his light grip on the lady’s arm that supposedly leads him through the streets of his beloved city loosens once Matt almost gets pushed by a heavy wave of alcohol hanging in the thick air. it’s tainted by sweat, smoke, plagued by familiar vulgarities. however this is HOME to the lawyer. ❝ don’t be fooled by the looks of this place. everyone here is good, most of them on are a path of redemption, and Josie is trying her best to keep the lights on even with the health violations. ❞
razor sharp smile accompanied by a pointed smirk. there’s a tinge of PRIDE pooling his breath. Gemma leads him to the bar while he pretends not to know exactly where everything is situated.
eventually, he takes a seat to address the bar owner.
❝ isn’t that right Josie ? i bought you another year. it’s the perks of having customers who are good lawyers. ❞ his comment earns him nothing but an eye roll from the tired woman. he orders tequila & waits for @griim to make her choice. all his attention is turned to her next. head turns towards the source of her distinct scent. ❝ so you said you loved someone. ❞
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why does the pjo series have to unnecessarily villainize goddesses (hera & athena) or show them as silly ladies (aphrodite & demeter) BUT posiedon and apollo are somehow shown as the coolest/most likeable gods, even though arguably, they're right after zeus on terms of corruption?
ares shown as the worst god after zeus and hera amuses me. last time i checked, he was the patron god of amazons and literally killed a man for attempting to rape his daughter but guess who cursed women for rejection? apollo. guess who raped women when they said no (aside from zeus)? posiedon.
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He was supposed to be the steam engine everyone adored.
But he was thrown away for being a 'failure' and was abandoned. Before long, no one remembered who he was.
He couldn't stand the sight of seeing everyone so happy.
All that was left in his heart was hatred, malice, and envy.
So you know how Starlight Express was supposed to be a Thomas the Tank Engine musical but that idea was rejected so it became its own thing? Combine that with the fact that Thomas gets easily jealous of other steam engines who are 'better' than him and oh boy...
That makes him the perfect Dark Curse for this AU.
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I will never stop loving books with villains who were so obviously meant to be a (if not the) hero. Like prophesy and everything. But something goes wrong along the way, or maybe it doesn’t, but either way the villain realizes “with my powers..,only a fool would take orders. Only a fool would use it so pathetically as to not achieve greatness.” And then along comes the new hero, the perfect foil of the villain and it’s so painful as they stare at each other in different types of horror realizing “this is everything I could have been”
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Inspired by something @blinday said,
Imagine your original story as a fix-it fic. What's the work it was "derived from" like? What elements are you fixing? Are the main characters and plot points largely the same?
Just a fun thought exercise that may help give another layer of depth to your world :)
also definitely rb with what would change or comment or put it in the tags, I'd love to see more takes on it
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Who is your favourite Merlin character? :)
the question i fear the most is upon me. i struggle a lot to reply to this question because the writing of literally every merlin character makes them extremely lovable and i absolutely adore them with all my heart.
on a completely unrelated note, heres a doodle of merlin
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on one hand i really wanna see surge and kit calm down and get better because theyve been through so much and they deserve a break but on the other theyre some of the only villains in this comic i actively enjoy reading about and am not just indifferent to and if they ever switch sides i will have to go back to being bored as hell with a lot of the stuff that focuses on the villains
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To start off this post I just wanna say, I hold mp100 dear to my heart and I say this with love, but.. I feel off put whenever people talk about the bad shit that anime usually has, and then say that. Mp100 has none of it. Because, like... sure, it has less of it than the usual, and I appreciate it for that, but that doesn't mean that it, doesn't have it at all? I mean. The transmisogynistic joke in episode 2. The fatphobia in season 2's episode 2. The lack of female main characters, Takeuchi's racist design.... don't get me wrong, the show is still great and I love it very much as I said, but you can love a show and appreciate all the things that it got right while not disregarding the things that it got wrong. You don't have to hate it for those things, you don't even have to necessarily talk about them if you don't want to. You just shouldn't deny that they exist in that media in the first place. That feels really disingenuous to me.
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“hero’s your word. not mine”
❝ please, i’m just doing my job Mr. Wolfe. though i suppose there’s heroism in the act of seeking the truth. ❞ false gossamer of rhetoric woven in every word the lawyer uses, a smile polite & limited to professionalism, a liar’s tongue. he carries himself different during the day, the umbra of the devil absent in his demeanor. ❝ you’re not my first client who complained about identity theft. i am confident that we can figure out a solution for all the trouble you’re going through. ❞
his client was HIMSELF ; the means of the solution he procured were bloody, outlawed.
❝ i am sure you can already guess what my first question is going to be. do you have any enemies ? anyone who might benefit from you being mistaken for a figure like Jigsaw ? ❞
defenders ep. 1 sentence starters ✞ | accepting mutuals only !
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I've said it before and I'll say it again: GOTG have the smoothest, most planned, movie series with a satisfying ending.
[SPOILERS]
It shows that:
- the main male lead and female lead doesn't have to end up together
- endings doesn't have to be tragic or sad to be remarkable
- heroes deserve to be saved too
- people change, and that's okay
- keep the character arc constant throughout different movies
- give villain's minions some character and thoughts. When High Revolutionary's subordinate went against him? And that Ura girl? Amazing.
- some villains can have no sob backstory and justification of what they done and still be a good villain (story-wise), and audience don't need to empathize. It's ok if they just want to cheer heroes as they kick the villain's ass
- You can make good jokes WITHOUT undermining the emotional aspect. Go ahead, joke, but know where to stop. I feel that's what new MCU movies lacked lately.
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