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thinkingimages · 8 months

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Finsen's apparatus for concentrating the sun's rays, illustration from Medical Electricity and Light: An Elementary Textbook for Nurses (c 1910)

“You have this Edwardian nurse in leg-of-mutton sleeves and steampunk eyeglasses doing something very technical”, explains Natasha McEnroe, Curator of the Florence Nightingale Museum. We're looking at a photograph from around 1900 in the museum's The Kiss of Light exhibition. The nurse is outside using a large lens, known as Finsen's apparatus, to focus direct sunlight onto the face of a woman with lupus vulgaris. The treatment is far less simple than it seems—such nurses knew the risk of burning.

In the early 20th century, light therapy was a very popular treatment for various ailments including lupus vulgaris, scrofula, and rickets. It took a skilled technician to administer treatment, and they were almost exclusively women. McEnroe was enthusiastic about running this exhibition in the small, temporary space at the back of museum after being approached by historian Tania Woloshyn, who had uncovered the hidden history of these female technicians through her archival research. Together, Woloshyn and McEnroe designed the exhibition and excellent accompanying book.

Many British hospitals administered light therapy to patients, especially in the interwar years. Nurses appear in nearly every photograph of light therapy, whether intimately holding the face of a patient to ensure precise application of light, or entertaining small children who needed reassurance when facing the intimidating apparatus. Yet, McEnroe says, nurses are “totally missing” from medical discussion of the “powerfully bactericidal” effects of light therapy. But the exhibition displays show the all-female nursing team of the Light Department at the Royal London Hospital, who were “praised for their exacting standards and kindness towards patients”, or the staff at the South London Hospital for Women and Children, who were all women.

There is a retro futurism about many of these images. We move from Edwardian outfits to 20th-century posters of lurid orange babies and grinning, tanned mothers. Photographs document how light therapy moved away from health care and into the domestic sphere. The picture of the “Homesun” mercury vapour lamp from the 1930s reflects this shift towards light therapy in the home, to which medical professionals were vehemently opposed. There are accounts of people falling asleep in front of their lamps and being burnt, or even, as the exhibition book describes, “being electrocuted while using them in the bathroom”.

Health professionals took light therapy seriously from the early days of treatment, because they knew that overdoses could be damaging. But the public's view that “tanned skin” was a reflection of “health” was unstoppable, and “by the late 1920s”, explains McEnroe, “light therapy became conflated with general sunbathing in the public realm”. The museum is responsibly addressing present-day concerns about sun exposure and skin cancer in a series of public events, talks, and lectures, and the museum is also giving visitors Cancer Research UK leaflets about sun safety. It's interesting to note that next door at St Thomas' Hospital there is still a phototherapy department, used mainly for dermatology."

Hidden histories of light therapy

Kelley Swain

Published:August 22, 2015DOI:https://doi.org/10.1016/S0140-6736(15)61527-6

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#Hidden histories of light therapy #Kelley Swain #Medical Electricity and Light: An Elementary Textbook for Nurses #Medical Electricity and Light #Hospital Clinic #Medical photographs #Light #Light Therapy

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puppyandmau · 1 year

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Phototherapy in London | Therapeutic Photography

Remedial photography is taking photos carefully. Sisi Consume offers types of assistance for phototherapy for psychological wellness and furthermore leads studio for the equivalent. Visit our site and interface with Sisi Consume today!

#therapeutic photos #photography and therapy #photography for therapy #professional photographer

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dr-noori · 2 years

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X-ray ، radiation . . . . #phototherapy #instagood #medical #medicine #immunity #me #picture #artist #iraq #usa #london #nature #beautiful #instagood #pleasefollow #follows #love #baghdad #explore #بغداد #العراق #اكسبلور #لايك#مشاهير #قطر #السعودية #الرياض #الامارات #الشارقة #الدوحة #طبيب https://www.instagram.com/p/Cb6FDe4DwPp/?utm_medium=tumblr

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jo-spence-memorial-archive-blog · 6 years

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Jo Spence: The Picture of Health?

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In 1982, aged 48, photographer and activist Jo Spence was diagnosed with a cancerous tumour in her left breast. Half an hour after this initial diagnosis, she was unceremoniously informed by her doctor that she was to be treated by the surgical removal of her breast in its entirety. After contending with him, she was able to negotiate a lumpectomy surgery that, although minimised trauma to her body, meant she lost one third of her breast and was left scarred. Armed with her camera, Spence documented her treatment in the care of the National Health Service and her subsequent journey into holistic healthcare. Spence collated her research and photography – often undertaken in collaboration with others – into an exhibition entitled ‘Picture of Health: alternative approaches to breast cancer’, which debuted at the Cockpit Gallery, London in January 1986.

Spence’s photographic rebellion against mainstream imagery rallied against the overarching narrative that, as breasts are solely for male enjoyment, breast cancer patients should focus on reconstructive surgeries or obtaining prostheses in order to be once more acceptable to the male gaze. Faith and Nygren deplore that ‘the experience of breast cancer is clearly influenced by the cultural emphasis on breasts as objects of male sexual interest and pleasure’.[1] Spence was also dismayed that the information pamphlets provided to breast cancer patients were ostensibly concerned with making what one has suffered socially acceptable; she notes advice was confined to ‘getting a prosthesis so your husband can go on loving you’ or ‘how to pretend you’re not ill to your family’. [2] The reality was, however, that approximately 20 per cent of patients still suffered severe anxiety, distress or depression one year after the removal of a breast, with intensive psychiatric therapy being required in 8 per cent of cases.[3]

By comparison, in a self-portrait featured in ‘The Picture of Health?’, Spence stands wearing only a motorcycle helmet and, in seemingly deliberate defiance, her lumpectomy scar is the focal point of the image. She displays the scarring from her surgery unashamedly, refusing to pander to the male gaze that dictates the breast is a mere ‘sexual decoration’ or to avoid making the patriarchal viewer uncomfortable. She wears a motorcycle helmet which, although adds a humorous touch of the bizarre to the photograph, also evokes the brutality of the cancer treatment that Spence has undergone. Women often suffer a ‘fear of not being accepted, loss of self-esteem, loss of sexual identity and loss of ‘femininity’ post mastectomy’[7] and here Spence’s image educates on the realities of orthodox breast cancer treatment, forcing us to address the trauma her body has undergone.

By Helen Walker - Postgraduate student in History of Art and Photography

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[1] Faith and Nygren, ‘Breast Cancer: A Feminist View’, p.7

[2] Spence and Coward, ‘Body Talk?’, p.28

[3] Spence, ‘Body Beautiful or Body in Crisis’, p.12, quoting Patient Support Groups – the Mastectomy Association and the Breast Cancer Support Service (‘Cancer Care’, October 1985)

[4] J. Faith and A. Nygren ‘Breast Cancer: A Feminist View: Part II’, Off Our Backs, Vol.25, No.9 (October 1995), pp.6-7, p.6

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mindlessaria · 5 years

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London isn’t dust about traveling but a loneliness inside of the Universe. Get lost. ————————————————— #Artist#illustrator#sketching#ringo#фототерапия#phototherapy#city#photography#icons#vsco#vscocam#vscoLondon#sketchingoutside#sketchingart#vscouk#vscomood#london#england#thoughts#мысли#kankenbackpack#kanken#saintjamespark#park#парк#англия#британия#соединенноекоролевство#theuk#britain (at Сент-Джеймсский парк) https://www.instagram.com/p/B3c2fCHobAG/?igshid=1t4u0w2qn3dmf

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velewihe-blog · 4 years

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What to Expect From Jordan Pass?

https://it.ivisa.com/jordan-pass

Be ready to spend quite a little more to receive your very own private transport or taxi if you're traveling between cities on a Friday. There are a small number of bus lines that likewise run from Amman on a daily basis. Travelers should also know that U.S. laws cannot protect U.S. citizens when they're outside of the United States of america.

The 30-Second Trick for Jordan Pass

To begin with, the notion is straightforward. This is, actually, natural phototherapy. You are able to pass through it and feel as a brat and yet secretly very relieved to not need to unpack every one of your bags for the hundredth time at the identical time.

Even though the dead sea is well-known for people easily floating in it, accidents have happened previously and will occur in the future. With the continuing Israel-Palestine conflict and the growth of Islamic State, it's a pretty legitimate concern. Nowadays those growing pains appear to be over and we had zero issue.

The debut of the pass is the most current in a succession of measures directed at reviving Jordan's ailing tourism business, which has suffered because of conflict in neighbouring Iraq and Syria. You may also get it shipped home based on the retailer. There may be some additional health regulations you should take.

The Appeal of Jordan Pass

The map from the Visitors Center demonstrates that the Al-Khubtha Trail asks a guide. however, it's simple to do by yourself. It's possible to purchase the pass online and it's going to be emailed to you as a PDF. Locate the movie you need and click Details.

What You Need to Do About Jordan Pass Beginning in the Next 9 Minutes

Regardless, if you don't hold a passport that needs a visa ahead of time, you are able to get your visa on arrival. You will be given a personal advise from your trip consultant when booking with us or find a summary of health in Jordan here. If you overstay your visa you're going to be fined.

There's pretty much no information online about what to do if you're not able to find a visa from the embassy. You don't need to get in touch with the embassy in the slightest. Sending your passport to the embassy and receiving a visa is a great deal more expensive.

Jordan Pass Can Be Fun for Everyone

Whether you're going to be getting in the nation from Amman or Aqaba, it's possible that the Pass will help save you money but even if it doesn't, it is going to make it even more convenient for you as you'll often jump past the queues. So it is a great deal! He wants you to enjoy it's beauty and contribute to the economy.

Should you NOT do it, you may cover the visa when you leave Jordan. But it is also possible to get the Jordan Press far ahead of time or even as a present for another person. So once you get to the Jericho, your very first obstacle is going to be the Palestine border.

And we'll allow you to get there. You don't even have to print it out. But, both chief attractions can be costly if you don't find out how to do it right.

If your trip involves a connection and you've made it to the connecting city, you can ask to come back to your origin and get a travel credit or refund if there are not any other suitable alternatives. The purchasing charge card information is going to be necessary for confirmation in order to finish the self-service refund. The quantity and kind of credit will be contingent on the fare and what part of the ticket was used.

Insert the amount of people, choose the attractions you wish to see, and it'll compare normal tickets with the London Pass. To buy advance tickets with a pass, simply visit the neighborhood box office when the tickets are on sale.

Jordan Pass - the Story

This is definitely the most northern border it's possible to take. So a number of the tombs serve as toilets, which is not merely disgusting, but is of course very bad for those priceless and distinctive monuments. The dead sea clay collected is readily available for 3JD and they could also assist you with applying it upon your physique.

If it is possible to tack on another day in Petra and you need to hike until the view point to find the Treasury from above. The 1-day pass is well worth it if you want to visit 3 or more top attractions throughout that day. Day visit to Shobak Castle.

Read the post below to figure out why it is you're mistaken. Shortly after you put in the site you will be greeted by various men offering you a horseback ride to the Siq. Sounds like it time to begin taking a look at flights.

The pass is then going to be Emailed to you. If you're reading this then you might or might not understand what the Jordan pass is, yet this post intends to enlighten people who don't know and help to make the decision of purchasing a Jordan pass to people who may have some concerns. Seek out Moses' staff just at the conclusion of the final staircase for the ideal view.

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cecilia-taormina · 5 years

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7.08 (+4h)

Editing, printing and researching!! This is what my afternoon it was made of. I started at 3pm with the editing of the poster. Marcus sent me the original master_poster.psd file, to avoid loosing the quality of the image during the printing after the extra editing. I have been able to download the logo of Instagram and to open it up on Photoshop. I created a new layer, reduced the size (to make the logo fit inside the white box) and I added the contact to the Instagram Account. This is the final result.

The second stage it has been to go to print it. I went to the library to do so, and I printed out four A5 size copies.

The final stage it was to go straight to the LBC, that it was closing in 1h, so I had to run!! Luckily I managed to arrive just on time and I pin the advert on the board successfully!!

And this it was done. Once I went back home. started my research of the various institutions. I started with the Institute for Arts in therapy and education. I was not sure if they had a pin board somewhere or if they had a department in charge of these kind of events, I took the chance to email them and ask them directly: Dear Sir, Madam or Them, My name is Cecilia Taormina and I am Marcus Boyle's assistant. Marcus is an artist who runs art phototherapy and mindfulness workshops in London. Reading your website I understood the Institute runs art based therapycourses in the city, therefore I was wondering if it would be possible for me to come over this afternoon and put a flyer on your board as long as the subject matter is related. Regards, Cecilia Their response was very quick and amusing, considering the fact that it was an option that I did not expected at all: Hello Cecilia, Thank you for your email. We do not, unfortunately have a notice board. We do however have a newsletter which I have CC’d to this email. Kind Regards, Natasha Wade -LowisAcademic Administrator Institute for Arts in Therapy & Education 2 – 18 Britannia RowLondon N1 8PA www.artspsychotherapy.org Tel: 020 7704 2534 I forwarded the email to Marcus, so once I will meet him I will ask him if he wants me to chase them and get published on the newsletter or not. I feel so happy!!! This is a very good first result. The second places I applied it was Tower Hamlet, refreshing the advert. This is the immediate email that I received after submitting the event. I guess I will have to wait a few days before it will get approved, as usual. Thank you for submitting your item for inclusion on the Tower Hamlets Council Arts Information listings. Your submission will be checked by the arts & events team. The Tower Hamlets arts & events team reserve the right to make any necessary alterations to your entry to ensure it is appropriate for publication on the council website. You will be notified when your entry has been approved or if we are unable to publish details on the website. Should you need to edit your entry in the meantime, use this link: http://www.towerhamletsarts.org.uk/?page=edit&key=71bf92e8747d76d7 You can keep up with all the latest news and information from Tower Hamlets Arts by liking our Facebook Page: https://www.facebook.com/TowerHamletsEvents or following us on Twitter: https://twitter.com/THevents The rest of my research it has been directed to the discovery of libraries where students go often to at this time of the year. This is my thinking: It is August, students who are in the campus accommodations are away, which means that the campuses are empty due to the summer holidays and accommodations closure. Where do these students go? They are probably at home, some of them having holidays and some other doing researches for dissertations or internships, like me. Therefore the libraries close to their homes is the first place where to find these people. Focusing on the fact that the Workshops will be held in East London, it is useful set our attention on the libraries of this fraction. What do we have? The Idea Store it is the biggest institution I can think of, in matters of popular libraries. They have libraries in Bow, Whitechapel, Canary Wharf, Canada Water etc. So what about using these places to sponsor the workshop on their pin boards? Another place I thought it is the faculty of Psychotherapy at Westminster University and the one at Goldsmith, which does Art psychotherapy courses. People in this field must be interested, so I would like to try them. I will do more researches later on this week, according also to the answer of Marcus. Hopefully we will be able to select awesome places!!

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mariabblack · 3 years

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Laura Pannack - ‘Seperation’

Artist Statement : Separation Love is one of life’s mysteries. It is something that most can relate to and yet there is no one emotion that defines it. Love can bring elation, it can also bring despair. Separation explores the angst and myriad emotions experienced by London-based couples who, as a result of Brexit, have been forced to contemplate separation. With Britain soon to sever its ties with the European Union, tens of thousands of people face the possibility of losing their right to work in the UK, not to mention being forced out of the country that they share with their partner. Brexit has long garnered column inches for its political implications, but what does it mean for love?

Laura Pannack explores the unknown and uncertainty of couples whose lives are threatened by Brexit, couples who ‘ have been forced to contemplate separation.’ By portraying couples who are figuratively at the hands of Brexit, Pannack suggests themes such as loss, trauma, relationships, and the family which is what has drawn me to her work. Although I am not exploring Brexit within my own work I am looking strongly at the themes of loss and family through the lens of phototherapy. To create an absence of someone visually Pannack manipulated latex screens to create a barrier between the couples whilst still having an impression of the other’s body. This construction almost creates an otherworldly feel but the images are still soft, gentle, and intimate images. The neutral color palette alongside the use of bare skin exploring the vulnerability of love and life.

Presented alongside the photographs there are seven films that allow you as the viewer to get to know the couples and families better which allows you to feel more empathy for the subjects. Without seeing the video or reading the statement, looking at the images semiotically would still suggest themes of love, family, and loss but I wouldn’t have necessarily interpreted what Pannack had intended.

Giulia and Stuart. © Laura Pannack

Giacomo and Glenn. © Laura Pannack.

Ellie and Lars. © Laura Pannack.

vimeo

Links:

https://laurapannack.com/projects/separation/

https://www.bjp-online.com/2018/11/laura-pannacks-separation-mother-london/

#301

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alex121world · 4 years

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Argon Ion Laser Market– Scope and Opportunities Analysis 2018 – 2026

A gas laser that uses ionized gas as its lasing medium is called as Ion laser. Argon laser is the most popular type of ion laser. An argon gas laser is based on light amplification in ionized argon in a gas discharge. It is used for pumping of other lasers, eye surgery, lithography, laser therapy, etc. It is also used for retinal phototherapy which is mainly used for diabetes treatment. Argon-ion lasers are capable of continuous wave emission. They emit at 13 wavelengths through the ultraviolet and visible spectrum, of which the commonly used wavelengths are in the blue-green region of the visible spectrum. Their tube is made up of nickel end bells and beryllium oxide ceramics.

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Rising investments on product innovation to improve efficiency and shelf life is increasing the demand for argon ion laser in medical as well as scientific and research sector, thereby facilitating the growth of the market. These lasers produce high output power and higher gain. Moreover, they have very less divergence in the order of 1 milli radian. However, factors such as very high voltage power supply requirement for operation and difficult construction are acting as limiting factors for the market. Also, solid state lasers are being preferred at times, against argon ion lasers due to their energy efficiency and pointing stability. Yet, growing need of high quality argon-ion laser technology is expected to reduce the impact of the limitation during the forecast period. Furthermore, argon ion laser is also cost efficient as compared to the new laser technologies. This is expected to be another major factor facilitating the growth of argon ion laser market.

Argon ion laser market can be segmented on the basis of package, application and region. On the basis of product, the argon ion laser market can be segmented into cylindrical package and rectangular package. On the basis of application, the argon ion laser market can be segmented into light shows, scientific research, artistic displays, and medical. On the basis of region, the argon ion laser market can be segmented into Europe, Asia Pacific, North America, Middle East & Africa, and South America. Amongst all, Europe is expected to be the most lucrative argon-ion laser market owing to favorable government initiatives and increasing demand in industries in the region.

The major players operating in Argon ion laser market are Edmund optics Inc., Lumentum Operations LLC, National Laser Company and Coherent Inc among others.

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About Us:

Company Overview

We are a UK-based market intelligence company that operates out of its passion to help brands grow, discover, and transform. As a market research company, we take pride in equipping our clients with insights and data that holds the power to truly make a difference to their business. Our mission is singular and well-defined - we want to help our clients envisage their business environment so that they are able to make informed, strategic and therefore successful decisions for themselves.

One Vincent Square Westminster, London SW1P 2PN United Kingdom Phone: +442033221521 Email: [email protected] Website: https://www.trendsmarketresearch.com

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fionaharnett · 4 years

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Meeting - Wednesday 3.15, 18th February with Eileen

Meeting with Eileen - Wednesday 3.15 - 18th February

What have I applied for:

Pembridge Hospice London, Greater London, United Kingdom Details As an arts and crafts volunteer you will…. Support and encourage patient’s engagement in creative processes led by art teacher including painting, fabric stencilling and painting, mosaics, ceramics, card making, marbling and more. Provide refreshments for patient Bring books and materials as required from the art store If you would like to do this role, please download our volunteer application form (attached), complete it and email [email protected].

You can contact our volunteer manager Dil Chowdhury-Mahi on 020 8102 5406 / 07815 716 853 to have a chat about joining the team. I have phoned and left a message and filled in application form 14/2/20

Marcus Boyle

Experiential PhotoTherapy Workshops My workshops combine photography, therapeutic and Mindfulness practices, offering a playful group experience, that allows you to develop self-expression while exploring new creative possibilities. For those of you who are new to my workshops and my practice, I teach a holistic approach to support creativity and wellbeing - Mind, Body, Spirit as one interconnected whole. The objectives of the workshops are to provide an experience with the following outcomes: - To have a fun and engaging co-creating experience - To address self-doubt and unhealthy behaviours that sabotage our best creative interests - To step out of our comfort zone and unlock new creative pathways - To integrate Mindfulness into our creative process

I have attended a workshop and have an interview with Marcus. Hi Marcus

I found the workshop really interesting and a really worthwhile experience - feel like I have so many questions :) It would be great to do some work experience with you if you feel able to do that - I know you already have an assistant so completely understand if it's not possible. Happy to talk on the 2nd March.

Epilepsy Centre - Chalfont St Giles

Details About Kith & Kids: We provide activities, opportunities, information and support for people with a learning disability or autism, their parents and siblings. For all our projects and activities we are dependent on volunteers.

Our Spring Project: 9.30am to 5.30pm, Sun 5th – Thurs 9th April), in North London.

We are currently looking for energetic and enthusiastic volunteers, to join us on our fantastic fun-filled Spring Social Development Project. Volunteers and our members who have disabilities get to know each other as they take part in fun and challenging workshops including sports & games, arts & crafts, cooking and enjoying a day out in London.

What you'll do: On the project you and a fellow volunteer will be paired with one of our members with a learning disability or autism. You'll support and encourage them to take part in a wide range of activities led by professional therapists and workshop leaders. Our core activities are sports & games, arts & crafts, drama and music. Previous additional workshops have also included photography, football and cooking and you’ll plan your own exciting outing around London with a fellow volunteer and the Kith & Kids member you're linked with.

Not only is it a week full of fun and games for you and our members, you are a vital part in supporting them to develop their social skills in a day to day environment. Come along and get involved!

Male volunteers are especially welcome (we need more)!! Requirements: What you need: You do not need experience. Full disability awareness training will be provided before you begin volunteering with us.

The only requirements we ask of you are enthusiasm, energy and to be open-minded. Minimum age for volunteers is 16.

How much time? The project runs for 5 days, 9.30am to 5.30pm, Sun 5th – Thurs 9th April. Everyone gets the most out of the project if you come for the full five days as you'll build a close relationship with the member you'll have been supporting and will create the most impact.

What we can offer you: We can reimburse your travel expenses and provide a delicious lunch each day. We'll also provide excellent training before the project, and lots of helpful support. By volunteering on our project you'll also: • Use and develop your skills • Learn something new, get involved in fun activities with others • Increase your confidence • Meet new people and make friends • Gain experience for (other) work • Give something back to the community • Do something fun and satisfying in your spare time • Challenge yourself

What about training? Volunteers must attend at least two training days and complete a free DBS check before you begin volunteering. This is a great opportunity to get to know everyone at Kith & Kids: your fellow volunteers, some of our members you will be working with, and also gives the opportunity to develop some new skills and expand your knowledge in our workshops. Topics we cover include: • Communication • Autism • Supporting emotions • Safeguarding • Creativity & Participation • Epilepsy

When do I need to come? Please follow the training options below:

Session A: (Please choose one of three dates) Sun 9th Feb, 9:30am – 1:30pm Or Sat 22nd Feb, 9:30am – 1:30pm Or Tues 25th Feb, 6:30pm – 10pm

Session B: (Please choose one of three dates) Sat 29th Feb, 9:30am – 1:30pm Or Sun 8th March, 9:30am – 1:30pm Or Wed 11th March, , 6:30pm – 10pm

Session C: (Please attend our Meet & Greet. A great chance to meet the volunteers and some of the members you’ll be working with) Sun 22nd March, 11am – 5:30pm

Training takes place at Winkfield Resource Centre, Winkfield Road, Wood Green, London, N22 5RP.

Having looked at different areas I have come to the conclusion that working with children may be the best fit for me, and play to my strengths. What else have I done I have updated my CV and had it signed off. I have produced a business card I have started to update my photography website www.fionajonesphotography.com . I would really like to start earning some money through my photography, and am considering marketing myself as a portrait/events/wedding photographer. I have researched doing a Masters in Art Therapy and hope to attend some open days. I am putting together a portfolio which is focusing on projects I have created at university using photography as therapy. Other things I am considering Teaching Assistant in school (SEN) Charity photography Contacting photographers University of Westminster & St Marks Hospital Art for St Marks 2020 Context: The arts have been shown to have considerable potential to aid healing. ‘If you build inviting, soothing hospitals, graced with soft lighting, inspiring views, curved corridors, relaxing gardens and lots of art, patients will heal quicker, nurses will remain loyal to their employers and doctors will perform better.......’ Lizette Alvarez http://www.nytimes.com/2004/09/07/health/where-the-healing-touch-starts-with-the-hospital-design.html ‘There is moreover increasing evidence that the display of visual art, especially images of nature, can have positive effects on health outcomes, including shorter length of stay in hospital, increased pain tolerance and decreased anxiety.’ Kirsty Schirmer, Policy Officer of the Royal Society for the Promotion of Health https://www.ncbi.nlm.nih.gov/pmc/articles/PMC2996524/ For the 3rd consecutive year St Marks Hospital (Harrow) invite proposals from Westminster visual arts students to enliven the walls of a corridor that links Northwick Park and St Marks hospitals. Selected work will create a positive welcoming atmosphere that aims to improve the wellbeing of patients and staff who use the hospital. Brief: ‘NATURAL CONNECTIONS – Soft Edges’ Requirements: Develop a proposal for visual piece (or pieces) in response to the above title. The proposed work can be figurative, abstract or decorative and should be celebratory in tone. When developing your ideas and imagery, consider the location and audience for your work – ie in a hospital environment where people may be physically or psychologically vulnerable. Consider the psychological and emotional impact of the content of your imagery as well other elements such as shape, colour, quality of mark etc Your proposed work can be created in any media but should be 2D or shallow relief. It can be any dimension or size up to A1. The final work will be framed on a wire framing system already installed in the hospital - so any more sculptural or material based works would need to be frameable. Deadline for proposal: 27 February - 3pm - to be submitted via g drive (link to be shared) Your proposal should take the form of short (max 6 page – 15MB) pdf. It should include • A brief written statement (max 100 - 150 words) describing your intentions for the work. • Please indicate the intended size of the final piece(s). • Good quality ‘rough(s)’ ie image(s) that are not necessarily fully realised but which give a • clear indication of the content, design, use of colour, quality of media to be used in the final • piece(s) • You may also include relevant reference material, artist inspiration etc to support your ideas • and imagery. Your proposals will be presented to Friends of St Marks committee – date tbc. You will be informed by 12 March (tbc) if your proposal has been selected. Final deadline Tuesday 5 May 2020 – 12 midday All final pieces should be completed, framed and ready to be installed by the above. Submit all physical works to room J2.33 Please also provide along with each submitted piece (printed from label templates that will be sent you): • your name • the title of your work • a brief statement about the work submitted (please include media used) • contact details – for any member of public wishing to purchase the work or discuss future commissions. You will be invited to help curate and install the works in the hospital (May / June - date tbc) The university will fund the cost framing (within reason). Standard off the shelf frames will be supplied – if you require bespoke framing, some of the costs will need to be shared by you. You will need to fund the cost of making the work and digital printing (if required) References VITAL ARTS Vital Arts was founded in 1996 and has grown into one of the UK’s leading arts and health organisations, with an award winning, international reputation for producing pioneering arts programmes that transform the experience of being in hospital for patients and staff. http://www.vitalarts.org.uk/all-commissions/ http://www.vitalarts.org.uk/about/ VISUAL ART IN HOSPITALS: CASE STUDIES AND REVIEW OF THE EVIDENCE Journal of the Royal Society of medicine 2010 https://www.ncbi.nlm.nih.gov/pmc/articles/PMC2996524/ WHERE THE HEALING TOUCH STARTS WITH THE HOSPITAL DESIGN Lizzette Alvarez http://www.nytimes.com/2004/09/07/health/where-the-healing-touch-starts-with-the-hospital-design.html KEY DATES 23 Jan 1pm Introduction & Briefing (room J2.33) 13 Feb 12.30pm work in progress / any questions session (optional) J2.33 5 Mar 3pm - Deadline for proposals (via g drive - link will be sent) 18 Mar Presentation of student proposals to the Friends of St Marks committee 20 Mar (approx) Selected works announced 5 May 12 Midday - Deadline for final work to be submitted framed or mounted (submitted to room J2.33) May June date tbc 10am Installation in St Marks June tbc Private View For any queries contact Emma Dodson [email protected] or Caroline Baruah [email protected]

#professional practice #5IMAG006W

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mindlessaria · 5 years

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☝︎ Love. No. Hate. You’ve got it. Enjoy. Take all of them. ————————————————— Ph: @_pauline_sh #streetview#illustrator#streetviewlondon#ringo#фототерапия#phototherapy#city#photography#icons#vsco#vscocam#vscoLondon#colourful#sketchingart#vscouk#vscomood#london#england#thoughts#мысли#ringo_thoughts#details#saintjamespark#park#парк#англия#британия#соединенноекоролевство#theuk#britain (at Kamayan sa Earls Court) https://www.instagram.com/p/B3WsEYio9lB/?igshid=8zmtlu3febn8

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ceciliataormina-internship · 5 years

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CV new and improved! Also, Critical Evaluation of the experience

CECILIA TAORMINA

Mobile: +447476435196

Email: [email protected]

Website: https://ceciliataorminact.wixsite.com/mywebsite

Profile:

Attitude to listen and understand. Confidence. Positivity. That is what makes me a great employer. I like to be involved in a challenging environment where I can apply my skills and improve my knowledge around photography and art therapy.

Through the use of self-initiative, commitment and work ethic I am able to deliver a great customer service and assuring a prompted problem solving attitude. When working in a team, I have the ability to understand everybody’s needs and to find a middle ground without disrupting or compromising the integrity of the job itself; When working alone instead, I can make choices to speed up the work but still maintaining an exceptional standard for the final result.

I am very patient, energetic and willing to learn more.

Education and Qualification:

2016-2020 BA (Hons) Photography University of Westminster, London

The Photographic Eye, Photography from the invention to Mass Medium, Photography from Cold War to the Present, Vision and Technology, Photography for Wall, Page and Screen, The Constructed Photograph, Photography Beyond the frame, Advanced concept in Photography, Professional Practice, Professional Futures, Advanced Research Methods.

2009- 2014 University of Languages of Genoa, Italy (English, Spanish and Arabic)

2004 -2009 Pedagogical High School (Camillo Finocchiaro Aprile, Palermo, Italy)

Working Experience:

August 2019-Present: Support Worker At Royal Mencap Society

Running Art Phototherapy Activities For People With Learning Disabilities

May 2019- Present: Photographer Assistant For Paul Romans

Assisting During Video And Photo Production

March 2019-August 2019: Photography Assistant For Marcus Boyle

Documenting Workshops, Recording Video Testimonial, Video Editing, Social Media Manager, Content Creator, Targeting And Promoting Events, Contacting Institutions, Booking Manager, Customer Service.

November 2018- Present: Main Event Photographer For Women Of Power Uk

Documenting Events And Fashion Show, Content Creator, Fashion Shoots Organizer, Video Producer.

It Skills:

Microsoft Office Package (Intermediate)

Adobe Photoshop Cc 2017 (Intermediate)

Lightroom (Basic)

Bridge (Basic)

Adobe Premierpro (Basic)

Admin Skills And Others:

Customer Service (Advanced)

Booking Appointment (Intermediate)

Marketing & Promotion (Intermediate)

Excel (Basic)

Spoken Languages:

Italian (mother tongue), English (fluent), Spanish (basic)

Reference contacts:

Raquel Mezquita +447719238848

Marcus Boyle +447506625727

Critical Evaluation

The Critical Evaluation should reflect in depth your own course-based learning and professional work-based practice. You should consider each section carefully and try to summarise and critically evaluate the learning experience. This process of self-realisation should provide you with useful insight that will be transferable to future experiences; your statements should demonstrate this understanding.

(Word count for the whole document should be between 1500 – 2000, excluding CV.)

Work Placement and your job description

Details of the work placement, length of employment and your role and responsibilities and an outline of the tasks undertaken during the experience.

(This section is the basis of your PowerPoint Presentation / Recorded Presentation Submitted on 16th September 2019)

What fascinated me the most when I came to this country it was the huge amount of opportunity I had to exercise my photographic practice. During my University years I became more and more acknowledged of my feelings, myself and my perception of reality. This self-discovery brought lots of emotions to the surface, some of which I worked with to create all the projects of the last three years. Without being conscious of it, I was doing art therapy. I became familiar with the existence of it – and the terminology –during a meeting with Marcus Boyle, introduced to us by Eileen. He was there to explain us how he started to work in the field. Marcus happened to be a director first and a phototherapy facilitator after, through a long personal intercourse. I approached him immediately after his talk, asking to go to one of his workshops. And this is how the journey started. He did not interview me or asked me for my CV, because he got a sense of my personality and my working attitude during the workshop where I attended as participants. On March the 3rd we met for the first time to discuss what my tasks were going to be. He wanted my help to market the workshop in a better way, so we agreed that this it was going to be my point of focus. I then helped him to update his social media contents, creating later on an account both on Instagram and Facebook called Phototherapy Workshops. My duties involved choosing the right images to post and managing the time when these were uploaded on the web, to reach as many people as possible. My tasks also involved contacting the mailing list informing people of the upcoming workshops and –a week before the event – inform them what props they needed to bring along. With the time passing by, my role started to include also the research of new venues able to give us a good price deal and offer the right space in the room, facilities included (chairs, kettles, mugs, desks, etc.) to make the workshop happen. I also helped Marcus with the creation of a video testimonial to use for fundraising purposes, which we also used to promote the workshops on social media to show people the health benefits and creative outcomes participants could gain from the experience. Another thing I helped Marcus on it was the tracking of the people/institutions we contacted or we had in mind to contact. I did this using Excel and then I shared the file with Marcus on Google Drive, to be able to upload it at any time and have it synchronized. Finally, it was my duty to take care of the booking for our last workshop together. This included having directed contact with the people who wanted to participate and sending them over the bank details. Of course all these tasks needed to be done during the preparation of the workshops. During the event itself instead, I covered a more practical role. I was in charge of giving out forms participants needed to fill up –those were meant to measure the effectiveness of the workshops and their results on people. I had to handled them a copy before and after the session to see the personal outcomes. Another important duty of mine was to photo document all the moments of interaction and co-creation between the participants. The material it was then edited down and published on social media, creating testimonial posts. The experience lasted for 5 months and we have been seeing each other once a week face to face, but I have been working at home doing researches for him, editing or managing social media pages at least two days per week.

Audit of current knowledge, skills, values and aspirations

Discuss the strengths and weaknesses that have changed through the experience and identify your personal needs arising from the self-analysis exercises.

What I noticed about myself it was that my role evolved through the months. What it was supposed to be an assisting role, it happened to start as what I understand now being a Social Media Manager, due to the fact that I had to learn how to read the statistics given by the app and to understand how to reach as many people as I could, posting at a specific time of the day and of the week. I had to create new accounts on Instagram and Facebook detached from Marcus’ personal profiles, to make the workshops become the focal point of the account themselves. I had to evolve them into a business profile to get access to the daily statistics and I had to learn to choose the right pictures to post, the most effective and/or eye catching ones. Learning how to use the tags to connect with people from different fields it was not easy at first, but then it became almost automatic. The amount of interaction for each post grew, reaching the hype of 500 people on Facebook, which for us it was absolutely great! Another skills I improved it was time management, which it is something I believe it still can get better but it evolved way more that I could expected. Now I am able to perform better and faster, maintaining a great quality service. My confidence it is also grown a lot, which helped me to face problems such as the phone booking with venues or price agreement with owners. Last but not least, I learned how to accomplish data entry tasks, without doubting about the quality of the delivered service. I learned to keep a record of the people contacted and to work with Excel. Something that it still needs lot of improvement and I am not happy about, it is the learning outcome in matters of workshop exercises, vegetotherapy and the concepts behind of the co-creation exercises done during the sessions. As Marcus assistant I hoped to learn more about the thinking that stays behind the creation of the workshop rather than just taking care of business duties. I am sure most of it needed to be done by myself, but I hoped to gain a certain amount of knowledge at the end of the experience, which I am kind of unsure it happened. Stress under pressure is still something I am working on too, even if I have been able to speed up with my researches to find solutions and so on, fighting with time it was not easy at all and it still is something I feel a bit stressed about. My personal needs now are still the same, but first of all the economical reward is something that stays on the top list. This work placement was unpaid, so I lost a lot of money in travel that I could not cover due to the fact that for two months I was unemployed. So right now I am focused on finding jobs where I can be paid or at least have the travel expenses covered. Feeling appreciated it is also on top of the list, due to the fact that feel needed and wanted helps me to perform better. In matters of aspirations, I still want to create a work piece out of this experience, possibly a video or a photographic exhibition with all the material I shot myself. To be able to run a workshop myself is one of my biggest aspirations at the moment, because I really could see how good I felt seeing people who were able to work with their feelings using them to make art. This is what I really want to do in life. I want to help others, learning more about yoga, mindfulness and mental health.

Contact with Professional Practitioners Reflect on the strategies you used to contact professional practitioners and how useful the contacts and your current database may be for the future. At Marcus Workshop I happened to meet another photographer who actually asked me to assist and to collaborate with him for video and photo projects. We agreed that I am going to assist him for as many times as he will need me and everything will be paid. So far, with him I earned £400 doing 2 shootings, and other 100 has yet to come as long as it is a long term project the one he signed me up for. This makes me extremely happy of course, because even though Marcus did not pay me, his workshop kind of helped me to find a paid job in the field. Another good point of the contact I made during the internship it was that I discovered a lot of charities, institutions and private practitioners who I could rely on later on my career to help me hold my exhibition or to hold my future workshops in their facilities. Regarding the strategies of approach used to connect with practitioners and institutions, I definitely can say that a face to face introduction is more effective than a simple cold email, unless it is completely necessary to use first.

Personal Development Plan Discuss and identify the main points of your Personal Development Plan and how you may achieve your aspirations.

The points I have to work on to achieve my aspirations are: -Understand how to create a specific concept of the workshop -Identify the right target I would love to work with (such as drug or alcohol addicted people in recovery, people with learning disability, children, young adults and so on) -Get a master in Art Therapy at the Goldsmiths University

These points set a long term goal, which can be achieved prior education ONLY. I need a certificate to be able to practice art therapy or run my own workshop, which means I still have at least the years of the Master ahead of me. But it is great anyway, because it will allow me to discover and learn more things about psychotherapy and mental health. This journey will help me to find the right place I want to work for, especially thanks to the 2 years internship the Master offers in NHS.

Critical evaluation of the experience Reflect on your learning in relation to your initial expectations of the experience and evaluate the relevance of this experience in relation to your own professional future.

The experience was very relevant for my professional future. It helped me to see what actually happens on the backstage of a workshop and how much thinking is involved and needed to be able to run everything smoothly. The final result is beautiful only if well curated. My initial expectations were very different, as long as I thought I would be involved more in the “content” part instead of the Marketing, but thanks to that I gained lots of social media skills and I improved my time managing skills. I also learned that mistakes are great and they are the only way to go out from our comfort zone and to achieve things we could never thought we were able to do. Therefore, overall, I can say that this experience it was not just great for the outcome but very inspiring and it made me become a better person. I also have to say that thanks to that, I have been able to find a paid assisting role for the Royal Mencap Society where, assisting a professional art therapist, I will work with people with learning disabilities giving them tutorial on how to make art with their camera and express their emotions. I will facilitate their emotional expression through the use of the camera and I will help them to overcome the technical difficulties.

#5IMAG006W

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skintreatmentadvisory-blog · 5 years

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When to See a Dermatologist?

Dermatologists can help with all kinds of skin, hair and nail problems. Read on to learn how a dermatologist can help and what to expect when you see a skin specialist in London.

What is a Dermatologist?

Dermatologists are doctors who specialise in treating your skin, hair and nails. A consultant dermatologist is a fully qualified doctor who has lots of experience. More than 2000 different diseases can affect your skin, so all of this training and experience is very valuable. Your dermatologist will be able to diagnose and treat all kinds of skin conditions, from common problems like acne to rare skin diseases. Skin specialists can also provide extra tests and treatments that your usual family doctor can’t offer you. For example, a dermatologist can perform skin surgery to remove moles or growths. When you see a dermatologist in London you may also meet other skin experts, such as nurses who specialise in dermatology.

When Should You See a Dermatologist?

You can see a dermatologist if you have any concerns about your skin, hair or nails. Most of us will experience skin problems at some point in our lives and we can see a dermatologist if we need help identifying or treating them.

Common reasons for seeing a skin specialist include:

Unusual moles or growths on your skin

Rashes, irritation or possible allergies

Skin infections

Acne that hasn’t responded to over the counter treatments

Hair loss, including male pattern baldness

Common skin conditions such as eczema and psoriasis that require ongoing treatment

Cosmetic skin problems such as moles, scars or pigmentation problems

You can see a skin care specialist in London right away or get a referral from your GP first. Your GP might want you to get an expert opinion or some extra tests and treatments. You may also be referred to a dermatologist if you’re diagnosed with a skin condition that requires long-term management.

Although it is possible to get a referral to an NHS dermatologist, you may have to wait for an appointment to become available. You can choose to see a private dermatologist instead. You will then get the highest quality care without having to wait. If you’re using health insurance to cover your care, then you may need to get a referral first, so make sure you check your policy.

Finding a Dermatologist in London

If you’re looking for a private dermatologist in London, you will be able to choose one of the most popular skin specialists in the UK. London has some of the top skin clinics in the world, so you are sure to find a dermatologist who suits you. Here are some tips to help you with your search.

Narrow down your options by searching for a skin clinic in London that will be easy for you to reach. You could look in your area or find a dermatologist in the Harley Street area, which has some of the top skin clinics in London.

Learn more about the skin clinic from its website. You should be able to find out how to make an appointment and what kinds of services the clinic can provide. Some clinics offer specialist services such as psychological support and phototherapy.

Get to know the dermatologists. The clinic website should tell you more about the doctors who will treat you. Make sure that you will be cared for by an experienced dermatologist in London. You might be able to find a doctor with special interest in the condition affecting you.

Check for testimonials on the website or online reviews from other patients. It can help you to find a popular skin care specialist in London.

Now that you know more about skin clinics in London, you can choose the best dermatologist for you. It’s important to have an experienced, reliable doctor who will provide the highest quality care. When you have found the dermatologist who feels right for you, it should be easy to arrange an appointment.

Seeing a Skin Care Specialist in London

Seeing a skin specialist for the first time is actually a lot like going to see your GP. The doctor will ask about the reason for your visit. You should mention any symptoms you’ve been experiencing and how they have changed over time. The doctor will also want to know about your general health, any medications you’re taking and lifestyle factors that could be affecting your condition.

The dermatologist will perform a skin exam, which means that they will take a close look at the affected areas. Sometimes it is possible to diagnose a skin condition just from the examination, but in other cases the doctor may need to take samples or run some additional tests.

Once the problem has been diagnosed, the dermatologist will advise you on your treatment options. You may be given a prescription to use right away or the doctor may want to make another appointment for a procedure such as skin surgery. You’ll get all the information you need to make the right choices about your care.

What is a Dermatologist?

When Should You See a Dermatologist?

Common reasons for seeing a skin specialist include:

Unusual moles or growths on your skin

Rashes, irritation or possible allergies

Skin infections

Acne that hasn’t responded to over the counter treatments

Hair loss, including male pattern baldness

Common skin conditions such as eczema and psoriasis that require ongoing treatment

Cosmetic skin problems such as moles, scars or pigmentation problems

Finding a Dermatologist in London

Check for testimonials on the website or online reviews from other patients. It can help you to find a popular skin care specialist in London.

Seeing a Skin Care Specialist in London

#best dermatologist uk #london clinic dermatology #skin doctor london

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jo-spence-memorial-archive-blog · 6 years

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Photography & Politics

In the publications Photography/Politics: One (1979) and Photography/Politics: Two (1986), Jo Spence as part of Photography Workshop sought, through an expansive definition of the titular terms, to address interferences between photography and politics across the history of the medium. Through also focusing on the role of institutions, and particularly as financing entities, the editors and contributors demonstrate the multifarious ways that we are unconsciously subject to the camera’s and photography’s power. While our consciousness of this potential may be comparatively better understood in today’s photographically saturated and occasionally more sceptical cultures, pondering on the revelations of Photography/Politics proves nonetheless instructive.

For instance, we learn that ways we are presented and present ourselves to the camera are often already determined by internalised modes of seeing, behaving and image-making through our exposure to portrayals in the media and advertising. Uncomfortably at times, the combinations of writing and images in the two volumes of Photography/Politics uncover the habits of presentation we willingly if unwittingly repeat as a consequence of playing photographic subject to a camera. How do we learn these behaviours?

For one example, consider the difference between school portraits of Spence and her collaborator Rosy Martin available here. On our right, Spence holds a shot of a decontextualized head for our inspection, whereas Martin presents us with a posed and staged picture of the studious pupil, Rosy, pencil in hand. What control did the figures in these ostensibly innocent pictures of schoolchildren have over their photographed selves? And why did ways of staging UK school portraiture evolve like this in the years intervening between Spence’s and Martin’s photographs? What modes of self-presentation might these photographic experiences have inspired in the two young subjects?

Well before an image is processed and re-presented for consumption, decisions of selection and editing lie at the core of how we behave with and for the camera. What props, what pose? When this picture is looked at in future, what past do you want it to tell that you had? Most photographs—and especially family, domestic and commercial ones—have been informed by a preference for demonstrating our better or aspirational selves, in which we must acknowledge the social purpose of photographs to both record and generate an aspiration. Spence and her collaborators sought to work against this grain and in that hoped that their audiences would be better placed to engage with and take photographs of themselves and others.

By Christie Johnson - History of Art with Photography

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reshampawar · 4 years

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Coronavirus Outbreak: Neonatal Intensive Care Market Size, Share | Industry Report, 2025

A recent report on Neonatal Intensive Care Market provides a detailed analysis of the industry size, revenue forecasts and geographical landscape pertaining to this business space. Additionally, the report highlights primary obstacles and the latest growth trends accepted by key players that form a part of the competitive spectrum of this business.

The Global Neonatal Intensive Care Market 2020 research provides a basic overview of the industry including definitions, classifications, applications, and industry chain structure. The global Neonatal Intensive Care market analysis is provided for the international markets including development trends, competitive landscape analysis, and key regions development status. The global Neonatal Intensive Care market was valued at xx million US$ in 2020 and will reach xx million US$ by the end of 2025, growing at a CAGR of xx% during 2020-2025.

Scope of the Report:

Increasing awareness about accessible neonatal and prenatal intensive care equipment along with high birth rate in developing nations are powering the development of the global market.

The enhanced tech and skilled health care experts that assists to offer more attention to babies that are kept into the special department of the clinic or hospital. The neonatal babies that are kept into NICU (this special division) are premature; these babies need more medical specialty care and have low weight. NICU is also employed for babies with medical diseases such as heart problems, infections, or birth defects.

Get Sample of This Report@ https://brandessenceresearch.com/requestSample/PostId/626

The global neonatal intensive care market is divided into end users and product type. On the basis of product type the global market for neonatal intensive care is divided into neonatal monitoring devices, infant warmers, phototherapy equipment, respiratory devices, incubators, catheters, convertible warmer & incubators, and others. Non-Electric Infant Warmers and Electric Infant Warmers are two different kinds of infant warmers. The neonatal monitoring devices are additionally divided into pulse oximeter, blood pressure monitor, Capnographs, cardiopulmonary monitor, and others. Transcutaneous oxygen/carbon dioxide monitor, neonatal ventilators, resuscitators, and others are comprised in respiratory devices section. On the basis of end users the global neonatal intensive care market is divided into hospitals, childcare clinics, and others.

Neonatal Intensive Care Vendors

The major players in the global neonatal intensive care market are,

C. R. Bard, Inc.

Medtronic plc

Cook Medical

Becton

Dickinson and Company

B. Braun Melsungen AG

Teleflex Incorporated

GE Healthcare

Increasing Awareness About Accessible Neonatal And Prenatal Intensive Care Equipment To Power Global Market

High birth rate in developing nations and increasing awareness levels about accessible neonatal and prenatal intensive care equipment are powering the development of global market. As per WHO, data displays 3.1 million neonatal deaths and 2.7 million stillbirths occur every year worldwide. This has resulted in elevated requirement for neonatal intensive care hubs. Moreover, neonatal hospital-based infections such as CLABSI (Central Line-Associated Bloodstream Infections) and healthcare-related infections are some reasons that are powering the development of the market. In addition to this, the importance of supportive government rules and quack technological enhancements in neonatal intensive care are predicted to power the market growth. However, expenses associated to preterm birth is very extreme owing to the requirement for technically enhanced medical equipment such as radiant warmers, ventilators, and incubators for NICUs (neonatal intensive care units) sustains higher investment, thereby elevating to the entire medical cost. Moreover, the declining birth rate in certain developed nations and shortage of proper diagnosis are some reasons that are hindering the market growth.

North America Is Predicted To Be The Biggest Market For Neonatal Intensive Care After Europe

North America is predicted to be the biggest market for Neonatal Intensive Care after Europe. The rising awareness for baby care and requirement for technically enhanced goods in North America are adding to the development of this area. As per WHO (world health organization) report, the count of premature births in 2016 in the US was 517,400. While Asia Pacific is the quickest developing area owing to rising government support and awareness in developing nations such as India and China are powering the development of the market. Furthermore, Medtronic plc, Cook Medical, and Becton, Dickinson and Company are the leading three leading companies of the market The leading companies are entering into joint ventures and mergers and acquisitions, with regional and local providers to increase development activities and revenue in order to expand worldwide and launch new products.

Key Market Segments:

By Product Type: Infant Warmers, Incubators, Convertible Warmer and Incubators, Neonatal Monitoring Devices, Respiratory Devices, Phototherapy Equipment, Catheters, Others

By End-user: Hospitals, Childcare Clinics, Others

Market by Regional Analysis

North America (USA, Canada, Mexico), Europe (UK, France, Germany, Russia, Rest of Europe), Asia-Pacific (China, South Korea, India, Japan, Rest of Asia-Pacific), LAMEA, Latin America, Middle East, Africa

Full Research Report @ https://brandessenceresearch.com/medical-device/neonatal-intensive-care-market-size-and-share

Table of Content Chapter 1 Global Neonatal Intensive Care Market: Summary and Quantitative Analysis 1.1 Report Description 1.2 Global Neonatal Intensive Care Market Revenue Overview 1.3 Global Neonatal Intensive Care Market Revenue (USD Billion) and Growth (%) Rate, 2015- 2025 Chapter 2 Global Neonatal Intensive Care Market: Overview and Qualitative Analysis 2.1 Executive Summary 2.2 Market Drivers 2.3 Market Restraints 2.4 Market Opportunities 2.5 Market Trends 2.6 Global Neonatal Intensive Care Market: SWOT Analysis 2.7 Global Neonatal Intensive Care Market: PEST Analysis 2.7 Global Neonatal Intensive Care Market: Porter’s Five Forces Analysis 2.8 Global Neonatal Intensive Care Market: Attractiveness Analysis 2.8.1 Global Neonatal Intensive Care Market: Attractiveness Analysis by Type 2.8.2 Global Neonatal Intensive Care Market: Attractiveness Analysis by Grade 2.8.3 Global Neonatal Intensive Care Market: Attractiveness Analysis by Regional Chapter 3 Competitive Analysis 3.1 Global Neonatal Intensive Care Market 3.1.1 Global Neonatal Intensive Care market Revenue (USD Billion), By Players 2018 3.1.2 Global Neonatal Intensive Care Market Revenue Share (%), By Players 2018 Chapter 5 Global Neonatal Intensive Care Market: By Product Type 5.1 Global Neonatal Intensive Care Market Share (%), By Product Type, 2018 5.2 Global Neonatal Intensive Care Market Revenue (USD Billion), By Product Type, 2015 – 2025 5.3 Global Neonatal Intensive Care Market Revenue (USD Billion), By Retro,2015-2025 5.4 Global Neonatal Intensive Care Market Revenue (USD Billion), 2015-2025 5.4 Global Neonatal Intensive Care Market Revenue (USD Billion), 2015-2025 5.5 Global Neonatal Intensive Care Market Revenue Share (%), By Product Type, 2015 – 2025 5.6 Global Neonatal Intensive Care Market Revenue Market Share (%), By Product Type, 2015-2025 Chapter 6 Global Neonatal Intensive Care Market: By Product Type 6.1 Global Neonatal Intensive Care Market Share (%), By Product Type, 2018 6.2 Global Neonatal Intensive Care Market Revenue (USD Billion), By Type, 2015 – 2025

Continued…

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#Neonatal Intensive Care #Neonatal Intensive Care Market #Neonatal Intensive Care Market 2020 #Neonatal Intensive Care Market Share #Neonatal Intensive Care Market Size

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