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#The Pretender Lives
lecameleontv · 2 months
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Captures de l’Ep. 4.10 : Simulations / Spin Doctor (2000) de la série Le Caméléon (V.O. : The Pretender)
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Distribution : - Rex Linn, qui avait déjà croisé Paul Dillon dans le film L’Ile aux Pirates (1995) et le recroisera dans la série Les Experts : Miami (2004), et retrouvera Michael T Weiss dans l'Episode incursion 4.10 de la série Profiler; - Robert Davi, qui avait déjà croisé Richard Marcus dans l'Ep. 1.07 de la série Hôpital St. Elsewhere (1982), de la série Profiler qui a 3 épisodes incursion avec Michael T Weiss, et qui croisera Jason Brooks dans Alerte Astéroïde (2014); - Max Martini, qui croisera Jeffrey Donovan dans l'Ep. 2.07 de la série Burn Notice, qui participe également à l'incursion 4.10 de la série Profiler et avait déjà croisé Harve Presnell dans le film Il Faut sauver le Soldat Ryan (1998); - Jamie Luner, de la série Melrose Place, et qui croisera Jason Brooks dans le TVfilm N'oublie jamais (2017); ...
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Todd Baxter : "Je veux faire quelque chose qui compte... C'est ok selon vous ?"
Jarod : "Hoquey.. ça c'est ... c'est un sport je crois ?"
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journaliste : "La réponse se trouve derrière cette porte"
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Jarod : "Pourquoi tu m'as aidé ?"
Todd Baxter (réfléchi) : " Mon coeur me dit que je peux te faire confiance... Ah attend (fouille dans une poche et lui tend un billet) Prend ça."
Jarod : "Ah non non non non non Je ne peux pas accepter, tu m'as déjà tellement aidé !
Todd Baxter (déposant le billet dans les mains de Jarod) : Si j'insiste. Tu dégusteras une glace à ma santé !"
Jarod (détaillant le billet, étonné) : "Déguster une glace ? ... Est-ce que c'est bon ?"
Todd Baxter (amusé, riant) : "Tout ce qu'il y a de délicieux ! ... Quelque chose me dit que tu as vécu en hermite Jarod... Si tu vas à Washington, passe me voir :)"
Jarod : "Avec plaisir.... Je te remercie."
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B. Malone : "La Vérité ? C'est ce que tout le monde recherche."
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M. Parker (insistant) : "Jarod reste l'avenir du Centre"
Mlle Parker (pas convaincue) : "Pourquoi ?"
M. Parker (crispé, fuyant) : " C'est notre plus bel exploit, un atout sans égal..."
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Sydney : "Menteur ... ! TOUS DES MENTEURS !!! ... MEEENNNNTTTEEEUUUURRRRRRS !!!!!!!! "
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Mlle Parker : "J'ai toujours su que c'était un savan fou"
Broots : "C'est le Centre qui nous rend fou."
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Agent Linden : "On croit devoir abandonner la partie quand on sent qu'on n'a plus d'atout."
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Il s'était déjà infiltré au F.B.I. dans :
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source : imdb
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Saison 4 : Episodes 01 - 03 - 04 - 05 - 07 - 08 - 09 - 10 - 11 - 13 - 15 - 16 - 18 - 19 - 20.
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seancefemme · 8 months
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yeah well you want to fuck me so bad it makes you look stupid
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inkskinned · 5 months
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the problem is that being single is seen as the consolidation prize, and not the natural neutral state of being-a-person. at the end of the movie or the book or the poetry, there is a person waiting for you at the altar, and they love you. if the play is a comedy, everyone gets married. the metaphor is about how you are not-whole. the metaphor is about how everyone is going to be happily-ever-after. the metaphor is that romantic love is the most important resource on the planet, not just all-love. all-love is not a thing, that is a disappointment. the treasure is not the friends we made along the way. the treasure is the girl you landed.
the metaphor is that you cannot be alone, that means you are broken. are you getting over someone? that is acceptable, you can be getting over someone, but not for long. you must be single because you would rather not be single. you must be single and looking to not-be-single. you must want to date, eventually.
friendship and community are never seen as being equal-to or even-better than romantic connection. that person is your one! you need to find them. you need to hunt through the sand particles until you can shift out some kind of gem. this is regardless to your own experience of the beach and the sun. you need to be somewhere with someone.
if you are taking this time alone to heal, that is so sad. everyone gives you this little pitying look. the understanding is that you are not actually happier than you were before you were single. it is seen as a sort of pity - oh, you are choosing yourself, making yourself the priority? - that isn't quite right. you must mean that you are making yourself ready for the right person. you are just laying the bed better this time. open up your heart. you'll find them, we promise!
what do you mean you're really-truly genuinely-very happy? you are probably misremembering what it was like to be in a relationship. and besides, once you meet your person, that time will look grey and bland and wasted. your person is the only way for you to see in color. so what if you have taken this time - for the first time in your entire life - to actually-for-real do the fucking work. you can be proud of yourself, sure. but the way we need to know that you got better is that you get a partner. you're healed enough for the next bad part!
people don't choose to be single, they just say they're choosing to be single - they actually mean "nobody wants to date me." it doesn't matter how many people you have gently rejected or how many times you've talked it over carefully in therapy. what matters is that you are single, and by all accounts - that means you are something worth our pity. your successes and life all seem pale in the sunlight. sure, you have done amazing things and finally found your way in life. what matters is that there wasn't a person in the room with you while you did it.
you want to tell them - that's the whole thing. i didn't know how to be alone in the room. i didn't know how to handle the silence. every moment was so sharp, and i kept choosing the wrong way to close the door. i have spent my entire life in the empty well, living in the ricochet of someone else's cruelty. for once i have built myself a ladder. for once everything i taste is all mine, every bite of sunshine and laughter. i have learned how to sleep out in the open with my memories. recently, they have started to purr.
your father rolls his eyes. listen. this isn't about you. i just want a grandchild in my future.
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anna-scribbles · 6 months
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loveybug and catwalker from @blur0se @pisoprano and @asukiess beautiful minds
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iwoulddieforienzo · 6 months
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Personally I think percabeth is at its best when Grover is in it. I don’t necessarily mean in a polycule way I just think it’s great when he’s around
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ash-and-starlight · 6 months
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netflix u Have to be joking
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paxcallow · 2 months
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desire to draw raz's hair unhatted and uncombed spiraled into imagining an extended gag about some emergency situation forcing all of the psychonauts out of the motherlobe into the quarry in their jammies at like 2 am and judging each other's clothing choices instead of getting actual work done.
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catboymoses · 6 months
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I know this might hurt to hear for some but the ending of Falsettos is the necessary climax and conclusion to all of the men's character arcs.
Bill Finn didn't write it just to be a downer ending. He wrote it so Marvin would have to overcome his misogyny and take on a caregiving role and so he could learn to rely on his family for support.
He wrote it so Whizzer would have to overcome his pride and allow himself to be cared for and loved. To bring him and his family together.
He wrote it to knock Mendel down from his g-d complex. To show him he doesn't have the answers, that he has to help his family process their feelings instead of just pretending everything is fine.
He wrote it to teach Jason to give up his king, to concede, to learn from his mistakes. To teach him about being a man.
Whizzer's death happens at the end of Jason's bar mitzvah because it symbolizes all four men finally growing up. Becoming men. It is their final step out of falsettoland. Ignoring the ending robs them of their growth.
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pokeberry5 · 10 months
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thug beatdown round 2: electric boogaloo
(extras, cw flashing gif:)
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alt:
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the fit:
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nelkcats · 8 months
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Haunted City
Danny could admit that pretending to be a "regular ghost" was pretty fun. He could hide in one place and scare people who were waiting for an open door and a creepy laugh.
Honestly, Danny could do a lot more than that, the ghosts people believed in were nothing like the ones he knew. He wondered if there were simply different types of ghosts, or supernatural creatures; it was quite likely, considering that the ghosts of the Realms weren't even of the same dimension so it wasn't a fair comparison.
Anyway, the halfa had spent a couple of days "haunting" Gotham. The place was too leggy and they needed a little excitement in their lives. Of course, this led to some rumors about a spirit suffering or something similar, he didn't really care.
The "heroes" of Gotham didn't seem to share his opinion, going through all the places that had been "attacked" (they were just jokes) and looking for some explanation before calling Justice League Dark, Danny had fun scaring them a little in the process.
But he wasn't too interested in being exorcised, banished or whatever they did with rebel ghosts, so he settled on a mansion that was too big for its few inhabitants. Scaring billionaires was almost therapeutic, although the butler didn't seem too impressed by his (minimal) efforts.
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lecameleontv · 11 months
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Le 21 février 2001, les acteurs Andrea Parker et Michael T Weiss ont été invités au 41ème Festival de la Télévision de Monte-Carlo (Monaco, Europe), pour représenter la série/Tv film Le Caméléon (V.O. : The Pretender) au Forum Grimaldi.
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Photos de l’actrice.
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La veille, ils avaient participé avec leurs compagnons respectifs au dîner de Gala organisé par la famille Grimaldi.
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Ils en ont profité pour donner des interviews.
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Photos : Toni Anne Barson Sources : WireImage et gettyimages.fr
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Alias Jarod et Mlle Parker dans la série Le Caméléon.
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lethargicluv · 6 months
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The plot of MW3 was clearly written by a man. A woman would have never let this happen.
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andy-clutterbuck · 2 months
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Always room for seconds (dp x dc)
"There they go again," says Aunt Alicia as she looks at the hazmat-clad backs of her sister and her husband jumping into their mish-mash-of-a-van. "And on Thanksgiving too," she finishes to herself as she turns toward her niece and nephew. Neither of them look surprised, though Jazz is clearly more affected if the tick in her jaw is any indication.
"They promised," she practically spits but Danny just sighs and puts a hand on her shoulder. It seems to draw the fight out of Jazz a bit and she sags onto herself.
Alicia loves her sister but she can be so irresponsible sometimes.
"Come on kids, let's go back inside. It's about time to put the turk-" she stops short, then groans. Maddie had insisted on bringing the turkey on account of not wanting Alicia to go to all the trouble, and Alicia had agreed on the condition that her sister wouldn't try to make it. "...And the turkey is still in the van isn't it?"
Danny makes a face. "It's probably for the best. I'm pretty sure I saw it move on the way here."
Alicia doesn't let her head fall into her hands, but only just. Instead, she takes a deep breath to calm herself down to rally her thoughts. "Alright. It'll be too late by the time we drive to town and buy a new raw one, so we can just get some already made from the store. That good for you guys?"
Jazz and Danny make sounds of assent before all three of them pile up in the car. Town isn't too far away, and the trip is mostly silent. Alicia is hesitating over what to say to cheer up her niece and nephew. In the end, they pull up to the grocery store before she manages to come up with anything.
"Dad was also supposed to bring desert," Jazz mentions as she grabs a caddie and wheels it back to them.
"I made apple pie just in case," Alicia answers. Despite her dislike for him, she can admit that Jack Fenton is a generous man. However, as she has learned over the years, that generosity doesn't extend to fudge. Which is why she's got her famous apple pie ready to pop into the oven.
Danny nods relieved, as he files in behind his sister. The three of them are rolling past the frozen section when a familiar voice cuts through the store music.
"Alicia?"
At that, Alicia looks up to see the face of one and only Martha Kent. Her lips stretch into a smile unconsciously at the sight.
"Martha, hi," she answers as the other woman starts walking closer. "How are you?"
"I'm good," the other woman says as she stops in front of them. "Just doing some last-minute shopping." Then Martha looks to Danny and Jazz and gives them a smile. "And who might these two be?"
"This is Jazz and Danny," Alicia introduces them, "my niece and nephew. They're spending Thanksgiving up at the cabin with me."
"Oh, that's wonderful!" Martha says sincerely. "You left your sister and her husband in charge of the turkey, then?" She winks.
Alicia winces. "Ah, not exactly."
"They had a work emergency," Jazz says, unhappy.
Martha lets out a sympathetic oh.
"That's why we're here," Alicia explains. "They left with the turkey without realizing, so we'll have to settle for store-bought this year."
Martha makes a noise of sympathy before her face shifts into something more pensive. "You know," she starts. "I've got a big turkey at home and there's only going to be my son and me to eat it. If you guys would like, we'd love to have you over to help us with it."
"Oh we couldn't possibly-" Alicia starts to protest but Martha takes a step forward and takes her hands.
"You'd be doing us a favour," Martha says, her hands still into Alicia's as she looks up earnestly at the redhead. And damn it all because Alicia can feel a blush spreading on her cheeks at that.
"Alright," Alicia says, too flustered to argue.
Martha squeezes her hands once before letting go and Alicia can't help but miss the warmth of them. "Then it's settled."
"Alright," repeats Alicia. "We'll have to swing back home, though. I made pie."
"That's wonderful!" Martha's smile is radiant and it makes something in Alicia's chest warm.
She disguises it with a cough before speaking up. "Is six thirty too early for you?"
"It's perfect. We'll be waiting for you then," Martha says. "And for your sister and her husband too, if they manage to tear themselves away from work."
"That's not likely," mumbles Danny under his breath. Uncharacteristically, Jazz doesn't say anything about her brother's manners, only putting her own hand on his shoulder. Martha catches Alicia's eye and they exchange a look.
"Well, we'll be glad to have you three, anywho," Martha states firmly which gets her a hesitant smile from Jazz.
Alicia clears her throat. "We'd better get going if we want to be ready in time."
"Oh yes," Martha agrees. "I have to make sure the turkey's not burning." Then she winks, and for some reason, Alicia can feel that pesky blush coming back. It's made worse by the shrewd look Jazz gives her.
"See you soon!" says Martha as she leaves.
"Bye," Alicia answers back a little weakly. Then she looks down to the ground and sighs. When she straightens her head, she's immediately on guard as she catches her niece's smug look.
"What?" Alicia asks warily.
"Is Martha single?" Jazz asks, with a butter-wouldn't-melt-in-her-mouth face.
"Yeah," the older redhead answers slowly. "Why?"
"Just wanted to know," Jazz says innocently. And even Danny is looking at his sister suspiciously now. "since you've got a crush on her and all."
"I do no-I don't know what you're talking about!" Alicia protests though she feels her cheeks warming for the third time today.
And now Danny is starting to smirk too as he exchanges a look with his sister. "Oh," he starts as he looks towards Martha's disappearing figure. "This is going to be fun."
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akechi-stole-my-heart · 9 months
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broke: haru hates akechi and doesn't talk to him ever again after he comes back
woke: haru chooses to be kind without forgiveness and akechi doesn't know how to live with her genuine compassion because it'd be so much easier if she hated him instead
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majinbangus · 1 month
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He's so sexy, look at him, he's in his element 🤭
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