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#Other characters with minor bits
ruporas · 7 months
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green haired guy that has haunted my character types for 10+ years
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deus-and-the-machina · 2 months
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ngl I might get crucified for this but I think the dunmeshi yuri/yaoi discourse was stupid and misrepresenting the ao3 factoids. as of today the most written for mlm ship is labru with 69 (nice) and the next most popular has less then half that at 31. meanwhile farcille has 125 out of the 154 F/F ships in the tag. it is by FAR the most popular ship, with the next two most written about sapphic ships being marcille/izutsumi (9) and kiki/namari (4) and also a couple of x readers? so farcille dominates by far
it seems to me that what's going on is that several mlm ships are in rotation in terms of popularity whereas farcille dominates as the singularly popular wlw ship.
and this doesnt mean that the issues people were bringing up about the general lack of sapphic content and the way fandom treats female characters aren't valid, but idk man when farcille fanart is cropping up daily and getting thousands of notes and has about twice more the amount of fics that the most popular mlm ship on ao3 has its like. I dont think this is really a fandom that proves that point.
I would like to see some more variation in smaller wlw pairs to make up the difference though! I dont think I see any tade/izutsumi fics and we need to change that they could be so cute.
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aroaessidhe · 3 months
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2024 reads / storygraph
Fallen Thorns
dark urban fantasy coming-of-age
follows a boy settling into university, when after a date (that he didn’t even want to go on) turns bad he’s made into a vampire
as he settles into his new existence and the local vampire community - while they try to find who’s been leaving bodies across the city - he discovers that there’s something different and darker within him
aroace neurodivergent MC
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certain sides of the PJSK fandom, see another character show a teensy bit of sadness and try not to compare them to Mafuyu challenge
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0-k-4 · 2 months
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psychoanalysing people by observing reccurent patterns in their OCs would be a far more efficient method than whatever shit freud was on
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silver-horse · 10 months
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wait... they said that Wyll wants to kill Karlach in this new rewritten story. What if... they just replaced paladin Anders with Wyll? Because he was the one trying to kill Karlach during early access. And we had to choose, either kill one or the other... oh no.😲
I don’t think the rewrites were a last minute idea because Wyll already gave approval if we sided with Anders. (I have a recording from patch 7 where Wyll approved, that was an entire year ago. And that’s just when I recorded it, it was probably in the game earlier. Wyll was always against Karlach.) What if the paladin was just a placeholder character because they didn’t want to reveal something this big?  Wyll might be the one who will ask us to kill Karlach or maybe he will know the group (like they are friends or something) so anyway... could it be a choice between Karlach and Wyll??
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pastafossa · 10 months
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Hey I just wanted to ask a writer question. I really admire your writing and the amount of work and dedication you put into your stories and characters. You are one of my favourite authors ever. I have been wanting to get into writing and I was wondering how you flesh out your characters? For example you have a character that you’ve thought out, do you have a template that you fill in? Or just write a whole bunch of points about the character in a Google doc? I know that question might not make the most sense but I have a few characters that I’ve given quirks and backstories in my mind but I have no idea how to transfer them onto paper? Like Jane from TRT, is there just a big template or doc where you randomly put points into or some other type of organization? I know it’s not an easy thing to answer on text or even something you might not want to answer but even one sentence of advice is much appreciated :) Thank you so much for everything! I appreciate you. I will also put this into the ask thingy if you want to answer on there instead of PM 😁
I've managed to hammer this out in bits and pieces over the moments I've been more coherent so I think I'll make sense. First, thank you so, so, so much! I honestly love these characters so I'm always happy to hear someone likes it, even if I enjoy the work! 😭
Second - I do in fact have a template in doc form that I use to keep things organized! It's one I've been using since I took a novel writing course years ago by a published author, and in one particular class we went over character development, which is where I learned the template. The way I was taught (and the way I develop major characters) - first, even before filling in the template, I figure out their archetype(s). What story role are they filling? Who will they be a foil for? I like to think of those as your foundation, because every character is an archetype of some kind, and you can use that to build them up. To use Jane as an example, she's an antihero archetype, yes, but I've also pulled elements from: the Unscrupulous Hero, the Sympathetic Murderer, the Combat Pragmatist, and the Ineffectual Loner. Compared to Matt's hero archetype, she's the Lancer. Archetypes can help you if you're struggling to build up from the bottom.
Once I have the archetype, I start filling in the Major Character/Hero template, which roughly looks like this (if you don't fill it all right away, that's fine, because there's a step after this to fill it in the rest of the way). I like this one because I feel like it covers VERY important things that a lot of online character profiles skip, and has much less of a focus on looks (which I find way less important from a writing perspective):
Name: Age: Family History: Career: Physical Description: (include things like scars, notable or unusual features) Preferred Style of Clothing: (instead of listing brands, try to instead describe their style of clothing as it relates to their character - ex: Jane wears upper-end pantsuits in muted colors when meeting clients, because they carry a strong emphasis on professionalism; when hunting things down, she wears what is practical over anything to do with aesthetic) Goal: (every character should have one; what are they trying to do?) Motivation: (WHY do they want that goal?) Big Secret: (if it were Jane, it'd be what happened in Los Angeles; so what are they hiding? Keeping to themselves?) Self-image: (How do they see themselves? Are they confident and secure? Insecure and depressed?) Internal Conflict: (what are they struggling with?) Game: (What's some little game they enjoy?) Pet: (if applicable) Temptation: (what's aaaalways going to lure them in?) Vehicle: (if applicable; alternatively, how do they prefer to get around?) What makes them unique: (our fake post-apocalyptic character we made as a class had his teeth sharpened into points to scare people; Jane is often fidgeting with threads; just anything that stands out) How do they speak: (do they speak very precisely? Use lots of slang? Do they have an accent?) Quote: (What quote sums them up, or what quote do they relate to most? I have an entire folder of these for Jane tbh, and some for Ciro as well) Lesson Learned: (All characters should grow in some way, rather than stagnating. So how do they grow? What do they learn through the story?)
Now, this is something I was encouraged to do after the template, and also something I was already doing on my own. Once you have the template as finished as you feel comfortable with, you might feel like you need to develop the character a little further to fill in the rest, or solidify what you already have. The way you can do that? Write something short with this character. It doesn't have to be anything you need to post; it can be based on a short scene, based on a prompt, things like that. I like dumping them into: humorous scenarios, angsty scenarios, and Action Oriented (TM) scenes. Those really help you get into the meat of the character (aka: how they react to teasing/flirting/jokes; how they react to strong emotion; how they react in situations that might cause panic). Basically, it's your way of introducing yourself to them and becoming more comfortable writing them, because often a character might act a certain way in a cold, rigid template, but behave entirely differently once you drop them into a scene. Alternatively, you might get to writing and realize you need to make an adjustment so that they have better chemistry with the other characters. Writing a new character's a dance, and you're both going to step on each other's toes in the beginning, but once you learn how they move, it gets easier. And it helps them develop and grow as you learn about them!
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lovinnelily · 4 months
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Y'all do know you can't make Jason be NOT white without changing his whole character, right?
For other characters, yes, because their physical appearance are not that influential in their story, on how they are viewed by people, on their personality formation — you can have a black/asian/indigenous/arab/brown/latino/etc Nico and yes, the hate he gets will have a undertone of racism but at the same time nothing significant on his story, motivation or personality will need to change. This is also true for other characters: Clarisse risks repeating the "aggressive WoC" stereotype but the character itself doesn't change.
This isn't true for Jason, whose main character trait is how he is perceived by others and how he showcases himself to others based on that perception. (specially with how little effort Riordan put on him besides making him perfect-er Percy who's somehow also weaker and less important than him).
Let's not pretend a black, Arab, indigenous, Asian, Latin man, etc, in the USA would ever be treated with the universal reverence Jason gets from New Roma, you can't have the illusion of perfection and most of all, of invincibility they have about him when you see him suffering racism or xenophobia in the middle of a mission. Nothing in his life has ever gone wrong, that's his image, destined to be king, he is supposed to have no weakness on his peers eyes.
He is not trying to prove people wrong, he is trying to prove them right; he isn't worthy despite their prejudice, on the contrary, he only tried to make himself worthy to fulfill their expectations. He can't be a woman or an immigrant or have a visible disability or any other thing that strays him from a perfect ideal by western society standards, and be that same character.
#Different from the other white character in the series he was never questioned or doubted#There's a presumption of perfection with no exceptions that society doesn't give to us (women poc immigrants visible minorities in general)#His privilege (handsome white man with no visible disability son of Zeus etc) also prevented anyone from worrying for his well being#This illusion/expectation of him having no weakness/being untouchable pushes himself too far and clouds his judgment.#I headcanon he didn't even consider the possibility of myopia because that wouldn't fit Jason Grace Son of Jupiter so it wasn't an option#And you think it'd be the same character after facing racism? Because ain't no way he'd be praetor without going through racism#I think I'd love him nonetheless since I'm very weak to the whole golden boy tearing himself to save the world but it'd be a new character#jason grace#I know racism in USA is different from here but I know how different a “non-racist” white person treats me and treats my white friends#Also for him to not be an entirely different character if PoC would be incredibly disrespectful and racist on its own#It would fail to recognize the difference in how we are read (and written). I hate that a lot.#I remember that when Cody told Brandi “I see no color” she told him “then you don't see me” and that's so fucking striking#We ARE different. treated differently. if you act like you don't see it then you also turn a blind eye to the violence that comes from it#This is straying from my point I got a bit heated banalization of things I care about usually does that to me#Point is please don't change Jason on the very few things that man actually bothered writing about him#I actually think this is true about Octavian too. A lot of what he is allowed to do would not be possible if he weren't a white man.#Same for Rachel Elizabeth Dare. I mean you can work around making her poc but it will truly be pushing A LOT#Let's put it this way: a woc doing a street performance is perceived very differently from a white woman doing a street performance.#Specially in the eyes of cops#Pjo
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squuote · 1 year
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I think people should be allowed to share their distaste for certain headcanons n such without people making posts about how they’re ‘gatekeeping’. for as much as I’m a ‘do what you want’ kinda dude, I do think that includes allowing people to express why they don’t enjoy something. like most people are pretty civil bout it until you antagonize them by pointing and saying they’re ‘policing’ spaces.
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hinata-boke · 1 year
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ill probably take a break from 1hqadays for a little while to focus on zine stuff and remaining comms, but rest assured ill continue at some point!
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whatudottu · 2 hours
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Sketchy sequel to this little thing I drew on an 8 hour plane trip without references because no wifi :(
Shockwave's logic tree of 'only breakdown's brave/stupid enough to call him breastie' and 'breakdown saying "hey breastie" is in reference to him' meets Breakdown's rarely seen mischievous side like a downball piffed against a wall-
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variousqueerthings · 8 months
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I note that I don't, and I never, was much of a fan of doctor-and-rose as romance, but that I -- rather than get annoyed at the romantic-coded scenes -- had a tendency to simply read them from a totally different perspective, and really maybe should have been a sign of sooomething different about me, that I continuously felt that the doctor's concepts of connection must be so alien, that to call it romance would be to diminish the actual Thing that they had, which was presented as such onscreen (to my mind then, now I realise what was happening, but I prefer what I had going on), which is basically that the doctor was a shell of a person, hurtling towards destruction (he would have died without rose in ep1), desperately lonely and sad and traumatised, and she retaught nine -- and by extension ten -- how to love the universe, at the same time as nine and ten taught her the same. (I think about the scene in father's day, where while they're arguing, rose says that she knows how sad he is, and he'll just hang around the tardis waiting for her -- she knew!)
and then on top of that with sarah-jane (which, I never watched the classics as a kid, so I didn't have that context for her beyond what the episode presented) it felt like that was sort of confirmed and made even more canon through this idea that the doctor is constantly mourning the inevitable deaths of their companions and would rather simply leave them behind at some point than watch that happen (and they've seen that happen before, although dying for a cause versus just... dying, because you die, while they don't, they just continue on and on, always seeking connection, always knowing that time will take them away, that's a whole other thing)
and then of course there's ten's... I would call it "sex appeal" because it's david tennant and with his performance there's immediately a bit of a focus on oh he's quite pretty and he faints/is knocked unconscious in both of his first episodes, and a lot more flirting, and the people want to see sparks or what have you... but the doctor as portrayed and written is still... not coming at it that way. yes yes girl in the fireplace but also, once again, doesn't work for me, because I find it soooo much more interesting that the doctor would imprint on A Life - and a life that they admire -- and speedrun the exact thing that they're most afraid of with their companions... that she ages and dies and it's the one thing that the doctor simply cannot stop
meanwhile rose is quite young and swept up in this whole massive adventure and very much reads the doctor not as an alien (frequently surprised by their alien-ness) and gets jealous of sarah-jane as if she's an ex, and renette as if she's... a replacement? but really it's more that the doctor met her at the point when she was about to accept her life as it was. not an exciting life, not a bad life, but always having to ignore the idea that there must be more to it than this. and the idea that she might be unceremoniously dumped back in that after seeing just how This the this could be, of course that's terrifying. and of course she's simultaneously taken with the dashing doctor and the jetset life, and worried she could be replaced, because to her the doctor saved her at 19 years old. in some ways the doctor created her (considering who she becomes after dooms day)
contrasted to martha who initially has a similar kind of experience, but the doctor doesn't meet her at the space she's in with them -- ten is leaning on her, like they did with rose, but not giving anything back unless kicking and screaming and traumatising her whole family. martha's trajectory is so so tragic, because she barely gets a taste of the splendor versus the horrors and the latter marks her for life. but she also knows to walk away from those overwhelming feelings, rather than give into them, she knows they'll never be rewarded and she also grows beyond wanting to be a crutch for the doctor (the fact that she then ends up as a soldier, well... ouch)
and then of course donna, who never has those fucking awe-feelings to begin with and whose connection with the doctor is explicitly de-romanticised but never placed on a lesser pedestal as if there's a hierarchy of alloromanticism. topples those pillars, never sees the doctor as anything but what the doctor is. good old donna. (sobs.) (but also... cautious hope for the specials.) (but also sobs.)
my point being. just don't buy alloromantic doctor, they're a near-immortal alien. it's such a dull simplistic way of reading their relationships to other beings. other point being. all those women who were making heart-eyes at ten, wish they'd met thirteen and had a... "yeah, this still works for me," moment. their horizons, too, are broadened by seeing More. (that or they realise they were never actually "in love" but just thought ten was a sexy skinny little snack and it blinded them.) (although jodie whittaker, too, is a snack.)
and lastly lastly ofc, is that if the doctor has a longterm (by doctor time measurement) intense relationship with anyone, whatever that might be called, it's the tardis. and that relationship is also so alien it cannot be quantified by human words for concepts
#im rewatching doctor who#doctor who#dw#aroace doctor#look im rewatching into 13 and beyond i am willing to entertain yaz and 13 because we enjoy a good bit of lesbianism#however will wait and see because the doctor in my head is so so aroace in every incarnation#they just manifest it in different ways#i could go into the whole eleven-and-river and how i feel about that#i am perhaps in the minority in that river's arc just doesn't work for me and often neither does her character#i kind of want to listen to the audio adventures because ive heard she's got much more to do there#than be a flirty enigma/sexy lady/moffat fantasy#but i can say that one of my least favourite things about moffat's run was how 'sexy' he tried to make everything#by literally just having people use the word sexy all the time and talk about bad girls and what have you#it's like sexiness as written by a straight teenage boy#and not a supposedly grown man writing for grown people#other minority opinion perhaps but eleven just isn't my cup of tea#am interested in how i'll feel going back into that run#dont like matt smith much dont like moffat much and dont like what they envisioned for the doctor and how they directed/acted the doctor#feel like capaldi had to claw the character back into some semblance of thematic coherency#i was never too much into especially ten getting a bit high and mighty with lonely god and the like titles BUT#waters of mars places that in a very particular context that makes it so so gooood#(another post for another day about companion opinions)
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emile-hides · 3 months
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I can't find it in my screenshots so I must have forgotten to capture it but in one interaction Pearl mentions Marina had to learn the language when she arrived on the surface, which confirms that Inklings and Octarians do speak different languages which is cool and neat world building but also
During Octo Expansion did Eight. Did Eight understand anything anyone was saying? Especially Cuttlefish?
Because like you could make the argument the main language of the Deep Sea Metro is Octarian, that'd make sense, so CQ and Iso Padre would have been speaking Octarian, and Marina over the phone may also speak Octarian and translate the chat messages to Octarian for Eight, and maybe she taught Pearl some too for fun or Pearl picked it up to help Marina when she first arrived, and Tartar obviously would be set to Octarian but like
Does Cuttlefish?? Know Octarian?? Fluently enough to RAP in Octarian?? Because he responds to what other characters say, and speaks to everyone else who speak back to him, unlike Eight who never says a word or is even implied to speak which really just leads me to believe they're all speaking Inklinese
So I ask again; Does Eight understand ANYONE during Octo expansion or are they just. Going with it.
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mikoran · 3 months
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so when a character is gay putting them in a straight relationship is bad right. thats erasure yes we agree. now what if i told you guys that the same rule applies to aroace characters being shipped with people. that is erasure too
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no1ryomafan · 5 months
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I have said this before but me being self proclaimed number 1 Ryoma fan and that being possibly literal-bc even if this bro had fans before me I might’ve simply done the most for him by talking about him so much + being the first to write fics that are in depth studies on his trauma across canons-I gotta say if there’s one other character I rotate a lot that isn’t him it’s probably Kei. (Shocking it’s not Hayato even if I do think about him too- but it’s usually associated with Ryoma bc gays 🗿)
I’m not even exaggerating when I say Kei would be my favorite and only isn’t because she doesn’t exist in many other canons yet my brain rotates the endless possibilities of how to incorporate her. I’ve already written a fic where she’s in shin vs neo verse which worked surprisingly well but I’ve been thinking how universally she could appear in other things. (Whether it be fitting her into a idea of a possible Go team in New or just a new canon completely) I think what I’ve narrow it down to is that she could be like- in Michirus role? Like she’s the supporting female who isn’t a pilot but helps out the real occasionally which I think would align very well especially with the original manga role she has of being Hayato’s assistant. And even if Hayato isn’t grandpa mode yet he still very much is in Saotomes position at that point. Not sure if she’d Hayato’s biological kid to further parallel Saotome and Michiru given well Hayato already adopts the Go team and his wife is irrelevant LOL.
I have no idea if I’ll ever write this specific idea but I’m still- rotating it cause this is such a easy way to get around “picking between Sho or Kei as the 2nd pilot” since both of them can still exist even if one doesn’t get to pilot, idm my supporting females. (Granted there could always be like- plot line where Sho gets hurt so Kei is temporary pilot but I can’t remember if Getter ever really did this since “once your hurt your ass is basically replaced” lol)
#meg text#getter robo#au rambles#I think I rotate her so much because my friend and I talked about her relationship with Go#like it makes so much sense if among all the universal constants in getter one would be Kei is important to Go#granted the shift from “she’s my love interest” to “she’s my sister” will never not be so fucking drastic 💀#also I get why in SVN she wasn’t there for time and idk where you’d fit her but man Kei deserves a more significant role#hence why I imagine her in Michirus role because even if she also had it ROUGH some iterations knew how to use her#also Kei already has a established relationship w gai mainly thanks to arma so- Sho deserves to speak with her too#they can be besties who rat out on the boys but still have high respect for hayato#granted I know the real reason why this hasn’t happened is because Kei is a minor character and “no proper go manga adaptation??”#at this point I don’t expect a anime but it be nice if Go team got used in a spin off bc we had a good run of OG team#I’d also want them to use arc in spin offs too but I understand their more- finicky characters to use#given their main thing is their actual descendants of existing characters and one of them is our first boyo (ryoma)#if you took out the bloodline stuff it make them feel redundant because you can just use go team for that#also honestly despite how mixed arc anime is for everyone they really don’t need to be in anything after this#other then wishing they get something with nicer animation but that’s what’s SRW is for#(also back to Kei I’m a bit upset she did not get a cameo in arc even if she’d probably look horrendous it was just salt in the wound)#(GAI LITERALLY SAIDS WHEN HE DIES IN THE MANGA HE SEES KEI WHERE WAS SHE WITH ALL THE GETTER GHOSTS?)#actually Michiru wasn’t there too so it was probably just woman erasure /hj
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mzminola · 5 months
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"a canon character other than the Drakes is Tim's bio parent" is a fun sandbox to play in but the half-joking focus fandom gives it due specifically to Jack & Janet having inconsistent hair colors (Crystal does too, guys) drives me up the wall a bit.
My hair is currently purple and blue. Purple and blue. Do you really really really think it is that improbable that Janet Drake has tried out different 'natural' hair colors through the magic of bleach and dye?
Do you really think it's so improbable that Jack has? Especially since he went gray during the coma?
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