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#THATS THE DYNAMIC OKAY
your-local-granny · 2 months
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i know there's many interpretations of klapollo and they're all valid or whatever all are welcome to dine at the lords table ect ect but to ME. it is integral that:
a) apollo doesn't give a single shit that klavier is famous and
b) that apollo isn't insecure abt his looks
because if you don't have that then it's just a 1directioner insert fic which. I can accept but it's hard for me to return to those grade school recess conversations in full sincerity. and if you DO have those things then klapollo is the greatest modern successor to roger and jessica rabbit
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ar-mage-ddon · 6 months
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extremely messy doodle dump that devolved into me anguishing over trying to figure out how to draw that damn default hat at other angles
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comradekatara · 2 months
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notes on “the runaway”
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the more i see people discuss how strangely sokka’s character is portrayed in “the runaway” the more i cannot help but feel that all my ad hoc rationalizations and justifications as to why he would contradict himself so greatly might actually be meaningless. why would he allow the gaang to endanger themselves for foolish reasons when he is the overly paranoid voice of caution in literally every other episode? why would he be so easily swayed by toph’s manipulative promise of buying him a fancy atlas when he’s literally holding her wanted poster? and most crucially, why would he say that he sees katara as his mother when no other episode in the show indicates that this is remotely the case?
this episode is great for katara and toph, whose hangups are compellingly explored here. i won’t get into the common misconceptions about katara being “motherly” or why they’re even at loggerheads to begin with, as i’ve discussed this at length in the past, but it’s actually undeniable that the assumption that katara is the de facto “mom friend” stems primarily from this episode, where toph all but outright accuses her of fancying herself their collective mother. however, katara becoming “the mother” of the group is very much a post-toph shift in her character, and you see her femininity being accentuated in contrast with toph’s deliberate lack of femininity also being linked to this sort of maternal role that she occasionally adopts, especially around toph. but i don’t actually think the issue is one of katara being a smothering, maternal figure towards toph, but rather a miscommunication regarding power, gender, class, and community vs independence. when katara and toph fight, it is for far more complex and nuanced reasons than the notion that katara is simply too overbearing. if anything, it’s the way in which she is overbearing that irks toph, just as toph’s rudeness is not the central issue, but rather that toph’s values (those of total independence and freedom) are misinterpreted as malice by katara (who values community and collaboration), and vice versa.
something very crucial to understand about this episode is that katara is not actually mad that toph endangered their group by pulling fun scams. katara has endangered their group countless times in the past to satisfy her own impulsive desires (and yes, she wants justice, but toph similarly rationalizes her scams through the lens of achieving moral vindication). katara would be all over toph’s scammery, would come up with scams of her own, would be having more fun than anyone—had she been included from the start. which is exactly the point. it is her exclusion that foments her critique, not the subject of their act itself (and the reason that you could not replace katara with sokka in this scenario is simply because toph would never exclude sokka in the first place). but katara would never admit that she is hurt by toph’s exclusion aloud, because katara is an extremely proud person. and a prideful, wounded fourteen year old is not going to thoughtfully use “i statements” as if in a group therapy session with the equally prideful twelve year old who deliberately excluded her; no, she is going to lash out. (lest we forget that in their first real episode establishing their group dynamic, katara literally mocks toph’s blindness. hardly an okay thing to do, in my opinion!) their conflict stems from their differences, but also from their similarities. they are both proud, angry, powerful, stubborn, and must assert their dominance at all times. it’s clear they both want to be friends with each other, and at times they are, but it is really only in this episode where they are able to cross a threshold that allows them to be truly honest about more meaningful insecurities than simply their looks (although i do of course find their exchange in “tales” beautiful as well). and you know who is instrumental (albeit reluctant to interfere) in facilitating that growth? sokka.
i’ve gone more in depth in the past analyzing why sokka’s speech in this episode regarding his mother and katara isn’t exactly as it sounds. i personally interpret his admission, that katara has always been there for him and that her face is all he sees when he tries to picture his mother, as an illustration of his codependent attachment to her, as she is the very locus of his identity. this interpretation is compounded by the fact that when kya’s face is finally revealed later in the season, she does bear an uncanny resemblance to sokka, which to me signifies the way in which sokka sublimates his own face for katara’s—which is also deeply unhealthy, but in a different way than an older brother parentifying his younger sister would be.
the fact is that there is simply no indication throughout the entire show (including this episode) that sokka views or treats katara as a parent. there are of course moments wherein she supports him emotionally or materially, but most of the time she is in fact teasing, tormenting, undermining, yelling at, or otherwise making life harder for him, at which point he is far more likely to act as her guardian figure and admonish her while simultaneously helping her get out of whatever mess she’s caused. and considering that sokka’s defining moment is when hakoda stakes his identity to protecting his (ontologically special) sister (which, as we know, as the bearer of kya’s face, in fact means dying for her), this dynamic makes far more sense than the other way around. i know that people commonly portray katara as the voice of reason who cleans up sokka’s messes, but besides a couple examples, it’s consistently the other way around. yes, it’s very easy to assume that sokka’s speech indicates that he sees katara as his replacement mother, but we cannot take this speech at face value if we are also to take the rest of the text into account, which we must.
but then there’s also the other glaring question that must be taken into account: why would sokka even allow all this? considering the first thing toph bartered was the sword he has painstakingly crafted just an episode prior, why didn’t sokka just pull the plug then and there? it really doesn’t make sense that sokka wouldn’t take katara’s side just for practical, logistical reasons. even if she doesn’t really care about the own point she’s making (as demonstrated by the fact that the scam she devises literally lands her in jail), sokka would see the logic in it. but... he does. he is the one to first discover the wanted poster, and he immediately points out to toph that their scams are drawing undue attention to her, and that they should put an end to it now that's it's putting them at risk. and yet, toph successfully bribes him, and so he continues to participate. why? what about the prospect of having money is so appealing to sokka that he’s willing to risk his precious rationality and caution for the potential of acquiring more of it? well, it’s actually quite simple.
toph is scamming for the thrill of the game. she loves proving the kind of men who undermined and demeaned her all her life wrong. she loves humiliating the people of the world who had once humiliated her. she’s not someone who values earthly possessions or really even understands that money is a finite resource. to her, these scams are a matter of ego. aang is also scamming for the thrill of the game. he loves a prank, a bit of mischief, getting into some tomfoolery. he loves spending time pulling hijinks with his friends. it’s funny, it’s fun, and it’s lucrative on top of that. but it’s clear that he views it as a game. now, sokka similarly enjoys pulling these scams. he adores toph and clearly finds it nearly as satisfying as she does to watch her destroy the egos of men thrice her size. but even more potent than his adoration for toph, is his appreciation for money.
when katara put them all in danger countless times in the past, it may have been to enact righteous justice, but it was never materially beneficial to sokka. sokka is a very practical person, and growing up in a state of colonial abjection taking on the role of provider for a couple dozen people mostly comprised of elderly women and small children makes you appreciate the value of goods and resources in a way that an aristocrat and a monk do not. you may be asking, "are you really arguing that sokka would undermine his own values and endanger himself and his friends so readily for the prospect of financial security?" to which i would argue that you underestimate how truly cynical sokka is. of course he loves money and food he doesn’t have to catch or forage – see: his appreciation for the immediate luxury of ba sing se that everyone else finds so stifling. he is not spiritual; he is attached to earthly possessions and the immediate physical needs of those around him. so of course he loves a material object. in his own words: “i do believe in the power of stuff.” because even when sokka is supposedly being uncharacteristically foolish or naive, he is in fact nonetheless promoting the cynic’s agenda every step of the way.
“the runaway” is a good episode, perhaps even a great one. however, it has also lent to some of the fundamental misinterpretations i see of katara, sokka, and toph that are constantly thrown around (including the occasional citing of this episode to justify that aang apparently “sees katara as his mother”). so in some ways, i do resent this episode for begetting those strange and incorrect takes, even if i think that in a vacuum, it is well-executed. it is an episode that complicates our characters, adds nuances and shades of grey to their pre-established characterizations, but does not actually rewrite them. sure, if this was the only episode of the show i had ever seen, i too might assume that katara was the maternal and responsible figure of the group, toph was a careless and rude little bitch, and aang and sokka were idiots who relied solely on katara’s infinite well of long-suffering guidance. but even within this episode, that is clearly not established to be the case, and if that notion is not sufficiently undermined by the episode’s conclusion, it is quite clearly by the episodes bracketing it, which provide crucial context through which to inform our understandings of the choices made in this episode, and why they are indeed interesting, but nonetheless do not reflect the characterizations established in the series as a whole.
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haunted-xander · 7 months
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Ryne and Gaia are like. Such good parallels and foils to each other it makes me just a little insane.
Like Ryne is sweet and caring and she always wants to help others and make them feel better even to the detriment of herself because she has seen and known suffering and doesn't want others to have to live like that too. If she can make someones life better, even if just a little bit, then she will. But she also puts everyone elses well-being and feelings so far above her own that she often ends up trying to help in a way that doesn't actually solve anything because it still ends up with someone hurt (such as trying to properly fuse with Minfilia knowing it might end up with herself disappearing). She's not a doormat, but she does have some people-pleasing tendencies.
Gaia, however, is the exact opposite. She's prickly and sarcastic and thinks of herself and her needs first and foremost, everyone else is secondary. It's not that she's cold or uncaring, she doesn't ignore people's problems, she just doesn't see them as her business most of the time (A product of being raised in Eulemore most likely). She doesn't consider the long-term outcome of what she does or says, she lives solely in the present and the future is a problem for when it happens.
These opposite traits also play into each other. Ryne inspires Gaia to care more about others and Gaia inspires Ryne to prioritize herself more. Gaia makes Ryne live more on the moment without thinking solely of what the future will bring, and Ryne makes Gaia think more on what her life will be going forward and to actually consider what she does and says and how that affects things. They feed into each others good traits (Ryne's caring nature and Gaia's sense of self) while also helping them deal with the bad traits (Ryne's people-pleasing and Gaia's aloofness).
Their pasts are good paralells too. Ryne was isolated and lonely until Thancred took her away but even then, he was distant and emotionally neglectful, so she ended up lonely in an entirely different way. Gaia had a family and caretakers that she wasn't particularly close to, but after the 'Fairy' started talking to her they got even further away until she couldn't even remember them, and the 'Fairy' was the closest thing she had to a friend even though it was what isolated her to begin with. Ryne had constant companionship but no support, and Gaia had 'support' but no companionship.
Even just. Regarding the whole identities thing they are just. Perfect. Ryne has lived with Minfilia's shadow on her shoulder her entire life and never got to learn who she actually is. She thought that she had to become Minfilia for her life to be worth anything, that it's the only way her existance is justified. The person closest to both her and Minfilia(Thancred) indicated(in her mind at least) that he wanted Minfilia to be here in Ryne's stead(which wasn't really the case but she didn't know that). The only way to get her out of that shadow was to remove her from the identity of Minfilia, hence why her new name is so important(as well as the hair and eyes being her natural colors instead of Minfilia's all too recognizable ones).
But Gaia didn't even know about Mitron or Loghrif until Eden. She had the 'Fairy', but to her it was just some voice in her head which was nice enough to her. To her, Loghrif is just some lady Mitron loved, she has no real connection to her. She has a connection to Mitron, both as the 'Fairy' and as remnant feelings from Loghrif, but none to Loghrif herself(aside from the obvious reincarnation stuff). Gaia has always been her name. It may have been Loghrif's originally, but she is so far removed from that identity that even for all of Mitron's effort to 'return' her to Loghrif, it'd never work. Loghrif is Gaia, but Gaia is not Loghrif. Simple as that.
Eden's story works so well because Ryne and Gaia are opposites in that specific way that compliments each other, rather than pits them against each other.
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kunikuus · 3 months
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This little ship I came up with.... Cold blooded bf x Actually cold bf
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reblogs appreciated, trust i will draw sunspot normally soon okay
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roguelemon · 2 months
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Aro spec Alastor getting told all his life the best thing about romance is the thrill and that he's missing out on the excitement.
Alastor - sitting across the room knowing damn well nothing could ever beat the thrill of murder.
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dykevanny · 7 months
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umm. Scapeg♾at ghostnpals got me thinking about this guy
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cablehaver · 6 months
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“i dont ship them but i believe they were intertwined by fate” “i dont ship them but i know they had something crazy going on” or “they were a secret third thing” THAT IS SHIPPING do you people hear yourselves. that is shipping. that is all it is. interest in a relationship with no clear label platonic/romantic/complicated/other everything and nothing is the best kind of shipping the world has to offer. powerful undefined relationship. that is ship.. at its purest..
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lighthouseas · 9 months
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begging people to understand that "mike is not being abused by ted and karen" and "ted and karen are not good parents towards mike and this is something that we are supposed to take notice of throughout the show" are two statements that can and should coexist
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luck-of-the-drawings · 4 months
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EPISODE 2 AND 3 HAVE BEEN SOOOO FUN im already so emotionally attached to each of these characters.. if anything bad ever happens to any of them im killing everyone and then everyone.
#cw blood#cw vomiting#jrwi fanart#jrwi show#jrwi suckening#ARTHUR BENNETS DRY HUMOR IS SOOO FUCKIN FUNNY OH MY GOOODDD the sleepin upside down bit omg..#i love drawing him with just the same stoic expression. he is a stone cold pillar of ice to me. one that loves his little kitty kittyyyyy#i loved watching him work with emizel aswell the dynamic is SOO FUN#I LOVE THAT EMIZEL IS SO FOND OF CATS TOO LIKE RAAAHH THATS SO SWEET.. pepper is his favorite cat....#the part with him defending pepper was SO CUTE UGHH i love emizel he is so small and sharp and pointy AND YET#there is LOVE IN THAT BOYS MOSTLY DEAD HEART I TEEELLL YOU HWAT!!! and in other news:#i love love love the concept of 'royal shut-in gets lost in the big city' MY BABY BOY SHILOOO I ADORE HIMMMM#AND DEACON WAS SOOOO NICE TO HIM givin him a place to stay n helpin him dress up for the party and taking him around town to see the sights#im in love with deacon i love him soooo much. AND ALSO. ABOUT SHILO.#HE CAN EAT FOOOOOD LIKE SURE THE GARLIC GOT HIM BUT WE GGOOOTTA GIVE HIM A MILKSHAKE OR SMTH#LIKE I THOUGHT IN THE FIRST EPISODE WHEN HE SIPPED SODY N NOTHING HAPPENED. I THOUGHT THAT WAS JUSTA FLUKE#BUT NO ITS A PATTERN ITSA PATTERN HE CAN EAT FOOD!!! BABY BOY CAN EAT FOOOD!!!!!!! FEED HIM MORE FOOD!!! food is the best human creation#I HOPE MORE GOOD THINGS HAPPEN TO THESE BOYS. especially since. well. okay so ive seen the 4th episode. sigh.#like holy fuck. hey ep4? what the fuck? hey you just let that happen? what the fuck. what the FUCK. EPISODE 4. HEY WHAT THE FUCK#THAT DIDNT NEED TO HAPPEN. OH MY GOD. THIS BETTER END WELL. IN TWO WEEKS I KNOW YALLRE GONNA BE SCREAMIN TOO BC OHHH MY GLOD. WHAT THE FUCK#EPSIDOE FOUR STILL HAS ME FUCKED UP SO BAD OH MY GOD. I WILL NEVER BE OVER IT. HOLY SHIT. WHAT THE FUCK. WHAT THE FUCK. WHYYYYYY. NOOOOOOO!
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fridgrave · 1 year
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those arms exist to cuddle kids and crush mariana
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flareboi · 1 month
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what if purple never calls him dad
#what if the word ‘dad’ is something purple doesn’t like.#what if it carries a bad connotation for them and a bitter reminder for mango.#family doesnt always have to look like one thing yknow? i dont think those two would have a traditional dynamic in that way#maybe purple does consider him their parent. they just dont call him ‘dad’ unless its in third person#and theyre fine with that and so is he#king is his father figure yes but he’s also a mom. a big brother. a sister. their dynamic just isnt captured in purple calling him ‘dad’#maybe his name is the best way they can say it. the best way they can appreciate him#because for purple a father is someone who hurts you. someone who leaves you#i think ‘purple calls him dad on accident’ is a cute idea#but honestly it would make more sense if they called him mom on accident instead. or if it happened when they were afraid. not comfortable#(this is presuming orchid is his mother and navy his father based on the pronouns used in the react vids iirc)#because why would purple refer to someone he sees as a parent with the title of the one that presumably did not raise them?#and on mangos end#i think u can kinda tell who in this fandom has never lost a loved one in how they characterize him#guys. grief doesnt leave. it never leaves.#you just learn to live with it!!!#mango is not okay just because he has a new kid to take care of. i would know this my bio mom passed and i have a stepmother!!!#she does not fill that void and i do not expect her to because it cannot be filled. but she brings a lot new to ease the pain and is a#wonderful part of my life#the same thing here#mango will never ever just .. go back to how he was#he will never be the same since gold died. and thats okay#purple will not change that. they will merely add something new#their dynamic can be beautiful and nontraditional and a showing of how grief can change you#it doesnt have to be ‘replacement dad and replacement son’#its so much more#oke. tag rant over#fett rambles#ava#uhh should i tag the chars
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angelwiththeblue-box · 6 months
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i hate that they had sylvie yell at mobius for little reason instead of giving us a fun little scene where we can explicitly see their dynamic as a trio (which would be so good MARVEL) and having something lighthearted before all the shit coming-
im not saying i could do better but i think i could do better
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phanchester · 20 hours
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all dan and phil variants exist on a scale
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discuss
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pixelatedraindrops · 5 months
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Mm I think I'm slightly into makoyuma/yumako.
But I like them platonically. I just love them together in general.
As brothers or friends idc they are the duo ever.
They make me happy 💜
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rainyraisin · 1 year
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@cupcakeslushie 's Sep!au is super cool!!! And I literally adore Three with all my soul he is so freaking amazing!!! So what did I do?
Comic.
(Words underneath each panel, I gen forgot my handwriting is awful, apologies!)
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"Donnie, you have to stop hanging out with the purple dragons."
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"Why? We're frien-"
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"No, you're not! They're using you!"
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"What would they have to use?! Come on, April!"
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"You're searching for something that isn't even there just to get mad at me!"
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"No, *you* come on!"
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"I care about you, Dee. I don't want to see you get hurt."
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"No, you only pretend to care cause one tries to!"
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"Look, I get it. You hate me, and... I hate you too. We don't have to be anything more than that."
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I had to cut it down a bit to make sure it was only ten panels but I hope you still like it!!! I tried to keep it as true to the characters as possible. I really wanted to include Three's hallucinations in there somewhere but with the limited amount of panels I didn't get the chance. I hope to draw something related to that in the future!
I dont remember if this has been stated or if this was a hc but I honestly feel like even though Three is grateful to be apart of a family, given his faint memories of Draxum actually giving a crap about him prior to being affected with emperium, he'd be afraid that they don't actually care and they're going to rip it all away from him. Also I remember it being said that Three kinda tests the boundaries of their patience to see if that's going to happen? So that plus the purple dragons ask kinda culminated in this! Along with the idea that part of the reason Donnie doesn't get along with April is because since she argues back, she must hate him, so if she hates him then why shouldn't he hate her back? He doesn't see that she's trying to have a (platonic) relationship with him. Also I feel like he totally distances himself from her so what happened to Tim doesn't happen to her cause he knows his brothers care about her and they're already doing enough for him, he can't be even more of a burden to them. (This is all hcs ofc!!)
Also completely unrelated but hc that Three had paint all over his hand and touched the back of his mask but didn't realise and had that stain on there for months until somebody pointed it out to him-
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