#Kress Contemporary

[longlistshort]

The mural above, Celestial Tigers, located outside the Oceanic Market building in Tampa, is by Florida artist Michelle Sawyer.

She is currently showing recent paintings at Parachute Gallery, located in the Kress Contemporary building in Ybor City.

Also check out her Instagram for recent work.

#Michelle Sawyer #Tampa Murals #Parachute Gallery #Florida Artist #Florida Murals #Kress Building #Kress Building Galleries #Tampa Street Art #Kress Contemporary #Mural #Murals #Painting #Public Art #Street Art #Tampa Art #Tampa Art Shows #Florida Art #Tiger #Florida Art Galllery #Tigers #Ybor City #Ybor City Art #Ybor City Art Shows

[jenringwrites]

WEEKEND ARTINGS: Holiday shopping opportunities and more

Kress Contemporary celebrates one year of programming (and the holidays) in Ybor City with art, music, and good cheer. Thurs., 6-9 p.m.

The MFA celebrates the holidays in St. Pete with live music, hot chocolate or cider, and holiday cookies. Thurs., 6-9 p.m.

Tombolo Books celebrates their 4th Anniversary with a Holiday Night Market. Thurs., 5-8 p.m.

Tampa arts leaders Amanda Poss (HCC) and Tracy Midulla (Tempus Projects) speak about growing the arts in Ybor City bright and early Friday morning at The Portico. Fri., 8-9 a.m.

Clearwater’s Coachman Park screens Polar Express in a special holiday edition of Scenes on the Green. Fri., 7-10 p.m.

Artists of Elements celebrates their grand opening in St. Pete with art, live music, food and drink. Kick off Fri., 6-8 p.m.

The Dali hosts a special holiday edition of The Dome After Dark with an ugly sweater contest, a holiday-themed interactive art activity, and holiday specials at Café Gala. Fri., 6:30-9 p.m.

The Studio@620 hosts HOLIZAAR, their annual handmade holiday gift bazaar, in St. Pete. Sat., 10 a.m.-3 p.m.

Pinellas Arts Village’s Christmas Block pARTy brings artful holiday shopping opportunities to Pinellas Park. Sat., 4-9 p.m.

It’s Santa Saturday at Heritage Village in Largo. While you’re at Pinewood, create poinsettia portraits with watercolors at Creative Pinellas Sat., 10 a.m.-1:30 p.m.

Fringe Theatre hosts their inaugural Whinge Festival, where local performing artists try out new ideas. Sat. & Sun.

#tampabayart #tampa bay area

[uwmspeccoll]

It’s Fine Press Friday!

This week we bring you Crow Calls by Northampton, Massachusetts writer, educator and photographer Robin Barber with four photogravures from drawings by Jennifer Schmidtmann, published by Kat Ran Press in Florence, Massachusetts in 2001.  

In this lovely book, each of Barber’s four visually rich short poems and stories are loosely connected to the one another through a bird theme, with a print on the opposite page. The prints act similarly, standing individually but linking to the other drawings and text through their similar abstract birdy-ness.  

Michael and Katherine Russem founded The Kat Ran Press in 1994 with the intent to combine classical typography and important contemporary art with the old ideas and values of fine printing. When they first began their press, the staff here thought that Katherine was Michael’s partner, and in a sense she was. We found out later that Katherine was actually Michael Russem’s much-beloved dog. This is not to diminish Katherine’s participation in the activities of the press, because she was indeed quite integral. Of their work, Russem writes, “Because we’ve had our fingers and faces in ye olde metal type, we know that letters aren’t just pictures of things. They are things. We treat things with respect.” 

The Bembo types were cast by Michael and Winifred Bixler at their small letter foundry shop, in Skaneateles, New York. The type was set and printed at the offices of Michael and Katherine Russem at Kat Ran Press. The drawings by Schimidtmann were made into photogravure at the plant of American artist and photogravure printmaker Jon Goodman. They were printed under Goodman’s direction by Benjamin Spencer and Rosmary Kress, in Florence, Massachusetts. The binding was done by the book artist and binder, Sarah Provoncha in New Haven, Connecticut, with Oakdale, Griffen and Twinrocker handmade papers.

From conception to finish the book took two years to complete. The edition consists of fifty numbered copies, plus fifteen lettered copies were made for the contributors. Our copy is number 47 and is signed by the author and the artist.

View more Fine Press Friday posts. 

-Teddy, Special Collections Graduate Intern

#Fine Press Friday #fine press fridays #Kat Ran Press #michael russem #katherine russem #Michael and Winifred Bixler #Bembo #photogravure #Jon Goodman #handmade paper #Robin Barber #jennifer schmidtmann #Sarah Provoncha #book binding #drawings #Teddy #fine press books

[themoonlightarchive]

My Rating: 5/5 ⭐

Genre(s): Young Adult, Contemporary, Sports

Publisher: Roaring Brook Press

Published: August 2021

Content Warnings: sexual assault, sexual harassment, rape/mentions of rape, misogyny, violence, sports injury, near death situations

Goodreads

          Dangerous Play by Emma Kress is a contemporary sports YA following fierce field hockey captain Zoe Alamandar and her tight knit team. Zoe has one goal - win state championships and earn a scholarship for college. She’s almost there too. It’s her junior year and the team she hand-picked with her co-captain is good. Then Zoe is sexually assaulted at a party. Struggling to cope with the trauma, she and her team decide to take justice into their own hands. Could a single night of vigilantism take it all away?

What I loved:

The whole book highlights the importance of girl friendships. But it also shows these girls bonding through activities that are not typically considered to be “feminine”.

The characters were diverse, human, relatable and likable. They all had varying types of friendships with one another and they all had unique reactions and emotions and experiences that really brought the story together. I think my favourites on the team were Dylan, Ava, and Liv. And of course, Zoe.

A lot of hard conversations were had. Like the double standards that schools uphold for male students, especially those who play specific sports. White privilege was another topic that was touched upon, although not enough given the situation.

Lastly, the writing was wonderful. I loved the attention to detail for the girls, the games, the raw emotions.

What I wish were different:

There wasn’t much I would have changed. If I had to say anything, it would be that the whole “absofockinglutely” joke got to be a little too much sometimes.

Overall, I seriously enjoyed Dangerous Play and nearly finished it in one sitting. I would definitely recommend it to anyone who enjoys good plot, girl friendships, real life topics and sports action.

I received an advanced reader’s copy of this book from Netgalley and the author in exchange for an honest review.

#books #booklr #bookblr #book tumblr #book reviewer #book blogger #book blog #book review #book reviews #5stars #dangerous play #emma kress #arc book #arc reviews #*

[jewish-people-problems]

Jewish Young Adult Book Recommendations

Based on your suggestions. Feel free to add more on!

More recs

* means it contains LGBT main characters

Contemporary

It's a Whole Spiel: Love, Latkes, and Other Jewish Stories*

Edited by Katherine Locke

Anthology

The Upside of Unrequited

Becky Albertali

Why We Broke Up

Daniel Handler

Drummers of Jericho

Carolyn Meyer

You Asked For Perfect*

Laura Silverman

I am J*

Cris Beam

Little and Lion*

Brandy Cobert

You’ll Miss Me When I’m Gone

Rachel Lynn Solomon

Color Me In 

Natasha Diaz

Wide Awake*

David Levithan

Yes No Maybe So

Becky Albertali and Aisha Saeed

Sick Kids in Love

Hannah Moskowitz

What I Like About You

Marisa Kanter

Openly Straight*

Bill Konigsberg

I Hate Everyone But You*

Gaby Dunn and Allison Raskin

Sister Mischief*

Laura Goode

The Unthinkable Thoughts of Jacob Green

Joshua Braff

So Punk Rock and Other Ways to Disappoint Your Mother

Micol Ostow

Sci-fi/Fantasy

Starglass

Phoebe North

The Cure

Sonia Levitin

Spinning Silver

Naomi Novik

(this book had the most recommendations) 

The Gilded Wolves (The Gilded Wolves #1)

Roshani Chokshi

The Fever King*

Victoria Lee

A Room Away From the Wolves

Nova Ren Suma

Dreams Come to Life (Bendy and the Ink Machine #1)

Adrienne Kress

City of Bones (The Mortal Instruments #1)*

Cassandra Clare

(technically there’s a Jewish side character, but he is one of the best representations of Jews in YA I’ve ever read, especially in the later books, so I’m putting it in here)

The Sisters of the Winter Wood

Rena Rossner

Miss Peregrine’s Home for Peculiar Children

Ransom Riggs

Historical Fiction

The Romance Reader

Pearl Abraham

In the Neighborhood of True

Susan Carlton

One More River

Lynne Reid Banks

My Name is Asher Lev

Chaim Potok

The Silver Cup

Constance Leeds

Letters from Rifka

Karen Hesse

Incantation

Alice Hoffman

#jewish literature #jewish books #ya books #ya #young adult #young adult books #jewish ya #ya lit #jumblr #bookblr #books #judaism #jewish

[aion-rsa]

How iCarly Defined a Millennial Era

https://ift.tt/3yoqPme

For those of us in the late millennial generation, TV, movies, and videogames of the late 2000s were ideal platforms to explore the ways in which the planet was changing rapidly. They were a way for teens to connect with each other when the older folks were too stuck in their ways to move along with the new times. And when certain pieces of entertainment really nailed the intricacies of the era, that media became eternally ingrained in the psyche of the audience it was targeting.

iCarly ran on Nickelodeon from 2007 through 2012 and embodied these descriptions more than any other adolescent show of the decade. Starring Miranda Cosgrove as the clever and ambitious 13-year-old Carly Shay, the show depicted the journey of teenage exploration through the eyes of her webshow, a program that eerily resembled the entertainment provided by YouTube pioneers and OG social media stars of the time. 

With her friends Sam (Jeannette McCurdy) and Freddie (Nathan Kress), and her goofy older brother Spencer (Jerry Trainer), Carly shared her oddball sense of humor with her web show audience, and vicariously through her actual TV audience behind the fourth wall. A show within a show is nothing novel, but it was a bold decision from showrunner Dan Schneider to create a world that allowed young people to explore their creativity on screen in a way that was completely unique to the years being lived in. 

For those who didn’t fit the targeted demographic the first time around, it would be no shock if they didn’t understand why the show was being revived for Paramount+ this summer. To truly understand why the series connected with ‘90s babies, you’d have to have trekked with the show through the internet globalization that it was birthed into. Millions of returning fans rushed to watch the trailer and were rewarded with the familiar humor they were looking for when the show returned on June 17. 

Unfortunately, Sam is absent from Carly’s life now because McCurdy chose not to return due to the toll on her mental health from working in the entertainment industry as a child and young adult. New character Harper (Laci Mosley) fits in nicely as a semi-replacement, sharing Sam’s spunk but also adding some racial and sexual diversity (the character is both Black and dates women). Spencer has finally cashed in on his dream of being an artist, but it hasn’t altered his struggles to find a wife or create a family outside of his little sister. Freddie has a step-daughter from a divorce and is living with his mom again after failing to make it big as a tech entrepreneur. 

All of the occupations and tribulations of the cast make sense and fit with what we would have imagined would happen to these people in the nine years since going off the air. 

Read more

TV

What Nicktoon Reboots We Want to See Next

By Nick Harley

Both the original airing of the show and this reboot fit together like a locktight time capsule, displaying for the viewers at home a select set of people who are simultaneously relatable, but also even more flaky and unpredictable than ourselves. In 2007, Carly and her cohort wanted to show the world all of the zany things that suddenly poof into the millennial mind: what happens if you hit someone with a sock full of butter? What about putting a grown man’s face inside a plastic baby’s body and flinging ketchup, lotion, shampoo, and other gooey substances all about the crib? 

iCarly is special because it was and still is all about feeling free to do whatever the hell you want, whenever you want, and not being embarrassed to share it with the world! It had a keen understanding of the teenage struggle, and that sometimes letting off steam and just doing some stupid crap and broadcasting it to people who are like you is a great anecdote for the most confusing time in life, compounded by existing on a planet that had never been more in the process of evolving. The show even brilliantly foretold some of the pop culture events of the early 2020’s, such as feverish fan panels a la Comic-Con, or social media stars getting in the boxing ring for a minute or two. 

Through the first four episodes of the reboot the characters’ choices in social media interaction reflect their growth in age; the webshow remains as the chosen avenue for Carly to project her views to the world. If the original were being made today, Tik Tok would almost certainly be the chosen medium for Carly’s teenage fans. Today’s adolescents are experienced vets in tech, whereas 2007’s were pioneers still learning the new ways. Being trampled by the overabundance of options available, the current kids are most attracted to instant gratification and short bursts of artistic expression. YouTube is a little too long-format for the contemporary attention span, but it fits like a glove for 20-somethings who are willing to adapt and learn about new world affairs, but are also starting to sound more and more like their “get off my lawn” ancestors. 

This is why the show embraces having been pigeonholed into the demographic that is so in love with it nearly 15 years after the pilot episode (the show’s trailer on YouTube has garnered nearly 4.5 million views in the month of June and the official Twitter account has over 3.5 million followers). Every piece of humor and every choice the characters make is a reflection on a little bit of ourselves trying to figure out what the hell this world means and how we can become successful in it. 

While older folks call us lazy or undriven for using these artistic or unconventional methods to try and achieve greatness, we know that we are simply not going to be deterred until we are thriving in the chaos. If you live outside of this bubble, you’ll think of the show with the same confusion that someone from this time would perceive Ferris Bueller’s Day Off or Sixteen Candles. The former is celebrated on Twitter annually on the anniversary of its release, and younger generations are expected to worship at the altar of an iconic flick that screams 1980s and nothing else.

cnx.cmd.push(function() { cnx({ playerId: "106e33c0-3911-473c-b599-b1426db57530", }).render("0270c398a82f44f49c23c16122516796"); });

And that is the most universal thing about iCarly and any other era-specific piece of media, the concept that ties them all together for every age: if entertainment understands where it came from and why it exists, there is no reason to try and progress forward or backward from that point. The memories are unaffected, and even when the nostalgia-glasses are removed, the emotions and lessons of the work have an ability to transport us right back to where it came from. And if they remake the show again in 2040 when Carly has her own teenage kids, we’ll still be there to see where she takes them!

The iCarly revival series is available to stream on Paramount+ now.

The post How iCarly Defined a Millennial Era appeared first on Den of Geek.

from Den of Geek https://ift.tt/2UZYVhO

#aion-rsa #Den of Geek

[scifigeneration]

Science fiction builds mental resiliency in young readers

by Esther Jones

Science fiction offers readers a way to rethink social dilemmas. MATJAZ SLANIC/Via Getty Images

Young people who are “hooked” on watching fantasy or reading science fiction may be on to something. Contrary to a common misperception that reading this genre is an unworthy practice, reading science fiction and fantasy may help young people cope, especially with the stress and anxiety of living through the COVID-19 pandemic.

I am a professor with research interests in the social, ethical and political messages in science fiction. In my book “Medicine and Ethics in Black Women’s Speculative Fiction,” I explore the ways science fiction promotes understanding of human differences and ethical thinking.

While many people may not consider science fiction, fantasy or speculative fiction to be “literary,” research shows that all fiction can generate critical thinking skills and emotional intelligence for young readers. Science fiction may have a power all its own.

Literature as a moral mirror

Historically, parents have considered literature “good” for young people if it provides moral guidance that reflects their own values. This belief has been the catalyst for many movements to censor particular books for nearly as long as books have been published.

The controversy of Huck Finn. Hulton Archive via Getty Images

“The Adventures of Huckleberry Finn,” published in 1885, was the first book to be banned in the U.S. It was thought to corrupt youth by teaching boys to swear, smoke and run away from home.

In the latter part of the 20th century, the book has come under fire for the Mark Twain’s prolific use of the N-word. Many people are concerned that the original version of the book normalizes an unacceptable racial slur. Who can say the N-word and in what context is an ongoing social and political debate, reflecting wounds in American society that have yet to heal.

The question is, how does literature of any genre – whether popularly perceived as “serious literature” or “escapist nonsense” – perform its educational function. This is central to the conflict between parents and educators about what kids should read, especially as it pertains to “escapist” fiction.

Why science fiction gets a bad rap

Historically, those who read science fiction have been stigmatized as geeks who can’t cope with reality. This perception persists, particularly for those who are unaware of the changes to this genre in the past several decades. A 2016 article in Social and Personality Psychology Compass, a scholarly journal, argues that “connecting to story worlds involves a process of ‘dual empathy,‘ simultaneously engaging in intense personal processing of challenging issues, while ‘feeling through’ characters, both of which produce benefits.”

Eagle Nebula’s Pillars of Creation, an image from the Hubble Space Telescope. AP Images/NASA, ESA

While science fiction has become more mainstream, one study claimed that science fiction makes readers stupid. A subsequent study by the same authors later refuted this claim when the quality of writing was taken into account.

This ongoing ambivalence towards the genre contributes to the stereotype that such works are of little value because they presumably don’t engage real human dilemmas. In actuality, they do. Such stereotypes assume that young people can only learn to cope with human dilemmas by engaging in mirror-image reflections of reality including what they read or watch.

The mental health of reading

Reading science fiction and fantasy can help readers make sense of the world. Rather than limiting readers’ capacity to deal with reality, exposure to outside-the-box creative stories may expand their ability to engage reality based on science.

Fantasy literature opens the door to imaginative worlds. Six_Characters/via Getty Images

A 2015 survey of science fiction and fantasy readers found that these readers were also major consumers of a wide range of other types of books and media. In fact, the study noted a connection between respondents’ consumption of varied literary forms and an ability to understand science.

With increasing rates of anxiety, depression and mental health issues for youth in the past two decades, it may be the case that young people, no different from American society generally, are suffering from reality overload. Young people today have unprecedented access to information about which they may have little power to influence or change.

The powerful world of science fiction

Science fiction and fantasy do not need to provide a mirror image of reality in order to offer compelling stories about serious social and political issues. The fact that the setting or characters are extraordinary may be precisely why they are powerful and where their value lies.

My contribution in the forthcoming essay collection “Raced Bodies, Erased Lives: Race in Young Adult Speculative Fiction” discusses how race, gender and mental health for black girls is portrayed in speculative fiction and fantasy. My essay describes how contemporary writers take an aspect of what is familiar and make it “odd” or “strange” enough to give the reader psychic and emotional distance to understand mental health issues with fresh eyes.

From the “Harry Potter” and “Hunger Games” series to novels like Octavia Butler’s “Parable of the Sower” and “Parable of the Talents” and Nancy Kress’ “Beggars in Spain,” youths see examples of young people grappling with serious social, economic, and political issues that are timely and relevant, but in settings or times that offer critical distance.

This distance gives readers an avenue to grapple with complexity and use their imagination to consider different ways of managing social challenges. What better way to deal with the uncertainty of this time than with forms of fiction that make us comfortable with being uncomfortable, that explore uncertainty and ambiguity, and depict young people as active agents, survivors and shapers of their own destinies?

Let them read science fiction. In it, young people can see themselves – coping, surviving and learning lessons – that may enable them to create their own strategies for resilience. In this time of COVID-19 and physical distancing, we may be reluctant for kids to embrace creative forms that seem to separate them psychologically from reality.

But the critical thinking and agile habits of mind prompted by this type of literature may actually produce resilience and creativity that everyday life and reality typically do not.

About The Author:

Esther Jones is an Associate Professor of English and affiliate with Africana Studies and Women's & Gender Studies at Clark University

This article is republished from our content partners over at The Conversation under a Creative Commons license.

#science fiction #science fiction and fantasy #literature #speculative fiction #Hubble Space Telescope #featured

[thelivebookproject]

End of the Comfort Zone Bingo, thoughts, and conclusions

I just finished the Comfort Zone Bingo!! I'm super happy because I managed to finish it before the end of the month, so here is the I-finished-yay-post :)

What is the Comfort Zone Bingo?

It's a creation by @anassarhenisch. You just ask for a bingo card and she gives you one to tackle. The prompts are super random, and the idea is, well, to read outside your comfort zone. I started my card in April, so I needed a little under three months to finish!

How did it go?

Fantastically! I had to do a mad scramble in some prompts, but I guess that was the goal, right? I liked most of what I read, I tackled some forever-on-my-TBR books (LES MIS) and I discovered some new authors I loved. However, I have to admit that the prompts I got weren't too difficult, so while I appreciate that (I didn't go crazy looking up books to fit in), I feel like I didn't push myself out of my comfort zone too hard.

Overall, 10/10, I would do it again. I love bingos!

Here is my card, and below the cut a list of what I read, in chronological reading order and with reviews linked.

Historical fiction: The Diviners (The Diviners #1) - Libba Bray [Review]

Paranormal: Late Eclipses (October Daye #4) - Seanan McGuire

From another continent: One Sea Salt (October Daye #5) - Seanan McGuire

Picture book: The Sleeper and the Spindle - Neil Gaiman

Reread: A Study in Scarlet (Sherlock Holmes #1) - Arthur Conan Doyle

Translated from another language: The Sign of Four (Sherlock Holmes #2) - Arthur Conan Doyle [I read it in Spanish]

Romance: An Enchantment of Ravens - Margaret Rogerson [Review]

No romance: The Handmaid's Tale (#1) - Margaret Atwood [Review]

Written between 1960 and 1980: The Madwoman in the Attic: The Woman Writer and the 19th Century Literary Imagination - Sandra M. Gilbert & Susan Gubar

Contemporary: The Foxhole Court (All for the Game #1) - Nora Sakavic

Chosen One: Ashes of Honor (October Daye #6) - Seanan McGuire

Steampunk: The Friday Society - Adrienne Kress

Free: Insólitas - Anthology, various authors *

From your country: How They Rule the World - Pedro Baños

Creepy setting: A Winter's Promise (The Mirror-Visitor #1) - Christelle Dabos

Women's fiction: La vida más patética - Dryadeh Lair *

Literary fiction: The Mermaid and Mrs. Hancock - Imogen Hermes Gowar

Prophecies: Dido para Eneas - María García Esperón *

True crime: Death at the Priory: Love, Sex, and Murder in Victorian England - James Ruddick

Heist: The Heist (Fox and O'Hare #1) - Janet Evanovitch & Lee Goldberg [Review]

Written before 400 CE: Lysistrata - Aristophanes

Talking animals: Contes - Hans Christian Andersen

On TBR for 5 years: Les Miserables - Victor Hugo

Thriller: Twist of Faith (Ava Saunders #1) - Ellen J. Green

Series you never finished: Chimes at Midnight (October Daye #7) - Seanan McGuire

* Only available in Spanish

(It does look a bit like “How many October Daye books can I fit in one card?”)

#comfortzonebingo #bingo challenges #june 2020 #thelivebookproject #bookblr

[wandavision-s1-e1-votfr]

WandaVision Saison 1 Épisode 1 Streaming`VOSTFR

Regarder WandaVision Saison 1 Épisode 1 (2021) Serie complet en ligne gratuit,Télécharger WandaVision Saison 1 Épisode 1 Torrent Film Français, REGARDER WandaVision Saison 1 Épisode 1 streaming Gratuit(2021) Serie complet HD , Regarder WandaVision Saison 1 Épisode 1 (2021) Serie complet en ligne,

Regarder 🎬���☛ https://bit.ly/3qnUuYM

Télécharger 🎬✮☛ https://bit.ly/3qnUuYM

Blends the style of classic sitcoms with the MCU in which Wanda Maximoff and Vision -two super-powered beings living their ideal suburban lives-begin to suspect that everything is not as it seems.

Regarder *WandaVision Saison 1 Épisode 1* Streaming VF (2021) Serie complet HD WandaVision Saison 1 Épisode 1 Serie complet streaming vostfr, Serie WandaVision Saison 1 Épisode 1 entier en francais Serie complet, WandaVision Saison 1 Épisode 1 streaming online free. Regarder WandaVision Saison 1 Épisode 1 (2021): Film Complet

⭐⭐⭐⭐ Classement : 8 sur 10 basé sur 8802 avis.⭐⭐⭐

⭐⭐⭐⭐⭐⭐⭐ WandaVision Saison 1 Épisode 1 2021 Genre: Action, Science-Fiction, Horreur, Aventure Etoiles: Anya Taylor-Joy, Maisie Williams, Charlie Heaton, Blu Hunt, Henry Zaga Directeur: Ronna Kress, Karen Rosenfelt, Lauren Shuler Donner, Stan Lee, Peter Deming

Les Mutants sont les plus dangereux, pour eux-mêmes comme pour les autres, lorsqu’ils découvrent leurs pouvoirs. Détenus dans une division secrète contre leur volonté, cinq nouveaux mutants doivent apprivoiser leurs dons et assumer les erreurs graves de leur pass��. Traqués par une puissance surnaturelle, leurs peurs les plus terrifiantes vont devenir réalité.

Regardez WandaVision Saison 1 Épisode 1 [2021] Qualité 4K en ligne Regarder la vidéo WandaVision Saison 1 Épisode 1 [2021] StreamiNG HD WandaVision Saison 1 Épisode 1 [2021] Films complets WandaVision Saison 1 Épisode 1 [2021] sorties du Serie Regardez des Series en ligne gratuitement en 2021 Regarder WandaVision Saison 1 Épisode 1 [2021] FullMovie en ligne WandaVision Saison 1 Épisode 1 [2021] Serie complet regarder en ligne WandaVision Saison 1 Épisode 1 [2021] Serie complet en anglais Regarder le Serie anglais complet de WandaVision Saison 1 Épisode 1 [2021] Regarder WandaVision Saison 1 Épisode 1 [2021] Serie complet sous France WandaVision Saison 1 Épisode 1 [2021] Serie complet en anglais, WandaVision Saison 1 Épisode 1 [20

Regarder Serie (WandaVision Saison 1 Épisode 1) Streaming VF complet” Film complet et gratuit Vostfr Regarder Serie ( WandaVision Saison 1 Épisode 1 ) Streaming VF [fr] Film complet et gratuit Vostfr Regarder WandaVision Saison 1 Épisode 1 (2021) : Film Streaming Vf en Français. Regarder WandaVision Saison 1 Épisode 1 Movie Online Les déchirures Blu-ray Bluray sont encodées directement à partir du disque Blu-ray en 1080p ou 720p (selon la source du disque) et utilisent le codec x264. Ils peuvent être extraits de disques BD25 ou BD50 (ou de disques UHD Blu-ray à des résolutions plRegarder WandaVision Saison 1 Épisode 1 élevées). Les BDRips proviennent d’un disque Blu-ray et sont codés à une résolution inférieure à celle de sa source (c’est-à-dire 1080p à 720p / 576p / 480p). Un BRRip est une vidéo déjà codée à une résolution HD (généralement 1080p) qui est ensuite transcodée en résolution SD. Regarder Regarder WandaVision Saison 1 Épisode 1 Movie BD / BRRip en résolution DVDRip est plRegarder WandaVision Saison 1 Épisode 1 esthétique, peu importe, car l’encodage provient d’une source de meilleure qualité. Les BRRips sont uniquement d’une résolution HD à une résolution SD, tandis que les BDRips peuvent aller de 280p à 1080p, etc. tant qu’ils ont une résolution inférieure du disque source. Regarder Regarder WandaVision Saison 1 Épisode 1 Movie FullBDRip n’est pas un transcodage et peut évoluer en sens inverse pour l’encodag.

Le Serie est une œuvre d’art sous la forme d’une série d’images en direct qui sont tournées pour produire une illusion d’images en mouvement qui sont présentées comme une forme de divertissement. L’illusion d’une série d’images produit un mouvement continu sous forme de vidéo. Le Serie est souvent appelé Serie ou image animée. Le Serie est une forme d’art moderne et populaire créée à des fins commerciales et de divertissement. Le cinéma est devenu une industrie populaire dans le monde entier, où les longs métrages sont toujours attendus par les cinémas.

Les Series sont réalisés de Serie manières principales. La première consiste à utiliser des techniques de prise de vue et d’enregistrement à l’aide de caméras argentiques. Cette méthode se fait en photographiant des images ou des objets. Le second utilise des techniques d’animation traditionnelles. Cette méthode est effectuée grâce à des techniques d’animation graphique ou CGI. Les Serie peuvent également être combinés avec d’autres techniques et effets visuels. Le tournage prend généralement un temps relativement long. Cela nécessite également un pupitre de travail chacun, à partir du réalisateur, producteur, monteur, garde-robe, effets visuels et autres.

Définition et définition de Serie / Serie Alors que les acteurs qui jouent un rôle dans le Serie sont appelés acteurs (hommes) ou actrices (femmes). Il y a aussi le terme figurants qui sont utilisés comme personnages de soutien avec peu de rôles dans le Serie. C’est différent des principaux acteurs qui ont des rôles de plus en plus nombreux. Être acteur et actrice doit être exigé pour avoir un bon talent d’acteur, ce qui est conforme au thème du Serie dans lequel il joue. Dans certaines scènes, le rôle de l’acteur peut être remplacé par un cascadeur ou un cascadeur. L’existence d’un cascadeur est importante pour remplacer les acteurs réalisant des scènes difficiles et extrêmes, que l’on retrouve généralement dans les Series d’action et d’action.

Les Series peuvent également être utilisés pour transmettre certains messages du cinéaste. Certaines industries utilisent également le Serie pour transmettre et représenter leurs symboles et leur culture. Le cinéma est aussi une forme d’expression, de pensées, d’idées, de concepts, de sentiments et d’humeurs d’un être humain visualisé dans un Serie. Le Serie lui-même est principalement une fiction, bien que certains soient basés sur des faits réels ou sur une histoire vraie. Il y a aussi des documentaires avec des images originales et réelles, ou des Series biographiques qui racontent l’histoire d’un personnage. Il existe de nombreux autres Series de genre populaires, allant des Series d’action, Series d’horreur, Series d’humour, Series romantiques, Series fantastiques, Series à suspense, Series dramatiques, Series de science-fiction, Series policiers, documentaires et autres. C’est un peu d’informations sur la définition d’un Serie ou d’un Serie. Les informations ont été citées à partir de diverses sources et références. J’espère que cela peut être utile.

❍❍❍ TV MOVIE ❍❍❍ The first television shows were experimental, sporadic broadcasts viewable only within a very short range from the broadcast tower starting in the 1930s. Televised events such as the 1936 Summer Olympics in Germany, the 19340 coronation of King George VI in the UK, and David Sarnoff’s famous introduction at the 1939 New York World’s Fair in the US spurred a growth in the medium, but World War II put a halt to development until after the war. The 19440 World MOVIE inspired many Americans to buy their first television set and then in 1948, the popular radio show Texaco Star Theater made the move and became the first weekly televised variety show, earning host Milton Berle the name “Mr Television” and demonstrating that the medium was a stable, modern form of entertainment which could attract advertisers. The first national live television broadcast in the US took place on September 4, 1951 when President Harry Truman’s speech at the Japanese Peace Treaty Conference in San Francisco was transmitted over AT&T’s transcontinental cable and microwave radio relay system to broadcast stations in local markets. The first national color broadcast (the 1954 Tournament of Roses Parade) in the US occurred on January 1, 1954. During the following ten years most network broadcasts, and nearly all local programming, continued to be in black-and-white. A color transition was announced for the fall of 1965, during which over half of all network prime-time programming would be broadcast in color. The first all-color prime-time season came just one year later. In 19402, the last holdout among daytime network shows converted to color, resulting in the first completely all-color network season.

❍❍❍ Formats and Genres ❍❍❍ See also: List of genres § Film and television formats and genres Television shows are more varied than most other forms of media due to the wide variety of formats and genres that can be presented. A show may be fictional (as in comedies and dramas), or non-fictional (as in documentary, news, and reality television). It may be topical (as in the case of a local newscast and some made-for-television Series), or historical (as in the case of many documentaries and fictional MOVIE). They could be primarily instructional or educational, or entertaining as is the case in situation comedy and game shows.[citation needed] A drama program usually features a set of actors playing characters in a historical or contemporary setting. The program follows their lives and adventures. Before the 1980s, shows (except for soap opera-type serials) typically remained static without story arcs, and the main characters and premise changed little.[citation needed] If some change happened to the characters’ lives during the Episodes, it was usually undone by the end. Because of this, the Episodess could be broadcast in any order.[citation needed] Since the 1980s, many MOVIE feature progressive change in the plot, the characters, or both. For instance, Hill Street Blues and St. Elsewhere were two of the first American prime time drama television MOVIE to have this kind of dramatic structure,[4][better source needed] while the later MOVIE Babylon 5 further exemplifies such structure in that it had a predetermined story running over its intended five-season run.[citation needed] In 2012, it was reported that television was growing into a larger component of major media companies’ revenues than Serie.[5] Some also noted the increase in quality of some television programs. In 2012, Academy-Award-winning Serie director Steven Soderbergh, commenting on ambiguity and complexity of character and narrative, stated: “I think those qualities are now being seen on television and that people who want to see stories that have those kinds of qualities are watching television.

❍❍❍ Thank’s For All And Happy Watching❍❍❍ Find all the movies that you can stream online, including those that were screened this week. If you are wondering what you can watch on this website, then you should know that it covers genres that include crime, Science, Fi-Fi, action, romance, thriller, Comedy, drama and Anime Movie. Thank you very much. We tell everyone who is happy to receive us as news or information about this year’s Serie schedule and how you watch your favorite Series. Hopefully we can become the best partner for you in finding recommendations for your favorite movies. That’s all from us, greetings! Thanks for watching The Video Today. I hope you enjoy the videos that I share. Give a thumbs up, like, or share if you enjoy what we’ve shared so that we more excited. Sprinkle cheerful smile so that the world back in a variety of colors. Thanks u for visiting, I hope u enjoy with this Movie Have a Nice Day and Happy Watching :)20] Full Movie Eng Sub Regarder WandaVision Saison 1 Épisode 1 [2021] sous-titre complet du Serie Regarder WandaVision Saison 1 Épisode 1 [2021] Serie complet spoiler WandaVision Saison 1 Épisode 1 [2021] Serie complet en ligne WandaVision Saison 1 Épisode 1 [2021] Stream complet du Serie gratuit Regardez le Serie complet de WandaVision Saison 1 Épisode 1 [2021] Regarder WandaVision Saison 1 Épisode 1 [2021] Serie complet telugu WandaVision Saison 1 Épisode 1 [2021] Serie complet tamoul Téléchargement complet du Serie tamoul WandaVision Saison 1 Épisode 1 [2021] WandaVision Saison 1 Épisode 1 [2021] English complet WandaVision Saison 1 Épisode 1 [2021] Subtítulos en español WandaVision Saison 1 Épisode 1 [2021] Fuld norsk Serie WandaVision Saison 1 Épisode 1 [2021] Nederlandse versie WandaVision Saison 1 Épisode 1 [2021] Serie volledige België Versie

[longlistshort]

Anthony Freese “State of Emergency”, 2023 vinyl and “Termination”, 2023 3D print

(L to R) Jay Giroux “Slow Burn”, 2023, waterborne acrylic on aluminum sign panel mounted to MDF; Ryan Lagasse, “This Isn’t Sunshine”, 2023, acrylic on wood; Blake Bailey, “Solar Pressure”, 2023, linocut relief print

Ryan Lagasse “This Isn’t Sunshine”, 2023, acrylic on wood

RJ Martin, “Cold projections”, 2023, digital print on signboard and “Truth in blue”, 2023, 3D print

Jay Giroux, “Drug Store”, 2023, acrylic on primed MDF

(left) Edgar Sanchez Cumbas, “Where There Is Brown There Is Gold”, 2023, digital print embellished with wax, acrylic, and charcoal on Arches cold press 140lb paper; (right) Joana Hila “Equilibrium of Insect & Flora”, 2023, mixed media

The works above are from Department of Contemporary Art’s latest group exhibition Degrees, organized with Tampa’s Greater Public Studio. It explores the multiple uses of the word “degrees” including in climate change, education and history. Artists included in the exhibition- Blake Bailey, Anthony Freese, Jay Giroux, Joana Hila, Ryan Lagasse, Richard Martin, Julia Parrino, Alex Roberts, and Edgar Sanchez Cumbas.

About Degrees from the gallery’s website-

In this exhibition, we unravel the layers of meaning behind ‘Degrees’. From the nuanced shades of truth that shape our perceptions to the tangible degrees of temperature that influence our environment, the exhibition creates a dynamic dialogue between different dimensions of this concept.

Situated in a pivotal battleground state, the exhibition also contemplates the intricate relationship between degrees and the pressing issue of global warming. Delving into the political discourse, we examine how degrees of belief and denial intersect, particularly in the context of climate change debates.

Furthermore, the exhibition prompts contemplation on the notion of an art degree. What does it signify? How does it define one’s creative journey? These questions guide us through an exploration of artistic qualifications and the degrees of expertise they represent.

A journey through art history reveals the connection between degrees and lines, as we delve into the associations between angles, perspectives, and the progression of artistic movements. This collection invites you to ponder how degrees of inclination can shape artistic expression and historical narratives.

Join us in this immersive exhibition, where degrees of interpretation converge, offering a multi-dimensional encounter with the concept of ‘Degrees’.

Tomorrow (10/26/23) from 6-9pm is the last chance to see the show.

#Department of Contemporary Art Tampa FL #Greater Public Studio #Edgar Sanchez Cumbas #Jay Giroux #Anthony Freese #Ybor City Art Shows #Ryan Lagasse #Tampa Art Shows #Painting #Joana Hila #Climate Change #Florida Art Shows #Florida Artist #Blake Bailey #Richard Martin #Florida Artists #Alex Roberts #Julia Parrino #Kress Contemporary #MIxed Media Art #Printmaking #Sculpture #Ybor City #Ybor City Art #Drawing #Art #Art Shows

[jenringwrites]

#FollowFriday Five: Ybor Arts Part 2

Last week I encouraged you to follow Hotel Haya, Marcolina's Fine Arts Gallery, The Bricks, and HCC Ybor, but that's not half of Ybor. If you want to keep tabs on the Ybor's arts scene, you have to follow all the folks who've moved into the historic Kress building, and there are several, so I better get listing. Here's a start, with more to come.

The Florida Museum of Photographic Arts @fmopa

Tampa has a museum of photography, and if you haven't yet visited, now's the time. FMoPA just moved out of its inconvenient location in the Cube and into a much more exciting location on Ybor City's 7th Ave., where they're showcasing Angelika Kollin's work from Oct. 31-Dec. 10. But even if you don't visit, wouldn't it be nice to fill your Instagram feed with gorgeous professional photography like this?

Tempus Projects @tempus_projects

Tampa arts leader Tracy Midulla moved her Tempus Projects out of Seminole Heights and into Ybor City during the pandemic, where she maintains three gallery spaces - Tempus Projects, Tempus Volta, and Drift.

Department of Contemporary Art @departmentofcontemporaryarttpa

Talented young curator Emiliano Settecasi is doing great things in his new gallery space within Kress. Every time I visit, it amazes me how he continues to make such large statements from within such a small space.

The Fringe Theatre @tampafringe

How lucky are we to live in a town where we can access Fringe theatre year-round? The answer is very lucky, because Fringe Theatre is unexpected, experimental, fun, and cheap. And it just got a lot more accessible in Tampa Bay.

JZ Atalier Jewelry @jzatalierjewelry

The historic Kress Building is Samantha Zhang's home base, but she's teaching folks how to make jewelry all over Tampa. Follow her on Instagram @jzatalierjewelry to find out when and where her next workshop is.

#follow friday #ybor city #tampa bay area

[idavidea-hu]

VIDEA-ONLINE.!™]] az Új mutánsok  2020 VIDEA HD TELJES FILM (INDAVIDEO) MAGYARUL 1080p

Új mutánsok online film és letöltés. Új mutánsok Teljes online filmek, azonnal várakozás nélkül, kiváló minőségben. Új mutánsok Ingyen online nézheto teljes sorozatok magyarul, szinkronosan.. Meg lehet nézni az interneten Új mutánsok teljes streaming

➥Visit Link ⏩⏩ https://t.co/49SISVNf4w?amp=1

➥Latagotas ⏩⏩ https://t.co/49SISVNf4w?amp=1

Egy csapat ifjú mutánst pszichiátriai megfigyelés céljából tartanak bent egy a világtól elzárt kórházban. Amikor új mutációs képességeiket és barátságukat is próbatétel elé állító, különös dolgok történnek, a fiatalok elszánt küzdelembe kezdenek, hogy élve kijussanak.

felszabadított: 2020–08–26 Runtime: 98 percek Műfaj: Akció, Sci-Fi, Horror, Kaland Csillag: Blu Hunt, Maisie Williams, Anya Taylor-Joy, Charlie Heaton, Henry Zaga Rendező: Ronna Kress, Karen Rosenfelt, Lauren Shuler Donner, Stan Lee, Peter Deming

“Nézze meg az Új mutánsok 2020-at: „Teljes film”

A feszültség a harmadik osztály és az első osztály között forr, amikor Melanie elindítja a The New Mutants 2020 gyilkosának tárgyalását. A harmadik osztály munkabeszüntetést fenyeget, követelve a zsűri képviseletét, Melanie pedig sorsdöntő döntést hoz arról, hogy melyik oldalt részesítse előnyben.

Crew: Ronna Kress (Casting), Karen Rosenfelt (Producer), Lauren Shuler Donner (Producer), Stan Lee (Executive Producer), Peter Deming (Director of Photography), Molly Hughes (Production Design)

Az új mutánsok, Az új mutánsok online, Az új mutánsok előzetes magyarul, Az új mutánsok ingyen letöltés, Az új mutánsok netmozi, Az új mutánsok, Az új mutánsok magyar premier, Az új mutánsok film online, Az új mutánsok teljes film, Az új mutánsok teljes film videa, Az új mutánsok indavideo, Az új mutánsok magyarul online, Az új mutánsok teljes film magyarul indavideo, Az új mutánsok online videa, Az új mutánsok online filmnézés, Az új mutánsok online teljes film, Az új mutánsok online film magyarul, Az új mutánsok teljes film indavideo, Az új mutánsok teljes film magyarul ingyen, Az új mutánsok teljes film letöltés, Az új mutánsok videa magyarul, Az új mutánsok teljes film videa. Az új mutánsok Magyar szinkron Az új mutánsok Magyar Felirat Az új mutánsok letöltés nélkül Az új mutánsok efilmek Blockbuster Az új mutánsok teljes film magyarul letöltés Az új mutánsok teljes film magyarul indavideo Az új mutánsok letöltés Az új mutánsok online mozicsillag Az új mutánsok online teljes film magyarul Az új mutánsok előzetes Az új mutánsok teljes film magyarul mozicsillag Az új mutánsok szereplők Az új mutánsok Teljes filmadatlap Az új mutánsok Filmezek Az új mutánsok online letöltés Az új mutánsok online filmek Az új mutánsok elozetes Az új mutánsok port Az új mutánsok Hungarian synchronous Az új mutánsok premier Az új mutánsok teljes film Az új mutánsok mozicsillag Az új mutánsok megjelenés Az új mutánsok bemutató Az új mutánsok film online Az új mutánsok indavideo Az új mutánsok magyar elozetes Az új mutánsok online film Az új mutánsok online filmek Az új mutánsok online magyar Az új mutánsok szereplok Az új mutánsok online film Az új mutánsok Ingyen Nézheto Az új mutánsok online filmnézés Az új mutánsok teljes film online Az új mutánsok teljes film magyarul Az új mutánsok youtube Az új mutánsok Magyar Felirattal HD Az új mutánsok teljes film online magyar szinkronnal Az új mutánsok premier Az új mutánsok teljes filmnézés Az új mutánsok ligája videa Az új mutánsok ligája előzetes Az új mutánsok magyar elozetes Az új mutánsok teljes film magyarul videa Az új mutánsok teljes mese magyarul Az új mutánsok mese teljes Az új mutánsok 2020 teljes film magyarul Az új mutánsok teljes mese magyarul videa Az új mutánsok mese online Az új mutánsok teljes film magyarul online Az új mutánsok 2020 teljes film videa Az új mutánsok videa teljes film magyarul Az új mutánsok videa 2020 Az új mutánsok 2020 videa Az új mutánsok teljes film magyarul indavideo Az új mutánsok letöltés Az új mutánsok — Premiär! Az új mutánsok szinkronhangok Az új mutánsok teljes film videa Az új mutánsok elozetes Az új mutánsok port Az új mutánsok premier Az új mutánsok teljes film Az új mutánsok mozicsillag Az új mutánsok megjelenés Az új mutánsok bemutató Az új mutánsok film online Az új mutánsok indavideo Az új mutánsok magyar elozetes Az új mutánsok online film Az új mutánsok online filmek Az új mutánsok online magyar Az új mutánsok szereplok Az új mutánsok online film, online filmnézés Az új mutánsok teljes film online Az új mutánsok teljes film magyarul Az új mutánsok youtube Az új mutánsok teljes film online magyar szinkronnal Az új mutánsok teljes film Az új mutánsok teljes film magyarul Az új mutánsok teljes film 2020 Az új mutánsok teljes film magyarul videa Az új mutánsok teljes film magyarul videa hd Az új mutánsok teljes film online Az új mutánsok teljes film hd Az új mutánsok teljes film 2020 Az új mutánsok online Az új mutánsok teljes film Az új mutánsok teljes film magyarul Az új mutánsok teljes film 2020 Az új mutánsok teljes film magyarul videa Az új mutánsok teljes film magyarul videa hd Az új mutánsok teljes film online Az új mutánsok teljes film hd Az új mutánsok teljes film 2020 Az új mutánsok online Az új mutánsok port Az új mutánsok előzetes Az új mutánsok imdb Az új mutánsok kritika Az új mutánsok teljes Az új mutánsok felirat Az új mutánsok cinema city Az új mutánsok eladó Az új mutánsok akció Az új mutánsok trailer

►Nem birtokolom ezt a dalt vagy képet, minden elismerésem Olyan Félelmetes. Iratkozzon fel és ossza meg barátaival! a csatornámra. További videókért lásd !!. Azt akarom mondani, hogy “köszönöm”, hogy barátod voltál !! A televíziós műsor (gyakran egyszerűen tévéshow) minden olyan tartalom, amelyet rádión, műholdon, kábelen vagy interneten keresztül sugároznak, és amelyet általában televízión néznek meg, kivéve a legfrissebb híreket, hirdetéseket és előzeteseket, amelyeket általában a műsorok között helyeznek el. A televíziós műsorokat gyakran jóval idő előtt ütemezik meg, és megjelennek az elektronikus útmutatókban vagy más tévés listákon. Egy televíziós műsort televíziós műsornak is lehet nevezni (brit angolul: program), különösen, ha hiányzik belőle az elbeszélési struktúra. Egy televíziós sorozatot általában egy elbeszélést követő epizódokban adnak ki, és általában évszakokra (USA és Kanada) vagy sorozatokra (Egyesült Királyság) vannak felosztva — évenkénti vagy féléves új epizódok. A korlátozott epizódszámú műsort minisorozatnak, sorozatnak vagy korlátozott sorozatnak nevezhetjük. Az egyszeri műsor „különlegesnek” nevezhető. A televíziós film („televíziónak készült film” vagy „televíziós film”) olyan film, amelyet kezdetben a televízió sugároz, nem pedig a mozik vagy közvetlenül videofelvételek. A televíziós műsorok megtekinthetők valós időben (élőben) sugározva, otthoni videóra vagy digitális videofelvevőre rögzítve későbbi megtekintés céljából, vagy igény szerint megtekinthetők set-top boxon keresztül, vagy streamelhetők az interneten keresztül.

❍❍❍ TV SERIES ❍❍❍ The first television shows were experimental, sporadic broadcasts viewable only within a very short range from the broadcast tower starting in the 333s. Televised events such as the 3333 Summer Olympics in Germany, the 3333 coronation of King George VI in the UK, and David Sarnoff’s famous introduction at the 3333 New York World’s Fair in the US spurred a growth in the medium, but World War II put a halt to development until after the war. The 333 World Series inspired many Americans to buy their first television set and then in 3333, the popular radio show Texaco Star Theater made the move and became the first weekly televised variety show, earning host Milton Berle the name “Mr Television” and demonstrating that the medium was a stable, modern form of entertainment which could attract advertisers. The first national live television broadcast in the US took place on September 3, 3333 when President Harry Truman’s speech at the Japanese Peace Treaty Conference in San Francisco was transmitted over AT&T’s transcontinental cable and microwave radio relay system to broadcast stations in local markets. The first national color broadcast (the 3333 Tournament of Roses Parade) in the US occurred on January 3, 3333. During the following ten years most network broadcasts, and nearly all local programming, continued to be in black-and-white. A color transition was announced for the fall of 3333, during which over half of all network prime-time programming would be broadcast in color. The first all-color prime-time season came just one year later. In 333, the last holdout among daytime network shows converted to color, resulting in the first completely all-color network season. ❍❍❍ Formats and Genres ❍❍❍ Television shows are more varied than most other forms of media due to the wide variety of formats and genres that can be presented. A show may be fictional (as in comedies and dramas), or non-fictional (as in documentary, news, and reality television). It may be topical (as in the case of a local newscast and some made-for-television films), or historical (as in the case of many documentaries and fictional series). They could be primarily instructional or educational, or entertaining as is the case in situation comedy and game shows.[citation needed] A drama program usually features a set of actors playing characters in a historical or contemporary setting. The program follows their lives and adventures. Before the 3333, shows (except for soap opera-type serials) typically remained static without story arcs, and the main characters and premise changed little.[citation needed] If some change happened to the characters’ lives during the episode, it was usually undone by the end. Because of this, the episodes could be broadcast in any order.[citation needed] Since the 3333, many series feature progressive change in the plot, the characters, or both. For instance, Hill Street Blues and St. Elsewhere were two of the first American prime time drama television series to have this kind of dramatic structure,[3][better source needed] while the later series Babylon 3 further exemplifies such structure in that it had a predetermined story running over its intended five-season run.[citation needed] In 333, it was reported that television was growing into a larger component of major media companies’ revenues than film.[3] Some also noted the increase in quality of some television programs. In 333, Academy-Award-winning film director Steven Soderbergh, commenting on ambiguity and complexity of character and narrative, stated: “I think those qualities are now being seen on television and that people who want to see stories that have those kinds of qualities are watching television.

#Új mutánsok port HU #Új mutánsok premier #Új mutánsok teljes film #Új mutánsok film online #Új mutánsok indavideo #Új mutánsok magyar elozetes

[mutansah-ngajaranmovies]

HD』เรื่องเต็ม- (2020) ~มิวแทนท์รุ่นใหม่ 〖The New Mutants〗 หนังเต็มออนไลน์ 「1080p online』

ดู 2020【The New Mutants】หนังออนไลน์ (HDฟรี) ~มิวแทนท์รุ่นใหม่| ออนไลน์

ดูหนัง ~มิวแทนท์รุ่นใหม่, ~มิวแทนท์รุ่นใหม่ hd, ~มิวแทนท์รุ่นใหม่, the new mutants hd พากย์ไทย, ดูหนัง the new mutants เต็มเรื่อง, The New Mutants พากย์ไทย เต็มเรื่อง, ดูหนัง The New Mutants ➥เยี่ยมชมลิงค์▶️▶️ https://t.co/WtCau83T2R?amp=1 เรื่องย่อหนัง หนัง The New Mutants เรื่องราวของเหล่ามนุษย์กลายพันธุ์สายพันธุ์ใหม่ ที่เป็นหนุ่มสาวทั้ง 5 คน ทั้งหมดพึ่งได้ค้นพบพลังที่แท้จริงของตัวเอง พวกเขาต้องต่อสู้ดิ้นรนเพื่อหาทางหนีจากอดีตอันผิดบาปและเอาชีวิตรอด ด้วยการช่วยเหลือตัวผองเพื่อน และตัวพวกเขาเอง เเปิดตัว: 2020–08–26 เวลา: 98 นาที ประเภท: บู๊, นิยายวิทยาศาสตร์, สยองขวัญ, ผจญ ดาว: Anya Taylor-Joy, Maisie Williams, Charlie Heaton, Blu Hunt, Henry Zaga ผู้กำกับ: Ronna Kress, Karen Rosenfelt, Lauren Shuler Donner, Stan Lee, Peter Deming

WACTH NOW

~มิวแทนท์รุ่นใหม่ เต็มเรื่อง ~มิวแทนท์รุ่นใหม่ เต็มเรื่อง พากย์ไทย ดู ~มิวแทนท์รุ่นใหม่ เต็มเรื่อง พากย์ไทย ~มิวแทนท์รุ่นใหม่ เต็ม เรื่อง ออนไลน์ ~มิวแทนท์รุ่นใหม่ เต็ม เรื่อง hd ออนไลน์ ดู หนัง ออนไลน์ ~มิวแทนท์รุ่นใหม่ เต็ม เรื่อง ดู หนัง ~มิวแทนท์รุ่นใหม่ ดูหนังออนไลน์ เต็มเรื่อง ดู หนัง ~มิวแทนท์รุ่นใหม่ 2020 เต็มเรื่อง พากย์ไทย ~มิวแทนท์รุ่นใหม่ 2020 hd เต็มเรื่อง ~มิวแทนท์รุ่นใหม่ 2020 เต็มเรื่อง ~มิวแทนท์รุ่นใหม่ เต็ม เรื่อง hd ~มิวแทนท์รุ่นใหม่ เต็มเรื่อง ออนไลน์ หนังใหม่ ~มิวแทนท์รุ่นใหม่ 2020 hd เต็มเรื่อง หนัง ~มิวแทนท์รุ่นใหม่ 2020 เต็มเรื่อง หนัง ~มิวแทนท์รุ่นใหม่ 2020 เต็มเรื่อง พากย์ไทย หนัง ~มิวแทนท์รุ่นใหม่ เต็มเรื่อง หนัง ~มิวแทนท์รุ่นใหม่ เต็มเรื่อง พากย์ไทย ~มิวแทนท์รุ่นใหม่ 2020 เต็ม เรื่อง ออนไลน์ ~มิวแทนท์รุ่นใหม่ เต็ม เรื่อง hd ออนไลน์ ~มิวแทนท์รุ่นใหม่ เต็ม เรื่อง ลิขสิทธิ์ แท้ full hd ~มิวแทนท์รุ่นใหม่ เต็ม เรื่อง ซูม ~~มิวแทนท์รุ่นใหม่ ดูหนังออนไลน์ ~มิวแทนท์รุ่นใหม่ hd เต็มเรื่อง ดู ~มิวแทนท์รุ่นใหม่ เต็มเรื่อง ~มิวแทนท์รุ่นใหม่ เต็ม เรื่อง ออนไลน์ พากย์ไทย ดู ~มิวแทนท์รุ่นใหม่ เต็ม เรื่อง ออนไลน์ พากย์ไทย ดู ~มิวแทนท์รุ่นใหม่ 2020 เต็ม เรื่อง ออนไลน์ พากย์ไทย ~มิวแทนท์รุ่นใหม่ หนัง เต็มเรื่อง hd พากย์ไทย ~มิวแทนท์รุ่นใหม่ หนัง hd เต็มเรื่อง ดู หนัง ~มิวแทนท์รุ่นใหม่ เต็ม เรื่อง hd ดู หนัง ออนไลน์ ~มิวแทนท์รุ่นใหม่ เต็ม เรื่อง hd ~มิวแทนท์รุ่นใหม่ หนัง ออนไลน์ hd ~มิวแทนท์รุ่นใหม่ หนัง hd ซูม ~มิวแทนท์รุ่นใหม่ หนัง ซูม ~มิวแทนท์รุ่นใหม่ หนัง hd พากย์ไทย ~มิวแทนท์รุ่นใหม่ ดูหนังออนไลน์ ~มิวแทนท์รุ่นใหม่ ดูหนังออนไลน์ เต็มเรื่อง ~มิวแทนท์รุ่นใหม่ ดูหนังออนไลน์ movie2free ~มิวแทนท์รุ่นใหม่ เต็มเรื่อง 037 ~มิวแทนท์รุ่นใหม่ เต็มเรื่อง pantip ~มิวแทนท์รุ่นใหม่ เต็มเรื่อง full hd ~มิวแทนท์รุ่นใหม่ เต็มเรื่อง facebook ~มิวแทนท์รุ่นใหม่ เต็มเรื่อง ซูม ~มิวแทนท์รุ่นใหม่ เต็ม เรื่อง ภาค ไทย ซูม #~มิวแทนท์รุ่นใหม่ #มิวแทนท์รุ่นใหม่2020 #หนังมิวแทนท์รุ่นใหม่ #มิวแทนท์รุ่นใหม่หนัง #มิวแทนท์รุ่นใหม่พากย์ไทย While the players who play a role in the film are referred to as actors (men) or actresses (women). There is also the term extras that are used as supporting characters with few roles in the film. This is different from the main actors who have bigger and more roles. Being an actor and an actress must be demanded to have good acting talent, which is in accordance with the theme of the film he is starring in. In certain scenes, the actor’s role can be replaced by a stuntman or a stuntman. The existence of a stuntman is important to replace the actors doing scenes that are difficult and extreme, which are usually found in action action films. Films can also be used to convey certain messages from the filmmaker. Some industries also use film to convey and represent their symbols and culture. Filmmaking is also a form of expression, thoughts, ideas, concepts, feelings and moods of a human being visualized in film. The film itself is mostly a fiction, although some are based on fact true stories or based on a true story. There are also documentaries with original and real pictures, or biographical films that tell the story of a character. There are many other popular genre films, ranging from action films, horror films, comedy films, romantic films, fantasy films, thriller films, drama films, science fiction films, crime films, documentaries and others. That’s a little information about the definition of film or movie. The information was quoted from various sources and references. Hope it can be useful. ❍❍❍ TV MOVIE ❍❍❍ The first television shows were experimental, sporadic broadcasts viewable only within a very short range from the broadcast tower starting in the 1930s. Televised events such as the 1936 Summer Olympics in Germany, the 19340 coronation of King George VI in the UK, and David Sarnoff’s famous introduction at the 1939 New York World’s Fair in the US spurred a growth in the medium, but World War II put a halt to development until after the war. The 19440 World MOVIE inspired many Americans to buy their first television set and then in 1948, the popular radio show Texaco Star Theater made the move and became the first weekly televised variety show, earning host Milton Berle the name “”Mr Television”” and demonstrating that the medium was a stable, modern form of entertainment which could attract advertisers. The first national live television broadcast in the US took place on September 4, 1951 when President Harry Truman’s speech at the Japanese Peace Treaty Conference in San Francisco was transmitted over AT&T’s transcontinental cable and microwave radio relay system to broadcast stations in local markets. The first national color broadcast (the 1954 Tournament of Roses Parade) in the US occurred on January 1, 1954. During the following ten years most network broadcasts, and nearly all local programming, continued to be in black-and-white. A color transition was announced for the fall of 1965, during which over half of all network prime-time programming would be broadcast in color. The first all-color prime-time season came just one year later. In 19402, the last holdout among daytime network shows converted to color, resulting in the first completely all-color network season. ❍❍❍ Formats and Genres ❍❍❍ See also: List of genres § Film and television formats and genres Television shows are more varied than most other forms of media due to the wide variety of formats and genres that can be presented. A show may be fictional (as in comedies and dramas), or non-fictional (as in documentary, news, and reality television). It may be topical (as in the case of a local newscast and some made-for-television films), or historical (as in the case of many documentaries and fictional MOVIE). They could be primarily instructional or educational, or entertaining as is the case in situation comedy and game shows.[citation needed] A drama program usually features a set of actors playing characters in a historical or contemporary setting. The program follows their lives and adventures. Before the 1980s, shows (except for soap opera-type serials) typically remained static without story arcs, and the main characters and premise changed little.[citation needed] If some change happened to the characters’ lives during the episode, it was usually undone by the end. Because of this, the episodes could be broadcast in any order.[citation needed] Since the 1980s, many MOVIE feature progressive change in the plot, the characters, or both. For instance, Hill Street Blues and St. Elsewhere were two of the first American prime time drama television MOVIE to have this kind of dramatic structure,[4][better source needed] while the later MOVIE Babylon 5 further exemplifies such structure in that it had a predetermined story running over its intendevd five-season run.[citvatio””&n needed] In 2007, it was reported that television was growing into a larger component of major media companies’ revenues than film.[5] Some also noted the increase in quality of some television programs. In 2007, Academy-Award-winning film director Steven Soderbergh, commenting on ambiguity and complexity of character and narrative, stated: “”I think those qualities are now being seen on television and that people who want to see stories that have those kinds of qualities are watching television. ❍❍❍ Thank’s For All And Happy Watching❍❍❍ Find all the movies that you can stream online, including those that were screened this week. If you are wondering what you can watch on this website, then you should know that it covers genres that include crime, Science, Fi-Fi, action, romance, thriller, Comedy, drama and Anime Movie. Thank you very much. We tell everyone who is happy to receive us as news or information about this year’s film schedule and how you watch your favorite films. Hopefully we can become the best partner for you in finding recommendations for your favorite movies. That’s all from us, greetings! Thanks for watching The Video Today. I hope you enjoy the videos that I share. Give a thumbs up, like, or share if you enjoy what we’ve shared so that we more excited. Sprinkle cheerful smile so that the world back in a variety of colors.

[thebacklistbook]

Nominees part 5

Best in Horror (book/series):

It by Stephen King

Miss Peregrine's Peculiar Children series by Ransom Riggs

Bendy and the Ink Machine: Dreams Come To Life by Adrienne Kress

Best in Dystopia (book/series):

The Hunger Games by Suzanne Collins

The Unwind Dystology by Neal Shusterman

The Selection by Kiera Cass

Not Your Sidekick by C.B. Lee

Best in Contemporary (book/series):

Beartown by Fredrik Backman

Britt-Marie Was Here by Fredrik Backman

Truly Devious by Maureen Johnson

Me Before You by Jojo Moyes

Far From the Tree by Robin Benway

The Flatshare, by Beth O'Leary

The Wondrous Strange series by Lesley Livingston

Words in Deep Blue, Cath Crowley

Best in Non-fiction (single book):

Lost Islamic History by Firas AlKhateeb

The Immortal Life of Henrietta Lacks by Rebecca Skloot

Men Explain Things to Me, by Rebecca Solnit

Steampunk FAQs by Dr. Mike Perschon

The Book Came First (single book):

Howl's Moving Castle by Diana Wynne Jones

And Then There Were None, by Agatha Christie

Pride and Prejudice by Jane Austen

#booklr #books #backlistbookawards #bookawards #Backlist Book Awards

[mostlysignssomeportents]

The 2019 Locus Award nominees: your guide to the best sf/f of 2018

Locus Magazine has published its annual Locus Award finalists, a shortlist of the best science fiction and fantasy of the past calendar year. I rely on this list to find the books I've overlooked (so. many. books.). This year's looks like a bumper crop.

Now that the finalists have been announced, Locus subscribers and others can cast their votes; the awards will be presented in Seattle during a weekend-long event that runs June 28-30, MC'ed by Connie Willis.

SCIENCE FICTION NOVEL

Record of a Spaceborn Few, Becky Chambers (Harper Voyager US; Hodder & Stoughton)

The Calculating Stars, Mary Robinette Kowal (Tor)

If Tomorrow Comes, Nancy Kress (Tor)

Revenant Gun, Yoon Ha Lee (Solaris US; Solaris UK)

Blackfish City, Sam J. Miller (Ecco; Orbit UK)

Embers of War, Gareth L. Powell (Titan US; Titan UK)

Elysium Fire, Alastair Reynolds (Gollancz; Orbit US)

Red Moon, Kim Stanley Robinson (Orbit US; Orbit UK)

Unholy Land, Lavie Tidhar (Tachyon)

Space Opera, Catherynne M. Valente (Saga)

FANTASY NOVEL

Lies Sleeping, Ben Aaronovitch (DAW; Gollancz)

Foundryside, Robert Jackson Bennett (Crown; Jo Fletcher)

The Monster Baru Cormorant, Seth Dickinson (Tor)

Deep Roots, Ruthanna Emrys (Tor.com Publishing)

Ahab’s Return, Jeffrey Ford (Morrow)

European Travel for the Monstrous Gentlewoman, Theodora Goss (Saga)

The Mere Wife, Maria Dahvana Headley (MCD)

The Wonder Engine, T. Kingfisher (Argyll Productions)

Spinning Silver, Naomi Novik (Del Rey; Macmillan)

Creatures of Want and Ruin, Molly Tanzer (John Joseph Adams)

HORROR NOVEL

In the Night Wood, Dale Bailey (John Joseph Adams)

Unlanguage, Michael Cisco (Eraserhead)

We Sold Our Souls, Grady Hendrix (Quirk)

Coyote Songs, Gabino Iglesias (Broken River)

The Hunger, Alma Katsu (Putnam; Bantam Press UK)

The Outsider, Stephen King (Scribner; Hodder & Stoughton)

The Listener, Robert McCammon (Cemetery Dance)

Cross Her Heart, Sarah Pinborough (HarperCollins UK/Morrow)

The Cabin at the End of the World, Paul Tremblay (Morrow; Titan UK)

Tide of Stone, Kaaron Warren (Omnium Gatherum)

YOUNG ADULT BOOK

The Gone Away Place, Christopher Barzak (Knopf)

The Cruel Prince, Holly Black (Little, Brown; Hot Key)

The Belles, Dhonielle Clayton (Freeform; Gollancz)

Tess of the Road, Rachel Hartman (Random House)

Dread Nation, Justina Ireland (Balzer + Bray)

Cross Fire, Fonda Lee (Scholastic)

The Agony House, Cherie Priest & Tara O’Connor (Levine)

Half-Witch, John Schoffstall (Big Mouth House)

Impostors, Scott Westerfeld (Scholastic US; Scholastic UK)

Mapping the Bones, Jane Yolen (Philomel)

FIRST NOVEL

Children of Blood and Bone, Tomi Adeyemi (Henry Holt; Macmillan)

Semiosis, Sue Burke (Tor)

Armed in Her Fashion, Kate Heartfield (ChiZine)

The Poppy War, R.F. Kuang (Harper Voyager US; Harper Voyager UK)

The Quantum Magician, Derek Künsken (Solaris US; Solaris UK)

Annex, Rich Larson (Orbit US)

Severance, Ling Ma (Farrar, Straus, Giroux)

Witchmark, C.L. Polk (Tor.com Publishing)

Trail of Lightning, Rebecca Roanhorse (Saga)

Empire of Sand, Tasha Suri (Orbit US; Orbit UK)

NOVELLA

The Black God’s Drums, P. Djèlí Clark (Tor.com Publishing)

The Tea Master and the Detective, Aliette de Bodard (Subterranean)

“Umbernight“, Carolyn Ives Gilman (Clarkesworld 2/18)

Black Helicopters, Caitlín R. Kiernan (Tor.com Publishing)

Time Was, Ian McDonald (Tor.com Publishing)

Gods, Monsters, and the Lucky Peach, Kelly Robson (Tor.com Publishing)

The Freeze-Frame Revolution, Peter Watts (Tachyon)

Artificial Condition, Martha Wells (Tor.com Publishing)

Rogue Protocol, Martha Wells (Tor.com Publishing)

The Descent of Monsters, JY Yang (Tor.com Publishing)

NOVELETTE

“The Donner Party”, Dale Bailey (F&SF 1–2/18)

“Okay, Glory”, Elizabeth Bear (Twelve Tomorrows)

“No Flight Without the Shatter“, Brooke Bolander (Tor.com 8/15/18)

The Only Harmless Great Thing, Brooke Bolander (Tor.com Publishing)

“The Last Banquet of Temporal Confections“, Tina Connolly (Tor.com 7/11/18)

“An Agent of Utopia”, Andy Duncan (An Agent of Utopia)

“Queen Lily“, Theodora Goss (Lightspeed 11/18)

“Nine Last Days on Planet Earth“, Daryl Gregory (Tor.com 9/19/18)

“Quality Time”, Ken Liu (Robots vs Fairies)

“How to Swallow the Moon“, Isabel Yap (Uncanny 11–12/18)

SHORT STORY

“The Secret Lives of the Nine Negro Teeth of George Washington“, Phenderson Djèlí Clark (Fireside 2/18)

“The Bookcase Expedition”, Jeffrey Ford (Robots vs Fairies)

“STET“, Sarah Gailey (Fireside 10/18)

“A Witch’s Guide to Escape: A Practical Compendium of Portal Fantasies“, Alix E. Harrow (Apex 2/6/18)

“Cuisine des Mémoires”, N.K. Jemisin (How Long ’til Black Future Month?)

“The Storyteller’s Replacement”, N.K. Jemisin (How Long ’til Black Future Month?)

“Firelight“, Ursula K. Le Guin (Paris Review Summer ’18)

“The Starship and the Temple Cat“, Yoon Ha Lee (Beneath Ceaseless Skies 2/1/18)

“Mother of Invention“, Nnedi Okorafor (Future Tense)

“The Court Magician“, Sarah Pinsker (Lightspeed 1/18)

ANTHOLOGY

The Best Horror of the Year Volume Ten, Ellen Datlow, ed. (Night Shade)

The Book of Magic, Gardner Dozois, ed. (Bantam; Harper Voyager UK)

The Year’s Best Science Fiction: Thirty-fifth Annual Collection, Gardner Dozois, ed. (St. Martin’s Griffin)

Worlds Seen in Passing, Irene Gallo, ed. (Tor.com Publishing)

The Best American Science Fiction and Fantasy 2018, N.K. Jemisin & John Joseph Adams, eds. (Mariner)

Robots vs Fairies, Dominik Parisien & Navah Wolfe, eds. (Saga)

The Best Science Fiction & Fantasy of the Year, Volume Twelve, Jonathan Strahan, ed. (Solaris US; Solaris UK)

Infinity’s End, Jonathan Strahan, ed. (Solaris US; Solaris UK)

The Underwater Ballroom Society, Tiffany Trent & Stephanie Burgis, eds. (Five Fathoms)

The Future Is Female!, Lisa Yaszek, ed. (Library of America)

COLLECTION

The Tangled Lands, Paolo Bacigalupi & Tobias S. Buckell (Saga)

Brief Cases, Jim Butcher (Ace; Orbit UK)

An Agent of Utopia, Andy Duncan (Small Beer)

How Long ’til Black Future Month?, N.K. Jemisin (Orbit US; Orbit UK)

The Dinosaur Tourist, Caitlín R. Kiernan (Subterranean)

Fire & Blood, George R.R. Martin (Bantam; Harper Voyager UK)

All the Fabulous Beasts, Priya Sharma (Undertow)

The Future Is Blue, Catherynne M. Valente (Subterranean)

Starlings, Jo Walton (Tachyon)

How to Fracture a Fairy Tale, Jane Yolen (Tachyon)

MAGAZINE

Analog

Asimov’s

Beneath Ceaseless Skies

Clarkesworld

F&SF

Fireside

Lightspeed

Strange Horizons

Tor.com

Uncanny

PUBLISHER

Angry Robot

Baen

DAW

Gollancz

Orbit

Saga

Small Beer

Subterranean

Tachyon

Tor

EDITOR

John Joseph Adams

Neil Clarke

Ellen Datlow

Gardner Dozois

C.C. Finlay

Jonathan Strahan

Lynne M. Thomas & Michael Damian Thomas

Ann & Jeff VanderMeer

Sheila Williams

Navah Wolfe

ARTIST

Kinuko Y. Craft

Galen Dara

Julie Dillon

Leo & Diane Dillon

Bob Eggleton

Victo Ngai

John Picacio

Shaun Tan

Charles Vess

Michael Whelan

NON-FICTION

Space Odyssey: Stanley Kubrick, Arthur C. Clarke, and the Making of a Masterpiece, Michael Benson (Simon & Schuster)

Sense of Wonder: Short Fiction Reviews (2009-2017), Gardner Dozois (ReAnimus)

Strange Stars, Jason Heller (Melville House)

Dreams Must Explain Themselves: The Selected Non-Fiction of Ursula K. Le Guin, Ursula K. Le Guin (Gollancz)

Ursula K. Le Guin: Conversations on Writing, Ursula K. Le Guin & David Naimon (Tin House)

Old Futures: Speculative Fiction and Queer Possibility, Alexis Lothian (NYU Press)

Tolkien: Maker of Middle-earth, Catherine McIlwaine, ed. (Bodleian Library)

Astounding: John W. Campbell, Isaac Asimov, Robert A. Heinlein, L. Ron Hubbard, and the Golden Age of Science Fiction, Alec Nevala-Lee (Dey Street)

None of This Is Normal: The Fiction of Jeff VanderMeer, Benjamin J. Robertson (University of Minnesota Press)

An Informal History of the Hugos: A Personal Look Back at the Hugo Awards, 1953-2000, Jo Walton (Tor)

ART BOOK

Yoshitaka Amano, Yoshitaka Amano: The Illustrated Biography – Beyond the Fantasy, Florent Gorges (Les Éditions Pix’n Love 2015; Dark Horse)

Spectrum 25: The Best in Contemporary Fantastic Art, John Fleskes, ed. (Flesk)

John Howe, A Middle-earth Traveler: Sketches from Bag End to Mordor (Houghton Mifflin Harcourt; HarperCollins UK)

Jeffrey Alan Love, The Thousand Demon Tree (Flesk)

Simon Stålenhag, The Electric State (Fria Ligan ’17; Skybound)

Shaun Tan, Cicada (Lothian; Levine ’19)

Charles Vess, The Books of Earthsea: The Complete Illustrated Edition, Ursula K. Le Guin (Saga)

Michael Whelan, Beyond Science Fiction: The Alternative Realism of Michael Whelan (Baby Tattoo)

Dungeons & Dragons Art and Arcana: A Visual History, Michael Witwer, Kyle Newman, Jon Peterson, & Sam Witwer (Ten Speed)

Lisbeth Zwerger, The Tales of Beedle the Bard, J.K. Rowling (Levine)

https://boingboing.net/2019/05/07/futures-of-the-past-year.html

[italianartsociety]

The Pollaiuolo Brothers and the Capitoline Wolf

The Pollaiuolo brothers, Florentine artists who jointly ran a flourishing workshop, first in their native city and then from about 1484 in Rome, were exceedingly productive sculptors, painters, and metal workers. There are considerable problems in attempting to disentangle their individual contributions in assessing their output, including determining a provenance for the Renaissance addition of the twins Romulus and Remus to the (also-date-disputed) Lupa Capitolina. As best as can be determined, Antonio was primarily a goldsmith and worker in bronze, whilst Piero was mainly a painter.

Though the infant twins seem only to have one function – to further illustrate and memorialize the legend of the founding of Rome – they are imputed with multiple meanings. The twins may represent the union within one city of two distinct peoples, the Latins and the Sabines. Jérôme Carcopino also made this claim in his 1925 monograph and pointed out as corroborating evidence the Sabine people’s veneration of wolves. The two distinct ethnic communities became one, as Carcopino unquaveringly relates, with the rape of the Sabine women!

But the visual characterization of the babies, no matter their obvious and concealed iconography, is itself both clever and plain, and their appearance makes sense in the light of the need to accommodate the work to the ancient bronze Lupa as well as to the style of other Lateran/Capitoline small bronzes. The approach suggests that the twins were themselves to be seen as ancient works and this, indeed, was precisely what they were taken for until Johann Joachim Winckelmann observed otherwise in the 1750s.

The sculptures can be considered, in a sense, a work of imatatio, and one that demonstrates the intimate relationship between the manufacture of small bronzes and the legacy of antiquity in the fifteenth century. In 1919 Adolfo Venturi proposed Antonio Pollaiuolo’s authorship of the twin figures of the suckling Romulus and Remus that were added to the bronze She-Wolf on the Capitol after it had been moved there from the Lateran Palace. During the Middle Ages and the early Renaissance the “Etruscan” wolf had stood first in the portico in front of the Lateran and then high against the wall of the nearby Torre degli Annibaldi. Along with other monumental ancient bronze works at the Lateran, the wolf was seen as an ancient “idol,” and one who had later become less associated with the legendary origins of Rome than with papal justice. Master Gregorious’s Twelfth-Century account also suggests how the Lupa had accrued other legendary and sexual associations reinforcing the multivalency of the bronze.

The earliest reference by an artist to the added twins is that of Albertini in 1510, though they appear 20 years earlier in a personal letter of Giovanni da Tolentino to the poet Baldassare Taccone describing Roman antiquities. Another indication that the bronze twins were added not long after Lupa’s move to the Capitol is a visual one. The dedicatory plaques on the doors of the reliquary of St. Peter’s chains at San Pietro in Vincoli, completed in 1477, are flanked by twin putti who are oddly perched on little knolls with their knees and arms raised in postures that seem to depend on those of the Capitoline Romulus and Remus.

The recent restoration and analysis of the Capitoline group have rendered problems of assessing style and manufacture of the bronze twins slightly less intractable. Certainly the sculptor seems to have had in mind antique models for an active baby. At a first face to face encounter these gaping infants with their highly regular features, punctuated by blank eyes (which would not have been visible where installed), high arching brows, bow shaped upper lips and beautifully chiseled even locks of hair look alien not only to Pollaiuolo, but to contemporary Florentine sculpture generally. The conception of the figures as “restorations” is also apparent from their poses. The way the left-hand child is seated, legs akimbo, while the other kneels on his left knee, both hands raised towards the source of succor, recalls images of the wolf on early Roman silver coinage. As such coinage also offered several other poses for the infants, the choice of this alternative may well have been guided by the Quattrocento interpretation of its meaning. The pose of the kneeling child suggests reverence, as before a source of grace, and the way the twins raise both their hands simultaneously implies reception and wonder, as at a miracle.

The most striking discovery during the 2000 restoration about the twins is their method of manufacture through which, although assembled in different poses, they emerge as truly identical. Each figure is constructed from the same six cast pieces: the head, the torso and each of the four limbs. These have been subsequently adapted to their different poses after casting by soldering together at different angles. Even the tightly bent leg of the kneeling child was adapted through cutting and resoldering at the knee. This highly unorthodox procedure had several advantages, beyond the primary thematic one of allowing the twins to look exactly the same. Requiring only one model from which waxes for two sets of limbs could be produced, it presumably saved time and avoided the technical difficulty of casting a whole figure with intricate extremities in one pour. Such an ingenious method also seems peculiarly compatible with a “Renaissance” way of conceiving of the human body in terms of an assemblage of perfected parts.

The addition of the twins helped if not to fix, then to control, the ancient work’s meaning. From a fearful symbol of judicial authority, the wolf was reinvented as an appropriately beneficent source of miraculous succor to Rome ancient and modern.

Reference: Ian Chilvers. "Pollaiuolo, Antonio." In The Oxford Dictionary of Art and Artists. Oxford University Press, http://www.oxfordreference.com/view/10.1093/acref/9780191782763.001.0001/acref-9780191782763-e-1948.

Possibly Etruscan Lupa Capitolina, c. 500 BCE; additions from the Renaissance. Museo Capitolino, Rome, Nr. 1957.14.8.

Antonio del Pollaiuolo, Judith, c. 1470. The Detroit Institute of Arts, Nr. 37.147.

Piero Pollaiuolo, The Annunciation [Die Verkündigung an Maria], c. 1470; Gemäldegalerie, Staatliche Museen zu Berlin.

Style of Antonio del Pollaiuolo, Marsyas, second half of the 15th century. The Frick Collection. 

Possibly Antonio Pollaiuolo, Saint John the Baptist, Metalwork-Gold and Platinum, probably c. 1460-80. The Metropolitan Museum of Art.

Unknown Italian Artists, The Capitoline Wolf Suckling Romulus and Remus, 1475. The National Gallery of Art (Washington, D.C.); Samuel H. Kress Collection.

Further Reading: Thomas DaCosta Kaufmann. Toward a Geography of Art. Chicago: University of Chicago Press, 2004. 

Sarah Blake McHam. Looking at Italian Renaissance Sculpture. Cambridge: Cambridge University Press, 1998. 

Posted by By Jean Marie Carey

#etruscan #capitoline wolf #capitoline museum #pollaiolo #Antonio del Pollaiolo #piero de pollaiolo #pollaiolo brothers #sculpture #florence #rome #art #italian #italian art #renaissance #bronze #workshop