#I WAS RIGHT. PROBABLY
me finding out JUST NOW that hamlet's age being interpreted as 30 may have been due to a misunderstanding of the original script and that he likely WAS intended to be 16 (which makes the most sense-that would explain why he didn't take the throne as soon as hamlet sr. died, why he was away at university prior to his father's death, etc.) and suddenly the violently intense emotional connection i felt to hamlet at age 16 makes much more sense [source]
697 notes
·
View notes
changes and trends in horror-genre films are linked to the anxieties of the culture in its time and place. Vampires are the manifestation of grappling with sexuality; aliens, of foreign influence. Horror from the Cold War is about apathy and annihilation; classic Japanese horror is characterised by “nature’s revenge”; psychological horror plays with anxieties that absorbed its audience, like pregnancy/abortion, mental illness, femininity. Some horror presses on the bruise of being trapped in a situation with upsetting tasks to complete, especially ones that compromise you as a person - reflecting the horrors and anxieties of capitalism etc etc etc. Cosmic horror is slightly out of fashion because our culture is more comfortable with, even wistful for, “the unknown.” Monster horror now has to be aware of itself, as a contingent of people now live in the freedom and comfort of saying “I would willingly, gladly, even preferentially fuck that monster.” But I don’t know much about films or genres: that ground has been covered by cleverer people.
I don’t actually like horror or movies. What interests me at the moment is how horror of the 2020s has an element of perception and paying attention.
Multiple movies in one year discussed monsters that killed you if you perceived them. There are monsters you can’t look at; monsters that kill you instantly if you get their attention. Monsters where you have to be silent, look down, hold still: pray that they pass over you. M Zombies have changed from a hand-waved virus that covers extras in splashy gore, to insidious spores. A disaster film is called Don’t Look Up, a horror film is called Nope. Even trashy nun horror sets up strange premises of keeping your eyes fixed on something as the devil GETS you.
No idea if this is anything. (I haven’t seen any of these things because, unfortunately, I hate them.) Someone who understands better than me could say something clever here, and I hope they do.
But the thing I’m thinking about is what this will look like to the future, as the Victorian sex vampires and Cold War anxieties look to us. I think they’ll have a little sympathy, but they probably won’t. You poor little prey animals, the kids will say, you were awfully afraid of facing up to things, weren’t you?
24K notes
·
View notes
I just wanted to draw a little bit more DnD AU familiar Husk and Sorcerer (or Warlock?) Alastor!
9K notes
·
View notes
probably time for this story i guess but when i was a kid there was a summer that my brother was really into making smoothies and milkshakes. part of this was that we didn't have AC and couldn't afford to run fans all day so it was kind of important to get good at making Cool Down Concoctions.
we also had a patch of mint, and he had two impressionable little sisters who had the attitude of "fuck it, might as well."
at one point, for fun, this 16 year old boy with a dream in his eye and scientific fervor in heart just wanted to see how far one could push the idea of "vanilla mint smoothie". how much vanilla extract and how much mint can go into a blender before it truly is inedible.
the answer is 3 cups of vanilla extract, 1/2 cup milk alternative, and about 50 sprigs (not leaves, whole spring) of mint. add ice and the courage of a child. idk, it was summer and we were bored.
the word i would use to describe the feeling of drinking it would maybe be "violent" or perhaps, like. "triangular." my nose felt pristine. inhaling following the first sip was like trying to sculpt a new face. i was ensconced in a mesh of horror. it was something beyond taste. for years after, i assumed those commercials that said "this is how it feels to chew five gum" were referencing the exact experience of this singular viscous smoothie.
what's worse is that we knew our mother would hate that we wasted so much vanilla extract. so we had to make it worth it. we had to actually finish the drink. it wasn't "wasting" it if we actually drank it, right? we huddled around outside in the blistering sun, gagging and passing around a single green potion, shivering with disgust. each sip was transcendent, but in a sort of non-euclidean way. i think this is where i lost my binary gender. it eroded certain parts of me in an acidic gut ecology collapse.
here's the thing about love and trust: the next day my brother made a different shake, and i drank it without complaint. it's been like 15 years. he's now a genuinely skilled cook. sometimes one of the three of us will fuck up in the kitchen or find something horrible or make a terrible smoothie mistake and then we pass it to each other, single potion bottle, and we say try it it's delicious. it always smells disgusting. and then, cerimonious, we drink it together. because that's what family does.
52K notes
·
View notes
queen of diamonds, upright + reversed 💎
I've redone this like eighty times, I have to just be done with it now and stop staring at all my mistakes oh no 🫠
4K notes
·
View notes
sans undertale would not make i fucked your wife jokes. people want to make jokes about sans fucking asgore's wife but sans the character would NOT do that r you kidding me. you can cut the secondhand embarrassment with a knife every time they're in the same room together, sans likes the guy, i bet he feels genuinely kinda bad for asgore. he'd be like sorry about the dating your ex wife thing. to be fair she's a really cool ex wife. and asgore would be like (rescue shelter dog sigh) She is.
9K notes
·
View notes
Needlessly close reading and long commentary on chapter 57 and how the audience actually has an extremely limited view on what Marcille has been like over the course of her life.
I am once again thinking about how pre-dungeon Marcille is so quiet and stoic that she seems like a completely different person. How jarring chapter 57 is for the audience. Like you have Marcille, who has been just the most blindingly expressive person with resting baby face
And then the chapter drops a title page of Marcille hearing from Falin for the first time in four years and it's like.
Who is that. Genuinely. Would you even realize that's Marcille without the context clues?
And then the chapter just keeps coming in with the sucker punches.
We have SEEN Marcille meet strangers. It was never with this understated of a smile.
literally who the hell is this. the few times the audience gets to see some Signature Marcille Faces that they're used to is when she finally gets to see Falin again
when she's testing out her new spells
(and when Laios and Falin are fantasizing about her being their damsel in distress, funnily enough)
And then finally. Finally you get to a fully recognizable Marcille when she fucking DIES and comes back to life to geek out about necromancy.
We know she loves magic. We know she loves Falin. So it's not so surprising that she wouldn't be able to keep a mask up when thinking or talking about the things she loves. But why the mask in the first place? Where does it come from? It's tempting to think that, maybe, Falin's departure just hurt her so much that it turned her into a quiet person.
But that's only half true. If you go back, the first instance you see of this incredibly mild personality is actually introduced much earlier, in chapter 17.
What if she was always like that. What if her default after her father died was to hold people at arm's length, to never really emote past being polite and friendly. What if Falin was the first person who was able to bring her out of her shell, and when she left, Marcille just went back to how she was.
And when comparing her detached demeanour with someone else...
It's not exact, but wouldn't you say there's a resemblance? Wouldn't you think she might be trying her best to imitate what she saw of her own mother working as an accomplished mage?
It would certainly explain why she's hiding behind her portrait in her nightmare, at least.
We aren't told that Marcille has been distancing herself from everyone around her using a mature and dignified personality she modelled off her mother. But we sure as hell are shown it, I think.
3K notes
·
View notes
human.
early access + nsfw on patreon
more backstory that i wrote up for patreon heh:
Simon and Tommy had a complicated relationship as brothers.
At a young age, Simon basically wrote himself off as a lost cause, and did the best he could to make sure at least Tommy had a chance to be a functioning human being. After all, Tommy was the gentler brother, the dreamer, the one who looked like their mother (who'd walked out on them years ago to escape their father). But Tommy got bitter, got sick of the one always being protected, being babied. He lost respect for Simon, for the way he wouldn't fight back, and in a twisted way, grew closer to his father as a way to learn how to be powerful, strong. It backfired, and Tommy got wrapped up in some bad business.
Simon's kid brother died while he was deployed. He got the news in the letter, and it broke him in a big way. In the story timeline, it was years and years ago but it still hurts like hell whenever Simon thinks about him.
5K notes
·
View notes
Once Batman has revealed his identity to the JL, after some strong encouragement from Superman and Wonder Woman, Bruce decides to try to start being a bit more "personable" with the rest of league. They've been colleagues for a decade and he trusts them all, and according to Clark and Diana this means there's no need for his whole mysterious "shadow of the night" bit, so he invites the league to dinner at the manor.
It is raining heavily, and even though it's not that late, it's nearly pitch dark but for the frequent lightning strikes. The league arrives together at Wayne Manor and the wrought iron gates stretch upward before them, ending in spikes at the top with ivy overgrown across them. They stand there, uncomfortable, wet, a bit weirded out, wondering how they're supposed to get passed the gates.
"This is creepy, right?" Hal says. "It's not just me?"
A voice. "Hello." As the league turns to the sound, thunder claps loud enough to startle everyone as lightning strikes, illuminating a small child standing on the other side of the gates that was definitely not there a second ago. He stands motionless under an umbrella, seemingly unbothered by the rain, expression vaguely irritated, and his eyes seem to flash green in the light. "I have been instructed to escort you inside."
The child doesn't move in any way but the gates slowly swing open, the creaking sounds sound straight out of a horror movie. Once they are fully opened, the boy turns and starts walking down the path without a word.
The league, some members quite freaked out at this point, follow him after exchanging some looks. They round a bend in the path and the manor comes into view. It is a massive dark structure, rising from the ground. Another lightning strike illuminates pointed spires, jagged edges, and it's gloomy, gothic nature. The sound of bats shrieking can be heard in the distance over the rain.
The league finally arrives at the front door, cold, wet, and thoroughly discomfited. An old man, a butler, looking out of time, opens the door, the child disappears inside. The butler welcomes everyone inside graciously but with a distant politeness. Despite the appearance of the exterior, the inside is well lit with warm light and seems inviting, though ostentatious. The league is relieved.
Until another massive lightning strike and thunder clap cuts the power off and the room is pitch black.
"Oh, you're here," a deep voice says from somewhere up above. No sooner are the words out than another lightning strike illuminates a dark, hulking figure on the staircase that was also definitely not there a second ago. At least two people scream.
Bruce is wildly confused as to why his guests are screaming, he didn't think any of them were afraid of the dark? The back up generator kicks on and the lights come back on and everybody seems to calm down. The rest of the dinner seems to go well (as well as a dinner can with the justice league and all of Bruce's kids) but strangely, to Bruce's confusion, it somehow only made his "spooky" reputation worse. He's not really sure why the whole league seems to think he lives in a haunted house.
3K notes
·
View notes
Permission to headbutt: Granted (Patreon)
4K notes
·
View notes
The scarest thing about Nandor being actually smart in all things Guillermo is that this is the reason why he'll never make the move to be with him:
Nandor already knows how he feels about Guillermo.
He's not even repressing it. He's just made peace with it. Because Guillermo was never an option.
Guillermo is human. He'll choose to stay human. He's fleeting. He'll always leave in some form or fashion. Nandor doesn’t choose to act on his feelings for Guillermo for the same reason why he never turned him. It would just be a curse.
8K notes
·
View notes
im annoyed and a little pedantic so can i just say as a blanket statement
queerbaiting is when the promotion for a FICTIONAL STORY intentionally hints towards two characters having a romantic relationship, without any intention to follow through in the show, in order to get queer people watching without discouraging the homophobic enjoyers of the show
queerbaiting is NOT:
a celebrity who you think is queer because theyre gnc or they have a 'vibe'. that is a real person and they cannot queerbait
two friends of the same gender pretending to flirt with each other for fun. those are real people and they cannot queerbait
a show with two characters of the same gender who are canonically friends that YOU PERSONALLY think would be better in a relationship. that's not bating, that's shipping, and subject to opinion
there are more but those are the main examples of people misunderstanding what queerbaiting is and being mad at something that isn't actually a problem
3K notes
·
View notes
someone probably said this already but in spiderverse i think it's interesting how when pavitr was first introduced everyone thought something bad was gonna happen to him bc of how confident and optimistic he was. and then in the actual movie we see that something bad was supposed to happen to him (police chief dying!) but it doesn't! miles stops it! and miguel berates miles for this, says it's going to cause the universe to collapse or whatever.
there's this idea that tragedy is inherent to spidermans growth, and while it's true that some spiderpeople learn important lessons through loss, no one stops to ask, is it really necessary? yeah, maybe the chief was supposed to die. but why does spiderman have to be formed through tragedy? why do we (as heroes) have to let people die? pavitr didn't lose anyone, and he's still a good spiderman! maybe, if he doesn't suffer, he'll end up better off for it!
so while miguel is arguing for all this big picture stuff about saving the multiverse he's lost sight of what it really means to be a spiderman, he's not looking out for the real individual people. yeah it's just one person who would die, but that one person means something to someone. shrugging and saying "stuff just sucks sometimes, we can't do anything about it" is the opposite of what superheroes do. pretty obviously, miles arc is also a reflection of the struggles people face in real life, working within unequal systems, where it's easy to shrug and say "that's just the way it is" and not ask "but why does it need be this way? can't we do something about it?"
miguel is arguing that you can't have your cake and eat it too. presumably, miles and co. are going to find a way to get around that and change things for the better (and maybe that's why miles has that line about two cakes in the advisors office!)
9K notes
·
View notes
tsum events really are just the best, huh
3K notes
·
View notes