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#The Secret Ghostface Files
megamindsecretlair · 7 months
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What's Your Favorite Scary Movie?
Pairing: Ghostface x Black!Fem!Shy!reader / Plus Size reader
Warnings: 18+, Minors DNI, You are in charge of your own reading experience. Intentional use of AAVE. Smut, PWP, cursing, protected PIV, oral (male receiving), size kink, degradation kink, toxic smut, stranger smut (but implied relationship), praise kink, mocking, minor knife play, use of pet names, all consensual. Mention of drinking and tipsy sex. Implied relationship.
Summary: At a Halloween party, you lure a sexy Ghostface down to the basement for a little bit of naughty fun.
Word Count: 2,231k
A/N: I am feral. I've been feening for Ghostface smut, so I wrote some for a little Friday the 13th fun. Wish I got this out sooner, but well. Listen, a time was had writing this! I hope you enjoy. Because I definitely did! Please consider commenting and reblogging to help support writers!
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You couldn’t take your eyes off of the tall man wearing a black tank, black jeans, and a Ghostface mask. The party raged on all around you, but you were only concerned with getting next to him. 
He wore the mask so you weren’t sure what he looked like. He could be ugly. But there was no way that he had a body like that, tattoos covering his muscled arms, and he was ugly. But that wasn’t the point. He exuded a type of indifference that made you want to flock to him. 
You weren’t that thirsty though. You adjusted the suspenders on your school girl outfit. The skirt was completely inappropriate. It stopped mid thigh and if you coughed too hard, you’d flash anyone behind you. The sweater was a size too big so that it hung down past the skirt. Your dress shirt was a size too small and half buttoned up anyway. You wore a sexy bra underneath but the sides of the shirt were just long enough to cover it. All anyone saw was your exposed chest. 
It was meant to be lewd. Filthy. To conjure up all those thoughts of first crushes in high school. The type of crush that you still think about to this day, even when you’re kissing your significant other. The type of crush that burned from the inside out. 
Ghostface stood still in the living room, surrounded by gyrating bodies to music. Everyone was dressed in costumes for the Friday the 13th party. There were a few Jason’s and Freddy Krueger’s walking around.
You crooked your finger. If he was looking at you behind that mask, he’d follow you. You turned and went through the exact replica of Stu’s house from the movie. You went down the stairs that led to the basement. 
You looked around the dingy garage. A moment later, the door opened. Ghostface walked down the steps slowly, his heavy boots echoing off of the wooden steps. His dark skin blended with the shadows in the garage and it only turned you on more. 
You were dripping already. The aura this man had was intoxicating all on its own. The mask was a stark contrast, showing the fake sympathetic visage of a ghost. You squeezed your thick thighs together, trying to get some kind of attention between your legs. 
“What’s your favorite scary movie?” He asked, with a voicebox from the movie. If you were dripping before, you were a sopping mess. The movie voice always strangely turned you on. He always sounded so condescending and mocking. Smug. 
“Too obvious to say Scream?” 
“Maybe. Why do you like that fucked up movie?” He asked. He walked closer. No, he stalked closer. His body was fluid, with a little hood lean that made you lick your lips. 
Had you died and gone to heaven? If so, you definitely didn’t want to go back to Earth. 
“It’s more psychological horror. The killer could be anybody,” you said. 
Ghostface flexed and unflexed his gloved fingers. The leather stretched tight over big, grown man’s hands. 
“Even you?” He asked.
“Even you,” you said and grinned. You backed away from him, but then his hand shot out and wrapped around your neck. You gasped at the pressure. It was just right. Not too hard and not too soft. 
“You shouldn’t follow strange men down in the basement. That’s a certified way to get killed.”
Ghostface produced a knife. It was long and slightly curved. He ran it over your skin. The coldness of the knife made you gasp. It was real. You knew it was. The thought made your heart speed up. You looked up into expressionless eyes. 
“You followed me. Maybe you’re the one in danger,” you said. 
“I really hope so. Why don’t you pull down those panties and let me see what we got,” he said. 
You followed his command. Your eyes never left the mask as you wiggled out of your panties. They were damp anyway. He pushed you backwards. Your legs connected with something solid behind you, a little too tall for you to hop onto.
He forced you down anyway, hiking your butt onto the edge of whatever it was. It felt solid and cold. The coldness seeped onto your ass, chilling you further from the frigid garage. 
Ghostface dropped the knife on the object you were leaning on. He removed his hand from your throat so he could take his time removing his gloves. He ran one hand down the middle of your chest. His warm, big hands played with the edges of your bra. His other hand coasted down your outfit until he reached the end of the skirt. 
“I like easy little sluts,” he said. 
He lifted your skirt and ran his hands around your wet curls. “The easiest one,” you said. 
“You want to be fucked, Princess?” He asked. 
You nodded and bit your lip. Fuck yes, you want to be fucked. “Yes, right now,” you said. You weren’t sure what was wrong with you. You hadn’t taken anything and you weren’t drunk off your ass for once. You were a little tipsy though, the alcohol you consumed gave you a pleasant tingle. You wanted him so badly you were aching with it. 
“I can’t hear you, Princess,” he said. He tilted his head, maintaining that calm and cool demeanor. 
You felt like you were ready to burst at any minute. Your clit started throbbing in tune with your heartbeat. It paced at a steady tempo, building higher the longer your stood there. 
“Yes, I want to be fucked. So badly,” you begged. 
Ghostface laughed at you. It was cruel. It was hot as hell. “Turn around,” he said. His laughter died. The raspy sound was like its own caress over your sensitive brown skin. 
You turned around and faced some type of freezer that lay horizontally. You placed your hands on the fridge and giggled at the cold top. 
You could only rely on your other senses. You smelled the spiciness of his scent. His cologne passed through your nose and you inhaled deeply, committing it to memory. You heard him rustling, pulling down his jeans. His methods were concise and controlled. There was a sound of a package ripping and then more rustling.
Finally, he scooted up behind you and pushed on your lower back. Your chest hit the top of the freezer. He lifted up your skirt and slammed inside. 
“Oh fuck,” you moaned. You were so wet that he went in easily, slipping nearly out already. But his was thick and long and as he really started hitting it, your eyes were already rolling into the back of your head. 
He leaned forward and placed one hand on top of the freeze next to yours. The other gripped your waist, slamming you up and down on his dick. 
“Fuck, this pussy feel so good,” he rasped right next to your ear. You moaned loudly, letting him know that you were thoroughly enjoying this. The feel of him. The anonymous nature of it. 
You started to slam back on him on his own steam. You matched his tempo so that he was hitting you harder and harder. You felt him so deep inside of you that the tip of him hit your G spot and you cried out. 
Your orgasm rocked through you and you shook from the sheer force of it. Ghostface didn’t give you a moment of reprieve. He kept up his punishing strokes, shoving you into the fridge. 
The wet slap of your thighs bounced off of the walls. Ghostface slapped your ass and you tensed up, breaking your concentration. “Relax Princess,” he cooed. The tinny voicebox was just hotter this up close and personal. 
You took quick, shallow breaths trying to calm down from your orgasm and still take his brutal thrusts. 
You slumped against the fridge and took the delicious pleasure. You were riding a unique high and it was bliss. Ecstasy. Your cheek touched the cool metal and it was just what you needed to cool your overheated skin. Sweat clung to you. You probably looked like a proper mess but you didn’t care. That was easily one of the best orgasms you ever had.
Ghostface slowed his thrusts and tapped your cheek a few times, enough to hurt. 
“Aw, is my Princess tapping out?” He asked.
He slid out slowly, so slowly to make you feel every inch of him. His mushroom head stretched your pussy and you whined, ready to jump out of your skin. He pushed back in with as much carefulness as the way out. 
“Fuck you,” you groaned out. You panted, needing more. Ghostface dropped his head to your shoulder and chuckled. 
“Already got that part covered,” he said. To emphasize his point, he shoved in with a quick thrust and you cried out. Banging your fists on top of the fridge. 
“I want to be fucked. If you can’t handle that, maybe I’ll find someone who will,” you said. 
Ghostface dug his fingers into your hair and yanked, pulling you backwards with a painful tug. 
“I’ll kill anyone who touches you,” he said. 
You were almost tempted to test that theory. You wiggled, trying to gauge how much room you had. Ghostface had an iron grip on you. There was no room to wiggle. If you wanted to move, it was only if he let you. 
You clenched around his dick and he chuckled. “What ya thinkin’ about Princess? Me murdering someone for you turn you on?” 
You tried to shake your head. It wasn’t that. But your pussy betrayed you, clenching around him again. 
He chuckled again and began moving. His strokes were deep and slow. “Don’t lie to me, Princess. I don’t like it,” he whispered. He moved his hand from your waist down to you pussy. His fingers moved between your folds, searching out your throbbing clit. 
“Fuck, I’m sorry,” you said. You stood on tiptoes, leaning away from him. He kept going, rolling your dripping arousal all around your swollen nub. 
“I said I’m sorry!” You cried and stomped your foot. This was too much sensation. Too much stimulation. Between him working inside of you, trying to imprint there, and his expert fingers on your pussy, you were nearing another orgasm. 
“Oh, please, I’m sorry,” you said. Your orgasm crested anyway. Your legs turned to jelly as your orgasm rushed over you like an avalanche. Covering you in a blanket of bliss. He picked up his pace, bringing your hips down faster and faster.
“Act like a brat, this is what fuckin’ sluts get,” he said. He slapped your ass and each consecutive one hurt worse than the last. 
He finally slammed in one final time and released a string of curses. There were a mix of platitudes and you were almost certain that he asked you to marry him. You felt him twitch and flex inside of you and you were only sorry that you couldn’t feel him leak out after. 
He groaned and slapped your ass one more time for good measure. He slipped from inside you and groaned as he took off the condom. 
“Come lick this shit up,” he demanded. You turned and dropped to your knees. You couldn’t support your own weight anyway. 
Cum dripped slowly from this tip of his dick. He stroked himself and moved closer, slapping it against your lips. “Open up,” he said.
You opened your mouth and looked into his ghost mask. His dick slipped in and he moaned. He threw his head back and released a deep sigh. 
“Need this,” he said. He began to fuck your mouth. He grabbed the sides of your head and thrust in as far as he could. You slobbered and coated his dick in saliva. He leaked into your mouth, the salty flavor of him turning you on. 
His head was still thrown back. His hips stuttered every so often as if your mouth felt too good on him. It was a heady feeling. Knowing that you affected him just as much. That you turned him on this much.
That the sweet curves of your body and the sweet nectar of your body was enough to make him crazy. Possessive. Feral. Fresh arousal gushed from you and you moaned around his dick. 
“Like the way I taste, Princess?” He asked. His fingers petted your cheek. You smelled your arousal on him faintly.
Spit dribbled down your chin and down his dick. You nodded and moaned again. You would never get sick of this. Of being his little toy that he constantly fucked with. 
He moaned and kept pumping into your mouth. “Sweet fuck,” he moaned and released himself inside your mouth. Hot splashes of cum danced on your tongue and then you swallowed him all down. 
“Such a good little slut for me, Princess,” he said. 
You whimpered. You popped his dick out with a loud pop and grinned at him. He nodded for you to get up. He watched you struggle to your feet, your legs feeling like noodles. 
“Don’t test me again, Princess,” he said. He pulled his pants up and zipped himself back up. 
“Yes, Sir,” you said with a grin. Knowing damn well that you were on your way to do just that.
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Psst. There's more! The Secret Ghostface Files
422 notes · View notes
screaminglygay · 7 months
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KINKTOBER day 5
pairing: ghostface! sam carpenter x fem!reader
summary: you and sam are besties, but do you tell each other everything? (what is this? i dunno)
warnings: smut!!!, dom!sam x sub!reader, sam is a big meanie for a little, spanking, degradation, dirty talk, swearing, killing mentioned, tiny bit of knife play, slapping, crying, not proofread, if anything else, let me know - I’ll add it
word count: 4.4k
an: enjoy I guess, let me know your opinions, also thanks for so much support with wanda, tbh I though that it won’t do this great, but it did and all of you are so horny freaks, including myself, but truly I appreciate it!!!💕💕
(italics = your thoughts)
!MDNI!
Enjoy this spooky season and be safe!
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The phone rings again, hidden caller. Picking up a secret number is really not your style. You let it ring, if they truly need you, they will write you a message.
Buzz.
Oh and they do need something important. You take your phone and look at the notification.
Hidden number
8:36PM
Call me ASAP, please! I can´t open the excel!
You calmed down a little bit as it was probably your classmate and accidentaly made their phone number hidden. Taking a deep breath before calling someone was always your go to thing, since the whole situation is very stressfull, you´d much rather write a long paragraph over a text, then just call someone. But since it´s about school, you´re less nervous.
You finger touch the last missed call and it starts to ring, as soon as you see that the other side picked it up, you started to speak.
"Hey! Sorry, I didn´t hear the phone. Anyways what´s going on with that file?" You took your notebook in case you have to make step by step tutorial to your classmate, because it wouldn´t be for the first time.
"No one ever told you lying is bad, (Y/N)?" You didnt recognize the voice, it wasn´t a voice you remember anyone having from your class, or the whole school. It was deep, raspy and mostly scary. You didn´t like horrors very much, but you were positive that you´ll get prank called or jumpscared by some idiot. And here they are, idiot on the line, at least that´s what you think.
"Haha very funny..." You´re mostly annoyed, but there is this side of little you, who is hoping this is truly your idiot classmate and no one else. "Do you wanna help with the sheet or not?"
Long big sigh can be heard on the other side. "And I thought you were a nice girl, (Y/N). Guess I was wrong. Don´t worry, we´ll work on that."
Now your little scary thought became a little bit bigger. You weren´t so sure it was someone you know.
"Who am I speaking with? Sorry, I don´t have your number added." You hoped they would say your name, you would stop panicking and it would be done it two minutes.
"Someone who likes to play games. (Y/N), would you like to play a game?" the raspy voice asked.
"No, thank you." Out of nervousness and mostly fear you hang up. You didn´t even realize until you stoped hearing the rapsy breath. Even if there was a truly a classmate who wanted a help, they shouldn´t prankcall you. Gosh how much you hated these things.
The phone didn´t ring again for quite some time, so you just let it go. Taking a long shower sounded like the best idea now. Out of the closet you took oversized shirt and some shorts and you headed to the bathroom. Doing your usual skin care routine went on automatic and brushing your teeth as well.
Coming back to your room, you notice that you left your closet opened, you sigh and close the door. Being too tired to prepare your clothes for tomorrows school day. As you lay on your bed, you hug your big teddy bear and your eyes immedietly close as you drift to sleep.
...
The next day goes smooth, first lecture was actually really interesting and you didn´t felt tired at all. You had your morning coffee and today was just a good day, you could feel it. You didn´t have those in a while, so it is very welcome.
Second lecture was indeed boring, but at least you know that the human eye blinks an average of 4 200 000 times a year, which is... a new information, that´s for sure. But the professor ended class sooner, so at least you had more time for lunch. And that´s a plus.
As you´re sitting alone, eating your lunch on a bench in a park, where you like to spend your free time between the classes, someone taps on your shoulder.
"Oh hi, Sam!" You smile, seeing your friend always makes your day better. "What are you doing here, I thought you´re working today." You scoop so Sam can sit next to you.
Sam met you when you were running late, literally. You two bumped into each other few months ago and because you spilled your coffee on her, you just had to pay for it somehow. So after you quickly gave her your number and basically sprinted out, Sam made sure you´ll keep your promise. And you did, few days after that you two met again and over a coffee realized how much things you two have in common.
She seemed like a cold and closed of person at first, but she is actually the sweetest teddy bear, as you like to call her for fun. Sam told you many times she hated it, but you made a good points that she is just so sweet, big and you feel safe when you´re around her, just like with teddy bear in your bed. And she was a taller than you, so that´s another point. After few "arguments" she actually let you win, so she is now your big and protective teddy bear.
You two started to hang out more and more, which just confirms your initial click, that Sam felt as soon as she laid her eyes on your sweet and innocent face.
"Well maybe I lied and I wanted to suprise you." Sam answers as she sits next to you.
"I am surprised," you giggle. "I have like a hour and something before my next lecture, so..." You look at your phone.
"Good." Sam smiles and tilts her head, she notices that you´re smiling ear to ear. "What got you smiling like that, (Y/N)?"
"Hm... nothing in particular, but it´s just a good day. And I´m enjoying a every single bit of it." You answer and your cheeks start to hurt a bit from all the smiling, you did in the last 10 minutes.
"Oh, I see. As you should." She nudges your arm with hers. "What are you doing after school?"
"I have to finish some excel to my statistic class, but besides that... nothing." Your thoughts are taking you back to last night and your weird call, with who you thought was your classmate.
Sam notices your smile fading and put her hand on your thigh, something she did pretty often, but it brings you butterflies everytime. "(Y/N)?"
"Hm? Yeah?" Sam just raises her eyebrow. "It´s nothing, I just had this weird person from school call me yesterday and... yeah, it was weird. A stupid prankcall." You roll your eyes.
Sam move her hand on your thigh up and down, trying to sooth you. "What did they say?"
"Just some stupid stuff, like do you want to play a game. Do I look like I want to play a game?" You sigh.
"Depends on the game. Horor game? Probably not. The Sims 4? Absolutely yes." Sam chuckles as you punch her arm.
"Every woman has her needs, mine is playing The Sims. Can you blame me?" You laugh, Sam always helps you with your bad and anxious thoughts.
The rest of your free time you two shared a lots of laughs, smiles and overall a good quality time together. Until you had to go back to your lectures, which made your day a little worse, since you wanted to keep talking to Sam.
...
Few hours later you finally finished all of your lectures for the day. You didn´t have that energy boost as you did this morning, but you´re still in a good mood. So you decided to walk from school back to your dorm. And even if it was October, it was still kinda warm outside so you put some soft music on and decided to walk.
Stepping into your dorm you notice that something is bad, you can´t point a finger on what it is, but the vibe seems off. Shaking off the feeling didn´t help for long, because as soon as you reach for your keys the ligh on the other side of the hall just turn off.
"Shit!" You flinch and your hands start to shake. As you succesfully get inside you lock your door faster than ever.
"Oh my god-" you take a few deep breaths. "It was just a light, (Y/N), everything is good. It was just a light." Mumbling out loud these words, in hopes that it will calm you down.
You turn all of your lights in your home on as a prevention for your mind from creating something that is not there. Lastly you go to your bedroom and open the door, you stop in your track in a moment when your eyes met a tall black figure next to your opened closet.
A cold shivers run down your spine, but with confidence it´s just your mind playing tricks you turn on the light even there.
But that choice just showed you, that this time, it´s not your mind playing tricks, but there is actually someone in your house. A tall black silluete turned into a big person with a black cloak and a white mask, looking like a ghost. You´ve seen this mask many times during Halloween parties. Quickly scanning the person you notice that they´re holding a knife. A knife!
"Oh fuck!" You qiuckly close your bedroom door, hoping you will get more time, but of course you had to lock all of your locks and jumping from a window was not an option since you´re living in the 9th floor.
Shit, shit, shit. Wait... I don´t hear anything.
The only thing that you can hear is your heartbeat, no steps, no breathing, just your heart. Looking back, noticing that the door you slammed shut before are now open again.
Your living in your worst shitty nightmare.
It´s a tap on your shoulder that almost makes you lose it. You let out the most horror scream in your entire life, you didn´t even think you could scream like that. The tall person with ghostface mask is standing right next to you, they shake their head and one of their hands makes it over your mouth to keep you shut. As soon as your bodies hit the floor, which suprisingly didn´t hurt at all due to all the adrenaline you have in you, right now. They pull their knife to your face and slowly slide it across your cheek, not hurting you in any way.
Your breathing gets faster and faster to the moment you feel like you start to hyperventillate.
"Hello, (Y/N). You cut our call last night, so I felt like meeting you in person, again, would help us solve the excel problem. Don´t you think?" It was the same raspy, deep voice you heard yesterday over the phone.
"I- uh s-sure." You nod as you mumble your answer agaist her hand, noting better came to your mind.
"Sure? Now you don´t have a problem with that, but yesterday you cut me off like I was a fucking no one?!" Now you were truly hoping that this is just a nightmare and you will wake up. "Isn´t it fair if i cut you off too? So you would now how it feels?" Their knife is swinging infront of your face again.
"I- No, please, don´t. I- i uh I´m sorry!" You mumble agaist their hand.
The person on top of you just laughs and bring your hand above your head and now you can´t move at all.
"I think it´s fair, you know how shitty I felt? And today you´re doing like nothing happened? Like I was just.. what did you described me as... as a weird person who said stupid stuff?" Their face coming closer to you. "I think it´s fair to show me some fucking respect." you feel a slight sweet cologne coming from that person.
A scent you know very well, It starts with a fresh burst of citrus, like a mandarin. With a little hint of vanilla and amber adds depth and warmth. This scent is a subtle and comforting, like a cherished memory to you. A cherished person, you know too well.
It can´t be...
Your eyes shift, looking over the mask again, your eyes anaylzing from side to side, like you´re trying to read their mind through the eyes on the mask.
They tilt their head again, the knife slowly going away from your face. You hope that what you thing is just a big misunderstanding, it can´t be her. Not your Sam.
"Sammy?" You mumble as their hand is going away from your mouth. Few tears forming in your eyes.
"Oh look at you, you figured it out." She takes her mask of and it was like a bullet straight through your heart. "Now be quiet or I´ll shut you up." She picks you up, like nothing and wallks quickly into your bedroom.
This was not your Sam, not your friend, she look like her, but her actions were the exact opposite of your comfort person.
She throws you at the bed and you´re now laying on your stomach, she comes closer to you again and whispers into your ear.
"Every woman has her needs, mine is playing with you, (Y/N). Can you blame me?" She chuckles as she repeat what you´ve said earlier. "Ass up." She put her hands on your hips and you put your ass up, as she told you. Too scared to do anything else. "Good girl." Sam praises you.
"S-Sam.." you whine out between with your tears streaming down your face.
"Oh shush, did no one told you to speak nicely about your friends? And not talk-" she spanks you, hard, "shit about your friends?" Sam spanks you again, this time it was even harder.
"I´m sorry, Sam- I didn´t-" you try to talk, but it´s hard when your face is burried in the pillows.
"I. Dont. Want. To. Hear. It. Now." Her voice was harsh and so was her hands on your ass with each words she growls into your ear, even when you have your clothes on, it still hurts too much. "Just take what I give you and then we might talk." Without any warning she takes your pants off, slicing your shirt and throwing it away.
"No bra?" Sam laughs. "You went the whole day without a fucking bra, you´re so pathetic, (Y/N)." She runs her knife on your back, she´s doesn´t want to hurt you really, at least not right now. "You did this on purpose? You´re look so innocent, but you´re not so innocent, are you?" Her hands find its way on your tits, she give them a tight squeeze and you can´t help, but let out a big moan.
You like this, which shock you more than the fact, that Samantha Carpenter broke into your house, just to play with you.
Her big strong arms, oh god how much you love her amrs. The way they hold you during your sleepovers, how they caught you everytime you walk into the street without looking both sides, or how they always brought comfort to you. Everytime.
But now? It´s totally different now, at least that´s what you think and Sam noticed that. And she can´t have you be thinking this much, when she wants to have her sweet time with you.
Her hands playing with your nipples, pinching each one very hard for you to come back to her. And you did, you realize just now that you´re not crying anymore, you´re just a moaning mess.
"You´re doing so good, look at you, mi amor, taking all the spanks as a punishment for how mouthy you were." You can sense the smile in her words and it´s like your Sammy is speaking to you, which instantly make your worries go away. Your body relaxes againt her and she can feel it, it´s like a small win for her. "Good, just like that."
You moan once again, it was more a needy moan than anything else. One second you´re on your stomach and the other one, you´re on your back, Sam holding your waist to scoop you closer to herself. She´s still wearing the black cloak, that don´t scare you anymore. If anything it is kinda attractive, that she´s still in her clothes and you´re just in your panties.
Looking at her with needy eyes was something that Sam saw a many times. Begging her to pick you up after school, or give you her hoodie, when you were cold. Or those many times when you cannot reach something, because it was way to high.
But this time you have this spark in your eyes, the good girl was gone, now Sam could really see the needy whore, who hid under the inoccent cover for the whole time. And this time Sam takes this as the ultimate win.
"Please-" you whine.
The most confident smirk appears on Sam´s face as her hands runs down your body, finally kissing your neck. "Please what?" Sam asks you between those sloppy kisses.
You let out another whine.
"I´m letting you speak, if i was you, i´d better use it." She bites your neck, which will definetly make a nasty bruise.
"Use me." Your move your head, so Sam has better acces to your neck.
"Oh wow, such a fitlhy words, for such a pretty little girl." She chuckles as she keep kissing your neck, her hands finding your tits again.
You never knew your nipples were this sensitive, but Sam knows. Of course she does. You feel as her hands are grooping your breasts, but you´re not satysfied, you want to see her, so you tug on her cloak and let out a whine.
"What?" She mumbles agaist your neck and then she pulls away to make eye contact with you.
"I wanna see you." You tug on her cloak again, "please."
Sam without a beat took her cloak off and she was now in her black underwear, sitting on top of you as your eyes wonder. She gives you a little time for checking her out and god you could stare at her for days. The light in your room making her muscles look even sharper, not that she needs it, but you just can´t have enough of her.
"You´re not so sad now, huh?" She smirks again, fuck how much you hated that confident smirk. Without waiting for your actual response, she dive back, her lips on your neck, making sure that after tonight everybody knows who do you belong to.
After a few minutes of Sam being basically a vampire, she starts to kiss her way down, slowly as she stops at your nipples again. Slowly, but hasrshly sucking on them, making sure to keep an eye contact with you. " Keep your eyes at me." You could cum just from watching her.
She treats you like a blank canvas, and as a skilled artist, she must make sure that you are painted with her in the end and with a pleasure you won´t forget.
Her big muscular hands are sliding down your body, pinching your inner thighs to tease you. She knows what you want, but she won´t give in that easily, even when you´re looking at her with those cute and innocent eyes.
Your hands are sliding off your panties, but Sam qiuckly takes your hands. "They are staying on and keep your hands above your head." Her raspy voice sends shivers down your pussy, that is now drenched, because of her touches and skilled movements.
You put your hands back above your head, wiggling a little to show Sam how impatient you are. She just sends you a quick slap on your thigh and you giggle.
Her finger slowly going up and down your clothed pussy, you can already see how wet your panties are and if Sam wasn´t that needy, she would make fun of you. Seeing you like this gives her so much power and let´s be real you are really feeding her ego.
"Sam!" You move your hips up, hoping she will actually do something.
"(Y/N)!" She mocks you with innocent smile on her face.
"Fuck- I need your fucking hands in me or I swear I´m gonna lose it!" You did lose it already.
"You want my fucking hand in you? You like my hands?" Sam whispers.
"I do! So much! I need your big hands in me, please!" You shift towards her again.
"Aww pretty little girl, do you think that your pussy will take my big hands?" Sam´s finger barerly toucing your slit.
"Yes! I can take it!" You think that you will be crying from the frustration.
"Say it."
"My little pussy will take your big fucking fingers! Hands! Whatever you give me, I can take it, Samantha!" You groan.
"Oh you´re using my full name, you really need it, huh?" She smirks again, but your wish is her command and in the end she wants to make you feel good. Pushing your panties to the side, your juices are everywhere and god she loves it.
"Is this for me?" Sam softly asks.
"Only for you." You give her a small smile.
"In that case-" she slides her two fingers in you, slowly pushing in and out. Sam already feels your pussy pulsating and her fingers get almost swallowed by you. "Oh wow, I was so wrong about you and I´m so happy I was." She adds another finger.
You whine, you feel aready so close, your pussy is feeling like it´s on fire, your hips going up and down and Sam´s just enjoying the view. You want more, so you feel like grabing Sam´s hand is a good idea. She raises her eyebrow and slip her fingers out of you.
You whine out, immedietly feeling empty, you feel like you gonna burst out, you really need to cum, but now you lost everything that felt good.
Sam slaps your pussy one time, but damn it´s painful. "I said, keep your hands to yourself." Her fingers slides quickly back into you, both of you know, that you´re very close.
"Ple-" you can´t even finish the word without a moan.
"Go on, scream. I want you to fucking scream my name, mi amor." She uses both of her hands now, one sliding in and out of you and the other one playing with your clit, which is something that gets you over the edge pretty easily.
Your whole body flex under her touch, this is the best release you ever had, it felt better than anything in this world, she definetly know what she´s doing. As you scream her name, Sam slows down her movements, for you to ride it all out, without being too overstimulated.
Sam gives you two kisses on each of your inner thighs and then kiss her way back up. She´s smiling and you are too.
The atmosphere went from being scared of your life to you having THE time of your life.
"There you go, little girl. How are we feeling hm?" Sam whispers into your ear as she wraps her strong hands around you.
"Fucking confused." You let out a small giggle.
"Watch your tone, young lady." Her hand squeezes your wrist.
"I- I´m good. Just... what just happened?" You lean into her.
Sam laughs as you´re confused. "You know I hate Halloween, you scared the living shit out of me with this prank, Sam. If you wanted to... you know, you could´ve just asked. I though you were some murderer!" You lazily mumble as you are half asleep already.
"Yeah and I love Halloween and asking you for a fuck session is not so fun. Me a murderer? Oh please." She kisses your head.
"Hmm.. whatever." You are too tired to have this conversation with her.
As you fall asleep in the arms of Samantha Carpenter you felt happy, today was really a great day.
Sam made sure you were dead asleep before getting up from the bed, but as soon as she did, you instantly start to move in discomfrot. She quickly grab your teddy bear and made you cuddle him instead and her plan worked. Cute smile was on your face again and Sam was glad you had this stuffie here as a replacement for her, when she needs to do her job. She knew you will be overthing when you woke up to an empty bed, so she quickly scribble down a note.
"I´ll call you later, I had to go to work, -s"
She took her knife that was laying on the ground, take on her cloak and last but not least take on her ghostface mask and went to work.
She was never a murderer, she was and still is just a protector. Especially when it comes to you.
Of course you had to call Sam, when you heard the news.
"Hi, how is my sleepyhead?" She chuckles into the phone.
"Hey, um... did you hear the news?" You quickly say to her, as you´re almost out of breath.
"What news?" She asks you.
"There was a murder, someone in a ghostface mask was seen few streets from my dorm. They killed a girl from my statistic class, I mean... I didn´t know her, but it´s still scary." As you say this, goosbumbs appear on your arms.
"Oh shit, that´s... scary even for me. Are you okay?" Sam asks with concern.
"Yeah, I didn´t know her or anything, but it´s crazy. Especially when you can buy the mask anywhere, since you have it too." You ramble over the phone.
"Right. It´s like I killed her, right?" Sam responds.
"Sam, don´t joke about these things. Can you maybe come to mine after work?" You really need her, to protect you and make you feel safe again.
"Give me 15 minutes." And with that Sam hang up. Drove away from the empty parking lot, where she watched your classmate, Tony. She heard a few stories from you, that Tony was being a dick during your presentation and no one can be a dick to you. No one.
And today is Tony’s lucky day, because you need her now and that´s way important. When she´s with you, no one can hurt you.
Only she can and that´s how it should be all the time.
Thank you for reading! Have a great day!!! And tell me what you think<3
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rollingsins · 1 year
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masterlist
disclaimer: this blog is 18+ and contains adult/dark themes in some instances. please proceed with this in mind. 
ao3 wattpad 
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Ghostface!Tara 
all hers: “I’d kill everybody in this town before they’d take you away from me.” Tara says, eyes wild. “I’d kill everybody in the world. You belong to me.” Ghost face!Tara. Smut. Dark themes. 18+
part i
part ii
part iii
part iv
part v
part vi
part vii
part viii
part ix
part x
part xi
part xii
part xiii
part xiv
part xv
part xvi
part xvii
part xviii
part xix
part xx
part xxi
part xxii
part xxiii
part xxiv
part xxv
part xxvi
epilogue
drabble 1 (anal sex), drabble 2 (R is sick), drabble 3 (clingy!Tara), drabble 4 (jealous reader), drabble 5 (R Dad trying to set R up), drabble 6 (Sam's and R's girls day)
Ghostface!Tara Playlist | Ghostface!Tara sexy-time playlist
The drabble files: Loosely connected drabbles from the all hers universe.
P1 | P2 | P3
Quinn Bailey Must Die: Quinn Bailey is yours and Tara’s, sexed up, horndog roommate. She’s cool at first, you think. Until she sets her sights on Tara. All hers universe, set after the main story. GF!Tara
P1 | P2 | P3
Vada Cavell
secrets that you keep Vada tells her Mom a little too much. Again. An argument ensues. Smut 18+
falling all in you Vada makes a purchase for the two of you. 18+ smut.
captivated Vada’s first time seeing R’s boobs. She’s a little gobsmacked. 18+ smut.
in the name of taylor swift you have to break up with Vada. In the name of Taylor Swift. Fluff drabble: Vada's obsession with R's boobs.
Wednesday Addams
in the interest of spontaneity  Wednesday invites you up for a ‘study session’. Of course, being Wednesday, the invite is literal. Smut, 18+ trust me Reader learns a new spell and decides to test it on Wednesday.  Specifically: Wednesday's strap-on. Smut, 18+ say my name While in bed with Wednesday, you accidentally moan Enid's name. Smut, 18+ drabble: jealous Wednesday
Jenna Ortega / Emma Myers
three’s a crowd: You hadn’t expected this. to fall in love. with not one girl, but two. you hadn’t expected to ruin their friendship. love triangle au.
Playlist
part one
part two
part three
part four
part five
part six
part seven
part eight
part nine
part ten (epilogue)
Florence Pugh
Love Scenes  Florence gets jealous after you film a love scene. Smut. 18+
lights, camera, action You catch Florence’s eye on the set of her latest movie. Smut. 18+
Florence Pugh x Harry Styles x reader
Third wheel Florence gets tired of being the third wheel. Angst.
Friendly Competition Harry and Florence are competitive. A little too competitive, when it comes to you. Smut. 18+
drabble 
Misc
Ghostface!Tara headcanons
Ghostface!Tara NSFW alphabet
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positivexcellence · 29 days
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Is there garlic on this pizza? An oral history of Supernatural's 'Monster Movie' episode
THE BEGINNING
What started as a simple enough idea — a black-and-white episode — was then put into the hands of writer Ben Edlund, who’d already crafted some of the show’s more creative hours, including “Hollywood Babylon,” which marked one of the series’ first meta episodes, and “Ghostfacers,” which was shot like a cheesy ghost-hunting reality show using handheld cameras. Alongside Edlund was director Robert Singer, an executive producer on the series and a massive movie fan himself.
ERIC KRIPKE (Creator): I was an obsessive fan of The X-Files and in their prime, they got really bold and adventurous with their format, and they had a black-and-white episode. I was always hoping that we could start taking those same kinds of swings. I remember saying, “I want to do a black-and-white episode where Sam and Dean are up against the classic movie monsters.” But I think Ben came up with the shapeshifter. We were trying to figure out: How do you get a mummy and a werewolf and a Frankenstein and a Dracula in the same episode? That makes no f---ing sense. So this idea of a shapeshifter who loved those movies and was ultimately just a fanboy was the secret to cracking that one open. 
ROBERT SINGER (Director): I think that script was Ben at his best. I was really happy that I was in line to direct because I really loved those old movies, so it was fortuitous that I got to do it. 
JENSEN ACKLES (Dean Winchester): It’s all just paying homage to the old-school ways of doing things, which having Bob at the helm, he’s seen all those movies time and time again, so he was the perfect guy to direct this episode. 
KRIPKE: Bob has an encyclopedic knowledge of movies, especially older films. He’s a classicist and his directing style is a lot of that kind of beautiful, elegant Hollywood style, and I think he just really relished it.
SINGER: I shot generally with wider lenses than I would normally do with Supernatural to try to give it some of that old-time feel. I really took pains to make it look as old fashioned as I possibly could. I’m a big fan of James Whale, who had done Frankenstein, and there are a lot of great crane shots in those movies, so I did a lot of crane work in this. We did a lot of shadow play. 
JARED PADALECKI (Sam Winchester): You put Ben Edlund on writing and Bob Singer on directing and magic is bound to happen.
But there was another piece of the puzzle that needed to come together for the magic to truly work: Who would play the shapeshifter (and therefore spend the episode doing their best Dracula)? The answer was Todd Stashwick.
TODD STASHWICK (Dracula): They wanted a full-on replication of Bela Lugosi’s performance. I had the DVD of the 1930’s Dracula, so I was watching that just to get the mannerisms and vocal intonation down so that I wasn’t doing a Xerox carbon copy but rather actually trying to get that Hungarian dialect that he has. I went in [to the audition] and just swung for the rafters.
SINGER: We had him do one of the Dracula scenes and then do the speech where he’s telling her how he became the way he became and Todd just killed it. That was an easy call to cast him.
STASHWICK: They wanted to know that you were going to be able to bring both sides to it, the full-on studied Dracula performance and then to let that mask drop and see the wounded man that is the monster. 
KRIPKE: We needed someone who could stick the landing on the Dracula part and that’s really hard. It’s hard to do it and have it not come off like a bit. Todd is a remarkable mimic of Bela Lugosi and brings humanity and soulfulness and depth to it. There’s something in his eyes that made it deeper and sadder than had you cast someone who was just going for an impersonation.
PADALECKI: That episode belongs to Todd Stashwick. He’s so damn good. 
Alongside Stashwick was Melinda Sward, whose character Jamie, a local waitress, caught Dean's eye and marked a first for the show. 
KRIPKE: At the time, there was a young female fan named Jamie. She and her mother would write us letters and they were super fans, and we were still early enough that we’re like, “I can’t believe there’s fans.” Jamie had medical issues, so when the season was coming up, I wrote her a response and said, “If you concentrate on getting better, we’ll name a character after you.” And she responded and said, “That’s amazing, but can you just do me a favor? Can you make sure it’s a character that doesn’t die?” So the female lead in this one we named Jamie. That was one of the only times we ever named a character after a real person and a fan. The happy ending is she was thrilled and she grew up healthy and now tours around with a replica of the Impala. 
ACKLES: Jamie was one of my favorite Dean Girls. Melinda was so good and so fun.
From the instant the episode began, fans knew they were in for something special as the old black-and-white WB logo kicked off a very old-school credits sequence.
SINGER: Right from the opening of the Warner Brothers shield, you know where you’re going. It set the tone perfectly.
KRIPKE: That and “Changing Channels” are the only two episodes where I’ll sit down and just watch the credit sequence. The font, the way you list every crew member, and it just goes on forever. And [composer Christopher] Lennertz wrote real orchestral music for it. I just love the opening of that episode and the way we did that title sequence. But changing subjects, what that reminds me of is the singular genius of Ben Edlund to set this episode during Oktoberfest. Suddenly everyone looks like European villagers and everything becomes a real monster movie.
SINGER: And that location was a party site, but it worked perfect for us. 
PADALECKI: It was like an amusement park in the outskirts of Vancouver that we rented out. It ended up unfortunately getting torn down and turned into condos or something.
THE MIDDLE
With the setting and the cast locked, the brothers set out on their hunt, arriving at Oktoberfest to help solve a murder. And when the investigation made Dean late to his first date with Jamie, he found himself face-to-face with Dracula. So naturally, Dean punched the shapeshifter in the face. A fight ensued, one that ended with Dean holding an ear and Dracula ... riding a vespa?
ACKLES: I believe one of the many reasons this show lasted as long as it did is because it can be scary but then at the same time, you throw something like the scooter in and it layers in comedy with horror, with drama, with romance. It touches it all. Bob said it early on and it became a mantra of ours: “No joke is too cheap.” 
STASHWICK: That’s the infamous assault scene. I’m in full crazy mode and I’m supposed to clock Jensen in his beautiful face with my elbow, and for whatever reason in that moment — I perhaps leaned in, he perhaps leaned in — we closed that gap and I clocked him. So what you see on the DVD extras is me being all Dracula and then me being mortified that I just hit their billion dollar baby in the face.
ACKLES: He caught me with an elbow but he probably thought he hit me harder than he did. It was a mix between a good shot and a graze, but he immediately broke character. He was like, “Are you good?” And I was like, “Yeah, that one woke me up.” [Laughs]
Dean made it through that fight, but the shapeshifter had already planned its next move: While Sam checked out an eccentric local that they thought was the killer, Dean and Jamie shared a drink back at the bar where she worked. Her friend Lucy (Holly Elissa) then showed up just in time to spike their drinks. By the time Dean woke up, he was wearing Lederhosen while strapped to a table in a dungeon.
SINGER: Jensen was like, “Oh god do I have to wear this?” So to make him feel better, I put on the Lederhosen top. I didn’t go with the full shorts but I did direct that day in the Lederhosen top to take the edge off it a little bit for him.
ACKLES: I remember that! He directed in that shirt. [Laughs] Those were authentic leather Lederhosen from Bavaria. Only the best for Dean.
PADALECKI: When Jensen’s first getting strapped to the table, cause he’s a big guy, I remember them talking about how for the visual's sake, they wanted it to be like he’s a quote-unquote damsel in distress, so if they used a normal-sized platform, it would’ve looked comical, but not in a good way. So they had to make it a little bigger cause he’s kind of big.
Dean wasn’t in the dungeon long before Dracula left him to go answer the doorbell. It seemed the shapeshifter ordered a pizza … and he had a coupon.
KRIPKE: I just love how there’s the monster lab in the basement but then you go upstairs and it’s this mid-century ranch house. That’s almost a direct ripoff of the Steve Martin movie The Man with Two Brains.
SINGER: [Set designer] Jerry [Wanek] did a great job in building the dungeon set, and then when the doorbell rings, you realize it’s in the bottom of a suburban house with a pizza guy showing up at the door. 
KRIPKE: When Ben wrote the script, we talked about that scene more than any other scene in the episode. We were so specific about how we wanted the Dracula shapeshifter to react to the pizza guy and the way he’s scared when he says, “Is there garlic on the pizza?” And then the way the pizza guy’s so bored and over it: “Did you order garlic?” And then he says, “No!” It’s the way that he’s so bored of this Dracula at the door.
PADALECKI: I think Jensen and I must’ve watched this episode together in 2008 because I remember us looking at each other and going like, ”Oh my god, [the pizza guy] is way better than he needs to be!”
ACKLES: That line, because of the way that Todd delivered it, we used that line on set many, many times. Whenever somebody asked a question that had an obvious “no” to it, it’d be like, “Hey, did you want the big light on in the distance?” And Bob would be like, “Is there garlic on it?” So that became a little ism on set.
STASHWICK: I’m a Second City guy, so “yes, and” is drilled into my head and yet the two memes I’m most known for, I’m saying the word “no,” and that is Supernatural and Star Trek. I have the no's that are heard around the world. 
In the end, the brothers came out victorious and another monster was dead, but not before this one made you feel a little something (and gave one heck of a final monologue quoting King Kong). 
KRIPKE: Ben gets all the credit, and rightfully so, for writing the crazy episodes, but where I don’t think he gets enough credit is what a disciplined screenwriter he is in terms of character consistency and rule consistency and just the emotion and pathos he brings to every single story he does. No matter how crazy, he always has such a talent for capturing humanity. I wasn’t counting on the shapeshifter to have pathos but when he gives that speech at the end, it’s so sad. I give him all the credit in the world for that.
SINGER: Eric used to say, “Every villain is a hero of his own story,” so we always tried, as best we could, to give the villains something to do and learn more about them and give them full characters. So even with all this fun, we managed to give him something a little more to do. 
PADALECKI: He becomes an almost sympathetic character — I stress almost because he did kill a couple people — but what a great character arc all inside of one episode.
STASHWICK: Because this character wasn’t just a cartoon Dracula and he had that human moment, I think it made him stick in people’s minds more. This monster just really loved the movies. He was the ultimate cosplayer. It might be the thing I’m most known for outside of Star Trek, that one episode of TV.
THE END...?
Although Dracula didn’t make it out alive, the episode seemed to breathe new life into the series, marking perhaps its biggest risk yet, though not the biggest risk the show would ever take. 
SINGER: It kind of laid a template for other big swings that we took that were out of the ordinary, whether it was “Changing Channels” or “The French Mistake.” This was the first of our big swings of being totally different than what the show was generally week to week.
KRIPKE: I remember it getting a positive reception. I think people appreciated the swings we were starting to take. I just love that this small little supernatural show that’s arguably a Buffy ripoff on The CW got so experimental. I am really proud that we were doing legit avant-garde stuff, really experimental filmmaking, of which this was one, and then we just kept pushing it. 
PADALECKI: It’s such a great episode of television and I think we have a few in our 15 years that could stand alone as something fun to watch and out of the box, and it's certainly easy to argue "Monster Movie" is at the top.
ACKLES: This was really when we were hitting our stride. We were in the pocket with these characters, with the storytelling, with the writing. The first year was really finding our feet, the second was like, "Okay we somehow survived a network merge, let’s not mess this up." And then third season we started playing a little bit. So by the fourth season, we’re like, "Now we know where we need to be." This was the perfect time to do one of these outside-the-box episodes. This is definitely one of my top 10.
SINGER: I directed 48 episodes and if somebody asked me which is my favorite, I would probably say this one. I just had the best time doing it. 
Entertainment Weekly
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toxicanonymity · 22 days
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Cross-fandom: my fics by interest
Works from: The Last of Us, Scream, Narcos, The Skeleton Twins, Texas Chainsaw Massacre, The Bear, Road House (2024), Logan, The Free World, Little Accidents
Masterlists: Main (incl. Slashers) | Pedro | Boyd
NOTES: You can look for a theme or fic you like and see what else is grouped with it from other fandoms. Still adding. There will be repeats of a fic falls on more than 1 category. Chronological by fic date unless otherwise noted. Heed warnings. An anon mentioned liking my slashers despite not knowing the movies. So I made this bc of my break (also check out @toxicrecs). I rly appreciate your patience and kind words. x f!reader unless otherwise noted.
*the exact link is on the list more than once
Captivity, dubcon/noncon, dark fluff/caretaking
Raider Joel (Miller from The Last of Us)
* Stay awake (vampire Joel, very docile)
* The Raid (Javi and Steve from Narcos)
Captive POV (Donald Pierce from Logan) - the capture & brief touching so far, no fluff.
The Spread (Thomas Hewitt from TX Chainsaw)
Sneaking around & possessiveness
*Good Behavior (Corey Cunningham, Halloween)
Stepdad Joel
Comforting a beefy man after he's mistreated
Corey from the Yard
Mo Lundy (The Free World / Boyd Holbrook)
Power struggle, degradation, noncon both ways
*Every Inch (Ghostface) & pts 2, 3 (see fic)
Slasher Joel
Sex Work (or adjacent)
Virgin sex worker reader (Joel)
Jailbird (Joel x sex worker inmate/parolee)
Motel (Amos from Little Accidents)
Hybristophilia (attraction to criminals)
Obsessive reader (Michael)
File room boss - (Steve x boss f!reader)
*Good Behavior (Corey)
Dirty talk in the same style (night walks style)
Night Walks (Joel)
*Every Inch (NW coded Ghostface)
*Thighs out (Joel)
Unwanted or noncon somnophilia
Rock bottom pt. 3 (Corey)
What you're missing (Joel)
Ghostface POV drabble
Takes you forcefully bc you want him to
Michael (Myers) knows
Beef broth (Joel)
Same as above but you're asleep
Sleeping Beauty (Joel)
Late Night Company (Corey)
Killer/Slasher POV
Skin Alley (Michael)
* Every Inch 3 (Ghostface)
Midnight Snack (Slasher Joel)
Ghostface POV drabble
Vampires
* Stay Awake (Joel)
Michael's Castle
Sexual tension or pining between men
In order of mild to extreme (still f!reader)
* Beach Walks, Beach Walks Lore (Joel & Billy)
* The Raid (Javi & Steve) - pt. 2 (more to come)
Rock Bottom ch. 1 (Corey/Michael)
* Good Behavior (Corey)
Unwanted breeding drabbles
Secret breeder (Joel)
Breeder Michael
Shared by brothers
The Ghost (Berzatto Bros) - implied/adjacent
Brotherly Sharing Masterlist (Miller Bros)
He fucks you in front of someone who might die
Michael makes them watch
Raider - Failed Rescue (Joel)
Crossover between fandoms or movies and there's sexual tension with both of them and/or each other
Michael in Ambrose (Halloween / House of Wax)
Beach Walks - Prequel, Fic pt 1* (Night walks Joel / Billy from The Skeleton Twins)
Road House (2024) - Scream AU (kinda)
Gas Stations
Get out of the way (Michael Myers)
All dressed up (Night Walks Joel)
Leopard Print (Joel & special guest)
Man calls himself daddy
*Sky's Out Thighs Out (Joel)
Every Inch 2 & Every inch 3* (Ghostface)
--------
Feel free to suggest categories/fics
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wolfboy88 · 6 months
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Scerek Weekend Fest 2023
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Scott and Derek cross paths in the video store, specifically in the horror section. As Scott's eyes land on Derek, a surge of familiarity washes over him. He remembers glimpsing Derek's face on his father's desk, accidentally stumbling upon his rap sheet during a recent visit to his workplace.
Scott can’t help but be instantly captivated by Derek's charisma. Every Friday, he finds himself eagerly returning to the video store, hoping for another chance encounter with the tall, dark, and handsome stranger. It becomes a ritual for them to meet in the horror section, their shared love for spine-chilling films bringing them together.
Driven by his infatuation, Scott takes a daring step. He manages to discreetly obtain Derek's phone number from his father's files. Summoning his courage, he decides to make a bold move and send Derek a flirtatious photo. To his surprise, Derek reciprocates with an equally enticing image.
Their connection deepens, and Derek extends an invitation for Scott to visit his place. They bond over their favourite scary movies, finding solace in the shared thrill of the genre. They revelled in their shared love for the macabre, often spending nights watching horror films, cuddled up on Derek's couch, their bodies intertwined. Scott’s heart races every time he sees Derek and he can’t help but feel a sense of excitement and danger in their secret romance.
In a mischievous twist, Derek convinces Scott to dress up as Ghostface, the iconic character from the "Scream" franchise that they both adore. Together, they embark on mischievous adventures, roaming the town and revelling in the thrill of their escapades from prank calls to graffiti to arson to petty theft and Derek revels in corrupting the detective’s son, so eager to experience and enjoy the life he’s always craved.  
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krypticcafe · 9 months
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❧ About Our Staff
Our lovely staff consists of one person! Yep! One! The manager, the barista, the bartender, the waiter, the cashier, the one writing all of this:
Yours truly, ✎ Kryptid
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❧ General
✎﹏Name(s): Kryptid, Kryptic, K.C.
✎﹏Pronouns: They/Any
✎﹏Age: 18+
✎﹏Orientation(s): Nonbinary, Panromantic, Greyspec-Questioning
✎﹏Race/Ethnicity: Southeast Asian-American
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❧ Description:
✎﹏Just a local cryptid writing for fun (and spite), I started this account just to lurk on Tumblr and save my favorite fics. Initially, I started writing as a joke with my "When you call them 'babygirl'" headcanons. But then I got really salty about reader culture, especially in COD fanfic, so now I try my best to write as neutrally as possible and for readers who just wanna get represented a little more. Tall, buff, chubby, masc, neurodivergent, POC, people who just want to be absolute powerhouses, people who just want family dynamics, people who want to explore darker themes without glorifying them, etc. Variety is a huge thing for me.
Oh yeah, this account is actually supposed to be kept quiet from people who follow me for my art on TikTok, Twitter, and Instagram. It's not supposed to be secret, but it's not supposed to be super public. Yet. I guess.
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❧ Fun Facts:
I've played all of the CoD Modern Warfare games and I can guarantee, I'm very mid at online multi-player, but the campaigns slap :')
I started taking drawing and writing seriously in like... 2016, so it's been 7+ years.
Used to rp online a lot for about 5-6 years, but now I get really nervous haha... I might try again.
CoD faves are: Ghost, Soap, König, Roach, Gaz, Horangi, Farah, and Krueger in no particular order. And no, I will not pick.
Slasher/DBD faves include: Pyramid Head and Ghostface. Simple 'n basic.
Star Wars faves are: Poe Dameron, Din Djarin, Ahsoka Tano, BB-8, R2D2, Leia Organa, Boba Fett
Marvel faves: Peter Quill, Rocket Raccoon, Peter Parker, Gamora, Nebula, Mantis, Miles Morales, Deadpool, Daredevil
Slenderverse faves: Hoodie, Masky, Splendorman
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❧ Interests
Hobbies:
Drawing
Writing
Animating
Video Editing
Reading
Gaming
Active Fandoms:
Call of Duty
Marvel
Slashers/Dead By Daylight
Marble Hornets/Slenderverse
ARGs (Mandela Catalogue, Vita Carnis, Backrooms, Gemini Home Entertainment, Channel 58, Walten Files, etc)
Anime (mainly Demon Slayer and Chainsaw Man)
SCP Foundation
Etc.
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❧ Before You Interact:
I'm cool with people sharing their thoughts, ideas, headcanons, even ocs with me!
I'm best at gender neutral, masc, and dom readers, stuff like that
I post on my own schedule, and I pick whatever I feel like writing
Don't just dm me saying "hi" and nothing else, because it doesn't really... give me much to respond to.
DNI if you support p*dophila, b*stiality, r*pe, inc*st, homophobia, transphobia, or if you're an asshole in general.
DNI if you're younger than 16. My content is on the mature side.
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whiskehorange · 4 years
Note
Howdy! Okay, I hope this doesn't bring you down in the dumps if it's something your not comfortable with since it can be triggering? I guess, but I want to play it safe. So slashers: Pinhead, Hannibal, Harry, Mark, Jack, Huffman, the ghostface duo, Norman, and the Auditor after being interested in the reader realized that they deal with really bad depression and anxiety? Will they stay or leave? I kinda wanna request one about non slashers so hold on. (1/2)
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These are out babies, of course they’d stay! I love you anon, feel free to come to me for anything. I don’t mind putting all of these guys in one post though, so I’ll put them all right here!
Pinhead
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You’re pure. You might not think it, but the amount of suffering you have done mentally is far from enough. And for you to still be strong enough to simply be alive is commendable on it’s own; you’re strong, he can give you that. He really shouldn’t stay, mainly due to the fact that you’re a living human, but it’s him down here that makes decisions, and if he wants to have you by his side to show you some “peace”, then so be it.
Hannibal
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It’s no new news to Hannibal, he could practically smell the worry in the pit of your stomach every time you came in for a session. Even when the sessions were over and he successfully convinced you to meet up with him for dinner regularly, he genuinely wanted to help you out of this hole. It would take some time and effort with how badly you’ve got it, but it’s nothing he can’t handle, nothing he can’t convince you is treatable. 
Harry
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Every time you came down to visit him he could see right through that warm smile of yours. Your eyes and words were dead giveaways to that dark cloud inside your head. Trust him, he knows a thing or two about how it feels, he isn’t one to leave you in the dust. It’s a lot of work to get through hard times, especially alone, but if you’d like, maybe you could work on it with him. He doesn’t talk much, but that doesn’t mean he isn’t open to being open to discussion on how you feel.
Mark
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Mark quite literally doesn’t have the time to deal with depression, but that does not mean that he does not have the time to be with you. He demands that if you ever feel down or are having a rough time, no matter what time it is, that you pick up your phone and call him. Mark has authority in his parts, so if that means that you need to come and lie on the newly bough sofa in his office just for you, then you better get your ass over here and let him watch over you.
Billy & Stu
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Billy knows a thing or two about it, but not this deep. Being with Stu typically distracts him from everything, but nothing they do can get you out of the thunderstorm in your head. Billy’s there for verbal affirmations and physical affection, taking a more serious route to try to get you to smile. Stu, on the other hand, is a bit much to handle, wanting to get you out and about, even if it’s something small like just to sit in the park. Stu is good at distracting, and maybe it can work on you for a while.
Norman
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Oh no, we can’t have any of that. Norman lives to give you happy days and warm, sunny days. It’s time for him to step up and give you all of the affection he can ever give. The sun does wonders for your health and he’s going to run with it. Waking you up at sun raise to help him plant some flowers, even if you need to take it slow and just set outside. He tries his best to get you out and about with him to show you how much you can appreciate the small things.
The Auditor
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It’s no secret to him, he already knows just about everything in your file. It’s sad, really, to have to deal with something this dark and frustrating for years on end, without treatment if you don’t seek it. He’s no therapist, Heaven’s no, but he can offer you some stress outlets! Writing is a good way to release all of your feelings, and he’s more than willing to give you a special booklet to write down your thoughts and anything you want to get out of your mind. No one, not even him can read the ink that you write in, and once you’ve finished writing, it gets fed to a particularly hungry Glutton Cenobite. 
Abe
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It was overwhelming the first time Abe touched your shoulder, practically made him fall down. He confronted you the moment the two of you were alone, asking if you needed anyone to talk to. The BPRD has amazing specialists and therapists if that’s what you’d like to have, or, you have him. Abe is a known secret keeper when things of this nature are being talked about, and you can trust that he can be there anytime you need him. Maybe take a dip in the pool with him, you’d be amazed how good it can feel to let all of your worries float right away.
Nuada
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While he might not have the right remedies to help your case to it’s full extent, it does worry him to see you so out of it. Never wanting to roam the town or markets with him whenever he offered, just staying to yourself and rarely initiating any conversation. Nuada is one to keep to himself, but it’s no good for you. Please, come stay in his library with him, watch him train, let him entertain you for the time being. You don’t need to be alone.
Yautja
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Yautja’s really aren’t the best experts in detecting human emotions, he does know that crying is not a good sign. Especially isolation, that’s never good for a human when you already seem to be down. They’re great listeners, and hearing such horrific internal battles leaves him almost speechless. It’s nothing but assuring words from your Yautja, you are strong than you could ever imagine. Screw his battle scars, you have the worst he’s ever seen, let him hold you.
Pavi & Luigi
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Both boys deal with depression, but they’re too busy arguing to really see it. Pavi, no matter how vain, is the best emotion reader believe it or not. While you’re practically family, he coos to you, serenading you and offering you priceless jewelry and objects in hopes for a loving smile. Luigi, once caught on to how you feel, is the better advice giver. It’s sort of a battle of who can cheer you up better, which makes for some unintentionally funny “scenes” of the two of them fighting.” They’re trying their hardest, they promise.
Nathan
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Boy, has he been there. It’s rough, and staying inside is all he wants to do half of the time. Locking himself away, keeping to himself and away from the entire world. Honestly, if it wasn’t for Shilo, then he would be in the same boat as you. He wants nothing but to see you better just as he wants Shilo, but he can be a bit dramatic. All of the love and affection/attention he gives you is in good light, it can just seem a little overbearing. He’s worried about if you’re going to stay or leave.
Graverobber
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He doesn’t blame you. In a city like this, it’s rare to find a genuinely happy person anymore. But seeing you like this makes him shake his head. Never will he point you in the direction of Zydrate, but he encourages you to come along with him, at least to get out of the cramped little apartments and into the foggy light. It’s better than nothing. Graves knows a lot of people, a lot of people that he can have help the two of you get out and about, be into movies, shows, restaurants, galleries, anything. He knows his way around the city, and you’re going to have a good time.
Bishop
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Bishop is concerned, he really is. While he doesn’t recommend any of the doctors on board, they were really only hired so that it would look good in the papers, you can always come to him. It’s lonely on the ship, you can’t just walk out and get some fresh air, he knows that, hell even sometimes he wishes he could do that. But he’s all ears for you. Anything you need, he’s sure to make up something for you, anything to make you smile. He misses your smile.
Anton
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A man of little to no interest in small talk, he can’t just leave your needs unwanted. Talk to him and he’s sure to listen, no matter how long or what about. Anton is a phenomenal listener, no need for interruptions or his own thoughts about the situation. How about this, instead of setting in this house all by yourself, pack your bags and come take a ride with him. Leave all of this in the past, tell him where you want to go and he’ll take you there.
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slashthedice · 4 years
Note
Can you please do some headcanons of how the Reader would take care of Danny (ghostface), Frank and the Doctor when they are sick?
I absolutely have to do these as pre-entity because i honestly don’t think anyone can get sick in the Entity’s realm!
The Ghost Face
Danny is secretive at the best of times, so you’re kidding yourself if you think he won’t try to hide any illness from you. He can’t have you snooping around his house and accidentally finding something you aren’t meant to see while he’s incapacitated.
Journalism doesn’t sleep (he insists) so it shouldn’t come as a shock when you find a file folder full of particularly gruesome crime scene photos on his bedside table. Just don’t look too closely at them, or it might start to seem like they were taken before the police got there.
Good old chicken noodle soup is the best cure, along with all the blankets in the house and a day or so of sleep. Danny will stipulate that if you’re going to stay, you have to spend the day napping with him. It’s a win-win for him, because you’re in his bed and therefore not snooping.
Frank Morrison
A sick Frank is very much like a cat on its last legs: he will disappear to deal with the problem himself. Don’t be surprised if you find him holed up in the old lodge, dealing with his illness in the worst ways possible.
You’ll find him shivering beneath a thin, moth-eaten blanket with an empty can of chicken noodle that he most likely ate cold and straight from the can, and a half-full bottle of gatorade.
Like any wayward stray, bring him home with you and get him cleaned up. Ideally, a change of clothes, comfy spot on the couch, and mindless daytime television will do wonders for him. Plus you can keep a better eye on him this way.
The Doctor
Herman does not have time to get sick, there’s tests to run and experiments to be had. So that being said, he will do his best to ignore it and carry on as usual.
The man will have to be literally passing out, collapsing at work for him to stay home and take time to rest. That being said, at that point he won’t exactly be able to take care of himself, so the nursing will fall to you.
You will be swaddling him in blankets like the worlds largest baby, swapping out cold compresses to help with the fever, and wiping snot from his face. It’s a dirty job, but someone has to do it. Don’t be surprised if he deliriously tries to tell you about his research.
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chayacat · 3 years
Text
Devil’s Sweet Star (36)
Fandom: Dead by Daylight
Ghostface x Female Reader  
Rated M for Violence, Language and Smut  
***
Have you already seen an angry bull, charging at full speed, horn forward, ready to pick up the unfortunate one who will be on the road? Yes, I know, this question is a little strange but in the current context... it’s the order of the day. If you've watched one of these American police series at least once in your life, you know how interrogations take place... especially when they are muscular. After a while, the investigator loses patience and becomes a little upset. Well, let’s say that Danny is experiencing this scene and, fortunately for him, he’s not on the other side of the interrogation room. Because if Wilhelm has been able to remain patient so far... He’s currently like that famous angry bull. Without the horns.  
2 days after your... little tasteful evening with Ghostface, Danny found himself at the police station to attend the interrogation of Hoggins who, despite the media and police pressure, remained marble. How, that's the question. There is a lot of evidence that he’s a suspect, even though we know the truth about McKellan's murder. Danny's perfect plan was perfected even more thanks to this fool of rich man who was too stupid to stay in place. The photo, the interrogation of Devon, the phone calls... Everything incriminated him. And yet he remained serene as if all this was only a conspiracy and that he was the light of justice. Poor asshole. At least Danny didn't need to falsify any evidence. Hoggins brought them to him on a silver platter. Even if his "Jed" side regrets it a little, because he saw how much Wilhelm was involved in this case, he was eager to see the reaction of the latter when he’ll discover that from the beginning it was indeed, he, Ghostface, who had committed this crime. And that while he was going after Hoggins, other victims suffered this sad fate.
“I bet you 10 dollars that the boss will turn the table.” said one of the officers.
“I bet you 20 dollars and a restaurant that he will not.” responds another one.  
“What exactly is the point of anger?” asks Danny without looking away from the interrogation room.
“Let's say that we get to the critical stage and that any object in the room, including the table, can suddenly start flying.”
“Oh. Good.” Replied Danny, who feels the two officers look at him strangely.
On the other side, Hoggins did not move, his back straight, proud as usual. As if it was a bad dream and he was just going to wake up in bed. Wilhelm tried to remain calm, but in front of a man like him... it was complicated.
“Mr Hoggins, I don’t know if you realise what situation you are in. There is much, MUCH evidence against you. If you really have nothing to reproach yourself for, if you’re truly innocent, then cooperate.” said Wilhelm, trying to stay calm.  
“I can't help you more than that inspector. As I told you, all this is just lies and plots against me. Coming from whom, I don't know. I have always been an honest man and, although I admit that I had indeed ... had some unwelcome words towards Horace, he was a very good partner and a good friend.” responds Hoggins with a fake smile.  
“We have this photo, the testimony of the man who is on it, your phone records and the text message you exchanged! and you absolutely want to prove me wrong!? Stop taking me for a fool!”
“This man would be able to say anything for money or to have peace. I don’t deny the messages exchanged with Horace. As for the photo... it’s not evidence as it infringes on my privacy. I could file a complaint but I'm not to belittle myself to this kind of... stupidity.”
“The photo was taken in a legal framework, Mr. Hoggins. the journalist who took it was turned away at the entrance of your residence when he had come to write an article about you, long before the scandal broke. He had taken several photos of the place to illustrate his article. The prosecutor confirmed this to me. What about the car that was patrolling around McKellan's house a few days before his murder? We were able to find this vehicle and its owner, and he confirms that he was on the scene at YOUR request. And with the following terms: Watch me this scabby dog. Never leave his eyes. And take the opportunity to see how to enter, without being noticed.”
“... I don’t see what this man is talking about at all.” replied Hoggins with the same fake smile.  
Wilhelm inhaled loudly before leaving the room to join Danny and the two officers who were there. He entered the room by violently slamming the door, ready to destroy everything in his path. An image that made our beautiful murderer smile. Nothing makes him happier than to see Wilhelm on the brink of a nervous breakdown.
“I swear to you, that if it were not for the investigation, it would be a long time since I exploded his jaw against the table. Damn, I dream of being able to put this rotten man in jail. I can't get enough of his satisfying little smile, even you Olsen, you are more bearable and less annoying than him!” said Wilhelm trying to regain his calm.
“As you said to me, Hoggins is not a simple man. He’s a big fish. He knows how to play his pawns to win.” responds Danny before whispering to himself: “But he’s nothing than a kid compared to me. I’m a GOD in that category.”
“With everything we have on him he should talk! Even if it is to prove his innocence! But here, I don’t see how he could say that he is not involved in this case! it's all there! I... Damn, I need to hit on something. »
In a sense it was better for Danny that Hoggins defended himself. A man who confesses too quickly is not fun for him. No, Danny is a man who appreciates having strong opponents in front of him. And Hoggins is a prime opponent. Killing him is going to be a pure delight. 3 Days to wait... We will have to find something to deal with between now and then. Fortunately, some sad souls, drunk or drugged, hang out in the streets in the evening... Otherwise his life would be nothing but a mortal boredom.
And then at least... there's you. It's been two days since you and Danny officially lived together, something you celebrated of course. But something was wrong with you. As Jed, he pretended to ignore it, but in reality, he knew very well what you were thinking. He didn't stop thinking about it and he couldn't wait for one thing: to take his place again. How will you react? Several options are possible.
The most unlikely would be that you jump into his arms to kiss him, and just agree to live with a murderer, becoming his accomplice. That would be too good to be true. The second option would be fear and misunderstanding. Knowing that he lied to you all this time.... you would be despaired. But you’ll have no choice but to accept it, permanently tarnishing your relationship. Which will bother Danny a bit. And knowing you, the last possible option is that you fight him and notify the police. In this case he would have no choice but to kill you. It would break his heart, but his secret must remain so above all.  
Hoggins' interrogation lasted a few more minutes until his lawyer arrived. And we can say that he is as stupid as his client. Two head-to-slap for the price of one. He has every interest in not being there when Danny kills Hoggins. otherwise... Well, that will make two murders for the price of one. Christmas before time for our murderer. The two men leave the police station and Wilhelm turned the table in the interrogation room, making one of the officers win the bet. Danny left the interrogation room and crossed Hoggins' gaze in the distance, the latter smiling at him to provoke him. But Danny wasn't an idiot and responded in the same way.
“Hmph. Assholes.” Danny simply said.  
“Well Olsen... sorry for bothering you for that. But at least we are making progress. It may not be proven that it was Hoggins who paid the man who ransacked your girlfriend's coffee... But there is a lot of evidence to suspect him of McKellan's murder. It's a matter of time, I guess.” said Wilhelm.  
“Don't worry about that. He loses nothing to wait. You will eventually have him. His provocative little smile will soon fall. With that, I'll leave you. I still have work ahead of me. And an adorable girlfriend too. See you later, inspector.”
Danny left the police station to return to the apartment, still at work. The newspaper articles are not going to be written on their own. unfortunately. And in addition, he will be alone, given that you work at the café today. normally. He took the opportunity to do some shopping to fill the fridge, life for two, obviously the food goes down faster. Once he arrived, he put away the groceries, put down his belongings, took off his coat to end up in a tank top, and then walked to his office. And even there he locked it, from the inside. We never know in case you have the good idea to make him a surprise attack, when he clearly asked you not to enter this room.
He landed in front of his computer and began to write his articles, or even to finish others that he had already begun. Taking a break from time to time to rest his eyes, even with glasses you have to be careful. Drinking a sip of coffee, which was nothing compared to yours, he rereads what he had written so far. He was proud of it, proud of what he wrote, proud to see his work appreciated. Even if it is not his real name that is at the end of each article. Jed Olsen will always remain as a cover name... but in your eyes it will be Danny Johnson and nothing else. A name he can't wait to hear from you in your future... intimate evening.
He resumed writing his articles for a few more hours before stopping for today. He took off his glasses to rub his eyes and got up, taking his cup of coffee to wash it. He looked at his hunting board, including the photo of hoggins that he circled several times in red, then he left his office and locked it to avoid any intrusion on your part. It's not that he doesn't trust you but... Curiosity is sometimes too strong against reason.
“Well... Everything goes as planned... Hoggins even makes it easy for me. But I'm going to have to be careful. I feel like he wants to drag me along with him in his downfall. If I feel that it is too dangerous over the next 2 days... I wouldn't wait until the evening of the festival to kill him. Sorry honey, but I may have to speed things up.” said Danny to himself.  
Putting the news on TV, Danny started preparing the meal for tonight, when he got a call to say the least... singular. Wilhelm? But what did he want from him at this hour?
“Inspector? A problem?” he asks.
“Tell me Olsen... you lived well in Florida, didn't you? About 4/5 years ago? Does the name Nicolas Pheels tell you anything?” said Wilhelm.  
Danny's heart missed a beat. Obviously, he knew this name... It's the name of the man who destroyed Danny's life forever. The "doctor" who took care of Carla. But why and how did Wilhelm get this name?
“Olsen? Are you still there?”  
“Yeah. Yes, I know him. It was the doctor who took care of Carla until... until the end. Why?"
“My condolences. I did some research on Hoggins...  to learn a little more about this asshole. And it turns out that he lived in his second home in Florida and... he was visibly very friendly with this guy. From what I read, Hoggins financed the hospital run by Pheels. But some doctors said, in exchange for anonymity, that Hoggins was willing to fund a little more for each death. In order to pass this on to a material financial need. Of course... Pheels kept everything to himself.” replied Wilhelm.
“I knew it... What a son of a b**ch!” responds Danny.  
“This guy is dangerous Olsen... a real crazy one. So, pay close attention to you two, ok? He is not the type to be afraid of death.”
“Yes... I hope he will pay for what he has done. And believe me... he will pay dearly.”
Danny hung up, before hitting the worktop with force. Decidedly this little war with Hoggins has been going on for longer.... It's not just Pheels' fault... but also hoggins' fault if Carla had died. Pheels has already paid, Hoggins will pay double. 3 Days.... 3 small days... he couldn't wait. Suddenly he heard the front door open. And all his anger and frustration disappeared when he saw you enter, a cheerful smile on his lips. At least you had a better day than him.
“Hello Honey!” you said cheerfully.  
“Hi, Darling. How was your day?” Danny said with a little smile.  
“Darling? This is the first time I've heard you say that. Would I already be too old for you?”
“Ha ha, for me it's more of a form of politeness than anything else. And then it changes from Honey or Sweetheart, right?”
“Let us keep this expression for when we will be two old madmen in wheelchairs. And to answer your question... my day went very well. We are at the point on the cake for the festival, we are at the point on the festival anyway ... all we have to do is wait for the great event. And we had a lot of people at the café. What about you?”
Danny gently took you by the waist to stick you against him, burying his head in your neck. You hug him in return, rubbing his back to console him. He raised his head slightly, looking down at the front door, bad looking in his face. You know this look that could kill you without you being able to react... That's exactly what Danny looked... And if you weren't there, he would have made his smile the unhealthiest, the craziest of all the smiles he could make. But you are there so he has to stay in his role... All the way.
“So bad this day?” you ask even if you already know the answer.  
“No... let's say I just learned something... which I wish I had never known. I had my doubts... Now it's clear.”
And don't worry... You will also be in confidence.
And even you wouldn't dare to believe it.
***
(It makes an insupportable heat in my house, what a hell. Fortunately, fans exist! I am in the process of developing my fanfic on Re8 village, just to have a coherent scenario. I would like to warn that it will be a kind of... of alternative universe where unfortunately the Winters will be a little or not present at all. But there will be Chris! Since some characters like Lady Dimistrescu were inspired by Count Dracula and Countess Bathory, I decided to go in this spirit. If you dreamed of a lycan Heisenberg, I'll give it to you! (At least I'll try... I am not promising anything.) I hope you’ll like this chapter like the others ones! Well, it's time for my brain to rest! Have a great weekend to you all!  See ya!)
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megamindsecretlair · 6 months
Text
A Little Mad Sometimes
Pairing: Ghostface x Fem!reader / Plus Size reader
Warnings: 18+, Minors DNI, You are in charge of your own reading experience. FILTH, PWP, cursing, protected PIV, oral (male and fem receiving), degradation kink, toxic smut, mocking, minor knife kink, use of pet names, overstimulation if you squint, all consensual. Established relationship.
Summary: Playing hide and seek with Billy and Stu looking for you was beyond fun. But they have to catch you eventually.
Word Count: 4,032k
A/N: Full moon's out, I'm out being feral again. Happy Halloweek! Time for more spooky smut, because YESSS. This is my favorite gif of them. I'm off to throw this movie on for the thousandth time. Tagging those who interacted with my previous fic, I can totally remove it if you don't want to be tagged! Please consider commenting and reblogging to help support writers! Please put age in bios or else I block!
Taglist: @ramblers-lets-get-ramblin @notapradagurl7 @lovedlover @sevikasblackgf @miyuhpapayuh @planetblaque
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The heavy thud of a knife hit a table somewhere in the house and you flinched. Your hand knocked into the wall with a small smack and you bit your lip to keep from crying out. Your heart thundered in your chest. Anticipation and fear mixed into a heady cocktail.
You squeezed your bare thighs together, your short shorts were barely long enough to cover your ass. That was Billy’s idea. His favorite part of you was your thighs. Watching them, holding them, kneading them. If he was near you, he was touching you.
You dared to peek in between the door jam and the door. All of the lights were off casting everything in shades of black and gray. With the lack of sight, your hearing strained for anything familiar. Anything to put you at ease.
Every so often, you’d hear a creak. Or the whoosh of a door being opened. But was it them? Or was it just the house settling? Each new sound set your nerves on edge. 
Playing hide and seek was so much harder with two people looking for you than just one. The house was on the big side, so there were plenty of areas to hide in. But if they ever cornered you, you were done for.
Of course, the goal was to find you, but your competitive side didn’t want to make it easy. You wore socks to help muffle your movements. Since they were scarily quiet on a good day, you made them wear boots. But then they warned that you had to move around the house. You couldn’t just camp out behind a door forever. They needed you loosened up and limber. For reasons.
The hallway was pitch black; even if they were standing right at the door, you wouldn’t be able to see them. Still, rules were rules. You slid out from behind your bedroom door, peeking down both sides of the hallway. There was no movement, so you crept slowly down. 
If you could make it to the bathroom…
The stairs creaked, sending your heartbeat through the roof. You huffed, whipping your head to the other end of the hallway. A shadow played on the wall. A figure moved slowly. A knife scraped against the wall.
“This is our best game yet,” a voice whispered. You didn’t know if it was Billy or Stu walking up the steps. It didn’t bode well that you only knew where one was.
You lifted your feet slowly but quickly, tiptoeing down the hall. Your eyes were trained on the stairs, watching that shadow move higher and higher. Your pulse jumped in your throat. 
Your hand searched behind you for the door. Finding it, you slowly backed in. You didn’t dare move the door as you got behind it, close to the wall. The house was older than those in the neighborhood and everything fucking creaked. You suspected your parents liked it that way. Wouldn’t want you to sneak out without them noticing. Without a chance to stop you from doing something naughty. If only they could see their baby girl now.
You strained to hear over the sound of your heartbeat. One of them stopped making sounds. You were sure, even in their boots, that the carpet underneath muffled the sound. You could only rely on that faint sixth sense of the area around you. 
Light rustling made you widen your eyes. Not that you could really see anything. But you begged for any type of night vision. You heard him move down the hallway, trailing his knife against the wall. You licked your lips, your mouth going dry. 
Fuck! This was the wrong place to hide. He stopped outside of the bathroom door, presumably staring in. 
You slid a hand over your mouth, quiet as you could, to prevent him from hearing you breathe. “Come out, come out,” he whispered. He sighed. The door flew towards you with a loud kick from him and you jumped.
The door got caught on the rug, preventing it from slamming against you and giving away your position. You shook. Adrenaline pumped through you. Distantly, there was a sound of a door slamming against the wall. These two were so in sync it was frightening sometimes. 
But, good to know that they weren’t on the same level of the house. Bad to know that they weren’t on the same level of the house. Either one could catch you as you moved about, scurrying to avoid detection. 
The one near you stepped into the bathroom. You watched the shadows undulate as he moved. His ghostface mask was a stark contrast against the darkness. The ghostly image seemed to float in mid air. You were fairly sure this was Billy. 
He was a lot calmer, more rational of the pair. He had ice water in his veins. Moving like a predator where Stu stumbled around like an excited baby giraffe. 
A crashing noise split the air. Billy turned to the sound and ran down the hallway. You heard his thunderous footsteps descend the stairs and you eased out of the bathroom once more, crossing the hall, towards your parents room. You thought about the attic, but that was too easy. They found you there in under twenty minutes last time. It wasn’t easy to move around up there in the dark, plus it was creepy and full of spiderwebs. No thank you.
You moved quickly, sliding to the floor and shimmying under the bed. The cushy carpet slid over your skin as you wiggled underneath. Your chest burned with the need to take a full breath. You counted in your head, willing your racing heart to calm down.
But you were too anxious. Too keyed up with the thrill of being prey. You heard the stairs creak again. You strained once more, trying to discern any and all types of sound. 
Cold slender hands encircled your ankles and yanked. You screamed, throat burning, kicking your legs. But it was futile. The hands gripped you harder, pulling you completely out from under the bed until you were exposed. 
“Oh, what do we have here?” Stu’s excited voice carried from beneath his mask. 
“Wait!” You yelled out. 
Light flooded the room rendering you blind temporarily. You blinked away hot tears as Stu stood in front of you and Billy leaned against the door frame. He tilted his head as Stu gripped you by the arms now and lifted you clean off of the ground. 
He turned you roughly, to face Billy. His hands were like steel, wrenching your arms behind your back. He pushed into you and your head barely came up to his chin. “I caught a rabbit,” he sang.
He removed his mask, chuckling in your ear. He ran his hands up and down your arms. Goosebumps pebbled your skin. 
“I thought you were downstairs,” you pouted. You stared as Billy lazily removed his mask. His hair fell over his brow and you couldn’t help a quiet hum. Watching these two never failed to take your breath away. They were gorgeous. They were intense. They didn’t do anything by half measures. 
“Remind me to give that stupid animal extra treats,” Stu said with a dreamy sigh.
“You bastard! You two planned this,” you said.
Billy’s smirk only confirmed it. Of course they planned it. It was uncanny how Billy seemed to know your moves before you did. 
“It’s not hard. Figured you’d run to mommy and daddy’s room. Is that where you want it?” Billy asked as he crept closer. “To be fucked in your parents’ bed?” 
You loosed a breath. The thought hadn’t even occurred to you. You ran in here because it was the only logical place from the bathroom. The bell had been rung. You glanced towards the bed. It would be much bigger than your little full sized bed. 
“I think she’s considering it,” Billy said to Stu, talking over your head. Stu grinned and chuckled, his warm breaths fanning across your neck. 
His hands slipped from your arms, no longer trying to restrain you. He moved his hands to your chest, immediately grabbing your tits and pushed them together. You wore a flimsy tank top, no bra.
The house was cold, courtesy of Billy once more. Your arms were freezing while your nipples poked out and Stu zeroed in on them, tweaking and rolling it between his fingers. Sharp zings of pleasure ran through you.
You were equal parts hot and cold. Your skin was overly sensitive, waiting. Stu licked the shell of your ear and you moaned, the traitorous sound escaping before you could snatch it back. 
“We caught you. Know what that means?” Billy asked. He tilted his head once more, his hair falling into his eyes. You groaned and stomped your foot. 
“You know this is bullshit,” you said. But inside, your mouth watered thinking of wrapping your lips around Billy’s dick. You leaned on the tips of your toes as Stu pinched your nipples. A sound of protest left you and Stu mocked you.
“Aww, too rough?” He asked.
“Yes,” you said.
“Too bad,” he said and laughed. He continued to pinch and tug at your nipples. Your panties grew more damp by the second.
“Knees,” Billy huffed out. You dropped down, watching him the whole time. He watched you descend, waited till your knees hit the ground and shook his head. He inclined his head to Stu and you shivered. You couldn’t decide who you wanted your hands on more. You turned around.
“Thanks buddy,” Stu said. He unzipped his pants, wasting no time shoving them down and stepping out of them. His shirt went next and he eagerly pumped his fingers along his length. 
You watched the action, licking your lips in anticipation. You knew the taste of him and yet you gingerly moved your head forward, licking his offered dick. He groaned at the first swipe of your tongue. 
He was so tall. It was near impossible to maintain eye contact with him while you pleased him. So you didn’t try. You opened your mouth and he shoved in, groaning at the feel of your mouth. “Fuck, that’s good,” he moaned.
His hands petted you as you suckled and worshiped his dick. You felt Billy kneel behind you and you shifted until he could scoot in more. “Suck harder,” he commanded. 
You did as he instructed, sucking harder on Stu who moaned uncontrollably. “Fucker,” Stu moaned. 
“Play with his balls,” Billy said. You raised your hands and softly massaged Stu’s balls. His dick twitched in your mouth, his hips leaning away. You chased him, fighting to fit more of him back inside. 
Billy’s hands moved up and down your body. He lifted your shirt and played with the soft skin underneath. His cold fingers found your hardened nipples and you moaned around Stu’s dick keeping a steady rhythm in your mouth.
You tried to play with Stu, tried to tease him a little. Your tongue swirled the tip of his dick. But Billy’s hands on you were breaking your concentration.
“Faster,” Billy snapped. You cried and bobbed your head, taking Stu deeper. You moved your hands to Stu’s thighs because there was no way that you could fondle him and focus on what Billy was up to.
Billy moved his right hand lower, slipping underneath the waistband of your shorts. He moved lower, past your panties, and teased your dripping wet slit. “She’s fucking soaked, Stu,” Billy cooed in your ear.
Stu’s dick twitched with a deep groan from him. You licked the vein on the underside of his dick, carefully tracing the curve. “Fuck,” he groaned and released hot cum down your throat. 
“Swallow it like a good little slut,” Billy said.
You did as he demanded. You swallowed Stu’s load. Stu slipped from your lips with a sigh and painted the rest of his cum on your lips. His dark grin turned feral as your lips glistened with his cum. 
You licked the rest of him from your lips. “My turn,” Billy said.
Stu pulled you up to stand in front of him. He removed your tank top, squatting down to kiss your belly, your chest, lick your nipple, and your neck. The shirt went over your head while Billy tugged your shorts and panties off. 
You stepped out of it and faced both of them. They were gorgeous. Complete opposites and yet so similar. Billy’s dark hair suited him. Stu’s hair was a grade lighter, more brown and closer cropped.
Billy shoved you onto the bed and you flopped onto it, bouncing a little. Stu groaned and moved around to the other side of the bed. He grabbed you roughly, spinning you around and pushing you into the position he wanted.
He laid you on your back, your head back towards Billy. He spread your legs and looked at your dripping wet pussy. His eyes practically sparkled as he drank you in. “You really liked my dick in your mouth, didn’t you?” Stu asked softly.
You leaned up on your elbows. The sound of Billy moving made you wonder if he was finally getting undressed. You kept your eyes on Stu though, on the subtle vulnerability there. “It’s all I think about,” you said.
Stu’s eyes widened, his mouth dropping a little in surprise.
“Sometimes I can’t stand it. Sitting on my bed, late at night, with the burning need to cum,” you said. Stu licked his lips and climbed onto the bed. 
“I have the door closed, my panties off, my fingers buried in my pussy,” you said.
Stu huffed, his face close to your core. “I bet you get them in deep,” he said. His gaze dropped to your pussy, to the way it clenched and contracted around nothing. 
“I can only get them so far. It’s not like when you’re inside me, so deep, so good,” you moaned. A rush of heat ran through you as you watched Stu’s eyes light up. You never had to doubt if he wanted you. Hunger and desire played over his features. He leaned in, rubbing his nose through your slit.
“Tell him the rest,” Billy said. He moved closer to your head. You leaned your head upside down. He glanced at you, still so cool and collected. Sometimes, you wonder why Billy bothered with you. You were gorgeous, of course, but Billy got that look in his eye. Like he was picturing what you looked like on the inside. 
It should frighten you. You suspected that he really would kill someone. Just to see. But then he’d smile, like nothing was wrong. He’d make a joke or change the subject to something random. Or he’d place your hand on the front of his pants and tell you that he needed you. And who were you to resist?
“I get so wet and needy. Thinking of you. Wishing you were there, getting me off instead. Sometimes I hump my pillow too,” you returned your eyes to Stu. 
He watched you with that small look in his eyes. Like he wanted to reject what you were saying. “I have to bite my pillow to keep from screaming your name,” you said. You were making yourself wetter. It was just the other day that you did this. Thinking of them got you so hot and bothered. You’d spend hours in your room, playing with yourself, getting yourself worked up thinking of what else they can do to you.
Billy caressed your cheek, pulling your attention to him. He smiled. He leaned down and kissed you. Your lips pressed together seamlessly. His tongue danced with yours. Stu flattened his tongue against your slit, licking up the arousal that seeped past your pussy lips. 
You gasped into Billy’s mouth and he hummed. “Like that, huh?”
You nodded, kissing him again. “Need to be full, don’t you?” 
“Yes, please, please,” you whined.
Billy looked over at Stu and nodded. Something passed between them. Stu stopped and you whined, wanting his tongue back on you. He placed his hands under your ass and pushed. Billy grabbed you under your arms and pulled. You scooted across the bed as if you weighed nothing. 
Your head hung off the bed. Billy slapped your face with his thick dick. “Open up,” he said. He rolled his neck as you opened your mouth. He pushed inside, grunting. 
Stu moved up the bed, positioning himself in between your legs. His tongue lapped up your juices before his fingers spread you open. Then he truly went to work, sucking and licking your pussy.
You cried out, mouth too full of Billy to say anything. Your hips wriggled on the bed. Stu grabbed your thighs and pushed them open wider, as wide as they would go, and feasted on you. Billy grabbed your flailing arms and pinned them to the bed.
He started to stroke, moving in and out of your mouth. His pace was smooth and unhurried, but he shoved in without a care. You choked and he kept going, knowing your limits. “You can do it. Suck me down,” he coaxed.
Stu was relentless, flicking your clit back and forth. Their styles were mixed and it was driving you nuts. You didn’t know who to pay attention to. Your pussy throbbed and your legs shook. Your pathetic whines did nothing to sway the both of them to mercy.
Stu moved his whole head, your juices coating the entire lower half of his face. “Taste so fuckin’ good,” he moaned. 
You whined, your moans vibrating across Billy’s dick. He sighed and panted as he moved in and out of your mouth. “Like getting fucked, don’t you?” 
“Mhhm,” you moaned. He still held you down. You tested his restraint, but he gave you no wiggle room. He was fucking your mouth and you were going to lay there and take it.
Stu switched tactics. One of his hands brushed across your thigh, down towards your pussy. He plunged two fingers inside and you leaned up, the pleasure too intense for words. He pumped his fingers in time with his tongue.
Your stomach flipped, your orgasm building higher and faster. You cried and moaned but it came anyway, flushing through you and rolling over you in waves. Your eyes crossed riding it and Billy still fucked your mouth. Your moans seemed to spur him on faster and faster until he was shooting his load into your mouth.
It was odd to swallow him down this way, but you had plenty of practice over the past few months. Billy grumbled something as he slipped out. Stu moved back, pulling his fingers out of you and licking his fingers.
You were as limp as noodles, so sure that you were completely spent. What a fucking rush. The adrenaline from earlier had morphed into a mix of pain and pleasure as your orgasm ran its course. But they were far from done.
Billy and Stu moved in tandem to position you how they wanted. Now, you were on your knees, ass in the air, and leaning on your elbows. Stu leaned up on his knees on the bed, his erect dick jumping close to your face.
Billy stood behind you, his still hard dick poking at your entrance. It was so tempting to have him fuck you raw, to feel him without a barrier in between you. The last thing you two wanted were kids. Fucking yuck.
“What are we going to do with our little cock-hungry whore?” Stu asked. He had his head cocked to the side, looking down at you. 
“She’s so fucking needy,” Billy said. He moved away, probably to grab a condom. You heard his clothing hit the ground, a package opening, and then Billy was back at your entrance. 
“It’s taking more and more to please her every time,” Billy continued. They talked about you as if you were an object. Just a dumb little toy they played with together. 
Stu ran his thumb across your lips and you sucked him in, needing something in your fucking mouth. You were spent, but fuck, you wanted them. You were mad with the lust, with the desire to have them to yourself. 
“Open up like a good slut,” Stu said.
You opened your mouth and Stu slipped his dick in, a deep sigh escaping him as he threw his head back. “Fuck,” he grunted. His face twisted, the pleasure too much for him. That only turned you on more. That you got to turn him on too. You had the power to render him slack jawed, face turned towards the ceiling, bliss across his pretty features.
Billy shoved in with one hard thrust and you braced yourself on the bed to keep from shoving face first into Stu’s groin. 
You growled, the feeling of being full overpowering and heady. “Do that again, that felt fucking amazing,” Stu said. 
You thought he was talking to you. Billy pulled out and then shoved back in, deeper and harder this time. Your growl was immediate, tapered off with a whine. “Oh fuck, so good,” Stu whispered.
Billy pounded into your slick walls, grabbing your hips and throwing you down onto his dick. His fingers dug into your soft flesh, digging for purchase. He angled up and hit your G spot. Tears rushed to your eyes at how deep he was. He felt too good. Too amazing. Stu’s dick in your mouth twitched as he watched Billy fuck you. Watched the tears leak from your eyes and down your face.
“Aw, is it too much?” He asked.
“Mhm,” you said. 
“You hear that Billy? She wants more,” Stu said. 
You screeched as Billy increased his pace, hitting that spot over and over until you were shaking through another orgasm. Your body went limp, your thighs spasming and convulsing. Billy held you up, still ramming inside of you.
The force of Billy’s thrusts pushed you onto Stu. It was like he was fucking you both. Stu muttered incoherently as your mouth took him deeper and slobber drooled from your lips and onto the bed. Your arousal gushed out of you, leaking down your thighs. 
“Shit, shit, there, right there,” Stu stuttered. He bit his lip and moaned as he climaxed, hot splashes of his cum coating your tongue. Your mouth worked on its own, sucking him down and drinking every drop he gave you.
Billy leaned over you, panting and huffing. His fingers still dug into your hips as if he were afraid to let you go. Stu massaged your jaw as he coaxed his dick from your mouth. He wiped up the drool and winked at you. 
You couldn’t take another one. But you desperately wanted to flip over so that Stu could have a turn. He chuckled as if he could read the thought on your face. 
“We know your limits, babe,” he said. He leaned down and kissed you, swiping his tongue across your lips. “We have all weekend for more,” he said.
You wanted to protest. You wanted to please him now. You wanted them both to have a turn inside of you. You worked your jaw, working the dull ache out. But a yawn escaped you.
Stu softly pushed you to lay down on your side. He curled in behind you, his warm chest into your back. You hummed as his warmth encapsulated you completely. Billy disappeared to get rid of the condom. 
“Look at you two,” he murmured. He turned off the lights, plunging you back into the inky darkness.
“You’re not invited,” Stu said. You elbowed him softly and he protested.
“There’s plenty of room.” Billy laid down in front of you, facing you. He kissed you softly.
“Ours,” he barely breathed. Maybe he didn’t think you’d hear him, but you kissed the corner of his mouth. He smirked and shook his head. 
Stu snored softly in your ear. You giggled, snuggling deeper into him. Between the two of them, you felt like you were in a sauna. But you wouldn’t have it any other way.
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Psst, there's more! The Secret Ghostface Files
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mishavacado · 3 years
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SPN has so much spinoff potential and so much canon to work with, it's such a waste that none of it's getting used. This post is just all of my spinoff ideas, I'll apologize in advance because it is VERY long.
Wayward Sisters, obviously. There are so many possible storylines to work with, so many stories to tell. I'd really love to see some Charlie, Eileen, or Krissy Chambers cameos. I think that Charlie and Claire would get along really well (just read this post). Rowena is another character that I think could easily be worked into the canon. She could teach the girls all kinds of magic and be the fun wine aunt that spoils the girls on their birthdays. I don't think that Claire would like her very much, but, Rowena and Alex would probably get along just fine. How much I need this in my life: 1000000000000000000000000/10 when I heard that this idea had been tossed out I was so angry. Why doesn't this exist?
Men of Letters prequel that's mostly set in the bunker. This show could really expand on the canon lore and give us some more background on the Men of Letters, as well as any other similar/rival organizations that were around before the main show's time. The Men of Letters have so much story potential for a spin-off; corrupt leadership, new monsters, other organizations, expanding the MoL to outside the U.S. Episodes could be in a monster-of-the-week (MOTW) format, starting and ending with the Man of Letters the case is assigned to making notes in his journal or case file or talking about the case, as well as the overall season arcs. Episodes would be titled by their case number, i.e S1 E1 Case No. 1925-4, etc How much I need this in my life: 1000000/10, the supernatural/historical drama combo would be absolutely stunning.
A series focusing on all of the alternate timelines and universes, both the ones mentioned in the main show and ones just randomly created for an episode. There are infinite possibilities. Each episode would be in a MOTW format, but with different versions of Sam and Dean. The HunterCorp universe, Jared and Jensen from the French Mistake, a universe where their names are switched, a universe where Dean went to college and was the one with the demon blood powers, a universe where they drive a Mustang instead of the Impala, a universe where Sam isn't scared of clowns. I could go on, but I'm going to stop myself here. How much I need this in my life: 9/10 I think it would be pretty funny, but it's not my best idea.
A Bobby and Rufus spin-off where they talk about cases they worked on together or with other hunters, but the stories are told similarly to Tall Tales. It's the same story but told from different points of view depending on who's talking. I wish we'd gotten to see more of Bobby and Rufus because I think those two are hilarious and really think that this could be funny, even if it was just a web series with twenty-minute episodes. How much I need this in my life: 10/10, I love Bobby and Rufus and I think that they have a lot of interesting hunting stories to tell.
GHOSTFACERS GHOSTFACERS GHOSTFACERS. How much I need this in my life: 100000000000000000000000/10, I love the Ghostfacers. That's my whole idea.
A Jack-centric show that's almost a political drama. Jack is the ruler of heaven and is constantly being manipulated by angels, demons, and Death herself. He just wants to make an afterlife paradise, but power-hungry angels won't leave him alone. Remember that Jack is very young and trusting by nature, so there is a lot of potential for disaster if he gets goaded into doing something, like making new universes or ending existing ones. Cas is a main character and he does his best to protect Jack, but he has to be careful to not seem overprotective/like another manipulator or Jack won't trust him either. I have no idea if I'm making any sense, but shoutout to me if I am. For some reason, I've always thought that heaven would be an interesting setting for a spin-off, and those angels are pretty similar to power-hungry politicians. How much I need this in my life: 800/10, I would totally watch this.
A very short series that just destroys the canon finale. Twelve episodes, detailing the storylines that were ignored or destroyed by Carry On. E1: Rescuing Cas from the Empty and he and Dean have a long talk about their ~feelings~. They kiss, and for the first time, Dean’s mind is free of doubt about whether or not anyone could ever love all of him. E2: Eileen returns. She says nothing when she sees Dean and Cas holding hands, just raises her eyebrow and smiles knowingly. Some excellent movie night content. E3: 1 year later. Sam and Eileen’s wedding. Dean and Cas aren’t legally married, but their matching gold rings are very prominently shown. It isn’t mentioned. The wedding is almost canceled because of the rain, but with a wave of Jack’s hand the clouds disappear and the birds start to sing. E4: Sam and Eileen have moved out of the Bunker. Cas finally convinces Dean to downsize, so they find a little house in Lawrence and settle down. Cas works as a special ed teacher. Dean works as a mechanic. Miracle loves the backyard but makes sure to stay away from the beehives in the back corner. E5: Sam and Eileen’s twins, Mary and Maura, are born. Dean and Cas love their nieces, and Jack loves them too. He doesn’t know what to call himself, so they settle on Uncle and call it good. E6: Deaths. They all die old. Cas’s vessel has aged, but he can’t die, so when Dean finally passes away in his sleep, Cas scatters his ashes in the woods and disappears, ascending to heaven, to spend eternity with Dean. The closing scene is a dark screen, with the whoosh of wings and a soft “Hello, Dean.” OK. That was a long one. My apologies. How much I need this in my life: 100000000000000000000000000000000000000000000000000000000000000000000000000000000/10. I would reach nerdvana thirty seconds into episode one.
Another spinoff of that idea is just...Dean and Cas living a normal life. Short episodes. Cas goes to the grocery store. Dean drags Cas to a horror movie fan convention. Cas meets a roomba. How much I need this in my life: I can’t type enough zeroes to express it.
Campbell prequel that focuses on Mary and her childhood. Mary being raised as a hunter but not being allowed on hunts. Mary rushing home to finish her chemistry homework so she can help her dad track a nest of vampires moving east. Mary missing her prom to help Samuel on a hunt. Mary trying to keep her real life secret from John, a man she knows loves the parts of her he knows about. Mary always being an outsider, the kindest and most beautiful girl in her class, but so slow to trust and quick to speak that everyone is afraid to be her friend. Mary is a character that has the potential a lot more development, for twelve seasons she’s the burning martyr in every Winchester’s imagined paradise. She deserves more. How much I need this in my life: 11/10, Mary isn’t my favorite character but I would die for her.
Gabriel spin-off. That’s it, that’s the idea. How much I need this in my life: 10000000/10, Gabriel is a character that we don’t know a lot about so there are so many possible directions for a story about him to go.
Show set in the SPN universe that doesn’t really interact with the main show’s canon. It’s about two cops in the 30s that become hunters by accident. After investigating the apparent suicide of a hunter in their small town, they become enthralled by her library, filled with books about ghosts and vampires. They pour over her journals on their own time, fascinated by what they’re reading. They get to know the hunter through her writings, her accounts of her hunts and travels. Eventually, a nest of vampires settles in the town and the two put their newfound knowledge to the test. This show would just be based on canon lore, there wouldn’t be any mention of the Winchesters or other main characters, although a few MoL team-ups is definitely a possibility. The two become quite a team, tracking werewolf backs on bulletin boards in their basements and hoarding rock salt. How much I need this in my life: 89/10, I think this could be really interesting and I am a sucker for historical hunters.
Speaking of historical hunters-Samuel Colt prequel. Cowboys, vampires, cowpires. Hunting in the wild west, galloping across the prairie chasing a pack of werewolves. This show could also tell us a lot about how different types of monsters spread across the U.S. Ghosts will go anywhere people go, but what about vampires? Shapeshifters? Ghouls? What was it like to hunt without technology to help with research? The hunters in this series would be the authors of the journals that modern hunters use every day. They’re the ones that tested tracking and trapping methods. Again, no idea if this is making sense, but I think that a supernatural western would be really awesome and would expand/substantiate the canon lore. How much I need this in my life: 1000000000000000000000000000000/10, I love cowboys and I love Supernatural. This is literally the best thing that could ever happen to me.
Crowley. I want to know more about him. A series that tells us all about Fergus Roderick MacLeod, starting with when he was born in Scotland and ending with his death in All Along the Watchtower. We know that Rowena was his mother, that he was a tailor, that he sold his soul for an extra three inches ~down there~, and that he was a terrible dad. I want to know more about his childhood, about the people he made deals with, about how he became king of the crossroads and of Hell. Crowley was a very interesting character that was abused by the story. I want to know more about him. How much I need this in my life: 10000000000000000000000000000000000000/10, I really do love Crowley and I would watch this a thousand times over.
Final idea: MOTW only. No season arc, no overall storyline. New hunters every episode, from all different times, from over the world. All kinds of monsters. One episode in Victorian England, the next in 1990s Los Angeles. Very few recurring characters, if any. The recurring characters would be the Bobby Singers of the world; the lore guys that you call when you need help. Each new character has their own style, own car, own music, own personality. The show could have some a m a z i n g guest stars because they’d only appear in a few episodes. There are so many possibilities for episodes, even if they weren’t full length. How much I need this in my life: 100000/10, I love MOTW episodes and would really like to get to know the characters. It would be very easy to write one-off fanfics for this show, and also very easy to introduce this show’s characters into Supernatural’s canon.
You made it to the end!!!!!!!! That’s all I have for now. Sorry for writing so much, I just can’t stop thinking about SPN and all of the wasted stories.
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metronn · 3 years
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[NG] playlists + moodboards
this is a masterlist of playlists i’ve made, but haven’t done graphics for yet. 
star trek
[NG] the enterprise
wolf 359
[NG] the hephaestus
elementary
[NG] joan watson
the magnus archives (the entities)
[NG] vastcore (ambient electronic)
[NG] webcore (electroswing)
[NG] endcore (gothic)
[NG] spiralcore (psychedelic rock)
[NG] darkcore (modern rock)
[NG] buriedcore (southern gothic)
[NG] lonelycore (lofi / indie)
[NG] strangercore (classical)
[NG] huntcore (dark techno)
[NG] ex altiora (bulk vast playlist)
stargate: sg-1
[NG] apophis (character)
stargate: atlantis
[NG] zero point module (soundtrack)
secrets of the immortal nicholas flamel
[NG] billy (character)
[NG] billy / john / niccolo (ship)
hannibal
[NG] will playlist
[NG] old hannigram playlist
the x-files
[NG] krycek (character)
supernatural
[NG] arthur ketch (character - old)
[NG] arthur ketch (soundtrack)
[NG] mick davies (character - old)
[NG] mick davies (soundtrack)
[NG] jack kline (character - old)
[NG] jack kline (character - new)
[NG] claire novak (soundtrack)
[NG] michael / adam (ship)
neon genesis evangelion
[NG] asuka playlist
dark matter
[NG] three / one (ship - old)
doctor who
[NG] the eleventh doctor
[NG] twelve / missy (ship - QPR... sort of?)
re-animator
[NG] reanimator as a movie
gravity falls
[NG] mabifica
[NG] very unsettling bill cipher playlist lol
MISC NG
constantine
trick
anakin
donnie darko
jughead (soundtrack)
oscar zahn
jughead
the weird sisters
sabrina
daredevil
dirk strider
pietro maximoff
pietro and tommy (soundtrack)
virgil sanders
eridan ampora
lucifer morningstar
carrie white
white dragon (ship) (ship)
tomtord (fuck off)
asher and tom
philkas
stuckony
judy and don
00Q
venom
johnrezi
more 00Q
laura palmer / donna hayward
meet the robinsons (vibe)
ghostface
hotline miami
sinister
bandersnatch
bendy and the ink machine
daredevil again
these are the playlists i’ve made, but haven’t made graphics for (the ones that relate specifically to fandoms, and will make graphics for eventually).
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mittensmorgul · 5 years
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i obviously did not think this through
So the other day I thought it would be fun to make up my own Essential Rewatch List leading up to 15.01, and boy howdy was I ever wrong! This post is the result of that. Instead of a conveniently streamlined list of important episodes for meta and character development highlights, instead have this 15k word probably-useless behemoth...
I debated not even posting this on tumblr because it’s just so massive. But heck this was a lot of work so here it is.
For reference purposes, I refer a lot to my rewatch notes, but mostly in later seasons. If you’d rather just go to the beginning of my tag for the most recent rewatch, 1.01 is the last post on this page, and then you can just continue chronologically from there:
https://mittensmorgul.tumblr.com/tagged/s14+hellatus+rewatch/chrono/page/3
If you want to read more about a specific episode, every singe episode is filed on my blog with the episode tag. For example, all posts about 1.01 are tagged like this:
https://mittensmorgul.tumblr.com/tagged/spn-1.01
To find a different episode, just plug in the correct episode number and voila.
If you’d prefer to skip an episode but don’t fully recall it and just want a quick refresher, every episode is linked on this page of the superwiki. Those links will serve you up a tidy synopsis as well as link you to the transcripts for every episode (linked at the bottom of each episode page):
http://www.supernaturalwiki.com/Category:Episodes
I started out making reasonable, logical entries for every episode, and then... kinda went off the rails toward the end... apologies for how chaotic this might read. Most of it was typed off the top of my head, and I haven’t edited it so apologies for any errors. Under a cut because FIFTEEN. THOUSAND. WORDS.
Good luck.
1.01 Pilot Obviously this episode sets up everything that comes after, and gives us a platform from which to understand exactly how the show’s mythology will eventually evolve. It also establishes a baseline for understanding Sam and Dean and their personal character evolutions and family dynamics. Probably essential viewing in any rewatch...
1.02 Wendigo Like so many early episodes, we learn more about Dean and Sam, and the missing father they’re searching for. And here we get “Saving people, hunting things, the family business” that becomes the motto of the Winchesters.
1.03 Dead in the Water
Sam is shocked to learn that Dean’s good with kids, and how Dean was traumatized as a 4-year-old. Like, dude, he practically raised you, Sam… makes sense he’s good with kids...
1.04 Phantom Traveler Specky the Wonderdemon, who was terrifyingly beyond their pay grade at the time. Kinda hilarious in retrospect… (also first use of Dean’s homemade EMF meter)
1.05 Bloody Mary Aah, Sam is keeping secrets from Dean (about his psychic powers and that he’d foreseen Jess’s death), and we learn ghosts can be attached to items that must be destroyed to banish the ghost.
1.06 Skin ooh Dean, take off that shirt yes… no… wait… stop… you can stop with the shirt you don’t… no please put your skin back on… (no, seriously, we learn A LOT about Dean from the shapeshifter, and so does Sam… There’s a heck of a lot Dean keeps buried. Also a reminder that shifter episodes tend to involve these sorts of buried secret things for Dean. Also Dean’s first “legal death” even if not actual death)
1.07 Hook Man Another ghost attached to an object, Sam’s first flirtation with anyone after Jess’s death, and Dean’s proficiency and innovation in hunting techniques continues to surprise Sam-- with the first use of salt shells for a shotgun.
1.08 Bugs Oh look more first season talking of their different experiences and memories of childhood and especially their very different relationships with John. If you can ignore the bug-related portions of the episode. Also I think still the only time in canon Sam and Dean have used umbrellas.
1.09 Home
Well if you absolutely need an in-depth exploration of the Winchester Family Dynamic as it stood in s1, this is a good baseline episode. Mary’s guilt expressed by her ghost in the house where she died, more exploration of Sam’s psychic powers, and we first see John on screen in the “present day.” Sam also learns it was Dean who carried him out of the house when he was a baby, and uses the exact same line John told Dean in this episode (take your brother outside as fast as you can and don’t look back)
1.10 Asylum So much of s1 was Dean getting orders from John and… following them. We get an interesting glimpse inside Sam’s head (having heard some of Dean’s dark secrets in 1.06) and via ghost interference Sam says some pretty bitter things to Dean (and would’ve shot him if Dean had been dumb enough to hand him a loaded gun. lucky Dean’s smarter than that). But now we have their baseline issues laid out on the table for us.
1.11 Scarecrow Sam is sick of taking orders from John and decides to go find John on his own rather than following another order. He meets Meg hitchhiking, and she tries to lure him in. Luckily Sam realizes Dean is in trouble and goes back to save him. They decide to stick together again. Of course.
1.12 Faith Here we go… the first moment the show realized it had the potential to be something bigger than a MotW horror/fantasy road trip. Dean’s first brush with capital-D Death (in this case, a reaper). The first time in canon anyone suggests that Dean was “chosen by the Lord” for a greater purpose.
1.13 Route 666 Racist Ghost Truck. But also the first time we learn an important difference between Dean and Sam. Sam hid everything about his life from Jess (a woman he was planning to propose to), but Dean fell in love with Cassie over a matter of weeks and told the whole truth to… and she dumped him for it because she thought he was lying to her. That heartbreak goes a long way toward the cavalier attitude Dean puts on toward relationships in general in the early seasons. Tell them the truth and they’ll leave you for it, but he won’t live the lie that Sam was perfectly happy to...
1.14 Nightmare Aah, more of Sam’s powers (darkest timeline edition with Max), and Sam credits John for being a better father… until he sees Dean’s reaction to that comment… and we get that Dean stood between Sam and John’s… lack of parenting skills >.>
1.15 The Benders “Plain old people are often worse than monsters”
1.16 Shadow The return of Meg, who is Up To No Good messing around with scarier demons than good old Specky was. We finally have John in the picture, but he deems it too dangerous for them to stick together, blaming their vulnerability on their care for each other, and just PFFFFFFT how often has the show kicked this notion to the curb? Give it a few more episodes… Sam also expresses his desire to finally get their revenge so he can leave hunting for good and go back to his “normal life.” Dean is crushed and upset by this revelation.
1.17 Hell House Aah, the prank war :’), and the idiot ghostfacers :’). It’s a tulpa.
1.18 Something Wicked Well if you need your heart ripped out with Dean Feels, you’re in the right place. Sam learns even more about Dean’s struggles as a kid under John’s orders, and what “failure” to obey meant to Dean-- that it once almost cost Sam his life. Sam gets a better idea of the burden of guilt and the weight of responsibility that Dean has carried for far, far too long. And Dean gets a bit of closure, finally killing the shtriga.
1.19 Provenance Sam gets to unburden himself a bit from Jess’s death and make a real connection with a wonderful woman who gets a real peek into the reality of their lives and the supernatural. Still, he walks away, and completely loses touch with her for like… 7 years...
1.20 Dead Man's Blood Sam and Dean are sick of blindly following orders, and sick of wild goose chases. And they demand answers from John. We learn about vampires for the first time, and are finally introduced to The Colt, which will take on so much significance over the seasons that it’s RIDICULOUS. A weapon Mary heard bedtime stories about as a child, now become real to be used to get their revenge on the demon who killed her? Which will resurface again and again to either become their hope or destroy their hope… so much baggage attached to a single gun.
1.21 Salvation So much plotting, but the demons get their way and get the Winchesters separated and set up. Sam fails to shoot the demon with the Colt and John is captured.
1.22 Devil's Trap As the title suggests, this is where we learn about the Devil’s Trap. And see the “single step” exorcism performed (not the two-step Specky exorcism from 1.04). Dean rejects John’s orders and “wastes” a bullet from the Colt to save Sam’s life. But it’s still all a trap, because the demon is possessing John. Dean realizes it when John is NOT FURIOUS that he “wasted” that bullet. It nearly kills Dean, and Sam refuses to kill John in order to kill the demon. The demon escapes, the Winchesters have one bullet left in the Colt, and then they’re run over by a demon-possessed semi trucker.
2.01 In My Time of Dying Dean’s second brush with Death (again, reapers). He learns a lot while mostly dead that unfortunately he won’t remember for a long time (until 4.15, to be precise) about reapers and their powers (manipulating reality, etc.). Sam is desperate to save Dean, and John trades his life (and the Colt) to the Demon for Dean’s life, lays one HELL of a burden on Dean-- either save Sam, or you’ll have to kill him. No further details, just that horrific fact which Dean will try to shield Sam from as long as he can, which will (as per usual) probably only make things worse when they eventually come out. Dying wishes on this show SUCK DONKEYS. Remember that when we get to 5.22...
2.02 Everybody Loves a Clown Spoiler alert: nobody actually loves a clown, especially not Sam. But heck Dean driving the soccer mom minivan is priceless. And we’re introduced to Ellen, Jo, and Ash at the Roadhouse. Sam and Dean are like… whoa there are actual hunter gathering places? And begin to uncover just how sheltered and weird their lives have been, even for hunters.
2.03 Bloodlust like 1.15, “sometimes people are the worst monsters,” with a generous side helping of “sometimes monsters aren’t actually monsters.” Dean gets to question a lot of what he was taught his whole life by John, via the proxy of Gordon Walker and his hate-on for vampires. But Dean realizes there’s a limit to killing everything not-human… the beginning of the era of “killing what deserves to be killed and not just anyone will do”
2.04 Children Shouldn't Play with Dead Things Zombie. Considering Jack’s longtime fascination with zombies, and how 14.20 ended… possibly relevant thematically on several levels… Girl resurrected by a dude for love (she didn’t love him in life… but was basically a “soulless person” as a zombie, as we will come to understand in later seasons). It’s a terrible idea to try and bring back the dead… >.> But this is all wrapped up in grief and how Sam and Dean each deal with grief in their own ways, and how they don’t really understand how the other is processing John’s death. In the MotW language of the show, zombies are about grief for the past and an inability to express it or move past it. They’re just emotional baggage (like shapeshifter eps reveal hidden truths and vampires are about revenge)
2.05 Simon Said More special children affected by the demon exhibit psychic powers… Sam is unsettled by the mind control, but unlike Dean he’s immune to it… He’s scared he’s gonna turn “evil” (and this is the first hint he gets that Dean might feel the same, based on the horrific dying promise John extracted from him that we still haven’t heard, and which we’re reminded is clearly weighing on Dean anyway)
2.06 No Exit Aah, Jo. They hunt the ghost of HH Holmes with her and learn some terrible things about their father’s history-- that he probably played a part in Jo’s father’s death. We also learn Dean sleeps real funny in chairs...ow it just looks so dang painful :’D (but they do comeuppance real well on the ghost…)
2.07 The Usual Suspects I love this just for the structure of the episode, showing us Hunting with Sam and Dean 101-- how to avoid arrest and imprisonment edition. This just gives us so much insight into how well they work together as a team, and the degree to which they’ve developed code words and references and how they are able to craft seamless backstories in the event a hunt goes south. It’s just… delightful.
2.08 Crossroad Blues The introduction of Crossroads Demons. And the first confirmation to Dean that John did indeed sell his soul for Dean’s life. Uncomfy revelation. The demon offers Dean a deal… his father resurrected and ten years to enjoy his company before Dean’s soul would end up in Hell instead. Dean declines. But their arsenal of weapons against demons (and the newly-introduced Hellhounds) grows to include goofer dust.
2.09 Croatoan Aah, a terrible time was had by all… the demons are scheming, creating demonic viruses and testing Sam’s immunity to them. But of course Dean and Sam don’t know that… Dean’s comment as they leave town: “I'm already starting to feel like this is the one that got away.” And ends on a cliffhanger of Dean about to tell Sam what John told him in 2.01.
2.10 Hunted Sam is enraged Dean would keep that from him, and wants to seek out more Special Children to learn what they can, but Dean wants to hide out and bide their time for safety’s sake. And maybe it’s just because I was in my 30’s when I first watched this show, but Sam pulls what I still think of as one of his signature childish moves and runs away in the night. But down that path lies revenge against the demon, so of course Sam runs into vampire-adjacent Gordon Walker. We learn more about how the Winchesters work together, the secret code word “funkytown,” and that sometimes they actually get the authorities to work in their favor. They’re good at manipulating the system...
2.11 Playthings Ghosts, Hoodoo that wasn’t to cause harm, but to protect against the ghost. Sam gets spectacularly drunk and makes Dean promise to actually kill him if he goes bad. Yikes. We also have the “why does everybody think we’re gay,” and Sam’s reply of “you’re kinda trying too hard to be butch” that Dean… doesn’t have a response to. Sam gets to SAVE somebody (he puts a gold star in his book as proof he’s not turning evil yet)
2.12 Nightshifter This is one I recommend actually watching… another shapeshifter (not a mandroid), so uncomfortable truths time. Sam lies thinking he’s protecting someone from danger, but it just drives Ron into even WORSE danger (and gets him killed). Everything about this hunt goes sideways, except they do actually kill the shifter, but now they’ve got the FBI on their tails. This is Winchesters Scrambling In A Tight Spot nirvana.
2.13 Houses of the Holy The first hint that the show… could possibly someday include angels, but they’re still on the BS list by the end of this episode. We learn more about Sam’s belief in God, Dean’s utter disdain for the idea of God, and the fact that Mary had believed in angels. Dean witnesses something he can’t explain, and Sam points in Dean’s direction when asking, “That’s Michael, right?”
2.14 Born Under a Bad Sign From holy to Hell… Sam is possessed by Meg, who leads Dean on a wild goose chase and does some pretty horrific stuff with Sam’s body. >.> They learn about the antipossession charms from Bobby (and probably get the tattoos shortly after this). Dean still refuses to kill Sam even when he begs (though we learn it was Meg testing or goading all of them).
2.15 Tall Tales We’re introduced to the Trickster (who’s even tricking them about his actual identity). Sam and Dean are completely bamboozled until Bobby shows up and points them to what’s really going on. There’s a lot of fun stuff about Sam and Dean’s relationship and how they see themselves and each other in here, though. And of course we know who the trickster actually is, which makes this all so much more interesting in retrospect… bit of comeuppance and lessons learned.
2.16 Roadkill An interesting take on a ghost MotW episode, where one of the ghosts doesn’t realize she’s dead, and how Sam and Dean work with her to save them all.
2.17 Heart Sam’s first actual sort-of-relationship with a woman. Who happens to be a werewolf… oops. There’s a lot of Sam Pain in this one, and Dean feeling like he’s failed in protecting Sam, yet again. But we are introduced to werewolves, which take on the monster meta shorthand of exposing or understanding their own inner monstrousness.
2.18 Hollywood Babylon And it’s Dean’s turn to have a little fling, where their concept of a “vacation” is “deal with mysterious haunting and death on a movie set.” And like in 1.12, this all comes about because some dingdong thinks he can do whatever he want. ALSO! The true monster of the week here… IS A WRITER. A writer who is furious that his story was trashed, and produced into something unrecognizable as his actual writing. I think this one might be HIGHLY relevant to 14.20, just for that. For the deadly tantrum of a writer who didn’t get his way. (plus the brilliance of Dean going from complete noob to the best PA in the history of Hollywood in like… a day… he’s just that good :’D)
2.19 Folsom Prison Blues In doing a favor for their father’s marine corps buddy (so the ghost of John hangs all over this one), they deliberately get themselves arrested and put in jail. Dean fits in there just as well as he did as a PA. He’s… really just that good at acting. Now I have Green Onions stuck in my head and I want a milkshake. And a donut.
2.20 What Is and What Should Never Be DJINN. aka the monster meta signal of deep personal introspection. What we learn about Dean in this episode is just heartbreaking. What he would wish for (Mary alive, Sam happily at Stanford Law School engaged to Jess) and the consequences he’s willing to endure for that to be a reality (his own life’s work negated, where everyone assumes he’s a drunk and a thief and a loser). 
2.21 All Hell Breaks Loose: Part One Dean just wanted pie. Instead Sam gets taken by demons. We finally find out what the demon wanted with him (sort of). Sam plays in the Demon Hunger Games, and loses at the last moment… (Dean gets to feel what it’s like to have a psychic vision, and hates it)
2.22 All Hell Breaks Loose: Part Two Dean sells his soul to resurrect Sam for the bargain price of one year before he’ll be dragged to Hell. Well learn about Samuel Colt’s Hellgate, which can ironically be unlocked with the Magic Kill Anything Gun (the Colt). In retrospect, this was just the beginning of the larger narrative arc of the Apocalypse, where Azazel released Lilith (along with a lot of other demons) to get that party started now that they had their hooks in Dean’s soul, but hey, at least Azazel won’t live to see it all happen (Dean finally shoots him with that last Colt bullet, rendering the gun useless but at least it did what they needed it to, with an assist from John’s ghost).
3.01 The Magnificent Seven The Seven Deadly Sins, the introduction of Ruby and her Magical Demon Killing Knife. Dean tells Sam he can’t be saved because if he breaks his deal, Sam would die.
3.02 The Kids Are Alright We meet Lisa (who Dean had a fling with years earlier) on Dean’s “relive his greatest hits before he goes to Hell denial roadtrip.” And Dean thinks he has a son for a hot minute (he does not, but he likes the kid anyway). Weirdness with them will ensue until they finally get to move on with their lives in s6. >.> But we’re introduced to our first fairie-adjacent creatures: Changelings. And Sam learns Ruby is actually a demon...
3.03 Bad Day at Black Rock Sam lost his shoe. We learn about curse boxes, Sam and Dean learn that John kept a secret storage unit full of weird and possibly dangerous stuff. But also some relics from their childhood-- Sam’s soccer trophy, Dean’s first sawed-off shotgun. And if that isn’t shorthand for the fact they had very different childhoods, I don’t know what is. Anyway, we meet Bela, and are entertained by good luck going bad… kinda the theme of s3?
3.04 Sin City more demons, we learn more about bigger plans they had for Sam, and Dean comes THIS CLOSE to actually considering letting a demon go… but Ruby helped Bobby make the Colt work again, and Sam kills both demons.
3.05 Bedtime Stories A pseudo-ghost of a girl trapped in a coma acts out fairy tales as a cry for help. Dean doesn’t want to kiss a frog. The pie is poisoned and Dean has to fight the big bad wolf… I swear that all makes perfect meta sense.
3.06 Red Sky at Morning Bela again. And like the ghost they’re hunting, we learn she got her revenge against a family member. The first use of the name “Castiel” in the spell to summon the ghost’s brother’s ghost so they could splish-splosh each other out of existence. That’s… all you really need to know.
3.07 Fresh Blood Gordon Walker, vampires, and vengeance. Taken to an extreme. Dean basically throws himself into danger because what does he have to lose if he’s already destined for Hell? But he’s beginning to crack, and Sam’s getting pretty desperate to get Dean to admit he’s scared and do something to save himself. Gordon’s desire for revenge gets him captured by a vamp and turned… and Sam ends up beheading him with razor wire. Yikes… so much for that revenge, eh?
3.08 A Very Supernatural Christmas Yuletide fun and eggnog. Pagan gods they end up killing with a Christmas tree. But they do reach a personal emotional plateau with Dean’s whole “half a year to live” clock ticking down.
3.09 Malleus Maleficarum Witches. Ruby. And a demon who knows Ruby leading a coven of suburban housewives who believe they’re just doing something harmless and not slowly selling their souls to said demon. Ruby saves Dean’s life, earning his reluctant gratitude for the time being, but not exactly his trust. This is the first we learn of Lilith, the demon apparently leading all the rest of them. Dean also learns that demons are just human souls that have been tortured in hell, and that’s what awaits him after he dies.
3.10 Dream a Little Dream of Me VERY IMPORTANT EPISODE. African Dream Root, which mimics the sort of djinn-dream experience. Dean has to literally confront his demon self. For the first time he admits he didn’t deserve any of this, any of what John put him through. And he admits to Sam that he is scared of going to Hell. Oh, and Bela steals the Colt, aka the only weapon they have against Lilith.
3.11 Mystery Spot If 3.10 was about Dean’s internal trauma, 3.11 is about Sam’s. The trickster puts him through a time loop forcing him to relive endless Tuesdays, and Dean dies each time and he wakes up again. The power to do this is just… insane. Just when they think they’re out, Dean apparently dies “for real,” and it drives Sam on a six month long rather terrifying revenge mission. Only to finally come face to face with the trickster again after having proven the horrific lengths he’s willing to go to in order to save Dean. Also a very, very important episode. Trapped eternally in someone else’s looping story and forced to act it all out endlessly? Yeah. That’s not 14.20 at all >.>
3.12 Jus in Bello very nearly the series finale. They work with Ruby after FBI agent Henriksen discovers they weren’t lying about the supernatural and they exorcise him from demon possession. Dean gives him The Talk about what’s real, and refuses to sacrifice someone to perform Ruby’s spell that would supposedly save them all and kill all the demons. Everyone lives… for a little while, at least. At least Sam and Dean are marked among the dead, so they won’t have to worry about law enforcement chasing them for a while, but Ruby holds this over them (in addition to losing the Colt, if they’d just listened to her everyone would still be alive… in theory… she’s really good at this manipulation thing!)
3.13 Ghostfacers And interesting perspective to see what Sam and Dean would look like uncensored and unbound from the traditional episode format, and through the eyes of other people.
3.14 Long-Distance Call Crocotta. Dean is lured in by John’s voice over the phone, believing it might be a ghost situation, and that John may have a way to save him from Hell. It’s all just a trap that leaves Dean feeling even more hopeless, knowing he can’t expect John (or anyone else) to save him from this. 
3.15 Time Is on My Side Sam gets desperate, and we have another mention of zombies… which if you’ll recall, signals grief and desperation and an inability to let go of the past. Which kinda defines Sam’s state right now. Dean tracks down Bela to retrieve the Colt (but it’s long gone, and Bela’s about to be dragged off by hellhounds herself). Sam tracks down Doc Benton hoping to get him to share his secret for immortality as a last desperate attempt to save Dean. But Dean doesn’t want to live like that, killing other people for their organs as his would wear out, just to keep himself out of Hell. And honestly good for him because ugh.
3.16 No Rest for the Wicked Dean’s seeing through the veil, able to see demons’ true faces, and the hellhounds that are on their way. They steal Ruby’s knife and go after Lilith, and fail completely. Dean’s dragged to Hell, and Sam’s immune to Lilith’s powers.
4.01 Lazarus Rising CAS GRIPPED DEAN TIGHT AND RAISED HIM FROM PERDITION. Honestly if you don’t know the meta import of this episode, this list ain’t gonna help you.
4.02 Are You There, God? It's Me, Dean Winchester We really learn about the Apocalypse, the seals breaking that will eventually free Lucifer. Supposedly the angels want to stop them from breaking… and Dean and Cas have their first real conversation about all of this. And this is the episode my tag for God comes from, “If you say mysterious ways, so help me I will kick your ass.” Dean’s already set himself up with Cas to defy God.
4.03 In the Beginning Angels can send you back in time! Dean sees Mary and John’s relationship, the death of Mary’s parents, and the fact Dean talked John into buying the Impala AND now feels responsible for having lured Azazel to Mary in the first place… he witnesses the deal she makes to bring John back that would effectively shape the entire narrative on both sides of this episode. The things we do for love… Cas told Dean to stop it, and in the end tells him he never could’ve stopped any of it. It is what it is. It’s the first instance of Dean getting this glimpse at the bigger picture, and taking away his OWN lesson from it rather than the one he was supposed to learn… 
4.04 Metamorphosis Dean finds out about Sam working with Ruby to exorcise demons with his psychic powers. And the inevitability of falling victim to those psychic powers plays out in the MotW, the rougarou who gives into his hunger. Sam promises to give up using his powers lest that happen to him.
4.05 Monster Movie A straightforward, black and white case. A shapeshifter (so buried truths), but this one becomes Hollywood movie monsters trying to give the monsters a happy ending… essentially trying to rewrite his own story. Sound familiar? Dean gets the girl, at least. I love this episode.
4.06 Yellow Fever Dean vs his own fear, compounded by the fear of a ghost who infects him with ghost sickness, inflicting his own suffering on Dean. This was Dabb’s first episode, and as such, is definitely worth watching for the themes, and what Dean is truly afraid of-- i.e. of going back to Hell and being tortured by Lilith, of Sam being a yellow-eyed demon. The rest is just awkwardly fun watching Dean squirm.
4.07 It's the Great Pumpkin, Sam Winchester Sam breaks his promise not to use his powers when Samhain rises. We meet another angel- Uriel- who isn’t as fond of humanity as Cas. Sam meets Cas, too. But this is truly the episode where Cas begins to differentiate himself and show his doubts in Heaven’s orders. He warns Dean that bigger tests are coming, but he doesn’t know what they will be yet. This is still the true foundation stone of Cas’s entire personal character arc for the entire series, when he went from maybe-three-episodes-then-dead interesting side character to 11-years-and-counting truly a Winchester.
4.08 Wishful Thinking I love this episode… you can’t just wish for what you want without consequences. This was like primer-level Cosmic Consequences stuff.
4.09 I Know What You Did Last Summer Dean learns what Sam was up to while he was in Hell being tortured by Alastair (conveniently the antagonist in this episode), why he trusts Ruby now, and voluntarily works with Ruby to save Anna-- a woman who hears angels talking. This is effectively continued in:
4.10 Heaven and Hell Where Anna remembers that she’d been an angel who fell from Heaven by choice, removing her grace to experience life as a human. Which… is kinda important a concept to know exists… >.> Heaven (and Cas) judge her harshly for that choice, and yet… there’s just too much just go read my rewatch notes from this episode at the very least.
4.11 Family Remains They think it’s a ghost but it’s not a ghost. All you need to know is this is the episode they wrote on a dare to see if they could write an episode that the network would refuse to air ever again. They were actively trying to write the worst possible episode they could imagine, and this is the result.
4.12 Criss Angel Is a Douchebag
Sam had a thing for stage magic as a kid, but now he runs around with a demon. The concept of “will we be in this life until we die or it kills us” and “what would life even look like to us if we were actually to grow old” is batted around for possibly the first time. 
4.13 After School Special
From contemplating retirement to flashbacks to high school. Another look at Sam and Dean and who they are as people, and how their very different childhoods shaped them into who they are now.
4.14 Sex and Violence Dean’s Siren was a dude. (oh, and the director of this episode? whose last episode was 6.15? is directing 15.03, so maybe worth a peek...)
4.15 Death Takes a Holiday Dean vs Death again. The return of Tessa the reaper from 2.01, and Dean finally remembers. They save Tessa, save a seal, and capture Alastair, but discover they’ve been manipulated into doing it by Cas/Heaven. Heaven loves its manipulations… Pamela the psychic warns Sam that what he’s doing, despite his intentions, is not good. He ignores that advice. At the very least read my rewatch notes for this one. >.>
4.16 On the Head of a Pin There is absolutely too much going on in this episode to sum up in this post. Read my rewatch notes, read the superwiki, watch the episode. This one is huge, for Dean and for Cas.
4.17 It's a Terrible Life Heaven’s Grand Manipulator, Zachariah. Or he thinks he’s pretty grand… he’s really not all that good at his job
4.18 The Monster at the End of This Book CHUCK. The inevitability of destiny, or at least his attempt to write that version. In this episode, all of Chuck’s plans go according to plan… until Dean drags him back into the story and forces a different ending. (and we learn Sam’s demon blood drinking is so distasteful to Chuck he didn’t even include it in his books) Remind you of anything? Like, oh, 4.22, or 5.22, or 11.23, or 14.20? Yes, this episode is the key to everything.
4.19 Jump the Shark Since Adam will reportedly be back in s15, watch this one and understand Dabb’s exact intention in creating the character in the first place-- literally as a decoy who never existed with any narrative weight of his own, as a ghoul (a creature that feeds on the dead and takes their shape). I wrote about this one recently, so I won’t waste space repeating myself here.
4.20 The Rapture CAAAAAAAASSSSSS. He gets dragged back to heaven for disobedience, and is tortured back into obedience. Obviously this one is huge for Cas as a character, and for Dean’s relationship with him. But they both learn about why Sam’s powers were getting stronger, and are not pleased...
4.21 When the Levee Breaks Sam’s detoxing from demon blood until Cas lets him escape. Cas rounds up Anna and has her sent back to Heaven for her own round of torture/reprogramming. And Dean and Sam have her Big Falling Out that drives Sam to do the horrific… however good his intentions are, what he’s doing is still bad.
4.22 Lucifer Rising The grand manipulation is unveiled. Dean talks an angel into rebelling from Heaven to stop the apocalypse, but they’re still not in time to stop Sam from breaking the world. Chuck… is less than fully helpful, despite Cas literally volunteering his own life to protect Chuck. Pretty sure this is a critical episode for rewatching. Chuck’s mostly pleased his story is going to plan.
5.01 Sympathy for the Devil Ugh, no we do not have sympathy for the devil on this blog. Chuck recruits his biggest fan to deliver cryptic messages to Sam and Dean. Dean learns he’s Michael’s true vessel, destined to be his tuxedo for the apocalypse. Cas returns without having a clue how he’s even alive. And it’s all Chuck’s doing… even if we don’t know that yet.
5.02 Good God, Y'All
The apocalypse is in full swing, and the Horsemen are coming out to play. In this case, War manipulating people into destroying each other. Cas sets out on his mission to find God and convince him to help stop this mess. We learn Dean’s amulet had the power to find God all this time, and they’d never known it until now. Convenient!
5.03 Free to Be You and Me Just watch it already, you know you want to. Defines Dean and Cas’s relationship for years to come, though. Plus Sam learns he’s Lucifer’s destined vessel. I’m sure that will all go fine… 
5.04 The End I know most people will disagree with me on this, but the only useful meta takeaway from this episode is the same as one from 4.17: Dean doesn’t learn the lessons he’s “supposed to.” He makes his own lessons. There is literally zero other relevant information to take from this episode, aside from it being Cas who saves him from it. Watch if you enjoy it… but literally nothing about it is any more real than the djinn dream in 2.20 or the dreamroot dream in 3.10, and it’s all been rendered irrelevant by later canon anyway. Especially by 14.20 and that moment Dean refused to play Chuck’s game anymore.
5.05 Fallen Idols More John baggage disguised as an old god. Worth watching just to hear poor Consuela the housekeeper wail about Abraham Lincoln killing Mr. Hill, and Sam being attacked by Ghandi.
5.06 I Believe the Children Are Our Future Dabb’s second gag on the fandom… the antichrist. Dean admitting Cas is his friend. :’)
5.07 The Curious Case of Dean Winchester Dean gets to be an old man for a day.
5.08 Changing Channels Just watch this one, read about it, whatever. Refresh yourself on it. The trickster is unmasked as the Archangel Gabriel, and he’s attempting his own ploy to force Sam and Dean to “play their roles.” They convince him they’re not gonna do that, but to break out of the endless loop of literal television shows he’s forcing them to act out for his own entertainment (and sort of to teach them that lesson), they’ve got to do more than just refuse to play their roles, they’ve got to best him at the game. Kinda like they’re probably gonna have to do with Chuck in s15. 
5.09 The Real Ghostbusters Oh, speaking of Chuck… here have a Supernatural fan convention, and a key piece of information on what actually happened to the Colt after Bela stole it. But most importantly, Dean gets to yell about how much he doesn’t appreciate the story of Supernatural.
5.10 Abandon All Hope… They find the Colt, and Crowley, and discover it never would’ve worked against Lucifer anyway, and then promptly lose the Colt again. Lucifer gets to stare down Cas and Cas doesn’t blink, Meg’s hellhounds kill Jo and Ellen, and really everything’s kinda bleak. Lucifer raises and binds Death.
5.11 Sam, Interrupted WRAITH, aka a monster that uses mind altering venom to “cook” her victims to perfection, so like a djinn and other mind-altering, perception-altering creatures, when they sneak up on you unawares, things get… complicated. Massive insight into the essential character of Sam and Dean.
5.12 Swap Meat Body Swap. That one time Sam was actually Gary.
5.13 The Song Remains the Same More time travel, Sam’s second resurrection, we finally meet Michael face to (Young John Winchester’s) face. Mikey seems pretty confident in his “destiny.” Dean’s second warning to Young Mary about her death is wiped from her mind. Contemplation of Cosmic Consequences: it’s better never to be born if it means stopping the Apcoalypse-- clarified in 12.23-present that… nope, definitely worse. “Team Free Will” coined. Watch this one. It’s the stage on which all the s12-present Family Dynamics will be set.
5.14 My Bloody Valentine We learn Heaven set up John and Mary, that they couldn’t stand one another before Cupids intervened and made them “the perfect couple.” I’ve written a lot about the effect the Horseman Famine had on all of them-- especially Dean and Cas, with the reminder that s5 was the season of “lol nope” to the category of beings attempting to manipulate all of them, including the Horsemen. Important just for all of that (and Edlund’s confirmation that Cas’s cravings were actually his own, and that my read that he was being a shifty liar blaming it on Jimmy was correct-- Cas does have his own human cravings, going all the way back to this point, that he was ashamed of, or terrified of, or both...) As well as Sam’s struggle against demon blood addiction, and his fear of and gradual acceptance and internalization of his own powers)
5.15 Dead Men Don't Wear Plaid ZOMBIES. ZOMBIE PIE. JODY MILLS. As I’ve said above, zombies are grief and unresolved baggage from the past, and in this episode, the denial was so strong even the normies in town were willing to accept the return of their dead loved ones, clinging to them until they “turned” and devoured them… the Mary parallels, Karen’s talk with Dean about what we do for the people we love… this one’s important.
5.16 Dark Side of the Moon Dabb, and our first look at the structure of Heaven, and how human souls see the place. Probably one of THE most misunderstood episodes in the entire series. Please see everything I’ve ever written about it for reference. FINALLY they toss out the toxic, worthless samulet. (which we literally learn in 11.20 that chuck “switched off” and INTENTIONALLY rendered worthless, because it suited his plotline and amused him). Still think this is vital to understanding Dabb Era overall.
5.17 99 Problems We see what it looks like when Dean gives up, loses hope, and is about to do Stupid Things™. Cas too. Probably useful just for that.
5.18 Point of No Return We finally see Cas really let loose on Dean, and admit what he gave up because he believed in Dean. Because Dean asked him to. Dean nearly gives in to destiny, but because of Cas, because of Sam, he fights through it. Zachariah and his manipulations end (getting stabbed in the face tends to end that sort of thing). Also the irritating return of Adam only to be the meatsuit for Michael when Dean refuses. (and we learn the truth about Adam-- that everything ghoul!Adam told them had been a straight-up manipulation, and Adam only ever cared about his mom. by the time he learns the truth, it’s too late for him, the gullible idiot vs the power of propaganda)
5.19 Hammer of the Gods The return of Gabriel, aka Loki, and a ton of other pagan gods Lucifer will slaughter. Interesting in light of Gabriel’s return in s13, and because of the mirror of Chuck in each of his archangels. And the Winchesters win another angel to TFW.
5.20 The Devil You Know Crowley’s good at manipulation, but again proves himself to be… mostly trustworthy (as long as they’re all working toward the same end). And re: manipulation, Sam gets a glimpse of just how thoroughly his entire life has been manipulated by demonic forces, which… relevant to the revelations of 14.20 vs Sam’s persistent faith in God despite everything.
5.21 Two Minutes to Midnight Cas is effectively human. Bobby sells his soul for Death’s location, and Pestilence falls to teamwork. Cas learns the value of a shotgun. Dean has pizza with Death, who WANTS him to succeed at locking Lucifer back up and explains exactly how to go about doing it. Sam thinks he can overpower Lucifer if he gives in and says yes.
5.22 Swan Song Sam was not totally wrong in 5.21. Cas resurrects Bobby, and explodes and is resurrected (again!) himself. Sam drags two (2) archangels into the cage and is promptly pulled out (only missing one critical bit…). Dean… actually tries to live up to at least one of Sam’s dying wishes, and it basically ruins his life for the next year. Chuck is a smug, self-satisfied bastard who pats himself on the back for a story well-told before flapping off and proceeding to write variations on his original fic using his favorite characters. >.>
6.01 Exile on Main St. All I can hear is Dean’s heartbreak and anger that Sam had been “alive” for a year and forbade anyone from telling Dean that he wasn’t actually suffering tortures in Hell all that time. If ever there was a YIKES moment on the show, this is it for me. This one’s probably good to watch just for the setup of soulless!sam and s6 in general.
6.02 Two and a Half Men Dean’s even good with monster babies. And after a year of unsettled living with Lisa, he’s more duty bound to protect them than he is wanting to stay because he’s actually happy there. Sam is a creepy hunting machine.
6.03 The Third Man CAS! But heck he’s acting shifty, but so’s Sam, and Dean’s feeling even more alone now. The introduction of the concept of Angel Marks on souls, the Profound Bond, and biblical weapons. And the war in Heaven, and the seasonal antagonist stepping up into Michael’s shoes: Raphael.
6.04 Weekend at Bobby's BALLS. Woodchippers trump everything. We discover that burning a demon’s human bones will perma-kill them, and learn a bit of Crowley’s backstory.
6.05 Live Free or Twihard Dean becomes a vampire for a hot minute. We learn there is a vampire cure that works as long as they haven’t had human blood yet. And we learn something really, really is wrong with Sam...
6.06 You Can't Handle the Truth Dean is now 100% positive that something is horrifically wrong with Sam, and is distraught that nobody else seemed to know it for a YEAR.
6.07 Family Matters Cas figures out what’s wrong with Sam and promptly becomes even shadier around the Winchesters. We meet the Alpha Vampire. And vampire eps are about revenge, right? There is a LOT of shady going on here.
6.08 All Dogs Go to Heaven weird dog episode that I always forget exists between rewatches.
6.09 Clap Your Hands If You Believe… hands down the best soulless!Sam episode. You fight those fairies! I’m still waiting for another fairie episode where Dean can still see them and nobody else can :’D. Just watching Sam try to logic his way into being more human is educational about the struggle to be human in general.
6.10 Caged Heat Family betrayal, Sam and Dean nearly get fed to ghouls, Cas would rather be with them then fighting his war in Heaven. Angel blades can kill hellhounds. They finally entrap meg into working with them instead of always trying to kill them >.>
6.11 Appointment in Samarra I think this is still in my top five favorite episodes ever, and one I think everyone needs to rewatch. Dean and Death episodes usually are. And in this one, Dean IS effectively Death for 24 hours. But there is a LOT in this episode, from Death “testing” Dean on multiple levels-- forcing him to make choices AND process the consequences of his actions and how it affects other people… this is a big one for the cosmology of the SPN universe and Dean specifically. Even in Dabb era.
6.12 Like a Virgin Dragons are a thing. Eve pops over from Purgatory.
6.13 Unforgiven Sam’s soul/hell flashbacks start when he goes poking at the wall, but he keeps poking anyway. Giant spider people. Eurgh. But unfortunately the whole “web of lies unraveling” thing kinda fits.
6.14 Mannequin 3: The Reckoning The haunted kidney episode. But Dean finally breaks it off with Lisa (again… >.>)
6.15 The French Mistake We actually learn something about the angel wars… sort of. We also learn AU’s are actually real. (this was also the last episode the director of 15.03 directed, so probably worth watching if they’re bringing him back after all these years…)
6.16 ...And Then There Were None Monster Possession is apparently a thing now. The last of the Campbell hunters die (that was a quick trip through the family dynamics there >.>). The main takeaway here is from Rufus’ funeral: Life’s short, and it’s not worth carrying guilt and regret (takes them a really REALLY long time to actually internalize it with each other, but at least they got the spirit)
6.17 My Heart Will Go On Cas just lying to their faces, creating an alternate timeline just to generate souls as a power source (the specific number of 50k souls comes up, and will come up again in 6.20, as the number of souls Crowley “loaned” Cas at the beginning of the war in Heaven, with the suspicion that Cas was attempting to “buy his way out of their deal”, but the plan fails and he’s forced to put everything back… but he does ensure Sam and Dean both remember the entire experience, but we get an idea of the extent of the power angels can actually wield.
6.18 Frontierland Dabb has referenced this one several times during his era, but again, the history of the Colt is involved, a Phoenix, and Dean in a cowboy hat. We learn even the other angels think Cas is up to something super shady. But it’s their first real moment of hope.
6.19 Mommy Dearest Eve uses Mary’s face to torment Dean, we learn Crowley is not dead, and Cas… has been doing shady things with him. Cas is again effectively human for an episode.
6.20 The Man Who Would Be King Well this is where everything both falls apart and comes together. This episode makes sense of the entire rest of s6, as painful and sad as it is. If you only watch one episode from s6, it should probably be this one.
6.21 Let It Bleed Dean’s worst fear comes true, and people he cares about but leaves behind for their own protection are used against him. Not just by bad guys, but by Cas. Ouch. Still incredulous that Dean did recognize HP Lovecraft, or even make a Metallica reference at the mention of “Call of Cthulhu.”
6.22 The Man Who Knew Too Much Sam putting himself back together. Cas tearing things apart.
7.01 Meet the New Boss That one episode where it looks like Cas will be the unwitting bad guy and s7 will be about saving him, until it’s really really not. That whole exchange between Dean and Cas about forgiveness and finding some way to make it up to him, though… that’s what will carry us through the bleak middle of s7 and generate the grief arc for Dean in the meantime.
7.02 Hello, Cruel World It looks like Cas is really, truly gone, and all Dean has of him is his trenchcoat. And we’re stuck cleaning up his oozy black mess for the next 15 episodes before getting him back again. Sam’s Hallucifering all over the place and finds a connection to reality through squeezing the scar on his hand, which will become a symbol in show for reconnecting with reality for him for years to come.
7.03 The Girl Next Door Sam thinks pie and cake are the same. In their own respective messed up mental states, Sam thinks Amy is worth saving, Dean doesn’t trust that and kills her. Let the guilt ensue.
7.04 Defending Your Life A good setup of Sam and Dean’s issues for s7.
7.05 Shut Up, Dr. Phil I can’t believe they melted Tula’s painting. But it takes a couple of bickering witches for them to finally get a hold on the Leviathan, so that’s something.
7.06 Slash Fiction Aah, going back to the beginning as a trap for Sam and Dean-- the Leviathan using the Supernatural books to lay a trail case by case from Sam leaving Stanford (Crowley will do the same in 8.22, and the end of 14.20 gave a lot of people the impression there will be a similar progression in s15… but honestly that’s really only sustainable for a single episode, but this may be relevant for like… 15.01-02). Also, Dean finds it satisfying to behead himself (or the leviathan version of himself)… so yikes.
7.07 The Mentalists I love this one just for the Dean feels. He’s really hurting.
7.08 Season Seven, Time for a Wedding! Sam’s love-spelled. Mind control is always a terrible thing. Demons trying to game the system and cash in on deals ahead of schedule. So that’s a thing.
7.09 How to Win Friends and Influence Monsters I love this one. Poor Dean. This is the first time he’s actually felt good in like… ever. Too bad it’s from monster goo.
7.10 Death's Door Bobby :’( And Dean essentially falls apart.
7.11 Adventures in Babysitting Vetala. Which only Dean knew hunt in pairs, so hunter after hunter had been falling victim to them, including Sam. Meanwhile Dean finally got a decent nap.
7.12 Time After Time Dean gets booped back to the 1940’s to hunt with Eliot Ness. Still, they defeat Chronos, yet another god whose prophecy will be tossed aside by the Winchesters.
7.13 The Slice Girls Dean accidentally has a monsterbabby, Sam kills her. Amazons.
7.14 Plucky Pennywhistle's Magical Menagerie Just watch it. This is the only episode in the entire series that just… is purely good and fun. Sam has to confront his fear of clowns, Dean faces a villain who was blamed for his brother’s death when he was just a kid and his parents should’ve been doing their jobs instead. I mean...
7.15 Repo Man The guy who was trying to lure back “his demon” exorcised during the Apocalypse era, by continuing his murder spree. Sam loses to Hallucifer by acknowledging his existence as separate from Sam’s own subconscious. There’s… a lot in this episode. At least read my rewatch notes.
7.16 Out with the Old Sam eventually succumbs to his Hallucifering, Dean nearly succumbs to a pair of toe shoes. Peter Yankit of Johnson Lane nearly succumbs to a cursed porn magazine. Cursed objects are fun.
7.17 The Born-Again Identity CAAAAASSSSS! He’s back, even if he doesn’t remember who he is. Dean tries to break it to him slowly, but instead unburdens a lot of his personal hurt over Cas’s actions to the oblivious “Emmanuel,” And Cas tells Dean his feelings are completely understandable. This is setting up the entire rest of Cas’s arc, probably through the end of the series. This is what motivates him, his need to repent. And He gets a start by taking on Sam’s trauma, healing Sam.
7.18 Party On, Garth An alcohol spirit enacting personal revenge, and despite all evidence, Sam continues to doubt Dean’s theory that Bobby is somehow still around. Dean’s season-long grief-drinking becomes a punchline, and Dean’s literally the only sober one in the final fight scene.
7.19 Of Grave Importance Yep, Bobby is a ghost, been there all along. Also, ghosts can sort of… cannibalize each other? For their power? whatever, moving on.
7.20 The Girl with the Dungeons and Dragons Tattoo CHARLIE.
7.21 Reading Is Fundamental KEVIN. But also CAS! Is awake but not quite himself and in full denial mode, like he was awakened against his will before he was done cooking >.>. we learn a bit more about prophets as we see Kevin awakened to serve the Leviathan Tablet.
7.22 There Will Be Blood more manipulation, and the Alpha Vampire is back, so we get a double whammy of manipulation/deceit AND revenge. The alpha vampire cooperates with the Winchesters. So does Crowley.
7.23 Survival of the Fittest Cas doesn’t want to fight, but in the end he steps up. They get the Leviathan, Dean and Cas are beamed to Purgatory, and Sam’s left alone and pulls a Sam. He runs away from reality.
8.01 We Need to Talk About Kevin Dean comes back from Purgatory without Cas, but with a vampire friend… so s8 is about Dean making pals with revenge. This will fuel his arc for a good long while to come until he can finally make his peace with it. It affects his interactions with Sam for most of the first half of the season… because while Dean was fighting for his life, Sam was… pretending to be a normal guy and ignoring everything else. Including Kevin.
8.02 What's Up, Tiger Mommy? The push to do something drives them to seek out the Demon Tablet with the promise of closing the gates of Hell forever at Kevin’s suggestion. Plutus, the God of Greed is the baddie in this one, if that’s any sort of meta statement on their overall plan to take this particular course of action… the narrative basically condemned their plot before the season even started. Hubris, ahoy. But we also find out why Cas ran away in Purgatory-- to protect Dean. And why he wanted to stay-- guilt and penance.
8.03 Heartache Oh, a case where a curse is passed on to others after death? And the original death didn’t actually end the curse as intended? Nice.
8.04 Bitten I love episodes were we see Sam and Dean through other people’s eyes. And this one, an episode where we learn new things about werewolves (remember: an examination of inner monstrousness).
8.05 Blood Brother I’d point out the agony of Winchester Secret Keeping being toxic, but since we’re largely out past that by the end of s14… *shrug emoji*. Dean helps his vampire friend get revenge against the vampires who killed him. Double revenge! And Sam… does not like Benny. But we know exactly why DEAN does… he literally saved Cas’s life in Purgatory, despite repeatedly wanting to leave Cas behind. He saved Cas for Dean.
8.06 Southern Comfort Garth again, and his serenity is basically there to point out how toxic Sam and Dean are by comparison. The spectre that possesses Dean to leech off his vengefulness has zero effect on Garth. But Dean gets out his feelings of anger that Sam never looked for him in Purgatory, so that’s on the table to provide drama for years to come.
8.07 A Little Slice of Kevin CAS IS BACK AGAIN! But he has no idea how he got here (he’s been mind controlled by Heaven again, and is desperately trying to make amends, but is literally blocked from doing so at every turn, which is a tidy mirror for what Chuck’s done to the entire story since… forever… so this is probably a must-watch episode, or at least read my notes on it.
8.08 Hunteri Heroici This one’s fun, until it’s owie, and then sad. Magical powers don’t save the day, they only end up hurting people. Cas desperately wants to make amends, but he is afraid to face what he’s done. Instead, he just gets manipulated even harder. At least read my notes for this one, too.
8.09 Citizen Fang Oh, manipulation moves directly to the Winchester brothers, no heavenly interference required. Vampires again, but this time Dean again sides with Benny, but against Sam… who again refuses to hear the truth and pulls another Sam. He forgot the lesson that sometimes it’s not the monsters being monstrous, and it’s important to kill the RIGHT monster, not just the convenient one.
8.10 Torn and Frayed Just like the episode sounds… Cas goes to Dean for help,  and then brings Sam onboard and asks them to stow their crap. By the end of the episode, Sam and Dean will have resigned themselves to being on their own again because Cas is… something is not right with him...
8.11 LARP and the Real Girl CHARLIE! Fairies! Dean does one (1) fun thing for his birthday. But this is about using a book to manipulate events to suit the Bad Guy’s whims. Sound familiar?
8.12 As Time Goes By Sam and Dean meet their grandfather, fill in a huge gaping hole from their past, and discover their legacy, the Men of Letters, and the Bunker that will become their home.
8.13 Everybody Hates Hitler Yep. It’s true! Nazi necromancers, and another new ally in Aaron. They settle in to the bunker.
8.14 Trial and Error They take their first steps toward closing the gates of Hell, killing a Hellhound. I wrote about this one recently, so go read that. :’D
8.15 Man's Best Friend with Benefits another weird dog episode
8.16 Remember the Titans Prometheus, Artemis, and Zeus. Curses passed down through families to fall on innocent children. And Zeus is delighted because it causes even more suffering.
8.17 Goodbye Stranger oh the agony. We see what it took for Heaven to control Cas, and what it took for Dean to break through to him, only to fall to yet another mind whammy by the angel tablet. Of course Dean takes this personally, abandoned again. Definitely watch this one. Read the notes. All that.
8.18 Freaks and Geeks In case anyone missed the point, we have manipulation and vampires. And Dean reminding everyone that finding the truth is important (let’s not be so bloodthirsty that just anyone will do).
8.19 Taxi Driver The second trial, the horror that Bobby’s wrongfully been in Hell all this time, and Sam is stranded in Purgatory until Benny shows up to escort him to the portal. Sam finally gets why Dean’s loyalty to Benny never wavered. He was literally willing to die for Dean. This guilt will carry Sam into the third trial eventually but for now...
8.20 Pac-Man Fever Let’s look at Dean’s guilt/fear. That he’s failed to protect Sam and won’t be able to save him from the trials. Fear is a terrible thing. But we have djinn AND dreamroot, so all the false realities.
8.21 The Great Escapist This is still among my favorite episodes, but Cas finally begins fighting for himself, and we uncover the extent of Heaven’s duplicity, and meet Metatron, aka Chuck Lite. Definitely watch or at least read.
8.22 Clip Show Aah, I mentioned this one back in 7.06. This is Crowley’s turn to use the boys’ history against them, but instead of manipulating them, they trap him (at the beginning of 8.23, after whoopsie accidentally freeing Abaddon because of Crowley’s manipulation distracting them from their job…) We learn that “curing a demon” is a thing.
8.23 Sacrifice Cas is so embittered by his experiences with heaven that he refuses to believe Metatron is lying, and thus falls victim to the worst manipulation yet. Sam’s dying from the trials, Cas is human, and angels fall. (and also some of the worst, most toxic relationship stuff between Sam and Dean, which contributes to all of that, along with their hubris to think this was a good idea in the first place… I mean it’s literally what the big bad of s9 did to Heaven so why were they trying to do the same to Hell again?)
9.01 I Think I'm Gonna Like It Here Cas is human, confused, and alone. The big bad is basically Diet Chuck, and Dean is manipulated into doing a Terrible Thing to save Sam that will strain their relationship for the rest of the season. (Don’t worry, Sam will return the favor in s10 >.>) Buckle in for a season all about manipulation by more powerful cosmic forces but with all new levels of guilt over having caused these problems in the first place!
9.02 Devil May Care Abaddon makes a play for the role of big bad, but will ultimately lose the title to Metatron.
9.03 I'm No Angel The Worst Possible Take on Human Cas. Mostly I ignore this episode.
9.04 Slumber Party Oz. Dorothy. Wicked Witch of the West. Sam’s angel possession gets a bit tricky… Direct mind control instead of the manipulative sneaky kind we usually see. and CHARLIE. The Winchesters lives are directly compared to Dorothy Baum’s, where her “fictionalized” version didn’t even come close to describing the horror of her lived reality. (also that one line swap incident that still pisses me off… and pissed Robbie Thompson off enough to write a whole SCENE in 11.04 they couldn’t screw around with like that… “god helps those who help themselves”)
9.05 Dog Dean Afternoon oh look another weird dog episode
9.06 Heaven Can't Wait the Best Possible Take on Human Cas. Well, while Dean’s still being held hostage against telling the truth to him about the angel possessing Sam… and not being able to just bring Cas back home with him. :’)
9.07 Bad Boys Sam learns another major lesson about just how much Dean was manipulated into lying to him his whole life, and another look at what Dean has given up over the years to protect Sam. The origin of my “the story became the story” tag. 
9.08 Rock and a Hard Place Breaking vows is frowned upon. Vesta. And Dean tries to tell Sam about the angel possessing him, but he’s prevented from doing so. And he’s really beginning to realize just how bad a decision this may have been...
9.09 Holy Terror Cas is back in town. He can’t stand by when he might be able to help, but again Gadreel (because now we know that’s the angel possessing Sam) refuses. Gadreel is lured in by Metatron, and things for Sam go from bad to worse. Cas steals another angel’s grace because he had no choice. And Gadreel kills Kevin and runs off. All of a sudden, Dean’s alone.
9.10 Road Trip Just when Dean can finally tell the truth to Cas, Cas isn’t human anymore. They literally never got to actually just BE. Crowley poughkeepsie’s Sam into kicking Gadreel out. Abaddon is becoming more of a problem. Probably at least read the notes on this one. At the end, it’s Dean that “pulls the Sam” and runs away. Which is interesting because they’re essentially gonna swap narrative roles for like… the next season and a half. Buckle up. Things get rocky >.>
9.11 First Born And definitely watch this one. Cas and Sam bonding hour, while Dean goes off with Crowley and is manipulated into taking on the Mark of Cain so he’ll be able to kill Abaddon for Crowley… (and for everyone else, but mainly for Crowley).
9.12 Sharp Teeth Sometimes family can be a werewolf pack. And Garth is now part of one of those, but there’s still zero monstrousness in Garth. As Dean’s beginning to wonder if he should regret taking the Mark (just as Cas wondered if he should regret cannibalizing grace… which he said made him barbaric)
9.13 The Purge A genuinely altruistically intentioned monster, or at least one who attempted to use her monstrousness for good. But her blind spot was her brother, out there just devouring whatever he wanted and not wanting to play by the rules of society or worrying about staying hidden and safe. Plus, DONNA. Even if she doesn’t get to play a big part in the monster hunting.
9.14 Captives We learn more horrors about the s6 angel war from Bart, and pushing Cas toward siding more and more with humanity and against all the heaven nonsense (until he’s manipulated back in DIRECTLY by Metatron and his magic typewriter… but that’s four episodes in the future yet). Linda Tran gets a bit of revenge for being held prisoner for half a year anyway...
9.15 thinman ghostfacers, back to face their own ghosts. If you like getting hit in the face with anvils...
9.16 Blade Runners Crowley’s addicted to humanity. Dean finds his own addiction in the First Blade. And we get our first glimpse of the darker side of the MoL.
9.17 Mother's Little Helper Misha directed it, and it’s got one of the most beautiful scenes in the whole series (Sam freeing the stolen souls, but Dean drinking and playing pool ain’t half bad either). Soullessness, which Sam handles on his own, and learns the truth of how Abaddon infiltrated the MoL.
9.18 Meta Fiction A MUST WATCH. Writers lie. Read my posts. What makes a story? Seriously, Metatron is just Chuck with training wheels.
9.19 Alex Annie Alexis Ann Vampires. More revenge. This time for stolen childhood and lost family. Plus Jody, and the first seed that would become Wayward. Dean is also beginning to succumb to the Mark’s darker urges.
9.20 Bloodlines Dabb’s idea of a joke, I’m pretty sure. 
9.21 King of the Damned Well, Abaddon’s dead, at least. Time trave wtf’ery. Dean is… not okay...
9.22 Stairway to Heaven Sam and Cas pop culture road trip. The level of Metatron’s manipulation becomes horrifically apparent. And Cas gives up his army because he refuses to kill Dean. (also Dean really loses it at the end…)
9.23 Do You Believe in Miracles? Crowley reveals the truth about what the Mark is doing to Dean, and we see the final truth when Dean wakes up as a demon.
10.01 Black Demon Dean Part 1. Bad karaoke and random murder. Cas is languishing because of stolen grace, and Sam is off the rails interrogating demons for Dean’s location.
10.02 Reichenbach Demon Dean Part 2. Cas struggles to teach Hannah about humanity, Sam struggles to find Dean.
10.03 Soul Survivor Demon Dean the conclusion. Cas hugs the demon outta Dean. Er… that’s what happened, pretty sure. But he’s still got the Mark.
10.04 Paper Moon More fun with Werewolves: Siblings edition. While Dean struggles to come to terms with his own literal inner monster...
10.05 Fan Fiction Just watch it. And read my rewatch notes for it. I mean, it’s about rewriting the story. And Chuck shows up at the end and gives it a “Not bad.” Probably kinda relevant.
10.06 Ask Jeeves Supernatural: Clue edition. With a shapeshifter that Bobby had known about for decades. Buried secret things again.
10.07 Girls, Girls, Girls Our first real introduction to Rowena. :’) She’s not a friend in this one...Hannah finally gets a taste of humanity through her vessel’s grief and pain, and decides that it’s wrong for her to remain in her vessel. She returns to Heaven, and Cas is left to ponder how he affected Jimmy’s family (since Jimmy’s long dead now) by his possession.
10.08 Hibbing 911 DONNA AND JODY. Donna gets “the talk,” in a vampire case, and finally gets to prove her mettle as a hunter.
10.09 The Things We Left Behind Cas has found Claire Novak, and does what he can to help her. She’s been taken in and manipulated by an unsavory character, who Dean kills in a fit of mark-induced violence (granted he was surrounded by dudes who wanted him dead, but it was still upsetting and mirrored his nightmare from the opening scene). The burger date. (go ahead and watch it)
10.10 The Hunter Games More Claire drama, but this time she stops it. The Longing Retcon. Cas uses emoticons. And Dean nearly kills Metatron while demanding he tell him how to cure the Mark. Things are getting kinda desperate on that end… All Metatron says is “the river ends at the source”
10.11 There's No Place Like Home OZ. CHARLIE. At least read my watch notes. I’ve been banging on about this episode since it aired. But at the very least read the last round of watch notes. Possibly relevant again because of how it was relevant to Chuck and Amara in 11.23 (yes, this is basically how Dean saved the universe).
10.12 About a Boy Dean gets zapped into a 14-year-old version of himself by a witch. Plus: the mark disappeared for a few days, probably giving him a mini-vacation from enduring it and refreshing his control a bit.
10.13 Halt & Catch Fire ghosts in the machines… plus a John reference that is reinforced when a clip from this episode is reused in the horror movie trailer in 14.04 (so skim my rewatch notes for that if you’re still following along for that sort of thing… post 14.13… *shrug emoji*)
10.14 The Executioner's Song Watch it. Read the notes. This is a big one. Free will-wise.
10.15 The Things They Carried Khan worm: homoerotic sweat lodge edition.
10.16 Paint It Black Worth it just for Dean’s confessional scene. At least read my rewatch notes.
10.17 Inside Man We learn some interesting things about Heaven, Cas gets Bobby’s help to break in and talk to Metatron, they sneak him out, steal his grace, and have their leverage over the one person who might know how to cure Dean AND get Cas what’s left of his own grace back… Meanwhile Rowena tries to kill Dean, and he has a heart to heart with Crowley about what Family really means. Definitely watch, or at least read my notes. A lot happens in this one.
10.18 Book of the Damned CHARLIE. And the wtf’ery of the Styne family begins >.> Sam has a good chat with Charlie about his own life. Metatron leads Cas to another book containing his grace and then escapes with the demon tablet. Family dinner. At least skim my notes on this one. (basically anything with metatron is probably relevant to Chuck stuff…)
10.19 The Werther Project Watch this one. I just wrote notes on it. The beginnings of an interesting relationship between Sam and Rowena (yes that started in 10.18, but this is where it gains weight in Sam’s own subconscious). Dean confronts himself in his own vision about the burden he’s laid on Cas (to kill him if he goes off the rails again). There’s a lot of emotional baggage in this one, too. But seroiusly-- watch this one for the Sam and Rowena stuff, because Rowena… isn’t even really there… 
10.20 Angel Heart Claire, and Cas’s finally laying to rest his baggage associated with the Novak family. Dean and Claire finally bonding. Dean and Cas went to the Hot Topical.
10.21 Dark Dynasty w. t. f. (if you want to be pissed off, give it a watch)
10.22 The Prisoner If you just want the comforting revenge portion of the program, just watch this one instead. Or if you can’t bear to, at least read my notes on it.
10.23 Brother's Keeper Whoopsie, Dean kills Death. Whoopsie, Sam doesn’t stop everyone else from executing the spell to cure the mark. Whoopsie, that releases the Darkness. Also for people who don’t “see Samwitch,” uh… please note that this is a major inciting incident in Sam and Rowena’s relationship-- she’s being held prisoner to complete this spell, and literally kills the only person she ever loved for it, on Sam’s order… (technically…), which will fuel the ongoing antagonism of early s11. Their relationship isn’t fluffy. It’s built on this mutual pain.
11.01 Out of the Darkness, Into the Fire Amara. I think a lot of s11 is gonna be relevant thematically to s15, but...
11.02 Form and Void I think a better focus of “what is relevant thematically” will be found by looking at Dabb’s episodes and influence over this season… I’d start a rewatch with this one, and the introduction of Billie, who will become Dabb’s in-show avatar as he takes over the reins.
11.03 The Bad Seed Rowena finally undoes the spell she’d cast on Cas. but they’re all traumatized. Please at least read my notes on this one, too.
11.04 Baby This episode sets the new tone for Sam and Dean’s relationship going forward. They are more open with one another, and the main drama isn’t them hiding things that eventually blow up in their faces like it had been in the past. There’s still elements of that, but things never really go back to the toxicity of s9 and s10 after this. Ghoulpire.
11.05 Thin Lizzie Fake haunting at Lizzie Borden’s house, Amara eats souls.
11.06 Our Little World Cas is clearly struggling with PTSD, hiding in the bunker until he spots Metatron by chance and finally gets upset enough to go after him. Dean’s first confrontation with Amara outside of his Darknado Vision, and she… tosses him aside like a used tissue. Sam’s still having visions of the Cage and still thinks the visions are coming from God… >.> 
11.07 Plush Donna! And haunted masks! Foreshadowing that Sam’s about to confront Lucifer in the cage-- creepy clown in the elevator.
11.08 Just My Imagination Sam’s childhood imaginary friend was actually real.
11.09 O Brother Where Art Thou? Dean is yoinked from a park by Amara to have a chat about how they’re destined to become one and all that creepy nonsense, while Sam decides to go directly to Hell to talk with Lucifer and doesn’t wait for Dean. Granted, Rowena has been manipulated with lies from Lucifer in this scheme… but she’s about to learn how bad a decision that was. Dean does get to see just how casually Amara can destroy angels, though… which will become relevant it...
11.10 The Devil in the Details Where Dean tells Cas to run if Amara isn’t actually dead… but Cas is convinced he’s useless by the end of the episode and says yes to Lucifer. Owwwwww. At least read my notes on this one. They’re from last week...
11.11 Into the Mystic We meet Eileen, and I just wrote notes about this episode a few days ago. Banshee, which feeds on broken hearts, Dean’s told he’s pining for someone, and is concerned that Cas doesn’t seem himself… >.> He’s also asked if he wants to know the secret to a long and happy life… “Follow your heart” (and he confesses his powerlessness in Amara’s presence to Casifer) https://mittensmorgul.tumblr.com/post/186891847375/1111-into-the-mystic-heck-ive-written-a-lot
11.12 Don't You Forget About Me Wayward! Family learning what it means to be family. Vampires-- so the element of revenge, but this time it’s the vamps seeking revenge on a human. 
11.13 Love Hurts Quareen. A monster that basically feeds on obsession, toxic “love.” For Dean, that manifests as Amara trying to rip out his heart. I mean… this is the episode he confesses to Sam that he can’t control himself in Amara’s presence, and Sam reassures him it’s not his fault. And he explicitly says it’s not love. It’s horrifying to him, because this episode, this monster, had nothing to do with love, but with possession and control.
11.14 The Vessel What a wonderfully apt and layered title. Thus begins Dean’s s11 “pining for Cas” arc, where his entire focus shifts to Cas after unburdening his Amara issues onto Sam in 11.13. I also consider this episode to fall definitively into Dabb Era. Probably goes for episodes back to 11.10, but this is where that shift is truly evident to me. Definitely watch this one, read my notes, etc. etc.
11.15 Beyond the Mat https://mittensmorgul.tumblr.com/post/186962895400/1115-beyond-the-mat-jerry-wanek-directed (just read my notes, this is a Dabb co-writing credit episode)
11.16 Safe House Maybe I should just start copying my rewatch notes here for every episode… https://mittensmorgul.tumblr.com/post/186963627365/1116-safe-house-more-blasts-from-the-past-in-a 
11.17 Red Meat You should just watch this one, and remember this episode isn’t glorifying the codependency between Sam and Dean, it’s shattering it… It’s werewolves, after all (inner monstrousness brought to light) and read some of my past notes on it.
11.18 Hell's Angel The first half of the episode is just a lot of talking, but hooboy.. Rowena is back from the dead and we learn more of why she seeks out power-- self-preservation. Worth watching just for the second half, the failed Poughkeepsie scene, Dean’s heartbreak and fear for Cas, and Amara’s shock that with Cas standing between them, she doesn’t seem to have any affect over Dean at all… 
11.19 The Chitters For a MotW episode, I think this really captures on a meta level what Dabb intends for the whole series. It’s worth watching for itself, but have my notes as to why: https://mittensmorgul.tumblr.com/post/184690946610/weve-finally-hit-1119-on-the-tnt-loop-this
11.20 Don't Call Me Shurley Chuck, and Metatron. I think everyone really needs to watch this one, just to remember how absolutely shady Chuck was. Basically from here right through the end of s11, if you pay attention to these episodes, nothing about 14.20 is the least bit shocking...
11.21 All in the Family Just like 11.20...
11.22 We Happy Few Just like 11.20 and 21
11.23 Alpha and Omega Do we not all think s14 is gonna end on a similar thematic note? Minus all the cliffhangery stuff?
12.01 Keep Calm and Carry On I can picture Dabb rubbing his hands together preparing to run the narrative in loops ad infinitum until he gets word they’ve got one season left to wrap it up. Worth it for the Dean and Mary and Cas. :’)
12.02 Mamma Mia https://mittensmorgul.tumblr.com/post/184126233100/cass-flashback-to-his-time-hunting-with-mary-as (written recently…)
12.03 The Foundry The companion notes to the link in the last episode: https://mittensmorgul.tumblr.com/post/187007192830/1203-the-foundry-yes-ive-already-written 
12.04 American Nightmare If you haven’t noticed, I’m just pasting rewatch notes links now… >.> https://mittensmorgul.tumblr.com/post/184740345285/im-watching-1207-on-the-tnt-loop-and-yeah 
12.05 The One You've Been Waiting For See the link at 12.04 (Dean also killed Hitler)
12.06 Celebrating the Life of Asa Fox see the link at 12.04 (Also Billie is in this one, so of course I think it’s important to the ongoing Dabb Era narrative)
12.07 Rock Never Dies see the link at 12.04 (Lucifer’s nihilism laid bare, no different from Michael’s in s14)
12.08 LOTUS The episode that brought us Jack. Well, eventually…  I’m putting these notes here, even though they also cover 12.09: https://mittensmorgul.tumblr.com/post/184761652205/so-the-tnt-loop-has-continued-into-s12-and-after 
12.09 First Blood (see above, plus Billie, plus Cas laying it out on the table what he will do because he loves the Winchesters... he does a lot of pining for Dean)
12.10 Lily Sunder Has Some Regrets Nephilim, Lily Sunder, Human souls as angelic power sources, the deceptions of heaven (and love versus obsession again). https://mittensmorgul.tumblr.com/post/184762915965/last-ep-on-the-tnt-loop-today-1210-reminders 
12.11 Regarding Dean Watch this one, 100%. But also have my whole tag for this episode… I haven’t actually made rewatch notes for it recently, apparently? Which is a shame, because we have Sam working with Rowena, Dean riding Larry BEFORE losing his memories to a curse. There’s a lot of excellent character stuff in this one, for all of them.
12.12 Stuck in the Middle (With You) Watch this one. Cas is family. He loves them. This is the point I became frustrated with myself because there’s a huge gap in my hellatus rewatch notes that I thought I covered and apparently… did not… I don’t have recent notes to point you toward for convenience...
12.13 Family Feud Rowena gets her revenge on Crowley for making her kill Oskar in 10.23. Too much time travel wtf to even bother mentioning anything else.
12.14 The Raid The lengths Sam will go to to have any sort of relationship with Mary… including lying to and manipulating Dean. Vampires… and the Colt, and Sam finally kills the Alpha Vampire.
12.15 Somewhere Between Heaven and Hell between the Crowley and Lucifer drama, Sam kills the Alpha Hellhound (essentially). A lot of other deceptions and lies come to light though, and Cas disappears off to Heaven and from just one call, Dean’s already concerned about him. https://mittensmorgul.tumblr.com/post/184853801830/still-on-s12-in-the-tnt-loop-and-heck-s12-looks
12.16 Ladies Drink Free (covered in the notes linked in 12.15) Werewolves, and an actual werewolf cure.
12.17 The British Invasion (covered in the 12.17 post) Eileen is back for her last real episode.
12.18 The Memory Remains https://mittensmorgul.tumblr.com/post/184854556715/that-last-scene-of-1218-where-sam-and-dean-are 
12.19 The Future https://mittensmorgul.tumblr.com/post/184875554515/i-find-it-endlessly-fascinating-that-i-can-rewatch (this post covers… most of the rest of s12 and loads of s13)
12.20 Twigs & Twine & Tasha Banes (see the link in 12.19)
12.21 There's Something About Mary Mary is being stripped of her will. And Free Will has been what this show has been about… forever. And what will be recontextualized in the wake of 14.20.
12.22 Who We Are And here’s where Mary’s will is restored to her.
12.23 All Along the Watchtower The proof of the spiral narrative. But also the point writing this post that I’ve determined this is all probably neither useful nor interesting to anyone other than myself, and I lose the ability to simply discuss these episodes individually anymore. From here on out, it becomes a weird blur of everything. This post is already over 14,000 words long and I still have 43 more entries to make, and I have no idea how to convey the meta import or Character Development highlights from this point forward. I don’t even know how to eliminate most of these from a watch list of essential character and meta points. So I’m just gonna… wing it… 
13.01 Lost and Found Watch this one for the soul-crushing agony, and our intro to the Nougat.
13.02 The Rising Son Jack is nearly manipulated by the Kentucky Fried Demon
13.03 Patience Our second Wraith. Watch it for, if nothing else, Dean shouting down Sam about Cas.
13.04 The Big Empty TFW in group therapy with a shapeshifter. Cas vs the Empty, defending his life with a statement that he wants to live, but… again he is unclear on his mission going forward.
13.05 Advanced Thanatology Must watch for Billie, for Dean’s complete loss of hope, and Sam’s inability to “fix him” with things that worked in the past.
13.06 Tombstone Yeehaw! Cas is Dean’s big win.
13.07 War of the Worlds Michael has been effectively “playing God” in the AU. The first rumors that Rowena is actually alive after 12.23, and Cas is captured by Asmodeus, who manipulates the Winchesters into thinking Cas is still at liberty… That’s probably all you need to know. >.>
13.08 The Scorpion and the Frog https://mittensmorgul.tumblr.com/post/184946657745/so-im-still-out-ahead-of-the-tnt-loop-but-i (this also covers 13.15)
13.09 The Bad Place Wayward!
13.10 Wayward Sisters Wayward again!
13.11 Breakdown Donna! Wayward part 3! And the reminder (via Vampires) that not everyone who has a brush with the Supernatural will feel compelled to pick up a life of hunting.
13.12 Various & Sundry Villains Zombie! (which makes it relevant to Jack stuff even indirectly) Rowena! And Sam giving Rowena what she needed to protect herself, which honestly is what she’s been seeking since her introduction in s10. Sam. Just handed it to her. Let that sink in. Maybe watch the episode. It’s fun, anyway.
13.13 Devil's Bargain Heaven sucks. The bits about Sister Jo describing the feeling of weakened grace allowing her to feel a little bit human is relevant to our interests, though. 
13.14 Good Intentions Watch this one. It sets up Cas’s special power to strip memories from a human mind, and the results of that. And Dean’s wishy-washiness about just telling Cas he’s wanted, not just needed.
13.15 A Most Holy Man (see 13.08)
13.16 Scoobynatural Dude… it’s scoobynatural. just watch it because you want to.
13.17 The Thing this post covers 13.17-13.20, for convenience’s sake: https://mittensmorgul.tumblr.com/post/184996231285/so-ive-watched-four-more-episodes-since-my-last 
13.18 Bring 'em Back Alive (see above)
13.19 Funeralia Billie and Rowena, Sam’s “destiny” to kill Rowena, and Castiel’s forgiveness by Naomi in Heaven as she explains how badly heaven is broken and shows him to the door, knowing he won’t stay. This is a must watch.
13.20 Unfinished Business Revenge doesn’t fix anything.
13.21 Beat the Devil https://mittensmorgul.tumblr.com/post/185000752455/still-watching-s13-and-1321-is-owie-but-im 
13.22 Exodus (see 13.21) https://mittensmorgul.tumblr.com/post/185000920730/dean-in-1322-so-close-to-ready-to-letting-all 
13.23 Let the Good Times Roll (see 13.21) But I have a list for this episode… maybe just read my tag starting with the posts I made on May 19, 2019… https://mittensmorgul.tumblr.com/post/185002926095/1323-vs-1420-lets-start-with-1323-jack-tell and https://mittensmorgul.tumblr.com/post/185003462010/1323-was-so-ridiculous-i-mean-dean-basically 
14.01 Stranger in a Strange Land At this point, I think everything is at least tangentially relevant… I mean look at this nonsense: https://mittensmorgul.tumblr.com/post/185004920575/on-to-s14-and-one-of-dabbs-big-pet-themes-for
14.02 Gods and Monsters https://mittensmorgul.tumblr.com/post/185014835950/aah-only-18-more-episodes-to-go-and-48-hours-to
14.03 The Scar https://mittensmorgul.tumblr.com/post/185016627975/aah-1403-power-doesnt-fix-anything-dean-is 
14.04 Mint Condition https://mittensmorgul.tumblr.com/post/185018115175/im-gonna-lump-1404-and-1405-together-here-for 
14.05 Nightmare Logic (covered in the post linked for 14.04)
14.06 Optimism https://mittensmorgul.tumblr.com/post/185030339610/1406-jack-im-already-writing-isnt-that and https://mittensmorgul.tumblr.com/post/185030940270/jack-vs-zombies 
14.07 Unhuman Nature (see that first post in 14.06)
14.08 Byzantium https://mittensmorgul.tumblr.com/post/185042798280/omg-wait-literally-in-1408-while-theyre-all 
14.09 The Spear https://mittensmorgul.tumblr.com/post/185043896890/haaaaa-1409-and-michaels-speech-at-the-end 
14.10 Nihilism Not rewatch notes, but a post made after the episode aired: https://mittensmorgul.tumblr.com/post/182171684160/were-working-on-the-power-of-love
14.11 Damaged Goods https://mittensmorgul.tumblr.com/post/185047861195/the-boxes-of-1411-omfg-a-demon-trapped-in-a-box 
14.12 Prophet and Loss https://mittensmorgul.tumblr.com/post/185048948905/aah-1412-tony-you-cant-you-cant-do-this 
14.13 Lebanon https://mittensmorgul.tumblr.com/post/185050918250/ive-been-holding-off-starting-1413-because-i 
14.14 Ouroboros aka the point where I firmly believe they were 100% sure s15 would be the final season, and began actively setting up the endgame. (I mean I think they knew well before this, but this was where the turn happened narratively) https://mittensmorgul.tumblr.com/post/185052705595/i-wrote-a-little-about-1414-earlier-today-in 
14.15 Peace of Mind WHEEE! My delightful personal vendetta against Chip, the MotW, the direct Chuck parallel who even called himself a god, and who manipulated everyone else around him to make HIMSELF happy… like seriously, major definitely must rewatch. https://mittensmorgul.tumblr.com/post/185074234960/mittensmorgul-once-again-in-1415-cas-is (I wrote so much about this episode it’s ridiculous)
14.16 Don't Go in the Woods https://mittensmorgul.tumblr.com/post/185056380525/so-i-started-watching-1416-intending-to-write 
14.17 Game Night (see 14.16)
14.18 Absence https://mittensmorgul.tumblr.com/post/185065385445/1418-and-1419-both-will-require-additional 
14.19 Jack in the Box (see 14.18) 
14.20 Moriah Writers lie. I think this is now officially my favorite episode of the series… 
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cookiedoughmeagain · 4 years
Text
Haven DVD Commentaries: 4.11 - Shot in the Dark
Notes on the DVD Commentary by Nick Parker (Writer for the episode) and Brian Millikin (also a writer on Haven). In which both men talk at a gazillion miles an hour and with much enthusiasm throughout the whole episode. And we learn that the Darkside Seekers are partially inspired by Supernatural’s Ghostfacers. And all kinds of other fun facts.
Both Brian and Nick were previously script co-ordinators for Haven (“the most junior member of the writing staff”) and this is Nick Parker’s first ever episode of TV he’s written. NP is really modest about his writing throughout, balanced out by BM being very enthusiastic about how well written it is and what a great episode it is. And they are both so enthusiastic in general and have so much to say, I love them.
[I haven’t necessarily quoted everything word for word and I have paraphrased sometimes. And they refer to all the full names of the guest actors and the director etc. but I haven’t put the names in (except the ones I already know) because I didn’t stop to figure out how to spell them because … I am lazy :p]
NP: We got to do something really fun here with this hand-held camera, found-footage look. Both Brian and I are big fans of X-Files and one of my favourite episodes was X Cops ... and one of my favourite television writers wrote a couple of episodes of Supernatural called Ghostfacers in this kind of style. And I always thought those were really cool episodes and break the mould of the show a little bit and particularly in this case allow for outsiders to come in and comment on Haven. BM: The found-footage documentary crew thing was something from the get-go that we were always going to try to do at some point in the series. [Brief interlude while they laugh at Seth falling over the pile of trash :) ] And my favourite thing about it is how funny it is. This is not only the funniest episode of the season, but is crucial to the season because it has been so dark that we knew that we needed (particularly before epsiodes 12 and 13 which are like a two-part season finale) a little bit of levity. And because our characters have so much going on, you sort of need that to come from guest characters. And this is easily the funniest episode of the season and I think one of the funniest ones we’ve ever done. NP: You’re being very sweet. I think a lot of that humour actually comes from our guest cast for this episode. Chris who plays Seth is one of the most talented people I’ve ever met. And he and Danny (who plays Anderson) - Seth and Anderson are named after my two brothers by the way, and I based the back and forth teasing between them on my brothers, because that’s how brothers are - are friends in real life and were able to play the humour really well. BM: I remember when we were casting this episode we reached out to Danny (who is good friends with Shawn Pillar) who was interested in the role, but felt that he was better suited to the cameraman role and suggested Chris for the role of Seth. And it couldn’t have worked out better. NP: It could not have worked out better. When Danny made the suggestion and I watched a movie him and Chris did together called Alter Egos - if you haven’t seen it, go and watch it - and as soon as I saw Chris in that and the style of it and the tone that he brings; this very dry humour .. he was perfect for it. He is more perfect for the role than the version I had in my head when writing it. BM: We so enjoyed Chris in this role that Seth is making a return appearance in season 5. They’re shooting that episode right now and from all reports on set, it’s awesome. He’s doing a great job once again. BM: We always knew from the get-go that there was going to be a lot of found-footage and the camera pov in this. And we just hoped that the director for the episode would be on board with it. You know, you hope that your vision and the director’s vision line up. And as it happens, with the director for this epsiode we got crazy lucky. NP: Yes. She is amazing. It was incredible the way everything came together. In the concept of the script, the original drafting of it, there were all kinds of limitations on the script for a variety of reasons but when we started to get on set and look at locations and I was meeting with the director and everything - it all started to fall into place. I was so impressed by how everything came together; from the casting, to the prop department making Seth and Anderson’s props, to the art department and the sets. It really just came together well.
NP: I love this moment here when Gloria goes to flick Anderson off. The timing of that shot where Seth steps into the frame in front of her took us maybe 5 or 6 takes to get the timing just right, but when we did we knew we had it. That parabolic microphone that Seth has there - there was something wierd about the plastic that whenever it would heat up stank like old vomit. It smelled so bad. So Chris was an amazing sport for holding that. BM: This is a small thing but it’s something we’ve never been able to do before; Adam Copeland looking right into the camera. This is something you never usually want to do, and there’s something unsettling and hilarious about our characters finally being able to look back out at us. It’s great, I love it.
BM: Just boucing back to a line earlier, we had a shoutout to the Haven Herald when Seth is mentioning all the crazy coverup stories and he’s like “How many gas leaks can a town have beofre they just buy new pipes?” and that was a line I had always wanted to work in. BM: Yeah and we need to throw in those types of lines once in a while to add some level of groundedness. Because while this is fiction, it is set in the real world. BM: This is the first episode since Fraudrey in season two where we have the outside world arriving in Haven and threatening to expose it. Which is something we always talk about and which is why Vince and Dave - and even Dwight when he was the cleaner - do what they do. And I love it like in this episode when we can make it more than just an intellectual threat that they are forced to protect the secret that is Haven. NP: Yeah, it puts it in context. BM: And it’s something we talk about in the writers’ room that Haven has been like this, with the Troubles, for hundreds and hundreds of years, but keeping the secret of the town is getting exponentially harder and harder in the 21st century and the information age. You know, when the people who made the Barn at the time I don’t think they expected things like the internet or cell phones. NP: Yeah, Sarah wasn’t having to worry about high-tech recording devices being pointed at her or camera phones carried in people’s pockets. BM: Exactly. We talked about it a ton back when we were doing the pilot and conceived the show, and we all knew that Audrey Parker - Emily Rose Audrey Parker - was not the real Audrey Parker, that she had the borrowed memories of a real FBI agent. So one of the questions that we always got was; Why doesn’t anyone try to friend her on Facebook? Why doesn’t anyone google her and look it up? Becuase they would see, clearly, that there is an Audrey Parker and she doesn’t look like Emily Rose, she looks like Kathleen Munroe. And we sort of had to just fly past that for the whole first season and just hope that people didn’t really do that. NP: And I think generally the show has done a good job of cleverly skirting those questions. And I think that’s part of what gives it a bit of a timeless feel, and a feeling that Haven has always been this way. And I think it works well. Ah I love Richard here, playing Vince, he’s amazing. BM: He is so one of our favourites on the show, he is so good. And this [as Vince talks to Audrey in her hospital bed after Nathan and Duke have left to investigate the Trouble] is one of several big emotional scenes about Audrey and who she really is that the two of them have had. There’s that one outside the Gull after he was tortured by Tommy, that was terrific,. There’s that one at the end of season two when she comes to Vince and Dave asking for answers when she’s found out about the existence of Sarah. And now this. And it’s almost like every season we get a chance to have this kind of conversation between the two of them. Because he knows previous versions of her, and here she is beginning to lear more about herself - to learn things now that even he doesn’t know. NP: Yeah, and I think the reason we always end up using him for those scenes - it’s not necessarily a conscious thing - is because he so well represents what Haven is, and the history of Haven. He embodies Haven in an interesting way, and so it just makes sense that it’s always him. BM: Absolutely. And he’s also such a deeply felt actor. He can say a lot without saying anything, which is one of my favourite things about him.
BM: I love how this all looks [as Duke and Nathan confront the Seekers in the warehouse/store room where they are talking to Jemma]. I think this is one of the best directed episodes of Haven that we’ve ever done. They totally nailed it. NP: I was really impressed. It was way better than I could ever have conceived it. And that it all down to the director and the DP Eric Cayla. They did an awesome job. The sequence here after the lights go out, after this was shot, Eric Balfour came over to the director and I and said he thought this sequence was the most dynamic and energetic thing we’d ever shot for the show. NP: There’s one moment here that we buried for Gingersnap fans where Seth repeats the line ‘I think it’s gone’ right before the monster busts through the door. Which is exactly what happens in Gingersnaps so we wanted to bury that for Gingersnaps fans. And there’s the monster, which was a very very nice, and very very tall man in a suit. And this is a very scripted and choreographed sequence to get all this in. We rehearsed it a bunch of times and we were shooting this for the majority of the day. And there’s a couple times where the camera sweeps over the ground [so all you see is darkness] and they would use those moments to match and morph different takes together. So it looks as though it’s one continuous shot but it is actually several different takes stitched together. So we shot several takes of each section, knowing exactly where we were going to sweep to the floor so that we could stitch it all together. And i think it looks great. BM: It does look great. And the director really embraced this approach from the beginning and ran with it. NP: And what I love about her is she’s this really energetic spitfire running about the whole time, so when we were talking about this sequence she’s running up and down the aisles acting like she’s got a gun and everyone else was just trying to keep up with her becasue she was moving so quickly. She was so enthused and really energetic about the entire sequence and I loved it. She was awesome. BM: She’s my hero.
NP: Eric Balfour and Danny [who plays Anderson the cameraman] are good friends in real life so it was nice having them all there together. BM: I could be wrong about this but I don’t think they’ve ever acted on screen together before, despite being really good friends.
NP: So the guy in the suit, is a man in a werewolf costume, which the wardrobe department did a great job of modifying to make it look spooky. And the guy who played that role was probably about 6’10”; he was really tall. And he was so nice to come in because that suit was a lot of plastic and a lot of fur and it was incredibly hot. And he did take after take and was awesome and never complained once.
[As we see Gloria talking to Duke and Nathan in the morgue] BM: I’m jealous that you got to write some Gloria scenes. I didn’t get to do any of that. NP: I love writing for her. And the actor was also in Dawn of the Dead and she is awesome. BM: She was great in Dawn of the Dead. NP: Her energy and her really dry and biting sense of humour is great. And I love the dynamic she has with Duke. They’re kind of oddly flirty, in a way.
[As Dwight is threatening Seth in the corridor outside the morgue] BM: I think Adam Copeland is one of my favourite parts of this episode. He is so good at being frustrated and angry at people. And he seems like he really relishes it. And he is also really good as Dwight, but it’s like with epsiode 9 where he got affected by the paranoia Trouble, where he gets to step out of the usual thing and show some attitude, he dives into it. NP: He nails it. I loved this moment where he’s threatening Seth; I think this is the closest we’ve ever got to representing Adam in his former career as WWE’s Edge. He goes full wrestler on Seth right now. We did a bunch of different takes where he was getting really intense and almost screaming, or a more quiet and controlled threat. But this was a super-fun sequence to shoot, just because we got to see WWE Superstar Edge coming out. BM: Who is in reality the nicest person on the face of the planet. NP: Incredibly nice. BM: I aspire to be more like him one day. NP: That is a goal we should all pursue. He is just a super-nice really good person. And so seeing him act like this is what makes it so terrifying. BM: I would have wet myself. NP: Yes! BM: He is huge. NP: And in incredible shape. I always feel bad that he has to wear this bullet-proof vest all the time, which makes him about 10 degrees hotter than everyone else in every scene. BM: Ardent fans might notice that his vest has changed from the one he was wearing last season. They made one specifically for him; fitted to him and as light as possible but still using bullet proof vest material. Just to give him some relief, even though it is still hot and constricting. [Some back and forth about how hot and humid it can get in Nova Scotia in the summer.]
[As Duke is asking Nathan if he’s OK] NP: So this is the big emotional scene between Duke and Nathan where Nathan reveals his fears about this connection between William and Audrery. BM: Back from when we were first talking about the details of this season, we always knew that was the one where we were going to learn who Audrey really was, and that we were finally going to meet someone who was like her, whatever she is. So that was why we had William in the Barn and he hitched a ride with Lexie to come to Haven and now we’re learning what his ultimate plan is that he wants to turn Audrey back into Mara. But we always knew that we would have Colin Ferguson in the first four episodes, and in episode 9 and 10. And because he’s the Big Bad for the season we knew he’d be in the two-part finale episodes 12 and 13 - and that left out episode 11 which we did not have Colin Ferguson for. And yet he is the main topic of conversation for the episode. NP: Which worked out interestingly. It was a restriction that we knew about and it made things difficult at first but in the end we were able to talk directly about what he was doing. BM: It kind of allowed our characters some space, which we don’t often have, to talk about what’s going on. And how they feel about what’s going on. NP: And the same is true for Jennifer. We only had Emma Lahana for two days of filming for this episode, so that was also a restriction. BM: This location here, the back room of the Haven Herald (which is a real location that we own in the middle of Chester) is the exact same layout as the Gun & Rose diner, which we outfitted this room to be, back when we had Jordan at work. NP: And what a great job the art department did with showing the effects of the rougarou trashing everything. BM: Oh it’s amazing. NP: Every time that I walked onto a set that they had set up as a post-crime scene, I was just blown away. BM: As an example of how good our art department is, when Duke was kneeling down just now [where he found Jennifer’s phone on the floor] there was a golden vase over his shoulder, I’m pretty sure that’s the exact same vase that Dave picked up in 3.12 and knocked Vince out with when they were interrogating Arla. NP: They’re smart about it. BM: They do their jobs well.
[As Duke Dwight and Nathan find the Seekers at their van] NP: So we always knew that we wanted to do this found-footage style, and we knew we wanted to tie that into the Season Four Digital Initiative. So if you happen to follow Haven on Facebook or Twitter you will know that the Darkside Seekers supposedly took over the Haven accounts and were reporting that Haven was this place with this massive cover up and all these supernatural things. BM: And it wasn’t just a few tweets, there was also footage shot for this with Chris and Danny. NP: Yep and it was a lot of fun to be able to do that and tie it in to the episode, which you don’t often see so we were lucky to be able to do that. BM: And we had that pitch from the get go and you were overseeing a lot of that digital stuff. And it was always going to be the Darkside Seekers (though we went through a thousand different names for them before we got that one cleared) and the pitch for that was always that those guys were eventually going to show up on screen in the show in Haven. And it made sense to slot it in to episode 11 because we knew that William wasn’t going to be in this episode so it gave us a bit of a pause for the series arc. NP: Right, and we also needed to build a mouting threat; it needed to be something more than just a normal Trouble of the Week.
NP: Ah Stan the Cop; one of my favourite characters. And Glen who plays him is nice as can be. BM: He’s been around since season one and he’s a bedrock of HPD. NP: Absolutely. Everyone knows Stan. BM: And he has a little bit more to do every year. We love Stan. I’m always wishing that we could do an All Stan episode, but we’ve only got 13 episodes a season and so much other stuff to cover. There’s unfortunately just not enough room. If this was a 22 episode season show, we would absolutely have had a Stan episode. It could have been called Stan the Man, and Stan would be in every scene. And you know, he saves the day and the rest of the characters have no idea what he’s doing. NP: Like that Xander episode [in Buffy] BM: Yep, ‘The Zeppo’
[They discuss the restrictions in terms of actor availability becasue as well as Emma Lahana only being available for two out of the seven days of production, they also only had Emily Rose for a few days becasue she “was also due for a break” because she had been “working like a dog” having been in every scene in episode 10. And also they didn’t have Colin Ferguson, so when we see a glimpse of William in the hospital - that is not Colin.] BM: So there are all these various restrictions and you have to write your scripts within these painted lines that are set out for you. NP: Which is why Chris as Seth ended up with such a big role, and this is one of the biggest guest actor roles we’ve had. It’s good that he’s so good. BM: And it’s not a co-incidence that this has a lot of humour. Not that our cast aren’t often hysterical, but there’s not always a lot of humour just because our characters, after four seasons, are saddled with a lot of emotional baggage and weight. NP: Yeah and the nice thing about a role like this [Seth] is that they can comment on the ridiculousness of the situation. BM: Jennifer and Lexie were examples of the same thing; they were able to bring some of that lightness because they were yet to be weighted down.
[As Seth is telling Dwight how he spent his summers in Haven as a kid] BM: This hill I think is the same spot that William brings Audrey to in 4.09. NP: Yes, I think it’s one of their favourite places to shoot just becasue it has such a beautiful vista and it’s close the production office as well. The prop department did an amazing job building Seth’s equipment here. BM: Everything looks fantastic.
[At the Teagues warehouse where Jennifer is hiding out] NP: This all looks fantastic. We shot a lot of this at this place called the Aspotogan Spa, but if you try and look it up online you’re not going to be able to book tickets for becasue it was this huge multi-million dollar spa idea that they had, up near Chester? BM: Yeah from Chester if you head up eastward up through Hubbards where the Grey Gull is located, around the corner on the tip of that peninsula is this big abandoned structure with parking lots and everything but it’s this half-finished spa that they started building years ago and the economy fell through and they never finished it. NP: It’s actually incredible because the whole thing is built, there’s pools, the windows are in. We filmed in the basement. BM: We filmed there before in 2.08; Friend or Foe. NP: Oh yeah. BM: And we always wanted to go back because inside it was fantastic. And this was the perfect opportunity. NP: But it’s crazy when you go in there, it’s like all of the worker’s just suddenly disappeared. BM: We do a lot of on location filming for Haven … and we could not have possibly built something this big to film in. NP: There are hallways upon hallways and it worked out great because the place was big enough for us to run two units at the same time. Shawn was off with one of these handheld digital cameras with Lucas, Eric and Chris running around the hallways while the main group [Audrey etc] was here. And Eric Cayla, our DP would do a lot of shooting with these handheld cameras, or one of our camera operatives. So they would run around with Danny on their shoulder giving the diagloue, and then they would hand the camera off to Danny and he would do the same thing again for a different take.
BM: I would like to talk about Unstake My Heart for a second, which wound up being extraordinarily important. We always knew that it was going to be. We knew that it would be useful when it turned out to be Fraudrey’s favourite book - oh poor Dwight! NP: Yeah Dwight is knocked out there because Adam had to go do a WWE event. BM: Ha! Amazing! NP: This was a change the day before when we found out that Adam had a chance to go promote Haven at a WWE event. So we wrote him out of the last day. BM: That’s right because the season was about to start airing. So anyway, Unstake my Heart wound up being this important thing that Agent Howard had used, and so here we needed Agent Howard to have left Jennifer something that was going to help her personal journey. And it seems like it’s a magical book but really we always thought of it more that it’s more like a placebo effect that allowed Jennifer to realise some of her capabilities. And this was always how we intended the episode to wrap up, that Jennifer was going to realise a little bit of why she was the target of Williams’ creatures. And sort of end up saving the day as a result (with an assist from Seth). NP: Yes exactly. The guy who plays Sinister does a lot of our stunts and he was Seth in that moment [attacking the monster as Jennifer grabs the book off the floor] knocking the rougarou off his feet. We had so much fun up there saying that word especially with so many French Canadian, they love saying ‘rougarou’; [rougarou in a French accent!] BM: A rougarou if I’m not mistaken is a kind of European werewolf. NP: Yeah, it’s a French werewolf legend, kind of a cousin to the werewolf. Way back in the day I used to play this old role playing game called Werewolf of the Apocalypse, and in that all werewolves call themselves garou and so I suppose ‘le garou’ is what a werewolf is in french. BM: And do they actually eat your hearts? NP: That is a thing that we created for the Haven version, to give them a signature. BM: Like a serial killer calling card.
[As Seth and Andersen get ready to leave and Seth is talking to Nathan] NP: This scene originally was not Nathan saying goodbye, it was Dwight because Dwight had had that moment with Seth before. But because Adam had this great opportunity to go promote the show, we reworked this scene the day before it was going to shoot, to be Nathan instead. BM: That’s crazy. And initially there was also a third Darkside Seeker. There was going to be this host of a reality show and two other guys as his back up. It was crazy because we were initially writing it for (we can’t tell you who) a bigger nam- or I guess a different kind of actor who was going to do the role. He fell through really close to production. NP: Days before. BM: And so we - or rather Nick - streamlined and reconceived the episode and made it just about Seth and Anderson. And it turned out far better. NP: I definitely like this version more. It was always one of those things were I was trying to fit a square peg into a round hole. BM: And the amount of restrictions we had on what we could and couldn’t do and who we could and couldn’t use, was more than I’d ever seen in four seasons of the show. But they say in TV you embrace the limitations, and it’s like why a bottle episode can end up being the best eipsodes. Those are the episodes you do to save money because you’re shooting the whole thing on one set; but they can end up being the best. And it’s the same thing here. This is one of the best epiosdes of the season and in many ways it’s because you had these parameters to work in. NP: That’s very nice of you. But I always think whenever you’re writing with restraints, whether they’re self imposed or due to what you’re working on, you’ll often end up with a better product just becasue you have to focus. Having everything wide open and being able to anything and everything doesn’t always turn out as good as you think it will in your head. BM: Yeah absolutely.
[As we see Jennifer joking about being Hermoine] BM: This is a big moment for me in terms of the Duke/Jennifer relationship which going into the season has always been a big deal for us. And here she is starting to learn that she is more than just Troubled. That there is clearly a major stake in what is going on in Haven tht involves her. It’s not just this book; it’s her. And that is going to come to bear on herself and her relationship with Duke. We had always known where we were going with her character when we introduced her and that it was going to get a little bit heavy in the next episode or two. And we love Jennifer and Duke, and we’re really happy that we earned their relationship.
*cell phone rings* NP: Oops that would be me. BM: That was the Game of Thrones theme? NP: In like old, midi form.
BM: Oh this is so sad with Nathan and Audrey too we knew what was going to happen at the end of the season. We knew what William’s plan was going to be for her. And it’s kind of a bookended season in that we started with introducing Audrey as Lexie and then now we’re going to learn who she really was; the original person.
[As Jennifer tells them about the riddle in the book] BM: How many versions of this cryptic message were there? NP: it’s funny, this was being changed up until the moment that we shot it. And actually Emma was nice enough to do a couple different takes with different versions of what she was saying. BM: There was a lot of debate about this. And that was my favourite version!
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shirtlesssammy · 5 years
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14x16 Bullet Point Rambles
Ah, making out in the car in the deep, dark woods. A very safe activity. Something mysterious whistles in the woods… I AM READY
Oh my god is it BIGFOOT (Boris: Bigfoot doesn’t exist!)
Sam’s still not sleeping. Poor Sammy
Cas isn’t there because he has wanderlust, hmm? (Or is there something else afoot? Methinks it’s the latter.)
Dean is a terrible liar to the people he cares about. Good lord. They tell Jack to take care of the bunker while they head off to hunt
Dean’s got cat-like reflexes as he leaps away from the corpse (Boris: he always lands on all fours - insert Tobias gif)
Meanwhile, the Local Teens ™ watch Ghostfacers and greet Jack, who’s standing gormlessly outside of the closed grocery store
“What’s a ghost?” Goddamn it, Jack, this clumsy dissembling is why we love you
The Local Teens ™ watch Jack shop and wonder about his life with the Winchesters. “Their whole place must smell like beer, kleenex, and Old Spice.” Lesbians FTW
Hey, look at Jack being extra cute so as to injure us more grievously later
IMPORTANT FACT Movie nights are Thursday and Dean loves Lost Boys
Sam found info on the potential monster - a kohunta (sp?), a legend of the local tribe that loves to eat sweet human flesh.
Oooo it’s like a tree bark monster! It drips bile onto an unfortunate victim’s face. Boris is HEAVILY INTO the X-Files jam
The Sheriff calls off the emergency crews, ordering them out of the woods and thereby confirming our theory that he’s covering for something
At the cabin, the Local Teens ™ are adorable. Jack brings Eliot a ton of lore books from the bunker. Backpack Jack settles in and asks a succession of sweet, clueless questions
This segues into Jack hauling out the ol’ angel blade to teach these kiddos how to hunt, like ya do. We are SO worried for Eliot’s survival at this point
Boris: Hey Jack, if you wanna impress seventeen-year-olds then you should really just buy them beer. None of this weapon-wielding stuff
Meanwhile, Sam and Dean get themselves cornered by the Sheriff in the woods. Dean interrogates him about the monster
Back with the Local Teens ™, Jack starts using his powers to swirl the angel blade around and NOW WE ARE VERY CONCERNED
Jack accidentally stabs one of the girls NOOOOOOOO
He tries to heal her and I am very concerned
OH THANK GOD
She survived! Phew!
Jack gets spurned by the Local Teens ™ and has trouble understanding why he can’t hang out with them anymore
Welp. Cue Jack’s self-loathing arc. (If he can experience self-loathing on account of the ol’ soul.) (Boris: He’s a Winchester. Self loathing comes with the package.)
Over the commercial break, we discuss Cas and his approach to humanity and powers, versus Jack. Cas has a lot of experience backing up his choices, whereas Jack has been established this whole episode as being just a wee baby who knows nothing of the world
Back with the oh-yeah-there’s-a-monster-of-the-week, the Sheriff recounts his own experience witnessing the kohunta.
Backstory: the first white settlers encroaching on the land had a hard winter and the boy ate his family, then tried to eat the people of the local tribe. In retaliation, the tribe cursed him to roam the woods, hungry and monstrous forever. Cursed to eat other people, or else digest itself. They marked the forest to keep people out, the monster in, and starve the monster, but people forgot and...well...here we are some 50+ bodies later
(Boris: Oh hey a cursed boy trapped in a box, you say?)
The Sheriff asks why the Winchesters aren’t running around recording monsters and putting stuff on YouTube. Oooo, this is a great juxtaposition to the GhostFacers snark about the Winchesters from earlier
Sam insists that informing the public is a sure-fire way to see everyone dead. Intriguing
Our other troubled teen heads into the woods to hunt the monster. OH NO
You can kill the monster with a silver blade through the heart. That’s so common, Sam and Dean just have it in their back pocket!
Meanwhile, the whistling draws ever nearer. It is so delightfully creepy the way it echoes through the dark woods. And that still-as-a-tree trunk monster stalking! YIKES
This is a good monster fight with some good teamwork with the Winchesters and Sheriff. They stab it and the monster just melts into…stomach acid, I guess
“Whoa, that’s like full on Raiders!” Dean. Bean
Later in the Impala of Feelings… Dean questions Sam’s suggestion to the Sheriff to tell the truth about the monster to his son. Dean thinks lying is the better approach but Sam pulls out the big guns. When they were kids, they lied to their dad all the time about how they were doing, just to make him happy. Let us all now fall into the quagmire of John Winchester’s A+ parenting feelings
Sam and Dean talk to Jack about how worried they are about his powers. They caution him against using them, and tell him they lied because they care, but they’re telling him now because...they still care. Jack stares into space, then promises not to use his powers. No "oops let me tell you how I almost killed someone” stories here. The music turns grim, so we’re all fine. Everything’s fine
Hey! Lies, lies and omissions. Who’s got ‘em? Jack and his power play, Cas and the Empty, Cas and his secret trip to (as the next trailer showed) talk to Anael/Sister Jo, Dean and his denial… Anyone else get the feeling that mounting lies are gonna crush all the fragile peace they’ve managed to paste together?
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