#I don't like this version exactly but it's still funny for me

[marudny-robot]

jaytim silly fic

I was in the mood to try writing drabbles, but I forgone chosen prompt in the middle of writing and this lacked few words I don't know where to put to make it a drabble (if I'm counting right).

So, have a silly fic. Not beta-ed.:

------------------------------------

Tim caught Jason's face in his hands. His thumbs wiped the tears falling down from his boyfriend's eyes.

"Listen, Tim..."

Tim shushed him. "It's alright Jay. I'm here now. Everything will be alright."

"Tim, I'm sorry but it isn't..."

"Shhh! No sorries, Jay."

"Could you at least–"

"I'll do everything for you." Tim got closer, looking directly into Jason's eyes. "Everything."

Jason thought that in this moment he looked crazy.

"Hey! You guys alright?"

"Finally!" Jason shouted. "Dick, he's drugged and I got teargassed. Get him away from me, so I could wash my eyes!"

#jaytim #Jason Todd #Tim Drake #I just added words so I'm not sure how long it is now but the og in my physical notepad had 91 words #fun fact: og also had 'husband' instead of 'boyfriend' bc I was writing with wangxian in mind but the fic said I shall write “Listen Tim” #so we are doing jaytim being silly #although I could left with husband #next time #Maruda writes #I don't like this version exactly but it's still funny for me #this author doesn't remember and didn't bother checking how teargas works so I'm not sure if washing his eyes is the first thing Jason shou #should do

[pocket-prosecutor]

they have fun sometimes 😏

cutout of the 4th panel for clear Miles view:

#aa gt #aa g/t #wereshifter miles au #g/t #giant tiny #giant/tiny #sizeshifter #considered briefly doing flat colours but ehhh #it's better this way #if you see the first panel floating around (not likely. im not exactly tumblr famous lmao) yeah that checks out #i uploaded a full colour version of the first panel on my art sideblog #but im keeping them separated because i don't want my g/t side and art/main blogs to mix #anyway.- #i think miles gets a bit more cheeky once they're comfortable together #him touching phoenix's face as a sign of 'alright this is nice let me return the gesture *strokes face*' #which probably feels kinda funny considering he's still shrinking #i have a poor sense of scale but the last panel seems like Miles could be 10 inches i think? #i said 6 inches before but i scaled him up to 10 bc 6 was too tiny #a little too helpless #also i did front view Phoenix. artistic peak #art tag

[agentravensong]

well, i did it! i watched the prince, finally!

i wonder how many of my hamlet castmates i can convince to get a nebula subscription

#the prince play #abigail thorn #philosophy tube #shakespeare #theatre #i'll prob have to watch it again over spring break (got a midterm to work on until then) #it was really good though. not exactly what i was expecting. and that's good! #the staging was clever and the performances were great and it was funny #and yes it did make me feel things #i feel like i should have more to say but my brain's still processing #VAGUE EARLY SPOILERS but #as far as what i was expecting: i'd thought the emotional core would be between sam and jen ala ros & guil #but really it's between jen and hotspur (at least imo). and it's good! #sam and jen are a version of guil and ros where they didn't have each other from the get-go #where one has been at this for a while and has more adjusted to how this goes and the other is fresh to it #and it's interesting how that affects things (while they each still have that clear guil and ros component at their respective cores) #it'd be super depressing if they still only had each other to turn to. but they don't! #because jen - facing this all at once - has a wider view and is able to see the others are as much victims of fate as them two #and - well i don't want to spoil. but i like the message it ends up sending. it's a good show :)

[gothicprep]

i've been meaning to write something for a while now about how misinformation is not a partisan issue, it's just an issue in general. i was mulling over writing something about how infowars waterboards statistics into saying whatever alex jones wants – i'll still probably do that in the future – but it's not something that exactly supports my thesis here.

but, lucky me, i had a perfect example fall into my lap this week.

so, was andrew tate taken into custody over twitter beef with greta thunberg? the short answer is "no" but i'll elaborate.

here's the primary romanian news report about the cops taking the tate brothers into custody. the way that this has been reported in US news media has basically been that a pizza box in andrew tate's video response to thunberg helped romanian authorities confirm his location. here's a daily beast article that insinuates this:

In a video rant he uploaded to Twitter, in which he smoked a cigar and tried to brush off the online spat, he unwittingly displayed a pizza box from a local pizza chain—alerting authorities looking for him to his presence in the country.

here's the problem with that, though – none of the romanian journalists who reported on this story said anything about the pizza box thing. there's also a huge problem with these stories just... citing each other.

if you dig through the citation loop long enough, you end on this daily star article that cites tweets (jurnelism!) from, of course, alejandra caraballo

According to Alejandra Caraballo, a writer and clinical instructor posting on Twitter: “Romanian authorities needed proof that Andrew Tate was in the country so they reportedly used his social media posts.

(as an aside, if you follow her on twt, i'd heavily recommend against doing that. she spews bullshit like her life depends on it and i think this is inexcusable.)

these are caraballo's tweets in question:

the source for this is the romanian article i linked to earlier in this post. it doesn't say any of this. at least, the english translated version of it doesn't. for what it's worth, i'm not a romanian speaker, and i don't have any benchmark for judging if google's translation service is missing linguistic nuances. here's what it actually says:

Sources close to the investigation stated, for Gândul , that shortly after the completion of the computer expertise, the authorities waited for the right moment to catch the Tate brothers, who were always out of the country.

After seeing, including on social networks, that they were together in Romania, the DIICOT prosecutors mobilized the special troops of the Gendarmerie and descended, by force, on their villa in Pipera, but also on other addresses.

it's also probably worth pointing out that tate's villa was previously searched in april. while the article does say that social media was used to help confirm their location, it doesn't say anything about pizza boxes. and, like, given that tate is a prolific social media poster and was tweeting out videos of romania on sunday, i think it's safe to assume they had a wealth of other information to go off.

and if you don't want to take my word for it, nyt and wapo both reported that the spokesperson for the romanian prosecutor presiding over the case denied the pizza box thing:

Speculation online centered on whether a distinctive pizza box featured in one of Mr. Tate’s tweets to Ms. Thunberg had helped lead the authorities to him, but Ramona Bolla, a spokeswoman for the Directorate for the Investigation of Organized Crime and Terrorism, told The New York Times on Friday that that was not the case.

anyway, ain't it funny how caraballo's made the fuck up pizza tweet got 76 million views, 97k retweets, and 525k likes, while her appended correction got 78k views, 100 retweets, and 820 likes. her initial "source: my mind" tweet is still up. ain't. it. funny.

#tim heidecker rules for 2023 – NO MORE BULLSHIT!

[bjarkanart]

So... I did a thing because, man, y'all are wild! The response I keep getting for my silly take on a meme is insane and I appreciate every single like and reblog, you have no idea. So I made it into a wallpaper for my phone and thought "hey, maybe I should share it with my fellow critters?" So here it is!

Also, I don't know if it's weird to use your own art as background on your phone or whatever but I personally do when I'm actually happy with something I drew so, I edited it a little bit to make the picture extra warm and soft and comforting to look at... but it's only for smartphones at the moment. It's not exactly high quality either since it was edited on my phone using Snapseed but it gets the job done, y'know.

I'll probably try to make it a proper illustration at some point without the funny little texts here and there cause I kinda feel bad for keeping Pâté out of the picture but hey, I need my daily dose of Imodna and I got the little guy tattooed on the side of my calf so I'm good but y'all might wanna see him still, right? 😂

Anyway, let me know if you'd like to see a text-free version of the whole thing? Oh and maybe I'll add Imogen's scars this time around, I had a few fics in mind where Imogen probably doesn't have the purple scars and left them out for this so, just a thought.

I'm gonna stop rambling now, don't mind me, and thanks again for the crazy feedback, it means a lot!

#imodna #laudna #imogen temult #i'm way too committed to these witches but I don't care anymore #critical role #cr3 #bells hells #fanart #critical role fanart #dnd fanart #digitalart #southern gothic #horse ghoul #wlw

[ireneaesthetic]

Pointing out little moments and details of my fav s3 scene.

choir practice scene • episode 2

this scene caught me so off guard, in the best way possible.

it only took simon's "you should do an activity you actually like" for wilhelm to drop everything and choose getting to spend more time with him!

simon's reaction at wille joining the choir was also mine: he can't believe his eyes and keeps looking back at him with the brightest smile on his face. and simon shifting wille's attention to where the song lyric is bc it's all new to him is adorable.

wilhelm's little proud smirk between the kisses while simon is so into it: he knew and imagined simon's surprised and happy reaction to all this, but i bet he was thriving to see it up until this very moment. so he might just be thinking that he made the best choice of his life.

having to practice and wait for everyone to leave was probably torture for simon, when all he really wanted to do since wille came in was this (simon's main love language is clearly acts of service btw *cough*). he felt important, cared for, loved - and couldn't wait to reciprocate it.

also, he's holding the key chain and happens to do the middle finger with the same hand. if you look at it as a way of saying 'mind your own business' to us is quite funny.

simon setting the rhythm and wilhelm fully going along with it. they don't even separate their lips before leaning in for another kiss - melting into it. they literally said 'no need to catch air bc we're already breathing each other in'.

simon not breaking physical contact even once. his hands are the third main character in this scene: they act like a glue for their bodies and carry so much passion. it is peak chemistry.

going on his tiptoes to push himself as close as possible and clinging to wille for dear life is the most simon thing he's ever done. love really brings out the cuddliest version of him.

smiling into the kisses and out of the kisses? insane of them if you ask me (i support it) (keep doing it lovers).

wille smiling and biting his lip bc he's the one overwhelmed by simon's presence now. physical touch is his love language and he's flooded with simon's - he must feel the luckiest boyfriend on earth.

one of their greatest proofs of love has always been to provide each other's comfort by being exactly what they lack receiving from other people or what they need most of the times - it's a constant learning of how to give and take.

they can't get enough of it: it's not even only about the kissing but more about their need to just keep pulling the other closer, leaning into each other, slowing their movements to not leg go yet but take time to touch and deeply feel instead - wille's face speaks for itself. this hug is so intimate ugh.

it's finally shown a glimpse of wille's hand on simon's back! it was always there obv but it's nice to see it more properly.

wilhelm obsessing over simon's neck and simon who tilts his head back to make it more accessible. wille could've done it all and trace the path with kisses - simon wished - but the boy knew what he was doing!

the way simon looks up at him and wille rubs their noses back and forth, keeping his eyes on him, gives me butterflies.

they're super affectionate and it's the easiest thing for them to do. the intimacy that comes with their whispering, their own personal space becoming one for both of them to share bc it's safer, warmer, a lot more comfortable. everything is such a manifesto of how much they genuinely adore each other - it's what makes this the it scene for me.

their bottom lips touching are sooo *internally screaming*.

wilhelm stands still to let simon's lips brush past his own and simon's cheek resting against wille's lips to enjoy the feeling a little longer. they look so peaceful.

it happens after wille's "i like listening to you sing": they went from "he likes it when i sing" / "i do too, don't i?" (locker room's fight in s2) to wilhelm actually telling him that listening to his voice is one of the main reasons he joined the choir. it has to be extremely special for simon to finally hear it.

idk if it's just my mind making this up but let's pretend simon is kissing wille's neck here!

wilhelm picking simon up by the waist to carry him elsewhere and keep the thing going more privately. that's my wille.

can you believe this is the face of someone who's saying that he needs to go? to not miss the bus? he just looks crazy in love to me.

wille's laugh is cute! and simon throwing his stuff on the floor bc the priority was to push his boyfriend against the lockers to make out will never not be funny.

also, @allthefakepeople once said the only thing that could've made this scene even more perfect is if simon paused when walking away and ran back to wille to steal a quick goodbye kiss - ahhh i'd have been so here for it!

#sorry not sorry for rambling #this scene deserves all the praise #young royals #young royals analysis #yr s3 #choir practice scene #wilhelm x simon #wilmon

[lilywastaken]

⇝ shadow .

Simon "Ghost" Riley x Fem!AFAB!Reader.

PART TWO OF MÉNAGE.

SUMMARY: All Simon wants is to explain his disappearance to you, but he can't really expect you to be willing to listen.

WARNINGS: AFAB!Fem!Reader (no use of Y/N!), Mentions of NSFW, Angst, Pregnancy, mentions of pregnancy complications, Soft!Dad!Simon.

A/N: Second chapter!! Almost exactly a week after the first one LMAO. No smut in this one, I'm afraid, but some very fluffy moments between Simon and Tommy! <333 Once again, please reblog and comment if you enjoy this, it helps a lot!!!

WORD COUNT: 10k.

MASTERLIST.

Also on Ao3!

You were pretty sure your fingers were about to snap.

The grip you had on the door could rival that of a professional arm wrestler, your whole body stiff and frozen in place as your gaze locked onto Simon's.

Was it even Simon? His eyes didn't hold the same warmth it had the last time you'd seen him, his body wasn't as relaxed as it had felt beneath your touch, his whole frame covered in dark clothing that left his eyes as the only source of light that shone through that shadow of a man.

Well, you couldn't even consider them that, his blue orbs lacked that speck of light you'd grown accustomed to seeing in your son's; it left him looking like a ghost, a shell of a man. But maybe that was appropriate, he never did look like the kind of bloke you'd expect to be kind or sweet, he suited more the idea of a cold, ruthless man that had abandoned you and your son.

Even after having spent a night in his arms, felt the touch of his lips on your skin, memorised the feeling of his cock inside of you; he was still a stranger to you, a man you had idolised so much during the first days after your encounter that he had begun to form into someone completely different in your mind.

And now that he was in front of you, you knew. This wasn't the Simon from your dreams that held you in his arms, the Simon from your dreams that pressed kisses to your swollen belly whenever the baby would kick, the Simon from your dreams that hadn't left.

It was like a slap in the face.

One that brought you back to reality, that flushed away any daydream or idealised version you had of him from your mind, and forced you to focus on the man standing in front of you.

"You-"

"Did you keep it?"

As if you'd been sucker punched right in the gut, you felt the air leave your lungs, the words you had intended to speak sitting on the tip of your tongue like the bitter taste of black tea.

"It? Wh-"

"Him. Our son."

Our son.

It was funny, how he'd managed to say the two simple words that immediately made your blood boil in rage, tears forming at the corner of your eyes out of frustration as.

"Oh, so he's our son now?" You willed yourself to keep calm, but you couldn't help how your voice wavered when you spoke, this whole situation baring to be too much to handle along with your already declining mental state. "You didn't seem very interested before."

"I was gone."

"Oh, trust me, I know." You snarled, your harsh tone causing him to look away from you, whether it was in shock or fear, you didn't care. At least you couldn't feel small beneath his stare if he wasn't looking. "How long has it fucking been, Simon? A year. 9 months carrying your child and 3 months raising him. You have no fucking right to come knocking now and asking to see him."

"You don't understa-"

"I don't need to fucking understand, Simon!" You cried out, your voice ringing down the hall and in Ghost's ears, "I was alone! I am alone! I went through a terrifying pregnancy on my own because you couldn't bother to pick up the goddamn phone! Where were you when I needed you!? Where were you when the doctor told me that the birth might leave irreparable damage on my body!? Where were you when I almost lost him!?"

Silence filled the building, dull ringing in Ghost's ears from how loud you'd shouted, his gaze shifting up from the floor to you, his heart skipping a beat at your dishevelled state, your flushed face and tear stained cheeks, the hand that had been resting on the door now clenching your shirt right above your heart, as if the simple act of talking to him pained you to no end.

"I'm sorry."

"Sorry doesn't fucking cut it, Simon. Sorry doesn't make up for this past year, for all the fucking pain I went through while you were, what, ignoring me the whole time!? Waiting until an 'acceptable' time to show up and fucking demand to see him!?"

"I'm not demanding." You flinched as one of his hands came to slam onto the top of the door that separated the both of you, his hand clenching around the wood hard enough to break it, and you knew that if he wanted to, he could. "I'm asking. I'm asking to see him, for you to let me explain why I was gone."

Your lower lip quivered at the way he spoke, so calm and composed compared to you, who'd let your emotions take control of your words and had just

"I don't know what you went through. I don't think I'll ever be able to understand. And.. I'm, I'm sorry, that you were forced to go through it alone," The apology that slipped through his lips sounded almost forced, like it was his first time hearing and speaking the words out of his mouth. "I'm not here just to see him. I'm here because you deserve an explanation on why I wasn't here. And I know it won't take away the pain, but I ho-"

The door slammed shut.

Ghost was left outside of your apartment, hand still testing on the flimsy wood of your door, staring at the point where your eyes had been mere seconds ago.

You'd closed the door on him.

You'd ripped any chances he'd had of seeing his son and explaining himself to you in half.

He'd gone through his speech for hours in the car, making sure that he wouldn't come off as rude or mean to you, that everything was explained slowly and coherently, but you'd just… Closed the door on him.

It was a funny sight, really. A giant of a man standing in the corridor of a beat down building in the middle of Manchester, outwardly looking like a kicked puppy if it weren't for the fire that was burning inside of him, bubbling beneath his skin as he got the urge to rip the whole fucking door off just so would fucking listen to-

The door opened again, properly, this time. No little gap where he could barely see your full body, where you were able to hide from him in fear that he'd do something disastrous like he'd just been thinking of.

You were letting him in.

That much was obvious, by the way your shaking frame was glued to the wall of the small corridor, allowing him space to cross through into the apartment he'd spent the night in a year ago.

No words had to be spoken, the reluctant look on your face telling him more than enough.

The few steps he took to enter your apartment felt like crossing a border to another world, one that he couldn't recognise as much as he tried to think back to the last time he'd been there.

Everything had changed. The wallpaper with the flowers that reminded him of his grandma's old home had been striped, replaced with a more cool paint over; the dingy sofa where he'd ripped your tights open was replaced with a much more softer and plush looking model, one that could no doubt be pulled into a bed; the bookshelf he'd gotten the sticky notes from had been ridden of many of the books that had littered it, replaced with children's books and a few pictures, baby toys strewn across the floor in front of it.

It felt like a whole different place than what he remembered. He didn't know what he had expected, for you to have a child and for nothing to change? He was aware of the chaos that a child brought, remembering how annoyed he himself had been as everything started to change around him when his brother had been born, the need it brought to rearrange the whole house to accommodate the baby and not have any dangerous items lying around.

Ghost made a mental note to himself as he picked up one of the picture frames from next to the small telly to clean up his own house before bringing his son there (if he was even allowed to), recalling the dust and grime that covered the corners of his rooms, the glass shards from the last time he'd drunk and passed out on the sofa littering his floors.

You pushed the door closed behind you both, shaky hands pressing onto the cool wood in an attempt to ground yourself, trying not to focus on the silent yet imposing footsteps of your son's father.

You don't know what possessed you to open the door, to let him into your space, that he'd now taken over like a shadow. He looked so… out of place.

A demon along the angels, a ghost along the living.

His dark clothes contrasted heavily with the bright colours of your son's toys that laid strewn across the floor, with the soft colours your walls were painted in, with the colourful blankets that you'd tried spicing up the sofa with, despite no one being able to appreciate them other than you.

It didn't feel right.

It didn't feel right to have him here, walking around your home like he belonged there, like he'd been there all along. It was wrong.

You felt like you couldn't breathe, like your throat was closing off and preventing any air from reaching your lungs properly. Your nails dug into your own palms as you clenched your hands closed, trying your best to even out your breathing and focus on anything but the impending conversation you'd have to have with him.

You could hear him say something, but your brain was so caught up with trying to stop yourself from spiralling that it didn't even comprehend what he was saying. The balaclava over his face was moving, indicating that he was speaking, but not a single sound was reaching your ears.

Your body was trembling at this point, mouth gasping for air as your throat continued to constrict, your eyes going blurry with tears as you watched him come closer to you, mouth still moving.

"Breathe." Two hard hands grabbed onto your shoulders, shaking you out of your stupor bordering on what you could easily identify as a panic attack, ones that you'd been prone to ever since you gave birth. "Look at me. Breathe."

Simon immediately knew what was happening without even having to look at you.

The laboured breaths that were leaving you were enough to activate the alarms in his head, recognising them immediately. He'd heard them many times before coming from him, his teammates, the people whose heads were pressed against his gun. You were spiralling, falling into the harming grasp of your anxiety and letting it infect your body.

When he got a panic attack, Simon rode through it. The therapist that Price had assigned him a few years ago had advised him to consider doing breathing exercises whenever he showed signs of having one, but during the year he'd seen her and the years to come, not once had he considered doing them. Sometimes, he felt like he deserved to feel like that, like he was suffocating, like his heart was about to be ripped out; for all the pain and suffering he'd inflicted on others, he deserved to feel at least a sliver of it.

But the thought of letting you experience that same pain, the same panic, the same hopelessness he felt whenever he'd cave into his depression, it wasn't a good one.

So despite his initial lack of remembrance of the exercises his therapist had offered, he tried his best to talk you through it, hands grasping at your shoulders and squeezing every time he saw you start to slip away back into that pit of anxiety, keeping his eyes on yours through the whole thing, not letting you go until you'd stopped shaking and your breath had become even once again.

You'd been so focused on the anxiety coursing through your veins that you hadn't even realised who was helping you through it, blindlessly following orders and breathing along with him, your brain subconsciously recognising his voice as something to cling onto, to pull you out of your own plunging thoughts.

But as soon as you realised whose eyes you were gazing into, whose hands were holding you down, you panicked again. Your own hands came up to push him away, the action catching him off guard and making him take a few small steps back from you, eyes still fixed on yours.

"Are y-"

"Shut up." You breathed out, interrupting him for what seemed like the 100th time that night, mimicking him and taking a few steps away from him and wrapping your arms over your upper body. "Sit."

Ghost finally tore his stare away from you to look down at the sofa, hesitantly taking the first steps forward like a cat meeting its owner for the first time before finally taking a seat on the sofa, sinking into the plush pillows thanks to his weight and looking around from the new perspective.

"Do you normally have panic attacks?" He spoke up, thankful that you didn't interrupt him this time, voicing his concern.

You bit the inside of your cheek, looking down at your fuzzy socks as you thought back to all the times you'd had to go through them on your own sitting at the doctor's office, lying in bed after putting Tommy to sleep, looking at yourself in the mirror after your labour…

Your doctor had warned you about the rollercoaster of emotions your body would go through after giving birth, including the depression many women suffered that unfortunately had affected you too during the first few weeks; but you hadn't expected it to continue until this late.

"...sometimes." You mumbled, hands running up and down your arms as you squirmed beneath his glare. "It's normal. For a lot of women."

He didn't answer, nodding in response instead before turning his head to the side table, where a small picture of a very tiny Tommy sat, his hand itching towards it to take it in properly.

The silence that followed what you could barely call a conversation was unbearable. The tension that hung in the room was thick enough to cut with a knife, the silence almost suffocating you as you tried to muster up the courage to speak up if he wasn't going to, despite him having almost broken down your door in order to talk.

"...so? Are you going to explain?"

Simon stayed quiet, the whole speech he'd rehearsed back in his car suddenly fizzing away from his mind like a shooting star in the night sky. He was left with barely an outline of what he wanted to say, a vague idea of everything he'd tried his best to put into words before seeing you.

But actually having you in front of him, sitting on the same sofa he'd once pressed you against, gazing into the eyes he'd once thought so much about before the start of that god awful mission, made every last thread of sanity that remained in him snapped.

He was sure that without the mask he'd look like a fool, mouth slightly open and half lidded slate blue eyes fluttering with every blink, transfixed by the vision that was you, in front of him.

"Look, if you're not even going to fucking talk, you can just go right back out the fu-"

"I can't tell you exactly what happened." You stopped mid-rant, cheeks burning in embarrassment after being the one who was interrupted this time. "My job doesn't allow it."

His job? Was he really blaming everything on his job? What kind of goddamn profession forced you to go radio silent for a whole year?

"What do you work in?"

"..." Simon regarded you with a poignant sheen in his eyes, clearly at odds with deciding what to say, the truth or what he had been taught to recite in a situation like this. "I protect."

Even if he didn't outright say what his vocation was, you could do more than assume.

Protection could mean many things, like working at one of those security alarm companies to working as a bodyguard for some fancy rich guy, but with one look at the man sitting in front of you, you could tell.

And it was terrifying.

You'd assumed he was some type of bodybuilder when you'd first saw him, but as you recalled his tactical steps as he walked you down the street, the way his hand flew to his belt when you'd pass some creepy looking guy, as if he was expecting something to be hanging from there, it all started to click.

You had two options before you. He was either a fucking mercenary or military. And although both options were terrifying on their own, you hoped to whatever god that was looking down on you that it was the latter. You wouldn't know what you'd do with yourself if the father of your sweet baby boy was some type of criminal.

"You protect?" You let out, careful with your words in case you said something that you shouldn't, terrified with the prospect of him getting annoyed or angry now that you had an idea of what he did for a living.

"I protect." He parroted, lifting his hand to shove it into one of the pockets that adorned his jacket, pulling out a slim laminated piece of paper, what you could only assume was some sort of identification. "Here."

You took it hesitantly, flipping it over to scan your eyes over the confusing words that lettered the ID, mostly all words you'd never heard before in your life, but you were smart enough to grasp the concept of it.

"You work in the army?" You question, finger running over his title, repeating his newly discovered last name in your head, cursing at yourself for even thinking of how normal it would sound led by your son's name.

"SAS. Lieutenant. Can't say more than that." His gloved hand came back up to hopefully grab his ID back, but you dodged him, taking a few steps back and flipping it back over so he could see what you were pointing at.

"There's no picture." You finally referred to the black space that filled what was supposed to be a headshot of whichever soldier's ID it was. "How… how do I know this is real?"

You watched the mask move as he furrowed his eyebrows, the hand that had fallen onto his knee now gripped at the cargo pants, his eyes showing the disbelief that shot through his body.

"Y'think I made a fuckin' fake ID?" He grunted out, lifting himself from his spot on the sofa and glowering down at you, who did your best to not stand down almost immediately out of fear of his massive frame. "I don't carry 'round a picture of my face, defeats the whole purpose of my fuckin' mask."

You bit the inside of your cheek as you tried coming up with some type of rebuttal that would shut him right up, but you ended up once again asking another desperate question.

"That doesn't explain why you were gone."

Silence.

The crickets that sang from downstairs, the sound of the creaking from upstairs with every step one of your neighbours took, the suddenly suffocating feeling of your tiny apartment, everything seemed to increase ten fold with every second that passed.

"I can't tell you much." He leaned his head back, twisting his neck to a side to reveal some of the hair that had grown down to below his chin after a year of not properly shaving, making you look away from what almost seemed like an invasion of privacy.

"Oh, fuck you." You let out an amused scoff, unbelieving that still after everything that had happened in the short amount of time he'd been back, he still refused to say anything. "Go to hell, Simon."

"I was on a fuckin' mission. A long one. I wasn't allowed any devices, like always, so I couldn't get back to you." He looked back at you with a glare that easily rivalled yours, voice rising in volume with each word he spoke, clearly pissed off at how you were acting with him despite having tried to explain himself, but deep down he knew that it was expected from you after what you'd gone through, yet he still couldn't help but feel disappointed deep down.

"Don't raise your fucking voice at me, I'm not the one who's at blame here, Simon!" You shoved a finger into his stiff chest, doing barely as much 'damage' as you pretended to, but you did your best to get your point across.

"I'm not raising my vo-"

A high pitched cry cut through both of your raising voices, Simon's hand immediately going to his belt out of instinct while you whipped your head in the direction of Tommy's room, wincing in both fatigue and shame for having forgotten about your poor, sensitive to noises baby boy.

You put a finger up before Simon could even get the idea of heading there first, an authoritative glare on your face as you grew 10 times braver now that it came to your son's mood and well-being.

"Stay." You hissed, almost like you were reprimanding a mutt instead of a grown man. "Don't fucking follow me."

Once you were sure you'd gotten the message across, you pulled yourself away from his gaze and quickly entered your son's nursery, cooing and shushing at him as you neared his crib.

"Hey, hey, it's okay, duck, I'm sorry." You whispered, carefully picking up his fidgeting body in your arms and pressing him to your chest, rocking him as gently as you could in your told. "Mommy's sorry, she didn't mean to scare you."

His crying didn't cease, only getting louder as you desperately tried to get him to quiet down, terrified of the racket he was no doubt making for the next door neighbours, who'd probably come by tomorrow with some not very nice words.

Your hands were shaking as he still didn't calm down, a shiver running up your spine while goosebumps racked your body as you saw the light that came from the living room be blocked by a large mass of what you could only assume was Simon.

"I told you not to follow." You kept your voice small as he took slow steps towards you, not wanting to agitate Tommy even more than he already was, knowing how enervated you'd be in the morning if that was the case.

"I want to see him."

You bit down on your tongue before you shot out a snappy response, realising that this was not the time nor the place for snarky comments, as much as you wanted Simon to finally get a hint and leave you both alone.

"You haven't even told me his name."

Screwing your eyes closed, you pressed Tommy to your chest a bit tighter, both to calm the two of you down and in an attempt of caging him away from the shadow of a man towering behind you.

"You never asked for it." You felt him stop behind you as you spoke, his eyes staring holes into the back of your head, as if that would finally get you to move so he could see his son.

He stayed silent once again, looking over every single detail in the nursery, from the row of knitted stuffed animals to the plastic fluorescent stars stuck to the ceiling above the crib, eyes trailing over the bookcase that looked a bit too unstable for his liking, the screws too loose to be holding up all that weight properly.

"Did you build these yourself?" Simon watched you turn your head over your shoulder to see what he was referring to, glowering at him crossly as you looked over the furniture.

"Didn't have anyone else to do it, did I?" You snapped, going back to the crying baby in your arms as he continued to look around, gloved fingers running over some of the spines of the books that laid on the shelves, recognising some of them from his own childhood bookshelf.

"You still don't believe me, d'you?"

A beat.

The finalising sound of his footsteps exiting the room made a weight you hadn't realised was pressing on your chest dissipate out of relief, only to come back heavier than ever as he pushed the duffle bag he'd been carrying towards you with his foot.

You looked down at the spilling contents tentatively, almost worried that there was some type of danger in there that would force you to take cover or cower in a corner, but all you found were military pants and clothes, a gun hidden in its holster, and in the hand that slowly appeared in the corner of your vision, dog tags.

"Look." He brought them up closer to your face so you'd be able to see even in the dim lighting that came from the fluorescent stars stuck on the ceiling and the small nightlight, the name engraved in it identical to the one you'd found on the ID. And although most IDs were pretty easy to fake, you were pretty sure dog tags like these weren't. They had the SAS' inscription on them along with a few codes and numbers you were too ignorant about the army to understand; but for all you knew, they could be as fake as the ones some men wore as fashion.

Maybe that still wouldn't have been enough, if it weren't for the gun. England was very strict with gun laws, and the only people you'd ever seen handle one were the police and the military. So he'd either gotten one very illegally or was truly who he said he was.

And as much as you wanted it to all be fake, for him to be the random bloke you'd had sex with that had no connections to anything dangerous, you knew it wasn't. It was blatantly obvious now that he'd laid down everything in front of you like a puzzle, he was telling the truth.

And god, how much you hated it. You hated that the so-called excuse he'd used before was close to being set in stone by now, that everything was falling into place.

"They're real. I promise."

His promises meant nothing to you, and he knew that, but he had to try anything he could for you to finally believe him, to pull down the walls you'd built and let him in.

"..." You looked away from him and his outstretched hand, pulling your still weeping baby closer to you as you debated on what to do, mind torn between two headspaces.

A shaky sight left your lips as he finally started to tone down, his small pudgy hands grabbing at your sweater in an attempt to ground himself, to find a smell and feel he knew brought safety.

"...his name's Tommy."

You felt him freeze behind you, the aura around him growing cold almost immediately, like you'd just blatantly insulted him without any remorse.

"Tommy." He echoed, voice scratchy as if he was dying of thirst, body suddenly feeling like it had been dunked under tiding waves. "Why?"

"Why?" It was your turn to repeat what he'd said, turning around fully and allowing him the first proper look at his infant son.

Any feeling of displeasure or uncomfort left Simon's body as his eyes landed on the small boy whose teary eyes were trained on his mother's, soft hands clinging onto her like all hell would break loose if he weren't, pudgy body wrapped up in soft blanket decorated with a tiny duck print, the animal something he'd heard you refer to him as before.

God, he wasn't even listening anymore, too enamoured with the small being that lied in your arms, his hands itching towards him in hopes of taking him in his own.

His stomach sank as you stepped back in tandem with him, shielding Tommy from him like he was a monster.

"I, uhm…" you looked up at him through glassy eyes, clearly having been taken aback by his sudden advance towards you both, ending with you pressed against the wooden crib's side. "I didn't really think about it. It just… felt right. It sounded nice. There isn't really any… meaning behind it, as far as I know."

And that was true, as far as you knew, Tommy was just one of the names you'd underlined in one of the many baby name books your mother had brought over with her. But for Simon, it was oh so much more than that. It brought back memories that he hadn't thought about in a very long time, including those rough times he'd spent cooped up in that godforsaken house trying his best to take care of the only family he had left.

And although he hadn't heard from his brother in a long while, he couldn't help but feel slightly hollow at the simple thought of him, who now unknowingly shared his name with his new nephew.

"...right." Despite everything that was whirling around in his brain, every single memory and doubt he wished he could share without destroying himself inside out, that single word of confirmation was the only thing he could get out.

Tommy let out a whine, small hand tugging at your shirt as he instantly pulled your attention back to him, small body fidgeting in your hold in a way that would make you drop him if you weren't used to his urge to not stay still.

"Yeah, I get it, duck." You said, balancing him carefully in the crook of one of your arms before picking up the half-empty bottle you'd placed next to the crib, knowing he'd wake up within the little time the milk could sit out and demand to be fed with his startling cries. "It's here, don't worry. You're not going to starve."

Simon watched from the shadows as your son immediately latched on to the bottle, acting like he'd been starved for over a week, when his last feeding session had been barely an hour ago.

"He's very greedy." You mumbled, mostly to yourself, but looked up at Simon as he let out a humoured exhale.

"Most babies are." He said, remembering how needy his own little brother was when it came to feeding, whining and screaming until everyone in the house had woken up.

Silence fell upon the room, the only conceivable sound in the house being the sound of Tommy drinking and the soft jingle of the crib mobile whenever a soft gust of wind came through the parted window.

For the first time in the hour Simon had been back in your life, you felt calm. Your heartbeat had come down to a normal rate, your body had stopped jolting and shaking every now and then, and there was a small smile tugging at your lips as you watched your son cling to the bottle in your hands.

Even Simon's presence had stopped putting you on edge, since now he was just silently gazing down at his son, who's eyes were fixed back on his father's, almost like they were both having a staring contest, and it was unclear who was about to win.

Tommy normally bursted into tears when he was near a stranger, too many new scents and sounds around him since he was used to the calmer and soother environment that was his nursery, so apart from the short strolls you'd take down the streets, he barely went out with you, and when he did, he didn't get to met many new people. You remember how embarrassed you'd been when one of your neighbours had come by to help with fixing a light and Tommy had started bawling at the mere sight of the unfamiliar man standing in the doorway.

So it was a bittersweet surprise when you realised he must've taken an instinctual liking to his father, despite not properly having the brain capacity to regard him as such, and although you'd have plenty of time to go over that later, for now, you were relieved that he hadn't turned to wailing as loud as he could and bursting all three of your eardrums (although if Simon did work in what he said he did, you were sure he'd be used to loud noises by now).

"How d'you pay for all this?"

"What?" You said, the calm expression that had graced your face quickly forming back into the pissed one he'd gotten so used to seeing in the past hour, the innocent yet aggravating question instantly spoiling your mood. "What do you fu- what do you mean?"

"The furniture, the clothes, the nappies." He nodded towards every single thing he listed, only adding onto your annoyance even more. "Where d'you work?"

You snapped your head down to Tommy in order to avoid his damaging questions, meeting the cute scene of your son fast asleep, probably having passed out after such a long staring contest with his dad and finally having a full belly. You ignored the weight of your impending answer as you placed him down carefully back into his crib, letting his chubby cling onto your fingers for a bit before slowly wrenching his grip off, turning back around to his father.

"I don't work. Not anymore." You kept your voice hushed, picking up the empty baby bottle along with a bag of dirty nappies, standing next to the doorway until he got the memo to walk out before you. "Got fired from the bar cause I was too distracted and I messed a lot of things up…. Had to use my savings to pay for everything during my pregnancy."

He watched you walk around the kitchen and put everything away like it was routine, like it was some sort of art that you'd perfected, while thinking over the information he'd just received from you.

He felt horrible. The mere thought of you, pregnant and alone with no job able to support you, working on the crib and nursery on your own was enough to tear his cold heart in two. And he didn't even want to think about how much money you had left, which by the sight of the very expensive-looking cot and all the toys that laid strewn across the bedroom floor, wasn't much.

He crossed his arms over his chest as he leaned back onto one of the walls and thought about the next words that were going to leave his mouth, the next words that would either end up with you both growing closer together or you continuing to push him away.

"Let me help you."

You stopped dead in your tracks while rearranging one of the cupboards, turning around with a look of disbelief painted on your face, beyond bewildered at what he was even starting to proffer.

"Help me?"

Simon had more money than he knew what to do with. Albeit, a small part of it was sent to his brother and his family at the end of every few months, he was still left with a huge amount of money he didn't really know what to spend it on apart from on the bottles of alcohol that littered the floor of his apartment.

But now that he'd learned about his own family, seen the state your flat was in despite you trying to save face by decorating it as much as you could, about as much information as you had given out about your financial situation, he finally knew what to do with all that money that was left over.

"Help you. Financially. Tommy's my son too." Simon raised a gloved hand up as he watched your mouth open, immediately shutting you up like a teacher would a student. "As much as you want to deny it, s'true. And I'm going to help you." His finger landed on the small island counter, accentuating his point with every word he spoke. "Whether you like it or not."

Now, you'd be bellow stupid to even refuse an offer like this (even though he'd made it quite clear it wasn't an offer, more like an insistence), especially since your bank account was quickly reaching negative numbers with every day that passed, not a lot of jobs being open to a new mother who'd either have to take her baby everywhere or leave between shifts to take care of him (and a nanny was of course out of the question, with what money would you pay them?); and pushing aside your still initial distrust towards him, you couldn't say no to him. Both, because he wouldn't let you and because you needed the help, as much as you didn't want to admit it.

Very deep down, you wanted to say no, to push him out of the flat like you should've done when he had first taken a step inside, that he'd had his chance with both Tommy and you and that his bloody stupid excuses weren't going to work… but god, would you have been a moron to even consider letting those words leave your mouth.

You closed the cabinet shut, turning around to face him properly despite the absolute nerves that were coursing through your body, looking out the window across from you instead of at the imposing figure of the man standing before you.

"Simon, I… Look, just…." You tried changing subject, grasping at straws in order to keep yourself from falling to your knees and thanking him for helping you, to break down again like you'd done within the first quarter hour of seeing him again. "...thank you."

He didn't reply, only nodding in response as he turned away from you, letting you stare at his back as he cocked his head to a side to subtly look into Tommy's room, your small baby boy still fast asleep with his clingy hands holding onto one of the many toys you'd placed in there for him to stay entertained with.

"It's, uhm… it's getting quite late." You pointed out as you looked back out the window, rain pattering against your window as another one of England's classic showers hit your city, your arms wrapping around your torso and running your hands up and down the exposed skin. "How about we just… call it a day and talk about it tomorrow?"

Simon grunted, shrugging his shoulders like he really didn't care, but before you had chance to comment on it, he spoke over his shoulder, his head tilted in a way that the shadows curved around the balaclava covering up his face, his blue eyes slightly brighter than when he'd first shown up.

"I've got some stuff to attend to tomorrow." He muttered, nodding towards the duffle bag that he'd brought out with him when you'd both left the nursery, indicating that he wasn't fully finished with work. "It'll be a while 'till I'm able to just sit down with you."

God, you hated how much fear that single sentence struck in you. Like almost the thought of him leaving for more than a day after finally showing up and explaining everything to you was enough to raise up the anxiety that wrapped around your chest and travelled across every single nerve in your system.

So fucking pathetic. You thought to yourself before looking over at the sofa, the new one you'd bough and arranged yourself a few months into your pregnancy, when you were barely showing and could still handle physical work like that; remembering how much the salesman had insisted on that the pullout was the best option for when you had guests over, it was moderately comfy and big enough to fit up to two people.

And Simon kind of… He kind of counted for two people, right? With that bloody stature of his and his darned accentuated muscles you'd been so in awe of that fateful night.

"You can just take the sofa for tonight. Then we can talk in the morning before you leave." Your mouth acted faster than your brain did, but this time, you didn't really feel embarrassed or disappointed in yourself, I mean, it was the logical solution to this sort of problem. He'd made it quite clear that he wanted to be in his son's life, so if that was true, you'd have to get used to him being around you, invading the safe space you'd worked so hard to create for you and your son, as much as it tore your body and mind apart thanks to your mixed feelings about him.

"You sure?" He pushed himself off the doorframe which he'd been leaning on, getting back to his full height so he could tower over you, glancing at the tiny sofa. "You think I'll fit?"

"It pulls out." Unlike you. "You'll fit."

Once again, it seemed that he couldn't even get the words out to thank you, nodding in response before turning back to look at his sleeping son in the nursery's background. You pushed past him to get to the cupboard that sat in the corner, rummaging through it for some relatively clean and warm blankets, keeping an ear out just in case decided to walk a bit too close to Tommy, still a bit on edge when it came to him spending time around your son.

"D'you have a balcony I can use?" He cut through the silence, dangling a packet of cigarettes in front of your face to make his advances clear.

Although you weren't a chronic smoker yourself, you had indulged in a cig once in a while, and you knew that it sometimes did help soothe your anxiety or stress, and by the looks of how Simon was fidgeting in his spot and his fingers were clearly itching towards the lighter in his pocket, it was quite clear he was in need of one.

"I don't. Use the window furthest from Tommy's room." You pointed out of the room towards the window you'd been staring out of before. You watched him stroll out, opening up the window and letting in a gust of cold wind in the process, making you speed up your work so you could close the door faster and Tommy wouldn't get a chill.

"You can't smoke around Tommy, you know that, right? If you're really going to be in his life, I'm going to need you to quit while you're here." You commented as you placed down the blankets onto an armchair before moving onto the sofa bed itself, removing some of the cushions before resuming.

"'lright." He muttered between a few inhales of the smoke, his voice much clearer now that he'd pulled his mask up to his nose, letting you gaze upon the beard that had grown over his lower face, something that hadn't been there before. But you assumed that a year-long mission wouldn't really allow you to take time to shave. "Jus' really needed this."

"I get it." You grunted as you grabbed onto the flimsy handle at the bottom and pulled out the second part of the sofa's mattress, almost landing on your behind if it weren't for one of Simon's hands on the small of your back, helping you regain your balance before he went back to taking puffs of his cigarette next to the window.

Soon enough, Simon's cigarette burnt down to a stub, flicking it out the window and down onto the concrete below, turning back around to where you were finishing up what would be his bed tonight, tucking in some of the ends of the sheets and stuffing pillows into covers.

"Here." He spoke, his voice back to being muffled as he pulled the mask back down, taking the pillow from your hands and pushing it into the cover without any effort.

"Pillows might be a bit stiff. These are really old." You didn't even bother thanking him, taking the pillows and fluffing them up to the best of your ability, before propping them up on the armrest. "Do you want to, uhm." You gestured towards the black smudged paint around his eyes. "Clean up?"

"It's fine. I've slept worse."

He started to pull off his jacket, his shirt going with it for a moment and exposing his midriff and happy trail, immediately snapping your head away from the sight.

That's how Simon ended lying on the pretty well made sofa, shoes and jacket discarded next to him with a thin blanket draped over his tired body, balaclava still resting over his face despite being plunged in the darkness that was broken whenever a car passed by outside or by the soft glow of his son's fluorescent stars that decorated his ceiling.

Simon was aware of how long he'd gone without having a good night's sleep, that he should at least try to catch a few minutes of sleep at best, but he couldn't find the energy to even close his eyes. He knew that after such a long and exciting mission his body had to come down from it slowly, taking a few days of getting used to the sudden serenity that enveloped him before he could fully relax and find some sleep.

And so he lied there, staring up at the cracks in the ceiling and listening to the snores that came from his son's room and the shuffling and incoherent murmurs that came from yours, the constant affirmation that you both were fine enough of a substitute for the sleep he was missing.

And he was… content like that, for a while. Listening to the both of you sleep and tapping his fingers against his chest in an attempt to ground himself and to shove away any unwanted thoughts that would forcibly make their way into his already broken mind.

Until one of the cars outside backfired, a sound Simon had gotten used to after driving all those barely working cars they'd find in the way during missions, producing a sound that echoed throughout the living room, making Simon instinctively flinch, his fingers gripping down on the blanket hard enough to rip it, not having expected to hear a sound so akin to a bomb or a grenade while he was lying down calmly near his newfound family.

Fuck, he was pathetic. It was horrible how such an innocent sound made his instincts go haywire, his skin prickle with goosebumps and his heart skip a beat.

But clearly, as Tommy's cries rang out through the flat, he hadn't been the only one to be disturbed.

"Fuck." The blanket pooled down onto the floor next to his discarded clothes, pushing himself off the sofa and passing by your bedroom, where you were still presumably sleeping, your body wriggling beneath the covers as your brain attempted to keep you asleep.

You'd mentioned that Tommy had gone down easily this time, so it was relatively early for yourself to go to bed, and he'd heard you mutter to yourself as you climbed into bed that you were going to enjoy your rest, so staying on the sofa and waiting for you to wake up, was not going to happen, especially after all the trouble he'd gone through with convincing you to let him in Tommy's life.

This was part of being a father, a parent, waking up at ungodly hours of the night to take care of your fussing baby.

He carefully made his way towards Tommy's crib, removing his gloves in order to not scare him with an unknown touch, although he doubted that his calloused fingers would be any better substitute.

"S'alright." He murmured, a finger softly prodding at his chubby belly in order to catch his attention, the boy's wails only getting louder as he caught sight of his father's skulled balaclava. "Oh, fu- Look, hey, look at me."

Without any hesitation, Simon ripped off his mask, his hair getting messed up in the process but he couldn't care less, only focused on getting his son to recognise him as a human man and not the goddamn grim reaper who'd come for him.

Tommy sniffled as he toned down the fussing, blue eyes darting all over his father's face as if committing it to memory, chubby fingers leaning down to grab at the one Simon had woken him up with, and much like he did with any other thing he found lying around, shoved it right in his mouth, drooling around it.

A breathless chuckle escaped Simon's mouth as he watched him roll and fuss around his finger, resting his other arm on the crib and lying his head against it, transfixed with the sight of his small son.

A few tears were still running down his chubby cheeks, but he seemed to have calmed down now, Simon's finger acting like some sort of replacement for the pacifier that laid abandoned next to him.

"C'mon. Stop cryin'." He grumbled, pulling his finger out of his grasp and placing his large hands beneath Tommy's small body, carefully picking him up (making sure to support his little head like he'd seen you do) and propping him up in the crook of his arm, letting him squirm around for a bit until he found the perfect position. "You're a wriggly one aren't you?"

As expected, he didn't get any response apart from the thousand yard stare his son looked up at him with, similar to the one he occasionally gave Johnny to watch him freak out. Now that he did look at him closely, he could pinpoint how many features he'd inherited from his father's side, his shaggy hair, his blue eyes, his slightly crooked nose, even the chubby rolls and fingers he remembered seeing in his little brother.

"That's a boy." Tommy's eyes started to droop with every second he spent lying in his father's arms, his tears drying out and coos leaving his mouth instead of the agonising cries. "Feelin' better?"

He blindly walked over to the small chair he'd spotted in the corner of the room when he'd first walked in, grunting like his grandfather did as he sat down, careful to not squish or drop Tommy in the process, his hands tightening around him as the chair slightly reclined, the chair's feature catching him off guard and instantly activating the instinct to protect the small human in his arms that depended on him.

But Tommy didn't even flinch, giggling at the warmth that enveloped him and snuggling further into the blanket and his father's arms in the process, eyes still fixed on the dark paint that adorned his father's.

Finally, after their second staring match of the night, Tommy's eyelids finally closed, losing the battle and falling prey to sleep, something Simon silently wished he could too. Resting him in one arm, he pulled his balaclava back down, feeling a bit too exposed now that the need to have it off had ceased. He leaned his head back on the rest and stared up at the dim glowing stars, focusing on the steady breaths that racked his son's tiny body and the faint feeling of his heartbeat against his arm.

He could… he could really get used to this.

Having such a small thing in his arms, something he was responsible for, something he was supposed to love and care for, a purpose to continue the dangerous life he'd thrusted himself in. He was a father now. And although he knew barely nothing about being one, he'd learn. He hoped it wasn't a one time thing and that Tommy had truly taken a liking to him, that he was going to be able to take at least a bit off the load that you carried by helping in whatever way he could, whether it was bonding with his on or simply financially if that's all you wished of him.

He was a bit too lost in his thoughts as he reclined further in the plush chair, pressing Tommy to his chest so he was half lying on him, half still resting in his arms, a pretty comfortable position for the both of them.

"-mon."

"Simon!"

The blond was jolted awake by a pair of hands shaking him, his immediate instinct being to search around for the baby he remembered falling asleep with, blurry vision darting around to find him cooing and gurgling in your arms, hands latched onto your sleep shirt.

He turned to look out the window while cracking his neck, disoriented and confused about what time it was, the subtle sun rays that shone through the clouds and into the nursery telling him enough.

Had he fallen asleep? Like, actually slept for over an hour without waking up or any disturbances?

"'m sorry." His voice was deeper after a good night's rest, you noted as he rubbed his eyes with the bottom of his palm in an attempt to clear the blurriness, choosing to ignore the click of your tongue against the roof of your mouth. "Time?"

"'bout eight." You said, bouncing Tommy in your arms as you nodded towards the clock that hung up above him, eyes darting back down to see him hunched over, hands beneath his balaclava rubbing away the sleep in his eyes and no doubt spreading the face paint everywhere. "Tommy needs to have breakfast so I just assumed you'd want to be woken up as well. But, you're, uhm, welcome to sleep longer, I guess."

"No, I'm fine. I have to get up." Within a second, he was at his feet, Tommy staring up at him in awe as if he were gazing upon a giant, one of his chubby hands leaving your shirt to try and grab onto his, but Simon had left before he could even make first contact.

"You stayed here to talk, remember?" You said snappily at him as you followed, watching him pick up all his stuff. "We should talk."

His shoulders deflated mid tying his boot, a solemn nod in response like even talking to you was a chore, and after the night you'd had the day before, any little irritating thing like that was going to be enough to set you off.

"I want to be a part of Tommy's life. I've made that clear."

"I know. And that's… fine. But we're going to need boundaries."

He sighed, turning around with his other boot dangling from his hand, leaning his side on the wall opposite what had been supposed to be his bed for the night (the horror you'd felt when you saw him gone and your son's door open was unmeasurable), and nodding once again, eyes looking down at you expectantly.

Oh. Right. You were the one speaking.

"Well, for starters… if you really can't tell me more about your job than you already have, I want you to at least keep me updated whenever you leave for work. I.. I don't want any more surprises."

I don't want to feel the way I felt during that year again.

"Alright."

You nodded, pulling Tommy closer as he became enamoured with the necklace that dangled from your neck, trying his mighty best to pull the charm in his mouth as you talked. "And, if you stay over, you take the couch. And not taking Tommy out without me. Until… further notice." You feared you were being a bit too strict with him, but simply reminding yourself that this was in fact, basically a stranger who just happened to father your child, and you'd have to take preventive measures until you were sure that you could leave Tommy alone with him.

Simon ignored the slight pain that stabbed at his heart when you said that, but… it was understandable. You'd been with Tommy longer than him, hell, you'd carried him for a whole 9 months, you had a stronger bond with your son than he had. For both of your safety and his, he'd go along with anything you'd say.

After agreeing with a simple nod and finishing tying up his shoes, he walked up to you both, fingers brushing against your clavicle as he pulled your necklace out of Tommy's mouth, blue eyes fixated on yours. "Send me your bank details later. I'll deposit some money for you both. As much as you need."

He hesitated a few moments before pulling his fingers away, instead running them down Tommy's nose bridge before pulling away, pulling a giggle out of him.

"O-okay."

He nodded, leaning down to zip up his duffle bag before strapping it over his shoulder, jacket in his other arm since it was relatively warm outside for a morning in Manchester. "Text me if y'need anything. I'll answer this time… I promise."

You winced, the subject of his disappearance still a touchy matter despite everything you'd both discussed the night before, but by the way he hesitated before speaking, the way he was awkwardly standing in the main corridor, he was either very obviously lying or telling the truth.

You hoped it was the latter.

"...okay. Goodbye, Simon."

The moment the door opened, the doorbell rang out, making you and Tommy flinch at the loud sound and Simon grumble at being the main victim of the ringer.

Your neighbour was standing there, finger on the bell, furrowed eyebrows glaring up at the intimidating man.

"Good morning?" You poked your head around Simon's large frame, Tommy hiding his face in the crook of your neck as if able to sense the confrontation about to happen. "Is everything okay?"

"Uh, no. Sorry, just. I think I speak for everyone in this building that we'd appreciate it if you'd keep that baby o'yours quiet once in a while. Barely gotten any sleep these days 'cause of his bloody crying." He frowned, glaring down at the baby in question, as if he was truly to blame for something he was barely able to control. Your cheeks warmed in embarrassment, having remembered that you'd already expected this last night when Tommy had burst into tears the first time, and then the second time when you were asleep.

"Right, I'm s-"

"Babies cry." Ghost interrupted, glare fixed on the man in front of you both, hand tightening around the doorframe much like when he'd been trying to convince you to let him in. "Y'can't really help it."

"Well you can shut him up-"

"And we did. Wondering if I'm going to need to do the same to you." He said gruffly, almost puffing his chest out of pride when he saw the man's colour drain from his face. It was a bit of a shitty rebuttal, in hindsight, but when it came from the beast of a man that he was, it was enough to make a grown man like the one in front of him piss his pants. "'m I?"

"N-no, sir."

"Sorted." He watched the neighbour scurry off back into his apartment like a bug of sorts, turning back to you with an amused glint in his normally inexpressive eyes. "Bother you often?"

"Yeah." You said breathlessly, actually impressed with how quickly he'd been able to get rid of him, like your own personal pest exterminator. "Thank you."

"He won't anymore." He stepped out into the hall, sparing you and your son one last glance before awkwardly lifting his hand up in an attempt to say goodbye, Tommy immediately trying to reach over to him with a plump hand, fingers flexing as if trying to use the force to pull his dad back.

"He'll be back, duck, don't worry… he's not leaving."

Ghost pressed the button to the elevator, willing himself enough strength to not turn around immediately at the sounds of his soon cooing and whining at him, the soft words you spoke plunging a spear into his cold heart.

He'd be back. He promised.

TAGLIST: @selfassassin @ess-perspective-blog @crazyfandomist @webreathfandoms @warners-wife @prodyng @gaycrystalbitch @warrior-of-justice @uhhely @mentallynot-here @jordanwalkersworld @skepticalleo @bratsukisworld @screamingoverfiction @comedinewithmeyeh @gojosbucket @mikasakuchiki @jonhswife @tea-effect @thelittlejinx @cafesho @daddylorianisastateofmind @63sucker (if your name is in italics it means I couldn't tag you!)

#simon riley x reader #ghost x reader #simon ghost riley #simon ghost riley x reader #simon ghost riley x fem reader #ghost x female reader #cod mwii #call of duty #ghost x you #ghost fanfiction #ghost x fem!reader #ghost fic #cod mwii x reader #cw pregnancy #— ménage

[neil-gaiman]

Hi Neil!

I don't want to sound like a killjoy, but I'm concerned about David Tennant's family being involved in the second season of Good Omens (or Michael Sheen's partner Anna Lundberg in a future season three). I absolutely have nothing against them, I loved Staged just like everyone else, but this is exactly the matter for me: casting them in the series would automatically make me think about Staged or something else while I'm watching GO, and it would distract me from the plot and the magic of it. It would feel somehow like a family reunion, no matter how talented they are as actors (not to mention that there would be nepotism accusations, above all against David. I hope this won't affect the popularity rating, since season three is still hypothetical). I'm not the only one who thinks this might be an issue, from what I read on blogs here on Tumblr (and on the Internet in general) but I feel like there's a sort of tension, like people are scared to say it out loud, because some fans get the wrong idea and accuse them of hating Georgia or Anna or Ty (and that's why I'm asking this anonymously, I don't want to start a fight). I hope you get what I'm saying, it only felt fair to me to let you know whatever concerns some fans might have, and maybe even give you a perspective you weren't considering? Of course you have the last word on this, and if you think this is not a big deal, I trust your judgement.

I wish you a fantastic day! (And sorry for my English, I'm not native, I tried my best!)

Yeah. So, I find that a little creepy, not very creepy, but definitely a bit.

I thought we were lucky to get Peter Davison in Good Omens 2. (He didn't audition. We offered him the part, as I've been a fan of his since 1978, and All Creatures Great and Small. He crushes it, and is heartbreaking, funny, and still somehow the moral compass of the episode he's in.) Ty Tennant auditioned, along with a number of other actors, and got the part because he did it best. (I didn't know who his family was when we cast him. I just liked the audition tape.)

If you're hunting down family connections, David's mother-in-law, Ty's grandmother, Sandra Dickinson, is in the Audible Sandman, too, as one of the Three Witches/Fates/Eumenides etc. And she was cast in it two years before David Tennant (although probably around the same time Michael Sheen was asked to be Lucifer). (I've been a fan of Sandra's since she was Trillian in Hitchhiker's Guide to the Galaxy in 1981.)

Anyway, I'm sorry you're worried about Peter and Ty's performances, although I promise you have nothing to worry about, and I'm sorry that you worry that our possibly casting Georgia and Anna in a hypothetical and not-yet actually a real thing Season 3 might make people think of Staged and make them not able to enjoy Good Omens any longer. (Had I known people were this easily shaken I wouldn't have appeared in Staged either, in case my name at the front of Good Omens shattered the fragile illusion and revealed to people that the David Tennant and Michael Sheen who play Crowley and Aziraphale are actors.)

Starting in 2017 I was the recipient of mind-mangling quantities of Tumblr abuse for casting David Tennant and Michael Sheen as Aziraphale and Crowley, which was, many people made very clear to me, the worst casting in the whole entire utter history of casting, and something that Good Omens would never recover from, because for a start neither of them looked like the versions in people's heads, and I'd also miscast them badly because everyone knew that if you had to cast Sheen and Tennant, Michael had to play Crowley and David had to put on some weight and play Aziraphale. (It wasn't until May 2019 that people stopped grumbling.) So people worrying I'm going to cast Anna and Georgia in a season that hasn't even been commissioned in parts that haven't been written just makes me smile.

I hope this helps.

[kanmom51]

https://twitter.com/parkjmwins/status/1782358915939774874

Idk whether you will even answer this ask or will block me but this is exactly why JK had similar concept pics like Jimin. Jikookers made it to be romantic while Fandom made it to a joke 'JK always copy Jimin' (ofcourse). I've seen you making multiple posts about Jikook concept pics being match is a proof of them being a couple when in reality Hybe don't even take permission of original artist before using their ideas for another. One hybe label just got into trouble for copying newjeans and according to CEO min heejin it was BANG SHIHYUK who wanted to copy newjeans to create a second version of them through illit. And guess what he made sure illit gets 10x more success than newjeans, a 2 day song was already charting in different charts including hot 100. The same bang shihyuk who ignored every bit of Jimin's success but shamelessly copied his ideas and visions of concept pics for another favorite member. He shamelessly asks staffs to copy original ideas of artists who created them and use them for a cheap version of the said artist, Newjeans and Jimin are just examples.

Was it JK's fault ? Not necessarily but unlike rookie Illit he had power and capability to make his own decisions and use his own visions instead of doing what he was asked to do by the staff (his words) but he didn't and sat comfortably while using another person's hardwork. If you still think those similarities were because they were couple then idk what to say because in that logic Newjeans girls and Illit girls are dating.

Talk about TikTok generation ask.

Linking me to a tweet that has zero actual information and/or proper discussion, just stating a fact that isn't necessarily even a fact. Ignoring the full picture (like y'all do when it comes to Jikook as well, btw).

And I also find it so so funny how you are basically hanging your all on something that a very problematic figure within the Kpop industry is claiming, all to try and deflect from despicable behaviour she's being accused of, including using and revealing private info of Hybe idols obtained in illegal and despicable manors, perhaps including having to do with certain private info leaking of certain BTS members (including the one person that you so vehemently claim to love and stand in defense of).

You think that by sending me this link you are proving something?

You say that you read through my posts. Well, obviously you've missed those many posts I've written explaining how JM and JK being a couple can be deducted not from one action or one behaviour alone, but the combination of many many actions or behaviours. A puzzle built of not 10 or 50 or 100 pieces, but one built of so many many more.

I find it funny how with everything that has been going on with JM and JK you guys are still at this.

We're back to JK copying JM.

Like seriously.

Like even if the whole NJ Illit thing was true there was some kind of a comparison to be made with these two men.

Like JK, who's album concept is 180 degrees different than JM's doesn't have stylists at his beck and call to create a concept that isn't a full on copy of JM's. Right down to the studs and colours and minutiae details of some of the outfits.

Like if he did copy JM, that same scorned poor JM (that's how you guys love to portray him, as a damsel in distress awaiting you to swoop in and save him) CHOSE to fly to NY to be with JK and spend Silver day there with him, travel with him multiple times and spend his entire 18 months in the army with that awful copy cat JK.

Your ask tells me that you have zero understanding in human interactions and relationships. JM saying time and time again, JOKING time and time again, about JK copying him, it's a tease but also something that he LOVES. How he inspires JK, how JK perceives him as his catalyst.

But this here, the photo concepts and the whole of JK's wardrobe while promoting, claiming it's all about copying JM is just bull crap. This was planned. And it was planned by the two of them. It's not a coincidence that JM happens to wear the bottom part of a two piece outfit months before JK wears the top part of the same exact outfit.

And if we are talking about copying, is it the concept he's copying or is he so far gone that he's literally copying down to the smallest of details?

Like seriously. You think that's about copying JM?

Or because it worked for JM so he thinks it will work for him? Literally same hairstyle rocking as JM had in Face? Cause why not use a concept that works? Seriously? JK's all "I should do this cause it worked for JM so it will work for me"?

Was that what he was thinking when he rocked a highlight of JM's hair colour over the years? That the colour works for JM so I should have a strand of that colour in my hair as well, copying his success? Is that the theory you're working with?

Or when JK wore the same jacket as JM on Valentines day, you know, in a clip that JM himself records and uploads, that JK also copying JM?

Babe, this isn't just about the concept pics either. And it's not just about Face and Seven or Golden. Wearing the actual same black leather or leather-like pants just because he couldn't find any other pants? That level of copying? Or perhaps it wasn't about copying and more about mirroring.

About "You are me I am you", which they have been screaming at the top of their lungs for years now!!!

It amazes me how you have zero issue in taking an over decade long complex super close relationship (no matter how you perceive it they are super close) and simplifying it into "JK copied JM's concept because JM's concept worked for him", or to even compare whatever went on with JK and JM and those similarities to a claim made (by a disgruntled and caught red handed employee of Hybe) about one new GG copying concepts and whatever from a GG that's been around for 2 years now. No connection between them. No long term relationships between the groups. One group supposedly copying from another. Yeah, definitely the comparison needed to be made between that and Jikook's behaviours or decision making.

How infantile of you.

Oh and that paragraph of yours at the end. Laughable really.

Like I already said, go compare 2 GGs in two different companies to 2 men that have been close for over 10 years now. And let's also disregard the long history of those two doing the similar and same outfit (during official shoots, performances etc, or during their free time) thing and look at this one single concept.

Probably styled (funny how the styling seems to be similar for years now on many occasions, and just with the two of them)

Not styled.

These are just examples of MANY MORE instances.

Oh, and I suggest you go read this post too. Not mine, but recently written and oh so relevant to the conversation.

I can't help but wonder how different your pov would have been if one of those two young men was a female. Just thought I would throw that in here too.

But I gotta give you an A for persistence. You guys, you never give up, do you? No matter what JK and JM will throw at you, you will find a way to twist it around to fit your narratives. I guess you also think that JM was forced into enlistment with JK, ah? And their trips together and the content that will drop, also forced on him? I guess him saying otherwise isn't enough to convince you guys either, right? I love the way how you guys are so intrenched in your belief of victimhood that you don't even listen to what JM himself tells you. You love him so much that basically call him a liar. Good for yous I guess.

So, to clarify my answer to you, just in case it wasn't as clear as day already...

You do you, cause nothing I tell you, or show you, or you know what? Nothing that even JM himself will tell you or show you will satisfy you. Because you are living in a self built fantasy of what and who JM is and what and who those that surround him are, all to fit that narrative of yours in which he needs you guys as his saviours and knights in shining armour to swoop in and save him from the big bad JK.

One more thing.

JM's Face was a masterpiece.

We all agree on that. JK included.

He adores JM, he's his no. 1 fan and he's been showing us this throughout 2023.

JK is not a person that would callously copy a concept used by a bandmate just because it succeeded for his bandmate and might work for him too.

Let alone from JM.

His person.

Not even if, as you put it, he was told to do so by the powers at be (which yeah, he'd tell to go shove it up their asses if they ever did 'tell' him to do that btw, and they wouldn't do it anyway seeing that they know that would be his exact reaction).

So, no.

That is my answer to you.

Just a whole big fat NOPE.

No to copying. And surprisingly no to blocking you.

Yet.

#Jikook #kookmin #minkook #jungkook #jk #jimin #jm

[thegnomelord]

Sorry for blowing up your inbox, but you've really got my creative juices flowing. So I want to expand on 2 ideas.

No. 1

Shrike Harpy Reader w/ oblivious Graves (bc from my knowledge, he's usually a vampire or regular guy) or Ghost (bc he was human before)

In which Shrike reader is getting progressively more obvious with their advances bc Ghost/Graves don't understand. The particular idea I had was where they think it's some kind of threat or prank. So reader is getting more obvious, and they think that the threat/prank is getting more intense.

That would be hilarious! Obviously, they will either find out or be told about the advances eventually. But the idea that you are courting them and they miss the mark entirely is so funny to me. Especially if their teammates laugh and refuse to tell them the obvious truth.

No. 2

Going off of the spider's sexual dimorphism + a different version of monster au. Pairing spider hybrid reader w/ octopus (cthulhu?) König (if you do reqs for him), where spider reader looks at him and is like:

So you're telling me there's an eight-legged hybrid, approximately five times my size, that could snap my spine like a toothpick, just beyond enemy lines.... Do you need someone to volunteer for a solo recon mission any time soon?

Oh no! My recon mission turned into a hostage situation, how unfortunate. But while I'm here, I should interrogate him... yeah, interrogating is exactly what I'll be doing with this giant tied up man rn....

👑 anon

No, no, anon I'm always so happy reading all the stuff you guys send me! I know next to nothing about Konig except the stuff I've read about him that turns him into a really perverted disgusting degenerate and while I'm not comfortable writing that, I hope one of my mutes picks it up bc it is super cool! I got a dancing with Ghost ask I really wanna do so Graves it is lol

CW:SWF-ish turns suggestive at the end, Graves being oblivious

Graves hates being the butt of the joke.

For the last couple of months he's been getting 'gifts' in the form of chunks of meat stabbed through various knives. It had started a knife being stabbed through burgers and steaks(typical American food), which he couldn't eat, but slowly progressed to rarer and rarer pieces of meat until he wound up finding just raw and bloody chunks of meat; a leg of some large animal turned into a pincushion, a still beating heart stabbed through with a knife, livers shish kebabed on a bayoneted blade. . .

And he'd find them everywhere, in the communal fridge, in his office, in his room. And while he didn't mind the free meal, he was a little unnerved. He knew it was you doing it because he had screened the minds of all his shadow's, but he didn't know why you were doing it.

He can see the way his shadows smirk at you when he finds another bloody organ skewered on your favorited knife in the fridge, your feathers puffing up and a not so quiet chirp escaping your lips when he sneaks the meat away to feast on.

You also become more touchy with him when you notice him accepting your gifts, though he has no idea of it. He trusts you, which is why you're allowed to sneak up on him, your wings spreading out to wrap around him like a cloak as you chirp a "Hello commander."

It makes him jump out of his skin, and though he chastises you about it, it's never as harsh as he could make it, his shadows giving him a knowing look that he can't reciprocate.

That's the worst part. None of his shadows will tell him anything.

He doesn't know much about your species of harpy except for the generalized knowledge of extreme speed and craftiness, so he can't figure out if this is some kind of joke, or threat, or you just seeing him as part of the flock? Or maybe it means nothing? He's especially confused when you grow bolder and one day he walks into his office to see a Bison leg sitting on his desk, once again skewered. Where did you even get the bloody bison? Hell knows but certainly not him.

Eventually a shadow grows annoyed by your constant bloody gifts in the fridge and with a very annoyed huff drops a harpy encyclopedia on his desk.

He'll need to get them a gift basket after this; he spends the next few hours just reading about all kinds of harpies, ears progressively getting hotter as the book delves deep into every aspect of the harpies, each sub-race's specific courting and matting habit and making him feel like he's reading porn.

Then he finds a chapter about your type of harpy, eyes growing wide like dinnerplates as he reads about your quirks. He doesn't know whether to go search for a cross or tissues. He reads more and more, turning pages upon pages, his eyes scorching every anatomical picture into his brain and making him think of what you're packing, his pants growing tight as the minutes tick down.

Just his luck that you'd decided the moment when his face is the hottest to walk into his office without knocking, another skewered offering on a plate in your hands.

"Christ!" He yelps, slamming the book shut and looking at you like you're his parent and caught him looking at a playboy magazine.

You puff up in surprise, your wings spreading out a bit before flattening back to your back, a soothing chirp leaving your lips. It used to mean nothing to him, now he knows what it means, his cock getting a bit harder in his pants.

"You alright commander?" You ask, walking closer, the talons of your feet clicking against the ground.

"Yes, yep, perfectly fine." He grunts, desperately hoping his vampiric state will suppress the heat in his face, but to no avail. "You-" His eyes settle on the plate in your hands, his body practically conditioned to salivate when he sees a familiar knife sticking out of the food.

"I?" You ask, then you note the book on his desk, your head tilting in confusion. "Graves?"

He swallows, eyes darting from the food to you, and he doesn't know which one he's starved for more. "You've been wooing me like a dolly huh?" He asks.

"Yeah." You're unsure of what else to say, in your head, had he not wanted your advances he would have never taken your offerings. Then you realize. "Don't tell me you just noticed." You deadpan.

Graves gives that awkward chuckle you've grown to love, and you decide you need to be bolder. You place the plate on his desk and lean over it, a coo rumbling in your chest— deeper, rougher, seductive.

"How about I show you what I want?"

#gnome's tea break #x reader #gnome correspondence #trinkets from the hoard #phillip graves x reader #phillip graves #cod x reader #cod modern warfare #monster cod au #monster 141 au #👑 anon #gn reader #phil

[butchdykekondraki]

its time for scp required reading... TWO!!!!!!!!!!!!!!!!

please for the love of god heed the fucking warnings im so serious . like as much as i want to keep the tone of this post jokey and funny you NEED to heed the warnings on these

ok with that out of the way. read about my blorbos boy

''incident 239-b clef-kondraki'' (general warning for violence and blood/gore) - this one fucks. thats all i have to say about it

''technical issues'' - this one's funny + im biased because i fucking love pat the tech guy

''routine psychological evaluations by doctor glass'' - again i have personal bias about this (<- simon glass enjoyer + host is a glass introj) + this ones funny + if you're more into the fanon versions of the foundation staff this is right up your alley

''tradition'' - halloween party fun :-)

''dr cimmerian hits reply all'' - this is exactly what it sounds like i don't now what to tell you

''stupid cupid / stupid cupid: stop picking on me!'' - my house my rules read about cimmerian and his boytoy

''hawaiian shirts'' - clef fucking Breaks. thats all i can say about this without exploding into viscera

''help me my (love for) my daughter was born too still'' (general warning for mentions of child death) - i have personal bias about this (<- #1 agatha rights enjoyer) but this tale is So Good in general and a super interesting look at how agatha perceives herself and her work/life balance

''so leave yourself alone.'' (warning for graphic depictions of vomit and attempted suicide) - REALLY really really good look at clef kind of dropping his cruel persona and iris' mental health struggles regarding the foundation

''yesterday'' (warning for violence and implied/reference suicide. kind of.) - :-( <- this is the only way i can express my emotions about this tale. anyway it's really good and an interesting way of showing clefs relationships with people

''an apple a day...'' - REALLY good look at how dr glass is as a person and how he acts with people + this entire tale fucks SEVERELY

''personal log of dr gears / personal log of █████ 'iceberg' ████'' - good example of how gears and iceberg both format their documents / how they speak + its vaguely gearsberg + this gives a look at how gears and iceberg met. read the gearsberg tale boy

''portraits of your father'' (warning for graphic alcoholism, suicide, survivors guilt, and blood/gore) - super good look at draven and his relationship with his father, and kondraki's alcoholism, and also talloran is there. also three cheers for dravoran

''life's cold'' - most normal day iceberg has at this fuckass foundation + this is a good look at how iceberg acts and thinks

''fond memories'' (warning for death and body horror) - draven proposes! Draven proposes.

''scp-3999'' (warning for bugs, paranoia, death, body horror, sexual assault/rape, unreality, self harm, and depictions of bodily mutilation) - unironically this one fucks me up so bad its so fucking good dude. go read about james talloran RIGHT NOW

''i stared into the face of everything and nothing and made it back alive'' - this one also fucks me up so bad like i dont even have anything to say. read about talloran and draven RIGHT NOW

''you are at the center of everything that happens to you'' - james talloran talks to himself. kind of.

''a suicide note'' (warning for mentions of rape, child murder, survivors guilt, and suicide) - interesting look at clefs thoughts on him and his work

''date night'' - objectum win! dr alto clef is objectoromantic AND objectosexual! <- that should tell you all you need to know about this one

''scp-4231 / montauk house'' (warnings for graphic depictions of sexual assault, rape, child abuse/neglect, murder, domestic violence, verbal/physical abuse and survivor's guilt) - absolutely gut-wrenching look at alto clef/francis wojciechoski and why he's so fucked up. uh genuinely do read the warnings on this one because when i say graphic i am not exaggerating. all of these things are explored in detail and are genuinely triggering so.

''okay, that's enough, let's get you home'' (warnings for some dubious make-out sessions, (mentioned) suicide, implications of rape/sexual assault, and vomit) - shameless moldhouse plug sorry not sorry. HIGHLY recommend reading this and it's other parts in their entirety because it genuinely drives me up the fucking wall it is So good. i will sing moldhouses praises until my throat goes out. read moldhouse Now

''duke 'till dawn'' - bpd king!!!!! anyway i dont have a lot of thoughts on this its just really good. also i didnt know dracula was an actual scp until i read this which is kind of funny to me

''rights' birthday party'' - my house my rules you're going to read about agatha rights whether you like it or not

''sex at a frigid temperature'' - again, my house my rules. read the depressing gearsberg tale, boy.

''7 things that new level 3 researchers should know'' - i dont have any thoughts on this i just think this one has really cool formatting

''home is where i want to be'' - no greater thoughts this is just really neat i think. also kiryu labs is in it and im biased as fuck

''gentle wings flutter quietly in the dark'' - read about zyn kiryu NOW

#[ren] #HHHHOLY FUCKKK. THIS TOOK ME SO LONG. AUUHGGH AUGHGHH AUUUGUHGHGH #please. please for the love of god reblog this im begging you #i did not put in all this goddamn work listing this shit for it to go unnoticed. coughing up blood #uhh. what else do i say. #honorable mentions to glass x diogenes 4ever! ; ship in a bottle ; and major tom which i left out. rest in pussy sweet princes #also if youre gonna ask ''wheres ___?'' the answer is probably either ''i dont like that one and therefore didnt include it'' or ''i have- #-literally never heard of that what the fuck are you talking about'' #scp foundation #<- so i can find this later

[dropthedemiurge]

Love for Love's Sake | Things You Didn't Notice #4 | Fight with Homophobes

Honestly, I wanted to dissect these scenes right away but then we got the rest of the show uploaded and the emotions overshadowed me. But now we're diving into informal Korean speech, swearing and slurs! It's going to be a fun post, let's go :D

Disclaimer: I'll be writing down both English and Korean slurs strictly in educational manner, obviously.

"Fuck. You two are always so fucking close together. (to Myungha) Are you also a faggot (homosekki)? Wow, Kyunghyun's skills are so good." "Why are you so vulgar? What's wrong with being homo?" "You're really crazy. Are you criticizing me?" ... (Myungha kisses Tak Junho) " Ah fu— You damn faggot!" "We both kissed. I'm not the only one who's homo. You're homo too~" "You did it yourself, you faggot!" "Ah, our Junho keeps saying 'homo'. Tss, slurs are forbidden." "Shut up, you faggot." "If you call me homo one more time, I can steal your lips for real. (Junho is silent) Ha, afraid you'll be robbed?"

Honestly, I like the translation in subs this time, I just wanted to give you a more technical version (and to show you the difference, because in Gaga subs the f slur is also used by Myungha but it's not exactly that)

So, as far as I noticed, the slur in Korean is a derivative from the term "homosexual" - thanks to the similar sounding, it became "homosekki" (from sekki - asshole, bastard, bitch etc). This is the word Junho keeps using in almost every sentence. And the socially accepted common term is now "gay" (at least, the cast and couple from Korean reality dating show "His Man 2" refers to themselves as 'gay' and not 'homo').

Myungha uses the original term, just "homo", which also gained a negative connotation but doesn't include a 'sekki' swearword. So he keeps saying "homo" to talk back in the language Junho used, only less derogatory. We'll see later but it's amazing, because both Myungha and Sangwon confidently used this word about themselves (Sangwon even went further and proudly reclaimed the slur itself).

Still, Myungha did threaten gangster Junho not to even call him "homo" or any similar terms. And here's the moment which made me laugh: in the next scene with Sangwon, Junho was angry ranting about Myungha, but he caught himself using the slur "homosekki" and quickly changed to the modern and neutral term "gay". LOL

Which is what Gaga subs failed to show it to us. Again, let's see more technical translation:

"I'll go after Tae Myungha and Ahn Kyunghoon soon, just so you know. Those fa– Those gay bastards must die. That fucker Tae Myungha kissed me in the lips, shit. Isn't it fucked up? It was disgusting." (Sangwon, pouting) "Wow, really? It must've been nice." "Jeez, you asshole. You're not a victim so you dare talking shit." "I'm being serious, though?" (Junho, appalled) "What the hell are you talking about? You're not a faggot." "I am a faggot, though?"

One, why is it so funny that the first reaction Sangwon had, hearing about Myungha kissing someone in a fight, was: awww :( i wish it was me :((( you so lucky :((

Second, it's hilarious how the gangster ends up the ONLY person who ever uses nice and modern term "gay" once in this show because our protagonists both hit him back with the derogatory terms (Sangwon even attached the slur to himself, when he only liked girls before falling in love with Myungha at first sight, what a legend).

Let's wrap it up with slurs and check out another small detail: informal speech in Korean.

(Sangwon to Myungha)"Why would we fight here?" (Yeowoon to Sangwon)"Hey, watch your tone (don't use informal speech)" "Was I talking like that with you?" "Talk curt (informally) only with me." "I'm already being curt (talking informally) with you."

This one is definitely a cultural thing that always gets lost in translation (but "being curt" is a nice way of putting it). There are two general styles of speech in Korean: Formal (존댓말, jondemal) and Informal (반말, banmal). Of course, it's a lot more complicated in the language, but I'll paint briefly the differences that are pointed out in the scene.

I talked in previous posts about properly addressing your senior in korean (usually by title/position). To convey respect to your senior, you also use 요 (yo) at the end of the sentences – and both Sangwon and Yeowoon talk politely to Myungha. UNTIL Sangwon uses the rude version of a question, without polite ending ("Why would we fight here?"), to which Yeowoon protests and tells Sangwon that it's banmal, informal speech, and he should only use it with him.

Because with your friends, same age people (Yeowoon and Sangwon in this case) or people younger than you, it's normal to use their names with different intonations (Think Myungha's "Yeowoon-ah, Yeowoon-ie") and talk informally.

(Yeowoon to Myungha) "I asked who it was." "You're being curt (that's an informal speech)".

Fast forward – Yeowoon loses patience and demands Myungha "I asked who it was", question without polite ending as well. To which Myungha cheekily says "that was an informal speech", reminding Yeowoon of his own remark to Sangwon.

Fast forward again – and now I have to take back my previous statement from another post that Yeowoon never called Myungha by his name because I found the rare case of him doing it xD

"Tae Myungha is so frustrating." "You're speaking informally more often these days."

Again, a youngster! calling his senior! by his own name! Not using the polite ending! The horrors of informal speech. He's not being too rude but he's sulking therefore he's rebelling. Though I can swear, again, Yeowoon hears Myungha's scolding and resorts back to speaking politely, and from now on, he'll keep using 'senior'.

If you survived until the end of this post, congratulations! The second half probably wasn't needed but in case you're learning Korean or you want to know why these seemingly normal phrases are being considered "curt" out of nowhere, I hope you understand it now a little bit better :)

// Previous messages translation + other language moments here //

#love for love's sake comments #watch me writing my own course Learning Korean with Kdramas on tumblr #but that fight dialogue scene was just perfect i couldn't resist #the exchange and usage of different terms was funny and the scene was hilarious on its own #sangwon and myungha are my heroes #love for love's sake #love for love's sake meta #bl meta #korean bl #korean drama #love supremacy zone #dropthemeta #korean language #linguistics #language

[ungodly-amounts-of-godly-trauma]

wotw round 1

propaganda under the cut!

shen qingqiu:

Okay first a quick intro: Shen Qingqiu / Shen Yuan is the main character of SVSSS, and his deal is that he's a guy from the modern world who wakes up in the novel he read, in the body of one of the characters. Shen Yuan is his name in his original world, while Shen Qingqiu is the name of the character he became - that he uses for himself for most of the novel.

Now, what happened to him… The thing is, at the core of his woobification are his actual canon traits, but some fans really crank them up to the point where it becomes a disservice to the character. So you never know when someone saying "oh Shen Qingqiu is so oblivious" means "due to several intersecting factors Shen Qingqiu has some extremely specific blindspots regarding certain topics" (which is just true) or "haha Shen Qingqiu could get kissed by a man and still not realize that man has romantic feelings for him" (just one variation of the sentiment, but one i find particularly bewildering considering. in canon. a man kissing him was exactly what made Shen Qingqiu realize that man was actually in love with him. like my dudes the bar is low but its there!).

Stumbling into this second version in fic was funny a first few times, but now it's like… I genuinely can't tell whether any particular author is overplaying it for comedy, or genuinely believes the character is That dumb.

Also ppl often severely underestimate his power level. Like idk if that's because they compare him to the characters he often hangs out with, who are those genius top-of-the-world experts (despite him outpacing literally everyone else he ever fought against), or because of how he bungled his first-ever case (like, you know, two weeks after waking up in a whole NEW BODY, in a different world), or because he tends to downplay his own strength and also tries to avoid killing people… but like, this man took a technique that in the original was just "aesthetic and interesting" and developed it into something that could be super deadly within weeks, he's just not using it that way. And he also fixed og Shen Qingqiu's broken cultivation within the first few months of being in that body. So he's actually extremely talented and pretty strong, he just spends most of the book either nerfed by external factors (such as poison that disables his spiritual energy at random times) or surrounded by veritable powerhouses.

And this is for Shen Yuan-as-Shen Qingqiu. But the version that drives me completely up the wall is actually the portrayal of just Shen Yuan - in fanworks where he either never gets transported to the world of the novel, or wakes up as a different character. Because suddenly the traits that already get unduly amplified with Shen Qingqiu version become straight up caricature-like. He's not only oblivious to the extreme, he also gets painted as this completely naive soft babyboi (this is about a guy whose most well-known pre-transmigration canon trait is that he writes famously vitriolic rants about novels on the internet); plus, like, on the physical level, super frail and waifish which uh. wow. nice walking right back into the BL tropes the novel itself avoided?…… So yeah I'm super not keen on this portrayal. I know he doesn't appear as not-Shen Qingqiu version of himself in the novel, if we don't count the rant in the beginning, but like. please extrapolate from the character we actually have instead of writing this mega-woobie who shares nothing with the base version?

Terrible little bastard man who has a sad backstory but is actually genuinely a terrible person. Fans like to act like he is just a soft sad boi deep inside and make him lose all of his edge.

So the thing about Shen Jiu / og!Shen Qingqiu in canon is that we first learn of him as an unquestionably, almost cartoonishly villainous character. As in, he is literally a villain in the book our main character has been reading… before dying and waking up in the world of the book, as that very villain (hence the distinction of Shen Jiu being the "original" Shen Qingqiu, as our main character begins to use the name Shen Qingqiu for himself. Shen Jiu, however, is an old name that only the original has used). The original Shen Qingqiu that our main character knows is a serial child abuser in a teaching position, a murderer (killed his colleague, killed his old fiancee's entire family…), and a lecher (visited brothels and had designs on his female disciple).

Then, over the course of the novel, we learn more about Shen Jiu - in particular, that a number of things our MC "knew" about him were not true. He did not kill his colleague, but rather failed to save him, despite trying to; he killed his "fiancee"'s family because her older brother has abused him for years (and also, Shen Jiu was forced into agreeing to marry her), and also he only actually killed half of them (only men); he visited brothels because he only felt safe in the company of women, and he just went there to get a good night's sleep; and he only ever saw that female disciple he was accused of lusting after as a daughter. And in general, he had a horrible childhood, and was himself a victim of abuse.

However, not everything gets disproved. Shen Jiu still turned from a victim to perpetrator, abusing a child (coincidentally the protagonist of the og book) and trying to set him up to die/be killed several times. Canon is very clear on that point. The situation with Shen Jiu and the og book version of the protagonist is very much an illustration of cycles of abuse.

Also at a certain point, we meet the author of the in-world book, the one our MC was reading - who explains he scrapped Shen Jiu's tragic backstory because it would make him too controversial. Quoting from memory, something like: 'if you said he was a villain, he was also tragic; but if you said he was pitiful, he'd also done terrible things. All in all, a character like this was a hotbed for all kinds of fandom discourse.'

Prophetic fucking words.

Somehow, seeing all that, some 'fans' have decided to jump into a completely opposite direction: making Shen Jiu a poor little misunderstood meow meow who did nothing wrong ever and was a soft princess and totally was never mean to the protagonist ("the protagonist just has inflated sense of ego and misunderstood Shen Jiu's normal teaching as singling him out for abuse" was a take I had to see with my own two eyeballs. Theres btw an extra from Shen Jiu's pov where he laments that the fake manual he gave the kid has failed to horrifically kill him yet).

Which puts the rest of us in an awkward position of having to defend his canon assholery. Like, the whole point of this character is that he's complex! That he's both a villain and a victim! Reducing him to just one is doing him a disservice, and either extreme is equally incorrect! And this is something that happens with many similar characters, I know, but what boggles my mind about Shen Jiu's case in particular is that. it's spelled out. The whole deal with his character is spelled out in canon. And some people still go "oh so Shen Jiu was secretly the most morally pure and good character, got it". Like. how?????????????? ??? ?? ?????

noriaki kakyoin:

Uke-fied to the max so he can be shipped with jotaro lol

Ohmygod where do I even start. Kakyoin's the poster boy for twinkification and woobification of a canonically very capable, interesting (and not twinky at all) character who's so many things at once- a loyal friend, really smart, a bit of a weirdo, infodumping trivia at random times, quick-thinking in dangerous situations, reckless, polite and respectful, vengeful towards enemies but always kind to friends, depressed, determined and motivated in the face of mortal danger despite it all - even when he had the chance to leave the Stradust Crusaders and just come back to his normal life, he decided to stick with them. This decision eventually cost him his life since he got killed by Dio, the main villain. The fandom either calls him a cardboard with no personality (which is not true at ALL, where did that take even come from) or they downplay his canon badassery- Jotaro x Kakyoin shippers are often guilty of this along with twinkifying Kakyoin. The ship is fine, but they're way more interesting if you take into account their canon characterisation as huge weirdos who somehow work pretty well together- they're both different flavors of autistic that sometimes just so happen to align on the same wavelength.

#tournament poll #shen qingqiu #shen yuan #shen jiu #scum villains self saving system #scum villain #svsss #noriaki kakyoin #jojo's bizarre adventure #jjba #wotw #round 1

[weirdmarioenemies]

Name: Mr. Egg, Mr. Pickle, and Mr. Hot Dog

Debut: BurgerTime

BurgerTime is one of those retro games and that's about it. It existed, and it's Retro!, and I feel like people don't really care about it aside from that. It never even got an awkward attempt at a scrimblo adventure reboot, like Frogger did! Poor BurgerTime.

Anyway, my first time playing BurgerTime was not by playing BurgerTime at all, but a SpongeBob Flash game clone of it. I have no personal connection to BurgerTime itself... but I know it has some enemies that are living foods! I always get a kick out of that! So I'm going to talk about some of the various design incarnations of them!

These original designs are exactly what you would expect from a 1982 arcade game. I feel like I've seen Pac-Man ghosts drawn EXACTLY like this. I like how Mr. Egg has the strangely realistic crispy bubbling detail around his edges. They're all fine.

...is what I felt before I noticed their elbows and knees! Ew! Bones! Wretched creatures!

Ohoho... now what have we here? The in-game sprites are delightful! The simplicity makes them very cute! Their feet are interesting, being just little floating lines, except for Mr. Egg's, because his legs are made of amorphous albumen! Mr. Egg is really the breakout star here. Look at his yolk! That's his EYE! This is so awesome! That's such a rare design choice to see, especially since egg creatures that are not of the "creature hatching from them" variety are pretty rare themselves.

Mr. Pickle is no slouch either! I appreciate him being specifically a pickle slice, often portrayed as nicely crinkle-cut. I just have to question why he is a villain! Pickles are one of Burger's best friends! This is like if Cheese was a villain! I think if anything Mr. Pickle should be a cute little sidekick on the side of burgers, and in his place can be, I don't know, Mr. Olive? Of course, pickles are much funnier than olives!

Mr. Hot Dog is not as interesting as the other two, but a simple sausage with eyes and feet is still cute. He is like the leader of the bunch, the main antagonist of our hero, Peter Pepper, who I do not really care about. I like that it's him! Burgers and hot dogs are like counterparts, but in no way equals. Hot dogs are easier to hold and eat, but burgers are just Better. And hot dogs have finally decided to give burgers a piece of their mind!

This flyer art is funny. I don't LIKE any of the designs showcased, but they're funny! Faces are moved around on the foods, noses are introduced to the series, and Mr. Egg is now a slice of a hard-boiled egg. You will also notice the elusive Mr. Lemon! Mr. Lemon is not real! I don't know why there is such an emphasis on lemon here. Finally, of course, you will notice the personified Cheese, as she noselessly beckons Peter to recline atop a beef patty. Ooh la la! Don't you wish you were invited to hang out with such a beautiful female cheese who is a girl woman?

Really, the designs of the core food fiends never diverged much from the classic cartoon-style versions they started out with, appearing like that in pretty much every sequel. Except...!

In BurgerTime World Tour, which was not a good game at all, these guys have been utterly rebooted! Now known as Frank Furter, Ruthless Dill, and Sonny! Are these their real names? Or just some similar guys?

The designs are rather basic, as to be expected from Foods With Faces, but it IS interesting seeing them generally made so much more monstrous. Something ESPECIALLY interesting is that Sonny the egg is the only one with limbs, reminding me of how Mr. Egg is the only one to have actual legs in the original sprites!

Ready for the SCARIEST redesign from World Tour?

This game's version of Peter Pepper is this horrible gentrifying millenial and I'm glad his game was prematurely delisted. I hope he got eaten by an egg and chewed by teeth made of yolk. I hate him!

#burgertime #mr hot dog #mr pickle #mr egg #not mario #funky friday #mod chikako #long post

[pumpkinspice-prouvaire]

pumpkinspice-prouvaire's required les mis fic reading list

enough of u supported me in my half asleep post asking about fic recs the other day so I am providing. If you want a deep look into my inner psyche this is also the list for that hehe. I tried to be strict about only including my absolute MUST READ fics that I adore and have read and reread and reread again multiple times. Also these will be mostly ExR, to no one's surprise. But there might be a few other ships and gen fics in there too. It's under the read more because this bitch is gonna get long

Auto-read authors:

I didn't wanna rec the same authors too many times in my list proper so these are the authors whose works I have read all (or nearly all) of multiple times. The authors whose tax returns I would read if they posted them on ao3. I will be featuring my favourite fics by them in the list

Fiver

dannyPURO

TheLibrarina

quillsand

Petr1chor

defractum

ShameDumpster

vamillepudding

revolutionbarbie

loverism (all of their fics are currently in a privated bookmark but I have faith that they will someday return. loverism if u see this I miss u)

Need_To_Comment_Rising

Multi-Chapter fics/Series/WIPs:

Under My Wings You Will Find Refuge- Fiver: (WIP) This is the most required reading of my required reading list. I can quote passages of this fic by heart. It's my roman empire. PLEASE check this one out if you haven't it is the best ExR fic in existence, it will change ur life I promise

Beneath a Dragon Moon- The Librarina: GOT AU, no GOT knowledge required. Lots of dramatic moments interspaced with some lovely tender ExR

Guided by a Beating Heart -torakowalski: my absolute FAVOURITE Enjolras centric angst fic. Lots of emotion, lots of friendship, will make you ugly sob

you and i walk a fragile line (is this the time it finally breaks)?- UnforgettableJoMarch: (WIP) I am so enjoying following along with this one. Heartbreaking plot with sublime execution and some brilliant lines, so looking forward to seeing this one develop

The Future's Owned By You and Me- quillsand: ENJOLRAS/FEUILLY ENJOLRAS/FEUILLY ENJOLRAS/FEUILLY WHAT MORE CAN I SAY. Absolutely fantastic rarer pair fic with as much (and maybe more) importance devoted to the activism as to the ship

Getting Fucked in Lingerie- downtheroadandupthehill: PWP. ahem. anyways.

(With a Jubilant Shout) They Will Come One and All- zade: PWP. AHEM. ANYWAYS.

True Blood AU-kjack89: Exactly what it sounds like. Vampire Grantaire and Human Enjolras shenanigans

words can be unwritten- defractum: my favourite soulmate au which makes me melt every time <3

Armillaria- RevocablePeril: THE MOST COURFIUS FIC OF ALL TIME. Lots of excellent Les Amis content in general. SUCH a good, massively underrated fic. 121 kudos??????????? You're all insane.

In An Age Without Heroes- ShitpostingfromtheBarricade: Gloryhole soulmates, the prison industrial complex, Oprah.

walls come tumbling down-reptilianraven: They're cute your honor. One of the only high school AUs I will abide by tbqh hehe

Oneshots:

What's a Bed Between Friends?- dannyPURO: if there's one thing you should know about me it's that I ADORE the there was only one bed trope

epiphany- Abidatchery: screaming crying throwing up that this isn't the fandom's most kudos'ed fic. Every word is expertly crafted and absolutely stunning

Vienna Roast- revolutionbarbie: cosy coffee shop au with a version of Enjolras we don't get to see but that I really enjoy

Out of Touch- ShameDumpster: LET ENJOLRAS GET LOVED YOU COWARDS

A Little More Lois Lane- stellatundra: Just a really funny and silly AU in which Grantaire is Superman

Love in a Coffee Shop-tellthemstories: an absolute fandom classic and rightly so. I've read this one so many times and every time there'll still be something that makes me laugh out loud

My anaconda don't want none (at all)-vamillepudding: v funny and sweet ace enj fic with hilarious triumvirate and exr dynamics

The Waiting is the Hardest Part-samyazaz: In this house, we absolutely love a sexy bet

Between Meetings and Midnight- PieceofCait: Enjolras cries after sex send tweet

A Bad Penny- PBJellie: Gay cowboys and sickfics are the ultimate combo for SURE

Leaves in the Void- myrmidryad: lots of emotion lots of friendship this one is so heavy but SO good you guys. It's also a Space AU I know we all love that <3

my heart's been borrowed (yours has been blue)-Petr1chor: P-tri is so good at writing fics where Enjolras is a complete dumbass and he wrote this one especially for me <3 <3 <3

fire in my hands- geode: This is my go to fic if I want a laugh. "Do you like parsnips?" "Yes they're my second favourite vegetable" iconic exchange god bless

I Would Do Anything For Love- Need_to_Comment_Rising: one of my fave ace Enjolras fics with lovely tender ExR. No I'm not biased because I worked on this series, don't be silly

Like Comfort, Like Solace, Like Relief- areyoumiserableyet: The sensation of coming home to the people you love after a long day <3

Don't Let Me Be Misunderstood- sonhoedesrazao: There should be more fics with oblivious to his own emotions Grantaire that's all I'm saying

Trying to Leave the Ground-barricadeur: rly comfy cosy smut fic

YAY ENJOY I'm gonna go lie down now god I hope I haven't forgotten anything lmfao

#fic recs #les mis #les mis fanfic #exr #enjolras #grantaire #and also other characters #god bless everyone who wrote these fics btw #also if you read these fics come scream to me about them

[slavghoul]

Interview from Rock Hard [FR] Magazine 5/2023

In which Tobias talks about Spillways, Phantomime, how he chooses what songs to cover, the state of the world, why he loves churches, and some touring technicalities.

--

Rock Hard: Let's go back to the version of "Spillways" that you recorded with Joe Elliott, the singer of Def Leppard. How did this collaboration come about?

Unfortunately, this story is less sexy than it would have been if I could have done exactly what I wanted. Before Impera was released, I regularly mentioned Def Leppard in interviews because some of the experimentation on that album was inspired by that band, their writing style. […] As I often mentioned Def Leppard, people around me eventually told me that Joe Elliott and Phil Collen regularly spoke highly of Ghost in interviews. Since I obviously thought it was cool, someone suggested a collaboration. A good collaboration shouldn't be forced, it should happen naturally. The best ones are often the ones that weren't supposed to happen. Two drunk musicians somewhere accidentally writing a good song... Crosby, Stills & Nash style. People who, by chance, find themselves together in a different context from the one they are used to and do something together, by accident. Something magical! That's how I would ideally have wanted it to happen. So I said I was ready to call Joe Elliott and see if we had a rapport. We started talking on the phone and texting a lot, me living in Sweden and him in Dublin. As we were both on the move almost all the time, and he was on tour, we couldn't meet. Suddenly, out of nowhere, he tells me that he has recorded some vocals for 'Spillways'! Quite frankly, I was surprised because I wasn't expecting it. I was anticipating a possible collaboration, but in a different way. To be honest, I thought we would create something new later on. But when I heard the result, I thought two things. Firstly, I found it very flattering. Secondly, I thought Joe brought something new and cool to "Spillways".

But you would have preferred to have the opportunity to write a new song with him.

Yes, that's the way I saw it, but I'm happy with the way it turned out. And then I said to Joe, "You know how we post those funny little episodes on our social media?" He replied "Yes, I think I saw that!" and kindly agreed to participate in one of them. Nowadays, many artists are over-solicited to record video clips for anything and everything in order to keep their channels updated: "Come and see us in concert in such and such a city!", etc. etc. The aim is obviously to keep the media space occupied.

By creating "content"!

Exactly! And that's exactly what I don't want to do. That's why, instead of all this crap, we started some time ago to create these little humorous episodes. One day, for example, I came up with the idea of an episode set in 1969 featuring a sort of "pre-Ghost" group. To do this, I obviously had to write a new song, which I did with this psychedelic track, 'Kiss The Go-Goat', which I thought was funny. When we recorded it, 'Mary On A Cross', another song of the same type, came along. So we ended up with two sides of a single that became 'Seven Inches Of Satanic Panic.’ Instead of just announcing the release on our networks, we chose to shoot a new video in which we featured Papa Nihil and explained the origins of this so-called 'pre-Ghost' band. I thought it was a much more clever and fun way of presenting the single. We do the same when it comes to announcing an album release or a future tour. Joe Elliott has a great sense of humour and is capable of self-mockery, so he kindly agreed to play this little game.

Ghost have made a habit of releasing an EP between their albums, mostly, if not entirely, made up of covers: If You Have Ghost (2013), Popestar (2016) and now Phantomime. How is it not just about “creating content”?

For me, it's a kind of exercise. I like analogies. Let's imagine that the place we are in is a theatre, and that this theatre, in order to be viable, has to host performances all year round. At least fifty weeks a year. Daytime rehearsals, evening performances... You are the director of the place and you know that the play that is currently being performed there will end at the end of the month. So you look for something else to program in order to make the most of the place and keep your staff busy. Maybe an old classic like Doctor Glass (Hjalmar Söderberg, 1905), an adaptation of John Steinbeck, or a rereading of Shakespeare's Hamlet that you could revisit by inviting this actor or that director, renting out your theatre for three extra months for the occasion. Working on this old material, even if it means not releasing it if it doesn't work. We do that to keep the team active, enthusiastic, focused. That's my way of working. I worked simultaneously on the Impera album and the demos of the covers that are on Phantomime. One day I could record 'Spillways' and two hours before leaving the studio to go home, I could look at any of the covers and decide which ones to keep. So, as soon as Impera was finished, I was able to concentrate on those covers that the album's producer wasn't interested in putting on the record. Which was fine with me. I spent some time sorting out the covers I had recorded as demos. There were ten in total, but I only kept five. Because with those five tracks I thought I could come up with a really strong rock EP. In my albums, there are highs, lows, really metal tracks, ballads, instrumentals, etc. So I thought it was a good idea to make a really strong rock EP. I felt it would be cool if this new EP was viscerally rock’n’roll. The opening track, "See No Evil" by Television, sounds like the Rolling Stones on methamphetamine! (laughs)

You like the songs you cover, that's a prerequisite. But their lyrics also play a very important role in your choice.

Yes, that's what makes me choose a song or not.

Is that the number one criterion?

Erm... (he thinks for a long time) If I hesitate between two songs, yes, absolutely! Let's go back to Leonard Cohen, for example. For the bonus tracks of Prequelle, I chose "Avalanche" because it seemed to me to have a biblical and existential significance. This was not the case with 'Take This Waltz', another Cohen song that I liked as much, if not more. The latter, with its Viennese waltz feel, would have metaphorically taken us to Austria, which would not have been very coherent, unfortunately.

Should these covers speak about God, the Devil, ask questions about religion?

They must speak about evil, about good. Be existential, biblical, philosophical, but seen from a certain perspective. Or at least tick one of those boxes, like 'Hanging Around' (The Stranglers) which is about Christ. Some of the other covers I've recorded are more specific, such as 'Phantom Of The Opera' (Iron Maiden), which is about horror. I also make my choice according to the humour of the songs I want to cover. It should be close to my own sense of humour.

You mentioned the first Phantomime cover, "See No Evil". It takes on a different resonance today because, on January 28, 2023, we sadly learned of the death of Tom Verlaine, the leader of Television.

When I recorded this cover in 2021, just after completing Impera, it was already a tribute. But obviously, with Tom's death, this song takes on another resonance, that of a final posthumous salute. I've been listening to Television for twenty years, and I love them and have always considered them a great band. In indie clubs they always play the same song, 'Marquee Moon', but Television had many other good songs, especially on their first two albums: Marquee Moon (1977) and Adventure (1978). I like those two best. It's a band that had a huge influence on one of my previous bands, Subvision. So much so that at the time, I thought several times of covering Television songs that I loved: "See No Evil", but also "Elevation" and "Foxhole".

The first single from Phantomime is Genesis' 'Jesus He Knows Me', a scathing critique of televangelist stars like Jimmy Swaggart, Jim Bakker and Robert Tilton. Ugly people who have made their fortune by 'promising salvation’ to naive believers for big bucks. Can we expect to see you wearing a wig in its video, as singer/drummer Phil Collins did in the original video for this song in 1991? 

(Laughs) We've already shot the video for this cover version (editor’s note: the interview was conducted on 11 March 2023) and I'm not in it, but it's a direct nod to the original video. I've always liked this song - except for the reggae part, which I thought was horrible in the Genesis version and which I reworked - and it's funny to see how this 1991 text is still relevant today. Except, of course, for a few "old-time" words, like "phone book". The televangelists are still there on television promising things to people who take their word for it and shower them with money because they are assured of "salvation", they are promised heaven. I also rearranged Iron Maiden's 'Phantom of The Opera' after taking care to contact Steve Harris for his approval.

Indeed, in your retelling of this song, you are the Phantom and not its victim...

Yes, I wanted to be the Phantom. I submitted the idea to Steve, who gave me the green light. I only made some surgical changes. Similarly, I would have liked to have proposed the same thing to Phil Collins so that the text of "Jesus He Knows Me" would have been more in line with the times. Change, for example, "but she don't know about my girlfriend / or the man I met last night" to "or the dude I screwed last night". Alas, lack of time prevented me from doing so. And then, since this was a slippery slope, I thought: - What if Collins refuses? Or what if he gets pissed off? - We could have made these changes without asking anyone's permission - as long as the artists get their royalties, it's not a problem - but there was no way I was going to do it. Neither I nor my label wanted to alienate anyone, obviously.

In 1977, in "Hanging Around" by The Stranglers, which you also cover on Phantomime, the singer Hugh Cornwell sings about several things, but also about Christ "telling his mother not to worry because he's comfortable in the city where he's high above the ground". Is that why you chose it?

Actually, the key thing that made me choose this song from the band over any other is that I grew up listening to the album it's taken from, Rattus Norvegicus (1977), the Stranglers' first release. There are a lot of songs on that album that I would have loved to play because, as a musician, I really like to play those kinds of songs. ‘Hanging Around' was a good fit for us because of the lyrics, but also because it was more in keeping with our style. Ghost are obviously a metal and hard rock band, but also have a strong punk sensibility. Punk, but well played (smiles). For me, The Stranglers have always done "well played punk": this band knows how to play, how to arrange its music, unlike GBH and Discharge, to name but two. Mind you, I also like the latter, but not for the same reasons. A lot of punk bands from the late 70s/early 80s sounded "sloppy". It wasn't for lack of trying to play better. When The Clash and The Jam went into the studio, they tried to do their best and they sounded great! The same goes for The Adverts. Those guys were doing their best. Nowadays, some people think that being a punk is to play badly on purpose, to be messy. No, no, no ! But I digress...

What is the reason for the nod to Metallica's 'Fade To Black' in the solo on 'Hanging Around'?

Just for fun. When I'm working on a guitar solo, I throw things in here and there, like a messy painter. It's like stretching a canvas on a wall and making big brush strokes... But when I start to feel like I've got something cool, I dig in more surgically, a bit like a collage artist would. I interweave little elements, and when it comes time to insert a solo into a piece, I refine things by continuing to add new elements. Generally, a solo gives you a space of freedom in the middle of an otherwise totally structured song. That's when you can come up with different things in terms of melody. So that's the way I do it, even on the demos of the covers. I ask my sound engineer, Martin Eriksson Sandmark, to play me the draft of the solos I've been working on over and over again, and then I try out different things, whatever comes to mind. It's as if I'm drawing a mental map of what the solo will become. Sometimes, if I'm on a part sometimes, if I'm on a bluesy part, I'll let myself play a few notes of Gary Moore’s "Still Got The Blues", or, if I'm tapping, Van Halen's "Eruption". When I was working on the solo for 'Hanging Around', I felt like playing this part of Metallica's 'Fade To Black', just for fun. And it ended up on the demo. I'm a decent guitar player, but I'm not at the level I could have reached if I'd worked harder. I could just record these solos in the studio, where you can always slow things down when you play them and then speed them up and put them on the album, but Fredrik Akesson can play these parts without tricks and with much more finesse than I can. He recorded the solo for "Hanging Around" as I had presented it on the demo, with this nod to Metallica, and we thought it was so cool that we kept it.

Hugh Cornwell, the ex-singer of The Stranglers, said in an interview that, although he was not a believer, he loved visiting churches. Is this also true for you? Are you also attracted to churches?

Yes, passionately! I believe in them like I believe in Star Wars. I've always thought of churches as stage props. Walking into one of them is a bit like walking onto a film set of the original Indiana Jones And The Temple Of Doom. It's awe-inspiring, even though you know it's just cardboard. Churches have magical powers because they are centuries-old buildings and we know that a lot of things have happened within their walls. Not that I'm trying to throw up on these places of worship, but when I go into a church I don't hear God, but the whispers of time. I am not an atheist, although intellectually I can see that there are many reasons why I should be. I believe in a Force, in an Energy. I also believe that we don't know many things, but that there is a balance between these different energies. The white and the black.

Good and Evil...

Absolutely! Right now the world is in crisis, but we're going to get through it. It's a vicious circle. We do ourselves a disservice if we think that if the world were rid of people like Vladimir Putin, Alexander Lukashenko, Jair Bolsonaro and the ayatollahs of Iran and Iraq, we would be out of the woods. I think all this can happen - and I hope it will, in a way - but Good and Evil will always be there. That balance is necessary. But I am an optimist by nature. I believe that there is a future for Volodymyr Zelensky and the Eastern bloc. That there is perhaps a chance to put into practice what was tried there some thirty years ago. And I believe in a free Iran, in a possible return to what this country was in 1978. What a beautiful day that would be! But that doesn't mean there wouldn't be a new war somewhere else in the world. I'm an eternal optimist, but let's face it: history is always starting over. As I said, it's a question of balance, a permanent coming and going. Because I believe in this Force I was talking about earlier, I truly believe that the West can win, that the way we live and the way we have built our society is a step forward that shows progress and can make a large majority of people happy. Not all, but most. But even if we all lived in love and peace for five years, something else would come along to create chaos! An alien or something! (laughs) That's how it works. Our mistake is to believe in the status quo, in nirvana. It's not going to happen. It's always about balance. The Vatican and organised religion... All that crap is just to pick people's pockets, to control them, to take their energy and scare them into plundering them. The same goes for the GOP (editor’s note: the American "Grand Old Party", suspected of having Christian nationalist leanings), which only deceives people in order to take their money! That's all you need to know. It's simple, so simple to understand. All this does not mean that the energy that emanates from churches is not real. When you walk into one of them, you feel - or so I believe - the energy of all those who have gone before you, for decades, for centuries. Their fears, their hopes, etc. So much so, sometimes, that you can feel oppressed, even upset. So I can walk into a church and feel a sense of awe. I love visiting these places, especially from an aesthetic point of view.

On Phantomime, you also cover "We Don't Need Another Hero" by Tina Turner. Don't you think that, given the state of the world today, we do need "another hero"?

I think Zelensky has shown how much we like heroes, how important they are to us. I think back, for example, to how the world went wild when Andrés Iniesta scored the decisive goal in the 116th minute to help Spain win the 2010 World Cup against the Netherlands. I believe in human determination and how it can inspire the world to distinguish between what is important... and what is really important. What is important for our daily lives. Yes, it's cool to have a complete collection of Venom's work, but it doesn't matter if I’m missing the most important thing. In the last ten years especially, the western world has been focusing on tons of unimportant things trying to pit people against each other, cancel culture and all that stuff... It proves that we are spoiled children. Our mentality shows it when it comes to security. Seeing Zelensky defend himself as he does appeals to our most primal instincts: it's beautiful and very inspiring. Nothing else is more important than that. It is the only thing that matters... Otherwise we have to be prepared for a lot of people to live in misery.

Next August, you will tour in the USA with Amon Amarth. I noticed that they will not accompany you on the last date, in Los Angeles, on September 11, 2023. There is no opening act, you ask the audience not to use their phones, etc. That sounds like a live DVD!

Yes, we are indeed planning to film this show, but it won't be the end of the Impera era cycle, even if we will not have so many dates left after this concert. There will still be a few shows in South America and Australia.

Nothing in Japan? A country that one might think Ghost was made for.

At the moment, it's not very clear. We had a lot of discussions with the Japanese promoters, as there was talk of us appearing on the bill of a Japanese festival scheduled for this month. Unfortunately, the festival was postponed... and then rescheduled for March! I think they originally had a big headliner, but the headliner didn't show up. So they cancelled, and then considered a smaller edition with Pantera. With all the back and forth, we ended up dropping out because it was too risky for us to play one date there after six months of inactivity. Our team is currently taking a break, but we preferred to use this time to rehearse for our next shows. The first one will be in Rouen on May 21st. We learned a good lesson the last time we played Hellfest. It was so hot that day, the conditions were so extreme, that we almost had a storm. We really had to fight against the elements and it affected me (Editor's note: the last encore of the show was not played, as Tobias was suffering from vocal problems). It was a very tough show. What really pissed me off was not the fact that I lost my voice, but the fact that the festival-goers who were there were not treated to our entire production. It was indeed difficult to foresee these extreme conditions. This summer we have to play festivals again, so we have reworked our production, which will be better adapted to the complicated weather. On this tour we will play in Spain, Finland, Norway, Greece, all within a few days of each other. So we'll be touring with two identical stages, so we can do all these shows without too much downtime. It's not very ecological, I'm sorry to say, because sometimes we'll have to take a plane to get to these cities in time. Not great, but it's the only way...

Will you play any of the Phantomime covers live?

One thing is for sure: we will play 'Jesus He Knows Me' because it's the first single from the new EP. As for the rest, we'll see during the rehearsals how the set evolves - because it's going to evolve a bit from the 2022 set. We're thinking of playing some songs from Impera that we've left out so far.

#the band ghost #tobias forge #interview