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#This would be post-plot originally. Just my idea of what happened. Atlas runs away and joins a circus
tracle0 · 2 years
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I want to talk about magic systems in The Spiders Song (and it’s sequel) and explain ideas I have that may or may not make it into the actual book.
Let’s start with sigils.
Sigils are the common name given to magic in written form. They are a manifestation of the Squids magic, and it’s servants are able to tap into its abilities to write their own sigils. It is, however, a lot more complicated than that.
See, the Squid is the god of writing. That’s pretty much it. It’s magic is manifesting other magic in written form, for communicating ideas to later generations or giving you an experience or warning strangers of something. Inflicting an ill will on them. Whatever! Sigils are versatile as a result. They can communicate a wide range of things, channel a wide range of magics. Every single strand of these magics has a source, and not a single one of those sources is the Squid itself.
Basically, sigils have their own language you need to learn in order to channel magic correctly. The language is not random; it could be called the gods tongue, if gods had their own physical form and spoke. You make a sigil by writing down the god in question who’s magic you want to channel, and then twitching and tweaking it to fit the specifications best.
Mmmm say you wanted a sigil for encouraging strawberry growth in your garden. Why wouldn’t you? Strawberries are delicious. To do this, you’d want to channel the Deer - god of nature - and then tweak the name, so rather than the full force of nature coming down on your little garden, you have the magic target strawberries specifically. How this is done is a matter of opinion. Maybe you’d have it target red plants, and accept blooming roses into your life as well. Maybe you’d target the shape of the leaves, the abundance of seeds, the creeping vines… whatever. More complicated sigils may target multiple factors, to narrow it down to a strawberry.
So Deer + specification of a strawberry - and hey, you’re good to go!
Well - provided the Deer doesn’t notice.
Gods have servants, see. People who, from birth, gods sponsor and give them use of their magic. So they do share magic… but only with certain people. Servants to the Squid are at risk of a god noticing their magic going somewhere they don’t intend it to go, and unleashing their wrath on the unlucky bugger who caught their eye. In this example, the servant would very likely be fine - the Deer has a lot of servants, and so doesn’t notice when a stray hand may be pulling magic in another direction. But there’s always that risk, and more private or attentive gods would likely notice if their magic is drifting in places it doesn’t like.
You may be wondering why anyone wants to be any other servant if a servant to the Squid can just use any magic. Beyond the two stated reasons why - servants being chosen from birth with no input from them, and the risk they run using their magic - there’s also the factor of weaker magic being channeled through sigils. It’s not as pure, not as perfect, not as direct as a servant using magic. Like.
God —> servant is how it works for a typical servant. Direct flow of magic.
God —> Squid/sigil —> servant is how it’d work for sigils. Less direct, interference in the middle. The magic is still, yknow, magic… just a bit more patchy.
So sure, you get a wider range of magic, but there’s a constant risk to using it, plus the less direct results, plus limitations by what you can write and tweak… mmm
What else. Mmm. The study. You have to know a gods name to be able to use its magic, and it is a very exact science. You have to write it exactly, no room for unique handwriting or whatever - and that’s not even mentioning the fact that a lot of gods names aren’t even known! Or that you’ll want the tweak the sigil to your desired effect! You have to get the exact shapes and depth and size of the sigil perfectly exact, and figure out what can be tweaked in order to make your sigil work how you want. It’s laborious work compared to servants who look as if they just “poof!” And make a thing happen.
(they do not just “poof!” And make a thing happen, all servants have to study various things to various degrees, but servants to the Squid often have a poorer deal).
I do think it’s worth mentioning that you can have multiple gods in one sigil. Moth (warmth) plus Axolotl (biology) could give your body a boost of warmth in a cold environment, or something similar to that.
A lot of servants to the Squid often have tattoos of useful and frequently used sigils. This does require the sigil being made for repeated uses - some are one-use only.
Oh, obviously you also have to write out the sigil you want to use. You can do it Luz-style, where you pre-write a bunch and activate them later, or you can do them on the fly.
Any servant to the Squid can activate any sigil, unless specified otherwise in the sigil. They can also specify that non-magical folk, or non-Squid servants can activate or deactivate a sigil. A common example of this is locking sigils, to keep doors locked - a cheap one may just lock a place, and the more advanced ones specify that X and Y can unlock it, and only those two people.
I think that’s all I’ve got for you today. Peace
#TSS#TCD#Worldbuilding#writing#original writing#I spent about ten minutes trying to find a good Toh gif of magic being used but alas could not find any#Also I was lying I have more to say in the tags teehee#Atlas pretended to be able to use sigils on tss a lot. This is because their magic and god are not believed to exist#And they would rather not be labelled as such#This secret does not last through all of TSS but they give it a good go#In TCD there was an idea for a while that they would revert back to their old lie of being a servant to the squid#But claim that they had figured out the Spiders name - hence being able to use illusions still#This would also be found out to be a lie except on a bigger scale this time and they would be labelled as a spiders servant#Which - amongst other things - would contribute to them leaving their home for a while and joining a circus#This would be post-plot originally. Just my idea of what happened. Atlas runs away and joins a circus#And then when they feel healed and ready - come back home again and work in the local library#Primarily taking over the duty of reading to the children who come#Which would be awesome in terms of them learning to read Better as well AND in terms of the cool lil illusion shows#They’d put on. Learning to use their magic for something good and kind rather than. Fear and terror haha#That’s a lot of rambles for not sigils on a post about sigils. What else.#There’s likely going to be a very powerful sigil involved in TCD which I am excited for#I also do not know what any sigils look like at all. RIP to that#Next post I might do about healing maybe because I like the Axolotl. It’s a fun god. Oh maybe I should talk about some gods attitudes too#We’ll see!#Trade-marked
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littlemisspascal · 3 years
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The Last Mandalorian
Chapter One: The Warrior in Carbonite Part 2
Fandom: The Mandalorian / Pedro Pascal
Eventual Pairing: Din x Togruta!Female!Reader
Word Count: 3,400
Rating: G
Summary: A series that is a mixture of Mandalorian, Star Wars, ATLA, and my own imagination. The Imps have seized control of the majority of the galaxy, including your homeworld Shili. You and your sister Ahsoka have developed a daily routine despite the stormtroopers keeping your village imprisoned. One morning you make a startling discovery that will change the course of your lives forever.
Warnings: plot plot plot, mild descriptions of violence, worldbuilding, dialogue heavy, sloooooooooooooow burn – seriously, we’re just getting started so it’s gonna be a bit before feelings are involved, reader is 17 and Din is 19 so I’m going to warn this as underage even though nothing sexual or even vaguely romantic happens in this chapter.
Author Note: The plan right now is for there to be 3 parts of Chapter 1. Tumblr isn’t doing a good job notifying my taglist, so I apologize if I bother anyone reblogging this a few times trying to get it to work. Thank you everyone out there for each like, comment, ask and reblog! The support means the world to me 🥰
Part 1 Part 3
Cross-posted on AO3
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The village is a small community with less than a hundred citizens living there total, yet it is visible from miles away due to the bright paints used to decorate the houses. Murals depicting the village’s history and its residents adorn every house with details added by each new generation so that no one is ever forgotten. Back when visitors would pass through, they would always compliment the village’s beauty, but there is nothing beautiful at all about the electric fence the Imps erected shortly after seizing control, emitting shocks harsh enough to kill.
Originally the stormtroopers said it was to protect the village from threats, but nobody believed the lie. The only threat to the community was the Empire. They don’t bother making up excuses anymore, now they like to remind everyone the whole village is their prisoner, usually by a show of violence so unbelievably malicious it stuns everyone into compliance.
There are some horrors time will never erase from your mind.
Juni trees grow beside the fence outside the perimeter, the only species of tree amongst the shrubbery and turu-grass, and they are tall enough for their thick orange branches to extend over the uppermost wire. In the mornings, Ahsoka climbs out your bedroom window, slides down the sloped roof of the house and leaps onto a nearby branch. You follow after her, trusting that she won’t let you fall when you stretch out your hand for her to catch you and lift you up using a bit of Force to give you a boost. The two of you sneak back inside the village using the same tree, only instead of leaping at the house, you drop the short fall onto the ground beneath. Five years and the stormtroopers haven’t caught onto your trick yet. 
Except now the tree isn’t an option. Not when you both are half-carrying, half-dragging two-hundred pounds of flesh and metal. 
Hiding behind a clump of coyal bushes, you and Ahsoka scout the entrance booth where a pair of stormtroopers dressed in their characteristic white armor stand guard, holding blaster rifles. There are others on patrol, walking along the fence and checking its integrity, gradually stepping further and further out of view, but they will be back eventually. Your window of opportunity is limited. 
You adjust the warrior’s arm over your shoulders, quietly groaning when your muscles protest the heaviness. “What are we going to do? Stormies might share one brain cell, but they’re definitely going to notice this heap of metal we’re carrying. And as soon as they find out we don’t have passes, they’re going to start shooting.”
Passes are only given to a handful of the community’s traders each week. It is a three day ride on a repulsorlift speeder to the capital where they have a short span of time to sell their goods and then return home within the week with essential supplies. To ensure no one tries to run away, the Imps set up strict rules. If the traders are late, even if only by a few minutes or due to reasons outside their control, the rest of the villagers pay the price. Usually the punishment is a public beating, but sometimes the stormtroopers get creative and tie their chosen victims to a pole overnight by their head-tails. 
Nobody, not even the younglings, sleep those nights.
“We’ll be fine,” Ahsoka answers, firm and confident, gaze fixed upon the gate. “Just follow my lead. I’ve got an idea.”
She doesn’t spare you a second to protest, stepping out into the open and forcing you to follow or else drop the warrior’s body. 
The stormtroopers spot the three of you immediately, relaxed postures stiffening with alarm, and you have to remind yourself over and over to breathe, to not let them see any hint of the anxiety buzzing beneath your skin.
“Hold it right there!” One of the stormtroopers orders when the distance between you and them has shortened to a mere three feet. You freeze at once, heart pounding as fast as a thimiar’s seconds away from being eaten. A quick glance at Ahsoka reveals no fear in her expression. She stares at them indifferently, as if she is about to talk about the weather. 
“Explain yourselves.” It is not a request.
You squirm, nearly knocking your head against the warrior’s bowed head, on the verge of losing your composure, when you notice Ahsoka lifting her arm.
“You will let us pass,” she says, adopting a suggestive tone while waving her hand in front of their visors.
They respond in unison, seemingly entranced. “We will let you pass.”
You bite your lip as you and Ahsoka pass between the stormtroopers and through the gate, not wanting to break the spell by letting loose the barrage of questions forming on your tongue. What your sister had done was as amazing as it was frightening. She had manipulated them with such confident ease you are certain this isn’t the first time she has performed the trick on someone. 
“When did Aunt Shaak teach you that?” 
“She didn’t,” Ahsoka replies lowly, casting a quick glance around. “I taught myself.”
Your skin prickles as you also become aware of the increasing number of eyes staring at you. With the sun fully awake and bringing morning light with it, several villagers are carrying on with their daily routines outside of their homes. Most of them seem a mixture of confused and concerned about the stranger, but you spy the Elders looking displeased by the new addition amongst their ranks. 
You are not looking forward to being inevitably summoned and interrogated by them.
“How?” you ask, copying her hushed cadence. Then, a pulse of panic blooms in your chest. “Have you ever—?”
“No, I haven’t messed with your mind before. Never even considered it,” Ahsoka interrupts, sensing your worries. “I don’t practice often, but when I do it’s just harmless little suggestions. Like convincing Huno to give the younglings an extra sugar biscuit when he has some to spare or persuading Jaelee to go to bed early when I know she’s been overworking herself. To tell you the truth, I wasn’t really sure the trick would work on those bucket heads since I’ve never tried it on two minds at once before. Lucky us, right?”
You nearly trip over your own feet. “What?”
Is she being serious right now? They would be dead right now if her gamble hadn’t paid off.
Ahsoka pretends not to hear you, nodding her head towards the blue-painted house up ahead. “C’mon, Maar probably already knows we’re coming.”
Maar Vashee has been the village’s healer for a little over fifty years. The purple-skinned Togruta helped deliver you and Ahsoka, and was considered by your mother when she was still living to be a dear friend. Her connection to the Force is especially sensitive due to her intricate relationship with the flora of the planet, using various herbs and plants to create remedies, and as such she developed a type of sixth sense where she instinctively knows when her skills are needed.
Entering her home that doubles as her clinic, you find Maar had indeed anticipated your arrival and set up a cot to place the warrior upon. Once he is laid down, you roll your aching shoulders, biting back a wince as the movement irritates the headache lingering at the back of your head. 
The warrior hadn’t made one noise the entirety of the trip bringing him here. Even now as he rests on the cot, his breaths are so quiet you would fear he wasn’t breathing at all if not for his chest moving. You touch his hand impulsively, laying yours over his gloved one. There is no response, not a twitch or spasm.
A sharp gasp of surprise has you whirling around, eyes landing upon Maar standing in the doorway between the clinic and her living quarters. She clutches a glass jar of spotted red herbs labeled nysillin against her chest, staring at the warrior like she is looking at a ghost. 
“Maar,” Ahsoka calls out softly, coming to stand by your side. A long moment of silence passes before the older Togruta manages to drag her gaze away to focus on you and Ahsoka, green eyes a bit too wide-eyed and haunted. Your sister’s gentle tone remains when she inquires, “What’s wrong? Do you...do you know him?”
Maar chokes out a brittle noise sounding like a cross between a dry laugh and a derisive scoff. “Personally? No.” She moves closer to the cot, the white circular markings around her eyes softening with what you confusingly identify as sympathy. “I’ve heard stories of his kind though. Years ago, many considered the Mandalorians the only ones capable of defeating the Imperials.”
“Holy frak,” you gasp before you can stop yourself.
As a youngling, your mother used to tell you stories about the fiercest fighters in the galaxy known as Mandalorians. They lived on Mandalore and had a special connection with their weapons, a bond nobody else could understand or mimic, trained to handle guns and knives as soon as they could walk. They defended the galaxy from unlawful rulers and the threat of enslavement, unafraid to spill blood when they knew peace would follow. Your mother told you they never lost a battle. Defeat was a word unknown to them.
At least until—
“Mandalorians were wiped out during the Decimation of Alderaan,” Ahsoka interrupts your thoughts, voice pitched high with disbelief. “And the few who lived were hunted down shortly after. The Imps made sure there weren’t any left to challenge them.”
As if triggered, you recall a detail from your brain glitch, a thought that had crossed your mind when you were flying through the storm. You had been looking for Aldera, the capital of Alderaan. 
It’s just a coincidence, you think. But a voice in the back of your head that sounds suspiciously like your Aunt Shaak counters, there are no coincidences. 
And as much as you loathe admitting it, that voice is right. Having the image of a mudhorn slip into your brain shortly before you find a warrior—no, a karking Mandalorian of all people—with the same creature on his armor? It is too precise to be a coincidence. Your paths were meant to cross each other.
If only you had the slightest clue as to why.
Maar sets the jar down on a nearby table, then picks up the Mandalorian’s wrist to check his pulse. “That is what we all thought,” she agrees after a minute of counting has passed, dropping his hand. “His armor is characteristic of their kind. Nothing in the galaxy is as strong or valuable as their beskar. Let’s pray to Ai our beliefs about the Mandalorians’ extinction are mistaken,” she nods towards the unconscious warrior, “especially for his sake.”
Realization creates a sickening pit in your stomach. 
Regardless of the status of his kind, when he wakes up his whole world is going to be flipped upside down.
__
Three hours later, not much has changed except the room is brighter, afternoon sunlight pouring in through the window, and smells sweet due to the bowl of herbs Maar left simmering on the table near the Mandalorian’s head, explaining the aroma will cure him of his hibernation sickness as he breathes it in.
“He’ll wake up when the marg sabls open tomorrow,” Maar told you with a gesture towards the potted red-and-pink flowers in the windowsill. They grow all over Shili, popular because they open their petals in a sunburst shape every morning. 
Ahsoka comes and goes, blessedly not criticizing your decision to sit at the warrior’s bedside when you have a list of chores to complete—doubled now that you lost your bet with Ahsoka earlier. She intercepts curious younglings hoping to sneak a glimpse of the Mandalorian whose presence has become known throughout the village. Nothing stays a secret long in the community. Gossip spreads as quickly as colds and takes twice as long to get over. 
If the stormtroopers catch on, the consequences will be disastrous. For once, Ahsoka shares your fears, admitting she isn’t capable of tricking a whole platoon. 
“The Elders aren’t happy,” Ahsoka says in-between sips of bone broth. “They think it’s too dangerous having him here.”
You swallow your mouthful, shaking your head. “I think it’s the opposite.”
“What do you mean?”
Averting your gaze towards your lap, you scratch at an imaginary stain on your leggings. “Just a feeling I have.”
Ahsoka leans forward in her seat, pointing an accusing finger at you, causing your head to jerk back up. “The Force connected with you again, didn’t it? I knew you were acting weird before we found him.” She frowns, hurt flickering in her eyes. “Why didn’t you tell me?”
“Because I never wanted to be special, Ahsoka,” you reply honestly. “I never wished or prayed to have visions, to have these random details pop into my head, to feel others’ emotions so strongly it’s like I’m trapped inside their bodies. There is nothing cool or entertaining about it. It’s…” Your voice cracks embarrassingly, forcing you to take a pause. You inhale a shaky breath. “It’s terrifying.”
“I had no idea you were struggling so much,” your sister murmurs, voice soft with contrition.
“How could you when I didn’t even want myself to acknowledge that I was?” you counter, feeling as if a weight has been lifted from your shoulders as the truth sinks in. “I tried to ignore it all as best as I could. If not for meeting our friend over here,” you tilt your head in the Mandalorian’s direction, “I’d probably still be in denial. But I can’t ignore the Force this time. Not when the message is this important.”
“What is it?”
“We were meant to find him. To bring him back with us. I think—I believe he’s important. Remember what Maar said? About how people used to believe Mandalorians would beat the Empire?”
Ahsoka’s brow furrows incredulously. “You really think one warrior can defeat Emperor Gideon’s army? The rebels have been trying for years and the Emperor is always one step ahead.”
You can’t help deflating a bit, shoulders slumping. “Well when you put it like that…”
“Have you considered an alternative reason why he’s important?” she asks. When you don’t answer right away, she takes it as a cue to continue, “Maybe you’re right and he is going to change the galaxy for the better. But he could also be a warning. The Imps wiped out his kind, what if they plan to do the same to us?”
Your lips part to respond, only to close again wordlessly. You thought by accepting your brain glitches as messages from the Force they would become clearer, easier to understand. A lantern guiding you through this maze of darkness epitomizing your life.
But you have never felt more lost.
__
Falling asleep is a mistake. 
You didn’t know this when you rejected Maar’s suggestion to head home and sleep in your comfortable bed instead of curling up on her spare cot that squeaks whenever you move. The prideful side of you believed it was best if you were the first face the Mandalorian saw when he woke up because he would remember you and the promise you swore. He would trust you to explain everything to him.
Within a second of waking up, you realize how naive you were to think you had even a shred of influence over him. 
The sound of something shattering has you nearly tumbling off the side of the cot, jerking awake with a sudden burst of fear. You blink rapidly to clear the haziness of sleep from your vision, struggling to make sense of what you are seeing.
Pieces of Maar’s ceramic bowl litter the floor along with bits of charcoal and ash. Ahsoka and the Mandalorian stand on opposite sides of the room, staring each other down, poised to fight. The Mandalorian has a vibroblade clenched in his hand, while your sister crouches low, fists raised. You know Ahsoka can hold her own in a fight, even without the advantage of a weapon, but fear winds its way down your spine, cold and slimy, when you can’t help but notice how small she looks compared to him. Not only because he is a few inches taller, but because he also exudes an undeniable aura of intimidation: his unwavering silence, the skilled manner he wields his knife, even the sharp gleam of his beskar pieces reflecting the pale morning light has your chest tightening with dread.
The clinic’s lights flick on right as Maar announces her presence by cocking a blaster pistol. It is the Mandalorian’s own weapon, removed from his holster when Maar examined him earlier. “Alright,” she says to the room at large as she fully enters, dressed in her sleeping robe. “Let’s all settle down. Blood isn’t an easy stain to clean and I’d prefer it if none was spilt.”
You see the moment the Mandalorian decides to comply, shoulders loosening beneath the pauldrons and stance shifting from defensive to neutral, as he processes he doesn’t need to fight his way out of here. The vibroblade is sheathed within his right boot in one fluid motion and it is startling, truly, how quick he transforms from a dangerous threat to a potentially dangerous threat. 
Ahsoka is reluctant to yield, staring him up and down for a drawn out moment that does little to soothe your frayed nerves. Only when Maar pointedly clears her throat does your sister finally obey, straightening to full height with a hand propped on her hip, the picture perfect image of nonchalance. In another life she would have made a fantastic actress in a holovid drama.
“That’s better.” Maar nods, satisfied. “Now why don’t we—”
The Mandalorian moves so quickly that you jerk in anticipation of attack, eyes widening to the size of moons as you watch the pistol fly out of Maar’s hand and straight into his outstretched one. Your lungs seize up, a single thought flashing through your mind. This is it, the moment we all die. 
Except instead of shooting, he re-engages the safety mechanism and promptly holsters the gun at his side where it belonged. Without saying anything.
Ahsoka’s slack-jawed expression would have been comical if it hadn’t matched your own stunned face. Even Maar, who has witnessed over fifty years worth of shocking spectacles, looks awed by the unexpected display. 
You recover first, somehow managing to piece together the right words to ask a coherent question. “Are you a Jedi?”
It is only because you are staring directly at him that you notice the virtually imperceptible tilting of his head. “I’m a Mandalorian,” he answers bluntly, oblivious to how your heart skips a beat. “Weapons are part of my religion. It’s important to earn their trust.” He addresses Maar then, adding, “Especially if they’re stolen from us.”
His baritone voice has changed from when he spoke on the ship. Without the exhaustion wrapped around his vocal chords you are able to hear his normal timbre. Due to the modulator in his helmet, it has a husky quality, an intriguing mix of smoke and honey. But that is not what has your montrals prickling and your spine straightening. 
“I disarm all my patients,” Maar replies, back to being her cool, calm, and collected self. “I would have given it back—”
“How old are you?” 
You don’t realize you have spoken until two pairs of eyes and an expressionless visor look at you. 
The Mandalorian’s fingers curl and uncurl at his sides once, twice. “Nineteen,” he answers after a few seconds of lapsing silence.
“Oh Ai,” Maar murmurs, vocalizing your own thoughts.
All this time you have been thinking of the Mandalorian as a man beneath the amor. A hardened and seasoned fighter who has seen a lifetime of bloodshed and violence. But the reality is he is only two years older than you. Standing right on that thin, blurry line between being seen as a teenager and being considered an adult. 
“Who are you?” the Mandalorian asks, glancing first at you then your sister and back to Maar. Frustration and wariness blend together, sharpening his voice. “Why am I here? What happened?”
Ahsoka meets your eye with a question in her gaze, one you don’t have the answer for: where do we even begin?
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itsclydebitches · 3 years
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Um one thing i wanna ask is why do you want penny to stay a robot? She would have been hacked again as it wouldn’t make sense for someone not to try it again... ignoring the pinnochio allusion thing cause of course RWBY shouldn’t follow fairytales like a script, but just thinking about practicality as the problem would just occur again.
Also, people complaining about how its a problem they cured her illness (having the virus)... why would you want her too keep the virus when its literally about to kill her and the cure is right there???? I dunno some of the complaints have me a bit confused and i need clarity on them.
Like, If they didn’t grab the relic for themselves, they would have been hunted by ironwood for penny, she would have been killed for the powers to open the vault etc... if they went to the vault with penny without their plan, she would have died... its all a lose lose for penny to me at least
Questions are genuine and I’m not trying to be rude or anything :)
Happy to explain, anon! :D
I’m going to break this up into three parts: The claim that people are upset about Penny’s virus going away, the idea that she’s in more danger as a robot, and the assumption that she had to be made human to fix this problem. 
The first is the easiest to tackle simply because I haven’t seen any of this myself. I don’t know why someone would “want her to keep the virus when it’s literally about to kill her.” My guess would be that there’s been some miscommunication at play. I’m not saying just because I haven’t seen these takes doesn’t mean they don’t exist, but rather that I have seen a lot of critical takes since Saturday and they all boil down to the fans being upset that Penny’s android identity was removed, not that the virus was removed along with it. Of course we’re happy about that additional outcome, we just believe it would have been possible  — even easy  — to achieve that same outcome without taking a core part of Penny’s identity along with it (more on that below).
Secondly, if one of the main arguments for Penny getting a human body is “It’s less dangerous” then I personally don’t find that persuasive. Yes, it means no one can try to hack her again... but it also means Penny can die all the horrible, messy human deaths that she was previously immune from (within the boundary of how long Pietro can give her aura, anyway). We saw it happen on screen. Penny was able to go from this
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to this
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purely because she was an android. Penny, due to her synthetic body, was able to be torn apart and then  — pretty casually it seems, based on Pietro’s comments  — be put back together, given more aura, and booted up with absolutely no downsides. Penny shrugged off death with a smile! No human body can do that. So yes, she’s vulnerable to hacking as an android, but she’s vulnerable to everything else as a human, things like Nora’s scars and Yang’s lost arm, things that android!Penny would have shrugged off. Each body has its benefits and its downsides, with my personal belief being that, from a combat standpoint, a synthetic body has far fewer downsides and far greater benefits. But that opinion aside, objectively I don’t think a human body is intrinsically safer for Penny in the long run, especially not after her biggest moment in the series was coming back from the dead. She can’t do that anymore. 
Which then touches on our third topic with the question: Why couldn’t the show have fixed android!Penny in a way that ensures she can never be hacked again? See, we have to remember that RWBY is a constructed, fictional story. Nothing “has” to happen. Or rather, nothing has to happen until the writers impose limitations on the text that the viewer expects them to adhere to. For example, if you impose the implied rules of 1. “Our four main characters will make it to the end of the series” and 2. “A character, without aura, will die from a spear through the gut,” then RWBY has to find a way for Weiss to survive Cinder’s attack (rule #1), but that solution can’t be, “Weiss is just randomly okay after a deadly injury, I guess” (rule #2). Hence, we get the solution of “Jaune unlocks his semblance and heals Weiss for her” and it works! It’s a solution that viewers like because it obeys all the rules, both overt and implied. Meanwhile, the problem with Penny’s solution is two-fold. The first is that it contradicts the entire journey she’s been on of “Android girl learns that she’s real and human just the way she is,” which I’ve already spoken about extensively (there are other posts on that), but the second problem is that the show ignores other possibilities and makes up new rules solely to reach this ending. 
Why is Penny made human? Because of Ambrosius’ rules. Why do those rules exist? Because the writers said they do in this episode. It’s not that they introduced these rules episodes or even whole volumes ago, thereby requiring that they adhere to them once Penny’s life is suddenly caught up in them (like with the Jaune example). Rather, the viewer only learned these were limitations while Penny was being fixed. So the writers could have just... not included those. There’s no reason why, in developing Ambrosius’ abilities right then and there, the show couldn’t have made them into something a little different. Have Ruby go, “We want you to magic up an anti-virus program that will heal Penny completely, with no chance of the virus returning. Thus, when you create something new, it doesn’t matter if that program disappears. The virus is already gone!” If the response to that is, “But Clyde, Ambrosius can’t create something he doesn’t understand” that’s a rule that the writers just made up. No one forced them to suddenly impose that limitation. It was a choice. Or even if we have to have it for some reason, you’re telling that the group gets to have the schematics for their escape route  — essentially inventing a teleportation system because Whitley looked at airship flight paths for a few minutes  — but they can’t have Penny or Pietro draw up an anti-virus program? There’s no reason why these rules couldn’t have been tweaked to cure android!Penny. 
There’s also no reason why Ambrosius needed to be involved at all. As just mentioned, Pietro exists and many fans (myself included) thought he would be the solution. Imagine for a moment we had a slightly different version of these events. Penny’s virus is briefly halted by Jaune and, finally given a moment to breathe, she asks where her father is. Last she saw, he was floating in a dead Amity after Cinder’s attack. This reminds Ruby that hey, Pietro made Penny! He’s just as smart as Watts and is far more knowledgeable of her systems. Maybe he can help? So the group heads to Amity and, due to the same techno mumbo jumbo that launched Amity in the first place, or had Klein heal Penny after her crash, Pietro says yes, he can get rid of the virus. Better yet, he can slightly redesign Penny so that she’s made un-hackable in the future, using (again, mumbo jumbo) parts from the now useless Amity. But it will take time. It’s then that the group receives Ironwood’s message and learns that they don’t have time. The reality that Penny will not be cured before the hour time limit necessitates that they come up with a creative way of dealing with Ironwood. Enter Emerald. Her semblance can make it seem like Penny is there, despite her being fixed by her dad miles away. We get an extended fight with Ironwood and, at episode’s end, the new and improved Penny catches up, ready to open the vault for them, this time of her own free will. 
Now, obviously I just made this up off the top of my head  — far from perfect  — but a scenario like this: 
Remembers that Pietro exists and lets him/Maria as an assistant do something for the plot
Re-uses Amity now that it’s just a floating pile of junk metal 
Creates a scenario where we get to see Penny and Pietro confront the fact that she was created to be a tool (sorry I originally made you so easily hackable/put a self-destruct in your brain) 
Maintains all the main story beats like Penny’s near escape, Ironwood’s message, and using Emerald’s semblance
Makes space to tackle other issues like the complaint that Ironwood was taken down too quickly 
Achieves the desired result of healing Penny without taking away her android identity 
Proves that, because we can easily come up with another solution, the idea that she “had” to become human is inaccurate. There were always other options 
Hell, we can even ask why the story bothered with a self-destruct threat in the first place. Seriously, why did Watts do that? I have my own headcanons, but the show never says. This act is the entire BASIS for Penny’s conflict and the show didn’t bother to a) say why he’d do this or b) explain why he’d do this when Salem would presumably like having a Maiden to control. It’s counterintuitive and the show never grapples with that. We have no canonical answer here. More importantly, what else changes if Penny’s self-destruct order is taken out of the narrative? Absolutely nothing. She’s still hacked and struggles to keep Amity afloat, still flies to Ruby, still wakes up and needs to be calmed down by Nora, still tells Whitley her order, still fights the Hound, still tries to escape, still tells Ruby to kill her so she doesn’t open the vault, and Ruby still realizes that opening the vault might be the answer. They could have taken Penny to the door and nullified the virus by letting her do what the virus ordered. Penny is fine now, they snag the Relic, and the group proceeds to save all of Mantle and Atlas. The only thing this self-destruct sequence brings to the narrative is a reason to give Penny a human body. That plot-point was introduced solely as an excuse to give Penny a human body. That never had to happen. It’s not that the writers had a story where, by the rules already in place, they truly had to change Penny to ensure they didn’t lose her, it’s that the writers carefully crafted a story that existed to justify their desire to change Penny. That was always the end goal. They decided they wanted this to happen and that’s the problem here. That they took a character who has spent her entire, fictional existence learning to love herself as she is and crafted a bunch of unpersuasive, needless, and contradictory scenarios specifically to get Penny to a place where they could erase all that. 
There’s no version of Penny that exists who truly had to get a human body to survive because Penny is a fictional character. Everything she does and experiences is thought up by our writers. Thus, at some point they thought up the idea to erase her android identity for a completely human one instead  — the part a lot of people are upset by   — and then made some messy attempts to write a story to justify getting that ending.  
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twixtandshout · 3 years
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Tagged by @pidgeonpostal! And not tagging anyone else because I have SOILED the original template (soiled it!!) in deference to my [brushes off skirt] mostly clean public-facing appearance.
...I’ve been making a lot of Spongebob memes lately for someone who has not seen Spongebob.
How many works do you have on AO3?
71!
What’s your total AO3 wordcount?
...306,834. Jesus.
How many fandoms have you written for and what are they?
Uh. Many! I do a lot of one-offs (and/or start long things I never finish) in many different places. My top three fandoms by fics written are RWBY (29), Undertale (25), Gravity Falls/Transcendence AU (4).
Bet you can’t tell where my hyperfixations have fallen. 
I’ve also got some Pokémon and Sonic the Hedgehog fics back on my ff.net account, or I think I still do, anyway, but let’s never go back there pls
What are your top 5 fics by kudos?
1. Sweeter Than Honey (Undertale): Taking a Completely unsurprising first place, with over 600 more kudos than the runner-up, the haphazard Underswap fic featuring a post-college self-insert I wrote just after high school! I shake my head some at how overblown and ridiculous the gap between this and all my other stuff is (c’mon, guys, I’ve written way better fics), but this is also the fic which prompted me (and at least one other person!) to start using they/them pronouns. I’ve gotten a lot of really sweet comments about how seen and appreciated it’s made people feel, so I can’t get down too far about it.
2. To Be A Hero (BNHA): I don’t count myself as part of the BNHA fandom, for a number of reasons, but for something that’s arguably the main motivation for the entire plot, Midoriya’s quirklessness is something I’ve never thought has been handled well. This fic marked the first time I (somewhat tentatively) claimed the disability label (thanks again to Sweeter Than for prompting that realization) to hold that lens over canon. It also really shot up my chart, dang! It’s the only thing here I’d consider “recent.”
3. Three-Sentence Shipping (Undertale): Self-explanatory.
4. Brothers Beyond Bonedaries (Undertale): Ah, the way-overcomplicated AU³ I got nowhere close to finishing. One of the things I really like about Undertale is the interface screw, how Toby Fox uses the medium of the video game to pull off crazy things and enhance his game, but most of the fic written for the fandom seems dedicated to explaining it away, grounding it, rather than taking it to the next step and messing with the medium of fanfiction when you keep the story going. I tried to do something cool like that here, playing with questions like narrator and authorship and breaking the fourth wall, even taking the “final boss” fight to a “totally separate” fic reached through the first by link – but, well, then I never finished it, which probably didn’t make anything less confusing for the poor folks who missed the intent.
5. Spirit and Such (Gravity Falls: Transcendence AU): A whole fic written to line out a particular image I had, which, naturally, never made it to the page. I consider it a bit of a cautionary tale for myself when it comes to writing (near-)original content; there’s a lot I look back on and cringe. I still love the characters, though – well, the important ones – and I think just stepping away from the tried-and-true Mizar formula nets it a star sticker here.
Do you respond to comments, why or why not?
>w>; I try, but a lot of the time I just don’t have anything to say? Like, oh, you liked it? Neat. There’s not much to respond to in comments like that, and then I’m weighing falling down on an ~obligation~ to respond to every message in my inbox vs annoying people with copy-paste fluff responses all down the page. Plus I know I make more of an effort to comment on things that didn’t get the attention I feel they deserve, so if I’m driving up my own comment count with nonsense, am I preventing myself from being in a position to receive more comments later? And then if I do comment, am I being too effusive or running people’s ears off explaining things they don’t actually need to know? Sometimes people just want to express interest or admiration and don’t necessarily want a whole peek and guided tour behind the curtain.
Can you tell I have anxiety? x3;
Anyway, I do respond when I can. And I keep most of the comments I’ve gotten to go back and reread. 
What’s the fic you’ve written with the angstiest ending?
Hm, hmm. Lots of stuff in the TQ Nonsense series would probably qualify! I’m thinking of Unfixable, Wolfsong, and Ethanol. And there’s Bursting Through A Blood-Red Sky (I Can Live, I Can Breathe), of course, but that was always intended to have a fix-it epilogue. It’s just that I wrote it in a couple of hours day-of, stared at it, and decided I didn’t wanna just then. But now that’s As Long As You’re Still Burning Bright (I’m Still Awake), and that’s probably the best romance I’ve written, so that one worked out.
Do you write crossovers? If so what is the craziest one you’ve ever written?
Now and then! When the urge strikes. Uhhh, I’ve got a series of Doctor Who x Undertale crossovers I actually made a whole dang verse for that never made it to print. Get a couple great comments on that every few months or so. I think the World Trigger x Undertale crossover is probably weirder, though, by virtue of WT being a very small fandom. My enthusiasm kinda sputtered out on that one.
Mostly I just daydream crossovers with whatever happens to catch my eye at any given moment. I have a lot!!!! Though odds are out on whether I manage to remember any of them once the initial thought’s passed, lol.
Have you ever received hate on a fic?
Gotten a couple eyebrow-raising comments, but I think mostly I’m just too small a writer to draw that kind of attention.
Have you ever had a fic stolen?
I don’t? think so? Think my tastes are a little niche for most people to bother ^^;
Have you ever had a fic translated?
I had someone apologize once for any language mistakes in their comment cause they had to run it through a translator! That’s not what you asked (the answer is no), but it’s very flattering to think that someone liked my fic enough to read and comment despite the language barrier.
Have you ever co-written a fic before?
Yes! :D @pidgeonpostal was gracious enough to agree to co-write Five Nights at Denny’s with me off an idea about shoes. This has fulfilled a long-held dream of mine (collabing with someone, not the shoes) and also introduced me to some lovely people.
What’s your all time favorite ship?
Who has time for just one? ;3c Honestly, I care more about the characters and how the relationship – any relationship – between them changes them than I do about ~A Ship~ as a solid, bounded noun-object. I’ve got characters I like more and less and feelings about who does and doesn’t have chemistry in which directions with whom, but finding anything that agrees with those preferences is hard, harder when you take alloromanticism into account. I’ll play in any sandbox with cool toys, especially if other folks have already built sick sandcastles there.
What’s a WIP that you want to finish but don’t think you ever will?
[kicks every single unfinished fic further under the bed] What nooo no WIPs here, everything on my account is either finished or does not exist
I’ve got a couple extra chapters of Sweeter Than floating around unposted, but 1. that fic’s a mess 2. high school Twixt and post-college Twixt are different people and trying to contort myself into three other me-shapes just cause people Like this fic is not something I’m super interested in 3. it’s headed for an emotional dip and I’d rather leave it where it is than post two chapters, stall out again, and leave folks with a bad end.
As for other fics... it’s looking more and more likely that v7 of my Yellow Brick Road AU will never actually make it out. >w>; I’ve got some really great ideas, but not enough to make me feel like I know what I’m doing, and that’s a big roadblock. Plus trying to engage with RT’s Atlas-Mantle worldbuilding in any serious capacity is... a headache. I can’t recommend the Happy Huntress Cinematic Universe enough, but it leaves some pretty big shoes to follow! And I’ve got small feet. <w<;
What are your writing strengths?
Dialogue’s fun, probably as an extension of characterization. I love tearing into what makes people tick, especially against the backdrop of their environment, the story they’re in, and the people they’re up against. Voice is a double-edged sword; I’ve been told my writing is really recognizable and individual, but on the other hand, I’ve been growing frustrated with with the limits of my narrative ability. There’s a strong rhythm I keep when I write (you might notice it here, even) but that leaves me feeling predictable and stale. I’m not sure I’m great at setting as a matter of course, but I’m pretty good at describing setpieces where the need comes up; that comes from my background in poetry, as does the fun I have with sublimating and abstracting complex imagery. And I think I bring some needed nuance to the universal. For good or ill, I don’t do what “everyone else” is doing.
What are your writing weaknesses?
Well, writing, for one thing. If I don’t know how something’s going to go and don’t have the urge to write it, it isn’t getting done, which means there’s a billion things that will never see the page and a few hundred more that are never getting finished. I lose momentum easily and have a hard time getting started, and I put way too much standing on finding a foothold with other people; as critical as I am of my work, I have high expectations for the stuff that passes muster, and it never seems to measure up. I’m also really uncreative. Yeah, I can mix up elements and extrapolate events, but coming up with things wholesale is really hard, which is why I avoid it wherever possible and steal/reskin stuff from other places instead.
What are your thoughts on writing dialogue in other languages in a fic?
Something along the lines of “Hoo boy, I am Not qualified for this but hopefully it’s decent anyway.” Maria’s Spanish lines haven’t been a big deal – I’ve used it sparingly and, as a Latin language, it should be easy for English-speaking audiences to pick up on the gist – but I’ve had a harder time with Tai’s Chinese, both because I have Even Less background there and because it is, of course, an entirely different language system. If I write it out in English or Romanized italics, am I colonizing it or changing the meaning? If I write it out in the presumed-original characters (presumed because it’s Google Translate and who knows if I’m even barking in the right forest), am I confusing or alienating my presumed-majority-English-speaking audience? Where should I put the translations? Should I put the translations? And for Frisk’s sign language, thinking back, are the brackets I used instead of quotes alienating/infantilizing? I like that different characters give the text between a different feel, but I’m not an ASL speaker – and I’m pretty sure the word is “speaker,” which would only reinforce that that demographic would rather I didn’t do that. It’s important for all these characters, I think, that they use non-English language where it makes sense; it’s part of who they are. But as a white monolingual English-speaker, I don’t think I can really weigh in.
What was the first fandom you ever wrote for?
Thaaaat’d be Pokémon, followed closely with Sonic the Hedgehog. Whether those fics are still on my ff.net account or not (pretty sure I’ve purged them, but you never know) I’ve still got a couple saved to a folder on my current laptop, ostensibly so I can look back and see how far I’ve come and more practically to allow for the possibility of furthering group cohesion through public shaming.
What’s your favorite fic you’ve written?
I still like the idea behind The Man Who Is Atlas, and Burning Bright (Still Awake) gets props for being my current fic, though it’s currently in that spot where I’m excited to get new chapters posted but also quietly marking everything up in red pen. I think Harbinger gets the crown here, at least for now.
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valkyrieelysia18 · 4 years
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RWBY Rewrite: Penny Polendina
Salutations Tumblr users! Today, we tackle beloved fan favorite robot girl Penny Polendina.
Now as I stated before, I dropped RWBY after Volume 6 and didn’t really watch Volume 7. I have however heard about certain developments and one plot point made me grateful I got out earlier or I would have rage quit this Volume anyway.
They brought back Penny, with all her memories completely intact.
This destroys one of the best pieces of writing in the show. Penny’s death was meant to symbolize the death of innocence in the show and it led in to the Fall of Beacon as well as Pyrrha’s death. Up until now, the show had been treating it as if a real girl had died. Vexed Viewer on YouTube has done a video on the topic that explains this better than I could. Even if they were going to bring Penny back in some way, she shouldn’t have been exactly the same as if nothing happened. Such as her memory of Vale (and everyone she met) being completely gone or her personality being significantly changed she isn’t even the same person anymore.
So, in this post I am going to be going over her history, role in the plot, and ‘successor’ for the Atlas Arc. 
Creation and History
Okay, slight can of worms, but if Doctor Polendina is black, why is his daughter one of the most obviously white characters of the cast?
Alright, there actually is a legitimate reason for that in this rewrite. Penny’s physical features are actually based on Pietro’s late wife Clara Polendina (reference to the Nutcracker ballet) who worked with her husband. The two were very much happy and in love, but Clara died in a Grimm attack before they could have children. Thus, Penny is basically the daughter Pietro never got to have with her. Clara won’t come up that much in the Rewrite, but she was close to both of her husband’s prized students Arthur Watts and Willow Schnee. Arthur would note the resemblance and bring it up during his final confrontation with the doctor (This is what you ruined my life for as well as countless others?! Clara would be ashamed.) Willow would also bring it up and notice the similarities in both Penny and her successor.
However, the Atlas military and Ironwood’s desires to build something like Penny is less heartwarming. There was the original desire of making stronger robots for mass production to protect humans that evolved into infiltration and espionage purposes. But James Ironwood would see Polendina’s plans and see an immense opportunity. A young woman who would never age or die. An individual that they would never have to worry about running away or disobeying orders. Such a person becoming a Maiden would mean that they would never have to worry about the transfer process ever again. That would explain why Penny said that it would be her job to save the world one day, but they don’t think she’s ready for it yet. She is Ironwood’s hope for the future of the Maidens. And just in case she isn’t perfected in time for the next transfer, Winter is being trained and kept in reserve. Ironwood would provide all of the materials Pietro could need, including a crystalized substance that no one knows much about other than it being a classified by the military. It’s source  will be noted in a spoiler’s section in this post, but it’s the very thing finally got things to work.
But while Pietro is aware something is up and suspicious of Ironwood’s intentions, he loves his little robot daughter regardless. There will be some flashbacks involving her first days awake (showing her curiosity and determination) as well as her bidding her father good bye when she leaves for the Vytal Festival. 
Vale
The only thing I’d really change about Penny in the Vale Arc is giving her more time to interact with the cast, especially Ruby. What we got was okay, but I think it would be much more impactful if Ruby got to spend more time with Penny before her death. I’d definitely like it if Penny would bring up her father during their conversations, saying she was sure that two of them would get along given how much Ruby likes weapons.
It might be also nice for Pyrrha to feel a little off by her sensing all the metal when they first meet, but not realize why or how important that is. Just bit of foreshadowing.
Pelia
So, as you might have guessed by now, Penny will stay dead in this Rewrite. With the kind of story and tone I’m working with, it’s important that there is legitimate consequences to events and actions of the characters. As such, characters who died will stay dead. They may be referenced, appear in flashbacks, haunt our characters’ dreams, perhaps having a spirit linger with unfinished business to help the main characters on their path, but there is no chance of resurrection.
Not that Pietro wasn’t thinking along the same lines as others had considering Penny is a robot. They did manage to retrieve her body and core, but when he managed to build a new body, reboot, and restart, it wasn’t Penny greeting him. Rather, it was a completely personality. And they did not recognize anything or anyone. Pietro was devastated.
Thus I introduce Pelia Polendina, or Pelly. This is reference to the Coppelia ballet that actually includes a toy inventor trying bring a doll to life that he calls a daughter, much like Pinocchio. Only instead of magic bringing a puppet to life, the inventor tries to bring Coppelia to life by stealing a human soul and putting it in the doll. Quite the dark contrast and is actually going to be a bit of foreshadowing. I will say her appearance is actually pretty similar to Penny’s redesign with longer hair, though I would picture her more similar to dishwasher 1910′s design in https://www.deviantart.com/dishwasher1910/art/penny3-0-SD-758463321 . Check them out on DeviantArt, their work is amazing.
Pelia is considerably different than Penny. Whereas Penny was bright, enthusiastic, and rather trusting; Pelly is subdued, talks very mechanically, and is significantly less naïve. While Penny longed to be a part of something greater and be with humans despite her lack of social skills, Pelly avoids most people and is afraid of what Atlas(and by extension Ironwood) wants with a robot like her. This is partly due to her finding about Penny and how the world reacted with the Fall of Beacon.
In regards to Penny, she feels rather guilty about being alive in her place though she doesn’t quite realize that’s what she is feeling. This would lead to her trying to find out everything she could on Penny to understand her emotions, learning about Ruby and the others in the process. Pietro is devastated by the loss and incredibly frustrated with her, not really considering her alive in the same way Penny was which given her personality isn’t that unreasonable to think. Pelia does care about her creator and tries to assist him in what ways she can, but his attitude towards her is not positive and as such she mostly stays out of his way.
Atlas
Pelia’s first proper appearance would be in the Atlas Arc when the group visits Doctor Polendina for weapons repairs after their meeting with Ironwood doesn’t go well and the good doctor isn’t the on the best terms with the General at present. The man is not pleased or in the mood to humor them, though he does defrost a little when Ruby shows her geeky know how on weapons. (He may have also said some rather terrible things about Pyrrha which made the group somewhat grateful JNR wasn’t there.) As the group leaves the building and goes on their way, Ruby looks up to the upstairs window as she feels she’s being watched. She doesn’t see anything, but as she turns and walks away Pelia comes into view from the window. Having recognized who the people who just visited were, Pelly sneaks out and follows the group in the secret for a while.
She finally gets revealed while the group is watching Weiss dance ballet at a Mantle Community Theater. The Atlas Arc is primarily Weiss centric and part of her Arc in proving herself as worthy of the Schnee name will have her prove herself to people of Mantle. One such instance will have her helping out at the community theatre in learning and teaching dance. It’s in which she is showing off her skills Pelia accidentally reveals herself to the group having been incredibly entranced in ballet (little show to her inspiration). Ruby at first mistakes her for Penny so she gets very emotional, only to temper down when she realizes Pelia’s not her. The situation is cleared up and the group gets more insight into the situation of Atlas as well as the strain between the General and Pietro.
Pelia has three distinct dynamics of interactions with the group: Ruby on Penny, Weiss and Winter on siblings, and Oscar on succession. With Ruby, Pelia gets to know more about Penny as a person and Ruby gets a chance to fully process her loss. Pelia’s not Penny, but she comes to appreciate her all the same. Ruby also comes up with Yang in regards to sibling interactions, but Pelia’s focus in this case is more on the Schnee siblings. She’s basically wondering what sisters act like and whether Penny would have seen her as a sister. This lets her get some ballet lessons from Weiss as well as close to Winter. Then there’s her relationship with Oscar with the two of them having to deal with their predecessors and the problems they’ve let them to deal with. The both of them come to realize through talking with each other is that they shouldn’t compare themselves to those who came before. They have their own views and ways of doing things different from their predecessors and that’s not necessarily a bad thing. The only thing they can do is do things the best THEY can.
The big turning point in the Atlas Arc for Pelia is when Pietro finds out abut the Winter Maiden and what Ironwood’s original plans were.  While I am majorly rewriting the Atlas Arc, I do actually like the idea of an old Winter Maiden who is on her last legs. Pietro doesn’t get all the details of course, but it gives him the idea that the magic could bring Penny back to life. Aside from the whole ‘Dead means dead’ world I’m working with, it’s also a way to show that magic that cannot bring back the dead. I know that’s very much true in the show though not directly stated, but here I want to lay the ground rules down on what magic is and is not capable of.
After being called back by Pietro and assisting him in breaking into the facility where the transfer is soon to take place, the two enter the room that was originally prepped for Winter (who is distracted with everyone else on things going wrong due to Pietro’s interference) with the old woman in the pod. Pietro has explained things and orders Pelia to get in the other pod. Pelia doesn’t move, having been conflicted during this entre plan which shows all over her face. The doctor orders again, much firmer this time.  A few moments pass as she thinks it over; fear, doubt, determination all playout in her expressions. Finally, she speaks. “No.”
While Pelia may have been built to be a weapon, she still has free will. Unlike Penny who accepted her role without many doubts, Pelia rejects that her only purpose is to be someone’s tool of war. She wants to help others, but she doesn’t want to fight. I think that if you bring choice into a story as a main theme, you also have to give the characters the choice not to fight, to walk away even if they don’t actually do it. Above all, Pelia doesn’t think that sacrificing others for herself is what Penny would have wanted after having met Ruby and gotten to know what she was like. 
She would tell this to Pietro, who would get furious and argue with her. this would continue until they were interrupted by Watts. Watts, with revenge on the brain, would focus on Doctor Polendina and tell Pelia to run along. I know this seems a little hypocritical for Watts to do this considering his advice to Cinder in Volume 5, but this a different situation. Spoilers for the future Atlas Arc Rewrite and future James Ironwood post, go to the next paragraph if you don’t want spoilers. You see, the villains don’t need the Winter Maiden to open the Vault for them because Ironwood already took the Relic of Creation out of the Vault years ago (and is NOT holding up Atlas). In fact, a bit of the power from the staff was used to create Penny  which was the the crystalized substance. Watts knows this due to his hacking Ironwood’s system and has already retrieved the Relic and sent it on the way to Salem. This will make the results in Atlas a lot more bittersweet: our heroes will win on the people’s side of things, but lose the Relic. Back to Watts, the man is all about efficiency. While the Winter Maiden’s powers would be nice, they don’t have a vessel for it at the moment and it’s not necessary for their primary goal. Once the business side of things is taken care of, then he’ll indulge in revenge.
Pelia, while conflicted, would run and get to the group to tell them everything. She would then spend the rest of the conflicting helping to escort and treat the wounded, giving her a presence to the people of Atlas. Pietro will be arrested and will be convicted for his crimes, Watts dead but having gotten the last laugh in the end with his technological abilities exposing his teacher and those who left him out to dry.
Once everything is settled, Pelly will stay behind in Atlas as the new right hand of new Headmistress Winter Schnee. Basically, she becomes the Glynda to Winter’s Ozpin (though Winter is a much more hands on no nonsense person). She bids the group goodbye, hoping to Ruby that they will meet again.
After Atlas
I don’t have much in mind for Pelia after the Atlas Arc except for two things. Firstly, that she and Pietro do eventually reconcile and develop something of a relationship when she visits him in prison on her off days. (Jacques is not so lucky in regards to his children.)
The second is when she and Winter will meet everyone at the lowest point of the story. Ruby will have learned some pretty dark truths, including some choices her mother made that’s really made her think. Pelia will actually have a similar conversation with Ruby that she had with Oscar. In how she’s no more Penny than Ruby is Summer. She’ll remark that perhaps Ruby put her mother on a bit too much of a pedestal thanks to the way her family viewed her. When in reality Summer was just a person and people make mistakes. Right now, what choices Summer made in the past aren’t what matters. What matters is what Ruby wants to do now.
Okay, I think I started before the coronavirus stuff went crazy. I am so sorry. Not sure when I’ll get beck to this.
However, I know the next subject is going to quite the doozy...
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kob131 · 4 years
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https://www.youtube.com/watch?v=P4l1pL3ATN0
Let’s break down Vexed’s Weiss video, shall we?
“You know how i feel about Weiss, she’s my favorite character.”
Vexed, what does that even mean? Considering how invested you are at this point in the show’s failure, I don’t know if “favorite character” means “character I like” or “My go to shield to deflect accusations that I hate the show.”
“Weiss worked because they had a plan for her-”
They also had a plan for Blake and you proclaim her as the worst so clearly that doesn’t mean anything.
“Weiss could have been selfless and traveled with Qrow and Maria to hand over the relic-”
*slams down a huge stack of papers*
1. Cordovon SPECIFICALLY said WEISS could come home. She never said anyone else could come as well. And considering her attitude, there is a good reason to assume she WOULDN’T let anyone else with her. 
2. Weiss coming home would likely result in the Relic landing in Jacques’ hands. Even if we didn’t know already that Watts was going to meet with Jacques (which would end with him getting the Relic), Jacques is shown to be self serving and pretty damn weak. Meaning if someone threatened his life for the relic (say, a psychotic scorpion Fanaus?), he’d probably hand it over. And Weiss would logically have no way of stopping this. After all, she escaped in part thanks to her weapon (which Jacques would take from her) and Klein (fired). If either DID happen, you’d screech ‘Stupid for the sake of the plot!’
3. There is no way for anyone to sneak with her. You can’t hide anyone away in the ships for that long, they can’t take Qrow because why would Cordovon let Weiss take back a suspicious bird and she’d be powerless on her own.
4. You screeched for two years that spiliting up the main cast was a terrible idea and now you demand that they should have done just that? Way to flip flop.
5. You’d bitch about the others letting her go as ‘letting their friend be kidnapped and shipped back to her abusive household.’ You already twist so much to benefit your agenda so I know this for certain.
This shit was pointed out a year ago. Get with the program.
“Why didn’t Weiss go back?”
*jabs above* In your own words: it’d be ‘stupid for the sake of the plot.’
“Let’s play a quick game-”
Yes lets.
“5 seconds to answer: Why did Weiss escape to Mistral?”
Because she was being coped up in a room by her father, thought her sister was in Mistral and escaped to go find her..and she didn’t know where Team RWBY was and the source of her escaping was Jacques’ abuse.
That took me a nanosecond. It took you several months to ask it. Speed up.
“If you answered: ‘to escape her father’ You are wrong. If you said “To meet up with team RWBY, you are wrong. She did it to find Winter-”
Yeah huh, smug asshole?
Mind sating WHY she went to find Winter?
... No? Strange. One would think explaining a character’s actions would be your priority here to show it doesn’t make sense.
Oh right. You didn’t explain because the explanation was exactly what I said: She didn’t know were Team RWBY was and she was escaping her father. Both of which DO NOT APPLY in this situation. Gee, it’s almost like context and truth is your fucking Kryptonite.
“Why didn’t she offer to take the relic to Ironwood?”
Because it’s stupid, forces her back into the same situation she was in before and goes against the thing you screeched for years about.
“Weiss thinks she’ll be taken back to her-”
She KNOWS she’ll be taken back to her father. Cordovon specifically said “I’ll take you HOME”. You played the fucking clip were she said that Vexed, is your short term memory shot?
No wait, he had to write out the script, record the audio, find the clip and download it, edit this all together and post it. AT least because I would assume he would do the bare minimum of research to make sure he wasn't spouting shit. So either he is so assured that he’s right he didn’t even pay attention to this VERY OBVIOUS detail or he’s relying on the audience’s negative perception of RWBY to cover his tracks. This is why I do not accept the idea of Vexed Viewer making mistakes like this: he spends weeks making these videos. I can catch myself making stupid claims with posts that take an hour to type up. Clearly he should know better.
“Oh wait, they didn’t take her back to Ironwood-”
Which is noted by the characters to be something unusual and unexpected. So to present this as a rebuttal to Weiss not wanting to go back to Atlas is to expect the characters to know the plot and script instead acting on known information (like, you know, human beings?).
“Oh look at all these times Jacques should have been able to be taken back to her father because you claim she’s a minor!”
No one has ever argued that Vexed. As I have shown, she KNEW she would be handed over back to her father because that was the offer CORDOVON GAVE HER.
This is blatant strawmanning to avoid the fact that the actual argument against you can’t be denied. And since you refuse to not bitch like a self entitled brat, you won’t admit you were wrong. 
“There is no downside to Weiss return-”
“Cordovin: (sighs) If Miss Schnee has truly come to her senses and wishes to return to her family, then, of course, the Atlas military will escort her home. But the kingdom will not be responsible for her "friends" of... questionable character. (glances at Blake specifically upon saying her last statement) “
Reminder we have just passed the five minute mark. Of a twenty two minute video. And Vexed has made, being abnormally generous to an unwarrented degree, two demonstrably false to the point of lying arguments. 
Starting to realize the sheer volume of his failures?
“I had to believe that a protector of the world would rather be with her friends than save the world”
*glares up at everything said previously*
No, you WANTED to believe that. You CHOOSE to believe that. You ACCEPTED it over far more rational, simple and according to you, convenient explanations.
Unless of course, you’re looking for anything and everything to bitch about in RWBY and this is your confirmation bias.
“The writers decided for Weiss to be annoying in Volume 6′s Brunswick part.”
Oh? So these parts should be so bad that they override your supposed ‘favorite character’ right? You aren’t just bitching and completely contradicting that criticism shield your dredged up right?
“Weiss screams loudly and starts hyper ventilating-”
Funny thing is he uses Keiven from Home Alone putting on after shave to say Weiss Screamed louder...even though they sound about the same (Weiss just has a higher pitch from being a woman) and Keiven screamed longer. 
Not to mention that in the original scene, it was being played like a horror scene. Same music, same angles, same pacing: it’s to sell how disturbing and unsettling the sight of these bodies are. Of course, if you were just going off memory and Vexed’s footage, you wouldn’t know that. 
“Weiss is a trained warrior and fought at the Fall of Beacon were people were dying left and right-”
A. Weiss isn’t fully trained yet. She was a first year at Beacon and had two more years at least.
B. Huntsmen are not warriors. Their training is not built to break them like a soldier or warrior. Not to mention Weiss grew up in a relatively peaceful time so it’s not like death was a close up constant like this (unless you count the WF which is different.)
C. Number of times Weiss has seen a dead body on screen before now? ... Zero? Hm, guess Vexed ‘convienently’ forgot that.
D. Any off-screen deaths Weiss would have seen at the Fall of Beacon you would have bitched about as not being shown. You bitch about stuff on a lower level (he’s bitched about the phrase ‘Oh God’ before) so there’s a perecedent for this/
And E. These bodies are in a different situation than any in the Fall of Beacon. Those are freshly killed bodies on a battlefield. Weiss would be expecting those. These are mummified bodies in a civilian setting, with the killer nowhere in site and out of nowhere. No shit she’d be shocked: Yang (someone who lost an arm) is also acting the same and Qrow (a seasoned warrior who actually DOES fit your description) is shocked too.
Once again though, this stuff wouldn’t come up in your mind because Vexed doesn’t acknowledge it or consider it. Thus you’re being guided away from these issues. 
Starting to see how sneaky Vexed is?
“Weiss is being dumb and could break through the cellar door!”
Once again, he’s being sneaky, splicing this next to the body discovery point, trying to make them seem like similar situation...even though the moment he is talking about is them running from the Apathy. Grimm that have been shown to be immune to regular weaponry. AND is making them sluggish AND is advancing on them. She’s panicked and all the shit Vexed is pointing to takes time and concentration: stuff their situation is ROBBED of. And yet again, you wouldn’t know that because Vexed NEVER GIVES CONTEXT HERE. Only after this is stated.
“I know you guys are saying in the comments-”
Just another strawman.  Vexed is pretending to addressing points by making up weaker ones. Even then, his bullshit counterargument “The Apathy drain your will, not make you a damsel in distress” kills his OWN argument as a lack of will would cause Weiss to lose concentration and fail.
For Vexed’s argument to work, Weiss would have to either not be panicking (stupid and unrealistic) or ignore her own powers’ limitations (bad writing).
“Thank God Yang was down there-”
Ruby had just disintergrated the Grimm. They were given a reprieve. Once again, Vexed doesn’t show this.
“You can’t have her be fearless now-”
She’s neither trapped nor panicking nor being affected by the Apathy. The fear bullshit is on you.
“*Vexed cringes*”
Oh look, that thing I was doing about ten minutes ago. Catch up Vexed- Oh wait, you’re too busy gutting your own eyeballs.
“We don't see Weiss in Atlas-”
Gee, not like we have to set up the Ace Ops, set up Ironwood, Winter and Penny again, set up Watts and Tyrian’s threat, set up Robyn, work through all of this and much more and end it all. It’s almost like that’s fucking SECONDARY to telling the story and as you showed, Weiss already has moments in Volume 7.
So I guess Vexed is basically saying “Volumes 4 and 5 weren’t THAT bad” since he’s been begging the CRWBY to go back and overstuff the Volumes AGAIN.
Next part has him actually praising the moment between Weiss and her mom. Sounds good right? It would...if it actually matched Vexed’s standards. 
How many times has he ignored things like distance, positioning and the such in things like the Adam Vs. Yang and Blake fight just to push his bullshit through to the audience? Just how many moments that would qualify for, in his own words ‘well written, well directed moments’ just so he can prove a point?
At the very least before, I could give a bare minimum level of respect for Vexed for sticking by his principles, as stupid as they are. But no, he just praises a scene because he likes what happened in it even though stuff of similar quality he overlooked or bashed. 
“Weiss just gets handed her proof about her dad and doesn’t have to do anything!”
Except endure being shot at by her mother and there’s nothing that's been shown before that could be used as proof besides this. What do you want, proof to magically appear in Jacques’ office? To have Weiss gain fingerprint scanning tech despite never showing that before? To have Jacques be excepetionally dumb? At least we get something respectable out of Weiss’ mother here and it isn’t a huge leap in logic like the others.
“I’d have more of a problem if this scene wasn’t so good and I’d have less of a problem if this made sense for Willow. It doesn’t but this isn’t her video-”
No no no no no.
No.
After all the tangents and bullshit you’ve pulled in other videos AND THIS VIDEO, you denying proof for something you call ‘a point of contention’ is pretty fucking rich of you. Just because you like a scene doesn’t mean you can just ignore the problems with it, same with the inverse too. How is this any better than a Yang fanboy ignoring issues with scenes involving Yang because they like it?
Literally all you had left was your own daman principles, Vexed. Now you’re burning them.
“One thing the writers have made very clear is Weiss really enjoys dunking on her father-”
Using her ignoring her father’s call in Volume 3, her breakdown at the Atlas Elite and her talk back to Jacques in Volume 4? One of which is not ‘dunking’ (or extreme humiliation) and the other is only partially about her father and mostly about how detached the elite of Atlas are.
“-SO I shouldn’t be surpised she came in like a-”
Not even gonna let you finish that shitty reference. That was just unnecessary and not even funny. It feels more like a combination of a Family Guy cutaway for it’s abruptness and a fanboy cheering for it’s framing.
“The Jacques being taken down scene was bad because it was matter of fact and silly instead of emotionally driven-”
Vexed, the issues Weiss has with Jacques is rooted in his abuse of her and her family, his entitlement to the family business and his business practices harming her family name. This takedown has nothing to do with any of these. She is not confronting him about the damage he has done to her and her family nor the damage he has done in his pursuit of growing the business. She is confronting him about the election fraud, a story point.
No shit this isn’t emotional- Weiss’ emotional ties here are SHALLOW. It would ring hollow to the audience for her to make this emotional because she has no emotional attachment to the actions he performed. All she would have is it being her dad, which isn’t enough. 
Then again, from the perspective of a Weiss fanboy, this would look bad because that moment you’ve been writing in your head didn’t happen. I should know.
“*Vexed bitches about a joke about Weiss not knowing if she can arrest Weiss because ‘hur dur book smart!’*”
She’s not an officer, she’s a Huntress. I don’t think they can actually arrest people.
“This should have been between father and daughter in an epic moment-”
*rolls eyes*
Vexed, look at this scene. Look at all the other shit happening here. Then remember the people dying to the cold in Mantle.
What makes you THINK it was meant to be that way? Hell, what makes you think that would be a GOOD IDEA?
.. Yeah, that’s what I thought.
“I wanted to see the sister dynamic that has been missing from RUby and Yang-”
You had your chance in Volume 6. You ignored for Bumbleby bashing. You don’t get a say.
“Hur dur, characters ssay things we know already!”
Gee, it’s almost like Weiss and Winter talking about this was to restablish were they were because a certain group of people made it certain that they needed everything spoonfed to them or else they throw a tantrum.
“Ironwood done nothin’ wrong!”
There’s Vexed’s pandering again.
The man made no attempt to talk anything through until he was forced to with Mantle. He lied to Team RWBY about Amity and made them operate under false information. And I have made the fuck ups in Ironwood’s plan in Episode 11 VERY clear.
Stop pandering to the RWBY hate crowd and have some fucking principles.
“Oh, Weiss lied to Ironwood! How hypocritical”
*holds up a piece of paper saying ‘That’s the point’*
“Why would it bother Winter that she’s chosen as the Winter Maiden? ANd why does she say that she wasn’t given a choice when she said she was ‘proposed’?”
gee, wasn’t it you guys who claimed Ozpin proposing to Pyrrha wasn’t giving her an actual choice? Hm, I guess things change...when they benefit you.
“Wow, Weiss is so bad for not telling Winter about the Relic!-”
COnversation wasn’t about that and it wouldn’t come up, nor is it a particularly serious thing. But nice try Vexed.
“Weiss runs away because she pains to carve out her-”
Wait a minute, didn’t you say that Weiss was going to Msitral to find Winter? Hmmm, awfully inconsistent of you vexed. Almost you lie constantly for your own benefit.
“HOW MANY TIMES WILL YOU TALK ABOUT FINDING YOUR OWN WAY?!”
Gee, didn’t know that, by your own admission, three times in four Volumes was SOOO awful.
“This is how they treated their relationship?”
As a narrative tool to emphasize a theme of the Volume? Good on them.
“You know, everyone still thinks Weiss is this pampered heiress-”
One guy said that. In the entire Volume. About self reliance and finding your own path.
“Weiss never said a word to Robyn and didn’t support her-”
You know Vexed, what’s the difference between you and a whiny Bumbleby shipper bitching about them not kissing yet? You sound so entitled and so whiny about you not getting your way. Your arguments are breaking down into disjointed bitching, just like an entitled brat.
It’s fucking pathetic.
“Maybe she’ll try her luck doging the coronavirus at RTX! Maybe she was too busy watching Gen:LOCK.”
Aw, what’s wrong? baby didn’t get his undeserved baba?
I can’t believe how much has changed Vexed. You’ve pretty much outed yourself as an entitled fan perpetually whining about the show not being the way you want it. You have no respect earned. You have no principles. You have no standards. You don’t even have an end goal: all you have is your whims.
Pathetic.
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littlemisssquiggles · 4 years
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Pinehead Headcanons: Oscar's Longest Memory
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I’ve been meaning to share this headcanon ever since I discussed it with @miki-13​ a couple weeks back. So in light of the highly anticipated Schnee Dinner Party episode tomorrow, I figured now is a good time as any to share this new theory of mine for my favourite freckled farm boy turned little barn prince.
One thing I've been curious about for this season (or the Atlas Arc in general) is how exactly the PLOT is going to reintroduce Ozpin returning from his isolation. Speaking for myself, I don’t wish for Oz’s return to be just be him randomly coming to Oscar’s aid again when he’s in danger. Nor do I wish for Oz to just magically pop back into the story and instead of having everyone taking responsibility for the negative consequences their past and recent actions have done while using that to make amends with each other and start anew---it’s just Oz alone apologizing for what he’s done while the heroes get away with not even a slap on the wrist.
I don’t think it would be fair if Oz is the only one to apologize. While I understand that Oz made mistakes in his past, our heroes aren’t exactly innocent themselves. On the contrary, this season alone proves that the heroes are no different than Oz in their current predicament with Ironwood. Thus I’m still banking on this leading into the heroes realizing that they too were in the wrong for how they chose to treat Oz following the revelation of the whole truth. I’m still hoping that this experience with Ironwood is enough to finally help everyone understand why Oz chose to handle things the way he did after spending some time in his shoes. That way, once everyone reunites, they’ll be on the same page with one another and as I said, be able to start fresh and rebuild their previous trust in one another based on what they all learnt from this experience.
That being said, in regards to Oscar---one thing that I’ve been saying is that I believe Oscar is the key to repairing the severed bonds between Ozpin and his team. Right now, Oscar is caught in the middle of all this conflict. He seems to be the lone mutual party who isn’t biased towards one side. Meaning that in spite of his growing good rapport with the rest of his team, that doesn’t mean he isn’t willing to trust Oz again. His remark of “Oz looking out for everyone in his isolation”  back in V6 sparked my certainty in this regard.
My theory has always been for Oscar to reconcile with Ozpin first within his mind. From there, Oscar would bring Ozpin out of his isolation and be prepared to speak on his behalf to help convince the others towards all of them making peace.
I still believe in this hunch. However for most of V7, there hasn’t really been much indication of Oscar attempting to reach out to Oz within his mind. So again I’m left pondering on what could be an interesting way to do this given the current plot development we have so far for season.
This brings me to my discussion with Miki. We both shared the same idea of perhaps…Oscar will have an unfortunate run-in with Tyrian Callows. Tyrian will sting Oscar and fall into a comatose state which will then lead to Oscar going on a journey to find Oz within his mind.
Since I’ve been quoting plot threads from the Little Prince tale in reference to Oscar’s story for RWBY, there is a part in the story where the Prince was stung by a snake before he could reunite with his beloved rose on his home planet. The presumption is that the Prince was killed by the snake; though according to my research, the story more alludes to the Prince’s death rather than directly saying it.
So all that in mind, here’s my idea for the next episode and the episode afterwards:
I think something detrimental needs to happen to Oscar again in order for to heroes to realize how wrong they've been about Ozpin.  
The last time we had a CH8 episode as the last episode of the year, it concluded on Oscar disappearing as a result of Jaune’s outburst after he had learnt the truth.
So imagine if …there is a major attack at the Schnee Dinner Party during which Oscar ends up mortally injured from an attack meant to kill Ironwood. Let’s say…Jacques planned to have Tyrian murder all the members of the Atlesian Council who had been invited to the party. That way, in the end, Jacques will be the only surviving Council member and will no longer have anyone standing in his way of getting what he wants. All of Atlas will be under Jacques’ reign.
Let’s say…Tyrian successfully manages to slaughter all the Council members except Ironwood. All because at the last minute, Oscar had saved James by pushing him out the way allowing himself to be Tyrians’ target instead.
Speaking of the General, I’m also curious as to what it will take to set Ironwood off and go into his own downward spiral. Despite implying that he wasn't going to end up like Lionheart, I think we can all come to same conclusion that this part of the General’s story is definitely in the cards at this point.
Leonardo gave into his fears and betrayed his allies to join Salem. And while Ironwood won't sink so low as to join Salem, I think he's more in danger of becoming more like her and losing his own humanity if he honestly considered a 'lack of humanity' as an asset to Salem's conquests.
 The last time Salem struck, Ironwood lost Ozpin. CH7 is the second time Ironwood has hinted at wishing Oz was still around. It's very evident that James misses his old friend and I'm wondering if there is a part of him that low-key blames himself for Ozpin's death too.
Just as how if anything were to happen to Oscar on the General’s watch with the poor boy being placed at death's doorstep in an attack that was meant for James, I think that would devastate James just as much as Oz's death did since he has been spending more time with Oscar; getting to know him personally.
Not to mention, Ironwood did promise Oscar back in the second episode that, quote, “He will be safe in Atlas”. So imagine how distraught Ironwood would feel if that promise were to be broken yet again.
I have a feeling that Oscar may be used once again as a catalyst to advance the third act of the plot. I could be wrong about that but I can't help but feel like one of our main heroes will be a victim to whatever Jacques had planned with Watts.
Last time for V6, I was right on the money with Oscar running away. So…will I be right again about something big happening at the party and Oscar being an unfortunate victim caught in the crossfire?
Only time will tell. However I actually wouldn’t mind if something that were to happen for the episode. Mainly because I feel like should Oscar were to get seriously hurt, it could lead to the following things:
Ruby realizing the error of her actions: The idea I had with this was that, while at the party, Oscar will once again confront Ruby on the matter of revealing the whole truth to Ironwood. However Ruby once again shows reluctance with this and she and Oscar end up arguing over the right call. During their heated quarrel, Ruby says something to Oscar that she will ultimately regret. Let’s say…Ruby reveals that her distrust in Ozpin, blaming him for everything which then leads to her confessing that she may never trust him again.
This revelation greatly upsets Oscar since, Oz is a part of him and there is a chance that he may even become him someday. So by extension, Ruby saying that she distrusts Oz and will never trust him again meant that she doesn’t trust Oscar either. Although Ruby tries to take back what she says, the damage had already been done.
The Little Prince had officially had enough his little red rose’s behaviour and just like in the original fairy-tale, Oscar leaves Ruby with her last words to him being that she doesn’t trust him…right before Oscar gets seriously hurt and on the verge of death. As far as I know, the Prince’s true rose never got the chance to see him again since he died before he could return to his home by the fangs of the Snake character.
And  similar to how the Rose didn’t realize her true feelings for her Prince until he departed from their planet, what if…Ruby didn’t realize how much faith she did have in Oscar until he was mortally wounded by Tyrian and on the verge of death?
 Oscar’s Journey to Oz in the form of him going to find Oz in his mind. Now we can get into the real meat of my post. Let’s discuss Oscar’s Longest Memory:
Okay, so as I mentioned before, my concept is that Oscar is mortally wounded by Tyrian Callows in a killing blow that was meant for Ironwood. After that, Oscar falls into a coma with all of his allies worrying whether or not he will ever wake up again.
While in his comatose state, Oscar finds himself trapped in a continuous loop where he keeps reliving the very last days he spent back home on the farm with his family---all leading up to the day he was supposed to leave with Ozpin to begin his journey to Mistral.
Let’s say…in the memory, Oscar never met Oz. As we all know, Oscar wouldn’t gotten the encouragement to leave the farm if Oz hadn’t spoken to him that first time. And with Oz presumably still in isolation and his presence no longer there to guide Oscar towards his true destiny, Oscar just goes about his days like normal. But the entire time, while Oscar is reliving his final days at home, the way its depicted is that, despite being home behaving like he’s never left, Oscar couldn’t help but feel the entire time like he was forgetting something. Forgetting something important that he was supposed to do. Or rather, meet someone he was supposed to?
I even have this idea of Oscar having a similar experience to Ozma in the Lost Fable during his lifetime with Salem as Diggs.
Remember that scene from the episode where Ozma is looking at a reflection of himself in the window of his and Salem’s home castle when his other half---I believe it was Diggs speaking to Ozma here---asked him “What are we doing?” which in turn snaps Ozma out of his confliction.
I’m imagining a moment similar to that Oscar is looking at himself in the mirror---the very same mirror down in his barn where he had first heard Ozpin speak to him. I’m picturing Oscar looking at his reflection, back in his old farm boy threads, wracking his brain to figure out what’s happening to him and why he felt so strange---like he was forgetting something very, very important. At first, all Oscar saw was his own reflection only for his mirror copy to suddenly ask him “What are we doing?”  
Since Oscar’s current qualm seems to be his conflicting feelings regarding the Merge, I’m imagining a moment where Oscar is standing almost at a crossroads within himself. Like picture Oscar coming face to face with his past self---his old farmhand self.
Let’s say…in his longest memory, the one sure-fire way for Oscar to wake up from his comatose state is for him to leave the farm and start his journey.
Perhaps even in the real world, there is this conflict going on where if Oscar doesn’t wake up from his unconsciousness soon, he could potentially die or something along those lines, just to amp up the stakes. So the others---his teammates, his friends are desperately trying to do whatever they can to wake Oscar up. To make him open his eyes.
Meanwhile in Oscar’s mind, he’s fighting his own internal battles on whether or not he should leave. In his mind, Oscar trapped home on the farm wondering if leaving was the right choice. Because that’s how this all started. With Oscar leaving the farm.
So it’s a scenario where Oscar has to leave but this time, rather than it being Ozpin telling Oscar he has to leave (and not really giving him much of a choice), it’s Oscar telling himself that he has to leave. Like maybe at first, Oscar believes that the person telling him to leave all the time---this boy in the mirror who looks exactly like him---is probably Oz trying to communicate with Oscar and help him escape this memory. But to Oscar’s surprise. It isn’t Oz. It’s Oscar himself---the part of him that made up his mind that he was going to see through on his promise to help his team no matter what---that was telling him to leave. This time, it’s Oscar’s own choice that he made on his own. Not just because it felt like the right thing to do. But because it was a choice he now believed in.
With this idea, I’m envisioning a scene where Oscar is standing face to face with his past ---Farm Boy Oscar back in his old farm boy threads who is actively chastising Oscar for even wanting to leave home since there was no good for him outside.
Basically imagine …Oscar’s past self being the embodiment of all of his concerns for the future; his doubts about himself, his doubts in his place on the team, his worries whether or not anyone actually trusts or even cares about him, his worries about just being ‘another one of Ozma’s lives’ to live and die in vain.
Here is this version of Oscar---with his own face and in his own voice, practically screaming every negative thought he’s been silently holding back from admitting to himself for so long.
“…We were a fool for leaving home. You think they actually care about you. You heard them. They never saw you for who you are. Of course they never trusted you! 
They don’t know you! They never knew you! You didn’t really think they’d accepted you into their group. You never had your own place. To them, you’re just another one of his lives and pretty soon, they’ll forget all about you.
Stay home Oscar! Don’t leave! This is where you belong. At least this way, you get to stay and be yourself again. This is what you truly want. Trust me. Because who knows you better than you…”
And somehow by doing that, by facing himself and hearing himself admit his own fears, it what makes Oscar’s choice all the more significant. He needed to leave. So basically, in a nutshell, Oscar yells back at his old self that this wasn’t who he was. I mean, it used to be and that part of him will always be there because it is a part of him. However Oscar has also accepted the other side of him---the side that he shares with Oz.
So in the end, Oscar makes up his mind to leave home. But not without Oz. So after dealing with past, Oscar goes and finds Oz. The two souls reunite deep within Oscar’s mind. They even have a chat and ultimately, Oscar convinces Oz to return to the others with him. Even extends his hand to Oz---as neat little call-back to what Oz had told him back in V4.
Because while the farm with his family and his old memories of his past was Oscar’s home back then (and not even the Merge was going to take that away from him) he eventually also comes to terms with the fact that his new home was with his team and he needed to reunite with them to fulfil his duties to humanity by working to stop Salem and her forces. So basically the memory ends with both Oscar and Ozpin walking through the gates of Oscar’s old home, returning to the real world.
And when next Oscar finally regains consciousness---as he opens his eyes, he awakens to find himself surrounded by everyone who had all eagerly been awaiting his return. And it is from this moment, folks where the reconciliation begins.
That’s my idea.
I know the likelihood of something like this happening in the canon is not really there. Nonetheless, I’d still like to think that something like this could’ve been cool to see done in the show. Especially for Oscar and Ozpin.  
Most of all, I was hoping for a future moment where the audience could’ve seen Oscar meet Oz for the first time within his mind. We never exactly got an interpretation of what the inside of Oscar’s mind looks like.
Somehow, this squiggle meister is envisioning Oscar’s mental dreamscape being an endless plane of grassy fields overlooking a beautiful sunrise since that time of the day seems to be most associated with Oscar.
It was a sunrise during the first scene we were introduced to Oscar’s character back in V4 and it was also sunrise when he left home and began his journey.
Now I’m imagining Oscar and Oz just sitting in a field watching the sunrise since this was Oscar’s lingering memory of his home. It’s a memory that Oscar shares with Oz, all before the little barn prince takes the old wizard’s hand and leads him back to reality where their friends were all waiting for them.
I think something like would’ve been real sweet for Oscar and Ozpin’s story. Like I said, I don’t think we’ll really get something like this for show. But nonetheless, it would’ve nice and for what it’s worth, I hope you all at least like it as a headcanon.
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More Squiggles’ Pinehead Headcanons
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~LittleMissSquiggles (2019)
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bazz-b · 4 years
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THE MEGA RP PLOTTING SHEET / MEME.
First and foremost, recall that no one is perfect, we all had witnessed some plotting once which did not went too well, be it because of us or our partner. So here have this, which may help for future plotting. It’s a lot! Yes, but perhaps give your partners some insight? Anyway BOLD what fully applies, italicize if only somewhat.
MUN NAME: Thomas/Tom     AGE: +25       CONTACT: IM, Ask, Discord
CHARACTER(S): Bazz-B, King Baraggan Louisenbairn, Kurosaki Ichigo, Ichibei Hyosube
CURRENT FANDOM(S): Bleach
BLEACH FANDOM(S) YOU HAVE AN AU FOR:  I have an ATLA and LOK AU for Bazz-B, but no Bleach AUs for external muses
MY LANGUAGE(S): Passable Japanese, Survivable Italian, Fluent English
THEMES I’M INTERESTED IN FOR RP: FANTASY / Science fiction / Horror / WESTERN / ROMANCE / Thriller / MYSTERY / DYSTOPIA / ADVENTURE / MODERN / Erotic / Crime / MYTHOLOGY / Classic / HISTORY / RENAISSANCE / MEDIEVAL / Ancient / WAR / FAMILY / POLITICS / RELIGION / SCHOOL / ADULTHOOD / CHILDHOOD / APOCALYPTIC / GODS / Sport / MUSIC / Science / FIGHTS / ANGST / Smut / DRAMA / etc. (what Bazz-B wants is reflected in italics)
PREFERRED THREAD LENGTH: one-liner / 1 para / 2 PARA / 3+ / NOVELLA.
ASKS CAN BE SEND BY: MUTUALS / NON-MUTUALS / PERSONALS / ANONS.
CAN ASKS BE CONTINUED?:   YES / NO    only by Mutuals?:  YES / NO.
PREFERRED THREAD TYPE: CRACK / casual nothing too deep / SERIOUS / DEEP AS HECK.
IS REALISM / RESEARCH IMPORTANT FOR YOU IN CERTAIN THEMES?:   YES / NO.
ARE YOU ATM OPEN FOR NEW PLOTS?:  YES / NO / DEPENDS.
DO YOU HANDLE YOUR DRAFT / ASK - COUNT WELL?:  YES / NO / SOMEWHAT. (usually but I need to catch up at the moment)
HOW LONG DO YOU USUALLY TAKE TO REPLY?: 24H / 1 WEEK / 2 WEEKS / 3+ / months / years. /DEPENDS ON MOOD AND INSPIRATION, AND IF I’M BUSY I
I’M OKAY WITH INTERACTING: ORIGINAL CHARACTERS / a relative of my character (an oc) / duplicates / MY FANDOM / CROSSOVERS / MULTI-MUSES / self-inserts / people with no AU verse for my fandom / CANON-DIVERGENT PORTRAYALS / AU-VERSIONS.
DO YOU POST MORE IC OR OOC?: IC / OOC.
ARE YOU SELECTIVE WITH FOLLOWING OTHERS?: YES / NO / DEPENDS.  
BEST WAYS TO APPROACH YOU FOR RP/PLOTTING:  You can IM me or send an ask, but the tumblr messaging systems SUCK so I encourage y’all to add me on discord and then just go ham. I’ll only turn down a plot if it’s OOC for Bazz-B, but otherwise I’ll usually try anything. If it’s not working out I’ll typically let you know, but I’m game for most things.
WHAT EXPECTATIONS DO YOU HOLD TOWARDS YOUR PLOTTING PARTNER:  Honestly, not a lot. You can be as invested or as chaotic as works for you. You get the urge to suddenly write a specific theme? Hit me with it. The urge goes and you lose interest, that’s fine. Four weeks later and the muse hits you again LETS DO THIS.
WHEN YOU NOTICE THE PLOTTING IS RATHER ONE-SIDED, WHAT DO YOU DO?:  I don’t typically struggle with this issue. If anything, I’m the lackluster end of the plotting side. I typically run things through Bazz-B as their happening, rarely looking forward. Unless there’s an overarching story we’re specifically working towards I’m pretty weak sauce. Sorry people!
HOW DO YOU USUALLY PLOT WITH OTHERS, DO YOU GIVE INPUT OR LEAVE MOST WORK TOWARDS YOUR PARTNER?:  I’ll typically propose an idea and then see where our muses take us. If my partner needs a rough road map, I’m happy to negotiate what we’d each like to see happen. Generally speaking I let Bazz-B take the wheel.
WHEN A PARTNER DROPS THE THREAD, DO YOU WISH TO KNOW?:   YES / NO / DEPENDS. - And why?: If you want to drop a thread, I’m completely fine with it. The only reason I’d want to know is so I don’t start panicking and think that I forgot to reply you your latest response to it.
WHAT COULD POSSIBLY LEAD YOU TO DROP A THREAD?:  If I lose the thread, or if I think it’s reach a natural conclusion. I don’t typically abandon one in the middle on purpose.
- WILL YOU TELL YOUR PARTNER?:   YES / NO / DEPENDS.
IS COMMUNICATION IN THE RPC IMPORTANT TO YOU? YES / NO.
- AND WHY?: I don’t require a constant, nor deep level of communication, but it’s important to voice concerns. People tend to internalize problems until they become these big ordeals. A friendly message every now and again can save everyone a lot of drama later.
ARE YOU OKAY WITH ABSOLUTE HONESTY, EVEN IF IT MAY MEANS HEARING SOMETHING NEGATIVE ABOUT YOU AND/OR PORTRAYAL?: I BEG for negative feedback. Even if you feel like your nitpicking, it’s the number one thing I crave from writing partners. Tell me what you dislike and I can work on it.
DO YOU THINK YOU CAN HANDLE SUCH SITUATION IN A MATURE WAY? YES / NO.
WHY DO YOU RP AGAIN, IS THERE A GOAL?: To tell a story. Bazz-B is my primary muse, and his entire tale is so interesting to me. The foundations of his identity are flawed and I want to explore that as much a I can, throw him into as many situations as possible and watch him evolve.
WISHLIST, BE IT PLOTS OR SCENARIOS:  My left arm for an entire roster of Sternritter, of course. Bazz-B and Liltotto surviving after the war. A reality where Bazz-B finds happiness and acceptance in himself. A healthy bond with a Shinigami. 
THEMES I WON’T EVER RP / EXPLORE:   I’ll not write rape, it’s understandably triggering for a lot of people and writing it glorifies it, I think. Also racism in a real world setting? I’ve come to terms with it in regards to Shinigami and Arrancar, but they’re fictional groups. I wont engage with it outside of that. Finally, trans-phobia. If a guy like Bazz-B doesn’t engage with that sort of vile nonsense, none of you should either.
WHAT TYPE OF STARTERS DO YOU PREFER / DISLIKE, CAN’T WORK WITH?: Starters that provide a setting and a purpose are great. The sort of starter that turns it back at the recipient with something akin to “Why are you here” are confining. Also, if in the starter your muse is already pushing away mine.. Bazz-B might just nope outta there.
WHAT TYPE OF CHARACTERS CATCH YOUR INTEREST THE MOST?:  Despite my main muse being Bazz-B (or perhaps in favour of it) I typically write as old men cemented deeply in their ways. Yamamoto Genryuusai Shigekuni, King Baraggan Louisenbairn and Ichibei Hyosube are just some examples. Bazz-B kinda fits the bill too.. I GUESS.
WHAT TYPE OF CHARACTERS CATCH YOUR INTEREST THE LEAST?:  Cold, distant, dispassionate sorts. I could never write as the likes of Ishida, Ulquiorra, Haschwalth, etc. They’re all very nuanced characters, they just don’t mesh well with me. 
WHAT ARE YOUR STRONG ASPECTS AS RP PARTNER?: I typically respond lightning fast, my last two weeks or so a poor example of that. I’m passionate, you’ll not find another person so desperately in love with Bazz-B as this fool. I’m easy-going, you can take as long as you want and I’ll still be ready to rumble.
WHAT ARE YOUR WEAK ASPECTS AS RP PARTNER?: Tumblr confuses the hell out of me, I don’t understand a lot of lingo and the big CARDINAL LAWS of writing. I struggle with scene transitioning and limb placement, and my tags are a mess.
DO YOU RP SMUT?:  YES / NO/ DEPENDS.
DO YOU PREFER TO GO INTO DETAIL?: YES / NO / DEPENDS.
ARE YOU OKAY WITH BLACK CURTAIN?: YES / NO.
- WHEN DO YOU RP SMUT? MORE OUT OF FUN OR CHARACTER DEVELOPMENT?:  What I want and what Bazz-B want are wildly different things. This man is planting a flag in the middle of bonezone whether I agree or not. I commonly write smut because it’s what Bazz-B wants, but I prefer to do it for development.
- ANYTHING YOU WOULD NOT WANT TO RP THERE?:  I am personally the most vanilla dude you’ll meet. I can google things but it might not translate very well.
ARE SHIPS IMPORTANT TO YOU?:   YES / NO A characters growth should never be locked to a specific person, but exploring a character in isolation can only get you so far. As people, we grow from one another. Romance is a key factor in formulating a person’s ideals, but that’s no the only form of ship. The eventual friendship between Bazz-B and Liltotto and Giselle is one of the most interesting things to me. A romance surviving Silbern is incredibly powerful in my opinion. The bond of a teacher and a student. There are so many situations that force a character to change how they would typically react.
WOULD YOU SAY YOUR BLOG IS SHIP-FOCUSED?:  YES / NO. More and more I’ve been thinking that I’ve been writing Bazz-B in more ships, but that is not the blog’s focus. Ultimately I’m exploring the character of Bazz-B, and that just happens to be inclusive of ships. Some of my most active writing partners also happen to be muses that Bazz-B has excitedly/begrudgingly/unexpectedly fallen for.
DO YOU USE READ MORE?:  YES / NO / SOMETIMES WHEN I WRITE LONG STUFF.
ARE YOU:  MULTI-SHIP / Single-Ship / Dual-Ship  —  MULTIVERSE / Singleverse.
 - WHAT DO YOU LOVE TO EXPLORE THE MOST IN YOUR SHIPS?: Individuals who challenge Bazz-B, who force him to rise above what he is, what he thinks he should be. Who tear down complacency and demand better of him in all ways. Whether overtly, intentionally, whatever! 
ARE YOU OKAY WITH PRE-ESTABLISHED RELATIONSHIPS?: YES / NO. - If you come to me and sell me a story, I’m in. I’m easily swayed by visual art, written lyrics (my ears don’t work so good with music for some reason) and themes.
► SECTION ABOUT YOUR MUSE.
- WHAT COULD POSSIBLY MAKE YOUR MUSE INTERESTING TOWARDS OTHERS, WHY SHOULD THEY RP WITH THIS PARTICULAR CHARACTER OF YOURS NOW, WHAT POSSIBLE PLOTS DO THEY OFFER?: Bazz-B is a fun guy to taunt, and to cause havoc with. But he’s more than just a hothead, you can read any one of my many rants if you wanna find out about that. With a plot to kill God spanning 1000 years, a burning fury and misguided ideals dragged through the mud of “the lesser of two evils”, he’s a real party trick.
- WITH WHAT TYPE OF MUSES DO YOU USUALLY STRUGGLE TO RP WITH?:  Muses who, from the start, wish to disengage with Bazz-B. I understand it might be in character, but both Bazz-B and I are gonna struggle to engage if there’s not some allowances made.
- WHAT DO THEY DESIRE, IS THEIR GOAL?:  His ultimate goal is the death of Yhwach. In a perfect world that would coexist with a Quincy victory over the Shinigami, vengeance for genocide. But he’ll take the former over the latter.
- WHAT CATCHES THEIR INTEREST FIRST WHEN MEETING SOMEONE NEW?:  Style, first and foremost. If a Quincy had modified their Wandenreich uniform he’s gonna take notice and make some judgement calls. The rest comes after.
- WHAT DO THEY VALUE IN A PERSON?:  Honesty to themselves, and a drive to survive. Not to be buried by what’s expected of them, or what they should do. Free will is one of the fundamental truths of the world.
- WHAT THEMES DO THEY LIKE TALKING ABOUT?:  Motorbikes, Pop-culture, Fashion, Movies, Himself.
- WHICH THEMES BORE THEM?:  History, loyalty beyond all else, the importance of leadership and hierarchy, lectures of all kinds.
- DID THEY EVER WENT THROUGH SOMETHING TRAUMATIC?:  His family was burned alive by the man who claimed to be their God. Entering a war on the losing side, his kind facing extinction. Hiding in the shadows, surrounded by a extremist military cult.
- WHAT COULD LEAD TO AN INSTANT KILL?:  After a certain point in his life, it’s really only Hollows that should fear indiscriminate murder. Unless you threaten his fragile peace, or claim Yhwach was just.
- IS THERE SOMEONE /-THING THEY HATE?:  Bazz-B hates Hollows, and any Quincy loyalists that stand by Yhwach post-Aushwalen. Anyone who saw the true colors of their progenitor and still deluded themselves into thinking him right.. it’s disgusting.
IS YOUR MUSE EASY TO APPROACH?: YES / NO. - Best ways to approach them?:  Stoke his ego and you’re usually set for a good few hours.
SOMETHING YOU MAY STILL WANT TO POINT OUT ABOUT YOUR MUSE?: Nothing you cant already find on one of my many ramblings about that greatest Quincy that every lived, Bazzard ‘Bazz-B’ Black!
CONGRATS!!! You managed it, now tag your mutuals! ♥
Tagged by:  @equipollency (I got a phantom notification so I rolled with it)
Tagging: @diepower + @zombiequincy + @verzinken + @cheonsaaui + @bleachsthetic + @senboago + any other quincy reading this
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pandoraseevee · 5 years
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Voltron Season 8 Rewrite
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Full disclosure: This was inspired by @lotor-and-his-generals rewrite of Season 6. Go give it a read its 100% better than the real Season 6. As the title suggests, this is a complete rewrite of Season 8. Some of the plot points here were inspired by the metas of #TeamPurpleLion (@felixazrael, @voltronisruiningmylife, @leakinghate, @dragonofyang, and @crystal-rebellion), @kcwcommentary commentaries, and @ptw30 regarding Shiro’s character arc. 
This will cover the first 6 episodes of the season (Launch Date to Genesis in case you forgot) Please note, there are a thousand ways to rewrite this egregious finale, this is just my idea (one of many floating in my brain lol) of how I think everything should of gone down. 
Warning: Very, very, very long post ahead because I tend to ramble-write. Especially if it’s a scene I really enjoyed planning.
~A FEW THINGS TO REMEMBER IN THIS REWRITE~
1) Lance’s sexuality will be addressed; it’ll be one of the most important arcs he’ll have in this rewrite. I don’t mean to rag on what is canon, but you can’t suddenly thrust two characters into relationship when one of them has been harassing the other for 6 seasons and the other just went through one of the worst breakups in fiction ever. (Also that whole deal of Lance holding the LGBT sign with Shiro, like that had to mean something) Shiro will be one of the key players in his arc because he’s Space Dad and speaking of Space Dad...
2) ADAM. IS. ALIVE. Because if Hunk, Pidge, and Lance’s families were able to stay alive during Sendak’s Invasion, Adam can too! Instead of dying, it’s a fake-out death like Veronica’s. A very long fake-out death. His ship isn’t blasted head on, but one of the wings is severely damaged and he falls dead stick into the dessert. Because MIA doesn’t seem exist in the Galaxy Garrison, they report him as deceased. In this rewrite, he’s actually in one of the concentration camps, the same one Hunk’s family was in. He suffers from a painful leg burn that leads to his leg being amputated and staying on Space Crutches until Team Voltron defeats Sendak and Honerva’s Robeast. He and Shiro were reunited when he arrived at the Garrison Hospital for proper treatment and it was filled with angst, tears, and then a happy mutual understanding between them.
3) Allura’s Altean alchemy is continuously growing throughout this season. She thought that she had exhausted all the lessons she learned from Oriande between the Sincline fight and reviving Shiro. Upon learning this, she along with Sam Holt and the Garrison were able to develop new weapons for the entirety of the Atlas, including a few new MFE Fighters. This culminates in the first episode of this rewrite and going off of that...
5) Lion Swap is undone this season. I thought it made sense when I first watched it but then I realized it was purely done for nostalgia points. I highly recommend you go read @janestrider meta The Wolf, The Atlas, and The Bayard about how Black Paladin Shiro was supposed to come back in Season 7 until the the studios were forced to keep Black Paladin Keith. In reality Black Paladin Keith only lasted for one episode in Season 3, and at least 2 and a half episodes in Season 6. The rest of the time he’s either with the Blade, on his own, or gets the team in deeper trouble. (I still love him tho) So Allura gets the leadership position she deserves, Shiro gets to lead Voltron again, and Keith isn’t as much of a loner anymore!
6) (My thoughts/commentaries will be formatted like this) (I’ll provide some extra commentary throughout the rewrites.) 
7) If you want to read these rewrites individually you can start here: Launch Date - Shadows - The Prisoner’s Dillema - Battle Scars - The Grudge - Genesis
Now, are you ready? Here we go! 
~~~~~~~~~~~~~~~~~~~~Episode 1: Launch Date~~~~~~~~~~~~~~~~~~~~~
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(The image above should change so that Allura is in Shiro’s place, Shiro is in Keith’s place, and Keith is in Allura’s place)
The opening of this episode is relatively the same with Pidge and Bebe watching 80′s!Voltron, Allura and Romelle talking about Luca while she’s resting in the medical wing, and finally Hunk and his family and Lance in the cafeteria. Unlike in the original episode, Lance isn’t creepily obsessive over Allura in this scene when Hunk brings up 80′s!Keith and Allura’s relationship (bleh). Instead, because he also watches the show, laughs and says “They made Keith and Allura’s story of running away from the Castle so romantic. It was Romeo and Juliet but in space!” He laughs again. Suddenly Lance gets uncomfortable and awkwardly coughs, remembering that Allura did fall in love with a half-Galra, just not Keith. Hunk notices this and tries to change the subject to cheer him up.
Hunk: It’s our last day on Earth. Boy, I thought I would never say those words but here we are.
Lance: Yeah, crazy...
Hunk: So, how’re you gonna spend these last 24 hours? Besides getting the proper 7-8 hours of sleep?
Lance (who begins to smile again): Well, my family’s having a huge dinner. Ma and Pa want to savor every minute with Veronica and I. And Nadia and Silvio wanna hear about our adventures one more time even though they hear it every night before bed.
Hunk then suggests that maybe he should ask Allura out. Lance blushes and tries to evade the subject of a date. When questioned by Hunk, he falls back to the same excuse that she’s too busy with Romelle and the Altean pilot. Hunk’s siblings (cousins?) overhear the conversation, deciding that Lance’s lovelife was more interesting then whatever they were playing. They pester and pressure Lance into asking the pretty princess out on a date. Chanting “Ask her! Ask her! Ask her!” until he finally gives in and agrees to just to get them to shut up. They cheer and return to their game. Lance sighs a mushroom cloud.
The Voltron Coalition meeting proceeds as usual but one major change: Allura is the one standing beside Shiro, not Veronica. Princess Allura is the leader of the Voltron Coalition so she should be held in the same position as Shiro if not higher. Everyone in the Coalition still defer to her even though she doesn’t have her crown yet. But because they’re on Earth, she allows Shiro to take charge of the meetings in this episode. Shiro goes through the mandatory “Is the Atlas fully prepared?” questions before he makes his biggest announcement: He will not be commanding the ATLAS during this mission. 
The Garrison and the Coalition are in shock. Iverson asks who would be commanding the ATLAS if not Shiro. Shiro says that it’ll be commanded by Allura. Even she is shocked at the development. Shiro admits that while the crew would be more comfortable with Shiro as the leader, Allura knows more about space then he does. And the Castle crystal being its main power source essentially makes it hers. Hunk then asks where Shiro will go if he’s not in the ATLAS. Keith answers the Black Lion. Team Voltron realizes that meant that Keith would go back to Red and Lance would go back to Blue, undoing the Lion Swap. Lance isn’t as agitated with this Lion (Un) Swap unlike in Season 3. He almost seems relieved that Keith is taking back Red. “Red misses you. A lot.” Is his response. 
Shiro moves aside and allows Allura to step forward. She clears her throat to settle the commotion and asks one of the medics for an update on Luca’s condition. They say that she’s sleeping and expect her to wake up in a few hours. Without missing a beat, she asks Matt, Rolo, and Nyma how many weapons they have in storage, they say they have enough to give everyone on the ATLAS one blaster for protection thanks to her alchemy. Smiling, she then asks Kolivan and Krolia if their mission of restoring the Blade has made progress. They say that while they have recruited a few before their arrival on Earth, they’ll have a better chance once the ATLAS takes flight. She moves her gaze over to Slav, who’s as fidgety as ever, and asks if they’re doing anything wrong. Slav says that there’s a 65.4% chance that something big is going to happen to them in this reality. She asks if it’s something good or something bad. Slav says he can’t make a precise calculation until again, the ATLAS takes flight. This makes the boardroom even more uneasy.
Allura once again tells everyone to settle down, saying that they’re last day on Earth shouldn’t be filled with fear, but with remembrance and happiness. “Spend the day with the ones you love.” As she says that, Shiro’s gaze not-so-subtly slides to Adam, who can’t keep a straight face and blushes. With that, Allura dismisses the meeting. Allura and Romelle exit together, Lance following very, very far behind them. Hunk, irritated, pushes Lance towards Allura. Lance apologizes profusely, Allura reassures him its alright and asks if he needed something. Lance, hesitantly and stuttering, asks Allura if she wanted to have dinner with him and his family. Allura gently rejects the invite, repeating what Lance told Hunk, and that she wants to be there when Luca wakes up. Romelle, not liking how Allura isn’t following her own advice, tells her that she’ll watch over Luca and update her if something happens. Allura thanks her but she still isn’t sure, since they have that sleepover planned with the MFE girls and are going to the mall. Romelle insists that she has fun on her last day on Earth. 
Lance silently watches them go back and forth, he sees Hunk give him a thumbs up. He also notices Keith, Shiro, and Adam (the latter two holding hands) exiting the boardroom. Keith is snorting into his hand at what might’ve been a really bad joke Adam told Shiro. Lance stares blankly, he had never seen Keith’s face twist that way before. He decides he really likes it. He watches the trio disappear around a corner before he’s brought back to the present by Allura calling his name. He hopes no one saw him staring at Keith’s suddenly pretty face.
Lance (blushing): Y-Yeah Allura?
Allura: I said that I can’t join you and your family for dinner.
Lance (hurt by the rejection but doesn’t show it): Really? Is that your final answer? You can still change your mind...
Allura (nods): Yes, that is my final answer. I’m sorry
Lance (he smiles so much that his cheeks hurt): Oh, that’s fine! No harm done! 
Allura (nods again, smiling): That’s wonderful to hear.
Lance tells her he’ll see her later and lets the Altean girls walk past him. He waits until they round the opposite corner before he sighs, disappointed. Hunk pats his back, saying he’s sorry he pushed him into doing that. Lance chuckles, saying that he kinda expected the rejection. He hears snuffling and sees Kosmo watching them, he blinks and teleports. Lance and Hunk shrug it off and walk away.
(HAHA Bait and Switch!) (Biggest change in this episode is that it’s not an Allurance Date Episode, it’s an Adashi Date Episode) 
The shopping scene is too great to remove tho. So, instead of shopping for a date outfit, the MFE girls help the Altean girls buy Earth clothing because it can get kinda boring to wear their Garrison uniforms all the time. Some extra girl-bonding between all of them (minus Pidge cause she’s grounded but she can drop by every few min). Maybe Rizavi can introduce the Altean girls to those soft mall pretzels. (The wait would be a pain tho cause they’d have to do it one at time lmao) 
Allura’s Earth outfit would have a few revisions to it: it would have a fuller skirt (Maybe those full circle swing skirts from the 1950′s) because she’s a princess. Maybe a light blue shawl too. Romelle’s outfit would totally be a modern version of her hot pink dress from 80′s!Voltron. Pidge still gives the Unilu shopkeeper her game. The girls leave and Unilu shopkeeper sees Pidge holding another game. He feels cheated but it’s revealed that Pidge and Rizavi each bought one game for themselves. Pidge’s copy of the game is the one she gave him. Rizavi and Pidge agree to take one player slot and play the game separately, No spoilers, or bust. They shake on it and all head back to the Garrison.
Keith and Kosmo aren’t chilling on the Black Lion, they’re just on one of the Garrison rooftops. Team Dad Shiro and Adam are with him too. Probably cuddling. (What good maybe-boyfriends uwu) Keith isn’t jealous of how easy-going their relationship is. Lance greets them like he did in the original episode. Adam jokes that he looked like he ran a marathon, Lance responds that he probably did. 
Shiro: Coran?
Lance: Coran
The trio nods in understanding. Keith fondly asks what crazy antics he did this time. Lance explains the whole ‘Not a Date, it’s Dinner, Ok it might be a Date’ situation with Allura. Keith congrats Lance although Team Dad notices he’s saying it weirdly. Lance corrects him saying that Allura rejected him.
However, while they were doing something he eventually forgot about Allura accidentally let it slip and Coran started his patriarchal bs we see in the original episode. Lance absolutely noped out of there but said that he would like to learn about Altean vestments another time. Keith and Lance have their Sunset Conversation. Shiro and Adam observe, not wanting to intrude. 
Suddenly, Lance asks how they (Adam and Shiro) realized they liked men. Shiro chuckles and says that it took a while for them both to realize it. They’ve lived different lives. Shiro’s father died during World War III and Adam’s parents were not as accepting of his sexuality as Shiro’s mother. He had to stay with a friend before he got into the Garrison. Adam says it’s normal for someone to deny their sexuality. “But if you think that it’s part of you then embrace it. Because it makes you you.” Adam says, Shiro lays his head on his shoulder. Keith fake gags. Lance remembers that. And then he also remembers what he was doing earlier. He tells the group that Allura needed Shiro and Keith for something. It’s about the Lions and Kosmo teleports all of them there.
Allura, Hunk, Pidge, and Coran are with the Lions. Black, Red, and Blue have their shields up. Allura says that Shiro, Keith, and Lance have to reestablish the bonds with their Lions. For Shiro, that’s pretty easy. All the time in Black’s consciousness did nothing but strengthen their bond even more. He places his human hand on the shield and whispers, “Trust me.” The shield goes down and Black rests its head against his hand, it’s eyes glowing. He smiles. 
Keith clenches his fist, staring up at Red. Lance gently bumps his shoulder, “Where’s Voltron without its right hand Lion?” Everyone laughs lightly at the joke. Keith gives Lance that soft look he always gives him. Lance decides he likes that face on Keith too and hands him back the Red Bayard. Keith approaches the shield. “Red, are you there?” No response.
Keith (sighing): Look, I know you’re mad at me. I left you to lead Voltron when Shiro disappeared. He wanted me to take his place if anything happened to him. He believed in me, he’s always believed in me, and I’m so grateful that he still does. But...I never wanted to lead Voltron. Black and I bonded out of necessity. I learned to open myself to the team when I piloted you. And then I understood the responsibility of holding a position like this when piloting Black. And I now want keep learning about this, this bond that’s beyond myself, with you. 
It takes a few minutes but Red’s shield goes down. Keith smirks, welcoming Red’s attitude again. He looks over to Lance, “Your turn.” Lance stretches his arms, “Ok, here we go.” And approaches the Blue Lion.
Lance: Blue? Heeyyy, girl~ I’ve missed you.
Like Red, Blue doesn’t respond. Lance brushes it off, he hasn’t bonded with Blue in a while it’s alright. He tries again. When Blue still doesn’t respond, he places his hands on his hips. “Do I have to use my particle barrier line on you again?” Still nothing. Lance huffs. “Then what do you want!? I’m sorry! I had to pilot Red! You know that! You were the one that shut me out first remember!?”
Allura: The Blue Lion is the most versatile of the Lions, its attacks cover a wide range on the battlefield and its flexibility is what makes it the most accepting of new Paladins. However that makes them incredibly devoted and sensitive to their Paladins. They must be flexible themselves as well as powerful to steer the Blue Lion on task.
Lance: Flexible and powerful huh? Well, the Blue Lion is a leg of Voltron. So it’s a support Lion right? Not to the same degree as Red’s support to Black but you know what I mean. When I left Blue for Red, I did it because I accepted Keith as the Black Paladin. Keith needed a right hand man the same way Shiro needed him. And then when you became a Paladin...I was willing to step away so that you, Shiro, and Keith could have spots on the team. So...I still have what it takes to pilot Blue! Because everything I did was to keep the Team together! Even if it meant leaving Blue.
Allura: Exactly Lonce!
Blue’s shield goes down, everybody cheers. Pidge says that the ‘6 Paladins, 5 Lions’ situation shouldn’t be a problem. If Shiro’s down Keith can take over, if Keith is down Lance can take over, and Allura can take over for any of them since she’s connected to all of them. Allura agrees and gives the Blue Bayard back to Lance. 
Hunk tries to imagine how crazy the team dynamic would’ve been if he and Pidge were in the Lion Swap too. Pidge jokes that they wouldn’t make it. Everyone laughs. No one notices that the Lions eyes are glowing, communicating with each other.
Dinner at the McClain’s goes smoothly. When Veronica asks Lance about Keith, she calmly watches Lance flip his lid while exchanging smug glances with Ma McClain. Ma McClain shakes her head, smiling. Nadia and Silvio want to hear about how Lance saved Allura during the Omega Shield mission. Lance corrects them and says, “She technically saved me too. It was a double save!” He laughs along with the rest of the McClains. Nadia comments that Allura really is a Princess, she has a crown, a carriage (Blue), and magical powers. She just needs a Prince. Silvio says that Uncle Lance is already her Prince. Lance grows tense, but no one notices. 
The two children ask if Lance really has to leave them so soon. Ma and Pa McClain voice their concerns as well. Lance says that its his duty as the Blue Paladin. The McClain’s are confused cause they remember him piloting Red. Veronica tells them about the Lion (un) Swap. Lance then repeats what Allura told the Paladins about Blue. The McClains are very impressed with Lance’s maturity. Veronica then proposes a toast, to Lance, to the Voltron Lions, to ATLAS, and last but most importantly, family. Everyone joins the toast.
A short montage plays of how Team Voltron is spending their last day. Starting off with the McClain family toast and transitioning Hunk and his family playing Stack-A-Ton (Voltron’s version of Janga lmao). Shay asks if she can join and is actually pretty good at it, Hunk is a proud boyfriend. Pidge and her family are making last preparations on the ATLAS, Beezer wheeling around to give them food and drinks. He then darts away when Bebe tries to jump him. The MFE and Altean girls singing along to a digital speaker in one of their bunkers. And then it ends with biggest change of the episode: dinner at the Shirogane household. 
Shiro is in his room, adjusting his clothing. He goes to move the right sleeve of his button up down, then realizes the rest of his arm is floating. He laughs to himself, watching his loose sleeve flop around as he walks around. “Need help with that?” Shiro turns and finds Adam leaning against the door-frame. “Please.” He says and Adam does the rest the buttons for him. He rolls up the loose sleeve and makes sure it doesn’t move when they realize how close they are. (UST, UST, UST, baby~) They both look like they want to say something but then they hear someone knocking on the door.
Shiro, Adam, and Shiro’s mother, Mizuki Shirogane, welcome Keith and his family. Mizuki embraces Keith like a second child and they are seated. She doesn’t bat an eye when Kolivan and Krolia apply the Galra custom of placing their weapon in front of their plates to an Earth household. (Kolivan is courting Krolia at the end of Season 7, that’s why he’s with them) Mizuki and Krolia get along exceptionally well; being two hard-working single mothers, they bond over many things. Krolia thanks Mizuki for raising Keith alongside Shiro. Mizuki says that it wasn’t easy.
Mizuki: I felt like I was raising two sons when Shiro took Keith under his wing.
Shiro (laughing): Okaa-san!
Mizuki: You knew what you were getting into, Takashi!
Adam: Oh, he definitely did.
Shiro (jokingly pushes him): Hey! Nobody asked you!
They all have a good laugh. Kolivan is slightly miffed that the Shirogane family cat, Marble, has decided his lap was a nice place to roll around, Keith tries not to snort the orange juice out of his nose at the sight. Kosmo eats the table scrapes, cause he’s not a normal wolf and he can eat almost anything. “Dang, that wolf eats more than the MFE’s!” Adam wonders how big he’s going to grow, Keith can’t answer that and (jokingly) realizes he made a mistake bringing him back with him. Kosmo whimpers and Keith offers him his grilled salmon as an apology.
While Adam and Shiro are cleaning the dishes, Mizuki offers their guests some homemade dorayaki in the living room. Keith greedily chomps down on them. Krolia and Kolivan look at the new food strangely, Kosmo. Keith offers one to his mom, “They’re a sweet...bread...sort of. Ms. Shirogane made them all the time for us. She has a secret recipe that makes them extra tasty.” Krolia takes a bite and also chomps them down. She tries to apologize to Mizuki in between bites but she remarks that she’s always cooked for big eaters. “Why do you think Takashi is as big as he is today?” Shiro blushes bright red and flicks bubbles at Adam when he laughs.
The lights in the Shirogane household flicker. Krolia, Kolivan, and Keith are ready for an attack. Marble jumps and scurries to Mizuki. She calms them down and says that its just maintenance in the Plaht city. “They must’ve gotten the city lights to finally work.” Adam gasps and takes Shiro’s hand and they run out of the kitchen. Mizuki and Keith’s family are left wide-eyed, Keith winks at them. Shiro asks where they’re going, Adam shushes him and brings his hands over his eyes. “It’s a surprise~” Shiro laughs, carefree and joyful. Adam suddenly stops and slowly removes his hands. 
“Okay, you can open them now.” Shiro opens his eyes and sees that they’re on the balcony, in the distance Plaht City is engulfed in warm, golden light. He’s in awe, slowly walking to the balcony’s edge to take in the view. “Wow...” (I imagined the Shirogane household to be house that looked over the city)
(And for extra feels listen to either of these tracks: Track 1 or Track 2)
Adam: I know the re-entry caused you some memory loss, but I thought this might bring some of them back. It was always your favorite sight. Even when you stayed at the Garrison.
Shiro: Of course I remember this. Okaa-san always brought me here whenever I had a nightmare, or a bad day, or even on a good day. When I was imprisoned...I did things that I swore I would never do. But, it was Zarkon...for him it was all or nothing. The same with Honerva. When they threw me back into the cells after every battle, this view was one of the things I always thought about. It helped me get through so much pain.
Adam:...What else did you think about?
Shiro: Sunrises and sunsets at the Garrison, Marble, Okaa-san, Keith and...(he turns around, the lights of the city illuminating his white hair) you. The very idea of seeing any of you again.
Adam (Mentally: Baby, you’re my aaaaannnnggellll~ hehehe): Takashi...
Shiro: Adam I---
Adam: I’m sorry.
Shiro: What?
Adam (looks down): I’m sorry, Takashi. I didn’t want our relationship to end like every cliche romcom with a sick character. But it did. I wanted to support you--I did support you. I stood by you throughout our entire lives at the Garrison. But I was just so worried about you. My parents left me a long, long time ago. It took me a while to realize that...that I was alone. I didn’t want you to leave me too. I didn’t want left behind again.
Shiro: (he looks down, recollecting his thoughts) I’m sorry too.
Adam: What? No, T-Takashi. You didn’t do anything wrong---
Shiro: Yes, I did. I-I...The disease that I had, everyone was doubting me. Sanda, Iverson, Keith...you. A small part of me continued with the mission to prove all of you wrong. Another part wanted to take this chance to see the stars. What I thought was my last chance to ever do something this important to me...I know I made you really, really upset. And please know that I’ll do whatever I can to make it up to you. But also know that I’m not staying here this time. Not when my family, our family is going up against what might be the biggest threat to the universe.
Adam (nods): I know that. I’ve always known that. You love the stars, Takashi, you would always stare at them, as if waiting for a sign. Now they’re calling out to you and I’ll be right there beside you when you meet them. And after that...if you want...I’ll be beside you wherever you go.
Shiro (soft soft boi): Really? Do you mean that?
Adam (taking his mechanical hand): With all my heart.
Aaaannnddddd they kiss!
Adam: Do you remember what you said to me before you took off all those years ago?
Shiro (chuckles): I said a lot of things that day. It was pretty hectic. Maybe be more specific?
Adam: You said that you had a surprise for me. That you were going to show me after Kerberos.
Shiro (slowly remembers, eyes wide): Wait---did you...?
Adam pulls something out of his pocket. “Your mom gave it to me after you disappeared. She said that it’s the least that she could do to help with the pain.” He opens his hand and reveals a golden ring. Shiro stares at it in awe. He covers his mouth with his hands as Adam gets down on one knee.
Adam: When I said I wanted to be beside you wherever you went...I meant it. Takashi Shirogane...will you do me the honor of being my husband? To be together as we travel to the stars and beyond?
Shiro (eyes shining, a tear falls down his face): What kind of question is that? YES!
Adam puts the ring on his other hand and they kiss again. (Cause they’re gay Dreamworks, go all the way or don’t do it at all) Kosmo teleports in front of them, barking and wagging his tail for attention. They both look at their makeshift audience. Mizuki is smiling through her tears, Krolia has a comforting arm around her, Kolivan does an attempt at a thumbs up. Keith gestures them to look at the camera. They smile and Keith snaps a pic. “That’s definitely a keeper.”
Nothing really new with Luca and Romelle’s argument. I felt that it was a tension driven argument between two misguided people. (Which would have been some serious foreshadowing if Lotor was still alive) Unfortunately, Luca is still killed by Honerva. However, it’s like a sling shot effect and Allura hears a voice calling out to her when she’s alone.
She’s alarmed and, when the MFE girls are sleeping, goes to the medical bay. There she sees Romelle crying and Coran comforting her. She puts two and two together and puts on a steely expression.
The next day, the conversation between Allura and Shiro would have the rest of the Paladins present too. Shiro officially gives Allura command over the ATLAS. Allura asks if he’s really sure about this. Shiro says that he’s sure. The ATLAS belongs to her, she was the one that truly gave it power, not him. Adam stands behind him, hand on his shoulder. Shiro squeezes his hand. He says that his bond with the Black Lion is stronger then ever thanks to her, from the beginning they (Shiro and Black) understood each other in ways that seemed impossible. “We all need to be at our best when we face Honerva. And I’m at my best when I’m a Paladin, not a Commander.” He finishes by saying that he’s ready to lead Voltron again. Allura smiles and deactivates Shiro’s new arm to replace it with something more efficient; the Black Bayard. 
Allura removes her crystal from his arm and puts her tiara back on. Everyone in the room bows before Princess Allura of Altea.
Shiro uses his new-new hand to interlock fingers with Adam. Everyone sees their matching rings, pauses, and looks at the two for confirmation. Shiro nods and everybody cheers. Adam tells them to calm down and presents them with their colored uniforms. Instead of two gold bars, they have three. Allura will have four now that she’s commanding the ATLAS. Lance wonders how mad Griffin will be when he sees them.
Last rewrite of this episode is the grand speech given at the end. Instead of Shiro, Sam, Allura, and Keith, Allura fills Sam’s spot, giving her more speaking time. Again, she’s the leader of the Voltron Coalition and the ATLAS’ commander so she ranks higher. Her part of the speech is her commending the Earth for their strength against the Galra and promising that she and the rest of the Coalition will do everything they can to help them. “You have accepted us with open arms and allowed us to help you recover from this war. Now we will continue the fight in your honor, and for the honor of those who have fallen.” (This is why Allura still wears pink, she now wears it in honor of the humans)
The episode ends with the ATLAS taking off and our heroes posing for dramatic effect (lmao). The screen fades to black and you suddenly hear everybody laugh when Pidge does her cartoon impression again. “I’m descended from a clan of ninjaaaazzzz!” And then the credits roll.
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Kicking off this final season with a bang! Let’s go! So a lot of things happen. It’s the first episode of the final season, I thought that the writers would’ve hit the ground running because we’re in the home stretch. We don’t need to re-introduce everyone. We have all our players in the places they need to be, this season should make the best use of those places in character development to complete their character arcs.
And this episode should keep the audience engaged so that they’re eager to roll over to the next episode. Undoing the Lion Swap, giving Allura the ATLAS, and the Adashi moments would do just that besides giving our cast of characters more development. I guess I’ll explain my reasons for doing those three things. Besides them being obviously what we need after that horrible ending.
Undoing the Lion Swap: Again, I thought it made sense when I first watched it. But then re-watching it again along with taking in other people’s perspectives on it, I realized that it was just so that JDS and LM could recreate the 80′s!Voltron lineup. Which is fine but it shouldn’t have lasted the entire series. Shiro, Keith, Lance, and Allura were all wonderful characters the way they were. They’re not exactly like their 80′s counterparts. Shiro and Allura are definitely not like their 80′s counterparts. Shiro and Black bonded over a common trauma, Keith allowed himself to accept other people besides Shiro, Lance became better focused on the group instead of channeling his other persona, and Allura was a powerful WOC and commander of the team. 
Everyone and their mother and dog knows that JDS and LM wanted to kill off Shiro but couldn’t because Dreamworks correctly predicted that he would be popular with the audiences. So instead of writing a new story about how Keith didn’t need to be a leader to be a valued member of the team, they pushed their Black Paladin Keith storyline ahead and fridged 2 characters in the process. Undoing the Lion Swap allows Keith and Lance to mature once again and further evolve into their roles as Paladins. 
This primarily shown when they reestablish the bonds with their Lions. Keith is not that great of a leader...controversial opinion but agree-to-disagree. He’s a good leader when a specific situation calls for it but he’s not the leader type. He still has the ability to lead when he continue this rewrite don’t worry lol. Same with Lance, sure he and Red seem to be better suited with Lance desiring to be better than Keith because they’re rivals, but ultimately his closest Lion bond is with Blue. Lance and Red should already have a deep bond by Season 7 but Red doesn’t come for him until the last min so that doesn’t make sense. Also the other Lions not fully respond to their Paladins is foreshadowing~
And giving Allura the ATLAS: Really, the proof is in Season 7. It was her crystal that powered the ATLAS, it was her alchemy that allowed it to transform, it’s white like the Castle of Lions and ATLAS’ mech form is more feminine looking with gigantic hips that don’t lie. Allura’s role as the Blue Paladin let her bond closer with the rest of the team. However, after Season 6, where she used her alchemy to build Sincline, enter/exit the Rift, and revive Shiro, it felt like a demotion. So her being in ATLAS returns her to the position of power she had in Season 1.
For the Adashi moments: we finally have a family for Shiro! Because he didn’t come from and egg JDS and LM! Switching The Date from Allurance to Adashi:
 1) Re-establishes Shiro’s validity as a main character 
2) Adds more depth to Adam West, yes that’s his last name in this rewrite, besides being ‘Shiro’s boyfriend that almost died’
3) Doesn’t make his only close relationship between Black and Keith
This episode should also set the tone for the rest of the season. With the combination of Luca’s sudden death, Honerva’s threat looming over them, the Allurance dinner throwing an overload of negative emotions towards Allura, and a romantic relationship with little to no development until the last minute, the viewers rightfully feel like something is off about this season. At least that’s how I felt when I started watching it. The best example showcasing the tone is at the end: when Shiro officially becomes the Black Paladin again and the Leader Trio (Shiro, Keith, and Allura) give their speeches give it the epic, robot blasting tone they desperately wanted constantly. But when they’re all posing dramatically, they almost break character when Pidge does her 80′s impression. So the tone in this rewrite is like a superhero movie, there’s funny moments, there’s serious moments, there’s romance, there’s falling outs. 
And, yes this is a show primarily geared towards children, but because of how diverse the fanbase is in age, sexuality, race etc. I’ll be sneaking in some more mature themes. And, I mean, the Voltron writers kinda backed themselves into a corner when they made Keith half-Galran and did that poorly written plotline. And then that just escalated when they introduced Lotor and his Generals.
~~~~~~~~~~~~~~~~~~~~~~~Episode 2: Shadows~~~~~~~~~~~~~~~~~~~~~
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The first new scene added was just a pure Easter Egg to 80′s!Voltron. When Zarkon and Honerva are discussing baby names, the idea of the baby’s gender comes up. Zarkon and Honerva still have their conversation about combining Lotarius and Koltor’s names to form Lotor. Afterwards, Honerva then asks what their baby’s name should be if it’s a girl, Zarkon warmly suggests another name from Galra mythology: Merla, Koltor’s sister and was just as much a warrior as he was a conqueror. The flashback fades away with Honerva agreeing, smile as radiant as the sun. I would like also put some world-building with Galra culture so during this Zarkon would call Honvera his ‘Empress’ and their unborn child as ‘Kral Mir Tavaar’ (The Spark of the Empire). 
Trying to be as chronologically as possible (at least for this episode cause you can’t really tell between present day and flashbacks until the end >->), because Merla is now (and forever will be!) a Galran name, VLD!Merla needs a new name. From now on VLD!Merla will be referred to as Hira. She might not exactly look like General Hira the way Sven looks like Shiro but they both have pinkish hair and follow a white haired Altean ruler so close enough lol. Also there’s not ‘sister colony’ where Romelle supposedly was. There’s only one colony on Pollux and it’s the one Honerva convinces to join her mission to retrieve Lotor.
Before, Honerva gets to the Colony, she flies to the station where Project Kuron was being built. She closes her eyes and sees Keith’s fight with Kuron, then, through Kuron’s eyes sees that Allura brought Shiro back to life through him. Still no sign of Lotor. She clenches her fists. If the Altean Princess can bring life into her puppets, she’s sadly mistaken. She thought that Project Kuron would be her perfect army. No, she needed an army completely devoted to her. It’s then she thinks about the colony Lotor built. Eyes glowing yellow, she unleashes a wave black magic to destroy the station and every stray clone that floats away. When she’s done, her corrupted Altean marks become cracks on her face, quintessence motes floating out of them. When she touches them, she winces and uses more of her black magic to seal them. On her ship, Kova looks down at his master.
Kova doesn’t die. Nope. Can’t kill the cat. Kova’s not with Honerva actually. Another flashback reveals that Kova willing left her. Honerva is concentrating on finding Lotor, incidentally neglecting Kova. She stops when realizes that Kova’s quintessence is moving away from her, and chases after him. A Galra ship that she recently sent out is carrying him away. Instead of ordering the ship and taking him back, she doesn’t take another second to think about him and goes back to her work. She offered her pet a thousand years of life with quintessence and this is how he repays her? Clearly he’s not loyal pet he once was.
The second new scene will happen shortly after Ven’tar’s planet was destroyed and Lotor is banished from the Empire. After Lotor yells at Haggar, she too leaves him in the room to suffer in silence. As she follows Zarkon down the hall she notices Kova prowling in the shadows, slipping into the room before the doors slide shut. She stares at the door intently but thinks nothing of it as she continues walking. Inside the room, Kova rubs his head against Lotor’s arm, sensing his sorrow. Tears freely fall from his face, his one chance of changing the ways of the Galra gone forever. Lotor wonder’s if that’s how Altea was destroyed, because they refused to surrender to his monster of a father. Suddenly he stops crying and looks directly at the planet, the fire lining up with his pupils, symbolizing a new fire lighting inside him. If Altea never bent the knee to Zarkon, neither would he. He allows Kova to hop onto his shoudler as he stands up, stronger. “We have a mission, Kova.” Kova meows, as if questioning him. Lotor smiles, “Don’t worry, we won’t be alone.”
And instead of sacrificing Kova, Honerva uses the Rift Entity inside her to find Lotor. She discovers the Sincline is still active, eyes glowing, swimming around, like it was a lost child. 
A few days after she sent Luca to Earth to kill Voltron, she tries again. Closing the cracks that formed in her skin, she sees Sincline still swimming in the Rift. She then hears a faint but steady heartbeat from the cockpit. Honerva suddenly has flashbacks of her pregnancy, the heartbeat almost the same but even fainter than the one she’s hearing. It eventually stops. She gasps and falls to her knees. 
Once again, Allura feels it too on the ATLAS bridge. Someone calls out to her again, she looks over her shoulder, terrified but curious,  “It can’t be...”
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This was probably the shortest and the easiest rewrite out of the 6 episodes (and maybe the whole season’s rewrite). It’s probably because it was the least edited out of the original season. This episode is relatively kept the same with the exception of a name change and a couple of new scenes added in the flashbacks. One thing I felt uncomfortable with in this episode was the attempt at humanizing Zarkon and Honerva. Really? Humanizing them this far into the series was a red flag to me. Come Knights of Light Part 2 through The End is The Beginning and lo’ and behold they rushed their redemption arcs. Zarkon’s redemption arc was like a flip of a switch in one episode and it took Allura mind-raping him! No, no, no, I have something very different in mind for both of these characters. 
I also added a few more scenes in so that the audience would remain torn about Lotor. Is he dead or alive? is the first question. Honerva makes repeated statements that Lotor’s dead but refers to him as the Emperor who pierced the veil aka to discover something beyond death. But Sincline still being active and Allura sensing something on the ATLAS contradicts that statement entirely.
And renaming Merla to Hira. That’s right! That one episode in Season 3 with the morally ambiguous Alteans from the alternate reality was actually foreshadowing the villain’s of the final season. Hole in the Sky was probably my favorite episode in Season 3 because we got these morally ambiguous characters that we’ve previously associated with goodness and hope and everything shiny.
Another change is Honerva’s condition. She might be a Chosen Altean but that doesn’t mean she’s going to use all that black magic and quintessence cartels/supplements for free. Her condition will continue to deteriorate throughout the series as she continues to use her black magic/corrupted alchemy. So, yeah, metaphor for doing drugs don’t do it kids it’s bad for you.
Kova’s scene where he leaves Honerva is supposed to represent how he’s gotten smarter over the years. Living for more then 10,000 years on quintessence can do that to you. He’s fully aware of the toxic relationship he now has with Honerva, how she seems to be using him to recover pieces of her own memory. As he leaves, the new scene after Ven’tar’s planet is destroyed plays out. He’s thinking about Lotor. And how could he not? He practically raised the poor guy alongside the Dayaks. Since Lotor in the flashback was starting to plan the Altean colony and recruit his future half-Galra generals, this now paints him firmly as a good guy. Or is he? Didn’t he drain them in  his second colony? Whose side is he really on? This should be a recurring question until we reach a certain episode.
~~~~~~~~~~~~~~~~Episode 3: The Prisoner’s Dilemma~~~~~~~~~~~~~~~~
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Ok this is where one of the major plot lines is introduced: Team Voltron atoning for what they did in Season 6. It’s always been on my mind about how Seasons 7-8 could’ve been more dynamic and emotionally charged if it was revealed that some factions of the galaxy blame Voltron for what happened during the time dilation explosion. Because let’s face it: if you throw someone into the Rift to die and said person had already publicly made plans to subdue the main antagonistic force and change it to a force for good...it’s not the best moral decision. They already redeemed themselves in Earth’s eyes but that’s only one planet in the whole universe.
Warlord Lahn’s situation in this episode is a perquisite for their conflict Lotor. (As the #TeamPurpleLion calls it microcosm to macrocosm) His What the Hell, Heroes? talk doesn’t mean anything in the Season 8 we got because we never see our heroes fix their mistakes concerning Lotor. His words ultimately ring hollow because Team Voltron are our heroes right? And heroes NEVER make mistakes right? >-> (This makes me very bitter can you tell?) 
When battling Lahn’s forces, Shiro is (sunglasses) Back in Black (hehehehehehehehe, puns), Allura commands the ATLAS. Thanks to their previous positions as Commander and Paladin, they can better communicate with their respective teams. Shiro’s more focused than ever and Allura calls the strategic shoots like the (boss) leader she is. Same with Keith and Lance. Keith is more understanding and in control with Red and Lance is more straightforward with Blue rather then being a glory-seeker.
Shiro doesn’t ask Lahn to join the Voltron Coalition, Allura does. “Warlord Lahn, if you would do us the honor of joining the Voltron Coalition. We could provide stability to the universe.” When asked if there is an alternative, Allura ponders and says that if Lahn rejects the offer, the Coalition will still provide them with any support they need. Lahn rejects that too. Setting the example for his troops, he won’t accept any help from the likes of Voltron. Not after they caused the Galra Empire to fall apart.
He pounds Team Voltron with an armor-piercing question: “If you really are the Defenders of the Universe, why is the galaxy as afraid of you as much as they worship you?”
Lahn set the example for his troops in the pior scene so they also refuse any medical attention from the ATLAS. Romelle thinks it’s typical Galra behavior and carries on. Colleen is curious and asks why as she passes out blankets. A high-ranking Galra (Let’s call him...Hazar, yay Vehicle Voltron references!) says they won’t accept the help from the traitorous Voltron. She’s confused by this and the Hazar tells her that Voltron promised to help Emperor Lotor provide Quintessence to the Empire. But then one day they Voltron attacked their Emperor in front of the Rift and were never seen again until today. Colleen turns her gaze from Hazar to the Lions, suspicious. She asks Hazar to tell her more, he demands why and she responds that she’s the mother of the Green Paladin, “And I would like to know why my daughter disappeared for 3 years.”
When Lahn lambastes Keith for being a half-breed, Team Voltron is all over him.
Lance: You better back off, buddy!
Shiro: Your views on half-breeds are unimportant and unnecessary.
Hunk: No one talks about our pal like that!
Pidge: Keep in mind that I’m around technology. I can shock you just by plugging two cables together.
Allura: Keith and the Blades of Marmora are one of the strongest warriors I’ve ever met. They sacrificed everything to save the universe. They were the ones who opened my eyes to what true Galra is! 
Because one of the major themes of this show is Found Family and goddammit if a Found Family didn’t defend each other against racists. Lahn sees this protectiveness and asks another armor-piercing question, “Do you truly have the loyalty and faith of your allies? Or are they merely following you to extract revenge on all Galra?” 
Team Voltron can’t answer that question. Adam, Kinkade, and Griffin are troubled. For their war against Sendak, it really was about defeating the Galra. But now...now (At least for Kinkade and Griffin, Adam knows everything since it comes with the package of being Shiro’s SO), they know that this whole situation became much more complex. This is important for the next episode.
Another rewrite is in relation to the title. For an episode called Prisoner’s Dilemma there’s no prisoner present in the episode. I mean you could reach and say it’s the Creature or that it’s Lahn but that’s a very far reach. So, Lahn will be holding a single prisoner on his ship. And that prisoner is (drumroll) Narti. Yeah, don’t murder your blind and deaf Galra General writers. Especially when your audience could have children with those same disabilities. She was captured and brought to Sendak’s service after the Kral Zera, stealing a ship and escaping just before he invaded Earth. Lahn found her and kept her prisoner until Team Voltron and the ATLAS showed up. They found Kova a few days after Sendak’s invasion, he came to her, hopping from ship to ship until he found her again.
Hunk immediately recognizes her as the General that choke held him with her tail. He asks Lahn why she’s being kept here. Narti speaks in a series of growls and hisses, Keith thinks that she’s being hostile to them because some Blades  behaved similarly towards him. Lahn corrects him and says that’s just how her people speak and that he could translate for them. He translates Narti, who switches to Space Sign Language. She reveals that reason why she stays his prisoner is because she still believes Lotor is alive. Team Voltron tries to tell her that she’s wrong, careful to not reveal too many details about what happened before. (Yeah there’s a thing called guilt that exists) Narti argues back that she was the first General Lotor recruited, he believed in her when even her Galra mother didn’t. To the point where he even gave her Kova as an animal familiar to help her see. He never gave up on her, so why should she give up on him?
Kova sees Team Voltron and hisses before crawling up on Narti’s shoulders. They both end up joining Team Voltron and Lahn on the rescue mission, hoping a ride in the Green Lion. Pidge actually finds the swish swish of their tails relaxing. Allura doesn’t accuse Lahn of stealing the weapons because she’s a Commander and commanders don’t blindly accuse people because of their race.
When the teams split up, she goes with Keith and Kosmo, more comfortable with a fellow half-Galra like herself. Similar to the conversation/argument that Lahn has with Allura, Keith denies that he and Narti are anything alike besides their mixed heritage. He can’t be friends, not even allies, with someone like her. Not when she supported someone as sick and twisted as Lotor. Narti signs in confusion, Keith demands that she speaks normally (Because even though he’s the leader, he’s still a bit hotheaded). Narti then penetrates his mind, telepathically saying she doesn’t know what he’s talking about. "You know exactly what I’m talking about.” No, I really don’t... Kova hisses, Kosmo growls. The conversation ends and they refuse to talk to each other. 
When they find the Creature, Kosmo and Keith nyoom! away from it at first. Narti uses her tail to smack debris in its way. They still teleport away but Narti doesn’t grab onto Kosmo. She simply stares at them when they approach her. The Creature is confused, opening its mouth to roar at her. Narti doesn’t react. The Creature leans down to sniff at her, sensing a strange connection between them, Narti reaches a clawed hand to its face. It growls before she starts stroking it, Kova butts his head against it’s tough forehead. The Creature slowly calms down. That is until Kosmo teleports beside her, scaring the Creature into attacking. Kosmo scratches the Creature’s nose and brings her back to Lahn and Team Voltron. Extremely pissed, Narti opens her mouth and reveals her two forked tongues as she hisses. Kosmo tries to swipe at her face too. Kova nearly pounces on him but Narti snares him with her tail.
By the time Kosmo teleported Narti to the cockpit, Team Voltron and Lahn had already formed the plan of turning the ship into a bomb and destroying the Creature. Narti then telepathically invades all their minds, causing all of them to yell in pain. She reprimands them for seeing something unusual and immediately deciding to destroy it. Keith tells her that it’s Ranveig’s creature from the Quantum Abyss and was experimented on by Lotor’s vats of pure Quintessence, it’s a monster who can’t tell friend from foe. Narti says she already knew that. It’s why she’s even more pissed at them. 
She says that the monster is always attacking is because they (Voltron and the Galra) always decide to shoot first. To her, ‘Victory or Death’ applies to both sides. She says that it’s pattern that she noticed with her limited interactions; they lack patience and are hilariously short-sighted.
When she skimmed the Creatures thoughts, she sensed erratic confusion and fear from them. The Creature is tired, they’re hungry, they want to rest. they wants to get off the ship. Their intrusion only added to their stress/anxiety. Even if they appear monstrous, the Creature has their own life to live. Ashamed, Keith repeats again that its his fault, Lance tries to convince him its not, but Narti agrees and he can still atone for it. Lahn snaps and asks what a bunch of half breeds and traitors to the Empire could do to fix this ‘mistake’. “It seems to me that Voltron should be known as the Legendary Failure then the Legendary Defender.” After being a semi-optimistic doormat for so long, Narti finally snaps, “Shut. Your. Quiznak. Or I’ll use my tail to strangle you over the Creatures jaw and let it devour you!” 
Everyone stares at her. Lahn smirks, baring his teeth.
Lahn: You are definitely Galra with that temper.
Narti (flicking her tail): I don’t need you approval to be a true Galra. It’s in my blood and it’s who I am. And I might be the only one who can stop them. I only ask you to be patient with me. Let me subdue them. If you truly are the heroic Paladins you claim to be, then give me this chance. If I’m wrong, then you can set off the bomb.
Everyone agrees with the plan. Keith and Kosmo teleport to where the Creature is. When the Creature seems them he recognizes Kosmo and charges. They teleport away but only a few inches from where they were.  The Creature charges and they teleport again. They continue this pattern until they reach the bridge.
Shiro’s second bayard upgrade is a shield cause he’s totally the Captain America of the group. Lahn is behind Hunk while Narti stays with Pidge. When the Creature is in the center of the room, Keith stands in front of the door and puts his shield up. Everyone is tense. The Creature realizes there is no way of escaping the circle and panics. It roars and thrashes around the bridge. Its extra limbs glow and tries to blast it’s way out of the circle. Lance hesitantly activates his bayard. Narti smacks it with her tail, he squawks indignantly, she reveals her two tongues to him and he shuts up. The magenta pulses of its blast is suddenly subdued by a pale-blue almost white glow. The particles of light seem to distract the Creature, who’s staring at them in curiosity. (Take a guess who did that lol)
Narti floats over Pidge’s shield and reaches a hand towards the Creature again. The Creature fears its a trap and tries to scare her again. Narti strokes its face again. The reason why the Creature is so calm towards her is because Narti was soothing him with her telepathy. To truly defeat a monster, one needs to have the courage to understand. Unlike the other passengers, Narti understands what it’s like to be in a foreign environment where everyone’s against you. She’s felt that way for hundreds of years because of her half-breed status. The Creature is completely calm, but it will only listen to Narti. 
Shiro: I guess that means we’re taking him with us.
Hunk: I wonder if we can teach him to play fetch...
They all jetpack out of the Ranveig’s ship and into the Lions. Pidge feels nervous comparing the Creatures size and mass to her Lions but Narti reassures her that the Creature won’t cause them to slow down. She then notices that the Lion’s are further away then where they stopped them but chalks it up to the lack of gravity. (It wasn’t cause of the gravity Pidge) They make their way back to Planet Ryker. 
Lahn swears his allegiance to the Voltron Coalition. He calls for Narti to step forward, shocking Acxa in the audience. While he is grateful for Team Voltron’s assistance, he wants to honor Narti especially. Like all Galra, he thought that half-breeds did nothing but bring shame upon the Empire. Her patience and abilities as well as Keith accepting that he was at fault allowed him to see them in a new light. He bows before them and says “Vrepit Sa.” Narti and Keith repeat the action. 
Narti catches Acxa calling her name in her head and runs to her. The two half Galra women embrace. Narti tries to tell her what really happened when Lotor struck her but they’re both too overwhelmed by emotions to keep talking. Team Voltron smiles at the sight. There is small scene where Krolia embraces Keith too, Kolivan pats him on the back. The Creature, thanks to Narti, now is slowly starting to open up to the Galra. They offer them fresh food goo that they happily devour. 
Allura welcomes Warlord Lahn to the ATLAS, he offers them any assistance in their search. (Because the Galra are really pushed to the background once Honerva became the main antagonist) Allura points out that those that have been liberated by Voltron are now back under Galran control after the Empire collapsed. Lahn admits that freeing all of them will take a while. 
Shiro doesn’t like where the conversation is going. He voices that really doesn’t want to split up the team. Especially with a threat like Honerva out there. The Paladins don’t want to be separated from Allura either considering what happened before. Unfortunately, it’s a sacrifice they have to make. Allura tells the bridge that she’ll stay with the Paladins, her alchemy might be needed if anyone is injured. They all embrace Coran and Adam and promise to keep communications open as much as possible. 
But...one more night on the ATLAS couldn’t hurt anyone. Allura has yet another dream, this time it’s the dream from the episode Clear Day. Instead of being separate visions from the entity, they’re all combined into one. The vision of Melenor in the juniberry field and where she eventually ashes away is where the dream transitions to Lotor in Sincline saying “Follow me!” and shows Voltron standing with the colony planets. She wakes with a cold sweat. The Space Mice ask her if she’s alright and she smiles tiredly and tells them to go back to sleep. (A soft rendition of Sincline’s theme should play here)
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 
Guys, I turned the foreshadowing with Lotor all the up to 3000 in this episode with the monster and Lahn. The half-breed conflict should not only reflect Keith and Narti but the rest of the lady Generals and Lotor as well, further splitting the audience of where his allegiance was. Because there’s no such thing as a bad person or good person when it comes to being biracial. 
Hazar was a character in Vehicle Voltron that served as the main person in power on the villains side, although they weren’t villains cause they were looking for a new planet to colonize. Thematic hmmmmmmm maybe
Narti being alive was something I always secretly wanted. I mean they make some deaths in this series really graphic *cough*LOTOR*cough* but Narti got off pretty light. It only showed Haggar’s vision through her eyes disappear and then cut back to her laying on the floor. If played right, the writers can simply have her be, like in this rewrite, knocked out to come back to at a later time. And she was my favorite out of the Generals sorry not sorry. Her powers were so cool!
With her still kicking ass, Lotor’s goal of preserving life is brought back. It adds more conflict to the audience about Lotor. “He spared her life so that makes him a good person right?” “But he drained hundreds of Alteans remember?” “Oh yeah, but I don’t know about that anymore...” 
~~~~~~~~~~~~~~~~~~~~~Episode 4: Battle Scar~~~~~~~~~~~~~~~~~~~~~
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We open with Team Voltron in space. Pidge is trying to track a Komar and it leads them to Olkarion. However, it’s completely drained of Quintessence and there’s a Weblum already devouring it. Pidge is horrified at the sight and immediately tries to shoot the Weblum down. Keith and Hunk, using their experience from collecting scultrite, convince her to fall back. The Weblum completely envelops Olkarion and flies away afterwards. Thinking Ryner and the rest of the Olkari are gone, Team Voltron is devastated. They fly closer to Green.
Keith: We’re here for you, Pidge. It’s okay.
(I think it’s very important that Keith is the first to say something. He knows a thing a two from losing someone important to you. Plus, it shows how much he’s matured since being The Loner of the group)
Pidge thanks them for their support. She says that they should continue looking for Honerva. Allura then senses something close by, she calls out to them. There’s no response. She tries to use Blue’s sonic cannon to amplify her call. But...Blue doesn’t respond. Lance jokingly says that Blue prefers him over her now and tries to activate her sonic cannon. No response. The two are confused.
Lance: Is anyone else having trouble with their Lions? Blue’s not responding.
Hunk: I thought I was the only one! Yellow hasn’t responded since we touched down on Planet Ryker.
Keith: Red’s been having technical difficulties but we still get the job done.
Pidge: Same with Green. I have keep manually inputting information that I know is stored in her database.
Shiro’s the only one who doesn’t experience any problems. However, they can’t call further attention to it because a familiar squishy asteroid splashes against Blue. Lance alerts the other Paladins, hopeful. The Paladins remember their first encounter with the Olkarion so they know that the asteroid carries a coded message. Pidge quickly deciphers it and the message is revealed: That the citizens of Olkarion managed to successfully escape the Komar. (pretty sure there were other aliens with them because it was the Coalitions base of operations) and are currently in need of fuel. Hunk and Pidge quickly punch in the coordinates the message carried and discover that they’re not as far away as they initially thought. 
The Lions eventually find the Olkarion ships using cloaking devices and give them an escort back to Planet Ryker. The Olkarion are hesitant to be on the same base occupied by the Galra. Allura does her diplomatic thing and comes up with a compromise between everyone: the Olkarion can use their interfaces to build more shelters for the Galra and the Galra will help with more of the manual labor because of the limited flora. However, she and the other Paladins notice that some of the citizens are acting more colder towards them then Lahn’s forces. Some of them are even glaring at the Lions. One in particular could destroy the Lions with his murderous gaze alone. He’s the same Olkari that King Lubos kept as a servant during Commander Branko’s reign. (uh oh...)
When the Paladins are abruptly called to a boardroom meeting, they bring Ryner with her because she’s the Olkari’s leader. But when they enter the boardroom, they immediately feel the tension. Everyone’s eyes are on them. Commander Iverson tells them to take a seat, Allura asks why the sudden meeting. He says that Commander Hazar has some information that he would like to share with the rest of the council. He’s sitting at the table alongside Lahn.
Hazar tells them that he worked closely with Lotor after he was crowned Emperor. He tells them that Lotor revealed to him his plan, which was offering pure Quintessence to placate the Empire. While it’s not a shock to Team Voltron, it is to the Coalition. Hazar demands why Voltron, after forming an alliance with Lotor and helping him light his fire at the Kral Zera, would betray and potentially murdered him. A murder of an Emperor by an opposing force is considered the most heinous crime. If they really are heroes, why did they do it?
Keith tells the abridged version of the story he told the team in Season 6. Romelle takes over halfway through.
Romelle: You might not believe me because I’m Altean, but understand. You’ve hunted down my people for 10,000 years. (Team Voltron cringes at that) We thought Lotor was better than you but...he was much, much worse. He committed atrocious acts towards my family. My mother, father, brother, friends...they were all destroyed by him.
Lahn: That doesn’t make sense. Did you not say that he saved you?
Romelle: No. He doomed us all. The second colony was draining Alteans of their quintessence.
Second shock to the Coalition. Hazar asks if they have proof of their claim. Romelle says that Keith and Krolia were there with her. Keith confirms this. But Hazar asks if Lotor admitted to draining their quintessence. Romelle doesn’t answer that, only repeating that they saw their bodies in the pods. Lance admits that they didn’t let him talk and cornered him after he and Allura returned from the Rift. Then ashamedly mentions Allura fired the Blue on him when he tried to subdue the conflict. They fought with him in the Rift and had no choice but to leave him there. Then they had to sacrifice the original Castle of Lions to close the rifts in the realities Lotor opened. Pidge guesses that’s when the time dilation probably happened. After they dealt with him, the Voltron Coalition was weakened and Earth was invaded. Allura speaks on behalf of Team Voltron admits that this was their mistake and apologizes to the Coalition for leaving them vulnerable.
However, Romelle refuses to admit that she might be in the wrong. Hazar pokes holes in her accusation; “If you only saw the bodies and Emperor Lotor didn’t say that he drained them, then is he truly guilty?”
Romelle: Yes! We don’t need to hear his side of the story! He would spin lie after lie to save himself! If it weren’t for us, he would’ve drained the rest of my colony! And then drained the rest of us!
Lahn: You don’t know that because you did not subjugate him to a fair trial. While we Galra do believe in ‘Victory or Death’ we also believe that if the choice was death, it must be earned. Either in battle or by trial. You did none of that. You forced the choice of death upon him!
Romelle: It’s what he deserves after destroying so many lives!
Narti signs that Lotor always put preserving life above everything else. When they invaded Puig to draw out the Paladins they only left injuries, never bodies. The same with every planet he conquered. ‘Your accusation doesn’t make sense.’ Romelle demands to know why she’s defending him. Narti says she’s not defending him, she’s doubting her claim. Acxa remains silent throughout the meeting, clenching her fist. Veronica and Keith notice but neither call her out. 
Romelle: Why is this even a discussion? What we do about Lotor doesn’t matter. He’s gone forever. We can all rest easy knowing that another threat to the galaxy has been slain by the hero Voltron.
Allura slams her hands against the table, causing it to dent, her hands softly glowing. Everyone stares at her, concerned at the display of power. “This meeting is adjourned. Everyone leave now.”
Team Voltron is left alone in the boardroom (Probably regretting everything because regret seems to be another thing our heroes don’t have in the series) No one speaks as the rest of them file out. Iverson stares at Allura, Veronica is concerned, Colleen and Sam are heartbroken, Hazar remains blank-faced as he leaves, Ryner is a bit more uneasy. The MFE’s feel awkward, uncomfortable, and bounce. Adam and Shiro have a little moment.
Shiro: Do you still trust me?
Adam: Of course I do...but I think this is something you six have to talk about.
Shiro: Wait for me?
Adam nods and walks out.
Acxa and Narti have a disagreement in the halls concerning the Paladins confession. The revelation of Lotor’s secret weighs heavy on them. Acxa wants to completely move on from her past and cut out Lotor for good, telling her that he’s not the noble prince he claimed to be. She feels betrayed because she had looked up to him. And now that there were things he even kept from them...Narti tells her she’s wrong. She’s read his mind. She knows that everything he’s said to them had been true. Acxa tells her if Lotor lied to them about the colony. Narti admits that he has lied a few times, but it’s so that its existence wouldn’t reach Zarkon and Haggar. 
Acxa: Maybe Lotor knew that you found out. Did you read his mind when he attacked you? Did he really mean to knock you unconscious? Or is this one of the rare occasions he swings and misses?
(Because two people can keep a secret if one of them is dead) Narti is insulted that a close friend would insinuate such a thing and walks away. Acxa realizes her mistake and pulls her back, saying she didn’t mean it. Narti tells her she knows. They rest their foreheads against each other, a Galra gesture of friendship, and go back to their bunker to talk more.
Back to Team Voltron. Lance rubs his face with his hands, “Is anyone gonna say it? Anyone? No one? Okay, guess I’ll do the honors: It’s our fault the universe is this way.”
The Paladins have their typical dispute about who’s fault it really is. Keith blames himself. Just like with Ranvieg’s monster, he was acting impulsively and jumped to conclusions. If he had let Lotor talk instead of just barging in at the Castle of Lions, the conflict would’ve been resolved much more quickly and peacefully. He suddenly realizes that with all his argument against Lahn that he was still Galra, he didn’t give Lotor the same treatment. The only other person he could relate to, another half-Galra. The person he thwarted the Blades plans for, the person he rescued during the Kral Zera, the Empire’s newest hope for peace...he’s gone. He clenches his fists together again. “Quiznak...”
Pidge thinks that Lotor’s still at fault. She’s 15 and she’s been through a lot of things. However, this time, she knows that there must be another side of the story. If they were going off the theory that Lotor was doing something other than draining their quintessence, he still should’ve come clean. This is a call back to the episode in the first season ‘Return of the Gladiator’ when she first accuses Shiro of hurting her brother when she only had a single prisoner recounting his experiences as proof. “This is just like when I accused Shiro of hurting Matt. Except a thousand times worse...”
Lance still blames Lotor, but his perspective changes the longer he thinks. Most would think that the blame is still stemming from his jealousy but it’s more on the fact that Lotor broke Allura’s heart. Even if his own heart was rejected by Allura, he can still care for her when she’s hurt. He thinks about how they all agreed to offer Lotor to Zarkon in exchange for Sam Holt. While he was thinking on instinct, he realizes what a horrible decision that was. He also has an epiphany that he was never Allura’s choice to begin with. If it had been between him and Lotor, Allura would’ve definitely picked Lotor. He feels really, really bad for advocating to leave him in the Rift. “Guys, we really messed up.”
Hunk blames Romelle, to everyone’s shock. When asked why, Hunk explains that to the rest of the team (besides Keith and Krolia), Romelle was a total and complete stranger. They didn’t know anything about her besides that she was Altean. Even if she did claim to know Lotor, they shouldn’t have taken her word so quickly over his. He supports Hazar’s argument, remembering more of his lessons with Dayak at Central Command. “Galra trials and interrogations have always been successful, it’s one of the reasons why the managed to take over as much territory as they did. IF we were gonna accuse him of draining those Alteans. We should have honored Galra tradition brought him there and gave him a fair trial. It’s the least we owed him after we treated him so badly at the Castle.”
Shiro fairly points out that this is a rare occasion where all parties are to blame. Keith only had Romelle to back up his story and even she admitted she didn’t know the entire story. The rest of the Paladins still had the choice to not believe them. It left the team vulnerable, emotional state, which led them to act on instinct instead of taking a step back to see what’s wrong. Keith points out that Shiro had nothing to do with it, it was his clone that present and then attacked them. Shiro says Kuron was being controlled by Honerva, forcing him to do all the things that he did. He says he still has Kuron’s memories and experiences, which is how he learned about Project Kuron. And it also means he saw and heard everything that occurred during their ambush on Lotor. “Look, I’m not mad at any of you. I’m disappointed. In you and in myself. If we had thought of other options besides point your bayards at him, the conflict would’ve gone over much smoother.
Allura’s significantly quiet during the whole thing. She harbor’s the most guilt out of all of them. If she had behaved more rationally, more like a leader, when Romelle accused him, he wouldn’t have been left in the Rift. However, she was so used to being alone. Coran was her only connection to Altea. When Lotor showed up, she refused to even look at him. After he killed Zarkon and ascended to the Galra throne during the Kral Zera, she felt like things might change if someone like him was at the helm. His Altean heritage didn’t matter to her, although it did pique her interest to his possible alchemic abilities. And then during their construction of the Sincline, she fell in love with him. Which is why the betrayal hurt more. Not Lotor’s betrayal. Her betrayal of him. She can’t accept any other story because they’re just excuses for them to feel better. 
Swap over to the hostile Olkarion outside. Some of them are packing their things, some of them are already boarding the Olkarion ships. The most shocking sight is them aiming their plant blasters at everyone else. Ryner runs to them and demands to know what’s going on. The Olkarion that was glaring at the Lions tells her that they’re leaving to find a real home. One that isn’t tainted by the Galra. Ryner says their enemy is not the Galra. The Olkarion (Let’s call him...Luben) retorts that she’s right: the Galra are not their enemy. Voltron is. 
Ryner: What are you saying, Luben!?
La-sai: Voltron gave the galaxy hope 10,000 years ago. And then they disappeared. We suffered, our children were never gifted a galaxy at peace. And when they reemerged we finally had hope again. But then they too abandoned the galaxy. Abandoned us. They led that...abomination to destroy our home. They’re no better than the Galra!
Hazar approaches him, clawed hands up in surrender. He asks La-sai to put his weapon down. Seeing a Galra, he angrily fires his rifle, grazing Hazar’s shoulder and starts spamming shots at him. Lahn tries to shot him unconscious. The rogue Olkari + other aliens start openly firing on Lahn’s troops and the Garrison staff. Some of the Olkarion ships take off. The Galra try to get into their fighters but Lahn tells them to stand down. They can’t waste their resources or risk the lives of citizens. La-sai scoffs. 
Iverson reports hostile activity to the boardroom. Allura asks if its another Komar, Iverson says no and that the hostile activity is coming from the Olkarion. Shiro tells the Paladins to get to their Lions. Iverson says that he has the MFE’s ready to launch. Allura tells him not to do that, explaining that this is Voltron’s problem. "This is our fault. We have to face the consequences or we’ll never fulfill Voltron’s purpose.” She says she’ll meet him at the bridge when she’s ready. 
The Paladins get into their Lions and Black is the first to take off. The other Lions are slower but the eventually catch up. They chase after the ships, but they don’t fire on them because of the citizens on board. And also cause the Lions are not completely following their Paladins. Instead they try to box them in and force them to land. The rogue Olkarions form canons on their ships and fire on the Lion’s. Vines entangle the Lions but they persevere. Red suddenly turns up its body temperature and uses its rail gun to burn them off, scaring the other Paladins. Keith says that wasn’t him. They have no choice but to keep them in the air, preventing as many casualties as they can. The Paladins try to talk the rogue Olkari down while simultaneously trying to get back in rhythm with their Lions. La-sai beats it in their heads that it’s their fault that their people suffered. 
Shiro tries to get the team to form Voltron, but the Lions don’t respond. “Uh, I’m not the only one not feeling that Voltron feeling am I?” Hunk asks. The Lions are no longer responding to their Paladins but they’re still boxing the rogue Olkari ships. They’re functioning on their own now. Hunk then wonders if the Lions are mad at them for what they did to Lotor. Lance dejectedly says that’s probably it. They both barely miss a shot from La-sai’s ship, Blue and Yellow hitting a hard reverse and forcing Hunk and Lance. Red and Green abandon formation, Keith and Pidge shouting at the sudden unnatural actions.
La-sai then breaks the Olkari formation and fires on the Lions separately. They’re overwhelmed. The only Paladin keeping a close bond with their Lion, Shiro is forced to go after Luben alone while the others try close in on the other ships. Luben taunts him.
La-sai: Oh, I remember you, Champion. The Galra Empire’s prized gladiator. I should’ve known you would run back to them.
Shiro (winces at the flashbacks): I’m not their Champion anymore! I’m not Honerva’s toy! I am the Black Paladin of Voltron! I am their leader! And I won’t let you hurt them or anyone else!
La-sai: You think you’re such a noble Paladin. You’re a monster! I saw every gladiator fight broadcast, King Lubos’ always watched them to entertain himself while I was forced to watch you. I saw you slay every opponent you faced. Galra, Balmera, Puigans, even Olkarion! My people! As if we didn’t lose enough to this war! You’re not worthy of commanding Voltron anymore than your friends down there!
The rest of the Paladins interrupts them through the comms while the Lions dodge the plant lasers, trying to defend him. Shiro realizes they’re doing the same thing they did in the boardroom, trying to find some other explanation to feel better. He can’t really fault them cause they’re kids but with things like the entire universe weighing on their decisions, they can’t afford to do that anymore. So instead of supporting them and further ignoring his trauma, Shiro accepts it.
Shiro: You’re right! (the Paladins quiet) I did what I did in those gladiator matches! And not a day goes by that I don’t regret every. single. strike. I’ve hurt people trying to survive. I really did. My team might defend me until their last breath, but it won’t change that I’m guilty. B-But...I know things have changed. I’ve changed. I’ve become a better person. Voltron, the Black Lion, this team...they gave me a chance to redeem myself for everything I’ve done. They became my rock throughout our journey. Even when I died, they held out hope that I would come back. And I would do everything I can to make sure they’re safe. Whatever it takes. Because I love all of them.
La-sai (scoffs): We loved you, the universe loved you. Loved Voltron. We welcomed you with open arms. You fought against the Galra. You were freeing the galaxy, protecting those who were once enslaved. And then you abandoned us! How many planets, how many families, how many lives, were destroyed because of your selfishness!? 
Shiro: How many lives will you destroy today? If you hurt anyone on this base, then you’ll become just like Commander Branko. He hurt thousands of your people just so he could have a weapon to enforce Zarkon’s rule further. If you destroy this base, you destroy our chance at rebuilding a better universe. 
La-sai: Voltron was supposed to rebuild the universe. You were supposed to save us from the Galra! You were supposed to end all of this!
Allura (over the ATLAS’ comms): Voltron is many things, but it cannot destroy the war itself. It is but a beacon, a symbol, powered by an ancient magic. Voltron can fight all the battles it wants to in this war, but it is ultimately the people’s decision to truly end it. Do you remember when we first arrived on your planet? You had all retreated to the woods, calling out for a savior with your asteroids. Voltron might’ve answered the call, but it was yours and Ryner’s decision to finally step out of the shadows and take back what was stolen from you. The Olkari knew when they learned of King Lubos’ betrayal that they deserved better than what he could offer. It was the combined efforts of them and Voltron that set the Olkari free from their chains. That is why the Voltron Coalition was formed. Because we can’t save the universe alone. We need help. We need allies. We need friends who are willing to risk everything to stop Honerva! 
La-sai: Allies? Friends!? You would put your trust in the Galra!? After all they’ve done to you? To your people? I remembered how hostile you were towards the Galra. One might say even hateful. What changed? Did they implant a device in you like they did to the Champion?
The Lions stop moving, the Paladins tense. They know that Allura’s been through more pain from the Galra then any of them. Her planet, her people, her culture lost. She hasn’t been kind to them either. From her xenophobic attitude towards Ulaz and the Blades, to her blatant disregard of Keith when he was revealed to be part Galra, and then when she thought she finally had someone to connect with in Lotor, he supposedly betrayed her. And then after all of that, Sendak invaded Earth, a result of their actions against Lotor. Everyone on the bridge looks at Allura. She closes her eyes, inhales deeply, and speaks.
Allura: I understand your frustration upon learning my new perspectives. I too was aghast that there were Galra fighting against Zarkon. But I was so blinded by my rage, by my loss, that I couldn’t truly appreciate their efforts. Now, after spending many battles fighting by their side...I see them for who they truly are. The Red Paladin, Keith Kogane, is half-Galra and one of my closest friends, who I treasure as my family along with the rest of the Paladins. Kolivan, Krolia, Regris, Thace, Antok, Ulaz, and the Blades of Marmora, they all believed in a better universe. And they took it into their hands to make that a possibility. This war has also taken things from them as well. Homes, families, this war started with the destruction of Planet Daibazaal... Warlord Lahn was once against our cause, but then he saw first hand how we all banded together as one, and he too saw that possibility. I urge you to look past your anger, past your hate, and understand that there are Galra who want this to end as much as you do.
(Damn, Allura just went full Daenerys Targaryen there)
The crowd beneath the Lions are listening to Allura’ speech, understanding why Shiro gave her command of the ATLAS. Some of the rogue Olkarion regain their senses and slowly land. La-sai is disgusted by their supposed betrayal and arms his ship with more plant cannons. He fires on the Lions. Yellow’s armor activates and leaps in front of the blasts. The Olkarion use their interfaces to form shields with the unused ships. Some of the Galra group together to protect the other aliens. Meanwhile, Green tries to fire its plant canon at La-sai’s ship and barely grazes the wing. 
Hearing the words of from the head and heart of Voltron, the Lions open their connection to their Paladins again. Hunk nearly cries with joy. They form Voltron and follow La-sai. He steeply flies up and into the upper atmosphere.
The Paladins continue to chase La-saibut Pidge tells them to stop when she realizes he’s too far gone. They fly back to the base. For the second time, Team Voltron is heartbroken, realizing that even though they have the most powerful weapon in the universe, they can’t save everyone they care about. What hurts more is that La-sai is right. They land and the ATLAS crew is there to provide support. A short time-skip happens after La-sai’s abandonment, nights falls on Planet Ryker. A small bustle of activity happens underneath the ATLAS, the numerous aliens and humans discussing housing arrangements between Lahn’s base and the ATLAS. 
Looking over the courtyard, Team Voltron discusses what happened today with the Lions. Keith says that he can feel the bond between him and Red is slowly starting up. The other Paladins tell similar stories. Shiro hugs and congratulates them for their accomplishment. Allura voices her relief as well and asked what changed. “I guess finally admitting we were wrong helped.” Keith says. His eyes drift over to Romelle, who’s starting to pull away from the activities. Her eyes narrow at Lahn and Hazar going over schematics of their base. Keith looks at her with a worried expression, Lance rests his hand over his shoulder.
Lance is in awe that they’re all working together so seamlessly, directing attention to them. Keith questions his words. Lance clarifies that while the Voltron Coalition was a united front against the Galra, he still noticed some prejudices. “Now...now, they’re working as well as we do.”
Ryner: Loss can bring even the greatest of foes together.
She approaches Team Voltron. Pidge is the first to speak, tears in her eyes, “I’m so, so, so sorry, Ryner. This is all our fault.” Bebe rubs his head against her side.
Ryner: It’s alright, Pidge. This is how life works. Some plants flourish, others wither. Sometimes we’re in control, other times it spirals out of our hands. It’s how we learn and do better. Become better than what we were. We will learn from our mistakes and grow stronger. 
Team Voltron agrees and goes down to help. The episode ends the Galra lighting little lanterns and releasing them into the sky. Keith asks his mother why they’re doing that. “It’s a Galra gesture of peace.To light a lantern means to light a new flame for oneself, to start over with.” Keith gets an idea and convinces the rest of the team to light lanterns too. The Lions look over at the sight, growling softly in approval.
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Seems the theme of making up for your mistakes is making itself known in the season. Every story has it’s ups and downs. When The Prisoner’s Dilemma was a more positive ending, this episode has a more negative conclusion to contrast and to keep the characters and audience more alert.
This was actually the hardest episode to rewrite, between cutting down the Olkarion plot and inserting a brand new one to fill in the remaining time. While some of the people who worked on Avatar also worked on this show, VLD deals with a lot more mature themes for its young audience. ie. genocide, mass death tolls in Season 4, racism, torture, PTSD, possible metaphors for drug addiction the list could go on. With an episode titled Battle Scars, I wanted to show how the endless cycle of battles from both Voltron and the Galra are affecting the citizens. I tried to make this episode a commentary on the cycle of war.
Naturally, I went for the Olkari. Another thing that bothered me with this episode and with VLD as a whole was this is yet another Pidge centric episode. Not to hate on her, I love my Pidgeon, but I know the executives are extremely biased towards her. So instead on focusing on her sole relationship with the Olkari, I expanded it to the rest of Team Voltron. They’re one of Team Voltron’s closest allies and one of the main players against Zarkon in Season 2. Now, after three-four years of running, with their planet destroyed, and their trust broken a second time, they’ve become disillusioned with Voltron and grow in their hate towards the Galra. They want revenge on their own terms, Luben especially because of his previous imprisonment. This also echos Honerva’s manipulations of the Alteans. 
The title Battle Scars also represents what those scars are to a person. Making them stronger. This is the case with Team Voltron’s apology to the Coalition, the following discussion, and Shiro and Allura’s speeches to Luben. The Galra took everything from her, yet she learned to not fault all of them. She became the leader she is now because she moved on from those scars. She accepts the Blade and Keith as her family now. Shiro has a different lesson, he accepts that he has scars. He’s not proud of them but he accepts the trauma. To truly recover, you have to first admit that it happened to you. Doing so helped his relationship with Adam and strengthened his relationship with the Paladins. 
And this is even more apparent with the Lions, the Lions aren’t mad at the Paladins, they’re mad at themselves. It’s why they still follow their plan of boxing in the rogue Olkari but not connecting to their Paladins. They were created to bring peace to war-torn universe, instead they made it worse. Seeing them learn their lesson from Shiro and Allura helped them regain confidence to form Voltron again.
~~~~~~~~~~~~~~~~~~~~Episode 5: The Grudge~~~~~~~~~~~~~~~~~~~~~~
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Lahn’s troops are slowly warming up to the ATLAS crew. To the point where they are challenging each other to friendly competitions in the gym. Iverson is currently competing in a push up contest with Hazar’s sister, Dorma (More Vehicle Voltron!). Adam and Curtis are keeping score. Veronica was cheering for Iverson but switches sides when she sees Dorma pull some cool moves. It ends with Iverson tapping out and lying on the mat, exhausted. Dorma commends him on his stamina before walking away to join some other Galra. Some Olkarion are in the gym too, dissecting the gym equipment and wondering what they could do to make them more effective.
The conversation about pets still happens with the addition of Adam. Adam admits that he never had any pets before, the closest thing was Marble. He says that that wasn’t really her name but Shiro always called her that because she was a calico and her coat reminded him of the marble pillars in New Kyoto and it sort of stuck. Curtis and Veronica awe over the story. 
Curtis sees Acxa alone doing the same sick push ups Dorma did and in an attempt to know her better asks if she had any pets. Acxa instead explains Narti’s bond with Kova in the typical intense Galra fashion, scaring Curtis. Somewhere in the gym the Garrison Quartet hear someone growling, agreeing with Acxa. Turns out it’s Narti, hanging from the ceiling by her tail. She lands in the middle of the pseudo-circle they’ve formed, her tail swishing around, Kova on her shoulder. She tucks it away after accidentally knocking Iverson down. 
“Keep that tail of yours under control!” Narti does the Galra salute as an apology. Kova hisses. She signs (Acxa translating) that she was grateful that Lotor gave her Kova. Kova has been there for him since childhood and yet he decided that she needed it more than him. Kova purrs as Narti scratches his ears.
Veronica asks if this is the same Emperor Lotor that attacked her. Narti says that he really didn’t. Before she could clarify, Coran calls everyone to the bridge to receive the Paladin’s latest transmission.
The Paladin’s say that they have a possible lead on Honerva and they’re going to check it out. (The decoy messages are still kept but our ATLAS crew is smarter in this rewrite lol)
The lunch conversation is kept the same with the addition of Narti + Kova. Kova hisses at the MFE’s when there isn’t a seat for Narti. She assures him that its fine and props herself on her tail. When Leifsdottir points out that it’s their Galra lineage makes everyone’s uncomfortable, Kova hisses again. Narti then signs that it’s not their lineage but everyone’s reaction to it that makes everyone uncomfortable. Acxa further explains that their status wasn’t...appreciated by the rest of the Empire.
Narti (snarkily signing): I don’t think we’re appreciated at this table either
Acxa: You’re right, Narti. We’ll take our leave now.
They do and the MFE’s look down in embarrassment. Veronica rightly scolds them and goes to find them.
Team Voltron recognizes that they’ve been tricked when Pidge points out the low oxygen levels. Shiro immediately tells them to get airborne. Hunk catches a glimpse of the hologram ATLAS and yells that they’re close. Unfortunately, the Lions still get caught in the ships traction beam. 
Pidge doesn’t tell Hunk to shut up because they’re all friends and friends don’t let things like single-modulation piss them off that badly. (Bex’s line delivery in this scene bothered me. It sounded less jokey and more ‘shut the fuck up’) When she tells them they need to remove their armor and bayards to prevent being detected, everyone points out that Shiro needs his bayard. It’s his literal right arm. Pidge realizes her mistake but can’t find another way with the time they have. Hunk proposes the idea that maybe Allura can use her alchemy to hide them. Allura says she can’t do that.
Allura: Altean alchemy connects us to living beings, as you can see, this planet does not hold any life. If I use my alchemy to hide us, it will restore the life of the planet and reveal our location.
Shiro says he’ll just have to last long enough to get his bayard back. He removes it and places it on the pile, fully preventing any detection and capture from the pirates. “Your safety is more important than my arm.”
Acxa and Veronica’s talk is same because its perfect.
Narti bonds with the MFE pilots when she notices them playing a card game in one of the recreational rooms. They might not fully understand Space Sign Language, but they know what she means when she points to the cards and then to herself. Kova doesn’t hiss but he moves away when the MFE’s try to pet him. Narti writes on a spare tablet that it’s normal for him. While they do have a familiar connection, Kova still acts out on his own, her emotions don’t dictate his actions and vice versa. 
Griffin asks if it’s true she can read minds. ‘Yes it’s true.’ Her voice echos in there heads. Her people are well-developed telepaths, it’s what made them such formidable opponents. They can prevent nearly any disaster just by skimming their thoughts. As eveident with Throk, she can also control someone for a short period of time. At the MFE’s horrified expressions, she chitters and says she won’t do that to any of them.
Narti: Although, I can’t promise not peeking at your cards...
Griffin: Oh, it’s on!
Swap back to Team Voltron and, oh yeah, Allura can still find the Lions. But because they left their armor and bayards, they can’t successfully break in or out of the ship that’s carrying them. They’re bombarded by lasers and they’re separated into pairs. Shiro and Lance, Keith and Hunk, Pidge and Allura.
Meanwhile on the bridge, Ryner manages to fully decipher the decoy messages and deduces that the person producing them is an Olkarion, correctly guessing that it’s La-sai. She takes a few seconds to pinpoint the location of the real Paladins. Coran tells Lahn to gather his troops, Lahn’s way ahead of him.
Switch back to the pairs. Lance talks about his feelings, Shiro understands and starts to suspect something. Lance says that he thought that Allura really did like him back during Sendak’s invasion. He doesn’t just feel insecure, he feels like he’s unworthy of the positions he’s held. He’s the youngest in his family, he feels like has to stand out to some people. But lately, he feels less and less comfortable slipping into ‘Loverboy Lance’. He doesn’t want to put up the act of being a ladies man anymore. Not after being rejected by Allura as both his loverboy persona (constantly) and his genuine nice guy persona back on Earth. Shiro comforts him like the amazing Space Dad he is. “You are Lance McClain, the Blue Paladin, once the right hand of Voltron. You’re our sharpshooter. Don’t think for a second you’re not worthy of a spot on this team.” 
Lance: I knew that name would catch on. 
Shiro: You insisted you were one. And look at you now.
They smile. When the pirates come for them, Shiro gets caught first. Lance uses his physicality to hide in a tree trunk. He takes down a pirate and uses the vacant rifle to free Shiro. When charging head-first backfires on Lance, Shiro uses his left arm to dive for the pirates legs and knocks him off his feet.
Hunk tells Keith that it might be too late but he’s really sorry for what he said during the Weblum mission (since he never does...). He didn’t know how to cope with everything happening to them and kinda took it out on Keith when his heritage was revealed. Keith thanks Hunk for his words and they hug. Keith hugging Hunk freely shows that Keith can open up to more than just his immediate family. It’s also a sweet reprise of Hunk hugging Keith. (I really liked their little bonding moment hehe in Season 7 and I wanted to showcase that a bit more) He tells him that they’ve really come a long way since driving his hoverbike away from the Garrison. “Yeah, and now we’re saving the universe with them!” They’re surrounded by pirates, Hunk hurls rocks at them and tackles them when they’re distracted. Keith uses his Galra strength + a fighting maneuver Kolivan taught him to take down a particularly big pirate. 
Hunk: Dude! That was amazing! You gotta teach me some of those moves!
Keith: Only if you teach me how to play Stack-A-Ton!
Hunk: Deal!
Yay! More girl bonding! Allura tells Pidge about the voice she heard at the Garrison. Pidge says that it’s normal for people to think they’re hearing someone after life-threatening events. She asks if she can identify who was speaking, saying that it might help the voice disappear. Allura says she has a good idea but she doesn’t want to tell them yet. Not until she’s absolutely sure. Pidge says its okay and to take all the time she needs. They take down the pirates using Allura’s shape-shifting and Pidge’s craftiness. Allura changing herself to a bigger size and Pidge using their superior weight and height against them. “I love being small!” 
The ATLAS shows up. Everyone cheers. “CORAN RESCUE!”
On arrival, Lahn’s forces take down the Space Pirates with ease, taking down the ships and freeing the Lions. The Lions find the 2 out of the three 3 pairs so they can put their armor back on. Allura carries Hunk and Keith’s bayards. Yellow opens its mouth and briefly allows Allura to pilot.
When they bring La-sai to the ATLAS, he hurriedly tells that their leader wants to destroy Voltron Paladin by Paladin. When Adam asks why, La-sai says that their leader had a ‘score to settle with them’. He thought that they carried the same vendetta he did, to take revenge on those who wronged them. That’s why he gave them information about the ATLAS. But he didn’t realize that the leader wanted to destroy them for good. Acxa immediately knows who the leaders are. Narti telepathically asks her if she’s sure. Acxa says she’s sure and she asks for her help to subdue them. Adam tells them that the need to move quickly if they want to do that, and also calls dibs piloting an MFE Athena Fighter. 
Everyone hears the Red Lion roar louder then ever before. “That can’t be good!” Lance shouts in the Blue Lion. Panic is evident on his face, but he knows that Keith and Hunk will hold out until they provide backup.
Our trio at the Garrison follows the Red Lion to the volcano where Ezor and Keith are fighting. Zethrid and Hunk are duking it out nearby. Allura calls out his name and chucks the Yellow Bayard at him. He catches it and starts firing on Zethrid. But Zethrid’s a tank, so those lasers do jack squat on her. She pins Hunk to the ground, his deactivated bayard the only thing between her foot and his chest. “Looks like you’re finished, Yellow Paladin.” She snarls. Hunk then remembers how his family was trapped by the Galra during Sendak’s invasion and how desperately he wanted to save them. He sees the Paladins, the ATLAS, and the Lions standing over him, his own crazy family he formed over the years.
He roars, “NO. I’M. NOT!” He gains a second heroic wind and his bayard transforms into a gigantic battle ax. Zethrid is startled and jumps back before Hunk can cut her face into green slices. 
She sees Keith slowly getting the upper hand on Ezor and bull-charges at him. Keith has Krolia’s blade and Red Bayard (Allura threw it to him during the second wind) to deflect their blows. Lance wants to use Blue’s freeze ray on them but Pidge points out that the tremors of the blast might cause the three of them to fall into the lava. In fact, the structure that they’re fighting on is too delicate for the Lions to land on. They’re stuck. Lance feels Red at the back of his mind, growing angrier. “Red, please...” Keith manages to hold the two half Galra back but Ezor kicks his feet and knocks the two weapons out of his hands. Zethrid pulls out a blaster and places it near his head, a ginormous arm around his throat.
Adam goes to immediately shoot them down but Shiro tells him to wait. Acxa and Narti reveal themselves to the couple. Zethrid and Ezor shocked that Narti’s still alive. Acxa tries to talk them down from hurting Keith. “Why?” Ezor snarls, “Because you’re in love with him?” Acxa finally tells them that no, she’s not in love with Keith. Over there battles, she came to respect him as an equal, in the battlefield as well as a half-Galra. She tells them that Keith never lost faith in her. And she’s extending that same unwavering faith to them.
Acxa: Hear my words. Remember how we first met. We were all so full of hate and rage, half-breeds rejected by the Galra.
Zethrid: Lotor used us! Used our anger to fulfill his own needs!
Ezor: He only cared about having power! Quintessence this and quintessence that!
Narti (signing and telepathically): NO! He cared about changing the Galra ways. No more conquering. No more needless violence.
Zethrid: Needless violence!? Didn’t Lotor cut you down?
Narti: No, he saved me. 
Ezor: Huh?
Narti: The witch was controlling me. I couldn’t fight back. When she saw Lotor had the trans-reality comet, she and Zarkon ordered the attack on us. Lotor knocked me out to release me from her control. He was going to come back for me after he defeated Haggar!
Zethrid: But...Lotor’s gone! (She places the gun closer to Keith’s head) They told us that. Lotor’s gone and we can’t get him back!
Narti: Maybe, but don’t make the same mistakes he did. Don’t turn to your anger.
Acxa: You’re not angry at Keith because he hurt you and Ezor...you’re hurting him because he reminds you of him. And it hurts to think about him. To think about Lotor.
(Seriously no one brings up any of their similarities in the series...) (I refuse to acknowledge JDS and LM’s comparisons of Lotor and Keith)
Zethrid and Ezor deny it. But as Narti approaches them, Ezor slowly breaks. She admits even though she hates Lotor after what happened at the Rift, she still misses him. As a leader and as her friend. And she hates it. She thought they might get closure once Voltron returned but with Lotor dead, they couldn’t get that. 
Keith starts to black out, Red roars in agitation, its rail gun forming, amplified by the volcano. The rest of the Paladins try to subdue it but it fires, stunning Zethrid and grazing her shoulder. The three of them hold on as the cliff collapses beneath them. “KEITH NO!”  Lance yells, the other Paladins horrified. They almost fall into the lava but Acxa and Narti grab on to them. Red quickly realizes what it’s done and dives into the lava underneath the rocks. Everything’s quiet. No one moves. 
Then Red slowly rises and props the rest of the cliff up so they can get to safety. The lady Generals all embrace, finally getting emotionally support they needed. Allura gently orders them to be detained. Keith is unconscious, Red butts its head against his side, wanting him to wake up. Lance jets out of Blue to prop Keith up for the stretcher.
We next see Keith lying awake on the hospital bed, a nurse checking his vitals. The doctor gently asks if he can speak. “B-B-B-” He coughs into his bandaged fist. “B-Ba-arely-y...” The doctor takes a few notes and puts a tray of rations in front of him, “Eat these before you take the painkillers. It’ll drown out the taste.” Keith thanks the doctor and slowly starts to chew on a ration. He looks down at the ration, surprised that it tastes as good as it does.
While Keith eating his rations, Lance paces outside of his room with Shiro. Krolia and Kolivan are scolding Acxa and Narti like the protective parents they are. Shiro blankly tells him he’s not helping. Lance says he knows but he still has a right to worry about Keith. Shiro agrees but admits that’s he’s never seen Lance so worried about someone. Not even for Allura. Lance confesses that when he saw Keith in Zethrid’s, grasp he was completely willing to kill her. He remembers when they were trapped on their ship and that Keith left him in charge of the team while he fought Zethrid and Ezor. Then, Shiro begins to recount how many times Keith threw his life away for the sake of the mission and how worried Lance always becomes when he does. He also tells Lance that when he and Veronica were knocked out on Earth, Keith comm calls were the loudest.
Lance doesn’t know how to feel about Keith now. He thinks that there might be something for Keith but he doesn’t believe Keith likes him back. He feels like he’s just starting to know the real Keith. Not Lone Wolf Keith he forced a rivalry on (Foreshadowing~). The Keith that knows who he is: “He’s half-Galra with a sword that can double in size, a teleporting cosmic wolf, who’s such a good pilot he can pilot two Lions, and who has my back like I have his.” He doesn’t want to ruin any that. And he’s still getting over Allura, and he knows from experience that no one wants to be a rebound. Shiro says it’s all on him and he’ll always be there lend an ear to listen to his struggles. Lance says that he always lent an ear during their missions. That’s why he’s such a dad, Lance laughs. Shiro hopes that name doesn’t stick.
Allura shows up the same time a nurse exits Keith’s room. Allura asks about Keith’s condition. The nurse says that he might have a sore throat for a few days but his mixed blood should speed up the healing process. “He’s healthy enough to see visitors.” The three Paladins sigh in relief. Shiro says that they should call the rest of their family to see him. Allura agrees but Lance rests his hand on her shoulder, out of breath, “Man, who knew pacing around the same spot a bazillion times would be so tiring?” They all laugh lightly.
The last shot of the episode is the lady Generals and La-sai in a cell together. Narti is teaching them the card game she and the MFE’s played. Kova rolls around the prison floor, finally at ease with the company around him. 
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Oh, hey look! More people blaming Team Voltron! This time it’s the Space Pirates. A lot of things have been rewritten in this episode. Namely, Ezor’s role. Ezor didn’t die or abandon Zethrid in this rewrite, she only lost her eye in the explosion. Because she’s still alive and kicking ass, Zethrid has no motive to take down Keith personally. 
And, yeah, we’ve have 2 canon LGBT couples in this season now. Cause apparently Dreamworks can’t afford two. Lady Generals have been reunited yay! Even tho Zethrid and Ezor were brought back to Acxa in the original season, they too had poorly timed redemption arcs. They only appear in two episodes and then are revealed to be Blades during the tacked-on epilogue slideshow. Nope, they’re getting even more screen-time after this. And hopefully I do both of them justice!  
Also more Klance development yay! And also more foreshadowing when Keith fights Ezor. Every lady General is a parallel to one of the Paladins. Three guesses as to which Paladin Ezor parallels. 
Also, with Red finally diving into a volcano, we officially checked off all the Lions for being in their respective elements and getting a power boost. Blue’s happens in The Depths when it’s revealed it can still move underwater, Green’s happens in Greening the Cub with its plant gun, Yellow’s happens in The Ark of Taujeer with the ground crumbling beneath them, and Black’s happens in Blackout with its second pair of wings/teleportation powers. Coincidentally all those happened in Season 2...
Speaking of, Lance and Allura are slowly evolving into a true BROTP and not a one-sided creepy crush.Thanks to Shiro and Adam helping Lance wade his way into the LGBT Pool, Lance can healthy express his feelings and can see the line between 'Just Friends’ and ‘Something More’. There’s a short time-skip between The Grudge and Genesis so assume that Lance visited Keith more than the rest of the group.
~~~~~~~~~~~~~~~~~~~~~Episode 6: Genesis~~~~~~~~~~~~~~~~~~~~~~~~
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Final episode in this rewrite and oh man, is this one a game changer! Strap in palda-dudes it’s going down!
Some major rewrites of this episode are about the White Lion. The first is that it’s essentially backed into a corner. Since it only allows Chosen Alteans to pass through, Honerva abused her status as one to force her army passage and to use its home as their base of operations. It disapproves of everything Honerva is doing. However, it can’t fight back. When it does Honerva uses her black magic/Altean alchemy and some of the Olkarion Cubes to drain its quintessence. 
Which brings us to the second rewrite concerning the White Lion; it’s the most powerful of all the Lions period. It’s the equivalent to the Phoenix Force...but, you know, a white lion and not a flaming bird lol. While I appreciate the high stakes its death would continue to establish, it also means another part of Altea is lost to Allura, Honerva, and the other Alteans. I like to think that the White Lion is another Life Giver ascended into another form, one to actually watch over Oriande and give the final test to the Chosen Alteans. Now that Honerva’s plan is in motion, she’s continuously draining the White Lion. The white hole progressively becomes more unstable as she does, which allows the Komars to pass through no problem.
Okay, so the first rewrite of this episode is that, again, Allura is the one in charge of the meeting. She’s dealt with Honerva first hand so all the information concerning the search for her is given to her first. They’re the same reports as in the original episode: four Komars have landed on four different planets and are planning to drain its quintessence to power a machine that could destroy the galaxy. Allura says that the predicted paths of the quintessence surges all lead to one place: Oriande. When asked by Adam what Oriande is, she simply says it’s the genesis of Altean alchemy and that only Chosen Alteans can enter. Coran insists that Honerva must be a Chosen Altean if she can get into Oriande. Allura darkly agrees and they proceed with the plan as the original episode does. Allura gives command of the bridge to Coran as she once again rides the Blue Lion with Lance.
Allura: The universe is facing the gravest threat it has ever seen. Honerva has exploited a vulnerable people, my people, and bent them to her will. She convinced them to pilot her abominations and commit heinous acts. And now she has built a weapon that can destroy an entire galaxy. Today, we risk our lives for the greater good. We are the only thing that can stop her and defend the universe. It is time to end this war.
(Yes, I put Allura’s speech here because I love Kimberly Brooks’ delivery so much)
When our heroes approach the white hole and the Komars fly out to take them down, the White Lion roars and tries to blast them out of the way, but then it flickers before roaring again. It’s more strangled because Honerva continues to drain more of its Quintessence, effectively stopping its attack. Allura’s Altean marks glow and she panics when she sees the White Lion disappear. Team Voltron jets out of the ATLAS (Adam tells them to kick that witches head straight) and heads into the white hole. The White Lion reappears and although it’s weak, it recognizes Allura as a Chosen Altean and allows Voltron to pass. (Lance or Hunk could remark how now it finally lets them through to lighten the mood) 
With the quintessence of the White Lion amplifying her magic, Honerva uses the teleduv to break into the Rift and retrieve Lotor. The visage of the White Lion flickers in pain again. Hira and her partner (Let’s call him...Raimon. WHOO Go Lion reference!) use their Komar’s to “defend their goddess” from Voltron. This fight happens a little differently. While the original episode had Voltron simply engaging in a typical mech fight with them, this time since Allura’s backseat (not really) piloting, she will occasionally tap into the power of one Lion to use its signature powers and upgrades to attack. 
This allows Team Voltron to regroup and think of strategies while also slowing down the Komars. The Blue Lion uses its attacks first cause Allura’s in it. First it uses its Freeze Ray to stop them in their tracks. Then it uses it’s Sonic Canon (which forms in its mouth since it’s a leg) to stun them. Yellow uses its armor for extra weight in kicks and to stabilize the formation when they’re knocked around. Green uses its plant gun to tie down the Komar. Red uses its rail gun to blind the pilots. Black uses its teleporting powers to better perform attack combos.
Meanwhile on the ATLAS, Zethrid, Ezor, and La-sai decide to break out and help. Narti overhears this in her head, opens their cell, and leads them to the bridge. Iverson, Veronica, and the rest of the crew have their blasters pointed at them. La-sai desperately pleads for forgiveness, he was just so angry, he didn’t know who to turn to. Iverson tells them to get back to their cells or they’ll fire. However, Ryner says they need as much Olkarian as they can to support the ATLAS. Allura agrees through the comms and cautiously allows La-sai to help the Olkarion boost their defenses and gives all the lady Generals access to the MFE Athena Fighters. Adam volunteers to fly too cause he’s a badass. Zethrid ends up saving Rizavi from the Komars chest beam. During the rest of the battle, the MFE pilots (and Adam) are in awe at the lady Generals reaction time and shot accuracy. Griffin even asks them to show him a couple tricks. Ezor flirtatiously says only if he shows them his own. Zethrid growls playfully at her girlfriend while firing at the Komars. Narti’s tail swishes comfortably in the cockpit while Acxa calls out battle formations with ease.
A brand new scene in this rewrite will take place in the Rift. The Sincline is still swimming around the quintessence, it swims from one spot to another. Thanks to the 3-4 years in the Rift it’s now hyper-aware and has developed new abilities. It received a signal in the form of Honerva’s attempt to open the Rift. It’s now trying to find where specifically its coming from so it could escape. Its hand twitches, unused to the feeling before it clenches into a fist. It moves forward and senses the signal is coming from Oriande. It could practically see it, and it also sees the White Lion suffering. Sincline puts maximum power on the thrusters and surges forward.
Now, back at the ATLAS, we’re with Slav and Sam this time, right after the time spillage. As Slav yells at Sam to take off his socks, another massive wave of energy comes from the white hole and knocks everybody over again. Slav massively panics and does more calculations. Sam asks why now he’s panicking.
Slav: BECAUSE THIS IS IT!
Sam: What’s it?
Slav (pressing buttons as fast as he can with his multiple arms): Remember I said something big was going to happen to us when the ATLAS took flight!?
Sam: Wait, that’s happening now!?
Slav: YeS ItS HaPpEnInG NoW! AcCoRdInG tO My CaLcUlAtIOsS tHeReS A 99.6% ChAnCE ThAT WhAtEvER ThIs iS, It WiLl ChAnGE EVeRyThInG!
Sam asks what they can do to lower those odds. Slav still insists that he needs to take off his socks. Sam finally relents but says he’ll do it after they restart the ATLAS’ functions. Slav shouts it’ll do for the time being.
Back at Oriande, Honerva screams in determination, sucking even more Quintessence out of the White Lion. Her corruption marks crack open again. The White Lion roars again, Allura tells the rest of the team to ignore the Komar’s and just charge at Honerva head on. She then uses her magic to amplify Voltron’s quintessence, the blue lines of her alchemy outlining each of the lions. They have a clear shot but before they can fire, the two Komar’s slam themselves against the Red and Green Lions, stopping them in their tracks. Allura closes her eyes and the two Lions roar, blasting the two Komar’s with their respective elements (Fire and Nature). “We have to attack now!” She screams.
It’s too late. Sincline emerges from the hole Honerva ripped through the space-time-reality thing (???) (#Voltron Science I guess). Honerva falls in exhaustion, stopping the drainage from the White Lion, who also falls on its paws. Sincline is launched into the air and slams into Voltron. Team Voltron screams, the two mechs tumbling freely. Hira and Raimon are ecstatic: their savior is alive, and he’s going to help them defeat Voltron once and for all! “Lotor! He has returned!” “Our goddess has done it!”
Cut back to Team Voltron, recovering from the blow and are in shock at the sight. The Sincline was back, and that meant Lotor was back. Allura feels his return and the glow in her Altean marks grow brighter, baffled by the connection she still has with him and his ship. She ignores it. Right now they have to stop him. Lance asks Shiro what they should do. 
Shiro: Stopping Lotor is our priority right now! Form swords!
Pidge and Keith use their bayards to form Voltron’s swords, rippling with more Altean magic. They charge at Sincline. Sincline looks up and on instinct, forms its own swords and charges at Voltron. They clash for a good while. Voltron occasionally gains the upper hand thanks to the individual lions powers. But Sincline evens out the odds with the enormous amounts of quintessence it’s collected from the Rift. It strikes with extreme brutality, the quintessence increasing the force of impact. The opposing mech can even manipulate that same quintessence, throwing blasts of pure energy at them. “What the quiznak!?” Oriande’s landscape starts glowing blue and purple. Eventually, Sincline strikes hard enough for Voltron to split into the five Lions like in the original episode. They all fall and form massive crates, dazed and exhausted from the previous fights.
But before Sincline can strike any of them down, something changes. Not only does it pull back from attacking, it disengages its swords. It stands there like its waiting for something. Hira and Raimon are heard cheering again, flanking Sincline’s sides. Lotor defeated Voltron! 
They’re brought to attention when Honerva stands and raises a hand towards the three ships. She praises her children for their service and asks for them to bring Lotor to her, for she desires to embrace him as a mother should. Hira and Raimon happily (and blindly) follow the commands of their Empress and take each of the Sincline’s arms. Sincline panics and fights against them. The Komars apply more strength as the push Sincline towards Honerva while it continues to struggle. At this point, everyone is (tired and) confused. Sincline wanted to fight Voltron but then it didn’t, now it resists the Komars and refuses to go near Honerva. 
“This doesn’t make any sense.” Allura says to herself. Her Altean marks glow even brighter, enough to be seen through her helmet. Somehow, she can hear the ATLAS fighting against the other Komars, then she hears the White Lion roaring in despair, finally, she hears a soft, familiar voice coming from the cockpit of the Sincline. The same one that spoke to her throughout their search.
The Sincline suddenly goes still and the voice dies down. Allura’s suspicions have been confirmed, “Lotor.” The Komars finally overpower the Sincline and place it in front of Honerva, kneeling. Honerva reaches both hands to Sincline’s head, “Come back to me.”
The door of the cockpit forcibly opens to reveal Prince Lotor. The Galtean Emperor, Child of the Void, Savior of the Altean Colony, and her son. She calls out to him. There’s no response. He lays limp against his seat, white hair longer than before, and his Altean marks glowing with the same intensity as Allura’s. Allura gasps while Honerva slowly twists her hands. Lotor is removed from his seat, descending from the cockpit and into her arms. Haggar presses her face against his neck and runs her claws through his hair, her son has returned to her. The glow on his cheeks never fades away. Honvera doesn’t notice the cracks in her hands.
Allura tries to wake the rest of the Paladins but they’re out cold. She tries to shake Lance awake but there’s no response from him. She can’t contact the ATLAS either because of interference. Seeing Honerva distracted by holding Lotor, she realizes only she can stop her. "Time to end this.” Gritting her teeth she jets out of the Blue Lion. (These next scenes should be imagined in slow mo) Sincline notices her, a single glowing eye making eye contact with her. She briefly panics, thinking that it might fire on him even without Lotor piloting but instead it continues to stare. 
However, Raimon notices and aims his chest beam at her. Keith and Red intercept the attack, drawing fire to him instead. Raimon easily gets the upper-hand but before he could destroy them (and to everyone’s shock) Sincline intercepts the attack. “What is this!?” “Lotor NO!” Sincline fights the Komar. No one knows whats happening anymore. Keith stares at the Sincline in shock and tries to wake up the other Paladins. He flies to Black first, Shiro slowly comes to. (after this we’re back in real time)
Allura leaps into the air and screams, using the Altean broadsword she created. Before the blade could reach Honerva, her eyes glow purple and she surrounds Allura in darkness. There conversation carries similar beats to the original, however Honerva questions Allura’s legitimacy as an Altean.
Honerva: I knew Alfor well. He was one of the most powerful alchemists of our generation. Melenor on the other hand...
Allura: Don’t you dare mention my mother! She would be horrified at what you are doing, what the last Alteans are doing!
Honerva: How would you know? You’ve never met her. She was not a normal Altean. No, she was not Altean at all. She might not even be considered a living being. She had a power that even Alfor couldn’t measure up to. She could’ve destroyed me if she’d survived Altea’s destruction. But I know she wouldn’t. Because she would understand why I do these things. As a mothers...(Lotor appears in her arms, she cradles him like an infant) we would do anything for our children...
Those words combined with the emotional weight of seeing the man she once (and still might) love stops her attack. She falls, tears are falling onto his visor. Even her tears can’t dim the glow on her cheeks. Now the tables have turned: Honerva can destroy the Blue Paladin now that he’s vulnerable. She stands and (still holding Lotor) stretches her free hand toward the Sincline...
Honerva: Destroy the Blue Lion.
Allura’s head snaps up, horrified. Sincline doesn’t listen and continues to fight Raimon. Honerva stretches her hand further, black and purple lightning freezing Allura. Sincline struggles to resist her command, and rips the Komars head off. Raimon thinks it’s the end for him. However, Sincline places the Komars head on a separate rock. Now it turns its attention to Honerva. She repeats her command, “Destroy the Blue Lion.” 
When Lance’s eyes open, Sincline is staring down at him. Keith eyes turn Galran again, screams “LANCE!” and charges at Sincline. Sincline’s cannon loads and Lance braces for the worst... but instead of firing at Lance, it turns and fires at Honerva. 
The blast knocks her back and forces her to release Lotor. Instead of falling, he levitates, a soft purple glow forming a sphere around him. Altean alchemy, Allura realizes. When he opens his eyes, his stare is blank. He waves a hand, gently pushing Allura to the Blue Lion. Purple spheres surround it and the remaining Lions. The remaining Paladins have recovered by now. Hunk panics, Pidge is suspicious, Keith thinks that Lotor’s capturing them for Honerva, Lance is in awe (The ‘cool arc’ between Lance and Lotor begins). Shiro tries to think of an escape plan. Allura’s in shock.
All of a sudden the Lions are thrown upward, right where they entered Oriande. The spheres are guiding them back to the ATLAS. Honerva, enraged by Sincline’s disobedience and Lotor aiding Voltron’s escape, uses the Olkarion cubes inside and outside of Oriande to absorb the White Lion. Her Komars are fast enough to avoid the shock-wave and escape but the Lions would be left stunned and be destroyed by the resulting explosion. Hira picks up Raimon and zooms pass the Voltron Lions, ordering the remaining Komars to pull back. They do so as the energy from the Olkarion cubes and Honerva’s alchemy drains the White Lion further. Allura jets off to the ATLAS and Kosmo teleports her to the bridge. She hears the White Lion’s roar again and she orders the ATLAS to fly closer.
Honerva raises Oriande’s pyramids with her alchemy, dragging the White Lion with them. Lotor lifts himself into Sincline and flies after her. The giant visage of the White Lion disappears as Honerva forces it out of the white hole. Sincline emerges soon after, glowing purple. It extends an arm and the White Lion stops moving, the sphere of black magic Honerva trapped it with slowly turns purple. The spheres around the Voltron Lions disappear, giving Sincline and Lotor more power. 
Allura tells the Paladins they need to form Voltron again. The ATLAS crew protest but she tells them if the White Lion dies, Oriande will collapse and the explosion will destroy all of them. The White Lion struggles, torn between two powerful Alchemists. It’s tail slowly gains black cracks from Honerva’s power, slowly pull it towards her. Sincline is struggling. Honerva uses one of her hands to hurl chunks of ship debris at them. A gigantic piece of rock manages to knock Sincline off balance. Voltron forms their blazing sword and slices through the parts and charges at Honerva. She uses her black magic to zap Voltron, shocking the Paladins again and draining their quintessence.
Hearing the screams of her family, Allura channels her alchemy again, marks glowing brighter than ever. The jewel in her tiara, her eyes, and hair start glowing white too. An ancient power courses through her, amplified by her proximity to Oriande. She lets out a ferocious, echoing roar, startling everyone on the ship. A massive ring of blue Altean magic forms around the ATLAS as it magically transforms again, (She does the thing that never happens in the series in the opening when all the lasers shoot out of the Castle of Lions) dozens of lasers shoot out and strike the Komars. A ripple effect happens when a laser hits Voltron and the mech glows blue and white. The Lions all open their mouths (Yes, even the Black Lion), roar, and fire five lasers. They merge into one and hit Honerva, Oriande’s pyramids black out.
The White Lion breaks free and pounces. The Paladins brace themselves for the worst. Sincline/Lotor leap in front of them and form a shield of purple quintessence. “NO!” Allura throws her hands in front of her and stops the White Lion. She gently turns her hands towards her, enormous yellow eyes turning to her, “You’re not safe here. Honerva will destroy you. Let us help you.” The White Lion seems to understand and disappears into nebula of white and blue. This allows Allura to merge it with the ATLAS. The explosions caused by the White Lions drainage are also absorbed into the ship. The ATLAS glows blue and white, bubbles and streaks of quintessence merging with its mechanics. Everyone inside the ship is floating (Slav is definitely flipping out lol), and then are gently dropped onto the floor as the glow recedes. No one pays attention to how the bridge has changed.
Honerva stares at the sight in disbelief. She was right: the Princess is clearly no ordinary Altean. She’s too powerful to even be a Chosen Altean of Oriande. 
She winces at the sudden pain in her chest. She looks at her hand. She’s wide-eyed as her hand is almost completely vanished. Her veins slowly turning into cracks in the skin, pure quintessence from the White Lion leaking out. Feeling her marks coming apart too, she uses black magic to seal them, pain coursing through her. She then wormholes the pyramids and her army away from the white hole. Although the pyramids are no longer present, the White Lion still lives within the ATLAS. Oriande lives another day. 
Sincline and Voltron are floating, quintessence swirling around them and healing any injuries they had had. Everyone watches the scene in silence. Ryner informs them that the white hole has stabilized, the lights on the ATLAS flicker light blue. No one moves. 
Sincline regains consciousness first and flies over to Lotor to gently hold him in its claws. It places him back in the cockpit. Voltron recovers and flies in front of the ATLAS, holding steady as it approaches. To the disbelief of the Paladins and everyone on the ATLAS, Allura asks Sincline why it didn’t destroy them when it had the chance. Continuing to shock everyone, Sincline responds, speaking like an AI, “Pilot unconscious. Requires immediate medical attention.” 
Tentatively, they allow Sincline on board the ATLAS. Sincline kneels in front of Allura and opens its cockpit. Lotor is gently removed from his seat, falling into Allura’s arms. Allura slowly shakes him, whispering his name. “Lotor? Lotor? Are you okay?” The Paladins, MFE pilots, and the lady Generals surround her, waiting with baited breath. Romelle looks at them in disgust. Lotor’s Altean marks are still glowing, Allura’s too. She holds her hand, allowing it to glow white-blue before resting it against his forehead. His eyes barely open when he speaks, “--lura?”
Allura: Lotor?
Lotor (gasping): A-Allura...O-Orian...the Whit-te L-Lion...
Allura: Shhhhhh, it’s okay...they’re safe. We’re safe.
As if on instinct, she rests her forehead against his, sensing his life force stabilizing. The Garrison medics put him on a stretcher and wheel him to the medical bay. Allura’s eyes follow them, filled with worry, both of their Altean marks stop glowing. The Paladins don’t know what to do, neither do the MFE’s, the lady Generals are in shock. The last shot of the episode is in Lotor’s point of view, vision blurry and barely making out the dozens of people rushing around the launch bay. His gaze is focused on Allura before he blacks out.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Game changers amiright? This episode is tied with Battle Scars for the amount of rewrites but it was also one of the easiest cause I knew what I wanted. Genesis is a good episode by itself but it’s anti-climatic when put in context with the rest of the season. The fights have more tension because Allura’s powers are given a major boost in Oriande, Lotor is still alive and saved Team Voltron again and now has alchemist abilities, Sincline is in control of its own actions, and the mystery of Allura’s mother is introduced. 
The MFE Ares Fighters are named after the Greek God of War, likewise the IGF Atlas is named after the Greek myth of a man named Atlas who carried the world on his shoulders. I found it fitting to name the new MFE Fighters after Athena. Athena is the Greek Goddess of Wisdom and Strategic Warfare. This symbolizes how Team Voltron will wise-up as they have been in this rewrite.  More on that later *wink* It’s doubly fitting because the pilots are the lady Generals and Adam.
Raimon was King Alfor’s Japanese name in GO!Lion. I’m just dropping all the Voltron references in this rewrite lmao.
Allura’s preservation of the White Lion by absorbing it into the ATLAS has a similar feeling to Princess Serenity revealing herself in the Sailor Moon anime's. It leaves the characters witnessing the event in awe. Oh yeah, the laser that struck Voltron did something to it besides give it a major power boost. More on that later *wink*
Altean alchemy doesn’t have a solid definition in the series, neither does anything outside of the Garrison tech. Pidge and Hunk bluntly describe it as ‘magic’ while in Season 3 Alfor said he built the Voltron Lions with his alchemy, which implies there’s a technological aspect to it. Altean alchemy is also directly tied to quintessence, evident by anything Haggar/Honerva does during the series. In Season 7 Sam says that quintessence is an energy generated by living beings while in Season 4 Lotor says there’s pure quintessence in the space between realities. So with all of that stray information, my definition of Altean alchemy is that it’s the more benevolent cousin of blood bending and metal bending from Avatar: 
It allows the alchemist to siphon energy to connect deeper with the universe and create their own unique technologies they can infuse different abilities too. Amplified by quintessence, the lifeblood of the VLD Universe. To pull a quote from the Dark Phoenix movie, “You can turn dust to water, water into life.”
This is how Allura is able to control the Lions even tho she’s not present in any of the cockpits. Besides the fact that Alfor connected them to her life force. However, there is an even more powerful magic inside her, and it’s directly tied to her mother. Even more on that later *wink*
(Phew! You guys made it through Part 1 of this rewrite. Brownie points for persisting with my rambling and inconsistencies with writing hehehe. Thank you for joining me on this adventure. Stay tuned for part 2!)
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shadowsong26fic · 4 years
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Fanfic ask: 1, 5, 11, 14 for Precipice and any other fic you feel like sharing for, 18, 27, 33, 34, 38, 41, 44, 49 (sorry for asking so many, I just really like these questions!)
Hoo boy! This’ll be fun :D
::cracks knuckles::
1) How old were you when you first starting writing fanfiction?
Ten or eleven, when I first figured out it was a Thing. (Somewhere, buried in my boxes of Old Papers, there is baby!shadowsong’s attempt at writing something involving Padme turning up at Yavin but with the serial numbers very badly filed off, before I learned it was possible to just...write fanfic, lol.
5) If you had to choose a favourite out of all of your multi chaptered stories, which would it be and why?
Oh, Lord, why must you do this to me. XD
I mean, I like all of them for different reasons? Writing Precipice is almost like coming home, I’ve been living in that AU for so long; The Devoted was delightfully self-indulgent and a fun exercise in worldbuilding and I do plan to put more in that AU at some point, I swear; These Three Remain also had some super self-indulgent bits and some sweet cuddly fluffy bits and yep; Distaff is so much fun to work with Anakin’s characterization and her (in said fic) relationship with Padme; I have some WIPs that I’m super excited to get out...even going back to old fandoms, HoTM and Cartography!Verse and The Promises of Angels and Serenissima (ish; we were posting it as a series of vignettes rather than one long novel) and For Sorrow Sung and all my AtLA fic, and...
...yeah, I’m bad at picking favorites XD
11) Have you ever amended a story due to criticisms you’ve received after posting it?
Not really? I’ve added extra notes and when I was a baby in the LOTR fandom I actually took a fic down because I got pounced on by a Canon Purist, but I...don’t usually change what I do have planned out in response to criticism? Sometimes I add in some filler/explanation, or comments inspire me to add thing, but...
I don’t plan things out in a whole lot of detail, but I do usually have a few Major Plot Points worked out, and I tend not to change them because criticism. I usually don’t go back and edit, either.
14) How did you come up with the title for the xxx? - You can ask about multiple stories.
I think I actually talked about this in detail last time I did a similar meme to this...aha, here we go: https://shadowsong26fic.tumblr.com/post/186756818127/a-and-i-for-fic-ask
18) Do you have any abandoned WIP’s? What made you abandon them?
Yep, a few. Mostly, I abandon WIPs because I drifted away or otherwise left the fandom (i.e., most of my SPN fic), or otherwise got stuck on a plot point (For Sorrow Sung, which I might rewrite, I got stuck on because I wasn’t sure how to write Roslin; Distaff has stalled because I have to do a Monster chapter next because I did some things out of order; etc., though I actually do intend to get back to Distaff at some point, and am considering rewriting For Sorrow Sung or getting back to some of my other BSG fic...). ...on that note, there are several Stalled WIPs that I don’t consider abandoned, I just get sidetracked by other things even if I intend to get back to them At Some Point (Auxiliaries, Masks, a few others.)
Also, a bunch of miscellaneous self-indulgent things that I never really intended to share outside a small circle of friends that I wander away from when my attention gets caught by a similar shiny self-indulgent thing I don’t really intend to share outside a small circle of friends...
27) Do you make a general outline for your stories or do you just go with the flow?
Moooostly go with the flow. Then again, I don’t formally outline most things, but I generally have an Idea of the Main Plot Points I’m working towards? But those are usually Super Major Things (i.e., with Precipice, when I was going into it, I had most of Arc 1 planned out ahead of time; I knew when and how Lavinia was going to be introduced; I knew most of how Rex got brought in and at least when Ahsoka came in; I knew Ahsoka was going to be Leia’s primary teacher; I knew when and how Specter was going to die; I knew that the reunion (and the attempt to kidnap Lavinia) were going to happen (though actually I was originally planning for Saw to be behind said kidnapping before realizing that didn’t make sense); I knew when Infernalis was going to be introduced and then die; and then some Spoilery Stuff for the next several arcs :)
So, yeah. I usually have a general notion of where things are going (...most of the time; I mentioned Distaff above, and I’m waffling on how I want things to end for that one...) but a loooooot of white space and things are in flux along the way.
33) What’s the biggest compliment you’ve gotten?
Honestly, probably the one I kept in my inbox to reread the most often was on The Promises of Angels--I got a very long comment about the things I’d done with both the focal character and other side characters and the way I’d handled the established lore (and places where canon had fallen short, re: ex-vessels and so on), and then saying they were going to rec it to other people. I’ve gotten other very nice comments since then, (Precipice gets a lot of comments, some of which are lovely, some of which are infuriating), but I think the reason that one sticks with me is because I worked on that fic for so long, and it was a 100k gen epic about a tertiary character who (at the time) had been dead for five seasons. So, a very niche-appeal fic, especially in a fandom that tends to be very shipping-focused, so the fact that it had that much appeal outside of my own brain meant a lot.
(Also, just...the fact that so many people have read and liked Precipice means a whole lot to me????? Was not expecting that for a long wandering genfic epic, lol. ...again, because the fandom I was most active in prior to that is very ship-focused; Star Wars tends to be more gen-friendly, at least that’s been my experience thus far.)
34) What’s the harshest criticism you’ve gotten?
Maybe not the harshest overall I’ve ever gotten, but I mentioned earlier that I took down one LOTR fic because a Canon Purist complained about it to me--I mean, it might not have actually been that mean if I were to get it now that I have a thicker skin, but I was Little Shadowsong at that point and it hurt enough for me to take the fic down, and it does kind of linger in the back of my mind as my Worst Comment Experience.
38) If you could collab with any other writer on here, who would it be? (Perhaps this question will inspire some collabs!) If you’re shy, don’t tag the blog, just name it.
...to be honest, I don’t do a lot of collaborations overall, and most of the ones I do tend to be with people I’ve been friends with/RP’d with for a Long Time.
That being said, I’m possibly open to trying? Right now I have a lot on my plate, both fic and IRL wise, over the next couple months, but if anyone’s interested, hit me up and we’ll see if we can work together!
41) What’s you favourite minor character you’ve written?
In Star Wars? Probably Bo-Katan. I really do wanna finish/start posting our faces like a mirror before the Mandalore Arc actually airs (not that I care about jossing so much, but it’d be nice to Officially lock my canon there so I can point to it if anyone does the whole ‘but canon says!’ thing at me, lol). Also, I love writing Beru, at least the way I write her in Precipice.
If we expand to other fandoms...Nick in SPN, at least before canon brought him back wrong; for BSG...well, most of the ‘minor’ characters I like are really secondary and/or Major in one arc or two--i.e., D’Anna, Gaeta, Ellen Tigh is a lot of fun; in AtLA, I personally mostly wrote major characters and OCs (though some of those were...people who had definitely Existed, but were not named or explored in canon--i.e., Lu Ten’s mother), but my primary RP/writing partner and I worked a lot with Haru and Song and Teo and the Dai Li, among others...but said partner mostly handled them.
44) What is the last line you wrote?
((With an additional line for context; also this is subject to change.))
“True,” Sabe said. “...are you sure you’re ready for this?”
“No,” Padme admitted, after a moment’s thought. “But I think if I wait much longer, I’ll...I’ll either start climbing the walls until I run out and do something righteous and half-planned and stupid, or I’ll...or I’ll never be able to figure how to start, and I’ll just...”
49) Can you remember the first fic you read? What was it about?
I cannot, sadly. But it would’ve been 15-20 years ago, and probably either Star Wars or Harry Potter. Maybe Dragonlance or DBZ or Sailor Moon.
Ask me a fanfic writer question!
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An Open Letter to Voltron: Legendary Defender and DreamWorks
AUTHOR: @astralsheith
SOURCE: https://twitter.com/astralsheith/status/1074317099730919424
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What happened to Voltron?
Back in October, screenshots from the final episode of Voltron’s eighth and final season were leaked online. The fandom split down the middle regarding who thought they were real and who thought they were fake and bad behaviour sprung up from both sides. I tried to maintain as neutral a stance as possible, waiting for an official statement to be made but none ever came and confirmation on the leaks came when the final season dropped on Netflix on December 14th. I had always remained hopeful that the leaks were fake, because the implications of them were troubling to me, such as Allura dying and Shiro’s last-minute wedding. My trust in Voltron’s showrunners (Lauren Montgomery and Joaquim Dos Santos) and creative team’s storytelling kept me going and I was, ultimately, excited (if sad about Voltron ending) to see the last season of a show I hold close to my heart.
Lo and behold, here we are, and it is somehow worse than I thought possible.
I can’t say that I hated Season 8. They were some stunning and powerful moments, to be sure, and as always, Studio Mir’s animation was incredible and breathtaking. The documentary episode was clever, dynamic, and brilliantly animated. Honerva’s arc as the show’s final villain was, in my opinion, one of the strongest points of the season. But when the dust settled after I’d finished watching I realised how disappointed and hurt I felt by this season. How, in the end, Voltron’s final season largely felt...hollow. As if the passion and heart that had been put into the previous seven seasons had been lost or smothered somehow. And the air of silence from the showrunners, the cast and crew that has bookended both the build up and response to Season 8 feels not only deafening but damning to how this final season ultimately turned out. Both the cast and crew and the fandom should be celebrating. The show ending may be bittersweet but ultimately, we should be celebrating the successful final season of an incredible show that has given so much to so many people.
Instead, people are crying - out of disappointment, hurt, a sense of betrayal. People are physically sick. Unable to eat. Unable to sleep. Children (Voltron’s supposed target demographic) are upset and confused by what transpired in Season 8.
What happened? What happened between SDCC of this year - when the cast and crew seemed so alight with passion and love for the show and the fact that they’d achieved the momentous feat of having a queer main character like Shiro - and now, with a final season that has left fans in pieces and its showrunners seemingly running as fast as they can from what their beloved show ended up being? For what purpose is this the outcome? Did LM and JDS get tired after working for so long on this show? Did they bite off more than they could chew? Did DreamWorks and other IP holders decide to, ultimately, take matters into their own hands and mold the final season into the Voltron they’d wanted all along? Robot action, transformation sequences, power-ups - those are all amazing if there’s some meaning behind them. That did not seem to be the case in Season 8. Season 8 was something separate in terms of its story and its characters than what had been developed in Seasons 1 through 7.  
What happened to Voltron?
There are several things that are wrong with Season 8 that I could discuss. How about I start with Shiro? Shiro is my favourite character in Voltron and has been from since I started watching the show. At first glance, he might seem the prototypical hypermasculine and stoic leader type but there was such a kindness to him, a willingness to look out for his team no matter the cost, that made him different. An ambition to explore the universe and a passion to help people in need. A sense of humor that was dorky and dark in equal measure. He dealt with trauma. He faced immense adversity. Yet he survived. More than that, by the end of Season 7, he seemed to be thriving. Former Black Paladin of Voltron and current Captain of the IGF Atlas. And he was a gay man - a gay man not defined by his sexuality by any means. There has always been so much more to Shiro than meets the eye. Except in Season 8 - in Season 8, for the most part, all that made Shiro so wonderful as a character in a so-called kid’s show was...gone. He was “Captain”. He shouted orders and directions and rarely did his personality get any real chance to shine. The arm-wrestling in the episode Clear Day was probably the most engaging Shiro was as a character in the entire thirteen episodes. He didn’t have to be the focus of the season - that was clearly Allura and Honerva and that’s great - but he should still have been the character we’ve come to know and love and admire over the last two years or so. But he wasn’t. He just wasn’t.
Furthermore (and I am well aware I might just get written off as a “spiteful shipper” for this), the relationship between Shiro and Keith in Season 8 all but vanished. Putting aside the question of whether Shiro and Keith being canon as a romantic couple was ever on the table for Voltron, their strong friendship was all but erased from Voltron’s “canon” in Season 8. This is a relationship that has been a pillar of the show since the very beginning. Keith’s introduction to the show was him saving Shiro. His first bit of dialogue on the show was Shiro’s name. They’ve had near-entire episodes dedicated to their relationship - Across the Universe, The Blade of Marmora, The Black Paladins, A Little Adventure. What other duo in Voltron can boast that? Maybe Zarkon and Honerva but not even they - as two of the main villains of the show and the catalyst for the entire war that takes place throughout Voltron’s story and plot - have that much plot and character attention as Shiro and Keith have had regarding their bond. Shiro and Keith have soundtracks specific to their relationship.
What could possibly have happened to warrant the kind of erasure they faced in Season 8? How is it I can point to several moments throughout Season 8 where Shiro and Keith’s relationship could have continued to shine yet there was almost nothing there? Was it censorship? Was DreamWorks and Co. unable to handle a gay main character having a close relationship with his male best friend? Because it certainly feels like that’s the case - a fear of what Shiro and Keith could have been by the end of Voltron (even as best friends) and a desperation to backpedal. Was it “think of the children”? Yet how are you “thinking of the children” when Lotor’s melted corpse is allowed on screen? Is body horror and violence “safe” for children but meaningful relationships involving queer main characters are not?
And then there’s Shiro’s wedding in the “epilogue”. I won’t deny that the image of a gay main character such as Shiro, marrying and kissing another man, isn’t (on the surface) powerful in its own way and could perhaps prove to be a gateway to more male queer representation in Western animation. Yet when that man is a man I only the know name of because I watch Voltron with captions, when that man is mistaken for Shiro’s dead ex partner by Netflix’s audio description, when that man is marrying Shiro at the seeming expense of Shiro’s entire character, it can’t help but feel cheap. A PR stunt for “representation points”. A quick-fix due to the backlash Voltron faced after Season 7 and Adam’s death. There’s no weight or true meaning behind it. No development. The fact that Voltron’s supervising producer last work for Voltron that he posted on his Instagram was him drawing and animating Shiro’s wedding weeks (September 13th) after said backlash kicked off (mid-late August) does not feel unrelated or coincidental to me. It doesn’t feel genuine. It doesn’t feel true to the story Voltron’s been telling these past 2 ½ half years.
Allura. Oh, Allura.
I can’t think of a solid reason why the decision was made to kill Allura off. I’d like to think that the original idea was to have Voltron be sacrificed but DreamWorks was reluctant to let go off the eponymous robot and Allura was the only character close to powerful enough to be convincing of rebooting all realities, along with Honerva. But who's to say that’s even close to the truth? And why not have it be solely Honerva? I would have believed that if they were truly committed to a “redemption in death” for Honerva. Why Allura? Why go against Allura’s character of arc of moving away from destructive self-sacrifice, learning to trust her team, finding a new family in the paladins? Why have the paladins so readily accept Allura’s decision? “We are always stronger together” - yet Allura is the only paladin to sacrifice herself? She faced so much loss as a character - why have her lose her life, too? Allura was never meant to be a martyr. She was meant to live. To move past her father’s legacy and help rebuild the universe. Lead her people. Experience Altea again. And the relationship between Allura and Lance in Season 8 was wonderful and sweet but in light of Allura’s death can’t help but feel somewhat contrived for maximum emotional impact when they say goodbye. Allura’s death, ultimately, felt unnecessary, unfair, and ill aligned with what I thought were Voltron’s primary themes. Power of love, of friendship and family, of teamwork. What’s the point of a team if, in the end, they do very little to help save the universe and the burden is left on one person alone?  
And the rest of the team in Season 8 suffered, too. Pidge barely interacted with any of the other paladins. Hunk displayed some great moments with his love of cooking and how that helped people but the heroics he displayed in Season 7 seemed to fall to the wayside. Lance’s signature goofiness seemed to get lost in his constant worry over Allura. I am grateful for his newfound maturity but it shouldn’t come at the expense of what made these character so distinct in the first place.
I have loved Voltron. I still do, even if I am currently working through these difficult emotions regarding its final season. I have defended it in the past from irrational “critique”. Seven seasons of great storytelling does not vanish in the wake of a troubling and disappointing ending. At some point, I will continue with my rewatch. Right now, I think that would be difficult. I’m not trying to point specific blame at any one person or party in particular, as I don’t know the truth of what happened during Voltron’s production (as much as I would like to). I just know that Season 8 felt like a lie. Not only a lie but a bad lie. A transparent lie. And I and so many other dedicated fans would greatly appreciate the truth. I don’t need to see what Season 8 would have originally been, if there is such a thing. I can honestly quite easily imagine it, because Voltron’s previous seasons had set it up so thoughtfully. But I would be grateful for an explanation, for a break in the silence, for someone involved with the show to come forth and help the fandom move forward in the wake of Season 8.
What happened to Voltron? Tell us, because we’re ready to listen.
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Question tag for AO3 writers~~
I found the original questions on AFF a while back, and I thought since I’ve been tagged in so many meme things lately, I’d also tag a bunch more people in this one XD Since the questions were designed for AFF, I’ve reworked some of them to fit for AO3 writers. I also removed two questions rather than trying to translate them to AO3 terms. So, I’ll fill out my answers first, and then put the blank questions again at the bottom for you to easily copy and paste!
1. How did you come up with your username and what does it mean?
SIFU_HOTMAN because Zuko is one of my favorite characters and honestly Aang calling him “Sifu Hotman” is hilarious. 
2. Which fanfic of yours has the most feedback? (bookmarks/subscriptions/hits/kudos)
Exactly My Type by a long shot, lol. 
3. What is your AO3 profile icon and why did you choose it?
It’s Izaya Orihara to represent the trash on my page. 
4. Do you have any regular/favourite commenters?
Yes! I’m shocked when I read through my comments and see how often the same people will comment on each chapter. And there are definitely one or two that I look forward to seeing. I recognize a ton of usernames on AO3 but I don’t know many of them on here.  
5. Is there a fanfic that you keep going back to read again and again?
THIS fic by the super-talented @courtingstars! I swear I’ve reread this fic like 6 dozen times at this point, as well as the sequel! (For real tho, I could probably recite this fic word for word, I love it so much. AkaFuri fans, if you haven’t checked it out, I can’t recommend it enough!)
6. How many stories are you subscribed to? How many do you have bookmarked?
I’m guilty of not subbing or bookmarking that much, because it got to the point where I had so many that it kinda made it pointless, lol. But I’m subscribed to 2 users, and 5 fics, and I have 46 bookmarks. 
7. Which AU do you find yourself writing the most?
I don’t really write AU’s all that much? (I think I only have 2, the Nanny/Single Parent AU and a Red String of Fate AU). I definitly want to try doing more tho! I was super nervous about the Nanny/Single Parent one, but now it’s my hightest hitting fic! And it was from a prompt! lol
8. How many people are subscribed and bookmarked to you in total? (you can view this on the stats page)
Total bookmarks: 311 Total subs: 337
9. Is there something you’d like to write about but are afraid of people judging you for it? (Feeling brave? If so, share it!)
The only thing I can think of right now is I want to get better/ more comfortable with writing smut lmao. I’ll conquer it one day! 
10. Is there anything you would like to be better at? Writing certain scenes or genres, replying to comments, updating better, etc.
Updating better, for sure. It eats me alive that it’s been almost a year since I started Exactly My Type, and I’ve only written 5 chapters! It’s so hard to find time with all the overtime at work, and with everything else. BUT that’s something I definitely plan on changing. 
And maybe replying to comments? I generally don’t reply (I feel so bad about this, I’m so sorry. Comments just make me an incoherent mess and I’m never sure how to reply without rambling and making an idiot of myself)
11. Do you write rarepairs or popular ships more often?
Is AkaFuri a rarepair? I know it was more considered one a while ago, but I don’t know anymore. I guess whatever category they fall under, that’s it lol. 
12. How many stories have you posted on AO3 to this day (finished and unfinished)?
Eight! Which is eight more than I thought I would write. 
13. How many stories do you have saved in/with your writing program?
I have 30 stories saved on Google Docs. (I’m shocked? lmao)
14. Do you write down story ideas, or just keep them in your head?
Everything in my head. My ten hour shifts at work mostly consist of me staring off into space and writing fan fiction in my head. 
15. Have you ever co-authored a story?
Other than bouncing ideas off of a friend, no. It sounds fun tho!
16. How did you discover AO3?
Searching for ATLA fanfiction like, 4 years ago. After reading everyting FanFiction.net had to offer, I found AO3 and immediately made the switch. 
17. Do you consider yourself to be a popular or famous author in your fandom(s) on AO3?
God, no lmao. I think I’m IN the AkaFuri barrel, but far from the top of it.
18. Do you have a nickname or fandom name for your readers?
Not that I know of? I get comments about how much people like my username sometimes, so I’m cool with it if people just wanna call me Sifu Hotman lmao.
19. Was there an author who inspired or encouraged you to write?
My inspiration mainly came from a desire for more AkaFuri fics, lmao. But there were a few amazing writers who reallllly made me want to try writing, and I was encouraged plenty by my best friend, so here I am lol. 
20. What writing advice would you give to a beginning author?
To just write. I worried for so long (and I still do) about not being good enough, or making a mistake, or failing. But the only way to get better at writing is to write! If someone doesn’t like you’re story, odds are you’ll either get some helpful advice, or feedback on the part they did like. Even if you don’t want to post it publicly, just write it out anyway. I think I’ve improved so much since the first thing I wrote, and I hope I get even better the more I do it. 
21. Do you plot out your stories, or do you just figure it out as you go?
Again, spending 10 hours a day, 5 days a week in my own head, I get most of my stories down to the tiniest details before I even get to a computer. Once I sit down, some things may change or come out different, but I rarely go to write without having any idea. 
22. Have you ever gotten a bad comment on a story? If so, what did you do?
Actually... no, I don’t think I have.
23. Is there a certain type of scene that you have a hard time writing? (action, smut, etc..)
Smut, for sure lol. 
24. What story(s) are you working on now?
Fucking chapter 6 of Exactly My Type! (I just broke 6K the other day, and it’s not even halfway done). After that, I’m on to Defying Fate, with a couple of prompts inbetween. 
25. Do you plan your next project(s) before you finish your current ongoing story(s)?
Sorta...I guess. Exactly My Type happened because of a prompt request that got waaaay out of control, so that was poor planning on my part lmao. 
26. Do you have a daily writing goal set for yourself?
Not at all. I just go for it whenever I get the chance. 
27. Do you think you’ve improved as a writer since you first started?
100% yes. I want to crawl into a hole whenever I think about my first fic, lol. 
28. What is your favorite story that you’ve written?
I’m gonna shove the AkaFuri away for a second and go with Absolutely Baked. Mayuzumi is my favorite character to write for, and I think I got some pretty funny dialogue in that one. It makes me laugh, and the extra chuckles my friend and I got while discussing it were totally worth it. 
29. What is your least favorite story that you’ve written?
I don’t think I have a least favorite? If I had to pick probably my first fic, Emperor's Weakness. 
30. Where do you see yourself (as a writer) in 5 years?
Hopefully still writing fanfiction, lol. I would like to try writing some original work, but I doubt it.��
31. What is the easiest thing about writing?
Dialogue, I think. Once I get in a characters head, I find it very easy to write from their point of view. 
32. What is the hardest thing about writing?
Getting a full plot to run together. I’m pretty good at getting certain scenes down, but I have trouble piecing them all together sometimes. 
33. Why do you write?
Simply, because it’s fun. I know how happy it makes me when I read a super-awesome fic, and I like the feeling I get when someone tells me I gave them the same feeling. 
Anyways that’s all the questions, so I’ll put them here as well without the answers to easily c+p.
1. How did you come up with your username and what does it mean? 2. Which fanfic of yours has the most feedback? (bookmarks/subscriptions/hits/kudos) 3. What is your AO3 profile icon, and why did you choose it? 4. Do you have any regular/favourite commenters? 5. Is there a fanfic that you keep going back to read again and again? 6. How many stories are you subscribed to? How many do you have bookmarked? 7. Which AU do you find yourself writing the most? 8. How many people are subscribed and bookmarked to you in total? (you can view this on the stats page) 9. Is there something you’d like to write about but are afraid of people judging you for it? (Feeling brave? If so, share it!) 10. Is there anything you would like to be better at? Writing certain scenes or genres, replying to comments, updating better, etc. 11. Do you write rarepairs or popular ships more often? 12. How many stories have you posted on AO3 to this day (finished and unfinished)? 13. How many stories do you have saved in/with your writing program? 14. Do you write down story ideas, or just keep them in your head? 15. Have you ever co-authored a story? 16. How did you discover AO3? 17. Do you consider yourself to be a popular or famous author in your fandom(s) on AO3? 18. Do you have a nickname or fandom name for your readers? 19. Was there an author who inspired or encouraged you to write? 20. What writing advice would you give to a beginning author? 21. Do you plot out your stories, or do you just figure it out as you go? 22. Have you ever gotten a bad comment on a story? If so, what did you do? 23. Is there a certain type of scene that you have a hard time writing? (action, smut, etc..) 24. What story(s) are you working on now? 25. Do you plan your next project(s) before you finish your current ongoing story(s)? 26. Do you have a daily writing goal set for yourself? 27. Do you think you’ve improved as a writer since you first started? 28. What is your favorite story that you’ve written? 29. What is your least favorite story that you’ve written? 30. Where do you see yourself (as a writer) in 5 years? 31. What is the easiest thing about writing? 32. What is the hardest thing about writing? 33. Why do you write?
I was tagged by: @herdustisverypretty <333
People I’m tagging: @anime-saved-and-destroyed-me | @kaguneko | @shootmesenpai | @cerberosthehellguard | @jubesy
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littlemisssquiggles · 4 years
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Saw your post about Oscar having the relic advancing the plot, and I don't disagree with you. However, I also kind of see it in a different way: that as a leader, each decision Ruby makes--such as entrusting the relic to Oscar--can have consequences, and that they have to learn to deal with them, especially when loved ones are involved. I'm not saying that's where the writers are going with it, but if I had written it, that would've been my reason for doing so. Does that make sense?
Salutations anon-chan! Your point makes sense however sadly for me, it’s not enough to override the almighty power of plot convenience. Because now I’m prompted to ask the question, why even have Oscar carry the Relic around in the first place?
Why have someone carry the lamp at all? Wouldn’t it have not been a wiser choice to place the Relic within a heavily protected vault under the watchful eye of the Atlesian Military where no one within the public would be aware of its whereabouts as opposed to having it be carried around on a keychain on the waist of a young huntsman in training out in the open where people can definitely see it; like the villains?
At the start of V6, during the Argus Train attack, Ozpin revealed that the Grimm were also attracted to the Relics. This one statement was the catalyst to so much friction within the hero team because not only did it result in them temporarily splitting up to provide the passengers of the Argus Limited a better chance of survival but it also led to the spat between Yang and Oz which ultimately culminated in the first summoning of Jinn and the revelation of the truth.
Either way, the point was made that carrying the Relic around just as it is as opposed to locking it somewhere like a vault will eventually bring danger to whoever is carrying it in the form of the Grimm. As a matter of fact, wasn’t the whole point of the heroes heading to Atlas was because without the Spring Maiden to seal the Relic back within its own vault, the group had no choice but to set a course for Atlas Kingdom so the Relic would be safe there.
“…We need to take the Relic to Atlas?”
“That’s what Oz said.”
“You’ve got to be joking.”
“I mean Brightside, we finally get out of this house
“Trust me, I’m not crazy about it either. But without the Spring Maiden here to seal the Relic back in its vault, it’s our best option.” – RWBY V6 Chapter 2
But just a few moments after the heroes touched down in Atlas, the Relic of Knowledge was taken from the them by Clover Ebi of the Ace Ops. The next time our heroes see the Relic, it was in Ironwood’s custody. But rather than keep the Relic and place it somewhere secured; Ironwood instead gives the Relic back to our heroes—the same heroes who almost died on their journey to transporting this Grimm-attracting Relic to Atlas where they believed it would’ve been taken into more secure hands.
I’m just going to come right out and say it anon-chan. Ironwood returning the Relic to our heroes didn’t make sense. At least, not to me. I can’t speak for everyone. Outside of the lamp being used as a token of trust, it did not make sense to me that Ironwood would just give it back to our heroes like that. Ironwood knows fully well the importance of the Relics and the importance of keeping them out of the public eye. And given what transpired at the Fall of Beacon and the Battle of Haven, Ironwood should be fully aware that there are people after the lamp.
So why not put it somewhere safe within your kingdom? Why give it back to our heroes ESPECIALLY when they brought it to your kingdom to keep it safe? What?
I’m sorry but that doesn’t make sense given previously established details in the narrative. Particularly the part that, as is, the Relic is a hazard outside of a vault since it can attract Grimm.
“…Yang, knock it off will ya. If we lose our cool now, we’ll just be inviting more Grimm.”
“Does that even matter? Apparently we’ve been attracting Grimm since we left Haven.”
“Oh and how could I forget about that? What happened to no more lies andhalf-truths?”
“Yeah. I think it’s time we got an explanation.”
“I did not lie to you.”
“Well you certainly didn’t tell us everything about the Relic.”
“Please, now is not the time.”
“No we’re past that!”
“I wanna know why you’re still not telling us everything.”
“It is true that the Grimm are attracted to the Relics. It’s faint but undeniable.I believe it has to do with their origin. I’m not entirely sure…” – RWBY V6 Chapter 2
And as if Ironwood returning the Relic to Ruby didn’t feel odd enough, Ruby then returns the lamp to Oscar. 
Why?
Again, I see what the show was trying to do in a sense. Like I said, the Relic was being used as a token of trust between characters. Ironwood gave the Relic back to Ruby as an action to show that she can trust him and Ruby entrusting the Relic with Oscar is synonymous with her trust in him; especially considering the fact that back in Anima, the Relic was taken away from Oscar after what happened with Oz and there was that whole tension in the group.
So when I put it in that light, I like the idea of Ruby giving the Relic back to Oscar as a sign of showing her renewed trust in him in spite of what happened with Oz. It’s a nice touch and a nice moment between the Rosegardening Rosebuds.
But then the ole noggin starts thinking and common sense creeps back in followed up by canon details left behind from previous seasons and I’m reminded yet again that Oscar shouldn’t have the lamp because Ruby shouldn’t have the lamp.
Ironwood shouldn’t have given the lamp back to the heroes in the first place. He should have taken it and placed it inside a vault where it could’ve been secured and out of the public eye without the need to make Oscar an obvious target for Neo and Cinder to go after as part of the V7 finale.
At first I was willing to look past the weird decision by Ironwood (and by extension the Writers) to give the Relic back to our heroes. I was even willing to look past Ruby giving the lamp to Oscar since I figured it was going to have some kind of meaningful payoff like Oscar possibly using the Relic to reveal the truth to Ironwood when Ruby’s choice to deceive him got out of hand and she found herself in a position mirroring Ozpin from last season.
Instead what we received was Oscar showing up at Schnee Manor with the Relic and in spite of all the revelations that went down—i.e. Jacques being outted for his alliance with Watts by Weiss, Ironwood revealing to existence of Salem to the Atlesian Council and Robyn Hill—none of it involved the Relic being used at all. So why have Oscar show up with Relic at all?
Well, you might say it’s because since Oscar was entrusted with the Relic, it’d make sense for him to carry it around with him at all time for safe keeping, right?
But the thing with that is, it still doesn’t make sense since in previous scenes this season, Oscar was shown to not have the Relic with him at all times. He didn’t have the Relic on him during his training sessions with Ironwood and his battle with JNR against FNKI.
And before you say—well he was training then and he can’t have the Relic on him while he’s fighting— that doesn’t count since when Ruby was carrying the lamp, it didn’t hinder her during combat. She was doing all kinds of flips,twirls and slashes with the lamp conveniently stuck to her hip at all times.
Not to mention that back in V6 when Oscar had the lamp first, he fought the Manticore and the lamp stayed fine on his waist back then too. The only time the lamp conveniently fell off was after the train crash.
So going again—Oscar didn’t keep the lamp with him while he was training with his peers. He didn’t have it with him when he was watching the others train at the start of V7CH6. He didn’t have it with him when he was down in the Vault of the Winter Maiden with Ironwood and he also didn’t have it with him at the start of V7CH8 during his briefing with Team RWBY.
V7CH3 = RELIC IS GIVEN TO OSCAR
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V7CH5 = NO RELIC ON OSCAR
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V7CH6 = NO RELIC ON OSCAR
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V7CH7 = NO RELIC ON OSCAR
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V7CH8 (AT THE BEGINNING) = NO RELIC ON OSCAR
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V7CH8 (AT SCHNEE MANOR) = RELIC ON OSCAR ???
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To tell you the truth, Schnee Manor was the first time I saw Oscar carrying the lamp for this season. 
It was so out of the blue that I didn’t even pick up on it until another FNDM fam pointed it out to me. Why would Oscar even bring the lamp to the dinner in the first place?
Like I said, he was never shown to carry the Relic around in previous scenes so why have him do i tnow all of suddenly especially if the only thing to come of it later was Oscar being benched from Mantle to go back to the academy.
That’s why I said Oscar having the Relic was only to advance the PLOT; anon-chan.
It’s fine if you think otherwise and I appreciate you presenting your own rationale for this narrative decision. Unfortunately, this squiggle meister can’t really buy into it.
Oscar bringing the Relic to the Schnee Dinner only to end up not using it at all felt so weird to me that the only logical conclusion that I can make from it is that it was done solely for the sake of pushing the PLOT.
When I first saw that scene where Ironwood told Oscar that it was time for him to return up to Atlas, the first comment that escaped my lips was “They made Oscar bring the Relic so that they could have a reason to have him return to Atlas Academy as opposed to joining the others down in Mantle to help with the evacuation”.
Not only did Oscar walking with the lamp provide an excuse for the Writers to write him out of the Battle of Mantle but it also provided them a way to have Neo spot Oscar with the lamp, thus leading to him being targeted by her for the finale.
While I don’t mind the set-up of Neo targeting Oscar for the Relic since it lends to a chance for us Pineheads to finally see the little barn prince in action at long last, I just didn’t like the execution of this set-up. 
It reminded me of how Weiss just so happened to run into her mom inside her father’s perfectly unlocked office who just so happened to have the info she needed to out her father for his crimes.
It looks like it’s not just Weiss who got a splash of Clover’s good fortune. Neo did too because how lucky was she that the night she disguised herself as a server at the Schnee Family Dinner,also happened to be the night our heroes attended the very same party. 
Not to mention, how lucky was Neo that that was also the night Oscar happened to walk with the Relic even though he hasn’t been shown to walk around with it in previous episodes.
I’m sorry if I’m sounding incredibly nit-picky here but…I think I know a plot convenience when I see one and this was definitely a glaring one, at least for me. But as always, this is only my opinion. 
~LittleMissSquiggles (2020)
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littlemisssquiggles · 6 years
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erikhet replied to your post “RWBY Remarks: What if...the reason Adam wears a mask is to hide his...”
I actually really REALLY like this theory (theories?). My only hesitance is that "human eyes" doesn't make too much sense. I mean, I'm pretty sure the only Faunus we've seen without human-like eyes is Blake to an extent (and other cat faunus). So I'm not entirely sure what "human eyes" would look like that would distinguish them from Faunus ones, or make it clear Adam is a half breed. This theory does kinda go with a headcannon of mine though, so thanks for that.
Squiggles Answers:
Well when I say ‘normal human eyes’ I meant it in the context of, if Adam did have a parent who is human then he would have inherited his eyes from them. Meaning whatever distinct eye shape or colour his human parent had, that would have been the only part that Adam would have gained from his human parent while predominantly getting most of his Faunus features from his Faunus parent.
I understand that saying a Faunus with ‘normal human eyes’ does indeed sound nonsensical since the Faunus and human characters in RWBY don’t share any distinct difference in their eyes, even down to eye colour. It’s a darn shame too though as it would have been another nice way for the CRWBY to distinguish the designs for the Faunus from their human counterparts beyond just their animalistic traits. But I digress.
I guess I was more going for a psychologically driven reason for Adam to disguise his eyes which is what inspired my theory of him harbouring hatred towards man because he was originally abused by a human who was his parent.
As I said in my remark, if Adam did share the same eyes as his human parent, it would make sense for him to want to hide his eyes in that sense since if he were to fully embrace his Faunus side and lead his people towards a new age where they would reign, he needed to disguise the part of him that he knew wasn’t Faunus---the one part of him he got from that human of his.
If Adam shares the same eyes as his human parent---then it would be a lingering reminder of that one part of himself he can’t erase. Even if he were to slaughter and/or oppress every man in Remnant, he wouldn’t be able to relieve himself of or run away from the one part of him that he got from that person. His own human monster that haunts him from his past and who he sees every time he looks at himself in the mirror without the mask. It would also be interesting if appart from his eyes Adam also resembles his human parent.
Like let’s say Adam’s human monster was his own father who tormented him and his mother; who was a bull Faunus just like Adam calling them both ‘devils’ for their horns. If Adam is revealed to also have an abusive father then I can imagine it being something he and Mercury Black can essentially bond over. I have a small headcanon that Adam is going to catch up with Mercury, Emerald and Hazel and the four will end up begrudgingly travelling and working together as a means of survival out on the run in Mistral.
Since the Triumph of Haven Academy and their failure at stopping the heroes from acquiring the Relic of Knowledge, I doubt Hazel will want to return to Salem empty handed especially after what happened to Tyrian. Y’know since all the characters who fail Salem either end up killed off like Leo or disappear into obscurity to possibly become live playthings for Watts to experiment on.
And I definitely don’t expect Emerald and Mercury to want to go back to Salem either; not without Cinder Fall. With Cinder being gone, these two longstanding child puppets are now free and in need of someone else to guide them. For what it’s worth, I’m hoping it’s Hazel leading into a potential redemption arc for all three characters. As a matter of fact, along with the heroes’ journey towards Atlas, I’m actually hoping that V6 also gives us a side plot involving the villains---Adam Taurus, Hazel Rainart, Emerald Sustrai and Mercury Black. Y’know, a villains’ journey for lack of a better term. But that’s just me.
Going back with Adam, I really love the idea of Adam secretly having human heritage because it can help speak levels as to why he’s the way he is especially if it was also revealed that his human parent was racist towards the Faunus and extremely abusive to him because he, despite being his offspring, was a Faunus.
I’m happy to hear you really, REALLY loved the theory @erikhet. Also happy to hear it helped with your own headcanon. What’s your headcanon for Adam if you don’t mind me asking?
~LittleMissSquiggles (2018)
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