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#Glyptothek
conformi · 4 months
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Emerald Fennell, Saltburn, 2023 VS Fauno Barberini, Glyptothek, München, 220 a.C.
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liebesfraulein · 1 year
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Glyptothek, Munich
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artschoolglasses · 10 months
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Barberini Faun, 220 BCE
Glyptothek, Munich
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mariekonrad · 1 year
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glyptothek, copenhagen // january 2023
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pluckypeony · 1 year
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From stories of gods and heroes, to scenes of everyday life, each piece tells a unique tale.
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beforehollywood · 6 months
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caramelcuppaccino · 2 years
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🍄 Glyptothek.
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subtile-jagden · 7 months
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Lange Nacht der Museen 2023
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Some impressions from the "Lange Nacht der Museen" in Munich, where many museums and galleries are open at night.
This year I visited:
Bayerisches Nationalmuseum which has a huge collection of art and artifacts from the late Antiquity to Art Nouveau and tells European cultural history in Bavaria.
Sudetendeutsches Museum which shows the amazing culture of the Germans from Bohemia, Moravia and Sileasia and their tragic fate and new hope.
Glyptothek with many beautiful Roman and Greek statues and antique art.
Lenbachhaus, specifically the "Der Blaue Reiter" exhibition with the famous works of the Bavarian painter Franz Marc, Wassily Kandinsky and more.
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citronellaww · 10 months
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My favourite snaps from Glyptothek in Munich. It was heavily bombarded in 1945, but the statues survived. I had a kind of nausea walking around -- went there straight from uni (I was visiting the Rachel Carson Center) and had no cash (just my camera) and was left starving. Yes 1st world problems, but have you ever tried speaking to hungry writers? The hunger, though, made me think of the war, and time, and the ruins rebuilt into aesthetically pleasing sights - and then I watched the kids sitting around these statues and trying to draw the sculptures on blank sheets, recreating history for themselves. Through hunger I forgot about time and space and locked myself in between the little creases sculpted into stone ages ago, with precision and care, survivors of time, war, hate, propaganda and bombs. I ate stone and dust and late summer heat for lunch, and finally fell in love with my regal nose...
More photos here: Munich - Glyptothek | Zonerama.com
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michael-svetbird · 1 year
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: • ARTEMIS Braschi: Roman, Imperial Period, Mid-1st c. AD. "The 'Artemis Braschi'... is not a reliable copy but is a new work which borrows from a number of Greek originals... The Roman sculptor cited here the styles of different periods of Greek art and thus consciously produced an antiquated impression: The decoration of the head and the upright body posture with the straight knees are reminiscent of Archaic art of the 6th c. BC. The hair style with the stiff curls falling to the chest recall works of the late Archaic - early Classical period. The head itself with its slight incline to the right is similar to depictions of the 5th c. BC. Similar motifs of light robes with many folds flowing in the wind and simultaneously pressed on the body by a gust are to be found in Classical sculptures of about 400 BC. They suggest that the goddess is floating down from on high." [©AGM] . Antikensammlungen Glyptothek Munich | AGM Room of Apollo www.antike-am-koenigsplatz.mwn.de/index.php/en @antikensammlungenglyptothek . AGM | Phs©MSP 08|22 6200X4100 600 The photographed object is the property of AGM and subject to the Museum copyright. All labels & descriptions txt ©AGM. [no commercial use | sorry for the watermarks] . • Part of the "Reliefs-Friezes-Slabs-Sculpture" MSP Online Gallery: . • D-ART: https://www.deviantart.com/svetbird1234/gallery/72510770/reliefs-friezes-slabs-sculpture . . #munich #antikensammlungenmünchen #glyptothek #archaeologicalmuseum #artmuseum #ancientart #ancientsculpture #arthistory #antiquity #archaeology #museology #mythology #greekmythology #ancient #roman #sculpture #statue #artemis #άρτεμις #artemide #artemida #braschi #goddess #greekgoddess #archaeologyart #museum #sculpturephotography #museumphotography #archaeologyphotography #michaelsvetbird AGM @antikensammlungenglyptothek 08|22 ©msp @michael_svetbird (at Staatliche Antikensammlungen) https://www.instagram.com/p/CnMOerMIPvH/?igshid=NGJjMDIxMWI=
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colderthanthemoon · 10 months
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Ny Carlsberg Glyptoteket
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kararadaygum · 5 months
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artschoolglasses · 11 months
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Diadumenos in the Glyptothek
Munich, Germany
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jussifa · 1 year
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Sundays are always reserved to museums.
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nunc2020 · 1 year
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Bereits 1931 hatte Julien Green den „Barberinischen Faun“ in der Glyptothek in der alten Pracht des Bacchussaales besucht. Kurz nach dem Zweiten Weltkrieg traf er den Faun in seinem elenden Notquartier vor abbröckelndem, blaugrünem Stuckmarmor und vor nacktem Ziegelwerk an, wie seine Fotos von 1950 dokumentieren. Die Skulptur war am 8. März 1950 als „Spätheimkehrer“ aus seiner Kriegsverlagerung im Schloss von Tegernsee nach München zurückgekehrt. Dem damals achtzig Zentner schweren Koloss wollte man jede Zwischenstation ersparen und brachte ihn deshalb gleich in den notdürftig hergerichteten Bacchussaal:
„Heute morgen bin ich in den Ruinen der Glyptothek gewesen, um den „Barberinischen Faun“ zu sehen, den einzigen Bewohner dieses riesigen zerstörten Museums. Man muss mit dem Fuß gegen die Eisentür treten, damit der Wärter kommt, aber der Faun erwacht nie aus diesem verzauberten Schlaf, der schon so viele Jahrhunderte währt. Man geht durch weite Säle unter offenem Himmel, deren Mauern die Spur der Flammen tragen. Der Faun steht in einer Ecke, unter einer Art Dach, das man ihm aus Brettern errichtet hat. Er ist vom Schlaf übermannt. Man kann kaum über diese Statue sprechen, ohne in eine Begeisterung zu verfallen, die mir fremd ist. Die Kopie von Bouchardon erschien mir immer ziemlich langweilig. Es ist die sinnlichste Statue der Welt und schönste der griechischen Statuen seit den archaischen Kuroi.“
Julien Green, Statuen sprechen, 1950 (Zit. aus: Julien Green: Statuen sprechen. Fotografien und Texte. Staatliche Antikensammlung und Glyptothek. Carl Hanser Verlag, München 1992)
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everyday1photo · 2 years
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Mummy at Glyptotek Musem
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