so his craving for control comes out in various fashions)#(and this includes his self-destructive / self-sabatoging / self-harming tendencies and behavior)#(it all comes back to wanting control and wanting security because various needs /were not met/ in those developmental stages)#(which is all just to say: parental bonds are important and thor had virtually neither figure to count on consistently)#(...and oh boy does it show.)

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