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#Glen Bateman
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Jumping on the trend because why not 😂
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residentdormouse · 6 months
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Super Insanely Excited!!
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So, I hit up @pelcrow for another commission, and holy shit... I wanted a picture for my story 'Just Keep Diving Down' that would parallel what he did for my first story 'Something like a Spiral' and I just cannot get over it.... completely exceeded expectations, and I could not be more ecstatic with the result.
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This is from about a 1/3 of the way in, and things are going to shit. Strange creatures breaking into their world, ghosts showing up to escort the dead, death and destruction and things aren't looking very promising. Perfectly caputred are Hayden's insecurity, and Glen's grounding. A soft comfort that has no expectations, no pressure, but a subtle hope and compassion that just kills me in the best way possible. Him holding that light, while being her light. The details, the background, the expressions, the whole vibe.... everything just completely encompasses the moment, and I just.... can't. Broken. Perfectly broken.
Thank you forever and always!!
(Also, if you want a commission and ever have an opportunity to work with Lloyd, please do so. You will not regret it; he is amazing to work with and super talented!!)
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caktusjuice-draws · 1 year
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Glen talks like this on purpose to get on everyones nerves and literally no one can convince me otherwise.
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digyoman · 1 year
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Our HEARTS we have sold, along with our SOULS, But hey baby, take a good look, WE HAVE IT ALL.
it’s finally here!
i can’t describe how proud and excited i am to share this video with you. it’s been in the works for over a year, and it’s taken multiple drafts, countless hours, and a LOT of meticulous tweaking to get to this point. it may not be perfect from a technical standpoint — i don’t claim to be a professional editor! — but i think it’s just good enough to convey my vision, and that’s all i really care about.
‘we have it all’ is such a special and important song to me, especially in connection with the stand. i’ve seen this specific montage play out in my head every single time i’ve listened to it, and now you can see it, too! i hope you enjoy watching it as much as i’ve enjoyed putting it all together.
( note: i’d recommend watching it in HD if possible. otherwise it may look crusty. 😭 )
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zachdionne · 1 year
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HOLLY SEASON APPROACHING!
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flash-goes-kaboom · 3 days
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glen makes breakfast for lloyd and lloyd wolfs it down like he’s going to have it stolen from him then politely asks for seconds…
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rosemarycovet · 8 months
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characters I write for
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twilight
Edward Cullen
Alice Cullen
emmet Cullen
Jasper Hale
Rosalie Hale
Bella Swan
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SCREAM
(Mostly billy and Stu)
Billy Loomis
Stu Macher
Randy Meeks
Sidney Prescott
Tatum Riley
Dewey Riley
Mickey Altieri
Roman Bridger
Jill Robert
Ethan landry
Tara carpenter
Sam Carpenter
Chad meeks
Amber Freeman
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gilmore girls
(chilton) Rory Gilmore
Dean Forester
Jess Mariano
Tristin Dugray
Dave Rygalski
Lane Kim
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Finn Wolfhard characters
Mike wheeler
Boris pavlikovsky
Miles Fairchild
Richie Toizer
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Harry potter/wizarding world
Theodore Nott
Mattheo Riddle
Tom Riddle
Draco Malfoy
Cedric Diggory
Harry potter
Ron Weasley
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American Horror Story
Tate Langdon
Violet Harmon
kit walker
Zoe Benson
Kyle Spencer
Madison Montgomery
Jimmy darling
James march
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Euphoria
rue bennett
Jules vaughn
maddy perez
cassie howard
lexi howard
kat hernandez
Fezco
Elliot
Nate Jacobs
chris mckay
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Scott pilgrim VS. The world
Scott pilgrim
Ramona Flower
wallace wells (x male reader)
Envy Adams
Knives Chau
Kim Pine
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Random
Rodrick Heffely-Diary of a wimpy kid
Patrick bateman-American Pyscho
Jesse Pinkman-Breaking bad
Peeta Mellark-hunger games
Finnick Odair-hunger games
Nanno-Girl from no where
Danny Jenner-Jeepers Creepers
Kat Stratford-10tihay
Patrick Verona-10tihay
Cameron James-10tihay
Dave Lizewski-Kick ass
Charlie-the perks of being a wallflower
jennifer check- jennifer’s body
Tim LaFlour-senseless
Robin Buckley-stranger things
glen glantz-nightmare on elm street
Request are open
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kwebtv · 6 months
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TV Guide  -  November 2 - 8, 1963
Wilfred Bailey Everett Bixby III (January 22, 1934 – November 21, 1993) professionally known as Bill Bixby, Film and television actor, director, producer, and frequent game-show panellist.
Bixby's career spanned more than three decades, including appearances on stage, in films, and on television series. He is known for his roles in the CBS sitcom My Favorite Martian as Tim O'Hara, in the ABC sitcom The Courtship of Eddie's Father as Tom Corbett, in the NBC crime drama series The Magician as stage Illusionist Anthony Blake, and the CBS science-fiction drama series The Incredible Hulk as Dr. David Banner.  He also worked with Mariette Hartley in his final series, Goodnight, Beantown,  (Wikipedia)
Herman Raymond Walston (November 2, 1914 – January 1, 2001) was an American actor and comedian, well known as the title character on My Favorite Martian. His other major film, television, and stage roles included Luther Billis (South Pacific), Mr. Applegate (Damn Yankees), Orville J. Spooner (Kiss Me, Stupid), J. J. Singleton (The Sting), Poopdeck Pappy (Popeye), Mr. Hand (Fast Times at Ridgemont High), Candy (Of Mice and Men), Glen Bateman (The Stand), and Judge Henry Bone (Picket Fences).
The success of My Favorite Martian typecast Walston and he had difficulty finding serious roles after the show's cancellation. He returned to character actor status in the 1970s and 1980s, and guest starred in such series as Custer, The Wild Wild West, Love, American Style, The Rookies, Mission: Impossible, Ellery Queen, The Six Million Dollar Man, Little House on the Prairie, and The Incredible Hulk, again with Bixby, in which Walston played Jasper the Magician in an episode called "My Favorite Magician".
In 1984, Walston played a judge on an episode of Night Court. Six years later, he made a guest appearance on an episode of L.A. Law. He later was hired for the role of Judge Henry Bone on Picket Fences; the character was originally a recurring role, but Walston proved to be so popular the character was later upgraded to a starring role.
He appeared in Star Trek: The Next Generation as Boothby, head groundskeeper at Starfleet Academy in San Francisco, and reprised the role twice on Star Trek: Voyager.
In 1988, he guest starred in an episode of the popular horror-fantasy show Friday the 13th: the Series, as a bitter, elderly comic-book artist who uses a demonically cursed comic book to transform himself into a killer robot and murder his erstwhile enemies. 
Walston received three Emmy Award nominations for Best Supporting Actor in a Drama Series for his work on Picket Fences, winning twice, in 1995 and 1996. CBS cancelled the show after four seasons in 1996. Walston made a guest appearance in an episode of Dr. Quinn, Medicine Woman entitled "Remember Me", in which he portrayed the father of Jake Slicker, who was stricken with Alzheimer's disease.
Walston played Grandfather Walter Addams in Addams Family Reunion (1998).  He appeared in the Touched by an Angel episode, "The Face on the Barroom Floor", which aired on October 15, 2000.
Walston made a cameo in the 7th Heaven episode, "One Hundred", which aired on January 29, 2001, four weeks after his death. (Wikipedia)
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heytherecentaurs · 1 year
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Glen is a fascist and wannabe military dictator. His actions mirror real life actions taken by fascists and dictators: attacking his people to gain control, trying to manipulate his people into a war with fear and ideas of supremacy; trying to undermine and overthrow the legislative body of The Crick and turn the anarcho-socialist crick into a military dictatorship; killing dissenters among his people; using ideas of the crick’s glorious past and its legendary heroes to fuel his campaign and propaganda; he’s a charismatic leader, essentially exiled who allies himself with an army to violently seize what the crick wouldn’t give him; and he’s a narcissistic psychopath who manipulates everyone, who believes everything happens to him, everything is owed to him, and emotionally he’s muted— complex emotions are a hollow affect and the truthful emotions he exhibits are tied to his self-image. He’s Patrick Bateman—a charming well-put together attractive monster. But worse than Bateman, Glen isn’t a nihilistic void, he’s got an ideology and a means to execute on it. That’s what makes him dangerous and what makes Murph’s performance as him so good.
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swaps55 · 29 days
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Having a lot of fucking feelings about Stu Redman, Glen Bateman, Larry Underwood and Kojak on main.
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You’re welcome
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residentdormouse · 6 months
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Can I ask you to ramble about your current hyperfixation?
I am always up for some rambling! Thank you for the ask!!
Unfortunately for my non-fandom followers, my hyperfixation has not changed for the past two and a half years. (All mutuals now groaning, ‘Shut up about the Stand, Mouse.’) I still cannot explain my extended fix; usually I'm a year tops. Hook onto a character, appease the yearning rats, move on. Not this time…
This may have to do with the fact that the Fandom is smaller. Other fixations, I could casually scroll Tumblr for fan art, find stories to scratch the itch on AO3, and passively ride the wave until something pulled me in another direction. Couldn't do that here. There were like 11 stories for ‘the Stand’ that even tagged Glen Bateman as a character. Some of them were prior to the version of Glen that took up residence in my brain (2020 miniseries), and none of them had him as a primary focus. What's a girl to do, right? Write also turned out to be the answer. So this was the first time I was writing and posting fanfic to AO3. About 290k words later, and almost a year of digging into their characters, here I am, stuck on the same damn guys. The rats are still yearning, and I have no further way to appease them. (Although, I'm sure they will thank you for indulging them now.)
But yeah, still 100% hooked on Stephen King's ‘the Stand’, and specifically the newest 2020 miniseries version. I blame Kinnear's version of Glen. He's a great character in the other versions, but the stars aligned with his take. Witty. Intelligent, but with a cheek and lightheartedness. Logical, yet open to the new world of the unknown. Questioning, but true to himself and loyal to those around him. Speaking his mind, and saying what he believes, regardless of the danger it poses. (And this is not even touching the vaping, which is a fantastic touch, and definitely a way to my heart as well.) Plus, I've always loved Kinnear as an actor, just never saw him in a role where I connected to his character like this. I truly was doomed from the start.
And that's pretty much how it went too. The first damn scene he’s in, and I'm instantly hit with the ‘holy fuck, I love this character’ K.O. punch. Cause that's what I really need for a hyperfix to stick, love for a character.
Then the end of that same episode. This look…
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I could go on for days about this look. A ‘Man of Science’ facing the reality of the previously unbelievable. His world view shaken, and now left to piece the puzzle back together. Tear down what he ‘knew’, and start looking at things from a new perspective. This single moment where the world changed for him. It's just… 🤌
I love this fictional man. He has hijacked my brain, and honestly, not really seeing a problem. He can stay as long as he wants. I'll give him some paints, and he can chill up there making fun commentary about life. Maybe give some helpful insight.
But yeah, the Stand still top hyperfixation for me. I have a love of the story as a whole too, don't get me wrong. Read the book, have the ‘94 series, picked up the comics… And other characters have worked their way into my heart too (Lloyd Henreid, I'm talking about you), but Glen was, and still is, the reason I'm here so long after.
Was that rambling enough? Too much? I have no gauge. But I will always elaborate if asked. Do not be afraid to ask, this is why I'm here!!
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zoobus · 1 year
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Alec Baldwin, huh.
(in reference to my tags on this post)
I don't agree with the sentiment, I'm just SAYING if you write media analysis like this, you're a moron:
For those of you who can't watch videos, it's the famous speech Alec Baldwin gives in the cinematic masterpiece Glengarry Glenn Ross. Baldwin's character -- whom you assume is the villain -- addresses a room full of dudes and tears them a new asshole As smarter people have pointed out, the genius of that speech is that half of the people who watch it think that the point of the scene is "Wow, what must it be like to have such an asshole boss?" and the other half think, "Fuck yes, let's go out and sell some goddamned real estate!"
Or, as the Last Psychiatrist blog put it: "If you were in that room, some of you would understand this as a work, but feed off the energy of the message anyway, 'this guy is awesome!'; while some of you would take it personally, this guy is a jerk, you have no right to talk to me like that, or -- the standard maneuver when narcissism is confronted with a greater power -- quietly seethe and fantasize about finding information that will out him as a hypocrite.
Here are some quick indicators you can disregard someone's media opinions, whether you've seen whatever they're describing or not
They tell YOU what you'll assume about a character
They tell YOU what the "correct" read of a character is
They think there's two primary reads of the story and they flatten down to "my interpretation is smart and says something good about myself, all other interpretations are superficial and evidence of a pathetic lack of self-awareness"
They talk about award-winning, complex media like a storybook for small children. This guy is actually the villain! This guy is actually the hero!
They're so so so certain that they know exactly how everyone else interpreted the movie
Take American Psycho - when I finally watched it, I *did* find takes I disagreed with, and I *did* find takes that I felt misunderstood certain characters. But very few, if any, disagreements were due to the other person's perception of characters as purely heroic or otherwise. I found takes that I didn't object to exactly, but came from viewpoints I felt too ignorant to fully grasp or comment on. I found gaps in my own understanding, gaps I don't think I'm capable of filling (I don't get music, sorry).
It wasn't 50% dudebros who wished they were/wanted to suck off Patrick Bateman and 50% wise women smartly explaining why the racist misogynist is in fact a bad person. The most annoying, shallowest takes I've found I'm most hostile to are those "you aren't patrick bateman, you don't even wash your face/teen girls with a skincare routine understand American psycho more than any dudebro could" memes. The take with actual effort that I bristled at the most was an essay that seemed oblivious to how severe homophobia was in the 80s.
I haven't watched Glen Glennie Ross, I'm just saying this guy's read of it lends me to believe he's not a reliable source.
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fluentmoviequoter · 5 months
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White Boulder Christmas
Day 5 of 12 Days of Ficmas
Pairing: Stu Redman x fem!reader
Summary: You experience your first white Christmas in the Boulder Free Zone.
Word Count: 2.5k+ words
Warnings: spoilers for The Stand (the book & the miniseries), fluff, angst, vague description of injuries.
A/N: The Stand is one of my favorite books of all time and I think about Stu a concerning amount, so I am very excited to try writing for him! He may be OOC but I'm planning to keep writing for him so I can improve. I used Gary Sinise's portrayal of him in the 1994 miniseries because he was amazing (I could talk about the 1994 adaptation and the book all day so if anyone has requests, feedback, or comments please please please send them to me!!)!
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The last 200 miles into Boulder are the hardest. You thought the trip would be easier once you crossed the state line into Colorado. It isn’t. You haven’t seen another person in days, you’re tired, and the dreams are getting more intense. As the sun sets on a state you always wanted to visit - granted, it seemed more enjoyable before the virus, but it’s still beautiful - you break into a jog as you see the flickering lights of civilization. The town is tiny, and the only reason you know where you are is the small sign reading “Kiowa Creek Church.” Trying the doorknob of what used to be the municipal police station, you sigh as it opens easily. You thoroughly check the building before setting your backpack down, leaning it against a cell door to keep it open, and collapsing onto one of the cots.
“Boulder, here I come,” you whisper to the dilapidated ceiling before drifting to sleep, visions of corn fields and black crows invading your mind.
✯✯✯✯✯
When you wake up, there’s a wet nose pressed to the pulse point under your jaw. You jerk away from the unexpected and unwelcome touch, raising your hand to your neck. As you turn your body, you see a dog wagging its tail as it looks up at you. Your eyes widen as your hand falls into your lap before you squeal and lean forward to hug the dog.
“Kojak!” a deep voice yells outside.
“Is that you?” you ask the dog, scratching behind its ears as you stand. “Are you Kojak?”
When he hears his name, Kojak’s tail wags harder as he walks beside you, sitting at your feet as you gather your things.
“C’mon, Kojak,” you summon, snapping as he trots to your side to walk beside you.
The main door is barely open, proof that Kojak pushed inside to find you. Opening it the rest of the way, Kojak bounds out before you, stopping on the porch and looking between you and a man standing in the middle of the dirt road separating the buildings of Kiowa, Colorado.
“You find him yet?” another man, taller and younger than the first, asks, turning the corner.
“Kojak here found me,” you interrupt, waving shyly.
The younger man smiles a crooked grin that makes your heart drop as you forget why you’re in this deserted town in the first place.
“Well, then perhaps I owe him a thanks. I’m Stu Redman, this is Glen Bateman, and you’ve met Kojak,” he introduces, climbing the first step as he extends his hand to you.
You place your hand in his, shaking it as you introduce yourself. “Where are you going?” you ask, your hand still in Stu’s.
“Boulder. You?” Glen answers.
“Boulder,” you inform with a firm nod. “Not that I really had much of a choice.”
Stu smiles again and says, “Did any of us? I’ll assume you’ve met her then?”
“And him,” you add.
Stu drops your hand and steps off the stairs, gesturing with his head for you to join him.
“We have room for one more, right, Glen?”
You look down at Kojak, squatting to pet him again so Glen doesn’t think there is any pressure to say yes.
“Would it matter what I said, East Texas?” Glen replies; you’re thankful you can hear the teasing in his voice.
“East Texas?” you parrot, looking up at Stu.
“Born and raised in Arnette. Seems to have stuck.”
“Just like Kojak seems to be stuck to you,” Glen says. “What’d you do? Feed him?”
“No, he found me. I was asleep. I’m just glad to see another dog!” you exclaim cheerfully.
“Just the dog?” Stu clarifies, his brows raised playfully.
“Just the dog,” you agree, shaking your head as you smile.
“Well, then, who’s ready to get to Boulder?” Glen asks, pulling his backpack straps over his shoulder.
“Me,” you and Stu say together.
He slips his hand into yours to help you stand up, and you instantly know that the last 100 miles will be the easiest yet because you’re not alone.
✯✯✯✯✯
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Stu turns to you, and you look away, harshly wiping the tears from your face. He steps to you, gently grabbing your wrists and pulling your hands away. He drops his head to catch your eyes, but you refuse to look at him.
“I won’t say bye,” you mumble, fresh tears rolling down your cheeks.
“I’m not asking you to. I’m just giving you a hug to hold me over until we see each other again when I get back. Can you do that?”
“Only if you promise to come back.” You finally look up at him, and he releases your wrists to cup your face.
“I can’t make that promise.”
“And I can’t keep fighting without you.”
“I promise to do everything I can to come back to you. That’s all I can do for now.”
You bite your bottom lip and nod, your face in his hands. “I love you,” you whisper.
Stu’s eyes are glassy, but his smile is anything but sad as he looks at you. “That goes right back to you, ma’am,” he replies, leaning his forehead against yours after kissing it. “Wait for me?”
“Forever.”
You can’t stay with the other girls and wave them off because you know you’ll end up chasing him. Stu likewise doesn’t turn around when Larry does, instead keeping his eyes on the horizon as he promises himself and anyone else listening that he will do everything he has to do to get back to you. After he finishes the fight, he'll return to you, even if he can barely stand and has to fall into your arms.
✯✯✯✯✯
“Teddy, can you put me on the volunteer rotation for December?” you ask after a free-zone meeting. “It’s been the same people since we got here, and it’s almost Christmas, they deserve a break.”
Teddy smiles as he scribbles your name on a piece of paper before slipping it back into his pocket. “Absolutely. And thank you, they’ll really appreciate that.”
When you get a call the next day asking you to take a security post at the border of the Boulder Free Zone, you jump on the opportunity to help (and try to get your mind off Stu). The women in town are busy trying to do something small for Christmas but are worried that the scouts won’t be back in time, so there’s a debate as to whether or not it should be delayed until they return. In the anonymous vote, you chose to wait because you can’t imagine celebrating anything without knowing where Stu is. For tonight, though, you focus on your surroundings, not Stu’s crooked smile or East Texas accent. Or the moment he told you that he loves you.
Because of the low number of volunteers, the shifts are long. You’re five hours into a twelve-hour night shift when the first snowflake lands on your nose. You look up to the sky, unfamiliar with snow, especially in December. Within twenty minutes, snow is powdering the ground and continues falling, getting heavier each minute. 
“A white Christmas,” you say quietly to yourself. 
Then you laugh. Although your first white Christmas is in the Boulder Free Zone, surrounded by fear, fighting, and uncertainty, those little snowflakes are piling hope into your heart that everything will turn out fine.
Shaking your head, you return your attention to the night to protect your new family and temporary home, but you keep smiling as the temperature drops and the once-hopeless world turns white just in time for Christmas.
As the first rays of sunlight peek over the horizon, barely visible through the snow clouds, you hear an engine rumbling in the distance. The radio has been silent all night because no one else heard anything. As the noise gets louder, you’re positive someone is racing toward the Boulder Free Zone. You raise your rifle, looking through the scope to aim where the road twists around the hill. As the truck approaches the curve, it suddenly stops, and the engine dies. The night goes quiet, the sound of two doors closing the only proof you didn’t imagine the truck. When the first figure enters your sight on the scope, you drop your gun and run toward him.
“Tom!” you yell, fumbling to get your radio out of your pocket.
Tom looks up and says your name twice, first as a question, then an exclamation of joy. He drops his voice again to say, “He hurt his leg real bad.”
You look to your left and see the one man you’ve been waiting for since the moment he left. 
“You waited,” Stu says, smiling as you rush to him and wrap your arms around his waist.
His arms loop over your shoulders and grip you tightly, pulling you against him like he’s melting into you.
“Let me radio for help,” you say into his chest. 
Pulling back, you call Teddy and tell him that Stu and Tom are back before requesting a truck. He doesn’t answer with a yes or no, but the radio is full of cheers, yells, and crying, so you assume someone is on the way. Turning back to Stu, you let him lean against you and look down at his leg.
“Are you alright?” you ask quietly.
“I’m great now,” he answers, meeting your eyes when you look up.
“M-o-o-n, that spells great,” Tom says beside you.
“Is it just you two?” you whisper to Stu.
He nods, tightening his grip on you slightly.
“They saved our lives,” you add.
“It’s not just us,” Tom calls, “there’s one more. Laws, yes!”
You glance up at Stu, who furrows his brows. He catches on quickly and whistles. You look past him as Kojak runs around the corner and straight to you.
“Kojak!” you cheer, reaching down with the hand not supporting Stu. “I’m so happy to see you, buddy!”
“You didn’t get that excited about me,” Stu grumbles.
You look up at him and begin to say something, but the sound of a truck approaching cuts you off. The headlights on Teddy’s truck fall on you as he parks, helping Stu into the passenger seat while you, Tom, and Kojak get in the back. You can’t see much of him, but you watch Stu the entire drive to the hospital, holding Kojak as you smile, glad to have your boys back.
Once you get Tom home and settled, you and Kojak return to the hospital, checking on Fran before taking your seats in Stu’s room, Kojak on the end of his bed and you at the window, watching the snowfall. When Stu wakes up, he smiles at Kojak before looking around the room. 
“First time seeing snow?” he asks.
You turn when you hear his voice, smiling as you walk to his side. “No. But it is my first white Christmas,” you answer, slipping your hand into his. “I’ve always dreamed of a white Christmas. Dreams change though.”
“Meaning?”
“I would trade a white Christmas for a Christmas with you,” you admit shyly.
He kisses your knuckles before shifting in the bed, inviting you to sit beside him. You watch the snow and each other as you talk about your Christmas traditions pre-Captain Trips. The doctor comes in to check on him several times and gives you updates on Fran as well. When he finds out he can be released in a day or so, he starts walking through the hospital on his crutches, taking you and Kojak with him, determined to walk on his own by Christmas.
✯✯✯✯✯
December 22, three days before Christmas, you and Stu are walking out of the hospital with no crutches needed. He suddenly pulls his hand from yours, and as you turn around to ask him what’s wrong, a snowball hits you in the middle of the chest. Your jaw drops as you look at Stu, two more snowballs in his hands.
“After everything I’ve done for you,” you call dramatically, kneeling to make a snowball.
“You love me,” Stu yells.
“Luckily for you,” you reply as you throw a snowball, hitting him in the shoulder.
As you exchange snowballs, laughing and yelling with more joy than you thought was possible to feel given the previous year, you’re glad Christmas is on schedule. The people around you need it more than ever.
“Ow!” Stu yells, falling backward into a snowbank.
You drop your snowballs and run to his side, kneeling beside his uninjured leg. “Did you hurt your leg again?” you ask.
He raises a hand to your bicep and rolls over, pushing you into the snow as he hovers above you, smiling.
“You’re okay?” you ask, breathless. Stu nods, and you release a sigh before shaking your head at him. “You scared me.”
His eyes are locked on yours as he whispers, “I missed you.”
“I missed you too. More than I can say.”
He leans down and kisses you, smiling against your lips as he slips his gloved hand between your head and the snowbank beneath you. Your hands rise to his shoulders as you pull yourself toward him, shivering against him. He breaks away, pressing a quick kiss to your forehead before standing and helping you up, your hand secure in his as he walks you home.
There’s a small Christmas tree in your front window, and Stu smiles when he sees it. Kojak meets you at the door, circling your legs as you take your coats, hats, and mittens off. 
“Stu?” you ask as he stands, wiping his hands after starting a fire. “Thank you for coming back to me.”
“I couldn’t leave you. Especially now that I know you’re celebrating your first white Christmas,” he responds, walking to stand in front of you, the Christmas tree on one side and the warmth of the fire on the other.
“So, what now? I mean, what happens after Christmas? Are you going home, East Texas?”
He cups your face, just as he had before leaving, and smiles when you lean into his touch, his warmth. “I don’t care where I go,” he answers, “As long as you’re by my side for this Christmas, and every Christmas after.”
“Even if they’re not white?”
“Say you want them all white and we’ll go wherever you want, ma’am.”
“I want to go wherever you are,” you state, wrapping your fingers around his wrists.
He drops his hands and grabs your waist, pulling you in to kiss you. He whispers against your lips, “We’ll figure it out after Christmas.”
You nod against him, waiting until you break apart to say, “I love you.”
“I’ve loved you since I laid eyes on you, and I will love you until there is no such thing as a white Christmas.”
You smile, ready to say more, but his actions speak louder as he pulls you in again, Kojak curling up at your feet as the snow grows heavier and Boulder turns white, just in time for your first Christmas with Stu.
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ivanzplaid · 10 months
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Masterlist
Slashers
Saw
Lawrence Gordon
Amanda Young
John Kramer
Peter Strahm
Mark Hoffman
House of 1000 Corpses
Otis Driftwood
Baby Firefly
My Bloody Valentine
Harry Warden
31
Doomhead
Scream
Billy & Stu
Candyman
Daniel Robitaille/Candyman
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flash-goes-kaboom · 4 days
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glen x lloyd! has anyone considered this before?
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