#Kanye West Cyberpunk | Explore Tumblr Posts and Blogs

wallpapers4screen · 1 year

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Download wallpapers 4k, Kanye West, Cyberpunk, american rapper, creative, artwork, music stars, American celebrities, Kanye Omari West, Kanye West Cyberpunk for desktop free

#4k #Kanye West #Cyberpunk #american rapper #creative #artwork #music stars #American celebrities #Kanye Omari West #Kanye West Cyberpunk

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blackbeautybaby · 1 month

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Futuristic

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homeboyyyy · 2 months

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I Understand That You Don't Like Me But I Need You To Understand That I Don't Care.

#kanye west #twitter #quote #tweet #t-shirt #tshirt #vaporwave #cyberpunk #streetwear #clothing #t shirt #tee #pastel goth #aesthetic #fashion #gothic #pastelgoth #slogan tees #y2k #dank memes

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fathrpreme · 3 months

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*️⃣*️⃣*️⃣BCKINDATMODE*️⃣*️⃣*️⃣2024

#tesupreme #digitalnas #punk #alternative #music #skateboarding #grunge #soundcloud #ye #indie #cyberpunk 2077 #cybercore #kanye west #hip hop #glitchcore #futuristic #future #distorted

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roxstacy · 5 months

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Playboi Rox - PREACH 🎧

youtube

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translationandbetrayals · 7 months

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Akira and Kanye west

Akira is one of, if not the best, movies in anime history. The impact of this film in anime fans is ridiculous, being recognized for the majority of them, the world we saw in Akira is very chaotic but it is also striking, showing us a post-apocalitic future, the neon lights, the motorcycles, all the atmosphere is impressive. This atmosphere caught the attention of one of the greatest artists in music history, Kanye West, Ye, wich is his legal name, took a lot of elements from the movie to make one of his most famous videoclips, the one for the song "Stronger". The elements are very explicit on the videoclip like the neon trails from motorcycles, the cyberpunk environment, many riots and people protesting, but the most important of these elements is one of the protagonists; Tetsuo Shima, Ye sees himself reflected on this character and in the videoclip we saw how Ye personifies him. As we all know, Tetsuo has great psychic abilites and Ye compares that to his privileged mind, by the way Ye is recognized for being a very egocentric person, anyways, in Akira we see how Tetsuo is used for experiments and controlled by the government, which causes him to start destroying the city, the inspiration in Tetsuo comes from the fact that Ye feels misunderstood and attacked by a part of the society. Ye also thinks that the music industry is triyng to control him, so his songs are the form to respond to the world, just like Tetsuo did, destroying everything, obviously in a figurative way. I also want to mention this outfit that Ye wore was inspired by Kaneda.

To conclude this post i want to invite you all to watch Akira and the videoclip. Thanks, love you all.

Diego Aguilera

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nonexistent-green · 2 years

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Cyberpunk Fashion.! PT 1

What is Cyberpunk Fashion?

Setting the Scene

A world overrun by technology and big corporations

People in the world are apathetic and feel there is basically nothing they can do

The environment is dying, therefore the people must dress a certain way to adapt to the environment

The Word Itself

Cyberpunk is a compound of cybernetics and punk

According to Google definitions…

Cybernetics: The science of communications and automatic control systems in both machines and living things

Punk: A loud, fast-moving, and aggressive form of rock music, popular in the late 1970s and early 1980s; a worthless person; anti-culture

Cyberpunk: Genre of science fiction set in a lawless subculture of an oppressive society dominated by computer technology

Above everything, cyberpunk is a lifestyle that blends a combination of “high tech, low life” with a deep understanding of social fabric backdoors.

Fashion and aesthetic depicts humans living in an urban dystopian future of highly advanced developments in science and technology

History // General Inspiration

The origin of the movement is rooted in scientific findings and scientific fiction that first developed in the 60s and 70s

Blade Runner (Film): 1982 film directed by Ridley Scott. It focuses on an ex-cop turned private detective in 2019 named Rick Deckard, who is called back into service to hunt down human-looking robots called “replicants”.

Movie inspired by Phillip K Dick’s novel “Do Androids Dream of Electric Sheep?”

The movie itself created the visual look, atmosphere and world of cyberpunk.

Created a world with the structure of a reality we are entangled with, but has blaring signs of an impending doom of artificial intelligence and technology.

Akira (Film): 1990 anime film about Tetsuo, a teenager who had gone through a difficult childhood and is the victim of experiments aimed at developing the psychic abilities that lie dormant in all of us. He is endowed with a power that he himself cannot imagine, and decides to go to war against the world that has oppressed him.

The new digital world with rapid urbanization causes these theories of a potential dystopian future

Cyberpunk fashion becomes both commentary and critique of these theories

The Clothes

Functionality, technology, and a theme of “dystopia” is key to understanding how to dress cyberpunk — “high tech, low life”

Colors Palette: neon colors entwined with dark, earth tones

Also known as techwear: urban apparel that uses high-quality fabrics and technical detailing to create a product that can stand up to the elements

The “Cyberpunk” aesthetic must be apparent and obvious. Especially since techwear is very popular and worn in a lot of different ways, a point must be made to differentiate those who are actively trying to dress cyberpunk versus those who are just buying into the techwear trends.

Some Examples

Rick Owens: Paris based designer known for a largely noir, gray and ice-hued collection with deployment of pentagram motifs. His aesthetic is also known for being “rapturously anti-establishment”. He is one of the leading designers in the aesthetic that is known as “avant apocalypse”: a revolution of subversion, neutral maximalism, deconstructed pieces, asymmetry, wearing clothes the wrong way. Very inaccessible.

Arc’teryx: Canadian outdoor clothing and sporting goods company founded by Dave Lane and Jeremy Guard in 1989. Sells products related to climbing, skiing, snowboarding, backpacking, and hiking-related activities.

YEEZY: Created by Kanye West, who was heavily inspired by the film Akira. He relies heavily on earth tones and comes to the fashion industry with an idea of a uniformed code.

Dingyun Zhang: Born in Beijing. Rising designer out of Central Saint Martins. Worked for YEEZY. Known for his “otherworldly” winter wear. His newest collection of winter wear (collabed with Moncler Genius) has hyperbolic, cartoonish silhouettes and are inspired by the colors and contours of post-apocalyptic underwater life.

“Perhaps I’ll start releasing daily functional pieces through a digital space”

“For instance, utilizing my bonding techniques to make a drainage structure on the coat, helping the downward flow of water off the wearer’s body.”

Pieces from Spring 2022 shown below

Hyein Seo: South Korean designer/label known for its influence on today’s streetwear. Released technical wares that defy convention and traditional codes of dress. Focused on a monochrome palette for the most part. Outerwear includes an array of complicated paneling, exaggerated shapes, obscuring hoods and engineered textiles to combat the elements.

Y-3 by Adidas: collaborative brand between Adidas and designer Yojhi Yamamoto. Known for their high end reinterpretations of adidas silhouettes. A pioneer of breaking down the boundaries between fashion and sport. Have had collaborations with Virgin galactic to produce a full range of space apparel.

Rei Kawakubo: Known for going against the system and being “anti-fashion”, she founded Commes des Garcons as well as Dover Street Market. She was at first known for her dark, oversized, and asymmetrical garments.

Further Questions

What does cyberpunk clothing say about today’s society in terms of class?

Does cyberpunk better society in terms of gender or class or does it entrap us further?

What is cyberpunk clothing trying to warn us of?

Does the cross between high fashion brands and cyberpunk clothing make sense?

Does hypocrisy lie in this?

What is the wider influence of this subculture?

#cyberpunk #fashion #aesthetic #runway

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nightcoremoon · 1 year

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I’m hype for:

Armored Core 6 (holy shit new armored core holy shit)

Bayonetta (ok it’s not actually her but it’s adjacent)

Hellboy (finally some good fucking hellboy content)

Horizon (I can’t wait to have a pc that can run it well)

Judas aka Bioshock in Space (so… system shock lol)

Jun Motherfucking Kazama coming back in Tekken

Last of Us 1 on PC (what a great game with no sequel)

Remnant 2 (dark souls with guns let’s fuckin GOOOO)

Star Wars (please please please don’t suck)

Street Fighter (my wife Juri & my girlfriend Chun Li)

…

I don’t give a shit about:

Crime Boss (except for danny trejo who I love)

Cyberpunk (overrated overhyped garbage)

Destiny (fuckin yawn)

Diablo (blizzard is for all intents and purposes dead)

Final Fantasy (everything original since 12 has been bad)

Immortals of Aveum (oh boy another future EA disaster)

Lords of the Fallen (a complete & utter embarrassment)

Returnal on PC (not bloodborne or tsushima so idgaf)

…

and also some idiot tried to do to elden ring what kanye west did to taylor swift. have fun in jail, stupid fuccboi! (I’ve got no patience whatsoever for stage crashers: dimebag fucking got shot in front of his brother and randy blythe went to prison in czech for manslaughter, DON’T FUCKING STAGE CRASH YOU DUMB CUNTS)

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ghibliadventures · 2 years

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⛩️Akira (1998)⛩️

🔰The frantic cyberpunk animation Akira (1988) demonstrated how cartoons from many cultures may address more significant societal concerns. Its elaborate, dystopian cityscapes and intriguing story of telepathic power influenced a generation of later works, such as "Stranger Things" and a Kanye West music video.

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bootdork · 4 years

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This year is un-fucking-real.

#kanye west running for president. elon musk endorsing him. a goddamn video game company chiming in.#said video game is about a dystopian future.#2020 slow down please.#cyberpunk 2077 #cdpr #kanye west #elon musk #tesla

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pointandshoot-nyc · 3 years

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"All the street lights, glowin', happen to be just like moments, passin' in front of me so I hopped in, the cab and I paid my fare see I know my destination but I'm just not there" -

(Kanye West- Street Lights)

I felt that this song fit this photograph perfectly.

https://instagram.com/street.visions?igshid=1f1g6d8q42lon

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dangiuz · 4 years

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KANYE 2020? by Dangiuz

#dangiuz #kanye #kanye2020 #kanye west #cyberpunk

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xjstnprltx · 5 years

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Sunglasses and....

IG: Jstnprlt

#offwhite #virgil abloh #kanye west #fashion #neon #neon lights #dystopia #utopia #cyberpunk #red #new york

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enlightenedrobot · 6 years

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Man, it must he nice to have a consistant easily identifiable aesthetic. The sweet liminal nostalgia of vaporwave, the warm, quirky darkness associated with cryptids, even the glittery fun of the furry fandom.

But no, i had to be difficult.

Cartoon-retro-satan-90′s-occult-mad-science-electro-industrial-hip hop-illuminati-kawaii-vintage-steampunk-cyberpunk-raygun gothic-pulp-camp-burtonesque-tarantino-kanye west aesthetic till I die.

#Aesthetic #shitpost #cartoon #retro #satan #occilt #mad science #hip hop #illuminati #vintage #steampunk #cyberpunk #raygun gothic #pulp #camp #burtonesque #quentin tarantino #kanye west

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deadreactive · 7 years

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dippedanddripped · 4 years

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While research can help us understand our generation’s new morality and its changed consumption habits, the impact that the Covid-19 crisis will have on how our future looks and feels remains the most unclear. While times of crisis are when clothes seem to matter least, the irony is that fashion has been making itself at home with the idea of apocalypse as an aesthetic for quite some time.

“Survivalism” isn’t a word one normally lumps in with others like “glamour” and “style,” but according to the strategist and writer Lucas Mascatello, the idea of braving a dangerous future is one that has been a central pillar to many trends for quite some time (and will continue to be). Here, he explores the myriad ideas of the apocalyptic aesthetic — from dystopian to utopian — in our past, present, and future.

What Is Survivalism?

“Survivalism is a mentality. More than the daily practice of preparing for some unknown disaster, war, famine, or disease, it’s a complete worldview unto itself. Survivalism is a kind of reasoning that invites paranoia in, hammering your senses for warning signs and cranking your adrenaline into hyper-vigilance. In nature, we see the armored hides of armadillos and the scales of fish as practical choices made by mother nature, tactical choices that create an aesthetic. Maslow’s hierarchy of needs introduced the concept of tiered values, saying that at their most base, people first satisfy physiological needs like food, water, and sleep. These needs are followed by safety needs (security and shelter), then belonging and love, followed by self esteem and, finally, self-actualization. As a luxury market, fashion largely considers this top tier need: How can I achieve my full potential and what does that look like? It’s a far cry from where we started, concerned with security and defense ideas that inform military design and created armored organisms like turtles, serpents, and dinosaurs.”

Thirst for Annihilation

“Thinking about the end of the world is a romantic idea. And similarly, believing that you are living in the end of times is a great way to add meaning to one’s life. Fashion trends such as chest-packs, camouflage, and tactical gear all gesture toward survivalism as an aesthetic, one that feels like a rebelling against the classic luxury object (even if it’s just as expensive). There’s a long menu of world ending possibilities, each inspiring designers, authors and artists to consider what it might look like if the ice caps melted, if an asteroid hit, if locusts wiped out the crops and we were forced to live off of dehydrated proteins. The thirst for annihilation has helped propagate an array of disaster-based looks.”

Cyberpunk and Tech Gibberish

“Dystopia has its own aesthetic, one reaching deep into fetish and counterculture, mashing sex against sexlessness, turning nerds into heroes, and flipping the paradigm. The incel-meets-BDSM style of The Matrix was the brainchild of costumer designer Kym Barrett. And now, violent models dressed in spandex at a Burning Man-style orgy is how we imagine dealing with a hostile future. In Hackers, costume designer Roger Burton created the most everlasting pop-cultural reality for cyberpunk, featuring club kids rollerblading through New York City. This idea of a post-apocalyptic youth culture would later be echoed in the work of Alexander McQueen, in particular his FW99 collection for Givenchy, a collection created for the eve of Y2K that explores the possibility of a post-human type of glamour. Even in the face of disaster, there’s optimism.”

Disaster Chic

“Trend forecasting is about predicting the future, or at least making a bet on outcomes. Yet style is almost always about being ahead of the curve. At a citizen level, many of us want to be first: stockpiling, prepping, or wearing a mask before everyone is else wearing one are different ways of signaling a truth to come that most are too stupid to recognize. Crises are always a surprise, and yet they always feel inevitable in a way that hangs over even the quiet times. And it’s not always as straightforward as Diesel’s famous 2007 ads Diesel-ifying global warming. Brands like Acronym, Maharishi, and Stone Island have made their bread and butter by sexing up survivalism as a type of high tech roleplay. The apocalypse is stylish because it communicates pessimism, irony, and indifference — like being a smoker or drinking hard because we’re all going to die anyway. Rather than the classic outsider stance of ‘Fuck the World,’ it’s infinitely cooler to say, ‘The World is Fucked.'”

The Dirty Future

“If you zoom ahead 20 years, it is very unlikely that we will all be Errolson Hugh-style cyber ninjas. For while the future is generally tied to the idea of progress — the notion that things develop over time in some cumulative type of way — the unfortunate thing is that beings tend to decay. Colossal world events create the kind of disruption that upends progress, causing fissures and deltas in place of what was once stable. Films such as Mad Max show a world filled with skin rash, poverty, and violence. Kanye West’s first Yeezy Season collections (despite their flaws) were an example of embracing this kind of back to roots, spartan future. Martin Margiela’s first runway show on a playground in Paris’ 20th arrondissement was arguably the first to propose this dirty future in the context of fashion, an idea that began as something romantic and would later spin out into heroin chic. The idea of fashion role-playing destitution is so seminal that it plays a central role in the most famous fashion parody of all time, Zoolander, whose creative director villain Mugatu is planning a homelessness-inspired runway show called ‘Derelicte.'”

Hypothetical Optimism

“Having spent considerable resources imagining the apocalyptic future in its various manifestations, generations of designers and thinkers have proposed speculative solutions that point toward an apocalyptic brand of optimism. Geniuses like Issey Miyake explored survivalism as a pure function through conceptual brands like Final Home and APOC — both dedicated to innovating adaptive solutions for the barren earth to come. Founded in 1992, by Lica and Masahiro Nakagawa, the label 20471120 epitomized Harajuku maximalism while showcasing a future aesthetic based in recycling old products, fighting industry waste, and setting up studios where fans could donate old clothes to be remade as one-of-a kind pieces. Yet even in their most earnest, these future-facing solutions were at best speculative, never made to scale and living firmly within the realm of academia.”

Conclusion: Predictions About Our Real Future

“In the face of our present global disaster, we find ourselves in a situation that feels as though we’ve skipped the bells and whistles of dystopia and gone straight into decline. Few would imagine that New York City would be enduring a shortage of medical supplies and pondering the creation of mass graves — and, for now, the future looks more like looted Wal-Marts and canned tuna than flying cars and floating cities. Today, we’ve become focused solely on what we know works, turning away from novel aesthetics and how things look and returning to our most basic instincts. The real future involves catering to our physiological needs, making masks from old dish towels, draping ourselves in plastic, and wearing latex gloves. These are the aesthetics of coping, one where many of us are considering our own survival for the first time. Rather than replace the expressive and aspirational elements of style, fashion will likely come to play dual roles — both as the expression of our fantasy self and as the reality of who we are today.”

#q1: highsnobiety's quarterly insights week #fashion blog

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