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#I would not survive a horror podcast
syntia13treeman · 2 months
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Writing out a case file for tmagp 07 right now, and I'm a bit miffed. Volunteer Nr 2 started on 26th, three day later (so on 29th) she said she has two friends she could bring along, and presumably did so the next day, so on 30th, but in the next sentence it is stated that the two new peeps (Nr 3 and Nr 4) started working on 28th.
So is this A) poor manager already loosing her marbles, is it B) time shenanigans, or is it C) Alex and Jonny being bad with dates? alternatively, D) Alex and Jonny doing some last minute edits and not double checking the math?
Do I start a red string board, or do I just ignore it?
EDIT: Unless "three days after this second probation began" means 'on the morning of her third day working here, (28th)' the promised 'friends' were already waiting outside the door and they were interviewed and accepted immediately.
Ok, I'm gonna go with that and ignore my brain yelling that something's wrong here.
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chuthulhu-reads · 1 month
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[ID: Two panels from Dungeon Meshi. The first scows Senshi clutching his face as tears start to spill out of his eyes, saying, "I've always... always wanted to have this soup one more time." He's not wearing his helmet in this panel, so his face is unusually visible, detailed and vulnerable. The second panel shows himself as a youngster, surrounded by his old mining team, all smiling at each other, one of them rubbing Senshi's head. Modern-day Senshi continues, "Thank you. All of you. Thank you." End ID.]
Holy shit. I anticipated some tragic backstory from the "I must feed the young ones" panels, but what I'd guessed was that Senshi might have become so devoted to cooking and eating literally whatever because he'd previously survived a famine and had seen children starve to death. I did not expect him to have been the child who was the sole survivor of a doomed travel party, one of whom was determined to feed Senshi first because he was the youngest, and that Senshi has lived with the fear of having inadvertently committed cannibalism by eating stew that he'd never quite known the contents of. I'm happy for him that Laios deduced and confirmed for him that it was griffin meat, that he was able to taste the meal that saved his life once more and remember the friends he lost. Seriously, I'm crying, and also earnestly relieved that while his backstory is pretty dark, it's not the type of fucked up I'd been preparing myself mentally for.
#Dungeon Meshi#Delicious in Dungeon#Dunmeshi#though it IS really worth exploring the ethics of cannibalism in survival situations#The podcast You're Wrong About has a really interesting pairing of episodes#in the Donner Party and Flight 571 Crash episodes#Both about disasters in which people wound up eating their dead to survive#and an interesting connection they drew was that it wasn't the cannibalism itself#that destroyed the lives of the Donner survivors#it was the horror and disgust and societal rejection they got for having eaten human flesh#even the children who had no idea what they were eating were treated with revulsion#and this is clearly the response Senshi feared facing if anybody knew what he'd eaten#But Flight 571 like a century later#the survivors were faced with a lot of understanding when rescued#relatively little condemnation and revulsion#by and large commentators acknowledged that they did what they had to do#and sympathized with how difficult and painful it must have been#which is what Senshi gets from his party#Laios wants to figure out the truth because he knows it's hurting Senshi not to know#But at one point Marcille straight up says that none of them would think less of Senshi if he did eat dwarf stew#Okay so this is Marcille 'ardent student of blood magic' Donato#but Chilchuck agrees#anyway I think that would be a particularly interesting conversation to have in a cooking manga#how do you safely eat a dead friend when that's all you have to survive on?#what are the nutritional benefits other than 'better than starving'?#what are the risks? There's prion diseases and all sorts you can get#they write it off as eating the dragon part but they DO spend seven days eating Falin at the end#ARE there any in/famous cannibalism cases in this world?#Do peopel argue about whether or not it's cannibalism if a dwarf eats a tallman?#enquiring minds (mine) want to know
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cauterizedpod · 1 year
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Welcome Aboard the Galapagos Undursa!
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Thank you for choosing the Galapagos Undursa!
Watch your step, good luck, and enjoy the ride!
Cauterized is a Cat Whiskr Production by me, Cat, also the voice for Burnice/Bunnie. You can find it under Cauterizedpod on your social media of choice. Naomi was voiced by Izze, who you can find at @lotsadeer/@theshawndeer and support on Ko-fi. You can also find seer in the upcoming @colchispod as well.
Sound effects are used under a creative commons 0 attribution license from freesound.org
Music by Kevin MacLeod and by future voice to Kadin, Mitul Minstry, @heyimmitul or on his website mitulmistrymusic.com
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localgrem1in · 7 months
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Magtober Day 26 - Found Family
Quick! Post the oops! all avatars! au where they're just really tired coworkers trying to survive cryptic instructions from eldritch horror bosses!
My goal for Magtober is to do a sketch every day according to the prompt. I've been suffering from that headspace where every peice needs to be a finished piece, so I'm tryin to break that.
Prompt list by @emerald-emerlad for tmatober 2023!
Previous | Next
Mini infodump below cut :]
Avatars:
Oliver [he/him] - Avatar of the End
Jon [he/they] - Avatar of the Eye
Helen [she/it] - Avatar of the Spiral
Jude [she/he] - Avatar of the Desolation
Tim [he/him] - Avatar of the Slaughter
Mike [he/him] - Avatar of the Vast
Martin [he/him] - Avatar of the Lonely
Sasha [she/they/it] - Avatar of the Stranger
Gerry [they/he] - some weird both but none inbetween of the Eye, the End, and the Hunt, but I like him lots so I say he gets to stay
Mini plot points:
-It's MUCH more lighthearted than TMA the podcast
-Oliver is still there when Jon wakes up, they proceed to become besties
-Mike and Jon become close friends because Jon's not STUPID and doesn't tell Daisy that Mike is 'inhuman'. Therefore Mike doesn't die, and they get a chance to ✨bond. ✨
-Jude and Mike are besties too, but they would die before letting you know that
-Jude [sometimes with assistance from Helen] scares off Elias whenever the group goes to rescue Jon from the depths of the Archives. [She just threatens to burn down the Archives-]
-Gerry doesn't want to be burnt just yet, because he wants to go out on his own terms, not desperation left over from Getrude trapping him in that book. Maybe help the new archivist, he's could use some assistance and is the teeniest bit pathetic
-As a result, Gerry kinda hangs around the archives while Jon is comatose and becomes close friends with Tim
-Tim and Sasha doesn't die (obviously), instead Tim survives the unkowing. His time in the hospital is a much shorter stay than Jon
-He finds Sasha after they go to stop the Unknowing, cracked and breaking into pieces in the ruins, and helps her get back to the Archives
-Sasha and Helen become besties. That's it. That's the story.
-Jon and Helen are also closer, because Jon doesn't completely shut Helen out when she mentions how similar they might be
-Tim determinedly keeps driving the Lonely away from Martin, which annoys Peter Lukas greatly
-Sasha's too scary for Peter to try and make any more drastic measures though
-EVERYONE bullies Jon about his newfound discovered crush on Martin, while at the same time they are very sympathetic to Martin because this poor boy has been pining for SO LONG over this prick /aff
-Jon also cuts his hair short again after his coma, because he's not too depressed to take care of it
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Sexiest Podcast Character — Scripted Bracket — Round 4
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Propaganda
Hera (Wolf 359):
I don't care if she's an AI with no physical form, she is HOT
my digital wife <3
oh it's always "i want a hot computergirl with poor cable management to glitch on my shit" and "i want to fuck her until she bluescreens" on this website until it's time to put your money where your mouth is. i have a post about usb penetration with tens of thousands of notes. i see the things you all say. you have a hot computergirl in front of you and this is how you all repay her? you would abandon her? prove yourselves as the computer sex website; vote for hera NOW!!!
Renée Minkowski (Wolf 359):
killed a man with a harpoon while bleeding from a gut shot. you can't argue with that kind of sex appeal
There is a scene where the main character Doug Eiffel expresses his surprise at the fact that Minkowski, his commanding officer, has a husband. It's probably intended to be read as "Oh wow, she's such an uptight and boring stickler for rules, how could she have found someone to marry", but in my heart it is because she's so butch that Eiffel's brain is short-circuiting trying to figure out how it's not a wife back home. That is sexy!
Commander Renee Minkowski didn't survive for five years on a collapsing space station where the LEAST of her problems were a mad scientist using her coms officer as a petri dish and a plant monster living in the walls, memorize all 1001 rules of Price and Carter's Deep Space Survival Procedure's and Protocols AND manage to gain Communication Officer Douglas "Dougie Fresh" Eiffel's respect to lose to some "sexy" British man. Go my followers! A vote for Minkowski is a vote for all women stuck in sci-fi horror space stations!
Vote Minkowski! What's sexier than a woman of authority? They call her "Sir" and they MEAN IT. She is in charge of this disaster. She IS the very model of a modern major general. She is everything to me <3
How dare you not add Renae’s monster hunting a plant monster for a month canonically in the sex appeal. For shame. Jk jk.
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ever wanted to rant to someone about your hyperfixations? now's your shot!
hi, i'm frey. and i'm interested in YOUR hyperfixations!
so, due to recent events, i will no longer be posting or reblogging our flag means death content. i'm trying to distance myself from the show in general, but i'm the kinda guy who can't survive without at least one hyperfixation. i decided that the best way to get over all this shit is to find something new to obsess over.
that's where you come in. yes, you. i know that a lot of my wonderful lovely dear mutuals have several hyperfixations that i don't. and i am interested in adopting your hyperfixations as my own.
reblog this post with an info-dump about your current hyperfixation!
information i need:
the name of your hyperfixation
what form of media it is
where i can find it
information i don't need, but would love to hear anyways:
your favourite character(s)
music you associate with your hyperfixation
headcanons
anything else you wanna say, i wanna hear all of it
sharing some of my own interests and preferences under the cut, if you wanna get a better idea of my tastes/make sure i don't already know about your hyperfixation :3
already interested in: good omens, the locked tomb, camp here & there, nevermoor, adventure time.
my preferred forms of media to consume are tv shows, book series, and fiction podcasts. i'm not interested in real life related hyperfixations, sorry :(
i have no genre preference, but i like a bit of humor mixed with mystery, horror, fantazy, sci-fi, all that good stuff.
shortcuts to grabbing my interest:
philosophy! does your hyperfixation include a bit of debate about morality and/or reality? tell me more!!!!
music! is music significant to the story? hell. yes.
queer stuff! bonus points for trans stuff!
pathetic little guy(s)! my favourite type of fictional guys!!
absurdism! i love when shit makes no sense!!!!
go forth, my beautiful mutuals and others who might or might not find this post. tell me everything.
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disasterarea-podcast · 5 months
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Okay, I know I probably don’t need to explain this to all of you, but also I want to talk to *somebody* about how I wish I had the sort of pull that would let me see “Society of the Snow” before it ends up on @netflix on January 4th.
“Alive” came out when I was in high school. I was a sophomore, I think? I just know I watched it a bunch for historical reasons (disaster! Survival! Struggle!) and superficial reasons (I was sixteen and Ethan Hawke was in danger!). It was on HBO a lot back then. Or it felt that way, because I watched it every time it came on.
As per usual, I watched the movie, so I went and got the book. (I have an Audible credit, so I’m preordering the audiobook of “Society of the Snow” for work. It comes out in a couple of days, FYI.) The movie is … sanitized, to say the least. They can’t avoid the eating of the dead, or showing it on occasion. But in real life, the situation was more blatant, because … well, who are you going to hide it from? They ate everything else, or at least tried to, before resorting to the dead. And then when they did resort to the dead, they ate it ALL.
The thing is, Uruguayan culture was heavy on beef. “Alive” (the book) describes it the way the Irish depended on potatoes. Eating the dead was difficult, but as Catholics they were able to talk it out and tie it into the rosary and taking the body and blood of Christ into their own. I’m not even a Catholic anymore, but I think even my latent Catholic training might kick in just a tad to help reassure me in a situation like that if I had doubts. (Note: I have been doing this podcast for WAY too long. Survival cannibalism wouldn’t even make me bat an eye at this point.)
My point is that in the real situation, the survivors used everything. And I mean everything. There were only three or four parts of the body they couldn’t eat - I think the genitals were on that list, but don’t quote me on it - but the rest? They picked the bodies clean. They needed to. There’s a photo of the survivors sitting outside the plane, hanging out, smiling for the camera. It’s usually edited. Everything else is kept, but what is usually clipped or blurred is a very clear shot of a human spine, not a spot of meat left on it, just … lying there. It might as well be an airplane seat, or a discarded jacket, or any of the other items scattered about.
I have a tremendous amount of respect for every single one of the people who went through that ordeal. The details are traumatizing enough without having lived through it. Every time somebody makes a “rugby players eat their dead” joke, I cringe.
So here I am sitting watching “Alive” again, because fuck it. The thing is, I have a fondness for this movie based a lot on high school and watching it lots and it introducing me to a survival story I’d never heard of. But I would always be the first to point out I’d love a redo. It’s not as accurate as it could be, it’s in English, it misses out on things like Carlitos Paez’s father searching for him and the others the whole damn time and the reception after they came back.
I’m hoping “Society of the Snow” has all of the things the first movie lacked. I want to see the reception when they came back. I can’t wait to see Carlitos playing his dad, and I hope we get that moment where he reads the list of survivors over the radio and his voice breaks when he gets to his son’s name. I hope we get the reality of survival cannibalism — that it’s not murder, that it’s not pretty, that you might get a little blinded to the horror of the reality.
The trailers for “Society of the Snow” gives me hope it does the story the justice it deserves. There are so many disaster stories that, while they may have gotten TV movies, I would love to see done for the big screen. Hillsborough. The Triangle Shirtwaist factory fire. The Galveston Hurricane. The Johnstown flood. But honestly, the trailers for “Society of the Snow” look gorgeous and respectful. Let’s do more movies like this for more disasters.
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craaaaap55 · 12 days
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how would ruki’s ‘alpha’ male podcast would go (imagine inviting kou to promote his comeback and his sales drop dead📉)
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THE SIGMA GRINDSET
[Lmao, I love you for sending this. Genius.I hope this is fine. Readers are welcome to leave constructive criticism on the writing.]
TW : Misogyny, crack?
Ruki and Kou sat opposite each other with their microphones in front of their faces. Ruki had prepared and researched for this podcast session for weeks and now he was finally ready to make an insightful point about the true nature of men and women and their roles in society.
He had invited Kou to his podcast for support, not that he needed support. That kind of thing was for the emotionally weak, in other words women.
This was also part of Ruki's business strategy. Kou was a popular and famous idol and his presence would surely ensure that his podcast would become influential, successful and famous in a matter of days with the maximum amount of views. It would be an instant hit.
Everthing was planned strategically. Ruki was ready to finally reveal the truth.
"Heya! This is your beloved idol, Kou Mukami, here with my brother Ruki Mukami. This is the podcast that you have all waited for with bated breaths and it wil talk about gender roles in today's modern society and much more. So Ruki, what is your view on the modern society and the gender roles of men and women?"
"There is, of course, much that is needed to be said Kou, however I will start by reciting this insightful quote by a well respected philosopher, Aristotle, that pretty much sums up most of the matter. "..it is naturally with the male and the female; the one is superior, the other inferior; the one governs,the other is governed; and the same rule must necessarily hold good with respect to all mankind." I would also add something to this, women are naturally inferior to men, they are like livestock to us, we as the physically stronger and thus more dominant and superior sex have more power while women have none. This clearly shows us that the modern view that both genders deserve to be equal is illogical and does not take into account human nature. Women are born to be slaves to us and serve us as Livestock. As they are the inferior beings."
"FACTS," Kou replied enthusiastically. Then for good measure, said it again,"FACTS!"
As Kou says this, Kou's PR team stare with horror and facepalm themselves.
"Yes. It is indeed a fact. Women have proven themselves as more emotional and also logically and morally weak. They cannot be trusted to govern themselves and it is a dangerous notion to be giving them this choice in the first place. They are untrustworthy, deceitful and manipulative. That is their nature. Thus it is the responsibility of you as a man to be her master. To own and govern her."
"PERIOD."Kou said with determination.
"Yes, and to further solidify my point I would like to state that men are also much better off without women. Men do not need to waste their time chasing after these livestock. Livestock will come to us by themselves as they need us to survive and we do not need them at all. I, for one, have not chased a woman in over a decade and now every woman I see around me constantly tries to gain my attention. Whenever I go outside all I see are women that wear revealing clothing to get my attention however I have ignored them as I am far happier all alone by myself. It is, of course, a personal choice."
The author highly doubts that statement.
"So true, Ruki." Kou replies, nodding his head vigorously.
Kou's PR team facepalm themselves harder.
Kou and Ruki release the podcast which Ruki undoubtedly knows will be a hit and sell well. After all, who wouldn't want to know the truth.
A few days afterwards Ruki and Kou find out that the podcast sales have dropped to zero. Literally ZERO. Ruki feels shocked at the news. How?
And not only that but him and Kou had received extreme backlash for 'misogyny and sexism' as well as 'incel behaviour'. A popular comment on social media called Ruki 'b*tchless' and the podcast 'an insult to intelligence'.
Kou was having a mental breakdown because his public reputation had gotten a major hit with a lot of disappointed and angry fangirls. His PR team worked overtime for damage control.
Ruki felt extremely humiliated but he tried to hide it. He also couldn't believe that people had found out his secret. It is safe to say that he didn't try to reveal any of his 'controversial' opinions again.
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mariacallous · 2 months
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Who is this speaking with a sneer on their lips and contempt in their voice before news of the Princess of Wales’s cancer broke? A monarchist or a republican?
“Kate's admission that she had doctored the photograph, and her apology for doing so, were the latest self-inflicted wound by the House of Windsor, for which trust and integrity are fundamental commodities.”
Those who do not know the UK might assume it is a revolutionary who wants to undermine trust in the integrity of the monarchy because they want it gone
Republican sentiment in the UK is indeed stronger than tourists like to imagine and the BBC likes to admit.
Irish nationalists and Brits of Irish descent are wary of the crown. Just 45 per cent of Scots want to keep the royals “for the foreseeable future”, with 36 per cent ready to get rid of them ASAP. Meanwhile, the constitutional pressure group Republic reports that for the first time a plurality of people under 45 favour abolishing the monarchy.
But however greatly they have grown in number, British republicans have little vim and less vigour. They (we if I am levelling with you) don’t care enough about the monarchy to abolish it, or most of us don’t. It’s not a political priority or a practical project.
Republicanism last grew in the UK in the 1990s after the marriage of Prince Charles (as he then was) to Princess Diana fell apart. Jack Straw and other Labour politicians of the day were Republicans in theory.
But in practice they imagined cancelling all their other political plans so they could focus on dethroning the Queen and recoiled at the prospect.
Even if a majority of the country favoured a republic (which it never has), an embittered monarchist minority would never forgive the government. And as the government became unpopular, as all governments do, the minority would become a majority and demand a restoration.
No way would serious Labour politicians waste their time. Nor would serious Scottish nationalist politicians who made the same calculations.
British republicanism died for the very British reason that it was too much trouble.
If you want to find creepy obsessions, and bullying, hectoring sadism, turn to the UK’s monarchists.
The quote I began with was not from some obscure Republican website, but from the Daily Mail, Britain's best selling newspaper and most-read news site. It is a monarchist institution, at least it says it is.
And if you think I am being a snotty intellectual sneering at the tabloids, the BBC was just as bad. The line between snob and mob in the UK is always thin and often invisible.
The BBC has a podcast dedicated to PR called “When it hits the fan”! In its latest episode it berates the royal family for making “big mistakes” in not explaining why Prince William missed the memorial service for his godfather, and compounding the sin by allowing his wife to be photographed without a wedding ring.  ( I know, the horror.)
The princess has now been forced by the pressure from those who claim to adore her to admit that she had a cancer diagnosis and now needs chemotherapy. She didn’t want to talk about it at first because, frankly, her health ought to be no one else’s business.
Given what we know, it seems at least possible, don’t you think, that her husband missed engagements because he was concerned about his wife
After leaving the hospital, she put out a picture of herself and her children she had edited to make her kids look good. She is not the first mother to have done this, and in any case her illness may have distracted her,
Now that they have forced her to talk about her chemotherapy, the ferrets are reversing and everyone who had hectored the royal family is sobbing and sighing.
To my mind, and I suspect to the minds of many other​s, they are displaying the sickest side of British monarchism.
Imagine a criminal who beats you up in the street. He kicks you when you are down, humiliates and destroys you. And just when you think he’s finished with you, he bends over and says with a sweet smile “how brave you are and how courageous. We are all so terribly proud of you.”
There is a limit to how much of this treatment modern members of the royal family will take.
Prince Harry and Meghan Markle have fled to America, and are hated for it. I accept that a part of that hatred is racist. A larger part is a modern version of British anti-Americanism. The self-aggrandising virtue signalling of the progressive American rich grates with many in the UK. It’s too egotistical; too “let’s talk about me” for traditional British people to tolerate​.
But the main reason why conservatives in general and the conservative press in particular hate them is that they have opted out. They don’t share royal duties. Instead of taking abuse, they call their lawyers. They just won’t play the game anymore.
In truth there are not many who will. The old queen stayed on the throne too long. King Charles was too old for the job when he was finally crowned, and now he is ill with cancer, as is the Princess of Wales. Meghan and |Harry have fled, and Prince William is pretty much on his own to do the royal duties of a monarchy whose supporters demand that it conducts itself on a grand scale.
I look at his children and wonder if they will put themselves through it or run like their Uncle Harry. You should not blame them if they do.
It’s people who claim to worship the royals who will drive them away or drive them mad.
Republicans will never kill the monarchy. Royalists just might.
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samglyph · 5 months
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so i followed you for the npmd art but seeing your malevolent art has gotten me intrigued. if you wouldnt mind could you give me a lil summary of what malevolent is and why you like it? (i like hearing what people think of something rather than read the summary they give you) totally fine if you don't wanna
Oh don’t worry I would LOVE to
Short summary: malevolent is a horror fiction podcast about Arthur Lester, a private investigator in the 1930s who one day wakes up blind next to a dead body, with a voice in his head telling him that he now controls Arthur’s eyes. Working together, they have to uncover how and why this happened, avoid monsters and cultists and various other malevolent forces that wish Arthur harm, and see if they can separate (before Arthur loses more than just his eyesight)
More in depth things that I like about the show: the relationship between Arthur and the entity in his head is SO GOOD. is it healthy. No. But they are such a good duo of protagonist and deutoragonist, their conversations right off the bat are part of what made me keep listening. Sinister voice in your head condescending to you to bickering like an old married couple speedrun. So good.
I am a fan of Call of Cthulhu, and that’s what the show takes a lot of inspiration from in terms of monsters and horror. If you like eldritch horror (ie. The lords in black wink wink) you’ll probably enjoy that aspect of the show as well. And finally, the horror is pretty well done imo. While Arthur does seem to survive some things he probably shouldn’t which does lower the stakes sometimes, I’ve felt it’s consistently had a good level of spine tingling the whole way through.
Thanks for the ask! I hope you consider giving it a shot!
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dead-dove-yandere · 1 month
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Soooo~, I was thinking, could I request a "Final Girl" yandere, like from those slasher films?
Maybe her darling is scretly the slasher, too..?
~ 💌
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OC Intro - Jennifer
Final Girl Yandere
Female ♡ 21 ♡ Human ♡ Student
TW: Stalking, obsession, murder, mostly implied gore, serial killings, basically typical slasher stuff
♡ - Jennifer knew from a young age something about her wasn’t quite the same as other people - but what, she couldn’t tell.
♡ - It wasn’t as if she was outwardly or noticeably strange - she could pass for normal, but something burned deep inside her that she couldn’t quite fathom, a darker aspect to herself that she could never nurture. The Hyde to her Jekyll, as she nicknamed it.
♡ - She listened to true crime podcasts, watched horror films, was fascinated by biology class and Halloween was her favourite time of the year, but she kept it all on the down low, understanding that her friends might be creeped out.
♡ - When the first of the murders began, whether she liked it or not, that darker side to her would begin to develop.
♡ - The first murder, she discovered, on her way home from the local collage - a girl that was usually in her class floating dead in a lake, slashed apart from top to tail - the rest of her day spent being questioned by police as she tried to seem appropriately traumatised.
♡ - But the murder didn’t stop there - more and more kept popping up, all slashed in the same fashion. Jennifer knew that if anyone was going to catch the killer, it had to be her.
♡ - The camping trip her friends suggested was the perfect place to begin. She packed a rucksack and set off with her gang of friends, torch in hand, ready to search the woods.
♡ - The group got set up, pitching the tent, building a campfire, setting out sleeping bags - all was well until you turned up - the murderer.
♡ - Jennifer and her friends scattered and ran through the woods, all trying to escape the wrath of your weapon. One by one, Jennifer could only watch as you slaughtered her friends, mercilessly killing them. Yet something in her stirred.
♡ - As the adrenaline pumped through her body and she steadily got covered in her friends’ blood, she began to realise she enjoyed the chase, the thrill. As she deftly dodged your attacks and escaped you, she couldn’t help but find it fun, being the one to survive even as her friends were reduced to gore, seeing the desperation and thrill from behind your mask as you resolved to catch her next time.
♡ - Soon enough, it was only her and one other girl left. They ran, with you in hot pursuit, gaining on them as they reached an abandoned logging site. Jennifer’s friend reached down, grabbing a chainsaw, desperately trying to get it to start, ready to swing at you, when-!
♡ - Before either you or her could attack one another, her guts spilled to the ground, making her collapse, dead. Jennifer stood there, a bloodied axe in her hand. After slaughtering all her friends, she’d killed the last one herself, just to save you.
♡ - The two of you looked into eacb others eyes, both panting with determination. Without saying a word, you both understood. You knew she wanted to be the one to kill you. She knew she was the only person you’d let defeat you. You both knew the thrill of the kill.
♡ - The brief moment of mutual understanding dissipated quickly again as you both ran off, the chase beginning anew.
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Dividers Credits: See Pinned Post
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forgetmenauts · 11 months
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Howdy! Could we get a member introduction? I’d love to get to know y’all’s names and pronouns ^^
We actually did an essay and interview for the queer horror zine The Quiet Ones last year where we shared some fun intros! I've included screenshots of our intros here, but if you have a chance, you should check out the zine as well: it's run by a delightful group of queer authors and editors.
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Here's the link to the issue with the Forgetmenauts feature: our bit starts on page 47.
(Fun fact: Kit is also an author and has had a couple of their short stories published in other issues of the zine, under their full name of Katharine Gripp. They're here and here if you want to check them out!)
Image text below the cut:
Walker Staples (they/them) Instrument(s): Guitar/Banjo/Vocals
Favorite scary movie or book: Let the Right One In.
Favorite cryptid: Jackalope. Who in the band is most likely to survive a horror movie, and why?: I think it's gonna be Tyler; most resources, best equipped for building booby traps.
Tyler Gary (he/him) Instrument(s): Clarinet, Saxophone, Trombone, Keys. Favorite scary movie or book: Recently I read Mexican Gothic and while it wasn't my all time favorite, it definitely captured some good haunting creepy vibes. Would recommend for the mushroom horror.
Favorite cryptid: The chupacabra. Who in the band is most likely to survive a horror movie, and why?: I'd be the second or third to die. “Quick everybody, I have a plan! All we have to do is...“ *Dies in a horrible dramatic way*. I think Abe would be last to die. He would disappear early on and we would think he's dead but he actually just went on a hike and came back at the end.
Abe Finkelstein (he/him) Instrument(s): Cello, un-mic'd backup vocals and banter, howling. Favorite scary movie or book: Oryx and Crake. And I listened to a great podcast about Midsommar but will probably never have the guts to watch it.
Favorite cryptid: The Baba Yaga house. Who in the band is most likely to survive a horror movie, and why?: Definitely Emma. She lives on a sailboat and is a great problem solver, and good at engineering. You might think I was on a hike but I was actually dead the WHOLE time.
Danielle (she/her) Instrument(s): Drums!
Favorite scary movie or book: I am scared easily and don't really watch horror movies! You
didn't ask about this, but my favorite scary-ish video games are The Last of Us and Dead Space.
Favorite cryptid: Loveland frog. Who in the band is most likely to survive a horror movie, and why?: Walker, they would out-maneuver the attacker/swarm/ pathogen/whatever the horror of the horror movie is.
Kit Gripp (they/she) Instrument(s): Mandolin, vocals.
Favorite scary movie or book: Sunshine by Robin McKinley (ok so it’s not that scary but there’s lots of blood and vampires, so it counts).
Favorite cryptid: Nessie. Who in the band is most likely to survive a horror movie, and why?: Probably Collin. If it were something corporeal, he'd knock it out with a baseball bat. If it were an angry ghost, he'd talk to it and de-escalate the situation.
Emma Williams Instrument(s): Bass.
Favorite scary movie or book: House of Leaves.
Favorite cryptid: Selkie. Who in the band is most likely to survive a horror movie, and why?: I think Walker would be the most likely to survive because they are very nimble and quick.
Collin (he/him) Instrument(s): Drums!
Favorite scary movie or book: Hard to pick a favorite scary movie! Maybe Let the Right One In (the original one). It's rare that horror films are at once so beautiful, disturbing, and sympathetic to the villain.
Favorite cryptid: Michigan Dogman. Who in the band is most likely to survive a horror movie, and why?: Kit survives the horror movie, for sure. Zombie flick? Kit decapitates the shambling hordes with lethal pirouettes. Teen slasher film? Kit distracts the villain with some concocted-on-the- spot YA fiction just long enough that he doesn't even notice he's walking right into his own poetic and ironic death. Vampire horror show? Please. Kit was the vampire. Kit was always the vampire.
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thegayhimbo · 6 months
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Stranger Things Flight of Icarus Review
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If you haven’t yet, be sure to check out my other Stranger Things Reviews. Like, Reblog, and let me know what your thoughts are regarding the show or the upcoming season! :)
Stranger Things Comics/Graphic Novels:
Stranger Things Six
Stranger Things Halloween Special
Stranger Things The Other Side
Stranger Things Zombie Boys
Stranger Things The Bully
Stranger Things Winter Special
Stranger Things Tomb of Ybwen
Stranger Things Into The Fire
Stranger Things Science Camp
Stranger Things “The Game Master” and “Erica’s Quest”
Stranger Things and Dungeons and Dragons
Stranger Things Kamchatka
Stranger Things Erica The Great
Stranger Things “Creature Feature” and “Summer Special”
Stranger Things Tie-In Books:
Stranger Things Suspicious Minds
Stranger Things Runaway Max (Part 1 of 3)
Stranger Things Runaway Max (Part 2 of 3)
Stranger Things Runaway Max (Part 3 of 3)
Stranger Things Darkness On The Edge Of Town (Part 1 of 3)
Stranger Things Darkness On The Edge Of Town (Part 2 of 3)
Stranger Things Darkness On The Edge Of Town (Part 3 of 3)
Stranger Things Rebel Robin Book and Podcast (Part 1 of 2)
Stranger Things Rebel Robin Book and Podcast (Part 2 of 2)
Stranger Things Hawkins Horrors Review
Stranger Things Episode Reviews:
The Vanishing of Will Byers (Part 1 of 2)
The Vanishing of Will Byers (Part 2 of 2)
Synopsis: Hawkins, Indiana: For most, it’s simply another idyllic, manicured all-American town. But for Eddie Munson, it’s like living in a perpetual Tomb of Horrors. Luckily, he has only a few more months to survive at Hawkins High. And what is senior year, really, but killing time between Dungeons & Dragons sessions with the Hellfire Club and gigs with his band, Corroded Coffin? At the worst dive bar in town, Eddie meets Paige, someone who has pulled off a freaking miracle. She escaped Hawkins and built a wickedly cool life for herself working for a record producer in Los Angeles. Not only is she the definition of a badass—with killer taste in music—but she might also be the only person who actually appreciates Eddie as the bard he is instead of as the devil incarnate. But the best thing? She’s offering him a chance to make something of himself, and all he needs to do is get her a demo tape of Corroded Coffin’s best songs. Just one problem: Recording costs money. Money Eddie doesn’t have. But he’s willing to do whatever it takes, even if that means relying on his dad. Al Munson has just stumbled back into Eddie’s life with another dubious scheme up his sleeve, and yet Eddie knows this is his only option to make enough dough in enough time. It’s a risk, but if it pays off he will finally have a one-way ticket out of Hawkins. Eddie can feel it: 1984 is going to be his year.
Observations:
Ordinarily, when I do these reviews, I sum up the synopsis in my own words to convey my experience reading it. This time, I took the synopsis word-for-word from the book cover because I found it unintentionally hilarious and teeth-grinding that the publishers at Random House Worlds would try to bait Stranger Things fans like this. They had to have known most people who bought this book already saw the fourth season and were aware of Eddie's eventual fate. Even if they hadn't seen it, a.) It's pretty much an open spoiler at this point, and b.) You can figure out real quickly from the title (Flight of Icarus) and your basic knowledge of Greek Mythology exactly how this story is going to go. Giving both the audience and Eddie a Hope Spot in thinking things might improve for him was a cruel joke.
I know that prior to this books release, there were fans accusing Netflix of trying to milk Eddie's popularity with the audience despite his eventual fate in season 4. Having finally read the book myself.................it's a little more complicated than that.
Yes, the book does bait the audience with the idea of things getting better for Eddie when we already know that's not going to happen. At the same time though, it wasn't a book devoid of substance. There were themes and character interactions that left a lot to chew on, and might even play an upcoming role in season 5. Just like with Rebel Robin, there were aspects of the book that struck a personal nerve with me because of how they related to what's gone on in my life and what's currently going on in the world right now.
I'll discuss the book in detail here (Spoilers Ahead!) and let you decide for yourselves if this is a book you want to read.
Part 1: Eddie's relationships to other characters
The synopsis covers the majority of the plot. Eddie's in senior year, failing school, and coasting by on the Hellfire Club, his band, and his dead-end job at a bar. Unlike his friend Ronnie, he has no future prospects ahead of him until he encounters a girl from Los Angeles named Paige, who overhears Eddie playing one night and invites him (and Corroded Coffin) to record their music for a studio called WR Records. The hopes are that her boss, Davey, will be impressed enough that he'll invite Eddie and the band to later fly out to Los Angeles for an audition with the executives. Following them recording for Davey, Paige reveals to Eddie that Davey's more impressed with him than his band and only wants him to come out to LA to become a rockstar. However, Eddie still needs the money to make this dream a reality. So when his dad shows up with an illegal job that involves stealing weed from a Kingpin's truck so they can sell it for money, he reluctantly agrees despite knowing things could go wrong.
And just based on where Eddie is by the time season 4 starts, you already know how this is going to turn out.
Eddie on the show was already established as being an outcast who gets blamed for the murders committed by Vecna, but this book further explores that he was the town scapegoat way before any of this happened. Part of it has to do with his low socioeconomic status, part of it has to do with the bad reputation the Munson family has in Hawkins as crooks and lowlifes thanks to the behavior of Eddie's father (who is a loser and a sorry excuse for a dad), part of it has to do with the Hellfire Club and all the pearl-clutching parents did in the 80s about D&D being linked to Satanism (which, as Erica puts it in season 4, was bullshit), and the rest are people in Hawkins projecting their issues onto Eddie. They want to believe the worst in Eddie, and don't care about creating a self-fulfilling prophecy with they way they treat him.
Wayne Munson also gets fleshed-out more in this book, which I appreciate because he's one of the few adult characters on the show that I like. Unlike Al, who is constantly absent from Eddie's life unless he needs something from him, Wayne is a parental figure to Eddie who made sure he was being fed and taken care of when he needed it.
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He's also one of the only people who treats Eddie like a person and believes in him when no one else does.
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On top of that, Wayne is shrewd and able to put the pieces together just by reading a situation. He's the kind of person who can look at someone and figure out if they're being honest or not. When Al comes back into Eddie's life, he knows Al is up to no good, and he puts together pretty quickly that Eddie is going along with Al's con to get money. He allows Eddie to make his own choices, but he also warns Eddie that he's lying to himself if he thinks this is going to go well for him.
On a semi-related note, the way Wayne is depicted here gives more context behind why he was willing to let Nancy interview him when Eddie went missing after Chrissy's death: Unlike other reporters , who were either gearing up to paint Eddie as the villain before anything was confirmed, or else were trying to get their big break with this story, Wayne could tell Nancy wasn't just there to advance her career. She genuinely had an interest in what happened, and Wayne likely suspected something else (i.e. the death of Barb) was motivating Nancy to look into this case.
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Another relationship that gets more context as well is the one between Jason and Eddie. There were hints in the fourth season that these two had a history with one another before Jason wrongly suspected Eddie of killing Chrissy and led the basketball team in hunting him down. This book confirms that history. I will admit I had a headcanon for a while that Jason and Eddie used to be friends before falling out (which is also something Mason Dye joked about), but this book blows that out of the water by revealing they've been enemies since they knew each other. Jason was a part of a jock group led by Tommy Hagan (Steve's former best friend) who bullied students like Gareth who were either outcasts or part of the Hellfire Club. But because Tommy and Jason were valued basketball players at the high school, they were able to get away with their behavior whereas Eddie would get punished simply for trying to help out his friends.
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This puts the cafeteria scene between Eddie and Jason in a whole different light: Eddie's disdain for Jason in that moment wasn't because Jason did basketball, but because he knew Jason as a bully and had nothing but contempt for him:
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Just like with Lucas on the Line, this book doesn't paint Jason in a good light. Not only is he associating with Tommy (who is just as loathsome as he was in season 1), but the book also hints at the darker, zealot side of his personality that's going to be on display in two years following the events of this book:
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Chrissy also makes an appearance, and she's just as nice of a person as she was on the show. She actually intervenes (unsuccessfully) on Gareth's behalf to stop Tommy and Jason from bullying him, and we get to witness the flashback to the talent show when Eddie first encountered Chrissy and she showed him empathy and compassion in a moment when Eddie was feeling vulnerable after his dad didn't show up to watch him perform.
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While I'm not an Edissy/Hellcheer shipper, I understand the appeal of that relationship, as well as why the Duffer Brothers later regretted killing off Chrissy when there was more that could have been explored with her character. I'm also deeply sorry Grace Van Dien was harassed by immature Stranger Things fans because she liked the Eddie/Chrissy ship (to the point Joseph Quinn had to speak up in her defense). No actor or actress should ever have to put up with disgusting behavior like that. I wish people in this fandom would grow the hell up already, and stop treating the actors as if they're props to project themselves onto. 😒
We also get to know more about Eddie's parents in this book. Eddie's mom is dead by this point (though her love for music is a big reason why Eddie was inspired to take up guitar) and Eddie's dad is a contender for one of the worst fathers in the series. He isn't as awful as Neil Hargrove, but he makes little to no effort to raise Eddie (to the point Eddie is often fending for himself), is constantly engaging in illegal activities and ending up in trouble with the law, only comes back for Eddie when he needs something from him (something that Eddie is painfully aware of), and straight-up abandons his son to the cops the moment his heist plan lands both of them in trouble and results in a police officer getting shot. He's a selfish man who's good at lying to everyone around him, and even to himself. The sad thing is, because Eddie is so desperate to get out of Hawkins, he willingly believes his dad's plan to get them rich so they can move to LA and fulfill his dream, which makes it more of a gut punch when everything eventually goes downhill.
Given Eddie's death in season 4, I seriously question if his dad is going to show up at all if he ever hears about what happened to his son. Somehow, I doubt it.
The final character with any real significance is Gareth. In this book, he's a freshman who's up-and-coming in the Hellfire Club, and there's a whole subplot dedicated to Eddie helping him to craft a perfect D&D character that resembles who Gareth is rather than having him borrow someone else's character. Also, as noted before, Eddie is one of the few people who defends Gareth from high school bullies, which is why Gareth has a lot of loyalty towards Eddie. I know Gareth became an Ensemble Dark Horse for many fans when Season 4 premiered, and I would be thrilled if he, along with the rest of the Hellfire Club and Corroded Coffin, got significant roles in season 5. Maybe they could team up with the Party to defeat Vecna.
The rest of the new characters are by-the-numbers. Ronnie is Eddie's lifelong friend who has a future at NYU, and they both have a falling out due to disagreements with Eddie's choices. Paige gets into a romantic relationship with Eddie for a while (which also falls apart later), but she isn't really memorable and doesn't stick out the same way that other characters from tie-in materials do (i.e. Mr Hauser from Rebel Robin, Joey Kim from Zombie Boys, etc). Mr. Higgins, the principal who has it out for Eddie, is the embodiment of Mr. Vernon from The Breakfast Club, and his interactions with Eddie are pretty similar to the ones Vernon has with Judd Nelson's character (John Benson) in the movie. Officer Moore is a stereotypical asshole cop who harasses Eddie because he sees him as a future criminal who will grow up to be just like his dad.
There are a few brief cameo's from the main characters: Hopper appears towards the end when Eddie is arrested, and is one of the few people sympathetic to Eddie's plight. Will and Jonathan also make an appearance when Eddie defends Will from jocks who make fun of Will for being "Zombie Boy," gives Will some encouragement about being who he is and embracing his love for D&D, and even offers to sell Jonathan some weed (which is cheeky foreshadowing for Jonathan's drug habit that develops in season 4).
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Out of all the interactions with the main characters, the one between Will and Eddie was my favorite. Even though Will never joined Hellfire Club due to moving to Lenora, it's nice seeing these two get to interact and bond over something they love.
So that sums it up for the characters and main story. Let's talk about the main themes:
Part 2: Eddie and "Forced Conformity"
Just like with El in season 4, and even Steve, there's always been this stigma that because Eddie did badly in school, it meant he was dumb. However, unlike El, who struggles to catch up with her peers because of the way Brenner raised her (but is keenly aware of concepts even if she doesn't have the words for them at the time), or Steve who was more interested in chasing popularity at the expense of his grades (but has demonstrated his intelligence and ability to make connections that other people miss), Eddie doesn't put effort into school because he doesn't care to. School and homework doesn't interest him. D&D, Corroded Coffin, playing songs on his guitar, and even the works of J.R.R Tolkien do, which is why he invests more time into those things:
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There was a GIF set last year with bits of trivia about Eddie, and something that was noted in it is that Metallica's album Master of Puppets was released on March 3, 1986. Given the night Eddie performs their song "Master of Puppets" in the Upside Down was on March 27, 1986, this means he had less than 3 weeks to learn how to master the song on his guitar. Some fans will probably dismiss this as "lazy writing" (which I notice gets thrown around a lot these days when people don't want to think critically), but I beg to differ. Eddie is invested in music. It speaks to him. That investment, combined with doing something he loves, means he's going to put time and effort into learning the song. I can buy he learned "Master of Puppets" in less than 3 weeks because he's that good of a guitarist, and he was passionate about the song in the same way he's passionate about D&D and Tolkien.
The problem though is those kind of interests aren't considered "acceptable" by the school system, which is more interested in churning out "productive members of society" and punishing those who don't get on board with the program (This is a theme that's also explored in both Rebel Robin and Lucas on the Line). It doesn't help that Hellfire Club, D&D, and the music Eddie loves to play constantly come under fire due to the Satanic Panic at the time, which only causes Eddie's resentment towards Hawkins and his school to fester.
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You'd think things would have changed in the 4 decades since this series took place, but given how we're still living in an era of "concerned parents" wanting to ban specific books from being read by kids, or else enforce a conservative viewpoint in schools that prevents any kind of critical thinking, it's fair to say we haven't. In fact, there's an argument that things have gotten worse in recent years.
We can talk all day about the problems with the education system and school curriculum in the United States until the cows come home, but the point is Eddie is aware of the "forced conformity" schools impose on students, and is having none of it. As a result, he's punished for rebelling against the system.
It doesn't help that none of the teachers, nor Mr. Higgins, are remotely interested in trying to reach out to Eddie. They have decided in their minds that Eddie is a waste of space, and are either condescending or dismissive towards him. Even Robin, Mike, Lucas, Dustin, and Will had teachers like Mr. Clarke or Mr. Hauser who were interested in bringing the best out of their students. Eddie has been written off as a lost cause, and aside from his uncle Wayne (who's limited in what he can do for Eddie), no other adults believe in him. That just makes his eventual death later on harder to stomach.
I hate teachers and school authorities like Mr. Higgins. I get they have to put up with a lot of crap, both from kids and from the stress their jobs can bring, but I have no respect for teachers who either go to the lengths of bullying their students, or come up with preconceived notions about a student and then unfairly project that onto them so they can feel justified in treating them with contempt.
I had two teachers like this when I was growing up: One of them was from fifth grade. The second was my English Teacher from my senior year of High School.
The former was a straight-up bully who had a reputation for making kids cry (I was one of them) and was a Bitch in every sense of the word. I do not have good memories of her class, and I know several students who had their lives impacted by her for the worst: One of them was someone I went to the same church with whose mom later pulled him out to be home-schooled because he was frequently targeted by that teacher. The second was a former friend who had a rough time in her class, and later forfeited going to college entirely (and now works in retail) because of the impact she left on her. I make no secret that I DON'T miss her, and I hope she's no longer teaching.
As for my English Teacher, she was a condescending twat. She presented herself as an expert in literature, but I later found out that A LOT of her so-called "discussions" and "lessons" were taken straight from SparkNotes. I remember her going out of her way to publicly humiliate me in front of the class because I did a presentation that she didn't like, and then she later got patronizing with me over a different assignment several months later, saying she could see how I was struggling and then said "Allow me to give you some advice: Try harder." This was when I was also juggling 4 other AP classes and a Spanish class, along with my extracurricular activities, so this wasn't like I was half-assing my work. Once again, I was not the only person she treated like is. Multiple students despised her, and there was even a rumor for a while that she was a misandrist, which is why she treated the girls better than the boys. I can't confirm if this was true, but I wouldn't be surprised if it was. My brother (who's one of the smartest people I know) was fully aware of her reputation prior to his senior year, and specifically took a different English class just to avoid her. I still maintain that was the best decision he ever made.
I should briefly mention that, despite the two examples I just listed, I had some wonderful teachers growing up. Ones that not only encouraged me, but made their classes engaging to the point that I took an interest in topics I hadn't before. The entire reason I later pursued a degree in History is BECAUSE of my teachers in High School.
Regardless of whether people want to admit it, teachers are some of the most important people next to parents in a kid's life. They can either be the ones to elevate a student and set them on a good path, or they can be the ones to tear them down and dismiss them as a lost cause. It's a big reason I feel strongly about who teaches in schools and how our education system is structured, and why I get angry whenever teachers or school authorities either abuse their power, are apathetic about their jobs and their students, or else project their issues onto kids. I'm not saying there aren't kids out there without major behavioral problems that need to be dealt with (I literally had one such kid yell "Fuck You" at me two weeks ago from a speeding truck for no discernible reason, so I'm not advocating that all kids are sweet angels), but it infuriates me to see characters like Mr. Higgins who are smug in their belief that they have teens like Eddie figured out, and don't want to hear anything that contradicts that. People like that shouldn't be teaching in schools, period.
Part 3: The Evils of Society
Back in 2005, there was a horror movie called Chaos that was released, which got negative reviews and a scathing response from film critic Roger Ebert, who proceeded to call the movie "ugly, nihilistic, and cruel." The film's writer and director didn't take this well, and posted a letter to the Chicago-Sun Times where he condescendingly told Ebert that the movie was supposed to be ugly, nihilistic, and cruel as a way of conveying what evil was like in the 21st century, and smugly asked Ebert if he preferred the movie was sanitized of violence. Ebert later responded in a very classy and intelligent manner, where he not only called out the director for his sanctimoniousness, but also deconstructed his whole argument of depicting evil in a movie with no meaningful point or catharsis:
"I believe evil can win in fiction, as it often does in real life. But I prefer that the artist express an attitude toward that evil. It is not enough to record it; what do you think and feel about it? Your attitude is as detached as your hero's."
"Your real purpose in making "Chaos," I suspect, was not to educate, but to create a scandal that would draw an audience. There's always money to be made by going further and being more shocking. Sometimes there is also art to be found in that direction, but not this time. That's because your film creates a closed system in which any alternative outcome is excluded; it is like a movie of a man falling to his death, which can have no developments except that he continues to fall, and no ending except that he dies. Pre-destination may be useful in theology, but as a narrative strategy, it is self-defeating."
I've seen fans who've complained about the direction season 4 took in its tone and it's depiction of bullying and the Satanic Panic, with people complaining about it being "trauma/torture porn," which............I strongly disagree with. Trauma/Torture porn is (as Ebert points out) the kind of thing that has no point beyond indulging in meaningless suffering. Season 4 was dark (probably the darkest season they've done so far), but there was a message the Duffer Brothers were making with it; Not just in depicting how and why bullying becomes a pervasive problem, or how Vecna acts as a metaphor for depression and trauma driving people into despair, but also how the current social systems and attempts to force people to be "normal" cause long-term problems.
Bullies like Angela and Jason didn't suddenly decide to become awful overnight. Their behavior was enabled, not just by their peers, but by the adults around them who did little to nothing to stop the way they acted. Look at when El gets publicly humiliated at Rink-O-Mania by Angela and her friends, and how the adults there either participated with the other bystanders in it, or did absolutely nothing to stop what was happening to El (yet were conveniently available for Angela's benefit when El smashed Angela's face in with a roller-skate). Look at how Jason was able to turn a room of adults into a lynch mob to go after kids who were a part of the Hellfire Club by appealing to their fear of the Satanic Panic, as well as their fear of all the terrible things that had been happening in Hawkins.
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Adults play a major role in whether kids become spoiled, entitled brats, and that was absolutely the case with Angela. As for Jason, he was a star basketball player who made Hawkins High look good, which is why Mr. Higgins and other teachers always looked the other way at his behavior (as depicted in both this book and Lucas on the Line). It's also why both Angela and Jason felt justified in their awful behavior: Angela was able to convince herself that El had snitched when she hadn't, and therefore deserved to be punished for it. And when El finally had enough and lashed out, Angela twisted the narrative in her head to make it out like she was the innocent victim and El was the bully. Same thing with Jason in regards to how he treats Eddie: Jason sees himself as the perfect "All American Boy" and Eddie as the freak who may one day become a criminal and gives Hawkins a bad name. And while the deaths of Chrissy and Patrick (combined with witnessing how Patrick died which he chalked up to Eddie being in league with Satan) played a major role in Jason's actions, he already had preconceived notions about Eddie without truly getting to know him first. There's an argument to be had that, even without Chrissy's death, he would have looked for any reason to go after Eddie if he felt justified in doing so.
Even isolated areas like Hawkins Lab weren't exempt from this: Dr. Brenner specifically fostered a culture among the special kids where he would put them at odds with one another to fight for his approval, and allowed El to be viciously bullied by Two and the others in the hopes it would unlock her potential and get him the results he wanted. Brenner established the institution where El grew up in, and was the main person who benefited from it. Two was a vicious bully similar to Angela, but the reason he became that is because Brenner and his cronies enabled his behavior (only punishing him as a means of building up resentment among the other kids towards El and making her more of an outcast as part of his plans).
Likewise, there's an interesting parallel between Eddie and Vecna: Both are "outcasts" whom society tried to force to be "normal." However, while Eddie still maintained compassion and empathy for others, as well as making it his mission to look out for other outcasts like Mike, Dustin, and Lucas so their lives wouldn't be miserable, Vecna internalized the rage and resentment of "performing in a silly terrible play, day after day" until it consumed him and turned him into the monster everyone feared. Now he intends to destroy everything and everyone so he can create the world he wants.
It's the Harvey Dent quote from The Dark Knight:
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Eddie, despite being treated badly for most of his life, died as a hero, protecting those he cared about. Vecna lived to become the villain, and has abandoned his humanity in pursuit of his goals.
Tying this all back to Roger Ebert's letter: While Season 4 may have been dark, there was meaning to be found in the darkness: The season hit on the theme that, in spite of how Hawkins looks like a perfect suburban neighborhood, there's a lot of rot underneath, and NOT just from the Upside Down. There's an inherent bigotry in the town (and others like it, such as Lenora), of institutions trying to mold students and teachers into "productive members of society" at the cost of their happiness and well being, of punishing anything that's considered abnormal or against the status quo, of how ostracizing "outcasts" can lead to a self-fulfilling prophecy where the person either becomes the monster (Vecna) or is scapegoated and can never escape those stigmas no matter how hard they try (Eddie).
The Duffer Brothers aren't apathetic in their attitude about how they depict characters and themes on the show. If anything, they care deeply. It's why they wrote the character of Eddie in the first place, and based him off of Damien Echols, one of the West Memphis Three who was wrongfully convicted in 1994 of the murder of three boys in Arkansas, with a lot of bias directed at them due to the three of them being "delinquents" (as well as how the police pressured them into giving false confessions), which resulted in their lives getting ruined. Likewise on the show, Eddie is accused of killing Chrissy when he didn't (simply being in the wrong place at the wrong time), and his life got destroyed because of it. Even if he was a delinquent with his own personal issues, he didn't deserve what happened to him. Neither did Damien Echols. Society failed both of them, and allowed the true killers to go unpunished.
There are a lot of problems in our society today that have carried over from the 80s: From cultures that enable bullies and punish their victims, to attempts to control what kids learn in schools and how they should act, to bigotry and biases that aren't just rooted in people but in the institutions and laws that uphold the social structure, to people like Jason who take the law into their own hands regardless of the collateral damage it will cause, to government corruption, to people dehumanizing others because it's more important for them to be right over being nice, and so on. Stranger Things may be a love letter to the 80s, but it does not shy away from deconstructing the uglier aspects of that decade, and conveying how some of those issues had carried over into today's culture.
Final Thoughts:
Overall, this book is a mixed bag. It gives interesting details about Eddie and his life, and provides better context for certain scenes in season 4. Given that Caitlin Schneiderhan (the author of the book) had talks with the Duffer Brothers and other Stranger Things writers prior to penning this, it's likely this book can be considered canon. It's also a book that inspires discussion (as you can tell from what I've written), which is always a plus.
However, if you're a fan of Eddie, and you were upset over his death, this book isn't going to give you any catharsis. Unlike others, I'm not going to claim it's milking off of Eddie's popularity. At the same time though, it is hard to read when it teases that things might get better for Eddie and you already know what Eddie's fate is going to be.
In other words, you have to decide for yourself if this is a book you want to read. I hope my synopsis and this review gives some idea of what to expect.
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a-dumbass-jester · 2 months
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Yttd x tma au!!
The main post with plot an a full explanation and story.
{Part one} (it’s much more bref there, this is much more in depth and organized)
This focuses more on the dummies bc I love them but I also think that theme of loss of humanity fits well with them {this post will have a lot to do this them and their plot}
{Art I drew}
{Ao3}
Words: ~4,500
- Overview -
Sara Chidouin - The End
Midori - The Web
Sue Miley - The Spiral
Tia Safalin - The Dark
Rio Ranger - The Stranger
Shunsuke Hayasaka - The Eye
Hinako Mishuku - The Desolation
Anzu Kinashi - The Stranger
Ranmaru Kageyama - The Lonely
Mai Tsurugi - The Slaughter
Naomichi Kurumada - The Extinction
Q-Taro Bugerburg - The Hunt
Megumi Sasahara - The Corruption
- Intro -
So to start yttd aligns with tma a lot actually!! First off chapter one had a very strong paranormal theme to it, as well a lot of manifestations/themes that the entities had though out the game. The most obvious because the dolls (stranger) and death (end)
The timeline fits to!! The death game happens April 2017, which is a few months before The Unknowning, around/mid season three(3). The change happens October 2018 which is enough time for the plot.
In case you are here for yttd and don’t know anything about the Magnus archives, tma is a horror fiction podcast where there are 14(now 15) fear based entities/gods, that feed of of peoples fear. And occasionally instead of fearing an entity, some people ‘sympathize’ with it. Becoming an vessel or avatar for it instead. I don’t think you have to worry about not having context to tma because I think I did a pretty good job explaining it. if you are confused a quick Google search will probably answer your questions. I even linked the entities wiki page if you quickly want answers. If you are interested in tma or even just a specific fear but don’t wanna listen to a 200 episode podcast, this is a rlly good playlist explaining the entities.
- Asunaro -
So basically everything is the same except that yttd and tma take place in the same world. I can see asunaro being like the Magnus institute in how it serves the eye, I can see it serving an entity as well, but instead of it being one entity, there’s different parts that are dedicated to different ones, because there’s a few asunaro matches with, the most obvious one is The End, also known as Death or Terminus, is well death. Considering their focus on death and a full on death game makes it fit quite well. I can also see The Web or the Mother of Puppets playing a part because as we see a few times (especially in the mini episodes) they try to control the participant’s lives like how they framed Alice for murder. but also in the way they had the ai simulations. They knew every way it could play out, everyone’s chance at survival, what they do when threatened with death, what they do when they’ve lost everything, playing with them like puppets. Due too asunaro’s assassin history in Kai’s backstory I can see them connected to The Slaughter as well. I don’t think asunaro would have started out serving an entity. The would’ve done what they did in cannon and then found out they exist and that they aligned with some of them and ended up here. The entities that helped them realize that would’ve been The Eye and Stranger. When they started stalking the future participants they caught the attention of The Eye, also know as the Ceaseless Watcher or Beholding. It started to let asunaro use it to get information. The doll thing was also an accident. They started to make the dolls to help with people mourning loved ones like in cannon, but got influenced by The Stranger or the I Do Not Know You and started replacing them entirely, and make them look a lot less human, and leaning into uncanny valley. like something was wrong but you just don’t know what.
- Asunaro’s Employees -
SARA CHIDOUIN
While I know Sara isn’t an employee, her existence still plays a massive part with The End and the company. Like I mentioned in my original post I rlly like the idea of her being deified by asunaro. So I can see her playing a similar role to Angus. Her father was fascinated by The End and very early on he started to raise her for it. Asunaro quickly caught on and was more than happy to help. So along with raising her to be perfect for the death game, They raised her to be the perfect vessel for The End. She didn’t become an avatar until during the death game. They kept her from becoming an avatar before then. She was heavily marked by it, but they wouldn’t let The End take her before that point. So when it did make her an avatar it was very sudden, and all at once. The entities were kept a secret for her entire life, so when she started getting the dreams of how the still alive participants would die during the game, she just dismissed them as simple nightmares what came with trama. But then those dreams actually happened. How she saw them die in the dreams is how they ended up dying in the game. And then the roots showed up. She saw the way death wrapped around everyone in a way only she was able to see. By the end of the death game She becomes The Ends main avatar. She goes from a sort of death prophet to Death incarnate as It and Asunaro takes more and more. She becomes their Angel of death.
MIDORI / SOU HIYORI
I don’t have to much of an explanation for this one. But i remember someone calling him the puppeteer doll, and that he kinda messes with people like puppets or play things, so I think it lines up with The Mother of Puppets. That and I think a simple basic kind of fear would work well with him. I could see him using spiders to subtly scare people, especially the people he’s close with like Shin. He is the reason Shin had an encounter with The Web in high school. I can see him as the head (or at least someone higher up) of The Web section/avatars. He became an avatar rlly young. He had always rlly liked The Web and With his connection to Asunaro he was able to connect with it, and commonly used it to mess with people. Even as a little 5 year old.
SUE MILEY / EMIRI HARAI
As I mentioned here she’s the perfect avatar for The Spiral, also known as The Distortion or The Great Twisting, If not a victim of it. In the game she gaslights people into thinking that their loved ones death was their fault, and she was also driven mad by asunaro. Due to The Distortion also having a theme of hallucinations, the ones we see in game would have been her doing, or at least part of it. This next part is a bit unimportant but I wanna include it anyway, I hc backstory is that she’s Mai’s sister and was taken from them at a young age under the guise of letting her research more of the disturbing stuff that she was interested in. They framed her death and changed her last name. Slowly they started desensitizing her, as she slowly got used to stuff like death and suffering. As well as loveboming her, stuff that can be used by The Spiral. That overall theme fits The Spiral to me. She becomes an avatar as an adult, when she goes mad in cannon. And actively used The Distortion during the death game. Like I mentioned earlier, she used the hallucinations to drive people mad, and made them spiral as much as possible.
TIA SAFALIN/MICHIRU NAMIDA
I originally assigned her The Dark also known as The forever Blind or Mr Pitch, because of the way tma blended science and religion with it specifically with Manuela Dominguez. I can even see her playing a similar role. Ok I have to be honestly I don’t have a lot for this one. I just rlly like the idea of Dark!Michiru. I can maybe see her becoming an Avatar trying to escape an entity. she was a researcher and maybe fell victim to The Ceaseless Watcher, and in a way to stop it she gouged her eyes out to sever her connection to it, and in the process fell into The Forever Blind. Also I’ll get into this when I talk about Hayasaka (in the dummies section) but I like the idea of her serving The Dark while he serves The Eye, two(2) entities known to hate each other. But anyway back to the eye thing, Hayasaka and Emiri helping her after literally going blind. And still being blind during the game and using a cane, and often using the dark during it as well. But yea I just rlly like dark!Michiru.
RIO RANGER
I’ll get into him a bit more with Anzu, but this happens after the death game. Where he is rebuilt and finds out about Sei and has a bit of an identity crisis. That along with the doll thing makes him end up falling into The Stranger. He and Anzu got close after the game. They bonded over liking to dress up/costumes and preforming. Anzu even got him to become a clown. So when Asunaro pushed her into The Stranger he followed, and went on a similar arc as she did.
OTHER
Obviously like I said earlier Mr Chidoun serves The End. I know there’s a theory that he and Meister are the same person but going purely of of Meister I can see either Web or Stranger. Web because of his association with Midori, and probably Stranger because of the doll thing, l can imagine him leaning into uncanny valley, he also looks a lot like Nikola, like if Meister was a clown. Kai was almost an slaughter avatar, and by almost i mean it’s what asunaro wanted, but he couldn’t actually fit it. I don’t rlly have one for Gashu actually. Maybe Stranger because he makes dolls? I can also see him leaning into uncanny valley, but that’s literally it.
- DUMMIES-
(Reminder that this post is important for this section)
The dummies overall story: so it’s the beginning part of that^ post where Midori was fucking around and put their human souls in their dolls and ais. It worked and after the death game they rebooted and rebuilt them. This is where it starts getting a bit different. They were still experimented on, trying to find the exact differences between Human and doll. However this time they are more focused on turning them into avatars. Anzu and Hinako were the easiest, all they needed were a slight nudge and they would keep falling whether they wanted to or not. Ranmaru, Hayasaka and Mai were more difficult. They aligned well with an entity, however they clung to their humanity much more than Anzu and Hinako did. They did eventually fall with a big enough push. Kurumada was the hardest to deal with. First off he didn’t actually align a whole lot with one specific entity. He had some connection to two(2) or three(3) entities, but not enough to become an avatar. They did eventually find one but it wasn’t even fully formed, they had to push even harder.
In order of when they became avatars
SHUNSUKE HAYASAKA
{important} As I mentioned in my Og post Hayasaka Is PERFECT for The Eye. On the wiki page, it says The Ceaseless Watcher fears are focused on being watched, Having secrets revealed, Horrible knowledge, Being exposed and judged, which works VERY well considering he was the one to watch over the rest of the participants. Before his memory’s were erased for the death game, he knew everything about everyone, he’s watched them all for a few years now. The Eye had originally marked him in high school, teasing him with the knowledge thing it has. he didn’t follow it because he didn’t know what it was yet. When he started working for Asunaro and they told him to start stalking the participants, it came back, and it loved him. He fit so perfectly, it couldn’t help itself. Hayasaka hated it. He rejected it for a while, until a few months in Michiru helped him get used to and accept it. Overtime he got more and more comfortable with it. He does become an avatar before the death game. So he has access to The Eye during it. I’m imagining him getting hungry at some point and tries to get a Statement, and ends up going to kurumada and asks him about his encounter with The Buried from when he was in high school. In which after he finishes he freaks out and almost blows up at him, but Hayasaka stops him and explains everything. I would also like to mention that he also acts a lot different during the game now. Going back the the {important} thing, he was much colder and assertive The Eye didn’t let asunaro erase his memory, so he remembered everything anyway. It’s also what tipped asunaro off to what Midori did, because like why does Hayasaka act exactly how he did as a human, and not his ai self. And why does he still know everything. The Ceaseless Watcher also told him what Midori did. And he tried to tell the others about it as well. Especially the other dummies because 1. He genuinely wanted them to know about what actually happened, and that they are really them and not an ai copy, and 2. He wanted to bring them together, so that had each others backs. ‘We are in the exact same position, let’s work together’ they helped each other get used to everything as well.
HINAKO MISHUKU
She started becoming an avatar a little bit before the Death game. Midori recognized that she had a lot of potential for The Desolation. So he started leading her down that path with getting her to go after and  destroy the people who hurt her/people she dislikes. Slowly she became more and more destructive. It ended up real bad after the game. She knew exactly what asunaro did to her. How they destroyed her life and took everything from her. The sheer anger that she felt. She sought out to harm the people that did that to her. After that had started she began to spiral. Eventually she started harming more people, people that didn’t do anything to her. Slowly becoming more sadistic. she thrived on that destruction, the pain she brought others. One day She was burning down someones house and got caught in the flames a little bit after the game. She was the first one the rest of the dummies become an avatar. Hayasaka already was one. This made Mai, Ranmaru and Kurumada realize what exactly asunaro was going to do to them. Anzu decent made them realize how bad it was going to be.
ANZU KINASHI
Anzu’s transformation hit everyone hard. They had meet Hayasaka and Hinako after they started succumbing. They basically watched Anzu die. They saw a sweet kid become a monster before their very eyes and they couldn’t do anything about it. Luckily for the others their change weren’t that bad. It was very easy to get Anzu to spiral into The Stranger. All she needed was a push, first Asunaro wanted to get a proper mark on her. Anzu was already a clown and now a doll, both things very associated with I Do Not Know You, so it was very easy to get its attention. The doll thing was already a bit of a mark. But The official mark would’ve been similar to Mag 87: The Uncanny Valley. Asunaro got in contact with a Stranger avatar (probably Gashu if he wasn’t dead) and had them fuck with her(resulting in a very solid mark). This happened relatively soon after the game. Asunaro also got her interested in ‘The Circus of the Other’. (And even tried to reach out to them to let them know they might have a new member soon!!(if their plan worked(it did))). The lack of identity started soon after the marking. After going something so traumatic, she changed quite a bit. That and The Strangers affects starting to plant in her head. She also leaned into it because it had a huge theme of not knowing, she probably wanted to forget everything that happened and live in bliss. The disconnect from her identity only got worse she properly got involved with it. Her personality and just who she was as a person changed a lot, both physically and mentally, which slowly made her feel like she wasn’t “Anzu Kinashi” anymore. I mean “Anzu Kinashi” was dead (legally at least), and because of that, her being a doll now, and having to be cut off from her family. She was kept in asunaro’s facility. Everything was different now. She was different. Anzu ended up changing her name because 1. She didn’t feel like it fit anymore and 2. To let “Anzu” rest. I cant rlly think of a name she would choose but all I can come up with is Pierrot. At her end point she leaned very heavily into uncanny doll. She still Had a lot of energy and emotion but now there was something off about it, almost empty, hollow and fake. She also likes to wear masks. Not the one she used to wear though. That one’s for Anzu, she has a collection of different masks now. She still has the old one, it’s sitting nice on a shelf. A place to mourn who she was. The timeline is a bit weird. It’s main issue how fast can she loose it. because the game happens in April, while The Stranger’s ritual, The Unknowning happens August. I Hope she can join Circus of the Other before the Unknowning but I feel like that’s stretching it a bit. Anyways Breekon (and Hope If he’s alive) go get Anzu and she joins them, and kinda fucks around over there for a while, and properly leaves everything behind. (Also she knows English because she’s an ai now and can download it)
RANMARU KAGEYAMA
Unlike Anzu he had always been connected to an entity. The Lonely was always there. It followed him as he grew up. The ever present fog that was everywhere he was. With the hc from this post, first off I think a lonely ice skater could be rlly cool but also like I mentioned his parents were ice skaters and held him to a high standard and since so much of their love for him came from that when he wasn’t living up to their standards he felt less loved. More alone. He started to become a few years before the death game. When his relationship with his parents got worse and he started getting outcasted. He started falling into The Lonely. It was very very slow. But when he got into the game and found out what was happening, he immediately pushed it away. No matter how badly he wanted to fall into it and let it embrace him, he pushed it away. And clung to his humanity. He didn’t want to become a monster. Especially after what he saw what happened to the others. How they lost themselves. Eventually asunaro got tired of waiting and started isolating him. Soon enough they didn’t need to anymore, and He was doing it on his own. The closer he got to the lonely, the more tempting it was. eventually, he let go, fell into the fog and was never seen again.
MAI TSURUGI
Mai was touched by The Slaughter before due to asunaro seeing an opportunity when she started carrying around a knife but when she was brought into the death game, something touched by The Slaughter, and it’s affects over her got stronger, however it took her much longer to succumb to it than Ranmaru. Partially because she wasn’t as tied to it as Ranmaru was to the lonely but also because she had more self control. She was able to withdraw herself from it for a lot longer than he was. But, she did become. It had been terrorizing her for months to even over a year, and eventually, she broke. She became when she had an outburst of pent up anger and emotion towards asunaro and killed a ~dozen of employees and broke out to try and live normally again (or as normal as you can get when ur an avatar and a doll)
NAOMICHI KURUMADA
Kurumada was easily the hardest to assign. He never fit an entity like the others did. Asunaro bet on slaughter due to how violent he got during the incident, but he didn’t stay angry. He quickly burnt out and just didn’t know what to do. when he was taken into the death game and his memories were erased he did kinda regain his anger but it quickly faded when he got back them and even got worse to the point of being suicidal after he fully realized that everything had changed. He just wasn’t angry anymore. He was tired and did want to do anything. Asunaro couldn’t get him connected to the slaughter anymore. (I also didn’t wanna give the only character who’s not paper white the sudden violence one) he didn’t fit any other pre existing fears so he just kinda sat there for a while, watching the people he loved become monsters. And then The Extinction came into knowledge. The fear of the death of humanity and Catastrophic change. In the past few years everything has changed for him. The loss of his mentor and his dream of being an boxer, his humanity, he’s dead, he’s now a ghost possessing an ai stuck in a doll, he’s now stuck in a facility that did all of this to him. And hell he’s basically a different person now. Even the death of humanity works because he by definition isn’t human anymore. Not to mention he was in a death game and facility where humans die and are replaced with ai dolls. The Extinction also has a huge theme of tech, which works with kurumada considering he’s an ai now. Asunaro didn’t even have to anything to get him to start becoming. The Extinction taking kurumada is what made them realize it existed in the first place. After that they started to subtly push him in that direction. He was the last of the six to become an avatar. After Mai had her outbreak, the only ones left were him, hayasaka, and Hinako though she often went missing for days if not weeks at a time. And even then she’s only really come back to occasionally sleep even though she doesn’t need to anymore. So it was basically just Hayasaka. He did start to see some off the others again after he became an avatar. I like to imagine his avatar-ness being a lot like {this} I don’t know what to add to that, he’s just like that. He’d hang out in abandoned cites. The person finding him could be Hayasaka or Sara maybe.
- Other participants -
Q-TARO BURGERBURG
Q-Taro had a similar arc to Daisy. He was first properly marked by The Hunt when he went to America to learn how to use a gun. The person that taught him was a Hunter and they noticed that he he reeked of The Hunt, and used that opportunity to properly mark him. His affiliation with The Hunt became more obvious when the he was put into the game. The way he was so quick to weed out the weak and leave them for dead is something strongly associated with The Hunt. Because as mentioned by Jon in S5, ‘yes the hunt is associated with the Chase but it’s mainly the fear of being seen as weak and being left for dead, and being prey.’ His connection to the Hunt only got stronger as the game went on. During 3-B Safalin (or someone with asunaro (maybe Hayasaka)) mentions he’s becoming an avatar for The Hunt, and that he’s going to become a monster at some point. And this adds another reason he sacrificed himself and died in Keijis place. I also rlly like the idea of Q-Taro having a more animalistic fear. I also like the idea of him and Mai feeding together, since The Hunt and Slaughter are similar fears. 
MEGUMI SASAHARA
Megumi has always been touched by The Corruption, especially after she joined the police force and made her way to the top. but her death was what made her an avatar. she comes back probably in chapter 2 and attacks the cast. She's a Corruption avatar because I want her to be as disgusting on the outside as she is on the inside (and because of the corruption in the police system)
- Closing -
To end this off I would like too add some hcs, specifically encounters some of the people had with entities, as well as some alignment due to most of them dying before they could possibly become avatars. I already mentioned that Shin as well as most of the cast, had an encounter with The Web due to midori. Whether it was more subtly like most of the cast or more obvious like with shin.Kurumada had an encounter with The Buried, that’s why his first trial was like that. The real Hinako was end aligned. Keiji is touched by the corruption due to being part of the police force. In my original part I mentioned desolation!joe and vast!mishima. Desolation Joe could’ve possibly happened by him finding out about what asunaro did to his father (and what they did in general) and wanting to burn it to the ground (think Tim stoker). Vast Mishima actually could’ve happened before the death game. I can see him a lot like Simon, painter who fell in love with the sky. I feel like his also pretty curious so maybe he’d have an encounter with the vast thought it was fascinating and wanted to figure out what it is. But as soon as he realized what he was dealing with, he would’ve tried to get away. The main story/ death game is still relatively the same, just with the entities added in.
Thank you so much for reading!!! This has been something I’ve been working on since October, ever since I started The Magnus archives. You reading this and listening to my ramblings means a lot to me!!
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right before the ussr collapsed i worked as a defector from the capitalist world podcaster. i would go on to the state run tv stations and talk about the many horrors of the west and how you had to pray to margaret thatcher 30 times a day or be shot by death squad. sadly because of the soviet collapse i became unemployed and had to become a full time tumblr blogger to survive
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dathen · 2 years
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Continuing my Audio Drama Recommendations based on Non-Podcast Faves series, a show that is very dear to my heart:
Hello from the Hallowoods
Premise:  In the forests of Northern Canada at the end of the world, the survivors of an eldritch apocalypse band together to survive, scraping meaning and community and joy from a world turned dark and strange by an eldritch apocalypse.  Few touched by the black rains remain unchanged--or even quite human--and the dead tend to not stay dead.  Most of humanity has shut itself away in a virtual world, but the malicious megacorporation that keeps it is not the only power invested in what plays out in these woods.
For if you like:
Over the Garden Wall - The Hallowoods may be filled with horrors, but the story is just so damn cozy.  It has that same eerie, dark warmth that makes Over the Garden Wall a favorite, particularly the pumpkin episode where the things that are frightening and welcoming may be one and the same.  Also like OTGW, Hallowoods loves to work through complex feelings and relationships through its spooky setting.
Discworld (/Good Omens) - This is mainly for two things I love about Pratchett’s writing: the profound wrapped up in the strange, and the catharsis of age-old tropes turned inside-out.  Fans of the Death series will find obvious things to love, but also: imagine the queerness of Monstrous Regiment multiplied by ten thousand.  And without giving away too much about my favorite subplot, it follows a demon sent on a celestial audit of earth and catching more feelings than he signed up for--I KNOW a lot of you would would love it.  And on a structural note, Hallowoods’ dozens of points of view overlap to create a complex, compelling whole with something for everyone--and you don’t even need a reading flowchart for it!
Don’t Starve Together - This one’s just pure and simple vibes, but oh are they TASTY.  Found family huddled together in creepy, sinister forests, finding small victories in putting together a garden and handful of bee boxes, or sharing a meal with a friend?  No joke whenever I play Don’t Starve these days I just pretend I’m building the Hallowoods Scoutpost.  Complete with local beloved ghost.
I got like ten suggestions from friends when putting this together, but wanted to keep this concise--feel free to reblog and add on with your own comparisons!  I’ve lured at least one person to this show over “what if Frankenstein’s Creature got love and support”!
Warning:  The show delves into topics like religious trauma and queerphobia, including a queerphobic fundamentalist as the central season 1 villain.  This can be pretty rough to listen to in the 20-28 span in particular.
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