So laios and fallin have been ostracized by society since they were children, Marcille has lifelong grief from constantly outliving her loved ones that leads her to dark magics, kabru’s village was destroyed by monsters, senshi and mithrun both have horror movie level backstories, izutsumi was sold as a freak show attraction, and then there’s chilchuck, who is a normal ass divorced middle aged man. And somehow he’s the most shady and secretive out of all of them
Edit can y’all please let me live I didn’t make this post bc I think chilchuck doesn’t have his own trauma or doesn’t experience racism or that being a union boss is a walk in the park or whatever I made it because him lying that he cheated on his wife to get the others to stop asking about his family was funny as fuck. Come on.
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being whiny and needy with choso
you were the one that woke up extremely horny and touched starved (this time), but being the sweetie pie that he is he let you ride him until you come.
but you can’t.
you’re whining and whimpering because you just can’t get there yet. speeding up, slowing down, moving your hips in so many different ways. none of it is working, but you need to come so bad!
“baby”, he calls out to you, and you look at him with a hint of frustrated tears in your eyes.
“baby, shh just relax for me okay? i got you, let me take care of it, yeah?”, he whispers as he cradles your cheek in his hand.
as soon as you nod, he grips your hips and lifts you up and down on his cock, rolling your hips back and forth in a way that instantly makes your mouth open wide and your head fall back. you brace yourself on his pecs and he momentarily takes one of his hands off of your hips, his other holding a tighter grip to compensate. you look down at him and see that he uses his free hand to pick up one of yours, kissing your palm with his eyes locked on you. then, he holds your hand as he picks up his pace.
your mind was empty as your eyes stayed on his, knowing nothing else but him. you barely were able to think about how strong he was to be able to pick you up and down over and over with only one hand. your orgasm had crept up on you without you even paying attention.
“cho, i’m…it-”
“i know baby, i know. give it to me, please?”
he kisses your knuckles before putting his hand back on your hip, fucking up into you and he pulls you up and down against him. you arch your back and burrow your nails into his chest, holding on tight. your eyes leaving his trance and going back into your skull.
“ohhh fuck!”
he lets one of his thumbs trail over to your clit, rubbing hard and fast.
“that’s it, that’s it baby. please, please give it to me. give it to me, give it to me,” he growled out through clenched teeth.
just that quickly, the coil snapped and you came all over his dick with a loud moan. the intensity of your orgasm spurred his and he came right behind you, filling you up. when you were tired of holding yourself up, he pulled you down to lay on his chest, rubbing your back as your breaths slowly calmed down in harmony.
it was just like that how you both fell asleep.
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i did not expect to finish (?) this at all, so im left scratching my head because i've already used the hozier lyrics on a fucking sketch. which is my bad, really
i will be the devil
in your land of make believe
there. that should do it
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something. about. the horror of being sent on an impossible (death) quest and obligations and hospitality politics. the trauma of not having a home, and then the trauma of being in a house that becomes actively hostile to you, one that would swallow you whole and spit out your bones if you step out of line. all of this is conditional, your existence continues to be something men want gone.
it's about going back as far as I can with the perseus narrative because there's always a version of a myth that exists behind the one that survives. the missing pieces are clearly defined, but the oldest recorded version of it isn't there! and there's probably something older before that!! but it's doomed to forever be an unfilled space, clearly defined by an outline of something that was there and continues to be there in it's absence.
and love. it's also about love. even when you had nothing, you had love.
on the opposite side of the spectrum, this is Not About Ovid Or Roman-Renaissance Reception, Depictions And Discourses On The Perseus Narrative.
edit: to add to the above, while it's not about Ovid, because I'm specifically trying to peel things back to the oldest version of this story, Ovid is fine. alterations on the Perseus myth that give more attention Medusa predate Ovid by several centuries. this comic is also not about those, either! there are many versions of this story from the ancient world. there is not one singular True or Better version, they're all saying something.
Perseus, Daniel Ogden
Anthology of Classical Myth: Primary Sources in Translation, edited & translated by Stephen M Trzaskoma, R. Scott Smith, Stephen Brunet
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Clark is the kind of friend who would come over right away when he hears about Jason’s death. He’s a good Midwestern boy and wants to be there for his friend.
He finds Bruce in the Cave, of course. And he fumbles with his words, his own memories of his dad’s death. About loss and hope. He mentions that Bruce must be sad and he’s cut off by the most awful, wrenched-from-the throat laugh.
“I’m not sad,” Bruce whispers, his hands clenched around his chair. Eyes burning into the monitors above. “I’m furious, Clark.”
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