Henry hearing other people's thoughts unprompted doesn't really make much sense given that we are shown time and time again that henry needs to really concentrate on using his abilities in order to do that. From his little set up in the attic when he was both young and as vecna (disclaimer if he is vecna etc etc etc), henry can't just... hear the thoughts of other people. Imo it's very similar if not exactly the same as el using tvs/sensory deprivation tanks to reach into other peoples mindscapes re: s3 billy. Imo it really seems to me, like el, henry needs to be "plugged in" somehow to the wider UD/MF (since it seems like it's primary method of communication with the RSU is electronics/electricity and we know peoples brains use neurons that fire using electrical impulses) in order to reach other peoples minds. El doesn't go around just hearing other people's thoughts, however she can channel her abilities in order to do so. I assume the same would be for Henry? But who knows wth is going on L oh L.
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Hey so I have a question-
Is Rachel even contributing to LO's art anymore? Like, at all?
CAUTION: MILD FASTPASS SPOILERS AHEAD !!!
I've talked at length about the 'tells' of each assistant and artist, and while it doesn't guarantee that I can tell exactly who drew each panel, there's one thing there's been a lot less of in the most recent episodes that have caught my attention - things that I know Rachel would typically contribute.
And most of it comes down to her lineart.
The shading was always her, no doubt about that, you could tell with how consistently awful it is, how she would take actual decent flats from her assistants and proceed to butcher them with muddied shading.
AmyKim89's flats vs. after Rachel's gotten her hands on them:
(seriously Rachel why tf did you darken Persephone's legs here, it looked so much better before ??)
But there was also her lineart which, at first, I didn't realize who was drawing it. It didn't show up super often in LO but it was always very noticeable when it did so I knew it had to be someone on the team doing it:
The thickness of the lines and the extra little strokes added in along the knuckles and bends, that wasn't something that was really common in LO at this point... at least it hasn't been since S1:
And when comparing it to the lineart she used to do in The Doctor Pepper/Foxglove Show:
(look at the mouth in The Doctor Foxglove Show vs. Hera in the pilot version of LO, they're literally the same)
So yeah, it was certainly the revelation to discover that that one instance of "weirdly detailed lineart" wasn't one of her assistants having a little extra fun, it was Rachel herself. It was already so uncommon for her to contribute all the way back in S2 that her contributions seemed to be more of the exception rather than the norm.
And since seeing the art that's been in the newest FP episodes following the return of the series... is Rachel even drawing at all anymore? Because lately the lineart has felt very thin, in a way that I can't tell if it's her assistants just doing all the lineart now or if she's trying to emulate S1 LO more by using less lineart. But S1 didn't have thin lineart, it had very thick lineart, BUT only being used where necessary to emphasis shadows and depth.
Now the lineart feels very... dinky? Especially when you look at the eyelashes.
That said, there are moments from S1 that had similarly 'dinky' lineart, so take this with grains of salt. It still didn't feel as dinky though as it does today where the lines are practically non-existent in how thin they are.
There are also times when you can tell they're really trying to emulate that S1 look, the pieces are there but they aren't being put together very well:
So yeah at this point I wouldn't even be shocked if all Rachel's doing at this point is scripting and roughs. And considering there are definitely times where she'll just draw without knowing what to write, the 'scripting' is also practically non-existent. It's just her leaving her roughs off to the last second for her assistants to whip out with very little time to pay attention to what's being submitted.
Once again it's Rachel fundamentally missing the point of the criticism that's being made of her work. She's trying to forcefully emulate something that she didn't even have a process behind. I can attest as someone who's been trying to do studies of her past work to recreate it as faithfully as possible through Rekindled, it's very difficult to achieve the 'old LO' look because 'old LO' was literally just Rachel slapping down brush strokes until they looked good, there was no specific process or guidelines that she followed, she just made things look textured and colorful. Everything else was basically up to her figuring out what actually looked good, with panels often having their own vibes separate from others in isolation of one another.
Now she's trying to replicate that look while missing the point entirely that it's not something she can really replicate anymore. Though we do get the odd panel that's way closer to the point, those panels have one thing that she's clearly not putting into the comic as a whole anymore - love and effort.
(fr this panel is so gorgeous but I feel like at this point it was more sheer luck because of how rare it is to see panels like these nowadays, this feels like an accident LOL)
Case in point, this honorable mention towards Persephone's outfit which is literally just a color-swapped version of the sketch that Rachel posted to Blue Sky that got meme'd to death in the ULO sub:
Did you catch that though? The weird dark patch over her boob and the gap in the lineart of her cleavage?
That's because they copy pasted the first panel and then erased out the hands, but missed the part of the hand shading that was overlapping the breast and the gap in the lineart.
I shit you not, Rachel coming up with memes on Blue Sky that she's scraped out of shows she watched 20 years ago is basically the full extent of her writing at this point.
Haha take a thing and make it bigger! So funnyyyy!
(seriously Rachel's 'humor' feels like it's stuck in 2010)
Yep, you're really earning that #1 NYT Bestseller label that you haven't even gotten since Volume 3, Rachel. Put your hand down, there are no high fives for you here.
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Previous // Next
Wyatt: I feel like this place is tainted now, like we need to open all the windows and just…
[Wyatt wafted his hands as though he could dismiss Kian’s lingering presence as easily as the wind displaced sand]
Brynn: You forget soon enough.
Wyatt: I need some air, you coming?
Brynn: Tch, like I can run anywhere-.. I am huge sea creature.
Wyatt: A whale?
Brynn: Oh, you dig your own grave-.. I stab you whilst you sleep!
[Wyatt chuckled as Brynn smacked him upside the head, only somewhat gently]
Wyatt: I don’t doubt it. Remind me to hide the knives when I get back…
…
Darien: But it was cathartic, right?
Wyatt: Hm.. you orchestrated this on purpose, didn’t you?
Darien: I’ve no idea what you’re talking about-.. enlighten me.
Wyatt: Well, let’s just say that I’m certainly less likely to regret not reaching out.
Darien: Ah.. so, it worked?
Wyatt: You’re a shrewd man, Mr. Moore.
Darien: Why, thank you!
Wyatt: So, when’re you going to visit again?
Darien: Ohh, I don’t know-.. I figured I’d let your anger dissipate a little first, I like my neck un-strangled thank you.
Wyatt: Ha-ha.
Darien: Really though, it’ll be nice not having to wonder.
Wyatt: It must be exhausting, being right all the time.
Darien: Nope! Speaking of-.. reckon he’ll wind up on Kaden’s doorstep next?
Wyatt: Probably. He doesn’t know what to do unless someone’s telling him.
Darien: Mhm, prison won’t have helped matters-.. do this, shit there, suck that, bend over.
[cackling]
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I've been trying to find the right way to word this for a few days, but it's a really big pet peeve of mine when discussions of Fuuta and Kotoko and them as a duo that's narratively foiling is watered down to just their crime and comparing which of their murders are more justifiable, which usually leads to the same conclusion of "Kotoko is more right and completely justified in her murder, Fuuta was wrong and bad for his murder, #girlboss #slayhimqueen". And to put it bluntly, I find this conclusion to not only be lacking in nuance, but does a massive disservice to not only 0310 as a duo, but them as respective characters as well, and is missing a huge piece of why they are so fascinating
The thing about this argument is that, to an extent, it's right. Kotoko killed an adult man who kidnapped and abused a child with the intent to kill her, and that child is now saved thanks to Kotoko. Fuuta helped lead a harassment campaign against a middle school girl who did barely anything to deserve it (not that anyone deserves to be harassed, but you get what I'm saying), and it led to that girl committing suicide. When you look at their murders side-by-side from that description alone, Kotoko's does seem like the more virtuous murder compared to Mr. Twitter User over here.
But that is exactly the point.
There is a very good post by @weather-cluddy and very good discussion below it detailing what I'm about to talk about, but to put it shortly: Fuuta is portrayed as a lot more physically violent and unsympathetic than Kotoko is in their MVs. Both are portrayed as physically violent, but the way it is framed through their lense and portrayed to the audience differs from the other.
Fuuta is not just portrayed as violent and brutish, he is portrayed as pathetic. Kotoko is not just portrayed as violent and brutish, she is portrayed as cool while doing it (which I mean, she is cool, but that's not the point. Well it is the point but-)
Fuuta's violence is aimed towards an innocent child, so it's deemed as repulsive and unjustified. Kotoko's violence is aimed towards a child kidnapper so it's deemed as justified and girlboss.
Fuuta is portrayed as a wannabe hero, Kotoko is portrayed as the long-awaited hero.
I could go on, but I think you get my point. Fuuta is portrayed in a much worse and harder to sympathize with light than Kotoko is, which also highlights how they themselves feel about their murders (Fuuta's guilt and Kotoko's elation). There is a very big reason as for why Fuuta was not forgiven in Trial 1 meanwhile Kotoko was the most forgiven. Because Fuuta's murder is generally thought to be worse.
But here's the kicker: I think people are missing the point by putting focus onto which murder is 'worse', because that's not what makes them so comparable.
What makes them comparable is the fact that they share a mindset. A mindset of vigilante justice, of a hero complex, of eliminating the bad people in the world in a faux revolution. And that mindset is exactly the one that got them into this place in the first place.
And that's why it irks me when people put so much focus into deciding which murder is worse / who is more unjustified, especially since the majority of people I see this from are Kotoko fans. Your girl is literally doing the same thing you're criticizing Fuuta for in this very prison, and you aren't giving her the same amount of flack for it !!!
Like- I don't know. I think putting Kotoko on a pedestal of being "morally better" than Fuuta is not only a really boring way to see things, but it misses a big piece of their characters and why they're so often paired up in the first place.
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