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#I know it was kinda a filler comic BUT I LOVED IT
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WE HAVE BEEN BLESSED WITH BROTHER CONTENT
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💙💛💙💛💙💛💙💛💙💛💙💛
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finsterwalds · 2 months
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Got my hands on the script of Anatomy of a Fall, and I couldn't help but compare it with some scenes from the movie because that's how deep I am rn :'D Anyway, here are some of my finds and things I personally enjoyed. I'm sure there are more things to dig out but these are what I wanted to share with the world. The order of my finds will be chronological, for the most part, but keep in mind that sometimes, some scenes were edited to show up later, or earlier than originally intended. Spoilers for the whole movie obviously so you've been warned!
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Takes place when Vincent first visits Sandra to discuss Samuel's death. In the movie, Sandra stops Vincent and cuts him harshly, saying "STOP, I did not kill him". Vincent then says a line that I think is pretty iconic in the movie, a sarcastic : "That's not the point. Really". His line is much harsher than on the script, where he's a bit softer. "You don't need to tell me that" implies that he has some deep, loyal faith in Sandra, while "That's not the point" cuts any further discussion. He really doesn't wanna know if she actually did it. Comes from a wish to remain blind still, but with less innocence and a lot of denial. Oh, Vincent.
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In the movie, his last line is way better imo, he says "No one's gonna believe that. I don't believe that." I like the emphasis on his opinion rather than the fleeting and impersonal "it's really hard to believe". Truly hits way harder and puts Vincent back in the position of a lawyer.
The rest will be under the cut because I think it's gonna be a wall of text I apologize guys...... This movie does things to my brain.
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There's a scene that was cut where Vincent phones Nour while still at Sandra's, which I would have enjoyed a lot but I'll admit it's a bit filler-y. Doesn't add a lot and kinda cuts the serious tone of Sandra's confession, imo, as they discuss the judge's antics in a pretty comical manner. I just love Nour so I'm based......
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Another, REALLY long scene that was cut where a medium comes into Sandra's house to feel Samuel's ghost and foreshadows Daniel poisoning Snoop with aspirin. I had a good laugh at that one, honestly. It feels pretty out of place with the tone of the movie, and the personality of the characters even... I can't picture Sandra calling a medium. I'm glad they removed it because the foreshadowing was unnecessary too. It's still interesting that they had planned it however.
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This takes place after Vincent finds out about the tape. Interestingly, his whole line was cut after "before he died". In the movie, he never comments on Sandra's affairs/sexuality. He never really asks much about her life at all. He truly is blinded by his wish to shield himself from her inner demons, in order to maintain his undying loyalty towards her. To see what he wants of her...
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Another scene that was completely cut (a flashback, I believe?) where Sandra makes Daniel pose for a german photographer to make some money, which Monica dislikes, and then they argue. I think it really frames her as too unsympathetic, so I'm also glad it was cut.
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Okay, so now, here comes The Big Change. The scene where Vincent and Sandra drink together after the first trial was heavily altered, because its tone in the movie is pretty tense when compared with the lightheartedness of the script. In the script, they laugh and reminisce together about the past and even kiss at the end of the scene. In the movie, none of was I screenshot happens : instead of playing along with the 'firing Vincent' suggestion, the scene ends with Sandra scolding Vincent for judging her in his head. Vincent backs off and the scene ends. Another instance of him not pressing emotional depth to shield himself.
There are other scenes I liked (many that touch upon Sandra's books) but I'll stop there. Hope you'll enjoy that... I might draw some of these so stay tuned... This movie has absorbed my soul but it feels good to be alive, thank you Justine Triet.
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strangeandhollow · 5 months
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Side Characters
Relationship:
Marc/Nathaniel: Became official one year ago. Run a comic series together.
Mylene/Ivan: Nature-loving couple. Together for about three and a half years.
Kim/Ondine: Together for 2 years (officially). Not much to say really.
Fun Facts:
Sabrina: Sort of still getting used to life without Chloe’s puppeteering. Occasionally falls back into old habits but thankfully is always firm about not allowing Chloe to manipulate her (Chloe is like a toxic ex trying to get her back). Sabrina does not entertain it but hasn't blocked Chloe because she’s low-key amused by it. Gives Zoé ideas to tease Chloe with.
Alix: Our AroAce resident, hangs out with Sabrina. Kinda a troll. Gives Sabrina ideas to give to Zoé to tease Chloe with. (Sabrina filters a lot of the more crazy or cruel ideas).
Marc: Zoé’s bff. Tried to wingman for her once but failed. Not very active on social media but Zoé is working very hard to change that.
Nathaniel: Artist for his and Marc’s comics. Absolutely obsessed with making Marc blush. Works alongside Zoé to get Marc out of their shell.
Mylene: Nature activist, more or less here for filler.
Ivan: Same as Mylene.
Cerise: Totally just some rando. Definitely not important to any plot. Has a strange distaste for Ladybug.
Max: Smart boy. Occasionally joins Marionette for game night (definitely not trying to find a way to beat her one day).
Kim: Likes to screw with people. Doesn't know why Chat Noir doesn't like him.
Ondine: Think Bonbon from sister location.
Nathalie 🤝 Ondine doing pubic relations for the boy they love
Previous / Next (Part one)
Update on Ivan because I put guitarist instead of drummer 🤦‍♀️
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moldybonessmell · 2 months
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The Umbrella Academy season 3 review post
I finally finished season 3 of tua even tho I've watched first two seasons first day they came out and oh boy do I have things to talk about-
To begin with, the things I like about new season:
- The way we finally dug into Allison's trauma and how she starts going psychotic is actually a good plot line especially the accent on how she just like any other Umbrella Academy people indulges in self-distructive behavior, she's really just like them
- Diego getting a kid as someone with the biggest daddy issues out there is a realistic plotline because having a kid (even if Stanley's not actually his) heals him in this regard tho he and Lila would get a kid anyway eventually but they really should've been more sad about Stanley thanosing out of the existence you know
- Five being the founder of The Temps Commission makes so much sense as he's the one with the power to travel time of course he's more powerful than it seemed
- Good music scenes. Music is what season 1 was incredible for and what I love about the show. In season 2 there weren't many scenes that caught my attention but in s3 it's definetely better. We got Klaus's death montage with "Crystallised" by The xx and celebration scene with "Another one bites the dust" by Queen + Luther on moon and "Friday I'm in Love" by The Cure these were really nice.
- The Oblivion Hotel is such a cool location and concept (a place for everyone) I like the change of place of action a lot, but the way it's a portal is kinda overused imo
- Lila and Five are still the best characters and carried the season
- Fei is such a cool chara with a distict character design (which most of Sparrow Academy lack tbh)
Now things I don't like:
- Ben being just a placeholder character is such a bummer because instead of getting angst and drama we got a mostly one-dimentional anti-hero who has a completely different personality from Ben. We got a tiny bit of his character when he admitted he just wants to be involved with everyone but it's really minimal.
I can't believe Klaus says "He's an asshole and he's dead to me" like WHAT DO YOU MEAN fuck no Klaus would not say that shit and he would not just give up on him. Yeah Luther says stuff like "I'm glad to see you even if you're different" or whatever but it's Klaus who've spent the most time with Ben.
The way literally any other actor could have played Sparrow Ben and nothing would change is lame af I hope in next season we will see more changes
- Same goes to my dear Grace who's just a placeholder for black hole worshipper like what do you mean we just got one phrase from Diego and that's it??? This whole bit with fake god and stuff really threw me off it didn't go anywhere
- The Sparrow Academy being one-dimentional characters in general like I get producers probably didn't have enough episodes to actually develop characters but holy shit are they boring.
Even if you want to make them just antagonists we had such cool villains in two previous seasons they were original and interesting (aka The powerless podcast-fan male manipulator Peabody and The Cunty Handler)
Also the way the fisrt Sparrows who died were the most annoying and cliche assholes makes them just filler charas
- How show tried to make us feel compassion to Reginald Hargreeves holy shit do I hate this guy- After Klaus realised his father was basically killing him over and over in his childhood instead of Klaus getting mad or upset and having a breakdown we got nothing.
He even came back to new timeline Reginald who's "nicer" for this asshole just to hurt him AGAIN
- Klaus mostly being a comic relief in this season is so fucked I love this character and in previous seasons we had a great look at his life and experiences but now he's just kinda there being high and that's it
"mm I guess he died a few times it's probably enough" - plot writers
no character development whatsoever is just upsetting.
And the amount of unnecessary traumatising aka Reginald training him was really not it, even if it's supposed to be a joke.
- Reginald being a two-faced ass like holy shit is this terrifying. Pogo was the one who gave Sparrows pills and now Klaus helped him to stop taking them and this asshole is taking advantage of naive and vulnerable Klaus.
It is in fact a good plot twist but bro I really did prefer Reginald being a cartoonish villian instead of actual pure evil like how does he have shitty motivation but still does just so much shit.
- The Umbrella Academy family having no improvement in their relationship. They still don't care Klaus relapsed, they still don't care about Viktor. All they care about is their own misery which is really in character but with three seasons out of the way and only one more left I would expect at least something you know.
- Viktor is still left out. Like bro the only compassion he had is only when he transitioned but this is it?? Bro's still waiting till someone comes and cares about him but not only this doesn't happen, he even gets rediculed by Sparrow Ben for that and called emo are you actually kidding me what's with all the hurt with no comfort???
It feels a lot like when you're mentally ill and your family kinda "walks on eggshells" to not trigger you but it's in quotes because they don't actually care. They act nice just because they think you're psycho and you would make less problems if they pretend. And this is very sad, Viktor is such a tragic character.
Okay that's it for now. If you have any thoughts please share in comments!
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sleepyconfusedpotato · 10 months
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Hi! I think your art is awesome and you are super cool!!!!! I was really confused about something so I thought I would ask you because why not! I’ve only played the old MW2 (recently), and I’m confused on how the seasons for the new MW2 work (alas, I haven’t played it yet). I heard about how in every season there is a story that corresponds to that season. Are those stories canon??? Do they add onto the campaign story???? Or are they just kinda standalone things??? I’m really confused about it 😅
Thank you in advance for helping me out here!!!! Btw Jade is so cool!!! I love her and Ghost’s dynamic 🥹 your comics are so goofy and I love your Roach design 💪
Hello Anon! and thank you (❁´◡`❁)
Well, to keep it simple, the multiplayer season stories (usually in a form of cutscenes) are the things that continue the campaign story. The seasonal cutscenes are released every season and used by the developers to transition us to the next CoD games.
-> Are they canon? Yes they are.
-> Do they matter? Some of them are, some of them don't. Some cutscenes are used to just introduce new operators to play in the multiplayer, some can be a story filler. Like in the Season 2 of MW19, Ghost was introduced as an operator. In the Season 3 of MW19, Alex (who we thought was dead) was introduced as an operator. Oh, it turns out Ghost knew Alex, cool!
In Season 5, Lerch and Roze was introduced as new operators for the multiplayer. Do they matter much to the story? No. But they are Shadow Company, and that matters. (also works as a teaser that in the reboot timeline, Shadow Company does exist, and Graves is later introduced in MWII.)
In MWII, there are Atomgrad Raid missions where we play as Price, Gaz, Farah, and Alex -> We met Hadir who's been missing since 2019, and by the end, he's dead. So is Hadir canonically dead? Yes. In Season 3, the cutscene shows that Valeria broke out of prison. So she's not imprisoned anymore now? Yes. Season 5, we met Graves! But he was dead in the campaign! Well turns out he was never in the tank. So he is alive now? Yep.
-> Basically later in MWIII, the seasons just tells us that something has changed since MWII -> Hadir's dead, Valeria is free, Graves is alive and currently allies with Farah, and Shepherd is still on the run.
Do I have to know all this shit going into MWIII???? Not really. But it does fill some gaps.
Hope that answers your question! ( •̀ .̫ •́ )✧
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greenlantern94to04 · 8 months
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Those Weird Hal Jordan Comics Between "Reign of the Supermen" and "Emerald Twilight"
I've always been fascinated by that brief, strange period in Green Lantern and Justice League comics between Coast City's destruction and Hal Jordan's heel turn, also known as "The Sling Era" (known by me, I just came up with it). The way Hal was handling the death of his 7 million bestest friends varied wildly from issue to issue, almost as if the writers were trying to tell us that he was already having a psychotic breakdown.
Of course, we all know that Hal only behaved that way because DC had no clue what they were gonna do with the character until they went and did it, but it's still kinda fun to look back at that period and search for hints that couldn't possibly be there. So let's do that:
Justice League International #56-57 (October 1993)
These issues came out on the same month as Green Lantern #46 (the Hal vs. Mongul issue) and clearly take place before Coast City went boom, since Hal isn't wearing the sling on his arm yet. I'm including them here anyway because of this telling exchange between Hal and Power Girl, who'd recently found out she was pregnant. For context, Hal and PG had gotten pretty close while they were both in the JLI... but not as close as Hal would have liked:
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Maybe it wasn't Coast City's destruction what drove Hal mad -- it was the thought of Aquaman getting into his "girlfriend's" pants before him. (It turned out PG had been magically impregnated by Atlantean wizards, so at least Hal was in the right ballpark.)
JLI #57 includes this amusing moment after Metamorpho says the League won't be the same without Elongated Man and his wife Sue:
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Haha, yeah, a member of the JLI turning evil... can you imagine?
Green Lantern #47 (November 1993)
This Green Arrow team-up is pretty much a filler issue with a couple of references to Coast City's destruction thrown in. No one seems that distraught about the fact that their city just exploded. For the most part, you wouldn't know this was a post-"Reign of the Supermen" issue if Hal wasn't wearing that sling on his arm.
Hal and Oliver Queen get caught up in a dumb plot involving Hal's ex, Carol Ferris, his pal Tom "Pieface" Kalmaku, and robot doubles of Carol's dead dad created by her mom due to her "nervous problems." The most intriguing part is Ollie telling Hal "I'm seeing something in your eyes that I never saw there before." (Spoilers: it's murder.)
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Later, Hal gives a speech about finally moving on from Carol and "letting go of the past" (so, the opposite of what he's about to do). He also implies that he's gonna be pursuing another of his love interests, Olivia Reynolds, who's trying to get financing for a GL toy line.
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The issue ends with Olivia noticing that one of her Green Lantern action figures "lost his head." That's probably the only intentional foreshadowing for "Emerald Twilight" in these issues, but it could just as easily be a tease for another dumb plot that never happened because they switched writers after this issue.
Superman #83 (November 1993)
As mentioned when I covered this issue at the Superman '86 to '99 blog, Hal is in a pretty dark mood here. When Lex Luthor Jr. shows up uninvited to the superheroes' "funeral" for Coast City, Hal bluntly says "This is a private affair. Get rid of him." Then, when Lex says they could salvage some alien tech from Engine City, Hal insists that they just "let it die."
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Aquaman (there's that jerk again) takes issue with Hal's idea of dumping a city-sized engine into the ocean. Superman tries to calm everyone down, but Hal snaps and says: "I'm tired of talking! (...) My friends are buried under this junk heap and I'm not about to let it stand as their tombstone!" Later, after Engine City has been safely disposed of and Superman has erected the monument to the dead, there's an exchange between Hal and Ollie that's more meaningful than anything in Green Lantern #47:
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Okay, "Can't win 'em all!" isn't the most sensitive way to talk about genocide, but you have to admit it's in-character.
Justice League International #59-60 (December 1993-January 1994)
Hal skipped JLI #58, and the next two issues are mostly set in an alternate timeline caused by a time-traveler who undid the origins of several superheroes, including Hal himself. Conveniently, this means that these issues don't have to deal with our Hal's mental state. In the alternate timeline, Guy Gardner is the heroic Green Lantern while Hal is his biggest fan. Once they figure out the truth, Guy decides to use the ring to go back in time and fix the timeline but Hal tries to stop him, because he knows Heroic Guy will turn into Guy Guy in the corrected reality.
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Pretty ironic that Hal didn't want to restore the timeline because he was afraid of Guy losing his "sanity," and then he was the one who went insane (while Guy entered what's probably his most heroic period). Good Guy ultimately sacrifices himself for the greater good, making Hal think: "If this does turn me into Green Lantern... I can only pray that I'll have half the courage and nobility of Guy Gardner!"
Once Hal's memory is restored, they ask him if he can use the ring to travel to the 70th century and stop the villain from creating this whole mess in the first place, but he says he'd "need the whole Green Lantern Corps to do that!" So Hal thinks that if he had the power of every GL, he could change the course of history? Interesting.
Justice League America #83 (December 1993)
Hal is wearing the sling in this issue, so it's definitely set after Coast City's destruction, but he's perfectly calm and seems more concerned with regular League business than reshaping the universe. Maybe he's just trying to bury himself in work?
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Valor #14 (December 1993)
Another Sling Era issue. Valor asks some Justice Leaguers if by any chance they know any cures to lead poisoning, which he's currently dying of. Hal says "I wish to God I could help... but there are limits to what my power ring can do." But... maybe there shouldn't be?!
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Bloodbath #1-2 (December 1993)
A sling-wearing Hal shows up in the two-part finale of the regrettable "Bloodlines" crossover, though the sling is missing in some panels (perhaps he was already getting better). The only noteworthy interactions here are: 1) Deathstroke telling Hal "Remember that I'm one of the good guys today," 2) Hal referring to the Guardians of the Universe as "control freaks," and 3) Hal telling Superman not to beat himself up because he wasn't around to stop the alien invasion of Metropolis (he was dead at the time). This last scene is by far the best part of the issue, because of a typo when Superman is supposed to say "Poor Metropolis":
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Geez, what are they feeding those cows down there?
Eclipso #15-16 (January-February 1994)
Sling Hal and other superheroes (plus Lex Jr., for some reason) talk in the United Nations about the menace of Eclipso, who at the time was president of a small country and had access to nuclear weapons. Then Eclipso shows up and beats them all in two panels, literally.
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Hal's only role in Eclipso #16 is as an unconscious body on the floor of the UN. I think I'd also go crazy from the humiliation.
Justice League International #61 (February 1994)
And finally, Hal's last appearance as a member of the JLI consisted of him saying he wished he could help, but he has "pressing business as a Green Lantern!" That pressing business turned out to be crying on a crater and then... well, we'll see that soon enough.
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I agree with whoever that guy is: Hal's "I'll be in touch soon" DOES sound pretty ominous. Note that this issue takes place directly after the end of JLI #60 (Hal must have put on the sling between panels). This means that the last thing Hal Jordan did before the start of "Emerald Twilight" was traveling to the far future to stop a supervillain from reshaping history. Wonder if that gave him any ideas...
NEXT: "Emerald Twilight"! And the guy this blog is supposed to be about finally shows up!
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surlifen · 1 year
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guide to surlis sonas
aka an excuse to Poast Images and drone on because I love to do that!
current main sona I think and closest to a truesona: this otter guy who remains unnamed because all the names that are my name have already been used at this point LMAO
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art by nepeteaa and by me! I'd honestly draw him more often if he weren't hard to draw? surli was easy because. Fox. (and Generic Thin whereas my body type is, while still pretty thin, specific in a way that's hard for me to draw) and honestly I enjoy drawing him more oTL.... otters are super hard to stylize cutely + in a way that looks Like Me... surli does not look Like Me teebeehaiche
surli fennec surlifen main sona of the past and still like... kind of me it's complicated
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imbages by jilf and vhsdruid
i kinda ended up disconnecting from his Design as a Whole and the alt palette didn't really fix it but nonetheless he's never leaving my possession. it's weird cause my brain can really only connect fully to one character per Thing/Setting as a Sona who is Me so ever since splitting off into otter I don't feel FULLY connected to either the way I once did to surli :( but I am experimenting with having multiple sonas and maybe ill try that thing people do where they also do sonas for different Aspects of themselves so I don't just have an army of Normal Nice Blonds
pokesona: liam
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art by me, cicadaghost, me
not much 2 say he is me pokemonned! he's much Smaller Cuter than I am and I really enjoy his simple design + imagining him in the pokemon world :3 like what berries he'd like best and what specific cities/landmarks he hangs out at... hiking in ilex forest and visiting the national park yk
lee: bunny....sona....?
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art by me, purrker
he was a bit of an experiment in "CAN I have more than one fursona?" and also "CAN I make a sona who isn't Exactly Like Me?" i've always seen people whose sonas have Supernatural Elements and been like how can you do that. I respect it so much but if EYE am a normal human person how can I connect to something with strange abilities and qualities. and I still couldn't go so far as like... my friend whose sona is an honest to god several stories tall kaiju with a backstory and shit, but lee has supernatural luck and a connection to/control of storms/lightning because that's sick and awesome and cool. and also glows and has cool antlers when he wants. he's not as me as the others but he's there and he's not... NOT me?
fucking... willie dustice, silver city "self-insert" joke guy
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unfortunately I DO love his stupid ass. you know how sometimes in a comic or animated show there'll be some obscure reference to one of the creators or someone on the team like as a gag that goes over most people's heads well he's supposed to be that. his appearance is me at my worst (needs haircut + shave) and he has the OP superpower of putting people in pocket dimensions of altered reality he controls entirely but he ONLY uses it to make stupid filler bottle episodes like They All Have To Play Softball or Beach Episode or whatever. represents my oft-abused ability as a creator to Put Those Guys in a Situation. he's not so much a sona (cause if I made a silver city sona it would be genuine not this greasy freak) but he sure is Representative of Me.
horse: horse
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i was challenged to make a horsesona. I don't plan to do anything with him but kept him around because I liked his design. someday I might make a more natural horse sona for in case I ever joined some kind of equine rp setting or some shit equivalent but for now my sparklehorse
spinxynsona: coast
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art by capricorne, me, me
coasty woasty... made for the nephfei world for the spinxyn closed species. first closed species sona ive ever had and i think hes neat! nephfei is such a well designed world that is really conducive to stories and characters influencing each other's arcs but coast is just some guy he's just there. he just lives there and minds his own business. (he has no gifts or curses so nothing really requiring a Story) but maybe i should get him some Friends at least maybe i can have a sona who has Story OC Friends from other people and still be like yes thats me if i was friends with everybody's ocs
dnd character who was based on me: august
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art by me, thembodino
it was suggested since I have a very hard time being In Character (i get so self conscious) that I start with a character similar to myself! so august is incredibly Just Me FR. if i were to go on an adventure i would be bad at it and terrified. his campaign is suspended due to Life but i accidentally, due to knowing nothing, picked a pretty OP blend of stats that has made him bizarrely competent (not like. the best in the party or anything but he really can hold his own and once like critted twice and turned invisible and flew and killed a dragon) and honestly that's hilarious and I like it for him
that's it! the rest of my characters are just characters not sonas though I still love them dearly, some of them even more than some of my sonas i won't name names though ty if you made it this far. i love to Talk
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docilepillow · 4 months
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2024 January Media Post Thingy
i dont post on tumblr.com a whole lot i mostly just love to reblog but i wanna see if this novelty thing sticks because for like 2020-2022 i had like a text file i did that i stopped doing in 2023 or so for like video games in particular and i unno it was fun but i got distracted cus half that month i was doing retail anything special happen this year yet? not especially, but since soon ill be very busy with something that IS indeed special, and my bday, i may as well make a post now bc i feel like i will be preoccupied for the first good bit of febuary personally ( exciting life stuff ! ) last disclaimer is that at some point i would want to add movies and shows to this list when i get around to it , but for me december and january've kinda blended in that regard.. me and my friends watched Wonka recently and i was kinda so-so on that just cus' i think the original movies a certain way i guess. oops. i think there were other movies/ shows too and comics as well but once again, december-january blurr for me. Furthermore, any piece of media i pick out for this will also have a completely arbitrary doc-ism secondary title just because i feel like it. Enjoy! VIDEO GAMES! ! MARIO GALAXY 2 < SECOND ROUNDEST MARIO GAME >
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I wanna say i spent from the first of january to the third on this game, but my Wii Menu calendar is a little fucked up....
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Whoops! Regardless, i do have a bit of a background of not completely " gel-ing " with the original Mario Galaxy gameplay wise in my own friendgroup, to mostly dismayed reactions n junk. In short, i think artistically the game's merits are absolutely fantastic, but since i played it on the switch 3d mario collection some time after sunshine, i do think the control scheme is overall pretty limited, and that does apply to mario galaxy 2, i guess, but methodically, i think playing this game on a wiimote does make the limitation feel i guess more fair in terms of like camera control and deliberacy n stuff... the galaxy games and presentation are completely amazing works of art obviously and theres some good music here but i think between galaxy 1 and 2 i definitely prefer 2 mechanically. i enjoy the level scenarios more thats primarily it, i think. I'm so-and-so on how comets work and how many stars you need to get to get to the end ( I think how comets spawn is a little filler-ey and waiting for them to appear in a level i don't know it'll appear in was a little obtuse to figure out, even if i did eventually manage it and actually enjoy the challenges they offer. its mostly just really annoying comet spawning mechanics that were a drag. a very deliberately- controlling mario i guess and being more familiar with galaxy's control probably was why i was able to enjoy this one more ? Yay! I think i still enjoy 3d world more then this and most other 3D marios, though. It's a good video game and i liked the boss fights in it, theyre surprisingly cool and dynamic for what i'm used to from the mario series. I didn't do the special world, though. i wasn't compelled to go that far past the credits. ( You'd think this game's doc-ism title would come from it being the sequel to mario galaxy, and thus, second roundest, but honestly, i think in terms of the mario series scale, Mario Pinball Land has round mario in it, and galaxy 2's starship mario is definitely, i think, rounder then the comet observatory from galaxy one. That makes Mario Galaxy the third-roundest mario game! )
From around the 6th to the 13th, I ended up playing --- ACTRAISER RENAISSANCE < THE CEREAL-BOX GOD GAME >
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actraiser is definitely a mixed video game for me, because i definitely see the merit in it. It's a very unconventional splicing of both sidescrolling and city-development game, a " remake " of a novel SNES/Famicom game with the same premise. You're like a big god of light guy who sends your soul into this little warrior guy who cleanses the land of monsters for around 6 different settlements to florish in with the assistance of a cute little angel friend and whatever area's flavor of local legend the game gives you after a story event or two to hold down the place from encroaching monster dens and such; and, apparently exclusive to this version, there's also little tower-defense segments that come in waves around four or five times per area, which in my opinion are kind of this game's weakest link, but not without like Some kind of merit. At the end of each town segment, there is also a big boss fight, usually tying into the story in some way.
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( I think one of the things that genuinely pushed me to give the game a try was the cute angel design in it..... ) (I usually take an excessive number of screenshots whenever i'm playing on switch, just because doing so is very easy and i'm a sentimental freak ( For actraiser R, this is 148 screenshots ) ) ( If i continue doing this next month, i'll try to include the foresight to actually use my capture card for images, instead of taking pictures with my phone.. ) ( I think one of the things that genuinely pushed me to give the game a try was the cute angel design in it..... ) (I usually take an excessive number of screenshots whenever i'm playing on switch, just because doing so is very easy and i'm a sentimental freak ( For actraiser R, this is 148 screenshots ) ) ( If i continue doing this next month, i'll try to include the foresight to actually use my capture card for images, instead of taking pictures with my phone.. ) Some things i like that this game does, alot ---
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i think it has a very very cool " world select " map. one very postive thing is that it updates in real time with your progress in the area, so you can watch it all expand from your little sky palace once you've done your buisness there. it's really satisfying and pretty... this game's got really good 2d art, i think. I've heard people be mixed on the sidescroller art in comparison, but i think it's got a charm to it. I think it's cute and while its probably more a budgetary limitation, i do like how everything kind of looks like one of those fantasy stills you can sometimes buy from arts and crafts stores. The framerate on them is like a bit lower then what you'd expect from a modern game but mechanically its still very responsive, which makes me feel like it's a stylistic choice to look more stop-motioney, i guess. Maybe im just a fan of ham, i unno.
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In terms of the overhead segments, it's pretty basic and automated, which is fine by me, and perfectly workable for what it is, i think, conceptually ( they build out on your own but you do kind of " guide their hand " when it comes to where paths go, at least. It does lead to a weird meta thing being to zap your own people with holy lightning to destroy stuff you don't want though, which feels flavorfully odd for a benevolent god.... I guess it's fair enough
the main problem with the game is that the tower defense segments, the main major feature and addition of this remake, does kind of take the game's pacing and drop flat in the middle of it. They're usually decently long segments where you can only indirectly fight, and are kind of slow. They also usually need you to protect or have a certain number of buildings left by the end of it ( having all of your farms in tact by the end, defending the main temple, not having every house burned down ) which can be a bit more difficult then it sounds. i dont think the segments are bad or anything, there's just.... entirely too many of them??? like mechanically theyre fine they just happen every other second between story events and it feels kind of padded after like the second one in one area, and there's about 5 per area of increasing difficulty. i definitely think if anything could be reined back, it'd be that. I don't think the story is too special , either, the angel kind of just quips sassily about the story at you from time to time and your followers make requests of you at the temple, usually manifesting in the town segements as " have x number of y " or getting the population to a set threshold, or getting x number of resources. The structure of each area isn't shaken up too much, mostly just " new settlement, find a guy, guy isnt so sure about this lord of light guy but through fighting alongside u and some small character arch, they become a champion of yours or something and you meet the scary boss guy and kill them and weaken the big bad dark lords forces behind it all, but there were two segments i liked, both pretty late-game, with the ice wyvern and this guy named shemall whose only affront to you is having a more popular humanitarian ideology ( who actually becomes the dominant ideology in the segment leaving the church literally empty for a good portion of it , and is only tied into the status quo by the dark lord himself possessing the other temple and shit and starting a really really bad storm of eeevil , who i like a bit ) and a boss in the last area who was implied to once be a force of good but ultimately subservient to the bad guys will, which is basic but i tihnk neat. also they have cool designs. )
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Shrug! I think it's neat but it has problems that bog it down! Waah! i dont regret playing it or anything but it's like a 7! ( It's kind of like a game you'd get in one of those cereal boxes, and it's a little cheap, but its endearing to me ? ) TOREE 3D < LEAST-CONSEQUENCIAL SPOILER AWARD >
finished this game the same day i finished actraiser, in one sitting. Ummm... i know this game's like a crowd favorite, and it's, like, solid, but i don't really have all that much to say about it ..... Like, it's an OK platformer, with like really great value for your dollar, but i don't really have all that much to say about it, endearment-wise. I think also that the VHS horror elements are largely unnecessary and are kind of whatever, but I know i'm not really the audience for it. That's the spoiler, i guess. Around the same time, in a date range I don't remember, I basically ended up completely reorganizing my room for Life Stuff, and ended up giving a really cool fan project a try, from a series i've always wanted to try more of, if not for the language barrier, in the form of -- STARFY ORIGINS ( Densetsu no Stafy ) < SPLASHABLE VIDEO GAME >
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Waaaaaaaa ! i love starfy ( Stafy? ) You probably wouldn't have the background on it unless you knew me, but i'm a real DS head, and one of my earliest games on the system, one i have vivid memories with, was The Legendary Starfy, an " underwater platformer ", mostly known as being a kirby-like game in style, and being the last entry in a mostly untranslated series of platformers that're japanese-exclusive!
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Essentially, what this means for me was that there was , for a very long portion of my kid-years, a bunch of video games out there that i knew i'd be instantly endeared by if ONLY i could play them ( since, even at the time, gba emulation for me was kind of mystical and out of my ability ) ; and , at least in my mind, that meant it'd have just as many lovable characters and such as the the starfy I got to play, anecdotaly meaning the only exposure i'd have to these games beforehand is ferverously looking up stuff on the starfy wiki and watching youtube videos of the final bosses and stuff; basically just lementing for years that " aww,, theres no translation. i guess it's just too obscure " with the rest of the starfy fans i've heard about online, until recently! I emulated this game on Vita and overall i'd just have to say its a cute, decently-novel-but-slightly-padded 2d sidescroller. I'd say it was like ok-levels of worth the wait, but im honestly just floored that a translation of the first game happened at all, and i think its awesome what's been done. It's selfish to want, but i'd really like to try the other DS starfy game sometime, whenever that's translated. It's honestly one of the few loose-end games i can even think of and mechanically that one's a whole lot more out there then this one, which, other then the novelty of playing this game i've only heard murmurs of for over a decade, is just kind of alright. kudos to the fan translators making this game work out!!! I wonder if the team that did this have plans for the others now that this game's been translated....
Wew, halfway down the list, i'm sick of typing, but i'll keep going with ---> DEATHSMILES < SCARY >
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Cool bullethell shmup with really tight gameplay my friend endeared me to with a single screenshot and a slightly empassioned ramble i forget the exact context of
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idk i think this green girl is neat and the arcade style bullethell gameplay's really fun on steam deck; i just think the girls should be like 7 years older each then what the game says because the loli aspects of this game are kind of uncomfortable and unavoidable and i don't like them at all... the gothic horror halloween aestetic the game has otherwise absolutely rocks and is just up my alley, though. i guess its just part of the style theyre going for, but it's a really unfortunate Japanese quirk you kind of have to just tolerate for the other Very Good aspects the game has gameplay and artisticly wise ( music and art direction is awesome )
the girl's dragon familiar is named booboo by the way. just thought that's important. LITTLE GOODY TWO SHOES < GAME **MOST** RESPONSIBLE FOR SINGLE-HANDEDLY HOME-WRECKING MY BRAIN CHEMISTRY THIS MONTH >
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Another game my friend reccomended whicch is completely awwesome and my entire aestetic and i love it alot and i think its my game of the year unless something else comes around and im absolutely floored with it and i went into it completely endeared and its completely wrecked my vernacular and its so pretty and its so artistic and its so different and its so pretty and its so girl and its so gay and im Elise and im in the woods i like being in the woods this game has the best aestetic of any game ive played ever and it feels like no competition and ummmmmmmmmmm
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idk just fucking look at it its so so so so good i love this games world so sooso osososoos s oso ososo o os so mcuh its so good it so nice its so charactered genuinely great little slice of life slash horror slash social sim game with admittedly some jank portions of it that piss me off a little bit but holy fucking shit this games aestetic is the best besy best best bersy tbest best thing ever made i think its really really good pelease watch this segment on youtube its so silly
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im not gonna type anything else this game Is its narrative and i dont wanna spoil anything but its great its got a lovely dark fable aestetic and i think everyone should play it especially if you like rpg maker horror type games / are gay as hell / love fairytale aestetics like I do
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i like ummmm Lebkuchen by the way. if u wanna know what my ending is. there is some fucked up shit that happens in this game though despite how absolutely adorable it looks. everything in this game points to it being one of my favorites of all time or at the very least it will definitely poison my brain forever at the expense of my friends who havent played it yet. Waaah..... no i dont think talking about a fanmade pokemon rom hack after arguably a massive artistic achievement is disrespectful thats just how the month flows POKEMON ROWE < I broke it, oops... >
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really cool open-world emerald rom hack, similar to crystal clear and the like. I've technically played it already, but this is the first time i've completed it, though i completely broke the game really early into it that undermined it in a way i didnt realize for about 7 gyms, before i accidentally nuked the overworld with a massive bug that scrambled my player's gender and made the overworld color pallete fuck-ey, which, im not ggoing tto blame the developer on, i'm summing that up to a cosmic ray or something. i think with time and with more polish i could see myself liking this more then crystal clear, but time'll see. ( Team was as below )
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MIGHTY GUNVOLT < tie in video game i've ever played >
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typing this like an hour ins making me realize this docism thing might not stick but mighty gunvolt is neat i guess i never finished it when i first played gunvolt and obsessed over that when it was new ( Mighty gunvolt came as a free download if you bought the first game digitally, you see ) because of the first boss, but now as a more experienced gamer, that's really just because the fire boss is kind of just a weird difficulty spike at the start that the rest of the game difficulty wise doesnt really match up to. It's a cute, very short ( i beat all 3 character campaigns in two hours , liesurely ) platformer styled like megaman, and that's all it really needed to be at the time. i wouldnt go out of my way to play it these days if it wasnt for my own baggage with the gunvolt series in general, and if it wasnt for my much greater affection for its sequel, mighty gunvolt burst.... I'm just gonna say if this game interests you , you really should just play burst instead. Even if you've played the latter before, you're really not missing out on much more then a moderately ok side scroller. it sure is a tie in demake on the early 3ds ! 6180 THE MOON
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Surprisingly, this game's on alot of platforms? I just kind of chose it on a whim 'cus it was on the top of the list of H-SHOP stuff and i was looking for something short to play, but it's pretty artsy.
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It's a puzzle-platformer where the gimick is that the ball wraps around the screen when you fall down or up, which works really well with the 3ds in my opinion. with the compression and stuff on the 3ds and how the game was laid out, it affectionately reminds me of a flash game you'd find on coolmath or the such, and its very relaxed ( if a little wonky ) . i dont have anything bad to say on it or anything its just a small little game i played on a whim. it's very minimalistic, if you're into that aestetic, you might like this. That's the last of the wholy " new " stuff i finished this month, and id say overall its a solid start for me, and kind of out of season ( very octobery-feeling game lineup in retrospect..! But that month's always usually crowded with obligations and stuff, so i doubt i'd be in a mood for them even at that time of year.. )
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Also, i gave a try to cavestory on wiiware, first time i've played the game in a few years now since the switch rerelease! I think its just as fun as i found it when i first discovered it on 3ds, and, while i have a friend who adamantly disagrees, i actually really do like the OST of this version. It's a cute mutation on the games ost that in my opinion enhances the kind of forelorn vibe the game originally had, and i really like the blown up art of this version of cave story, even if it does have nichalis's hands all up in the matter. since it's unlocked from the start, i played the game on Curly Story till the true ending. I still love this game alot. Sometime i'll trick a certain individual into finishing it, i hope.
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That's all i have to say! this is the first time i've made such a big post on any kind of social media period, so, hopefully its not unreadably disjointed or self-absorbed. Whatever!
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play little goody two shoes
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butmakeitgayblog · 6 months
Note
Hi babe! Hope you’re doing better
This Alycia coming back…again…thing got me worried about the fact that this girl loves her fans so much that there may come a day when entertainment tonight or hollywood reporter or any of those throw a the loo cast reunion and she being the cinnamon roll she is might say yes and we’ll have a Clexa reunion.
So now I’m sitting looking through a window holding my tea in both hands thinking about how much….I don’t want that to ever happen.
(Sorry about the mini rant, Seraph showed me a con reunion and it gave me cringe unemployed vibes and my mind went to this and I wanted to know your opinion about it)
😂 no that's actually hilarious to think about, but honestly I doubt you have reason to worry. Theloo was a niche show that, while it had a lot of diehard fans, wasn't a huge smash hit by any means. Iirc after Lexa died it's ratings tanked and stayed down for the duration of the remaining seasons, the only reason it kept getting picked up was because it was a summer slot filler. If it had been a show in any other timeslot/market it would've been dropped after s4, easily. It certainly wasn't a Friends or The Office caliber show.
So suffice it to say, any kinda reunion in that sense is probably never gonna happen. At a con? Meh, but those are just by and large cash grabs for the actors. And if Alycia has proven one thing in her career, it's that the only way to get her ass to show up to a con is with a trail of beauty products scattered in a row leading under a propped apple box waiting to trap her 🥴 I mean apart from contractually obligated comic con appearances for Feartwd, she's done exactly 2 cons, one of which they tricked her into 😂
She said her goodbyes to the show by doing the series finale and sending her sweet message at ComicCon. She's moved on, as she should. She's working really hard to grow her career, as she should, and doing anything like that would be a step backward. I'm not saying she'd never ever do something fan driven, but the likelihood is slim, so I think we're all safe from the cringe of having to live through that particular fucking nightmare of a scenario.
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indieyuugure · 10 months
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Hello,
I have recently come across your comics and they are absolutely amazing! I was wondering if I could ask you a few questions though. Number 1: Who is your favorite turtle? Question 2: 2012 version or Rise? Personally I prefer Rise and Donnie. No pressure about the questions! Thank you for spending time on making this awesome comic! I look forward to Saturdays!
Sincerely,
A random TMNT/ROTTMNT Nerd on tumblr, AhsokaTanoFan25
Aw, thank you! I’m happy to hear you like them!
My favorite turtles is Leonardo. I’ve liked him since I was little, and I still love him now. I think he’s written as an oldest child really well, and I can relate to him a lot! My favorite version of him is the 2012 iteration, I love his design and his personality in that one.
Oof, choosing between Rise and 2012 is kinda hard, but I think I’m gonna have to say Rise. Rottmnt is an objectively good show. You can sit down and watch basically any episode and know it’s gonna be hilarious with a funny plot and gorgeous animation.
With 2012 I feel like the episodes are very hit or miss. Some episodes are really good! I’ll watch them again again, but some are…absolutely terrible, especially the filler episodes. I think like too many of the episodes end up falling somewhere in the middle, not atrocious, but also not anything remarkable. I’m not trying to burn or critique the show! I love that show a lot! My favorite turtles is from that show, I just think that when compared to Rise it’s kind of lack luster.
Good Question! :]
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kinopioa · 9 months
Text
900th Adventure notes (not much about Ian and Evan!)
-Nigel Kitching, from Sonic the Comic, interestingly returns. His writing is more dramatic at first, but it was all a ploy to distract Metal and ease off the effects of the Topaz
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His mannerisms are a little snappier, which given StC makes sense, same for brief descriptions cuz he British. Sadly Knuckles didn't do anything, but I like Sonic's characterization. He's cheeky, but not obnoxiously dissing like Flynn's, and his ploy exposes a good context intelligence unlike most of IDW
The art's weird. Apparently both Fonseca and Rik Mack worked on it, and while I see Fonseca's influence, it deviates from his still at bits. Not bad, though Knux's anger seemsmore exaggerated than what the writer intended
-Daniel Barnes has Sonic a bit more mouthy to Eggman/bots specifically. I like the idea that Eggman's testing out mechas in remote locations. If they fail, he won't be penalized. His mecha also is actually new, about time! Oddly, the city seems to be based on OVA...
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Sonic noticeably isn't too bothered by the bots, and his priority of the Topaz over Eggman is seen. Only fault I can think of is fans misreading this as him not taking Eggman seriously out of context (note this further shows that Sonic can deal with Eggman not existing unlike Boom)
Art by Min Ho Kim (Dee Gee Min) once again is very detailed both drawing and rendering. .
-Aaron Hammerstrom. So the first thing I noticed, Cream!
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She's been weirdly absent before this for Blaze use, you know, Blaze's first friend. That said, don't like the >told me I shouldn't help cuz dangerous. Feels counter to both games and that Annual, but this is IDW so bleh
Despite Rush refs, noticed Zero Gravity here. Also the first Aaron draw Sonic from the front
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Also not a fond of the "Blaze be solo" retread. Brief, but still bleh
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Shame, I love Aaron's art, especially with Foundraine coloring. Sonic's characterization is also better than Ian's, so double shame Cream got the short end of things initially, and Blaze too
Caleb
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first, yikes. No offense to Abby Bulmer, but her art...isn't too good for chars and color. First I've seen their name though, for a 900th adventure issue special that's...odd. Wonder if this was done last minute...
That said, BG and perspectives are nice, and action/flow is good
As for writing, I like how Caleb references this even art BG wise (issue 15)
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The scuffle with the Rogues is more comedic (also hey, Storm actually has a say here unlike Summer special), though I like this note
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Of Rouge actually wanting to save the world, with treasure being secondary. Too often fans and Ian flanderize the treasure love
Shadow also is mostly decent, though I hated this. This is obnoxiously egotistic
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In tune with Rivals though otherwise; He doesn't hate Sonic, but will not be afraid to beat him for the greater good
He also accepts Sonic making an option 3 (very much Sonic to say fuck da limits), and beats the Rogues from attempting to chase after they insult him. A little juvenile at bits, but "muh mandates" are further proven to be horseshit
So the end is Ian, and I won't talk much cuz it's basically Sonic putting the Topaz in its original spot, but this
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Kinda cute in a "muh senpai" kind of way. Now if only I can forget how much Starline quickly soured
So overall, interesting filler, worst of Flynn didn't bog it down. Now here's the actual problem
It's filler
For a hyped 900th Adventure special, the fact it boiled down to "Sonic met friends and scuffled very briefly while running to an end" is...kinda nothing. There are other issues
-Eggman is here! So is this after or before IDW 57-60 arc?
-Richard Elton for cover made me think he was gonna do inner art too. Sadly no
-Same for Yardley
-IDW Sonic's continued tradition of lack of page numbers
-Knux again did nothing
-Rip Amy
Though a pro
-Credits are actually specified
-No OCs!
-ABT despite ehhh art for once isn't having chars weirdly talk when they shouldn't (the the yeah last page being closed mouth is hmm...). Actions are easier to read too!
It's overall ok as an anniversary filler story, but sadly is hyped to be much more
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Text
The Scott Family Essay
I’m feeling so emo about the family of Nathan, Haley, Jamie, and Lydia in One Tree Hill. I’ve never seen a family like them on TV before. I feel like you have three major kinds of families on TV.
1. You have the old model like in “I Love Lucy” for instance where they may make a big deal of the pregnancy and birth but once the child is born writers feel like the interest over a baby is going to fade so they just kinda hide the child. The baby sleeps about 12 hours a day and then spends the rest of the day in daycare. Something like that either way, the child is rarely seen again. 
2. You have shows like “Full House” and “Family Matters” where because they are sooo family driven, they do focus a lot on the children and their relationship with their parents.
3. You have a “Friends” kind of situation which is about 3 steps away from the I Love Lucy model. In the following years writers realized they couldn’t metaphorically bury the child so they trot them on set about a couple times an episode. Maybe have them say a couple precocious quips but then they trot them off set because they still want the focus to be on the adult and their adult relationships. As a result, those relationships don’t feel very genuine. You know on an intellectual level that the parents love their children but you don’t see that love in action. 
With “One Tree Hill”, I discovered a new model of TV families. First off, they made a couple really good decisions right off the bat. The baby was born at the end of season 4 and then they made a good decision to have a four year time jump before season 5 so when they come back, Little Jamie is no longer a baby but a precocious four year old. The second good decision was hiring Jackson Brundage who was a very talented child actor who could carry dramatic scenes pretty well and also was super hilarious and precocious in his line delivery. 
They then made a few interesting story choices. Firstly, they decided to make him the focus of quite a few big heady dramatic plotlines. Like when Nathan and Haley are having marital problems and he’s very much in the middle of that. Or the time when he was kidnapped and then saved by Grandpa Dan or nearly drowned and then saved by Nathan. So not only would they trot him out for the precocious comic relief, they would also focus some dramatic plotlines on him. All the while, the show was still about 90% about the adults and their adult relationships. 
They did a third thing which was just adding little filler scenes that weren’t particularly dramatic or precocious... just little small domestic moments of Haley having a heart to heart with Jamie while at a park or Nathan taking Jamie to his workplace when he’s coaching the Ravens. You really get the sense that Nathan and Haley love Jamie and want to be present in his life. And the scenes when he’s not with his parents he’s being nannied by his uncle or his grandmother or grandfather. The child never goes to Daycare. He’s pretty privileged to have family who is able to care for him all the time. But on a story level that makes him feel more present in the story cause the people caring for him are the same ones who are in the A plot or the B plot of the episode.
The fourth thing is that James and Joy are so good at bringing little physical intimacies to their relationships on screen. You see the little intimacies with each other like all the numerous kisses Nathan plants on Haley’s forehead or in a scene when they’ll just be talking and Nathan will be playing with her hair. Or how Haley loves to just randomly pull on Nathan’s tie when he’s wearing one. And there are so many others. These little intimacies that are more than likely unscripted really make the relationship real and intimate and it’s not something that every actor does. I feel like it takes a really trusting work relationship to do that so comfortably. To feel safe to go beyond what the script says in a romantic context. But you also see that in the non romantic, in the platonic or familial relationships that James and Joy depict on screen. They add those little things with Jamie. James will kiss the top of Jamie’s head. There’s one scene in season 5 where Haley and Jamie are having a heart to heart in the park and she does this little thing that is hard to fully explain so i’ll also show a couple screenshots...
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They are laying head to head and Haley reaches back and starts playing with his hair. It’s these little gestures and domestic moments that make them feel like a real family, like a real mother and son, or father and son. It makes it feel so real and genuine and makes you believe that they love each other and they love their children. This essay has focused a lot on Jamie but the relationship between Lydia is also sweet, once she’s born. It’s a bit different because she’s just a little newborn baby but they still made that relationship feel sweet, real, and genuine. 
All this is why the Scott Family is the greatest family that has ever been on television as far as i’m concerned! 💗
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mislamicpearl · 10 months
Text
Thoughts on Danny Phantom: A Glitch in Time
If you want the tl;dr of my thoughts on this graphic novel, it's simple: I LOVED IT! And I want moooore!
SPOILERS GALORE BELOW
I'm soooooo happy with all the dialogue and characterization, it is just spot on! I could perfectly hear the original voices of the characters saying these lines, this comic could literally be a new episode of the show and it would fit seamlessly! No 2020's slang or memes, no wokeness that wasn't there before, just pure Danny Phantom. The only few indications of the comic having been written in 2023 is the use of words like "selfie" and "goat", and those are already old enough now that they don't feel that blatant.
Needless to say I'm sooooo glad this story's main premise is on Dark Danny, the fact that that storyline never came back in the show was always a sore spot for me. And not only Dark Danny but Vlad AND Clockwork come back for major parts to play? This is like the most wish fulfilling fanfic ever, except it's CANON!
But yeah, love that Vlad got to come back, it's always funny when he has to work together with Danny, AND the fact that he gets a redemption of sorts at the end fixes one of the many things I disliked about the show's finale - it had always felt like this was a villain character that could have and should have gotten a second chance to do some good.
Ahahaha I had completely forgotten that Tucker was made mayor of Amity Park in Phantom Planet, and ngl it was a great move on the comic's part scrapping that idea immediately, that had always been pretty silly.
I wish we could've seen just a little bit more of Danny interacting with his parents now that they know his identity as a half ghost, but considering they weren't major characters in this plot (and considering how things end up) it kinda makes sense.
The important thing is that we still got lots of cute wholesome hugs between Danny and his friends. :')
Aaaaaah Dark Danny is so cool! The art style was really cute but the author also managed to make Phantom look just as dark and menacing as he was in the show.
The best and most disturbing joke was Danny seeing that Vlad still had a clone of him in stasis, ahahaha! And this actually comes back to play an important part in the plot later!
I'm glad Valerie got some moments to shine in this too, I never liked how her and Danny's whole thing was just kind of rushed and brushed aside in the show's finale. Now we can see, she still doesn't completely trust him!
If there's just one thing I fault this comic with, it's the whole glitching through different timelines thing to make filler action scenes. I felt like they ate up page time for nothing.
"I put you two in the ground before, I can do it again" HOLY FRICK THAT'S DARK, DANNY!
I really love the lore surrounding the ghosts that was added. Given that Butch Hartman has said the ghosts aren't actually deceased spirits of real people, the explanation given here actually makes the fact that we have ghosts like Poindexter, who was a living boy once, make sense without negating what he said. It also very simply explains why we have weird formless or creature-like ghosts, something I'd never even thought to wonder about.
I did think it was a little too easy for Danny to get his powers back after that explanation (and dang, as if he hasn't been compared to Spider-man enough XD), but I love what it did for Vlad's character arc.
I don't know how I'd never thought before about Dark Danny and Vlad interacting but WOW I needed to see that! God what a deliciously complicated relationship - Vlad literally adopted this version of Danny and made him who he was! And again, what a great way to develop Vlad's character making Dark Danny show him exactly what would result from him getting what he'd always wanted in making Danny his protegee!
Clockwork Dark Danny looked so cool~
"Why was I the one who lost everything?" God this part punched me in the gut. 
Clockwork returning Danny and his friends back to the status quo of the show would usually annoy me, but I totally see that this is the author's way of undoing the results of Phantom Planet and leaving the story open to doing the ending over again - and I'm all for that! You know, if in fact we do get more comics after this.
Which it seems like we will because we kinda left Valerie on a cliffhanger there?
And Dark Danny is now a kid again and back with Vlad, heck yeah! Again, I need mooooore! Bring back Dani next!!
5 stars man, this is a continuation done right in every way!
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g3n3s1sm1k3 · 2 months
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Smg4 Rewrite Ramble
So i have some issues with the Smg4 universe to the point where i both love and hate it. (please know i ain't haven’t watched all the episodes and all arcs so I’ll try to keep hands off on certain arcs and characters)
I’ll start with my complaints on the arcs and characters then I’ll talk about the changes.
[Complaints]
Arcs:
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Lawsuit:
Redesign 1: the designs were sloppily made
Mario’s trauma: They show that families were ripped apart and mention violence but yet we never see it actually affect anyone and Mario is the golden child and it’s weird he knows about what Nintendo has done but yet walks freely and even during the arc Mario shows know fear which kinda bothers me
Trial: Personally I kinda wish they had it be more accurate with the DMCA and also Meggy not being a real lawyer and Kirby not being an actual judge really bothered me since it means the DMCA would still be in effect and everyone should still be dead and Meggy appearing even though she should be dead and not even a real judge saw the Parody paper.
ITS GOTTA BE PERFECT:
4’s not getting check up on : I think they could’ve made it a bit more obvious on 4’s reasons and should’ve made it more obvious but hidden as he was going down hill. No one brought up a concern about 4 until Mario day which bothers me cause no one really tried until the countdown which is after Mario Day which tells me that nobody actually checked on him other than those few times and Mario bothering him. So no one basically mentioned their concerns to him before he went insane.
The movie: The movie was supposed to be about 4 and how he was mentally unstable and got corrupted but to me the movie felt more targeted for 3’s character development than 4’s which bothers me since 4 didn’t get any character development except for getting closer with 3 and he went a month without sleep and walked out perfectly fine.
Western spaghetti:
Tari screen: I never understood that part since Meggy and Mario never gained or lost knowledge from that so it kinda felt like a filler since it didn’t really mess with dynamics so I kinda wish it was something to progress the story
Souvenirs: How did 3 get the stuff from the simulation
Genesis:
34 rivalry: in my opinion 3 and 4 automatically hating eachother on looks is weird to me and their dynamic make it seem it’s more but nope it’s on looks. It was better in YouTube arc when 3 hated 4 over being better than him so tbh they should’ve had that from the start with jealousy or one of them hurt the other in a way
Anime: (I have to remain bread since I only watched part of the arc)
Desti’s death: I hate she was created to be killed so it leads the question of why make her at all
Revelations:
Why is everyone there: I have a good question. WHY IS EVERYONE AT COLLEGE!? I mean sure 1 and 2 teaching memes and 4 getting dragged along makes sense and so does Meggy, Melony and Mario but Bob, Boopkins and others doesn’t cause it’s college. I wish they made more sense about everyone there.
Niles and Melony: Niles only being present for Melony I don’t have an issue but how do people know about him if he’s only present to her and sure they found out but no one actually knows what he looks like.
God box’s death: how does the death of bod box make sense if it’s one of the creations keeping the world alive, including the fact they break 4th wall I ain’t a fan of since I can tell their trying to be funny with someone coming in confused about the box but it ain’t funny in my opinion
WOTFI 2023:
Build up: I didn’t really like the build up since it was the notebook going missing then “oh Mario has it so let’s rob a casino” it just felt stupid and the other 2 seemed more serious and yet this was the run of the joke and it sucks
VS: they didn’t have the traditional Fat Italian war and they didn’t add the Vs part which sucks cause why give that up? Why now?
Non-serious: it’s kinda stupid that the other 2 arcs were more serious but somewhat comical but then this had mainly funny instead of the more serious which bothers me cause it’s in the TV arc but yet it didn’t feel like it should be apart of it
Corrected characters:
[unfinished]
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My DC Cinematic Universe: Superman (Part V)
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Chapter Five: A Support System
This section's gonna be a little different. Might seem kinda like filler at first glance, but it sort of is, in a way. After all, we'll need to fill out the normal everyday world of Clark Kent, and what better way to do that than with his supporting cast. Because Clark has quite a bit of supporting cast, and because we've got other things to focus on in this theoretical film, I'm not gonna go too in-depth this time. Buuuuuut, while this'll be light on character analysis, we'll still need to ask why these characters exist, and how they'll be seen in the film itself.
One more thing: we'll divide this section down by location, and I'll go into those locations just a little bit. After all, a city is its own character, so it makes sense to talk about the environments in which Clark normally finds himself. And so, without further ado...
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Smallville: Hometown Drama
OK, sing it with me now, SOMEBODY SAAAAAAAAAAAAAAAAVE MEEEEEEEEEEEEEEEEEEEEEEEEE
Smallville, Kansas is the town that made Clark Kent. It is and should be the most normal town in the United States of America. What I mean by this is that, unlike the TV series, Smallville, and even unlike the original Superboy comics, literally nothing should happen here. This should be an extremely average and boring place to live. I realize that that's probably a little boring, but...yeah. Fuggin' exactly. Smallville's biggest crisis should be that time the Johnson's cows got loose and interrupted the Smallville High homecoming game. And yeah, the official report was that the fence gate was left open, but everybody knows that Carl Draper snuck over and let them out on purpose just to mess with quarterback Kenny Braverman and the team. 'Cause, y'know, Carl blames Kenny for stealing Whitney Fordman from him, even though Whitney isn't even dating Kenny ever more since he started flirting with Lana Lang during-you get it, you get the idea, you get the point.
But, that said, there are a few people in Smallville who are a part of Clark's adolescent and adult life, so let's talk about them, as well as throwing them into this Cinematic Universe I'm making.
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Gotta start with Lana Lang, the girl next door. And I'd like to preface this by saying that the most famous version of this character, from Smallville, is the WORST FUCKING THING ABOUT THAT SHOW. Period. Nothing against Kristin Kreuk, she did well with what she was given. To bad what she was given was just a box of new Cap'n Crunch cereal variety called "Oops, All Cringe!" I fucking hate Smallville Lana Lang. Mostly because her overly dramatic life and persona are completely against who Lana Lang is. And who is Lana Lang?
Like I said, Lana is the girl next door. She and Clark are good friends, as well as unrequited love interests. And that's almost entirely on Clark, because Lana's not as timid or shy. And yes, Clark is extremely reserved in high school, mostly because he's nervous about exposing himself and being a freak. He was NOT the popular kid, and Lana absolutely was. But because Lana is genuinely a nice person with good morals, she really likes Clark. Like, she REALLY likes Clark. And yes, she was ABSOLUTELY his first kiss, and she absolutely initiated it. The Clark-Lana relationship should be sweet and cute, and the most stereotypical teenager love story you've ever seen. But, in the end, Clark went to Metropolis and she went else, and they parted ways. Oh, and for the record, Lana knows that Clark is Superman. Didn't figure it out until a bit after Smallville, but she absolutely knows, and she texted him IMMEDIATELY when she figured it out.
OK, who's next? In Smallville, the show creators gave Clark two best friends, so I think that makes sense here as well. In that case...
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Pete Ross, the childhood best friend! Ah, Pete, why do people remember and forget you simultaneously? You were a major supporting character in Smallville, but only for 3 seasons, then didn't appear again until season 7, and never after that. Which is super weird, considering the major role Pete had in the comics. The best friend of a young Clark, Pete Ross is also one of the first people to figure out Clark's secret, independently. In the comics, he figures it out and doesn't tell Clark until way later, but nah. Let's just make it a secret that the two of them share as kids; change things up a little.
My version of Pete is still best friends with Clark to this day. I realize that Jimmy Olsen often takes that role, but he'll be a little different in this universe. No, Pete is Clark's best friend, and I'm tired of people forgetting about him! Yeah, he made a small appearance in Man of Steel, but his role as support was shafted, in my opinion. Pete should be Clark's confidant, then and now.
In high school, Pete, Clark, and Lana are a trio of friends. They each roll in slightly different circles, though. Clark is the quiet loner who reads a lot (he's a library kid); Lana is definitely a theatre kid and a cheerleader; and Pete is the socially aware activist kid who always volunteers for various charity and conservation groups. He's one of the town darlings/annoyances. On a side note, why are the socially conscious activist characters in media always women? I dunno, it's a weird trend in media for some reason. Anyway, Pete will one day become a progressive senator for Kansas, with a lot of hard work and dedication. But for now, he's still Clark's best friend.
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Now, these two are the major support, but we can throw in some other main ones. How about Kenny Braverman, school bully? In the comics, he actually becomes a Kryptonite-wielding villain named Conduit, but this version of the character is a bully. Don't need much more than that; after all, this is a movie universe, not a TV series. How about Carl Draper? Draper is a weird one in the comics; he's basically a stalker who always hated Superboy/Superman, and made a giant death prison to kill Superman and impress Lana Lang, his high school crush. Yeah. Um...I'm just gonna make him another bully alongside Kenny, and a former friend of Clark's at the same time. 'Nuff said, I think.
And then, other than people like the Kents' neighbor Ben Hubbard...there isn't really anybody else to talk about. The name drop of Whitney Fordman up there was meant to be a reference to Smallville, but nothing more than...oh...oh, shit, Smallville. Right.
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Hoo boy, Chloe Sullivan. Again, given the fact that this is a movie and not a TV series, Chloe as a character really doesn't matter. a character created for Smallville, she was the journalism kid, as well as a cousin to Lois Lane, and meant to be the other girl next door love interest character for Clark. And she was played by...Allison Mack. Cult leader Allison Mack. Yeah. Yikes. So, I'll just say this: I like Chloe as a character and character concept, but she carries a LOT of baggage. So instead, we'll bring in character Billie Cramer, who is the same in concept, but named after a male character in the comics who later goes to Metropolis University with Clark. Sorry, Chloe. Allison Mack kinda fucked over your character for me.
From there, Smallville is basically covered. Small town, small stories, and not much happening. But still, the people there molded Clark. And so, by the time he heads out of Smallville, he'll be going into a much bigger world. And with that...
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Metropolis: City of Tomorrow
Where in the fuck is Metropolis? DC, you really need to make a decision here. Because the most common location for Metropolis is New York. Which, frankly, is dumb. New York has both New York City AND Metropolis? That's a lot of city for a small area, just saying. Plus, would Clark have wanted to go very far from home? So, where is my Metropolis? Easy: Illinois. "But what about Chicago," you say? Well, one, it's closer to Kansas, and Clark wouldn't want to be too far from home, for his parents' sake. Two, we can place the city along the Mississippi River, which forms the western coast of Illinois and gives us the water that we need for Metropolis. Three, this'll be at the very tip of southern Illinois, far away from Chicago, and in a place where no major city exists. And five, and most importantly for me, that's where the REAL Metropolis actually is. It is, in fact, maybe the real-world place that loves Superman the most. Let's give 'em some love back.
But OK, with that said and done, why Metropolis? Well, Clark wants to go to school for journalism, because he believes in uncovering the truth, and he wants to be in touch with all sides of humanity, both the good and the bad. Basically, journalism allows Clark to stay down-to-Earth in some very literal ways. And Metropolis University in this universe is a pretty big deal, especially considering that the city is the home to major newspaper The Daily Planet. After graduating from Metropolis U, Clark settles in the city and gets a job at the Daily Planet, his dream job. One of his colleagues is, of course, Lois Lane, but the people of the Daily Planet are an extremely important supporting cast. Considering Clark rarely goes anywhere else, we should talk about them a bit. So, we'll start with the most obvious.
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Jimmy Olsen, the new best friend! I was SO tempted to give Jimmy his own post, but this series is gonna be long enough; I dunno if I can talk that much about Jimmy. That's a lie, actually, because I can talk a LOT about him. Now, some of you may be wondering why I used this GIF of Olsen from Superman: The Movie, instead of Mehcad Brooks from Supergirl, or Aaron Ashmore from Smallville. And the reason is that NEITHER OF THEM WERE JIMMY. The latter was his older brother named Henry James "Jimmy" Olsen, which YES, is stupid. And the former? That is Jimmy Olsen in name only. And why? Because...ah, shit, I'm getting into Jimmy in detail. OK, then, let's do this.
Jimmy Olsen is a kid. He's a dweeb, he's kinda naive, and he matches Clark for sheer optimism. He's either the most likeable person in the room, or the most annoying, or somehow both simultaneously. He's not suave, like Mehcad Brooks' version of the character. Honestly, that's the least Jimmy Olsen-like character I've ever goddamn seen. You know who actually was a lot more like Jimmy? Winn. Winn was Supergirl's Jimmy Olsen, and I DEFY YOU TO TELL ME OTHERWISE.
Ahem. Anyway, back to Jimmy.
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Jimmy is the unpaid intern who gets hired, and is then surprised that there's a paid option for this job, despite that being his career. He's the kid in high school who took pictures of EVERYTHING, and then just never stopped. He's not entirely sure who the mayor of the city is, but knows in excruciating detail through experience and an overly detailed annotated map where the best goddamn hot dog in the city is, and every hot dog vendor in a ten-block radius knows him and his order by heart. Jimmy is a city kid who somehow seems like he came from the country. Jimmy should be a massive nerd, kind of a ditz, and definitely a clutz, but not only is he the best photographer the Planet has to offer, he's also somebody who you want to hang out with. Jimmy Olsen is maybe, maybe about to turn 21, but has not and will not drink. He is the most vanilla human being possible, and I goddamn love him for it. He's also gone through a TON OF INSANE SHIT in the comics, from being turned into a giant turtle Godzilla, to getting becoming a superhero in his own right MULTIPLE TIMES, to becoming the love-interest to a fledgling God for a hot second...a lot, is what I'm saying. Jimmy Olsen is my favorite Superman supporting character, and that is a hill I am glad to die on.
...Jesus. That was a lot of overly specific headcanon to vomit out, even for me. But really, all of that? That's my Jimmy Olsen. Clark's best friend in the city, even if he is a few years younger, as well as a damned good photographer and...well, a pal. There's a reason he's called Superman's Pal, after all.
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Perry White, the stern-but-caring boss! Editor-in-chief of the Daily Planet, Perry's a strict traditionalist when it comes to this whole newspaper thing. Perry's actually had quite a lot of history in the comics, and while it is all genuinely interesting, I'm not gonna go into it here. Just know that Perry is a caring boss, but extremely strict when it comes to his job and those who write for him. One of the last great reporters and writers, as well as a genuinely good man with his own problems and troubles, Perry White is an understatedly important character in the Superman mythos. In truth, there doesn't need to be too much to Perry.
In terms of his relationship with Clark, he shouldn't be too involved with his personal life, but should be willing to offer advice if Clark looks like he needs it. He should choose his employees based upon their talent and their moral fiber, as he wants his reporters to find the truth, and nothing but the truth. If you lie, alter facts, or otherwise obscure the truth in your reporting, you're OUT, pal! And honestly, that's my Perry White: a classic reporter who expects only the truth from his employees and from himself.
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Speaking of the reporters of the Daily Planet, let's get into Clark's co-workers! Cat Grant is one of the best known, thanks to Power Girl, and as the gossip and fashion columnist, she makes her presence known basically immediately when she enters the office. While she's definitely a bit blunt, in person and in her writing, people actually do enjoy her blogs and writing, and she has a pretty good on-screen presence as well. She's a bit of an acquired taste, but Perry values her honesty. Also, she's a little bit of a rival to Lois in multiple ways, including initially for Clark's affection, but mostly in terms of her reporting and popularity. Cat Grant is considered by many to be the public face of the Daily Planet, and she doesn't shy away from that title, either.
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Steve Lombard made a VERY random appearance in Man of Steel, as was a very different version of the character than what we see in the comics. My version of Lombard is a massive blowhard, as well as the Planet's sports reporter, which aligns with the comic-book version of the character. He's hired by Perry because of his absurdly accurate sports reporting, and his sheer knowledge of the sport, as well as for his incredibly accurate predictions. The one downside about the dude is that he's the epitome of a meathead. His intelligence in in sports, and that's basically it. Still, he's VERY good at his job. Also, he THINKS that he's a rival to Clark for Lois' affections, but literally nobody else thinks that.
OK, last major person here is Ron Troupe, whom I can't find a GIF for. Makes sense; he's relatively obscure, and hasn't been in enough media for a lot of exposure. My version of Troupe is the politics and editorials writer for the Planet, as well as being one of the more serious and uptight members of the Planet bullpen staff. He tends not to go out into the field too much, but is well-known on paper. Perry hired him because of his objectivity and practicality, as well as a feverish devotion to the truth. And of everybody, Ron is the reporter most likely to succeed Perry White as editor-in-chief one day in this universe. YES! Not Lois, not Clark, RON. Somebody give Ron his day in court, please, he's way too neglected in comics and media nowadays.
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Let's get out of the bullpen, and into the city! Now, some people won't be featured in this first film, since it's a big city with a lot of parts to it. I actually do have some ideas for other films, but let's get through this first one before anything else. No cart before the horse, and all that. But since we're talking about the city, let's talk about Superman's predecessors: the cops.
The Metropolis Police Department, unlike the Gotham cops, are not corrupt and actually do their jobs. After all, Metropolis is a pretty safe city before Superman comes around. Supes definitely shouldn't be the savior from street crime, for should he be trying to replace the cops. Superman is there to stop the accidents, disasters, and large-scale crimes that the police can't handle on their own. This means that while the police are efficient, the villains of this movie are going to be a bit too much for them to handle. But, because Superman isn't a detective or a cop, he'll need to talk to and work with the police to stop these villains. So, who are our cops?
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The main liaison for Clark is Maggie Sawyer, a no-nonsense captain and leader of the newly-established Special Crimes Unit. As such, she's got a pretty good relationship with Superman. She prefers police work over relying on a vigilante, but Superman is hard not to trust in a lot of ways. So, she willingly works with him. Oh, and obviously she's happily married to her wife, Toby, who works for the Daily Planet alongside Clark. Maggie's one of the first out-lesbians in comics, and that ain't gonna end with me!
Maggie's the main policeman featured in this universe, but her partner Dan "Terrible" Turpin will also appear alongside her. Another hard-nosed detective, he grew up in the worst parts of Metropolis, and grew up to defend the parts of the city that don't get a lot of attention. Won't get too much of Turpin in this film, but we will use him to get across the idea that not all cops think Superman is necessary. He's not Superman's biggest fan, but he doesn't turn him away, either. Sort of like Harvey Bullock to Batman, if you get my drift.
Finally, I'll just mention that the chief of police is William Henderson, who respects Superman fine enough, and is on his way out, ready for retirement. Not much to say about Henderson, and he could honestly just be a name-drop by Maggie at some point. But with that, we move on to our final citizen of Metropolis...and one of my favorites.
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Meet the one and only Bo "Bibbo" Bibbowski. You might wonder why I included an image here when I didn't for Ron Troupe. And frankly, it's because Bibbo is too important. Because Bibbo, to me, is a representative of the civilian public that Superman is trying to save. The reporters of the Daily Planet are often putting themselves in danger in order to get the story, and they're supposed to remain objective. The cops are...well, the cops; of course they're in danger. But Bibbo is just...a guy. He was a sailor and former military man, he's a small business owner, and he's a guy on the streets of Metropolis. And, of course, he's Superman's biggest fan.
Now, that's not to say Superman only fights for those people who like him, and I actually want to reflect that through my version of Bibbo. Bibbo'll actually be one of the ways we start the movie, and how we're initially introduced to Metropolis. And because Superman is a fairly new figure in the city, he's not a fan when the movie starts. He's not an active detractor, but he isn't exactly a fan of anybody with power who places themselves above the little guy. And Superman does that literally, so why would he like him? Just another person playing dress-up and pretending to be hero. He listens to local shock jock Leslie Willis, who regularly expresses the same sentiments, but he's not as harsh as she is to Superman. He just doesn't really care for the guy. Over the course of the movie, we'll check in with Bibbo, whose establishment, the Ace o' Clubs, is a regular haunt of Jimmy Olsen and his friend Clark Kent. And so, Clark will get an idea of how Bibbo feels pretty early on, and he'll have to reflect on that.
However, over the course of the movie, Superman will act in ways that begin to change Bibbo's mind. As we check in on him over the course of the movie, the change in his attitude will be noticeable, if somewhat subtle throughout most of the movie. But then, the last time we see Bibbo, he'll be wearing his signature Superman shirt. Because by the end of the movie, Superman will have saved the "little guys" of the city, possibly even saving Bibbo directly. And that makes him considerably different than the other person in Metropolis with power who puts themselves above the city. That person, the real focus of Bibbo's ire...is the topic of the next entry in this series.
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Index: Superman
Part I: Why I Love Superman
Part II: On Lois Lane
Part III: The Kents
Part IV: The 'Rents
Part V: The...Frendts?
Part VI: Lex Luthor
Part VII: The Real Villains
Part VIII: Superman's Rogues Gallery
Part IX: The Story - Act One
Part X: The Story (Acts Two and Three)
Part XI: The Story - Climax
Part XII: Epilogue (Part One)
Part XIII: Epilogue (Part Two)
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synergysilhouette · 1 year
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"Wolverine & the X-Men" wasn't as good as I remember...
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Lemme just start off and say: I love the concept of the X-Men preventing future disasters, as well as the voice cast–wasn’t really thrilled with how most of the group wore blue and gold uniforms instead of more unique looks (like Emma, Angel, and Nightcrawler), but I can overlook that.
That said, I was kinda confused about why they knew some characters but didn’t know others, ie never meeting Gambit or Mystique. It was weird; at first I thought we knew everyone because it was made for people who were familiar with the comics and thus no explanations were necessary, but we still had major characters they never dealt with before.
Then there’s the issue that the title is SUPER accurate; it’s the Wolverine show. Unlike Evolution and The Animated Series, it doesn’t feel like everyone is equal:
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Forge, Kitty, and Bobby are kind of just…there. While they help in a practical sense (Forge repairing the Blackbird and Shadowcat and Iceman being part of the action), they don’t really have any development of their own or major screentime.
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Beast’s major role was to find out what destroyed the mansion, but Emma and Cyclops found out themselves–by ACCIDENT, I might add.
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Storm and Angel each got one episode to star in before Storm had limited lines and Angel never spoke again. Their romance was wasted, too.
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Nightcrawler and Rogue get about 3 episodes focused on them over the season, and afterwards they kind of fade to the background in terms of story. There’s no feeling of friendship between them and the other members, be it reminiscing or hanging out.
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Emma was important in finding Charles, but wasn’t really important again until the end of the season.
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They went the stereotypical route and made Cyclops Jean-obsessed. Not even his friends could get him out of his funk.
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Every filler episode was about Wolverine.
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Some guys would have big upper bodies but small lower bodies. Very weird design choice.
Altogether, I like the plot, but not the showboating. I will attribute that to the Fox films, though. At least XMTAS and XME made the characters feel unique and equal to each other (in a character sense).
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