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#a finished drawing that I spend a Long time on will be like 8 hours. usually bc sketching something takes me forever
heartbeetz · 4 months
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GRRR the built in speedpaint / timer thing in ibis is busted for this one drawing I'm working on noooooo. It's saying I've spent 7 hours on it so far but I HAVEN'T I just forgot to close the canvas. Also I thought usually I could do that and it's fine? But this time there's a huge chunk of the speedpaint playback that's just nothing happening so I KNOW it was registering SOMETHING during that time... sad!
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azsazz · 3 months
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Midnight Muse (Part 24)
Azriel x Reader [Art School AU]
Summary: You and your best friend Feyre have just moved into a new apartment for your sophomore year of college at art school. What you didn't know when you signed the lease is that you'd be living next to three rowdy boys.
Warnings: None
Word Count: 3,511
[Part 1] [Part 2] [Part 3] [Part 4] [Part 5] [Part 6] [Part 7] [Part 8] [Part 9] [Part 10] [Part 11] [Part 12] [Part 13] [Part 14] [Part 15] [Part 16] [Part 17] [Part 18] [Part 19] [Part 20] [Part 21] [Part 22] [Part 23] [Masterlist]
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Things slowly begin to enter a new normal.
You go to class, see your friends, and spend most nights with your boyfriend, licking, teasing, tasting each other on every available inch of skin you can find. The five of you hang out as a group and you’ve never been happier.
You’re even passing art history, thanks to Azriel’s fool-proof system of studying; a sexual favor in exchange for every correct answer you give.
For the most part, everything seems like a dream. Compared to the beginning of your year, it is. There's still that niggling feeling inside of you that you just can’t seem to get over, though. As you sit in the art building working on your project for Alis’ class, you’re not entirely sure what to do. It’s the last assignment before the semester ends and you’ve started and restarted the drawing three times already, all of your attempted creativity fizzling out within hours.
Now, with only two days to go before it’s due for critique, you’re on the cusp of tears. It’s not from lack of trying, but because you’ve been forcing yourself to tap into your inner creative and find your muse. You want to create something that you’re proud of, but there’s nothing for your heart to grasp onto, no genius ideas that make you want to pour your soul onto the paper.
You’re starting to think that you might fail this class.
Feyre had offered to tag along, but she’s already finished her project fairly quickly after the assignment was given out, and things have been a bit awkward between you and Lucien since he found out that you and Azriel are officially dating. 
Naturally, the event had occurred after one of your drawing classes. It almost felt like deja vu, with the way Azriel was waiting outside of the building. This time, you were more than happy to see your boyfriend, who was leaning up against the side of his motorcycle, helmet tucked under his arm with a second one perched beside him. 
You could admit that you’re starting to enjoy riding on his motorcycle with him. He’s even taken you to his favorite spot where he often goes to draw or think, escaping the stressors of his life back on campus such as his father pestering him about the buying building he lives in. He hasn’t responded to a single text message.
“(Y/N), hold up a minute,” Lucien said, stopping you from going down the stairs of the building to meet your boyfriend with a hand on your shoulder. Feyre continues downward after you gently wave her on, but you don’t miss the way Azriel’s eyes narrow.
“What’s up, Luc?” you ask, although you already know what he’s wondering. It doesn’t take a genius to understand that whatever you and Azriel had started out as is now the complete opposite. He’s no longer your infuriating neighbor, but the boy you you’re slowly starting to fall—
Thankfully, Lucien interrupts the thought before you can dwell on it too long. “What’s going on with him?” he asks, jerking his head to where Feyre and Azriel are talking quietly. The latter watches you and Lucien’s exchange intently. “I thought you two hated each other, but now you’re hanging out with him all of the time? Did I miss something?” 
A pang of guilt gnaws at your stomach. You feel bad for not telling Lucien about your newfound romance with Azriel, but you’ve been wanting to tell him over lunch or coffee, but with the end of the semester projects and tests coming up, the both of you had been too busy to properly hang out.
Your cheeks heat and it’s hard to look him in his eyes when he looks so confused. “Yeah, um, Azriel and I are sort of dating now.”
Lucien frowns, “Sort of?” 
“We are,” you shake your head, answering more solidly this time. “We’re dating.” 
You don’t miss the hurt that flashes through his eyes. “Why didn’t you say anything?” 
You sigh, kicking and digging the tip of your shoe into the concrete for something to focus on. You don’t like the way that Lucien is looking at you, like you’re no longer his friend, which isn’t the case at all. Sure, you know that for whatever reason he and Azriel don’t see eye-to-eye, and you can admit that you’ve only fed into that storyline by spending most of your time these days with Azriel and not taking the proper time to check in with your friend, but right you feel like you’re the one at blame for not reaching out.
It seems as if Azriel has had enough, pushing up from his motorcycle to ascend the stairs. His strides are long, sure, and his spine straightens with each step closer he takes, shoulders widening and chest puffing. 
“Hey, princess.” 
“Azriel,” you greet with a nervous smile, accepting the way he tucks you into his side and presses a kiss to your cheek. His hand is firm against your hip and you enjoy the way he feels, the way he allows you to siphon some of his strength for this conversation. “This is Lucien. Lucien, this is Azriel.” 
The two boys stare at each other, sizing one another up. It makes you shift on your feet but Azriel’s hold only tightens, showing you off, staking his claim.
It’s awkward, to say the least. Neither of them greet each other and it's as if they’re both waiting for the other to look away first so the other can snap at their neck like a rabid dog. You shoot a look towards Feyre but her head is buried in her phone, an enormous smile on her face, completely oblivious to the pissing contest that’s happening up the stairs.
A muscle ticks in Lucien's jaw before he rips his gaze away from Azriel to settle back on yours. He gives you a single nod, and you’re not sure how to feel when his throat works around a swallow, his normally honeyed voice coming out rougher. “I have to go, actually, before I’m late. I’ll see you around, (Y/N).” 
“Lucien,” you call, but he’s already turned down the stairs and is brushing past Feyre, whose eyebrows furrow with concern at the sight of your friend. She tries to speak to him but he brushes her off gently, and when her heavy blue-gray eyes settle on you, you deflate into Azriel’s side. 
You feel similarly to how you did then, defeated and glum. The piece of drawing paper before you is filled with the darkness from your charcoal, your fingers coated in the chalky substance, and the shapes you’d been sketching stare back at you, taunting you, because no one is going to be able to finish this except for you.
It’s a fairly simple task, to draw yourself as some sort of hybrid, but as you look in the mirror hanging to your left, you can’t seem to figure out what kind of creature resonates with you. Feyre had drawn herself as some sort of beast, her true self, she claimed. When you had asked Rhysand, Cassian, and Azriel what they had done when they took their drawing classes, Rhysand said he drew himself with dragon features, Cassian morphed himself with a grizzly bear, and Azriel had drawn himself with the bat wings inked across his back.
The last time you spoke with Lucien before your relationship became strained, he’d been drawing half of his face as a fox, and you’d seen one of the other girls in your class, Vassa, you think her name is, drawing herself as a phoenix. Everyone seemed to light up with their ideas immediately when Alis had announced the final project, and you had only ducked your head, unsure of what to do.
Voices trickling down the hall startle you from your thoughts. You set your chalk down as you recognize the tenor, the laughter echoing around the silent building. Azriel and Cassian appear in the doorway to the classroom. Cassian’s splattered with clay from having been working on his own final project of the year, something he’s been boasting about but refuses to tell anyone what it is, and the smile that lights Azriel’s face when his eyes connect with yours is perfect.
You hadn’t realized how tense your shoulders had been, but the way they deflate at the sight of him makes you realize just how tired you are. There isn’t much time left until your project is due, and you’re sure to remind yourself that once again, you need to focus.
But the way Azriel’s eyes drag down your hands, coated in soot from the charcoal, flaring with heat, you’re forgetting your deadline and the project you’ve barely started completely. 
“Hey, princess,” Azriel greets, leaning down to press a firm kiss to your mouth. You can’t help but to slant against him a little, your energy from your long night sapped. His hand caresses your cheek and he frowns a little, examining your exhausted and frustrated state.
Your heart flutters at the warmth, at the care he shows you. How he isn’t afraid to hide his hands from you because you’ve spent night after night showing him just how much they mean to you. 
“Hi,” you reply with a soft yet strained smile, you turn to Cassian next. “Hey, Cass.” 
“Hey (Y/N). How’s the art project coming along?” 
You sigh, leaning further into Azriel’s warmth. “Not amazing, if I’m being honest.” 
“What’s wrong?” Azriel asks, “It looks like you have a solid start.” 
You crinkle your nose, examining your paper. It looks more abstract than anything, and you wonder for a moment if Azriel’s just being nice about it. But you know him better than that, and he would never tease you about a craft so dear to both of your hearts. 
“I don’t know what I’m doing,” you groan.”I’ve started over three times.” All you want to do is throw your head in your hands but you don’t want to get chalk all over your face, unless Azriel is the one putting it there. Naked.
Maybe having sex will help get your creativity flowing?
Your boyfriend frowns for a moment, examining your work. You can see the cogs turning in his head, how he might help you figure out what to draw for your project. Of course, you could easily draw any animal mixed with yourself, but you really want this one to have meaning behind it. 
“Why don’t you take a break and we can all grab something to eat?” Azriel suggests. “A break might do you some good, and Cass and I were going to head over to Ritas.” 
A hot waffle and a large milkshake sounds absolutely superb right now, to be honest.
You stare at the paper before you. You really should stay and put in a few more hours of work, but at the same time you can’t stand to stare at it any longer. 
Two more days. You still have two more days.
“Yeah, I could use a snack,” you agree, picking up your pencil box from the floor and tossing your sticks of chalk into it. “Give me a few minutes to pack up.” You stand from your art horse, eyeing the mess of black. “You should too, Cassian. You’re covered in clay.”
He only grins and you—once again—regret saying anything to him. “The ladies like it dirty, (Y/N). But you know a little something about that, don't you?”
You try to force the warmth from your cheeks as you think of just how thorough Azriel had been the last time he drew you. How up close and personal he’d gotten with his stick of charcoal, how up close and personal he let you get with some paints you’d bought. 
Sometimes you love being an artist.
“Fuck off, Cass,” Azriel gripes, flipping your large sketchpad shut. He helps you pack your things while Cassian snickers, and his eyes are hot when you rub your hands together, trying to dispel the dust from them. He slings your backpack over his shoulder and your sketchpad under his arm while you dart off to wash your hands before Azriel can get any ideas. 
⋅•⋅⊰∙∘☽༓☾∘∙⊱⋅•⋅
Rita’s is…bustling for a Friday night. 
It looks completely different from when you’d been here last. No sign of the irritable waitress, no sign of anything really, you’re unable to see through the mass of the crowd, stuffed in booths and gyrating in whatever open space is left.
The lights are low. A colorful disco ball spins in the center of the diner that you hadn’t even noticed your first time here. Spots of color percolate around the room, seeming to guide the students on the little dancefloor as they sway their bodies, the tables lined up against the walls for this purpose.
“Rhys and Feyre are on their way,” Cassian says, reading a message on his phone before swiping at the screen. You don’t see the way that his eyes darken at whatever notification pops up because Azriel’s tugging you through the crowd.
The air is hot with bodies and laughter and as you make your way through the throng of people, you’re glad Azriel had talked you into a quick pit stop at the apartment to put your things away, as if he had known the diner would look like this tonight. He must spend more time here than you thought because he eases through the crowd, shoulders lax, letting the clubby music pouring from the jukebox wash over him.
“Are you sure this is Rita’s?” you call over Azriel’s shoulder, genuinely confused to how the dingy daytime diner has turned into this delightful nighttime dance party.
He tosses you a smile over his shoulder that makes your heart flutter.
“It’s where all of the cool kids go before and after the bars,” Cassian teases when Azriel finally finds an empty spot for the three of you to stand. He’s scouring the restaurant as if he’s looking for someone and returns his hazel gaze to you with a lazy grin. “C’mon, (Y/N), it’s like you don’t even go here.”
You roll your eyes, grumbling a little as Azriel pulls you to his front, settling his hands on your hips. The music is surprisingly loud but it’s good, causing you to roll your hips a little with the rhythm. Your boyfriend’s grip tightens, pulling you closer, and you can feel the interested bulge in his pants as his breathing turns heavier with your motions. 
“Spent most of my time at house parties last year,” you answer, shouting over the volume of the bar. “I’m hardly of drinking age, lest you forget.” You lean towards Cassian so he can hear you, pressing your ass further into Azriel’s cock. His thumb sneaks under the hem of your shirt, brushing against your exposed skin, sending a shiver up your spine. 
As if he isn’t the one that brought you here, he seems to have changed his mind fairly quickly.
“In that case, allow me to buy you a drink, my lady,” Cassian bows a little, taking his time eyeing the lower region of a girl that passes by. “What are you having?” 
You shrug, no longer in the mood for a milkshake. You scan the crowd, flickering over everyone on the dancefloor as you mull it over. “Something with rum,” you answer, and you don’t even think he’s listening anymore as the girl gives him a salacious smile over her shoulder and he starts chasing tail. 
“Think he’s coming back?” you ask over your shoulder. Your squeal is eaten up by the changing of songs as your boyfriend spins you abruptly in his arms, plastering his hips against yours in a slow grind that matches the heavy bass that makes the crowd cheer in excitement. 
“Don’t care,” he breathes into the shell of your ear. He follows his words with a nip at your lobe and you bite your lip, winding your arms around his neck. 
“Azriel,” you tut, but you can’t stop looking at his lips. His stare is hot and his hold is demanding, keeping you glued to his front as you grind your hips against his teasingly. “Cassian is your friend.”
“I don’t want to hear another man’s name on your lips right now, princess,” Azriel all but growls, golden eyes igniting. 
“What do you want?” you ask breathlessly, your nipples tightening into pebbles beneath your shirt. 
You’re thankful no one’s eyes are on you right now, all lost in their own conversations or dances with their partners. You don’t think it would matter if they were looking anyway, because you’re so focused on Azriel and the way his body reacts to a simply press of your body against his, warmth flooding you the way it always does when he’s around, that you might need that drink poured over you to pull your attention from him. 
“First, I want to take you home,” his hand strokes a long line up your spine and he buries it in the hair at the nape of your neck. You gasp at his firm hold, arousal dripping to your core when Azriel uses that hand to guide your head away from him to suck at your neck. You arch into him, eyes rolling into the back of your head. “Then, I’m going to strip you of all of these clothes,” his free hand grabs a handful of your ass and your approving hum sounds more like a moan. “And I’m going to ask you to ride me, princess. I want you to guide my cock into your tight, drenched pussy and take what you want, because you’re my needy girl, aren’t you?” 
“Yes,” your nails rake down the back of his shirt.
“And when you’re cumming on my cock, squeezing me tight, I want you to—”
“Your drinks,” Cassian says gruffly, shoving a cup between you and Azriel. It forces him to stand straight, glaring absolute daggers at his best friend but it seems to bound off of Cassian’s shoulders easily, because he looks just as pissed.
You’re still a bit dazed, so it takes you a moment or two to figure out what’s going on. Azriel won’t let you leave your position, can’t let you leave your position because his boner if full on fucking raging right now, but he does allow you to turn around again, taking the drink from Cassian to quickly take a sip, trying to quench your parched throat.
“Thanks,” you say but Cassian hardly acknowledges it, passing a beer over to Azriel. He had two still clenched firmly in his free hand but he takes one and slams it back quickly, emptying its contents before Azriel’s even had a sip of his own. 
“You okay, Cass?” Azriel asks, his hand sliding protectively over your hip. There’s no need to protect you from Cassian, but even you can admit as you shift from one foot to the other, that it’s weird seeing him like this. Not as carefree as he normally is. 
“Fucking dandy,” Cassian grunts, hazel eyes grazing down where you and Azriel are still pressed tightly together. He looks away just as quickly and you think you see his lip curl a little.
Azriel stiffens behind you.
What the hell is going on with him?
Before you have the chance to ask or Azriel has the chance to bait him, Feyre’s pushing through the crowd, towing Rhys behind her. One girl glares at her as she passes but Feyre doesn’t seem to notice, eyes lit with happiness when they finally reach your little group, unaware of the clouds of tension bubbling around the three of you.
Cassian makes an effort not to choke down his entire second beer but it’s all too tempting. He takes a deep sip so he doesn’t have to speak.
“Hey,” she greets, cheeks a little flushed already. Rhysand and she must have been drinking before they came out. Or had sex. 
“Hi,” you respond, trying to keep your grip on your cup relaxed. Cassian is acting strange. You glance up at him again but he’s avoiding eye contact with everyone right now, glaring into the mass of people. Yup, definitely avoiding looking at any of you.
“Rhys,” you hear Feyre say as you share a confused look with Azriel. His brows are pulled tight as he examines one of his best friends. He’d seemed fine back at the art building, his normal cheery and cheeky attitude threatening to drive him up the wall, so what happened between then and now? “Will you go get me a drink, please?” 
“Of course, Feyre darling,” he agrees, but Cassian’s already shoving past him, muttering how he’ll get them drinks. Rhysand’s mouth parts but Cassian has already disappeared into the crowd. Well, as much as any six-foot-five man can disappear. “What’s his problem?” 
Azriel shakes his head, taking a sip of his beer. “If we only knew.”
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marciaillust · 2 months
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How long does it take for you to finish drawing?
I'm an artist (beginner) and i unconsciously set unrealistic goals for myself and need a reminder of how long it takes to complete a drawing, Thanks.
Hi! In the context you presented it in, that is a really interesting question, so I'll try to approach it thoroughly. I hope I won't make you roll your eyes too much.
Where to start, where to start... I guess the first thing I should say is that there is a difference between time I spend preforming the action of <drawing>, and the time I spent <working> on a particular piece. The first would be counted in hours, the second one - days. I'm a big believer in slowing things down, and giving things time - going through options, gathering research and references, taking breaks every 1h of sitting and drawing - and seeing things through until I achieve the goal I set at the beginning of the process.
The goals are usually different each time: "quick design", "character exploration", "analysis of an artist's linework and experimenting with the knowledge gained", "creating an aesthetically pleasing image", and so on and so forth. Of course I don't write these down like it's a school assignment, but knowing in the back of my head what I'm actually doing helps me manage my expectations. I also enjoy being conscious of why I create - when I was younger regardless of what I was doing I had the thought "AND IT MUST LOOK GOOD AND PRESENTABLE! BECAUSE PEOPLE WILL LOOK!" ...and I think that obsession is the cancer of creative process.
Since the goals for each picture are different, the time I'll spent on achieving each one will be different as well, because the "satisfactory results" lay in different places. For example, the Marcile sketchpage was created in one afternoon, and took approximately 3 hours. The goal was to play around with a brush that has no opacity forcing my lines to be more decisive. I did that and so it is "finished". There's nothing else I want from it.
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On the other hand, the cover of Asterism took about 10 days to create, the goal of which was to make "an aesthetically pleasing cover picture taking colour inspiration from the works of (specific list of artists)". I took my time designing it so that it looks aesthetically pleasing, made sure the anatomy is "correct" (a nebulous statement when it comes to stylised humans), took my time masking, and picking colours, and shading. I wanted it to "look good" to my own eyes so if something was not working I would go back, change it, alter it, move it around... that's the wonderful thing about personal art, you can take as long as you like making something satisfactory.
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The funny thing is, with what the Asterism cover actually is (a cellshaded image), it could have been done probably in 4 days by the me 4 years ago. But that person was willing to sit 8-10 hours a day to draw with no breaks, she had little social life, and treated herself as a little circus seal performing tricks so that people clap around her, and the clapping was soooo nice because it meant that people remembered her and she mattered. And it worked for her! For long 10 years! Until her arm gave out, and the reality of never being able to draw again became more tangible than ever, and it's been following her like a fog ever since for the past 4 years. The me today works about 4 hours a day and every hour I take about a 30 minute break. I also don't post half the stuff I draw. There is also another aspect that dictates the speed of creating and that is familiarity with the subject matter. The less you know something, the fast you'll draw it! But as you get to know the intricacies of the process, and see all the building blocks, it will start taking *longer* because you will start accounting for every block. But then you'll eventually get familiar with the blocks and so the time spent on a picture will go down again! The cool yet overwhelming thing about art is that, there are always hundreds of building blocks. Form, composition, ambient occlusion, saturation, hue, light balance, line form...... and those are just the *some* of the generalised *categories*. And each category will have it's own subsection of building blocks! And then those blocks will interact with each other to create completely new area of expertise! This is crazy! Marcille sketch page took me only 3 hours to create because I am already quite familiar with linework - I have drawn 3-4 comicbooks worth of linework. This also means I am familiar with believable anatomy, more or less, which got utilised in the Asterism cover - the main bulk of linework got created during a 3h livestream. So.... what's the answer.... "It's all relative" is so unsatisfactory and probably not what you looked for. But you can draw something in 3 days and kill your body over it. Or you can become an expert in a field and dish the same picture out effortlessly in 8 hours. You can also split that 8h block over multiple days bringing you back up to 3 days. You could even add a whole day of visual research which might make your picture only marginally better. And even if we calculate it in terms of raw working time, pen-to-paper, like a self-inflicted capitalist tumor, that time can fluctuate still due to personal visual library and knowledge base. If I asked Tom Fox how long it takes for him to create his sketch pages his answer would probably be downward of 30 minutes. Yet I need whole 3 hours to create something *less* anatomically correct than him. And so here we are at the end of this perhaps unnecessary essay. And all we learned is this: it depends. Dry, not nuanced tl;dr, my personal timings: single sketch - 30mins; single linework pic 1-2h; Cellshaded illust - 16h; Rendered illust: 20-25h.
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hanniluvi · 6 months
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( 📞 ) LOVERS’ TV — JUNGWON SHORT FIC
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[ DAY ONE ] of the advent calendar !
( 📞 ) NOW CALLING . . . a christmas movie night with your lover was a great idea, until someone fell asleep before the movie could end…
( ꕤ ) NOW PAIRING . . . bf!jungwon x gn!reader
( 📞 ) NOW GENRES . . . fluff, established relationship
( ꕤ ) NOW WARNINGS . . . none i think ~~ WC 600+ !
( 📞 ) NOW HANGING UP . . . first fic for the winter mlist yay !! with jungwon being the first idol i ever made a fic about , i just had to make him the first day for this event 🫶 !!
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You've long dreamt of having a movie night, especially the idea of binge-watching Christmas films with someone special. Jungwon holds that idea in mind—he never forgets what you want. Eager to be the best partner he can be, he’s all in for sharing the activities you've been wishing for, like this movie night.
The only problem was that he was on a trip, being far apart from you. What stung more was that he wouldn’t be around for the initial days of December; he was due to return mid-month. However, he's known for making efforts just for you.
So, how about an online movie date?
He was really excited about this idea because he was still able to bond with you overseas in a special way. And to his excitement, you thought it was also a great idea, having the movie night happen at 8 PM—well, in your timezone. Despite the huge time zone differences, Jungwon set the date night that could fit within your schedule.
And with that, the hours quickly flew by, and with Jungwon setting up his laptop. He stared at the time eagerly, watching it hit 8 PM, calling you at that exact time. You quickly answered, and he had the brightest smile on his face.
“Hi,” you said as you got yourself comfortable in your bed, setting your laptop onto your lap. “Hey love,” you heard that sweet tone in his voice, making you break into a smile. You looked at the screen, looking at your boyfriend in a gray hoodie, fiddling around with the strings of it. “What movie do you want to watch?”
"Hm…Oh! How about watching 'The Nightmares Before Christmas?'" you suggested enthusiastically, noticing your boyfriend's questionable expression. "I heard that movie was more on the scary side rather than Christmassy..."
"It can't be something you can't handle!" you assured him, which he eventually agreed to share his screen and stream the movie.
"I'll trust your word on it."
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"Lying down was not a good idea," Jungwon admitted as he felt his eyelids growing heavy. No matter how many times he rubbed his eyes or blinked repeatedly, drowsiness weighed heavily on him. He let out a yawn, drawing your attention.
“Jungwon?” You interrupted his yawn, slightly surprising him as if you caught him doing something terrible.
“Yeah?”
“You tired?”
“Just getting myself comfortable, that’s all.”
“What time is it for you?”
"2:30 A.M," he glanced at the clock, instantly regretting revealing he was up at such a late hour. He might have gotten away with it if he'd said it was 10 PM, but no, he had to ruin his cover. Oh how ready he was for another scolding.
“Jungwon!” You stared at the screen, watching him awkwardly scratch the back of his head. “Why are you even up at this time?”
“Because you wanted to have a movie night, and I wanted to spend the first few days of December with you—and I picked a timezone suitable for you.” He confessed, and you just couldn’t help but have a smile. “It just didn’t work out on my end…I guess?”
“Won, I appreciate that, but shouldn’t you be asleep right now? I mean, we can always pause the movie and continue next time—you’ve got things to do tomorrow.” you suggested. However, he was set on finishing the movie that night. You knew Jungwon well enough to realize he was determined, and so you both continued watching.
But as anticipated, once Jungwon settled into a comfortable position, it was inevitable that he'd fall asleep. Within ten minutes, there was no longer any commentary about the movie.
“Won?” you whispered loud enough, noticing he didn’t move a single bit. Smiling at his peaceful appearance, you paused the movie and ended the call, already feeling his absence.
You opened the messaging app and began typing with a playful smirk,
Who said we had to finish the movie tonight?
You, but you feel asleep! It’s okay though, we can always watch together next time!
And maybe, you won’t doze off <3
You shut your laptop, rolling onto your side and tugging the blanket closer. Sleep was much needed, not only for rest but also to ensure you'd have extra time to see Jungwon in the morning, you figured.
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ENHA PERM TAGLIST (1) — @flwoie @ixomiyu @haruavrse @shinsou-rii @bearseulgs @ilovewonyo @yenqa @dimplewonie @bubblytaetae @wtfhyuck @ineedaherosavemeenow @ml8dy @starikizs @wonioml @chirokookie @xiaoderrrr @neozon3nha @en-chantedtomeetyou @millksea @enhaz1 @eundiarys @hyeosi @ja4hyvn @judeduartewannabe @j-wyoung @thia-aep @vampcharxter @softpia @officiallyjaehyuns @itsactuallylina @hsheart @sweetjaemss @ahnneyong @hanienie @jwnghyuns @kpoplover718 @jiawji @rikizm @haknom @yeokii @wvnkoi @whoschr @teddywonss @shinunoga-iie-wa @isoobie @skzenhalove @misokei @s00buwu @ox1-lovesick @miercerise @litttlestars @enhapocketz
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hakkasm · 2 months
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↑You can read all the pages from the link above!
[Comic] Mafia Sitter
I started writing in mid-January to submit to the Global Comic Award 2024 and finally completed it. Continuing from there is a long feedback.
The working time is two months for the main text and two weeks for the cover. Around January 11th, I received a DM from a friend saying, "There's a contest like this," and thought, "The deadline is the end of March... it's impossible for me (I've never drawn a completed comic before)." But it's a comic contest aimed at the world... My art style is only recognized in this contest... I couldn't ignore this contest. I was in the middle of making another piece, but I interrupted it, and I was full of anxiety about whether I could draw a comic in just two and a half months. However, the thought, "Instead of worrying, I should act quickly," came to my mind, and I started writing from January 13th, changing my mindset.
I spent 1 day on the script, plus 1 day typing the dialogue, and started the "completed 1 page per day" lifestyle from January 16th.
The goal was to complete 45 pages, but at the plotting stage, it was about 56 pages. When I actually started drawing the manuscript, the planned page allocation didn't match, and the total number of pages increased to 65. (I learned the importance of page allocation.) At a pace of 1 page per day, I wondered if I would make it by March... (I'm easily bored, I didn't think I could do 1 page per day.) So, I rearranged my schedule to make 3 pages on weekends, which would give me some leeway. This idea turned out to be a big success.
As a result, I achieved 1 page per day and was able to finish drawing all the pages by early March, leaving the remaining time to work on the cover, which is like the face of the comic.
Since I work as a company employee, I had to finish work by 8:00 p.m. to make time for the manuscript, which was a daily pressure. There were times when I finished the manuscript at 3:00 or 4:00 a.m. on weekdays. I fell ill. At that time, I felt like giving up. (On the day I fell ill, I slept for about two hours and resumed manuscript production after my condition improved a bit.)
It was truly a life of "pushing myself to the limit", but accomplishing it gave me confidence. 'Oh, I can make a 65-page full-color comic in 2 months.' It became an advantage for me. (I don't want to push myself like this anymore, though... haha.)
Thank you for participating in the survey for the title logo! The survey results leaned towards the left logo. While the left logo was packed with concept, its font style and thickness varied, resulting in imbalance when aligned in a row and making it difficult to use in monochrome. If the left logo had overwhelmingly won the votes, I would have chosen it. However, since the right logo also received a considerable number of votes, I decided to adopt the right logo.
Now all that's left is to see the results on Global Comic Award. I'm really aiming to win. Both the script and the art are amateur-level when viewed separately, but I balanced them out to make them good enough.
It's my first comic work... I really want a lot of people to read it! *If enough people like the comic and want to get a copy of the comic book, I can make and sell it:)
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cowardnthief · 2 years
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10 actual ADHD study tips
from a student with ADHD
(or if you just have trouble concentrating)
1. put your phone in different room.
no, really. there can be any number of excuses not to (i use it as an alarm/timer, what if there's an emergency, but i use it during breaks) but i guarantee that you will focus better without the ability to check your social media. if you're genuinely worried about missing a phone call, don't put it on silent, and leave it across the room so you can hear it, but make sure it's out of reach.
2. invest in some noise-cancelling or muffling headphones.
they're a life-saver. i use them to help with sensory overloads, but now i wear them pretty much every time i study. regular headphones with some kind of neutral backing noise also work pretty well.
3. don't listen to music.
maybe somewhere, somehow, there exists a person who can actually listen to music and focus, but i've never met one. my adhd means i get distracted by anything. i'm a good multitasker, but not when the task requires lots of thought, like my science or math homework, or that english essay i've been putting off. if science is distracting for you as well, put on a neutral background noise (no, not lo-fi hiphop beats - unless that works for you). i usually put rain sounds or white or brown noise (the latter is my favourite).
4. break big tasks into small chunks.
you've probably heard this one before, but adhd makes tackling big tasks seem really daunting. like, where do you even start? before beginning a massive project, make a list of every little thing you need to do. it might seem stupid or excessive, but i can't stress how much it helps. it also gives you a sense of accomplishment whenever you knock a task off the list.
5. if you know you're gonna procrastinate, try and do it productively.
this one is one i'm still getting used to. i realised, after hours of sitting at my desk, not wanting to start on my essay but not wanting to actively NOT write my essay, and just generally feeling like shit, that it would have been better to spend those hours doing that thing i wanted to do (learn that song on my guitar, finally finish the painting sitting on my desk, write the poem that i had scribbled in my notebook a week ago). if you know you're not going to get started on your work, you might as well do something else that isn't as pressing but you still need to get done. it's okay not to be 100% productive al the time.
6. have a clear workspace.
this is a big one. i found that having a lot of stuff on or around my desk just makes me feel fenced in. i like to have 1 lamp, 1 cup of pens/pencils/highlighters, a cup of tea, tissues, and whatever i'm working on. when you're done with a task, PUT IT AWAY ASAP. that way, it doesn't build up, and you can feel ready to start on the next thing.
6.5. eliminate distractions.
i feel like this relates to the point above, but don't have lots of visible posters/lights/tempting tasks. maybe close your blinds or your door, or study in a library instead of your room if it is too bright and colourful.
7. the pomodoro method (organising your breaks).
LOVE LOVE LOVE THIS. the pomodoro method involves working for a consistent slot of time (usually 25 minutes, but whatever works for you) and then having a short break (5-10 minutes), and then a long break every 2-5 "slots" (15-20 minutes). if you don't trust yourself to stick to a timer, get a cute app on your laptop - there are heaps of different themes, and it will help you organise your time and tasks. instead of thinking about a task like "it will take me 2 hours", think about it like "it will take me 4 slots of time", and it will be much less daunting.
(note: for your breaks, try not to reach for your phone/social media. this is a rabbit hole. maybe draw for a minute, or read a few pages of a book. do something you can easily and quickly put away.)
8. organise yourself, but try not to hyperfixate on it.
apps like notion can be really helpful when organising tasks/your workspace, but they can also suck hours of your time away if you're not careful. not everything has to be perfect/meticulously planned, and you're not working on your homework by planning your weekly schedule. speaking from experience, it's really easy to get caught up in something that may feel productive, but really isn't.
9. this is really niche, but... for my reading-glasses wearers:
WEAR THEM WHEN YOU STUDY. i'm very mildly farsighted, which means wearing glasses when i read for long periods of time helps me prevent headaches. technically, i can go without them, and for a few years i usually did, but i've noticed that wearing them when i study has the benefit of getting me in the right headspace, and also stops me from looking up or around my room too often, as the prescription makes me dizzy when looking at things far away.
10. just get started.
i know you hate hearing this, but usually, knocking one or two things off your list can help you get motivated. often, things that seem really difficult or time consuming aren't as bad once you've gotten started.
good luck!
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fras-redacted-shapes · 4 months
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So I know very little about the process of making art, but I've been seeing you put out so many painterly pieces lately and I was wondering how long they usually take for you? I ask because while I don't know much about the process, I feel like you create them very quickly and it's really impressive to see if that makes sense 😅
it depends on a lot of things, it can be anywhere from two-three hours, start to finish, to between six to twelve. I've timed upwards to 25-40 hours on illustrations.
The trick I relay on is that I don't draw that much, I set up 3D bases to speed up the process (I really don't like drawing). If I didn't have access to face models for these characters, it'd usually add an additional day and several hours of searching references. Or I'd give up altogether because it's very demotivating to have everything else but the faces look decent.
For art that's just characters, a 3D base makes the process crazy fast, like this one.
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I spend maybe one hour and half max on the posing Studio DAZ models, then I do a very quick gesture sketch to map body type, clothes, expressions and brushstroke direction to try get rid of some of the stiffness, then clean that sketch once.
Then with REALLY BIG textured brushes I do the base
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And from there I paint with colors, zoomed out and still with big brushes, and always an additional window set to greyscale to check values all along the process.
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Then one "rendering pass" and then only one detail pass, usually on the hands and faces.
Enabling Color Dynamics on my brush settings gives a lot of color variation without much effort, which gives the illusion of additional detail. Then I do some quick post processing with filters like Smart Sharpening, Emboss and layer modes.
I work on huge files (this one is 7700x10000 px approx) so all the messiness looks extremely neat when resized. For example, this is a 100% crop of the finished painting. This part I "rendered".
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These shoes? not so much haha
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This painting took maybe about 8-10 hours, across three days, and that's not counting the initial thumbnail, which I try to keep below one hour
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hope that helps :D
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velidewrites · 8 months
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The Daily Struggles Of An Art Student
Desperate to finish her male anatomy assignment before the deadline, Feyre Archeron finds a secluded corner in a cafe. Or so she thinks.
Pairing: Feysand
Tags: Modern AU, Artist!Feyre, Look folks I'm just going to say it: Feyre spends half of this fic looking up reddit [redacted] for a male anatomy assignment
Notes: Happy birthday the wonderful @the-lonelybarricade! I wrote you this definitely not unhinged one-shot as a little gift. Thank you for being such a great friend, and truly the most supportive person in this fandom. I cherish you!!
Read on AO3
Feyre was running out of time.
Deadlines, she decided, were really not her thing. What was that saying? “You can’t rush art?” Well, her professor at the New York Academy of Art would be inclined to disagree. Then again, Feyre wasn’t sure the blank page shining a soft, white light from her iPad could really count as “art.”
She sighed in frustration, shifting in her seat. As if the new angle could help, somehow. With exactly four hours and twenty minutes until she was to submit her assignment, the prospect of failing was quickly starting to look more and more like a reality. Feyre had always been bad at painting from memory, particularly when it came to capturing people. Her own cat, she could probably paint in minutes and be satisfied with the outcome. Or the view from her apartment. Or the honey-brown colour of her sister’s eyes, especially when she just saw Elain at dinner the other day.
Male anatomy, on the other hand…
Feyre needed a reference. Desperately.
It wasn’t unusual for an art student to spend hours on Pinterest, searching for the perfect pose, one that would be just right. Feyre had done it herself too many times to count. It was simply that…well, Pinterest could not provide a reference for everything. And Feyre would rather not use her own memory to capture a man’s physique in full.
She had just broken up with Tamlin, after all, and had very little interest in ever recalling their time together again. Lucky for her, he had moved to Boston last week to pursue his Master’s, never to bother her again. Hopefully.
Unfortunately, with Pinterest proving entirely hopeless, and Tamlin decidedly out of the picture, Feyre was left entirely out of options.
The worst thing about all this was that Feyre had only herself to blame.
There had been one option she simply pretended not to acknowledge, though she would have finished yesterday morning had it not been for her own stubbornness—or, as Nesta had called it, had she not been such a prude. Feyre certainly did not think of herself as one—it was just that…well.
Every morning, from 8 till 10:30 sharp, her class offered anatomy studies with a handful of volunteers from the student body posing for their life drawing. Ninety-nine percent of the time, they were completely nude, which was not something Feyre would have cared about in the slightest had their newest model not been Feyre’s best friend. And her sister’s new boyfriend.
Ever since she had told Lucien Vanserra the school was considering paying the volunteers for their efforts, his gaze lit up and, not even a day later, there he was, his name displayed proudly on the sign-up sheet. Feyre knew him long enough now to know the extra money in his pocket was just an excuse. Someone has to capture this body one way or another, Feyre, Lucien had told her a few days ago, a twinkle in his russet eye. She supposed he did make an interesting art subject, with the scar and all—but not nearly interesting enough to strut through the East Building proudly, letting both students and teachers alike gush on about his “cruel beauty.”
Elain, to her horror, seemed to support Lucien’s latest modelling endeavours wholeheartedly.
“He promised to bring a few of the sketches home,” her sister had told her excitedly at dinner. The best reaction Feyre could offer was a horrified, blinking stare.
It wasn’t that Lucien was lacking in the looks department—on the contrary, actually—but she’d always seen him as a brother, ever since the day he’d almost run her over on his motorcycle, her very first day as a college freshman. And so, for the past few days, Feyre would make sure to avoid the East Building like the plague.
Today, she ended up in a nearby campus cafe, a cozy spot for a senior art student seeking privacy, yet still crowded enough to make Feyre look over her shoulder every few minutes. She’d opted for a secluded corner near the restrooms, with no windows next to her table, just in case a nosy passerby caught a glimpse of what exactly Feyre was drawing. Or, rather, attempting to draw.
She glanced at her phone, an unpleasant sense of dread curling in her stomach once again as she realised twenty more minutes had passed. Had she really wasted all that precious time thinking about Lucien?
Feyre needed to come up with a solution, and fast. There was no way she was failing this class, not in her final year. She was planning to move to Paris next year and continue her education there—where better than the art capital of the world? She would not let a poor painting of a penis, of all things, ruin all of her plans and dreams for the future.
Relying on Pinterest for now, Feyre began sketching the unnamed man. His upper body posed no serious issues, and she found herself done with the clean lineart and three hours thirty minutes left to spare. The thighs, too, seemed to feature all the muscles in correct places, though upon further inspection, she had perhaps drawn them slightly too large for a regular, male specimen. Whatever. With Lucien as the current model, she doubted any of her classmates would submit perfectly proportionate sketches.
Good, Feyre decided. This was good. The only thing left for her to do now was to find a good reference for the final pièce de résistance. She could do this—there was no one around, after all, and she’d make sure her browser history would be wiped clean later. Ressina, her classmate from the Academy, liked to borrow Feyre’s iPad sometimes to try her skills at digital art—and Feyre wasn’t sure their friendship was well-established enough that she could explain without making a fool of herself.
With a deep, deep sigh, Feyre got over herself and fired up Reddit.
Well.
This was going to make things a whole lot easier.
It was honestly beyond her that this entire archive was out there, for free and simply waiting for her to download. Without wasting any more time, Feyre got to scrolling.
She hadn’t expected to be flooded with so many options, but soon enough, she found just the perfect reference—the angle matched exactly the pose she had already outlined, and from the ruler he’d so proudly displayed beside it, the man didn’t seem like he would mind. And so, with the image neatly placed in the corner of her canvas, Feyre began to add the sketch. Everything seemed to be coming together—and, her focus lost entirely to the penis before her, she was actually starting to believe she might just submit this thing in time.
“Friend of yours?”
“Shit!” Feyre jumped, pressing her iPad close to her chest as she whirled back.
The voice behind her—of course—turned out to be a man. The most beautiful man she’d ever seen.
“Well?” he asked, eyes twinkling. Were they actually violet, or was the soft light pouring through the window just that spectacular?
Feyre felt her cheeks heating. “You know, it’s rude to invade other people’s privacy,” she told him, anger slowly replacing the embarrassment coiling in her chest.  Who was this man, this stranger, to question her?
He only seemed more amused, though he lifted a defensive hand. “Hey, I was just leaving the restroom,” he said, pointing back to the staircase behind. “It’s not my fault you’re right out here for all to see. Who’s invading whose privacy now, hmm?” Before Feyre opened her mouth to retort, the man added, “Oh, no need to apologise. Mind if I sit?”
And with that, he simply plopped down on the chair beside her.
The audacity. 
Feyre’s eyes narrowed. “I wasn’t going to apologise,” she said, setting her now locked iPad on the table.
He ran a hand through his hair, raven waves soaking up the sunlight, and smiled again. “I was hoping you would say that.”
“Anyway, this isn’t my friend,” Feyre said, hoping there was enough mockery in her tone to wipe that stupid grin off his handsome face. “It’s a project. For art school.”
“Ah, yes” he mused, drumming his long, slender fingers on the polished wood. “I could tell from how precise your strokes were.” Something about the way he said strokes made the heat in her face nearly boil over. Get it together, idiot! He leaned back in his seat, as if he could somehow tell exactly what Feyre was thinking. Then, he proclaimed, “You’re an artist.”
Alright, Feyre decided. Not entirely a prick, then. “I’m not sure I’d call myself that,” she admitted honestly. Not yet, at least.
“I would,” he said, the corner of his mouth curling slightly as he added, “I’d like to call you many things, actually. Let’s start with your name.”
There it was. Feyre couldn’t help but flirt in return. Prick or not, she liked his boldness—and his good looks certainly were no disadvantage. “You first,” she demanded.
He flashed her a wide, brilliant smile. “My favourite subject.”
She rolled her eyes playfully. “That doesn’t surprise me one bit.”
“Rhysand,” he said. “But you, darling, can call me Rhys.”
Rhysand. The name was so unusual she almost didn’t register what he’d called her. Darling. It was then that she’d finally taken her eyes off his face long enough to take in the rest of him—the deep, English accent, lilting as though he wasn’t speaking to her but singing the smoothest melody.
Yeah—she really needed to get it together.
“What brings you to New York City, Rhysand?” she asked him, not giving him the satisfaction of using his clearly personal nickname yet. His eyes sparkled again, accepting the challenge.
He shrugged. “Research. The sights. Pretty girls drawing male genitalia at 1pm on a Tuesday.” Rhysand winked. “Greatest city in the world, huh?”
Feyre’s cheeks flushed again. “Research?” she questioned, desperate not to go back to that topic with a man she’d only just met.
Rhys chuckled. “Yes. I’m an astronomer—or about to be, at least.”
“Interesting.”
“It is,” he agreed, and she could’ve sworn actual stars flickered in his gaze with the words. “You’d be surprised just how much the night sky has to offer.”
“I paint it sometimes,” Feyre told him, unsure why she’d just admitted something that personal to a stranger. “Whenever I feel…down, I suppose.”
To her surprise, Rhys nodded. “I do the same.”
Her brows flicked up. “Paint?”
“I’m afraid I’m not that talented. No, I look up—watch the stars.”
Feyre smiled. “That actually sounds wonderful.”
Rhys angled his head. “You know, I haven’t had the chance to explore the New York sky yet. I could use some company.”
Something told her she was up for one hell of a first date. “Alright, Rhys,” Feyre said, his face lighting up triumphantly at the name. She chuckled, grabbing her iPad as she rose from her chair. “Meet me here at seven thirty tonight.”
“Wait!” he called after her. “You still haven’t told me your name.”
“Hmm, I don’t know,” she teased. “I’m not sure I’m ready to part with darling.”
The stars in his eyes twinkled. “Oh, I think we’ll work something out.”
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nordidia · 7 months
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How long do you typically spend on a drawing? Of the ones you've posted, which took the longest? Which was the quickest?
hmm well i usually make comics so its just a bunch of multiple drawingsss... depending on the lenght a comic can take me from 1 hour to 6-8 hours
most joke-doodles never take more than 15-20 minutes
my longest (finished) comic took me two days lol (i started late at night and then finished it the next night)
as for the quickest...uh. this one. i drew it as fast as i could, both to get it out asap and also bc i drew it before going to therapy and i didnt want to come home and have to continue working on it after the comfort of therapy
of the like actual pieces that arent comics? maybe this one was the longest? or this one... i struggle with shading so im guessing these took the longest bc i had to sit there and ponder for hours how to even do anything ASHGHSDG
idk if im fast or slow but i take a LOT of breaks and almost because my art style is simple and i dont rly sketch beforehand other than some guidelines for height/anatomy i spent alot of time getting the first line perfect so its usually pretty hard to tell how long i spend on art
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feathernotes · 2 months
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Kinda a random one, but how much time per day and/or week would you say you spend working on your webcomics? I want to eventually make my own webcomic, but the idea of having to draw 24/7 to make a good comic is honestly pretty intimidating.
Not random at all! I love chatting webcomics! :D Hmm, it really depends on so many factors here. Webcomics can take as much or as little of the day as you'd need- but if we're thinking project longevity and the hopes of finishing such a huge feat, we need to consider some pre-production and project timelines- as well as how to handle scope. Let's break it down: -Figure out the length of your work (even in a general sense) This can help you keep an eye on the size of your project, where to trim and where to add, as well as get a general sense of a timeline for completion. Say you do a comic for 200 pages- once you figure out your general output page wise, you can get a sense of how long it will take to get from point A to point B (with some breaks added of course!) -Understanding Your Process . You need to dive in head first with this one! Start making some pages, don't get hung up on too much at first, and get a general idea of where you spend the most amount/least amount of effort and time. This can help narrow down where you need to focus your time with. (this includes writing/scripting, thumbnails, pencils- etc etc) -Don't compare your output to others! Some people are just really REALLY fast with output, others (like me) are quite slow on that. This is why understanding your own limits and strengths is important (and why it's a good idea to do some practice rounds with making comic pages to see how you feel about it first) -Working in a way that makes YOU happy. if you dont like inking/lineart, get that OUT of your process! you are allowed to have a comic that has pencils, painting, just colours- its all about YOU! One of the biggest 'slayers' of webcomic production is adding a part that the creator hates. Make it fun! Figuring out all of these steps took me a while to do. I am also lucky in that I work as one solid half of a team with @spacerocketbunny. We both write, draw, ink, promote, etc etc in equal amounts- But that also means that I can spend more time on details with the aspects that I enjoy- like inking. As far as the time it takes- I try to keep it a set amount of time a day. When at the day job, Webcomics can get 3-4 hours a day. On days where i am without obligations, i work a 'full work day' on them with 8 hours! I also give myself a 'weekend' off from comics too. Limiting yourself with hours to work on a project is necessary to last throughout the entirety of the project, and to prevent burnout. I've done webcomics for over 15+ years, and Ghost Junk Sickness turns 10 this year (and is on the way to being completed). Understanding your process, output, and scope of the project will create a better roadmap for the time needed to create your comic- and remember- it has to be for YOU the most, in the end. I hope this helps, always willing to chat more! Happy creating!
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a-n-conrad · 2 years
Text
Bad Poetry (Micah Yujin x Reader)
[Summary: Micah takes it upon himself to distract you while you stress out about homework. (They/Them pronouns)
Warnings: None
Request: None, but you can request at my survey! I’m just… down bad. (https://forms.gle/D9rsJtkERoBPaKvv8)]
You had hoped that you’d be done with your school work before Micah’s visit. Most of your work, you could get done ahead of time. The classes were easy enough for you, so you could work a week or two ahead. That meant that you had more time to spend with Micah. He didn’t get the chance to visit all that often, so you didn’t want to waste any of the time you had on school work. 
Unfortunately, there was one class that you just couldn’t get ahead of, no matter how hard you tried. You had hoped the poetry class wouldn’t be that much of a challenge when you signed up for it. However, it seemed you just couldn’t keep up with all the assignments. That was how you ended up pouring through your poetry books while Micah watched over your shoulder. 
“Angel, I’m bored,” he whined, leaning on your shoulders as you tried to stay focused.
“And here I was, thinking that you just enjoyed spending time with me. I suppose that’s not enough for you anymore, huh?” You couldn’t help but tease him a bit, still not looking up from your book. The reading you were trying to do was due the next morning, and you still had to write up your analysis on it.
“Aw, that’s not fair,” he pouted. When you didn’t respond, he moved to sit across from you at the table. Honestly, you couldn’t help but think it was sweet that he wanted your attention so badly. You wanted to take a break from your homework too, but you truly didn’t have the time. “You know I enjoy just hanging out with you, but I was promised cuddles. I bought a whole plane ticket and everything.”
You couldn’t help but laugh a bit as he whined. You knew he was joking, but he was really giving the bit everything that he had. He could be ridiculously dramatic when he wanted to, and you had to admit it was endearing. “I promise you’ll survive until I finish with this, you dork. I just have to get this done, and I should be done for the week.”
“Ugh, can’t you just cheat? I thought you said that was what you normally did,” he was getting more and more dramatic with every moment. You could vaguely see his golden puppy-dog eyes staring at you in the edge of your vision. 
“That was a joke, idiot. Besides, shouldn’t you be used to sitting around like this? I doubt this is as boring as your 8 hour study sessions,” you looked up just long enough to stick your tongue out at him, earning a chuckle that always seemed to make your heart melt. “Speaking of, if you wanna help me out with the analysis for this, it would probably do more for you than all that pouting.”
“I don’t know,” he replied, drawing out the words in a way that told you he was about to say something absurd. “That seems unfair to all of your classmates. I’m kind of a genius when it comes to poetry, after all. You don’t want to make them all feel stupid, do you?”
“I mean, a bit,” you responded, unable to hide the smile forming on your lips, “but I’m really not all that worried about that.”
“What, you don’t believe that I’m a poetry god? A master wordsmith? You dare doubt me?”
“Oh, no, of course not,” your words were dripping with sarcasm as they left your mouth, “I’m sure you’re just a modern day Shakespeare.”
“I don’t know, Angel. It sounds a bit like my wonderful partner is doubting my abilities,” you hadn’t even realized that he had stood up from the chair. You were far too focused on trying to get your work done. You probably should have known better than to think Micah Yujin wouldn’t use the opportunity to fluster you.
“No comment.”
“Oh, Angel, you wound me,” his voice was much closer, finally catching your attention. You looked up from your books, only to find him kneeling next to you, his face much closer to your own than you expected. You knew he was enjoying the banter because the sparkle in his eyes didn’t fade for a second. 
You tried distracting yourself, looking at his hair instead of the mischievous look in his eyes. The chunky white stripes in his hair were a signature look of his. You could barely imagine what he would look like without them. Still, you could tell that it had been a little while since he had touched them up because his roots were growing out a bit. However, you couldn’t help but to look back at his face after a moment or two, meeting his cocky grin that always put his fangs on full display. You just had to hope the blush wasn’t noticeable yet. 
“Can I help you, Micah?” You asked, keeping your voice as steady as you possibly could.
“Shall I compare thee to a summer’s day, Angel?” He moved a hand to rest on your cheek, and you were sure that he could feel the heat pouring off of your cheeks. You never understood how his voice could have such an effect on you. He never failed to make you weak in the knees with just his words alone. Not that you were going to tell him that. You would never live that down and you knew it.
Instead, you just looked at him, trying to keep a straight face as he stared directly into your eyes. You didn’t trust your voice with a response. The last time he had caught you stuttering because of him, he teased you about it for a week. He only stopped because you pointed out all the times he had done the same thing. Still, you decided that avoiding that teasing would be much easier than finding a way to distract him afterwards. So you just raised an eyebrow at him in response, trying your best to seem entirely unimpressed.
“Because you’re hot as fuck.”
It took you a second to process, the sudden change in tone catching you a bit off guard. However, once you finally wrapped your head around what he had said, you couldn’t help but burst into laughter. 
It was the ugly, absurd laughter that often came when he caught you off guard with a joke. The kind that only he had ever really earned. It always seemed to make him smile, but your eyes were too watery for you to see the dopey, love-struck look on his face. 
“Micah Yujin, that was terrible,” you said between giggles. You were still gasping for breath, but you felt as though you had to say something or you’d never manage to calm down.
Honestly, you hadn’t even realized how tense you were getting about your school work until that moment. Until the tension was shaken from your shoulders with each laugh. Until you finally felt relaxed as you slowly caught your breath. It was at that moment that you realized Micah hadn’t been trying to get you to take a break because he wanted your attention. He wanted you to take a break for yourself. 
“Micah Yujin, you absolute dork,” you sighed, leaning your face into his hand that had returned to your cheek. You and Micah might tease each other constantly, but it was moments like that when you were reminded just how caring Micah really was. And you were eternally grateful to have him. However, the only way you could think to express it was a simple, “Thank you.”
He seemed to get the message, though, if the soft kiss he pressed to your forehead was anything to go by.
[A/N: This is shorter than my usual stuff, but hey, at least I've started getting over my writer's block. At least a little bit.]
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How long do you typically spend on each TMayNT drawing? Of the ones you've done so far, which one took the longest? Which one was the quickest?
So my art process consists of finding a base (if there is one), sketching it out on paper and then finishing it on my phone. It takes me a few hours (maybe about two to three) to sketch and that’s if I don’t feel too stressed out or distracted (don’t know why my mind does this to me.) I would get extremely lucky if I ever sketch the night before.
The piece that took the longest is definitely a tie between Day 8 and Day 11.
One of my longest pieces would be Day 8. I believed I explained this in its original post. Long story short. I love Traximus, love the Triceratons, but it took me forever to figure how his face would even look. Like the original base was human but somehow I have to fit a Ceratopsian’s head on it. And then there was Raph and his shell. Took quite a bit.
The other one is my Favorite Splinter. It’s 2003 Splinter but in my AU. It was mostly figuring out a side profile of his body, his tail, and his hands and feet. I thought he looked alright at first until I noticed his head looked a little disproportionate from his body. (Heck his whole body feels disproportionate.) His coloration at the very least saved it for me.
My quickest piece? It’s Day 14. Literally just a title of a Movie. I used to do just title of things all the time. Even made covers for fanfics that won’t really happen ever. So it wasn’t too hard to get it done within a couple of minutes. It might say 24 seconds on my speed paint time but it definitely took like maybe almost ten minutes. (Maybe a little more.)
Long and short of it, the time on a drawing varies. (Sorry for the rant. It’s the best way I can explain anything nowadays.)
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drawnfamiliarfaces · 1 month
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How much time do you usually spend on drawing 1 piece of art/page of a comic book?
Well, it really depends on my energy levels and motivation, but on average I would say 1 piece takes me about uuuuh 5-8 hours give or take? I can finish a simple one (maybe even two) in a day, if conditions are perfect. xD But more often than not I waffle about, so it takes about 1-3 days. On bad days it takes a week or more to finish anything. ;(
With comics its a little bit harder to calculate, since I've never done them before! All comics Ive done last year were done in batches, and not page by page like a normal person lol. Initial sketching took a long time (I try to rough draft the whole thing in advance, so to see how the pacing of the comic is, before actually starting it, so sometimes they were chilling in my files for months), but when its done I spend like 2-3 days doing proper draft of 'Parts' (7-9 pages), 2-3 days for lineart, 2-3 days for colors and etc.
I know its a bit of a weird system, but it helps me to sort of keep in the same mindset and keep some sort of consistency when I do all pages in stages like that. Especially when it comes to backgrounds and shading! I just open all pages and color them one by one in one/two sitting, while the images of how i want them to look are fresh on my mind.
If I have a ready to go draft/sketch, time and motivation, I can do 7-9 pages in a week-ish time. That's basically what I did in October with Torn Pages Parts 2-4 and December when I went insane and speed-drew HoM Act 1 Parts 2-6 in a month. It was like uh 35 pages in total, + a couple of Extra art in between. (Wow, ye, December was a fruitful month for me haha). But that was possible because I had rough drafts ready for months. Literally, 3 months, since I initially drafted it and drew part 1 in September.
So. uh as you can see its a bit hard to calculate for one page haha
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aropride · 11 months
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this is literally exactly what it's like though. like IT HAPPENED TO ME. i used to read books all the time. when i was 7 or 8 i could read thru a 200 page book in a day. i could read 600 pages in a day at 11 or 12. i understood what i was reading. i'd have to move around or listen to music to focus, and it was perfectly common for me to pace around the living room while reading, but that was just the adhd more than anything. and then i started using social media and youtube and i could still read, for sure, but there was a little voice in the back of my head begging me to check my computer to see what was going on. and then i got older and instead of reading books i'd read fanfics, sometimes 80k words, sometimes 800 words. and then i started watching book summary videos instead of reading them at all, and i'd find fics over 30k words hard to finish. and then i couldn't finish school assigned reading at all, ever, and i'd spend the time on social media. and then covid happened and i got into audiobooks for a while and it helped but then the world decided covid was over and my temporary library card wasn't valid anymore and i couldn't get audiobooks anymore. and then i got tiktok and suddenly i was spending 12 hours a day on it and i couldn't write or draw or read or sew or anything. and then even watching a full minute-long tiktok was hard. and then i'd pull up tiktok to watch 5 minute youtube videos. i couldn't even finish book summary tiktoks. like everything needs to be SO FAST all the time and i know part of that was definitely the untreated worsening adhd and the depression etc but when i couldn't even watch 45 minute tv shows while playing a video game and listening to music and would just end up on my phone and when i realized there was a visible dent in my phone screen protector from where i'd scroll on tiktok and when i realized how much of my life i was spending on that fucking app. i finally managed to delete it in january when i got on meds and it's easier now but i still can barely write for 5 minutes without instinctually switching screens to check my notifs here or opening my phone to see if anyone's posted a new instagram story and it's like. exactly this. i hadn't finished a book in years. i just watched summary videos. everything is so fucking fast now
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aimtodraw · 2 months
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Hiiii !!!!! <3 Am I allowed to use your Sanuso Fantasy AU art as my phone lockscreen????? Because- Because it changed my life forever and it is basically what inspired me to finish the fic and I adore it so much it's insane pleaseplease (but if not that's alright too!!!) <33
Yes, of course! You're free to do whatever you want with it!! You can even print it and put it up on your wall or something, I really don't mind. (This goes for everyone. Do as you please with my art as long as you don't make profit from it, and don't try to claim it as yours of course. No reposts on other websites please 👍🏻)
I'm sooooo happy that you liked it so much!! I poured a lot of time and effort into it. I usually don't spend more than 2-3 hours on stuff (because I'm lazy) but that one took me around 8-9 hours 😭😭 Thank you for inspiring me to draw!
Also I'm reading your fic (on chapter 3 rn) and I love it so much. It's so well-written it's actually mind-blowing.
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tropigar · 7 months
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Hey millie! Do you have any advice or tips on someone who has no idea where to even begin getting commissions? I love seeing all your stream art on my dash n thought you might have some ideas
Hi! I have a few pointers. And thank you, that is very kind :)
You'll need a payment processor. Paypal is pretty defacto in the art community. I always send invoices and it helps the transaction go smoother and gives you some control over the details and is better for recordkeeping purposes. You'll also need a platform to advertise your commissions on. Ideally this is just the same place you post your art and you have established yourself with a decent amount of art and some time on the platform to build an audience. There are artist-for-hire forums and the like where commissioners can seek out artists but I find the ratio of artists to commissioners tends to be astronomical so getting commissions on there can be difficult (I've never used them for that reason, if anyone has and wants to chime in it'd be appreciated!)
You'll need some way to advertise your commissions and organize the information. I use trello, I love that I can have my prices, TOS, examples, queue and finished pieces all in one spot. When you advertise your commissions an image that leads potential customers to your information helps. Some people make an image sheet with their examples and prices and TOS all included but honestly I've found that's more work than it's worth. The less digging customers have to do to find your commissions, the better.
You'll need to know what sort of commissions you want to offer. I see a lot of artists newer to offering commissions offer options for sketched, lined, colored, and shaded pieces that are also split by headshot, half-body, and full-body, so that's already 12 potential commission options, and then throw on options for backgrounds and props and such... less is more. Excessive options can be overwhelming and generally people will gravitate to one end (sketches if they're low on funds) or the other (fully rendered if they really like your work and have the cash). I try to keep it simple, I had my sketch headshots at $10 and lined fullbodies at $50-$70. Finding a "niche" is great! I did psychedelic portrait commissions and that was my best selling commission option for awhile.
As far as pricing goes that is a personal decision with a lot of variables. With digital art material costs are hardly a consideration but time spent making the piece, your skill level, and demand all are. I always start with an estimation of how long it takes me to complete a piece and go from there, I start at $20 an hour because that's how much I need at a full-time job to get by. If I think something will take me about 3 hours that's a $60 commission. Sometimes that does bite me in the butt and I end up spending something like... 16 hours on what I estimated would take me 8. Personally I always just eat the difference because I care more about providing a good experience for my commissioners than getting every penny :P I also charge up-front so it would feel unprofessional to go back and ask for more. Your commission prices should really be more of a rough estimate than a guaranteed quote, subjects can vary greatly in complexity, you don't want to charge the same $50 for a fullbody if some characters can be drawn in 2 hours and others take 6. Personal advice... if you are struggling to sell your art for say at minimum $10 an hour, it is either your skill level or your marketing / visibility. If it's the former, I really recommend stepping away from taking commissions for the time and spending a couple months or so working on developing your art skills. You will thank yourself later!
It's also important to know where your strengths and weaknesses lie. If you struggle with drawing backgrounds it's better to find that out in practice rather than on a commission while you're suffering through trying to figure out how to make rocks look like rocks or incorporate lighting and that sort of thing not that I would know what that's like, haha no wayyy.
You'll need a terms of service and there's a lot of considerations that go into that:
will draw / won't draw (can you draw xyz species? backgrounds? technology? etc)
turnaround time, queues (how long will it take to finish, a week or two months at most? do you finish commissions in a certain order?)
slot limits (how many outstanding commissions will you take at a time? it's important not to bite off more than you can chew)
payment options (how will they send you the money? also, when? up front, 50 now, 50 later?)
refunds (how will you refund if you can't complete a commission? do you offer refunds if requested by the buyer and at what time? if so, are they partial refunds determined by progress completion?)
work in progress images and revisions (do you offer WIPs? at what stages? how many revisions will you make? do you charge for additional revisions?)
usage rights (what will you do with completed commissions? just use as portfolio pieces? what can the buyer do with commissions? can they draw over them, crop and color filter, use as icons, print off, use commercially? if commercial applications is a considerations you need additional terms on that)
contact methods (email, discord, the same platform as posted, etc. how often will you reach out to them?)
anything else you can think of that would be relevant.
Having a public queue is good so people can see how much work you've done on their commission and/or where in line they are.
When working with commissioners it's important to be clear on what they're looking for. Have a character reference if applicable, know a bit about their personality and maybe how they want them depicted. Also things like time frames and resolution might be important.
And social skills is an obvious one. Be corteous and all that. Not much advice I can offer in that area. Be transparent, don't be rude, and you'll probably be fine lol. Overtime, you get practice with some less obvious things like commissioner personality types and vision and are better able to tailor your approach to what works best for the client. Some people just want to see their character in your style, others have a specific vision in mind, that sort of thing.
There are a few other things I can think of like, I really recommend you give yourself a month minimum turnaround time as breathing room for commissions (and if you finish it faster, hooray!), also I generally recommend charging 100% upfront (or something like 50/50 on larger commissions), I could go off on a few different things but that's more personal advice and opinions and this is getting to be a long post already :)
Also, take a look at a few different artists that offer commissions and what their process looks like and go from there!
If you have any more questions don't hesitate to ask and I'd be happy to help ^^
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