the thing is there's like, a point of oversaturation for everything, and it's why so many things get dropped after a few minutes. and we act like millennials or gen z kids "have short attention spans" but... that's not quite it. it's more like - we did like it. you just ruined it.
capitalism sees product A having moderate success, and then everything has to come out with their "own version" of product A (which is often exactly the same). and they dump extreme amounts of money and environmental waste into each horrible simulacrum they trot out each season.
now it's not just tiktokkers making videos; it's that instagram and even fucking tumblr both think you want live feeds and video-first programming. and it helps them, because videos are easier to sneak native ads into. the books coming out all have to have 78 buzzwords in them for SEO, or otherwise they don't get published. they are making a live-action remake of moana. i haven't googled it, but there's probably another marvel or starwars something coming out, no matter when you're reading this post.
and we are like "hi, this clone of project A completely misses the point of the original. it is soulless and colorless and miserable." and the company nods and says "yes totally. here is a different clone, but special." and we look at clone 2 and we say "nope, this one is still flat and bad, y'all" and they're like "no, totally, we hear you," and then they make another clone but this time it's, like, a joyless prequel. and by the time they've successfully rolled out "clone 89", the market is incredibly oversaturated, and the consumer is blamed because the company isn't turning a profit.
and like - take even something digital like the tumblr "live streaming" function i just mentioned. that has to take up server space and some amount of carbon footprint; just so this brokenass blue hellsite can roll out a feature that literally none of its userbase actually wants. the thing that's the kicker here: even something that doesn't have a physical production plant still impacts the environment.
and it all just feels like it's rolling out of control because like, you watch companies pour hundreds of thousands of dollars into a remake of a remake of something nobody wants anymore and you're like, not able to afford eggs anymore. and you tell the company that really what you want is a good story about survival and they say "okay so you mean a YA white protagonist has some kind of 'spicy' love triangle" and you're like - hey man i think you're misunderstanding the point of storytelling but they've already printed 76 versions of "city of blood and magic" and "queen of diamond rule" and spent literally millions of dollars on the movie "Candy Crush Killer: Coming to Eat You".
it's like being stuck in a room with a clown that keeps telling the same joke over and over but it's worse every time. and that would be fine but he keeps fucking charging you 6.99. and you keep being like "no, i know it made me laugh the first time, but that's because it was different and new" and the clown is just aggressively sitting there saying "well! plenty of people like my jokes! the reason you're bored of this is because maybe there's something wrong with you!"
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As funny as it would be for there to be another sans vs reigen standoff, I Do think it'd be really funny if we got Cecil to go all the way. Especially since, in my opinion, he stands the test of time and has come all the way around to the new brand of sexyman.
Like, yes, he was, in WTNV's early days, given the twink treatment. Dapper style, youthful features, etc. But he was never like that canonically.
He dresses horrifically (affectionate), he's canonically an older man even in the podcast's beginning, and he is and never has been a twink (he is neither thin, nor fat. Implying at thinnest, straight-sized, and at biggest, mid-sized).
Obviously this doesn't change the fandom's sexymanification of him, but it does lead him to fit more nicely into the sexyman that the aging tumblr userbase has recently developed:
The Babygirl.
Listen. Apart from the above, he can't cook for shit, he's petty, he's written Jaws slash fic and had his intern beta read it, he is CANONICALLY a dilf, he grows his own weed, he loves his husband So Goddamn Much, he won't shut up about how much he carnally desires said husband, he mentions his kinks on the fucking air, AND HE EVEN HAS A FUCKING TUMBLR.
I think he fits the bill for the pathetic older queer man that tumblr has grown so very Normal about. He is so very powerful. And after ten years of being this way I think he should be allowed to go all the way to the top. I think he's earned it.
Sure, if he doesn't stand a chance in the final four, I'll accept sans vs reigen. But if it gets close enough, say, above 40%.... Maybe we could push to go all the way. For the bit. For one of the original sexymen of tumblr history. For our dear gay uncle, Cecil Gershwin Palmer. Thank you for coming to my ted talk.
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I CANNOT TELL YOU HOW MUCH I LOVE THAT ONE SIDE PROFILE OF THE MARIO BROS NOR CAN I TELL YOU WHY
I DONT KNOW WHY OUT OF ALL OF THOSE DRAWINGS THATS THE ONE I LIKE THE MOST BUT IT’S ALL GREAT WORK FACTUAL
YOU’RE GETTING ME THROUGH FINALS👍👍👍
(Post in question)
STAAAAHP you're gonna make me fall back into my Mario phase!!1! XDD
(FR THO THANK YOU SO MUCH!! :DD I'm glad you liked that doodle! I was rather proud of how it came out😊!!)
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the way i see it, colin has three options for handling the repercussions of kissing michael on the pitch in front of everyone:
gatekeep: by some miracle no one caught the kiss on camera so colin's sexuality is kept between him and any fans who happened to be on the pitch near him. the safest option.
girlboss: keeley gets the pr challenge of a lifetime handling the story of the first active premier league player to come out as gay. rebecca is tall and powerful and intimidating in the press room making it clear that richmond stands behind colin one thousand percent. the most realistic option.
gaslight: straight-up blatantly lying. not because he's ashamed or because he thinks he can actually convince anyone that the kiss didn't happen, but just because he refuses to let it be a big deal. acts like he has no idea what anyone is talking about if asked anything related to his sexuality. he doesn't claim to be straight, mind you, he just pretends to be extremely confused about why they're asking because he never kissed anyone in the middle of a football pitch at the end of an internationally-televised game? when presented with photo and video proof of the kiss he says that was some other richmond player named hughes who wears a number 12 jersey. you don't know him, he goes to another school. the funniest option.
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what's the threshold theory
There was a post about how Tom is the only crew member who isn't really affected by the Borg, and there's a theory that he has so much luck because he saw the past and the future when he crossed the transwarp threshold. He saw the past and the future, all of time and space. There's some subconscious part of him that remembers that experience. In fact, Tom refused to play a part in Chakotay indulging Annorax's temporal incursions, probably because a part of him knew nothing good could come of it.
If we extend that same theory to Janeway, some of her wild luck with time travel and other crack plans starts to make sense. She doesn't verbally hate time travel until after the events of Threshold, since it happens in Time and Again without complaint. Janeway has an uncanny knack for time travel, as evidenced every time she deals with it. She hates time travel, but it might be because part of her knows exactly how to manipulate the timeline. She manages to avoid the "inevitable" temporal explosion in Future's End, saving both Voyager and Braxton. She resets the entire timeline in Year of Hell, and no one else followed her reasoning. She pulled it off flawlessly. In Relativity, she senses the incidents are all related, despite it being just one reading that connects them. By the time she's involved, she has a temporal incursion factor of .0036 and a time travel protocol named after her, even if that may just be Braxton's personal grudge. Then there's Endgame, where she intentionally changes the timeline. Up until this point, she has been dragged into time travel, but for the first time, she jumps in on purpose. How does Admiral Janeway know how to get them home sooner in a way that completely avoids the Temporal Integrity Commission? It's because she has seen all of time, and part of her knows exactly what needs to happen so she can get Voyager home and do it in a way that becomes baked into the prime timeline. Maybe she doesn't consciously remember what happened during her transformation, but the experience lives in her mind somewhere, guiding her decisions.
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