I am once again thinking about how in The Naked Time, Spock has an emotional breakdown after contracting the virus and cries about the regret he feels for not loving his human mother vs his shame he feels for his ongoing friendship with Kirk, but before he contracts the virus, Spock finds LOVE MANKIND written on the wall. And it's been written and discussed to death about what it means, I know this, but it's telling that Spock not only loves in spite of his Vulcan upbringing and continued adherence to their customs but that he holds regret and shame deep down inside because the love is still there, regardless.
Whereas Kirk likewise has his virus-induced breakdown over the opposite: his self-inflicted pressure to not love an individual, either due to fear of distraction from duty, losing his position as captain due to the ethical conundrum of "How can a captain date one of their crew?" (no, I do not know the details of how Starfleet manages crew relationships, but I'm assuming rank is an issue, especially where captains are concerned), or even the unspoken taboo of the show's production era, his sexual orientation, hence his focusing on the ship as the only safe and constant outlet for his love. But after this, Kirk finds SINNER REPENT written on the wall, as if to say his altruism isn't the full truth, as if what he desires is what he denies even with the virus lowering his inhibitions.
And like my god. What foils to each other! How damned telling the literal writing on the wall is for them! I am going to eat my fucking sweater!
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Something that has been driving me insane about the credits are these sections with the fish so please bear with me whilst I do a mini deep dive (hehe) into fish discourse because YO, we need to talk about these fish!
Notice how at the beginning of the credits we actually have two white fish swimming along beside one another; one with bright turquoise eyes and the other with black.
A little while later the fish begin to circle each other and a droplet falls into the water between them. As the disturbance ripples out from the center, one of the fish dives deeper into the water and changes its colour to black; symbolizing Geto's change and descent into darkness
Then we have this heartbreakingly beautiful moment with Gojo and Geto:
I cannot stop thinking about how long Gojo watches the black fish for as it swims across the screen, whereas Geto's eyes are lowered the moment the white fish appears and he closes them as it swims past.
Gojo cannot bear to tear his eyes away, whilst Geto cannot bear to look
Throughout the credits, Gojo and Geto have been making their way towards each other through the pouring rain (or mostly sitting and waiting in Geto's case). At the end, they meet each other under a bridge and as they walk away together we see the fish a final time, swimming together again in a puddle formed by the heavy rain.
Geto walks on the left in the light, as the white fish swims close to his head, almost invisible in the brightness of the light. Whilst Gojo walks on the right in the shadow with the black fish swimming further away but still close by.
The fish speed after the two men before disappearing completely under the water just before the camera pans up and we watch as Gojo pulls Geto in for a hug as they walk away, before he's playfully shoved away by Geto.
There's a lot going on the credits (+ opening) that is absolutely killing me but man, these fish?! Breathtaking.
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i'll never emotionally recover from their hugs. first one has n hold uzi close cuz he remembered what "tessa" told him and the crushing reality that he might lose uzi. the second one is from pure relief, n is holding uzi so gently cus he's glad that she's safe in his arms
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tim and lucy recover a wedding ring and there is some VERY INTENTIONAL foreshadowing
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