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#Suite
toschlemick · 9 days
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champagnexowishes · 6 months
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• Suite of hummingbird jewelry in three parts (brooch and earrings).
Culture: English
Date: ca. 1870
Medium: Gold, ruby, and taxidermied hummingbirds
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jasmine7031 · 8 months
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No21: Park Hyatt New York
I arrived in New York at the final destination of my around the world trip. I was getting tired, so I had dinner in my room. The hotel is the Park Hyatt New York.
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mensministry · 5 months
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Anders mountain suites, Kreuztal, Bressanone BZ, Italy
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moodboardmix · 1 year
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Orient Express’ “Presidential Suite’”
The presidential suite occupies an entire cart of the former Nostalgie-Istanbul-Orient-Express, measuring 69 feet long by nine feet wide, with a total square footage of 55 metres.
Maxime D’Angeac & Martin Darzacq for Orient Express
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gasparodasalo · 18 days
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Johann Sebastian Bach (1685-1750) - Suite for Lute or Lautenwerck (Lute-Harpsichord) in e-minor, BWV 996, V. Bourrée. Performed by Elizabeth Farr, lute-harpsichord.
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druh19 · 4 months
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Pode fazer icons das personagens de Smile Precure ou Suite Precure? Por favor 💕
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tufnation · 6 months
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Body suite
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velhohoho · 9 months
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Selfie king?
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I don't feel like taking a selfie, so have a pro shot from the wedding
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mikrokosmos · 2 months
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J.S. Bach - Orchestral Suite no.3 in D Major, BWV 1068 (c.1730)
I want to say I was listening to this one in my rocking chair next to my books on music. Or with wine and cheese at someone's party. No, I put this on while I washed the dishes. I thought I'd share my old post on this same piece but realized that I'd never written about this suite. And I don't have anything profound or introspective to say about it. It made taking down this mountain if dirty dishes feel like a grand accomplishment. It's a reminder that this music was written for the audience to enjoy. It doesn't have to be treated like music theory homework. That being said, I do like looking at the history of the orchestral suite, which would develop into the symphony. What can we hear from Bach's Proto-Symphony no.3? The Orchestral Suite was a carryover from France's Ouvertures. It would start with a slow section to draw in the audience, and then a lively counterpunctual exercise. After the "heavier" opening movement, the rest of the pieces are light dances, galanteries (minuets, bourrées, courantes, sarabandes, gavottes, allemandes, gigues, etc.). Because the German political elite had a taste for French art, they would have music played during their banquets and parties. Bach had no real interest in this kind of music (which would be a decent income source) because he was already dedicated to writing church music. But what few he did leave behind (we only have four Orchestral Suites attributed to him) sounds like great party music. The Suite in D Major is scored for 3 trumpets, timpani, oboes, violins, viola, basso continuo, giving it a louder sound than the others. The Ouverture starts with the slower grand statement announced by the trumpets and timpani. As you'd expect from Bach, this opens into a counterpunctual explorations of the melodies that developed out of the opening, but with the vibrancy of Vivaldi's fast paced concertos. The ending section cuts back and ends with a more subdued coda. The Air of this suite has stuck in our culture through films and TV, popular for its beautiful melodies. I remember first hearing it in the most ironic example I know; played during the library scene in Seven (or "Se7en") from the 1995 film. The ugliness and depraved misanthropy in the film is contrasted for a moment by the idealized "beautiful music" by an idealized "Great Composer". I thought it was showing the spectrum of human minds, that the "greatest" Baroque composer comes from the same human family as a lunatic serial killer using the Christian "Seven Deadly Sins" for gruesome punishments against his victims. Listening to it now I think it's fascinating that someone could have been touched or moved by the gorgeous Aria without words Bach wrote for whatever party or occasion, and she would have no idea that the same music would be heard again as so many of these festival pieces were back then. The latter dances show off the trumpets to make each one boisterous and lively. Two Gavottes with heavy emphasis on the beat, an upbeat Bourrée, and ending on the always fun and swaying Gigue. Of these dances I think I love Bach's gigues the most because they're always densely woven with his long waves of counterpoint across each instrument to create a dance that makes me think of old pub drinking songs or sailors dancing and drinking at sea. Another reminder that this music is supposed to be fun and enjoyable for anyone, and you can turn your own living room into an 18th century court for fun.
Movements:
Ouverture
Air
Gavotte I/II
Bourrée
Gigue
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champagnexowishes · 1 year
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thisisrealy2kok · 1 year
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SML's lime-green suite resembles a futuristic spaceship cabin
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mensministry · 1 month
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"Gormley Suite," The Beaumont Hotel London, United Kingdom
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the-posh-life · 1 year
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gasparodasalo · 2 months
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Johann Sebastian Bach (1685-1750) - Partita No. 1 for Solo Violin b-minor, BWV 1002, IIb. Double (Presto). Performed by Rachel Podger, baroque violin.
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