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#Personalization capabilities
professor-pants · 9 months
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Genre of character: submissive like a guard dog is submissive
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teaboot · 7 months
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You need to make art that nobody else likes. You need to make art that speaks to you alone. You need to cradle a serpent that eats its own tail and you need to love it until it loves you back
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mroddmod · 15 days
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she’ll be alright because she had you.
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communistkenobi · 2 months
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students in the social sciences can’t explain it either lol. “people in this country see no merit in studying any subject that cannot go on a resume” that’s because they go to school to get a job! I wonder what larger structural factors contribute to this widespread relationship people have to higher education. maybe this guy can use his big beautiful humanities degree to explain it to us
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thebrainrotsreal · 3 months
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Freeing myself from the shackles of an organized comic format to get this idea out of my head!! Also, just follow the numbers if the layout is too confusing otherwise, but basically I want Spectra to be Jazz's Nemesis so bad. It just makes sense.
SO: the hypothetical episode's showdown would be them battling, and no Danny, he's already got beef with a packers obsessed billionaire. Now, Spectra's got the high ground with overwhelming power, but she's sloppier and easily irritated because of it! Jazz then outsmarts her, getting her angry enough to make enough mistakes to be corned and canned by the thermos.
Also minor spelling error ugh, meant to put "no one could", not "no could".
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nellasbookplanet · 1 month
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I've been thinking about Mollymauk, as I'm periodically wont to do, and the fandom discussion about him as a moral compass. Because the interesting thing here is, Molly wasn’t a very moral character. He was an unrepentant scammer. He had no respect for interpersonal boundaries and would deliberately push and break them. Generally, he was an asshole. As far as actually having a strong moral stance I would say Fjord was the standout of early m9, and to some extent Beau.
But here’s the thing: almost all of early m9 thought of themselves as horrible people. Fjord had been bullied so bad growing up that he still dealt with self-hate from it, and now suffered from survivor's guilt to boot. Caleb had killed his own parents. Beau, while she hated her dad, also had internalized self-hate and on some level thought she’d been such a shitty daughter she deserved his treatment. Nott was stuck in a body she considered monstrous. Yasha had survivor's guilt and knew she’d done bad things in her blank spots. Even when they did good, they didn’t think of themselves as good. Most of them were suspicious and asocial and faced the world with the same kind of distrust they expected to be (and were experienced in being) met with. (Jester was an exception, an agent of neither good nor bad but of amoral chaos)
But Molly was different. He was outspoken about loving life and people. He wanted to spread joy, even to people he didnt know or had even met: he slipped coin into people's pockets, hid a silver in a tree just so some stranger would one day be happy to find it. He openly cared for the party early on; was one of the first to step in and help Caleb when he went catatonic in battle. Above all, Molly had rules: where everyone else would agonize over what was the right or wrong or smart thing to do, Molly loudly proclaimed we don't leave people behind, and we leave every place better than we found it.
But the thing about Molly’s rules was, they were largely a cover. While the rest of the m9 thought they were bad even as they did good, Molly thought of himself as good even as he did bad. He scammed people, but made it a good and memorable experience, therefore thinking he gave more than he took. He charmed Nott and Fjord without consent, and when confronted would claim it was to help them. Out of the group, Beau saw through this, not because she was a better person but because she was a cynic. She saw that he caused harm, just as she did, and was personally affronted that he still thought of himself as good and tried to leave people happy, whereas she deliberately left every place worse than she found it.
I see Molly as a moral compass of the group not because he was actually any more moral than them, but because they made him their template. He was joy and brightness and he died trying to save them because it was the right thing to do, and they all chose to honor him by emulating his rules more than Molly himself ever did, because to them it was more than just a cover, backed up by genuine moral thought and discussion rather than small gestures. He taught them that it was possible to be kind of a shit person and still be good, to still love yourself and others. The idealized Molly they created never existed, and finally died for good when they resurrected him in the end and were met with a stranger, who they welcomed with the same love and care they would've expected Molly to show them.
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What's up MASHblr I went to the National Museum of American History last week and they had the signpost on display and I was sooo normal about it I swear
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A woman would call the most well articulated essay you've ever read a "ramble" while a man would call his shittyreddit post an "intellectual thinkpiece"
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athina-blaine · 26 days
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I'd like to take a moment to point out to detractors of ships involving Laios who feel that "Laios wouldn't take any interest in people!" that he'd hyperfixated on Shuro so badly it was ruining the man's life lmao
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leathfaic · 8 months
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My favourite hot take is that Simon adapts way better to being a civilian than Johnny does.
Johnny went and left for the army the second he could do so, relentlessly pushed his career and is, most likely, rarely not on base unless he's been told to fuck off or move his arse home (by either his superiors or family).
Simon on the other hand finished school and then took up an apprenticeship before joining the army. Even then he came home, took prolonged leave to help his family out. He spent way more time just living that reality. And even post Roba he was at home for a while before everything went to hell. He might not take a lot of leave since, because he has nothing to come home to, but he still knows to adjust to it.
If they take leave together Ghost settles remarkably well, still keeping an eye open but he's an adult who had time outside the forces to properly adjust to life.
Soap struggles. He gets by with his charm and bright blue eyes, and that's a good thing because he's too explosive, too intense for most normal social interactions.
He's caught somewhere between the 18 year old boy and the hardened SAS soldier and never spent enough time away to really grow into just John MacTavish. Not Sergeant, not Soap, not the FNG. Just him as a person outside of the military.
He navigates this part of his life like its a minefield. Making it through but boy oh boy, it's not looking graceful.
Ghost helps him mellow out in that regard, pointing out the messy weird mechanics of normal civilan life to him. Teaches him to enjoy that and not let his job ruin him. Simon who knows how quickly it can all fall apart can't help to see the beauty in the peace most people get to experience. He'll be damned if he can't share that beauty Johnny. Even if it's always just for a little while.
And because it's Ghost, who never steered him wrong Soap let's himself be led. Allows himself experiences outside of work and his family. And while he might not be eager to admit it, it makes him a better person.
And years down the line when they both made it out, last mission just one too many that was too close for comfort, all of that helps John MacTavish to adjust. Sure he mourns his life in the military, someone like him is bound to, but he's not too worried. He knows how to get by now. And even the days where he feels very out of his depth, he can approach with ease. Because he still has Simon at his side to show him the way forward.
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atmothart · 1 year
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Wouldn't lizard fashion be something like spikes and scales and a frilled lizard collar?
Like so?
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(Bonus art under the cut)
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tubbytarchia · 2 months
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Oh, I'll bow my head, I'll clip my wings I was never gonna make it anyway (x)
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Damn does this guy have to do everything in this goddamn house
He gotta house Gwen he gotta build a watch he gotta teach Miles about his powers he gotta leave the watch for Gwen he gotta make some more for the squad he gotta save they relationship
What's next?? He gotta pick up your groceries too? 😭😭 clean your doors and polish your floors? Kill Miguel with his bare hands?
Can my mans relax 😩😩😩 how about we let the girl grow and repair her relationships herself huh?
How about we give Hobie a movie of his own where he can do shit for himself without having to fix other people's nonsense first how's about that is that okay
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mroddmod · 2 months
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little scrapped comic bc it felt a bit ooc to me in hindsight
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vvitchllng · 8 days
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In addition to Everything Else that happened this episode, I can’t stop thinking about the moment where Laudna asks him why Seedling isn’t enough why he wants This sword and Orym’s whole demeanor shifts and he looks Laudna dead in the eyes and says you’re right why Would you reach for a darker power.
Orym and Laudna are the characters with the most interparty conflict and they’re the same!!!!!!! At their core their strongest motivation is their drive to protect the ones they love at the cost of themselves if necessary. We see it all the time with Orym throwing himself in front of his friends over and over again, making deals with fae to try and keep them safe. And we see it all the time with Laudna and Delilah, where over and Over again she lures Laudna with the promise of being strong enough to protect her friends, to keep them safe. We saw it again tonight when Delilah manipulated her to get the sword by telling her it was a danger to Orym!!
Both of them looked at the power that caused their pain and decided to take it for their own, to use it to protect their loved ones instead, because if it was capable of such devastation against them, it was capable of delivering that same devastation to their enemies. Laudna asking why seedling isn’t enough (why he isn’t enough, the frustrated self-deprecating response “I have Push-ups!”) and Orym returning the question because Laudna Does have her own power separate from Delilah, she just doesn’t think its enough for what’s coming!!!
They both lost their families, but where Orym had the rest of his family, a purpose, a home, Laudna lost Everything and only had the voice of her murderer as comfort in the cold. So now they’re both taking on the power that destroyed their lives, but Orym can be rational and willing to have a discussion about doing so, while Laudna absolutely Cannot do the same because of how entwined she is with Delilah (with Delilah quite literally guiding her actions in addition to the years of psychological manipulation and abuse), and so they’re the same and yet so utterly different that they keep coming up against this fundamental inability to understand the other’s position because despite the same underlying motivations, their responses are so different.
Why would you reach for a darker power, why can you not understand why I’m doing this, why can you not see I’m doing this For You. Distorted reflections of each other wanting to be understood and at a loss when faced with the differences between them, what a fucking dynamic.
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sainzinnorris · 1 month
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carlos to redbull.... carlos to mercedes.. carlos to audi...carlos to williams. how about carlos to a team where they appreciate his efforts, don't call his wins gifted, somewhere he feels respected and cherished both by fans and the team? somewhere he has some sort of say in his decisions? where he can be happy and thrive at his own pace even if the car isn't necessarily the best?
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