#Finally now has this song!back when the movie was released didn't have much videos of it the only way to listen was to seeing the scene

[cutielatias]

🎆Músicas de 2022✨

●Sacrifice(by T.A.T.U)

●Crawling in the dark(by Hoobastank)

●Lost my DS stylus(by KidSnorlax)

●Woman(by Doja cat)

●sueños muertos(by Bitter end)

●we shall all bleed(by deadlock)

●melodia envolventemente envolvente 4(by Montage, DJ Dudah)

●Bite me(by Avril lavigne)

●niwaka ame(by Tsukiko amano)

●animal i have become(cover español by naranjo)

●hoshi no hate (by Fumiko orikasa)

●LOLLIPOP (spanish cover by piyo,lena etc)

●try (by Patrick brasca & jay chou)

●Clear eyes (by Aidan swank ft bleachblonde)

●Start a fire (by Ryan star)

●Cinderella(by Miss papaya)

●Hero (by Miss papaya)

●Maps (rock version)(cover by our last night)

●Fire (by ÍV)

●Levitating(cover by archers)

●More than friends(by Victoria duffield)

●U know what's up (turning red soundtrack)

●Celestial being (Princess kaguya ost)

●Dominion (by Skillet)

●y voy (by Zion y lennox ft daddy yankee)

●Bimbo doll(by Tila tsoli)

●My boyfriend (by Bubbles)

●Do you think i'm pretty(by creamy)

●Stranded(by plumb)

●Can you feel the sunshine(sonic R ost)

●Totalmente demais(by Perlla)

●Love mist (by Alexis jordan)

●PASSINHO DO MAGRONES(by montagem, Dj mandrake)

●One that I want(by PUBLIC)

●Love me back (sped up) (by Trinidad cardona)

●redchinawave (by zzx3rown)

●The once and Future king (by bloc party)

●lay it down (by steelix)

●papi (by Jennifer lopez)

●Love the way you hate me(by like a storm)

●Hang up (by WRLD ft Savoi)

●opening (dragon hunters soundtrack)

●set it on fire (by my darkest days)

●beautiful mistakes (by maroon5)

●kogda ryadom ty (by Vintage)

●vem de chicote,algema,corda de alpinista(sped up)(by deize trigona)

●This is me(the barbie diaries soundtrack)

●Shine(barbie in 12 dancing princesses soundtrack)

●elevate (by Big Time Rush)

●i know you know (by Big Time Rush)

●Dance like an african(by Lou Bega)

●song for clay (disappear here)(normal+instrumental)(by bloc party)

●i still remember(normal+instrumental)(by bloc party)

●Never again(by Breaking benjamin)

●Substance(nightcore)(by 03 greedo)

●Brisé (by Maitre gims)

●Laissez passer(by Maitre gims)

●Earth to move (by Maroon5)

●Love veritable(by pony pony run run)

●Boyfriend(cover by ISSUES)

●stitches (cover by State champs)

●Goodbye (by Forrest isn't dead)

●Michael(by Remi wolf)

●Waiting for the 7.18 (by bloc party)

●Vision of heaven(by Bloc party)

●Main theme (bleach live action 2018 ost)(by Yutaka yamada)

●Mosquito bite (by ALEXANDROS)

●little thoughts(by bloc party)

●storm and stress(by bloc party)

●skeleton(by bloc party)

●kto tebe skazal (schastlivy vmeste ost)

●want more before I go home(mashup)(jason derulo vs usher)

●love nwantiti(by Ckay)

●V.A.L.I.S (by bloc party)

●Crina negra(by banda patrulha)

●Garden in the air (by BoA)

●Back to back (by Bray me)

●Eu tenho Cristo (by Bem da hora)

●Um norte (by Bem da hora)

●Save me (by my darkest days)

●4 early demos (by bloc party)

●Hurricane venus(by BoA)

●Clock work (by Tsukiko amano & hanatan)

●ASSOMBRA MATRIX 2 (sped up)(by montagem)

●Best I Ever Found (by Mitchell Marlow)

●You Make Me Go Crazy(by Jaco Caraco)

●Maybe you saved me(by Bad suns ft PVRIS)

●We will always win (by Mitchell Marlow)

●Mean (by Bloc party)

●Truth (by Bloc party)

●Summer sunshine(barbie in a mermaid tale soundtrack)

●One in a million(by breathe electric)

●letting go(dutty love)(by Sean Kingston ft Nicki minaj)

●You & me(by Marshmello)

●Just like you (by set for the fall)

●The last song (by 12 Stones)

●Three nails (by set for the fall)

●Anima rossa (by Porno graffitti)

●Got ur number(v2)(by Bugcried)

●Who i am (bratz rock angelz soundtrack)

●Grow up (blah blah blah)(bratz rock angelz soundtrack)

●NASA x E.T(mashup) Ariana grande, katy perry

●Home (by set for the fall)

●Desconfio (by CPM 22)

●Fantasize (by Ericdoa)

●I don't care(bratz rock angelz soundtrack)

●Collapsed (by Al & Aj)

●Go off (by Dawin)

●Ain't it funny (by Jennifer lopez)

●Red is blue (by Ben Folds)

●Tree critter (Hoodwinked soundtrack)

●All I wanted (by Paramore)

●For a pessimist, i'm pretty optimistic (by Paramore)

●The Last first born(by celldweller)(Audiotec,Klayton remix,normal)

●Sha la la la (by hye kyo)(full house ost)

●I think I (by BYUL)(full house ost)

●geu deh ji geum (by Lee boram)(full house ost)

●Glad you came (boyce avenue cover)

●My pace (by Sunset Swish)

●Stand up be strong (bleach ost)

●Happy girl (by bubbles)

●Until the day i die (annaliese cover)

●Perfect enemy (tatu metal cover)(by Synthetic graphics inc)

●I H3ART YOU (by Boy fantasy ft G0r3c0r3)

●papaoutai (by stromae)

●Bodaiju (by Tsukiko amano)

●Super freaky girl x luxurious (tik tok remix)

●Closer (tik tok remix)|KToo Music

●Attachment (by Kanii ft Bossa)

●Stutter (by My darkest days)

●The way we talk (by the maine)

●You're a god (by vertical horizon)

●Say jambo (by mohombi)

●All hail shadow(by magna-fi)

●all things she said(rock/metal cover by lena scissorhands ft Chase the comet)

●We were lovers (by bloc party)

●It's a jungle out here(by Philip Lawrence ft UAKTI)(brazilian version)

●ALWAYS DO (Sandrø reggae remix)(by the kid Laroi)

●Take your shirt off(by millionaires)

●So bitter(by stxlkin)

●Lovin (by Mohombi)

●Do me right (by Mohombi)

●dirty situation(by Mohombi)

●Sex your body (by Mohombi)

●Blue kush bday (bk beats tool)(by merca bae)

●Molitva cowboys (by kanzler gi)

●Welcome home (by Coheed and Cambria)

●Psycho in love (by patent pending)

●Hero (cover by Youth never dies and ankor)

●Rumors (by NEFFEX)

●Faces (by Lene Marlin)

●Pegasus (by Horsegiirl)

●The love bug (by M-FLO ft BoA)

●Starsiigns(by Horsegiirl)

●She's wild( by Merk & Kremont,the beach)

●Cain said to abel (by bloc party)

●Bob Dylan(by fall out boy)

●Boop boy (by caramella girls)

●party party (tik tok remix)(by yally)

●when you cry (by vertical horizon)

●lola (by superbus)

●Secret (by austin mahone)(slowed)

●STAY (No resolve cover)

●Pressure (by RAINS)

●Ohio is for lovers (by hawthorne heights)

●Bleed (by stxlkin)

●Death city (by Garelyhuman + syris & 03osc)

●Popstarz (by syris, hoshie star & maxo xoxo [pixelhood])

●Victim (by 1stress ft xofilo)

●Callum is a snake (by bloc party)

●Nerve (by set for the fall)

●Let go (by set for the fall)

#music #oh!~ it didn't turn out as big as i thought it would be #these are some of the songs that I found/listened a lot in 2022 (or songs that mark 2022 for me) #the songs are not from this year😅 most are even old songs but i found them this year #or i already known them but them turn out more memorable for me on this year #We shall all bleed: on this song i kinda only listen to the guitar part😅💦not that the song is bad no no💦 #but i like the guitar part only(and a little the woman part)(in case you wonder this is my fav part 3:54 till 4:26) #sometimes i wonder if people have that?some songs that they only enjoy cuz of a certain part🤔 #U know what's up: on this song i always hear you know what's sus instead of up hahaha😂 so funny #*you know what's sus you know it's us yeah* #I just can't complain too much about this turn1ng r3d cuz the songs are good😑 #(but i didn't saw the movie yet so idk but the little that i saw i don't feel i will like it/its my type😑) #Celestial being:i can't believe princess kaguya was kinapped by the moon people in the same day of sean's birthday😂😂😅 #Finally now has this song!back when the movie was released didn't have much videos of it the only way to listen was to seeing the scene #Bimbo doll: I was in doubt whether to put this song yes or no because I like the song but for some reason the song gives me a bad feeling #I think it's because reminds me of something bad but it's weird because I don't know what it is I just feels #the only thing that keeps me from getting too*trigger* with this song is cuz i associate the song with l0punny(it's super her vibe😅😂) #vem de chicote algema corda de alpinista:música bem sem noção né😅mas eu precisava botar essa música na lista eu ouvi bastante ela😅😆 #(essa música é basicamente essa s&m da r1hanna versão brasileirada😅😅) #i know you know: i was looking for this song for years!! i remember when i was a kid we used to have a garfield keypad phone #i remember i used to have 3 btr songs on it *boyfriend* *if i rule the world* and a third one who i didn't remember the name💦 #the only things that i remember about the song was that: #●the song has a girl voice on it ● was a little similar to this if i rule the world ●and the clip was something to do with spaceship #and this one has all of this traits sooo i think this is the song!! #finally! this song was my fav✨ and i think still being(i listen to this song all the time😆) #4 early demos:this not exactly a song name this a name of a video with 4 earlydemos of Bloc party(all are very cool✨my fav is the last✨💧) #One in a million:this song kinda suck💦cuz the rest of the song is not as good as this parts(beggining-01:07-01:35)i mean is not bad but... #But this parts are more cool #Closer(tiktok remix):idk the name of this remix😑💧 so since idk the name i put it the name of the channel that put it this version

[jokeroutsubs]

Käärijä's ESC bestie Bojan's band performs in Finland - "There's just something between us"

The Slovenian band Joker Out drove the audience wild on Wednesday at Tavastia in Helsinki. After the Eurovision Song Contest, the band has become a favourite especially among teenagers.

Video caption: Slovenian Joker Out went wild at Tavastia

Ville Vedenpää

When Käärijä and Bojan Cvjetićanin, the lead singer of the Slovenian band Joker Out, meet again at Tavastia's backstage, there is no end to talking and laughing. They have a special connection, which was formed in the spring during the Eurovision Song Contest.

The duo's friendship or brotherly love, bromance, did not go unnoticed by the public and it became a phenomenon on social media.

The last time the social media crowd went wild was in June, when Bojan visited Finland and went to Käärijä's gig at Tavastia.

Now Bojan's band is performing at the same venue and Käärijä is the guest star.

How does it feel to meet again?

"Terrible!" Bojan exclaims, and the duo laughs.

"I was so looking forward to meeting Bojan again. I remember the first time we met in Madrid. I didn't talk much, so I just watched and smiled," says Käärijä.

"Now he talks. Back then, he was just eating dinner", Bojan laughs.

"There's just something between us. I felt it when we first met. This is not only Bojan but also Joker Out", Käärijä specifies.

The duo continue to talk like Chip 'n' Dale, about how they are like brothers, but maybe more. The joking that started in the spring continues, with perhaps only the duo themselves keeping up with it.

Photo caption: The Joker Out band at Tavastia before their first performance in Finland. Photo by Jukka Lehto

Joker Out got the fans in a frenzy

Joker Out played two shows at Tavastia in Helsinki on Wednesday. The first of the two shows had no age limit and was sold out. Before both shows, queues outside Tavastia were hundreds of metres long.

In addition to Helsinki, the Slovenian band will also perform in Turku and Tampere.

Joker Out represented Slovenia in this year's Eurovision Song Contest. The band came 21st in the final with the song Carpe Diem.

Ida Oljemark from Sipoo has been listening to Joker Out's music since the ESC. She is interested in the band's music, even though she doesn't understand everything. She has also learned some Slovenian through the songs.

"We've spent weeks painting lighters and key fobs and everything. We've joked that we'll remain on the floor here. We're not going to handle this."

Photo caption: Ida Oljemark from Sipoo has been fascinated to see how the friendship between Käärijä and Joker Out's Bojan was born over the language barrier. Photo by Jukka Lehto

Fans had come from all over the world to see Joker Out in Finland, from as far away as Mexico.

Alina Badzian had come to the gig from Ukraine, as the band cannot perform there.

"They became a safe haven for me through the Eurovision Song Contest. Each of their songs has a special meaning for me."

Photo caption: Ukrainian Alina Badzian had written a cardboard note for the Joker Out gig, in which she wants to steal guitarist Jan's guitar pick since he has stolen her heart. Photo by Jukka Lehto

No more Eurovision

Indie rock band Joker Out was formed in 2016. The band consists of Bojan Cvjetićanin (vocals), Kris Guštin (guitar), Jan Peteh (guitar), Jure Maček (drums) and Nace Jordan (bass).

The band has released two albums Umazane misli (2021), and Demoni (2022).

Joker Out describes their music as Shagadelic Rock n' Roll. The name refers to the Austin Powers movies and the protagonist's comment about feeling good.

"Our style is very authentic. We play energetically on stage and we hope it affects the audience," says singer Bojan Cvjetićanin.

The Eurovision Song Contest took the band's popularity to a whole new level. Now they perform all over Europe and fans sing along in Slovenian.

The band members receive many gifts from their fans and even proposals of marriage.

"If the music speaks to the heart, we can easily get married," laughs the singer.

The Eurovision Song Contest was a unique and educational experience for Joker Out. However, they will not be entering the competition a second time.

"We learned a lot and gained even more. You can only experience it once and then leave room for others."

Photo caption: "It's amazing how people sing in Slovenian at gigs. It seems even more difficult than Finnish," said Joker Out at the Tavastia gigs. Photo by Jukka Lehto

Special relationship with Finland

Joker Out will start recording a new album next year and then head off to summer festivals. They hope to play on festivals in Finland as well.

Finland has become a special place for the band through Käärijä. The band dreams of a trip to Lapland, where they could go ice fishing and see the northern lights.

Photo caption: Joker Out says that they have no plans to make music with Käärijä, at least not at this stage. Photo by Jukka Lehto

The band feels that Finns are similar to Slovenians when it comes to partying, for example.

However, there is one difference.

"The Finns have their own sense of humour. You never know whether they're joking at your expense or whether they're serious. They do it in such a raw way that it is scary, even," the band members laugh.

--

Translation cr: @niini5

#joker out #bojan cvjetićanin #bojan cvjeticanin #jan peteh #nace jordan #jure maček #jure macek #kris guštin #kris gustin #käärijä #kaarija #jokeroutsubs

[gaymer-hag-stan]

2023 SECOND GEN K-POP GG SONG ROUNDUP

The year is almost over, so I believe this is the perfect time for a song recap!

The girlies have been pretty busy this year as we have songs in Korean, English, Japanese and Mandarin Chinese!

•Hur Young Ji's "L.O.V.E.", from her digital single album, "Toi Toi Toi"

I still haven't figured out why DSP thinks that's how her family name is spelled in English, but Youngji's (third) solo debut was by far my favourite re-release of TAEYEON's "Weekend" this year! I love the colours, I love her hair, the looks and I even like her Bora-esque talk-rap segment after the first chorus!

•SUNMI's "STRANGER", from her digital single album of the same name

Sunmi has mastered the art of delivering gorgeous MVs and visuals, that's for sure, but I'd be lying if I didn't admit I was a bit disappointed. I like the instrumental she used for the chorus, and since it was the segment playing in the teasers as well, I thought she was gonna give us "Tim Burton movie OST realness", and she did... But then she went and mixed in a completely different instrumental for her verses and bridge and another one for the pre-chorus. Girl why 😭

•TAEYEON's "To. X", from her mini-album of the same name

Taeyeon is continuing her reign as the queen of second gen with her moody breakup songs and I wouldn't expect anything less from her. Not her strongest effort yet, but still fun to listen to.

•HYOLYN's digital single, "This Love" (feat. Random Guy No. 8)

Hyolyn is the queen of cunt, but it's still a nice change of pace when she releases cutesier / less sexy songs. The guy being a dog in the MV was a hilarious twist too!

•Sandara Park's "Festival", from her self-titled digital mini album

Dara finally released the mini she has been teasing for a while now and had her solo comeback after FOURTEEN years! I hope this isn't a one time thing and she actually releases more music. She may not be the strongest vocalist, but Dara was always an idol's idol like, she would do the 2NE1 choreos while looking gorgeous and serving face and smiles so solo projects like this re-release of TAEYEON's "Weekend" are the perfect chance to showcase more "stereotypical", if you will, K-pop visuals and concepts that we wouldn't really get out of 2NE1. And she even got Uhm Jung-hwa, one of her own idols, to cameo on the MV, sampled her song for this comeback, and got to guest at her concert! Way to go Dara!

•HYO's digital single, "Picture"

A solid release from our resident DJ, although I still think her early works and the unhinged "DESSERT" haven't been topped yet. At least it wasn't "Second", I HATED Second.

•SoYou's "ALOHA" (feat. Bora), from her mini-album, "Summer Recipe"

Soyou giving us "Queen of summer"! YES! This is definitely among my favourite releases this year. It's catchy, it's summery, it's dancey and she's SANGING as usual. The fact that she even got Bora to do the most unhinged 3 second rap of her career for this is iconic! A bit disappointed she's not in the video but I guess maybe appearing for just 3scs wasn't worth it... Still curious how Hyolyn convinced her to do just that for the upcoming SISTAR19 comeback. Maybe she promised her she'll sing as much as Dasom did for "Summer or Summer"?

Also, you know what I was thinking?

This is probably delusions of a senile homosexual, but having a SISTAR19 comeback in the middle of winter is weird. I know Hyolyn did previously release a summer-themed Christmas song but... What if this is a prelude for a SISTAR full group comeback..? Think about it!

•Park Bom's digital single, "I" (feat. A Victorian Era Ghost)

Yes Bommie! This was BEAUTIFUL 😍❤️! I love that she seems to have regained control of her voice in her recent releases? In the years after her comeback with Dara her singing sounded a little... Off? But since last year she seems to be back on track! She even actually got to appear in her own MV this time, I'm so happy!

•Jessica's "BEEP BEEP", from her mini-album of the same name

Okay, this is definitely my favourite song of hers so far like... Yeah, this was the third version of "Weekend" for the year but I don't even care, she nailed it. It's fun, it's cute and she SINGS her ass off. Yass cunt!

Now PLEASE release something more dancey and edgy, bitch..! I'm still not over that one performance of "How Deep Is Your Love" where she was serving c word all those years ago but then NEVER released anything remotely close to that like... what gives girl??

•SoYou's "Digital Single That Doesn't feature Bora"

Soyou had another release this year before her summer comeback that didn't get as much publicity. It's a much more mellow song and not cunty but she gets to showcase her voice and it's a nice song to listen to.

•Nicole's digital single, "Mysterious"

Okay, this I think might be my favourite song overall this year! Nicole picked up on the "YOU.F.O." and, of course, "MOVE AGAIN" momentum from last year and she definitely delivered! She is so mother in this it's insane. Gotta love that bass!

•Nicole's physical single, "Selfish"

And she continued with a Japanese comeback this time! It even charted decently in Japan, like top 20, I think? So girl SLAYED! Glad to see they still got it with Japan. Amazing.

•Amber Liu's digital single, "No More Sad Songs"

A good song from miss Amber. I think her Chinese fans must have liked it too because she also released a Mandarin version. Definitely her best out of the ones she released this year although, if I'm 100% honest, Amber's music is kind of middle of the road for me? It's not bad, it's not amazing, it's just okay. Good for her that she's still at it and doing her thing though.

•Raina's digital single, "The Way We Were"

Raina is back girlies! Glad to see she's still representing the After School girlies in the music scene as she's the only one still releasing music here and then. Luckily, this time she didn't have to resort to collabing with Trash E for this song!

•Amber Liu's digital single, "hatemyself"

Okay, this one is the darkest of her songs yet and, for real, I know everyone has been dragging Amber through filth ever since that stupid pro-cops comment she made, and she definitely deserved the backlash for that, but it did get pretty ridiculous after that like, I can't help but feel for her. She wasn't my favourite f(x) member, her solo music is not my favourite either but I do genuinely hope she is okay?

•NARSHA's digital single, "BLUSH"

Okay so, at first I was like "Is this bitch really making her first solo release in thirteen years a ballad?" But then she released "GAME" so the balance of nature was restored, but other than that this song genuinely did grow on me. It's a nice song and it really fits her voice and breathy singing style.

•Meng Jia's "KNOCKOUT", from her mini-album, "JIALAND"

So, Jia seemingly decided to release the most UNHINGED song of hers yet this year. The production is messy but in a "so messy it's good" type of way. The red hair was a serve and this was a very fun song. Except that weird change at the very end, what the fuck was that for? Someone deserves to get fired for that, she should change producers.

•NARSHA's digital single, "GAME"

I want to once again publicly apologize for ever doubting mother. This was a song for the ladies and the gays only and I know and love that she 100% knows it herself and owns this fact. BEG are among the cuntresses in the K-pop industry that actively and openly acknowledge their LGBT fanbase and regularly release songs about female empowerment and feminism in a non-performative and genuine way, so this was definitely a gift for us and I love her for that.

If you will indulge my delusions for a second time, I'd like to think that, like SISTAR, those OG hags are cooking up some new group music and Narsha's very unexpected comeback is a prelude to the group's.

•Nicole's "Gravity", from her single album of the same name

This is definitely not as strong as the other two releases this year but it doesn't matter because we shouldn't be greedy and it's still a fun song so it's all well. Bold move to release a summer song way out of season again too.

•Jea's digital single, "Congratulations to You"

This is a very sweet song honestly. JeA said she wrote this all the way back in 2010, I think, as a means to cheer up herself for all the things she had already accomplished and her future self if she was ever feeling like she wasn't doing enough. I think she also said she had been singing it live regularly whenever she was performing, she did have a solo concert either late last year or very early this year, if I'm not mistaken, and she decided it was time to release it properly.

My only minor complaint is that the "be happy day to you" part kind of takes me out of the sentimental moment 😅😭 I know nonsensical English is the bread and butter of K-pop, and I will forever be grateful for lyrics like "I'm so bad girl I'm so cool girl I'm so sexy sexy sexy girl" or "fire in the hole when you touch me down there I'm not feeling very well so hot in down there" or "kiss me baby I'll must be stay here day by day" but for such a personal and sentimental song she maybe should have had someone double check it, just this once 🤣

•Wang Fei-fei's digital single, "Distance"

Fei seemingly decided that she should give the others a chance and not serve cunt, not mother, but take it slower and chiller instead this year. A good effort, but I had come to expect a bit more from her if I'm being honest.

Below you can find the full Spotify playlist. Enjoy!

Some honourable mentions:

~Whatever that short snippet that HyunA released is supposed to be, it's amazing! She also did it for the gays and the girls and I genuinely hope she revamps it into a full song and releases it because it's currently not available to stream anywhere, other than the performance video on YouTube of course.

~Various project and cover songs: Taeyeon and Naul's "Nights Into Days", Bom's cover of a 90s song, "Holding On to the End of This Night", Hyolyn's cover of a Chinese TikTok song, "Fizzled", and JeA's "Rainy Day" for the Yaoki Project.

~Some b-sides from Taeyeon's mini worth checking out: "All For Nothing", "Fabulous" and "Nightmare"

~Jessica's collab with Amber, "Get It? Got It? Good"

~Hyolyn remembering to fulfill her cunty quota for the year and releasing a performance video for "BODY TALK", one of the b-sides from last year's mini.

~Although she said "No More Sad Songs", Amber went and immediately released three more. "hatemyself" was the better of the three, but she also did "Can't Go Yet" and "ILY".

~Jia's "GOOD GOOD LOVE" from her "JIALAND" EP and another song she silent-dropped a few days ago, "Starlight".

No T-ara reps at all this year as they were all real busy playing golf... I HATE THEM 🤬😭

#KARA #Wonder Girls #Girls' Generation #SISTAR #2NE1 #f(x) #After School #Brown Eyed Girls #miss A #SNSD #Hur Young Ji #SUNMI #TAEYEON #HYOLYN #Sandara Park #HYO #SoYou #Bora #Park Bom #Jessica #Nicole #Amber Liu #Raina #NARSHA #Meng Jia #Jea #Wang Fei-fei #Youngji #K-pop #Girl Groups

[lovesongbracket]

Reminder: Vote based on the song, not the artist or specific recording! The tracks referenced are the original artist, aside from a few rare cases where a cover is the most widely known.

Lyrics, videos, info, and notable covers under the cut. (Spotify playlist available in pinned post)

Lay All Your Love On Me

Written By: Björn Ulvaeus & Benny Andersson

Artist: ABBA

Released: 1981

Cover included: Amanda Seyfried & Dominic Cooper for Mamma Mia!, 2008

“Lay All Your Love On Me” explores the high emotions and passions that can emerge when falling in love, and documents one woman’s shift into erratic behaviors as she falls under the spell of her new lover. The song hit number one in the US dance charts in 1981, but has lasted in popularity over the years, becoming an ABBA staple. It was featured in the band’s jukebox musical (and its movie adaption), Mamma Mia, and in 2006 was named the 60th greatest dance song of all time by Slant magazine.

[Verse 1] I wasn't jealous before we met Now every woman I see is a potential threat And I'm possessive, it isn't nice You've heard me saying that smoking was my only vice [Pre-Chorus] But now it isn't true Now everything is new And all I've learned has overturned I beg of you [Chorus] Don't go wasting your emotion Lay all your love on me [Verse 2] It was like shooting a sitting duck A little small talk, a smile, and baby, I was stuck I still don't know what you've done with me A grown-up woman should never fall so easily [Pre-Chorus] I feel a kind of fear When I don't have you near Unsatisfied, I skip my pride I beg you, dear [Chorus] Don't go wasting your emotion Lay all your love on me Don't go sharing your devotion Lay all your love on me [Verse 3] I've had a few little love affairs They didn't last very long and they've been pretty scarce I used to think that was sensible It makes the truth even more incomprehensible [Pre-Chorus] 'Cause everything is new And everything is you And all I've learned has overturned What can I do? [Chorus] Don't go wasting your emotion Lay all your love on me Don't go sharing your devotion Lay all your love on me Don't go wasting your emotion Lay all your love on me Don't go sharing your devotion Lay all your love on me Don't go wasting your emotion Lay all your love on me

Chasing Cars

Written By: Jonny Quinn, Paul Wilson, Tom Simpson, Nathan Connolly & Gary Lightbody

Artist: Snow Patrol

Released: 2006

Cover included: The Wind and the Wave, 2015

This slow-building ballad is Snow Patrol’s biggest-selling single. A main driving force behind the song’s success was its inclusion at the end of the Grey’s Anatomy Season 2 finale. In an interview with Take 5 Gary Lightbody says: “The track wasn’t even featured on the iTunes top 100, and then an hour after the show, it was number 1. So that’s the impact of TV right there." About the song, he said in a interview with Rolling Stone: “It’s the purest love song that I’ve ever written. There’s no knife-in-the-back twist. When I read these lyrics back, I was like, ‘Oh, that’s weird.’ All the other love songs I’ve written have a dark edge."

[Verse 1] We'll do it all Everything On our own We don't need Anything or anyone [Chorus] If I lay here If I just lay here Would you lie with me and just forget the world? [Verse 2] I don't quite know How to say How I feel Those three words Are said too much They're not enough [Chorus] If I lay here If I just lay here Would you lie with me and just forget the world? Forget what we're told Before we get too old Show me a garden that's burstin' into life [Verse 3] Let's waste time Chasing cars Around our heads I need your grace To remind me To find my own [Chorus] If I lay here If I just lay here Would you lie with me and just forget the world? Forget what we're told Before we get too old Show me a garden that's burstin' into life [Bridge] All that I am All that I ever was Is here in your perfect eyes, they're all I can see I don't know where Confused about how, as well Just know that these things will never change for us at all [Chorus] If I lay here If I just lay here Would you lie with me and just forget the world?

#abba #lay all your love on me #mamma mia! #amanda seyfried #dominic cooper #chasing cars #snow patrol #gary lightbody #the wind and the wave #polls #poll tournament #poll bracket #tournament #bracket #lovesongbracket #round2 #Youtube

[hiitsdifferent]

I Love Taylor Swift....

But I feel like we can be fans of her without believing she is the epitome of perfection and pushing that mentality on other people. She is talented. She is hardworking. She is influential. But the stans have to learn to lay off. The behavior this summer is straight-up annoying, and honestly, we need to learn to acknowledge the mistakes she's made too.

Going to the Eras Tour Movie is not about us having or reliving the concert experience. We can't go in inconveniencing movie theatre employees and other theatres around us with noise complaints. It's great she made a movie. Let's dress up and given out friendship bracelets. But let's not cause a scene because we want to poorly scream shout songs. This reminds me of when newer or other artists release music around when she has a release, and they end up getting buried on social media or streaming. Like other people can prosper on the charts too. Like we don't have to keep proving to her how much we love her. She should know by now.

Taylor's dancers, back-up singers, and fans going to see Beyonce did not betray Taylor and deserve to be fired or aren't real fans. Stop trying to cancel everyone who varies outside of Taylor's circle. We can support more than one artist.

As a fandom we are more than aware that Taylor's had to repeatedly show her songwriting abilities so she isn't discredited. Why can't we show Olivia Rodrigo the same courtesy and understanding? Her whole career shouldn't be taken down because her team admitted that two songs were 'inspired' by Taylor (whether Deja Vu actually sounds like Cruel Summer is open to your ears interpretation). The appropriate credit was given as well as 50% royalties (which is just insane). That doesn't mean root through every album Olivia makes and try to tie to other songs. It's disappointing that Jack had to get out and explain what was going on, and Taylor hasn't said a peep yet.

Taylor has a weak history working with women in music. She's worked very little with female producers as consistently as Aaron and Jack, and female artists have been used as back-up vocals more compared to male artists who are featured on the actual track. And she has publicly supported younger rising artists very prominently during a promo tour of sorts and then goes completely silent - Olivia Rodrigo, IceSpice during the whole ratty situation, Hayley Kiyoko for reputation/allyship promo tour, etc. She is a force of nature in the music industry, but I do think she could publicly clean up her image supporting female artists and not when it's to her own benefit.

Miss Americana did not age well at all. Instead of letting reputation exist without an explanation, she was a part of an entire documentary of how she was cancelled (and wrongfully so), but then turned it into her becoming an activist that went nowhere. Sitting on your couch with your publicist in a huge mansion toasting the resistance with champagne over a social media post, and then never following up on it, is completely peak white feminism. Some celebs are not cut out for adding activism into the career. Okay. But she should've done the work before stepping into the arena using the LGBTQ+ community in a music video to prove that she's always been an ally because Todrick didn't know how she'd react to having a gay kid is not it.

GrammyGate. Joe was listed as William Bowery for two songs on Folklore. After it won Album of the Year, he was changed to a producer to six songs and that qualified him to win a Grammy. She did reveal that he was William in the long pond sessions but the proper paperwork wasn't submitted/finalized until eight months after the album came out - where he could've been properly credited as a collaborator. And now with the Eras Tour and Joe/Taylor has broken up, she switches back and forth to say she wrote Betty on her own, and everything came out of her imagination. Why all of the shenanigans for a bright shiny award??

I know all of this makes it sound like I hate Taylor, but I don't. I'm practically known as the resident Swiftie everywhere I hang out/work because I'm always bringing her up in one way or another. But she's not perfect, and I'm super freaking tired of being in a fandom that refuses to not acknowledge anything slightly questionable that's she done. We're canceling her or dragging her down - it just means we're able to see she's not infallible and love her despite of her mistakes.

#taylor swift #And please for the love of god stop calling her mother it's creepy as fuck #especially if you are the same age as her

[lettersfromcats]

july favorites list

hi kate <3

july is not entirely over yet but i think it's never too early for a favorites list and what a better way to introduce myself than through my recent favorite things? (if anything else comes up i will just add it). i was thinking of coming up with little categories but that didn't work that well so i will just list them. here they are:

sims 4 family gameplay/legacy gameplay

i have been playing a lot of sims 4 lately and what i have been specifically enjoying is playing a generations and family gameplay or legacy gameplay. it's been fun seeing how far a family come when you started in willow creek in a starter home and now generation 3 lives in a mansion in del sol valley. it's also fun to see the worlds populate with your extended family and friends. it makes the game feel a lot more real.

speak now taylor's version

i am not special nor original, if there's a new taylor swift release i ought to be obsessed with it! especially the vault songs got me on this one. i can see you has been on repeat with the occassional interruption for electric touch or when emma falls in love.

barbie movie

everytime i hear someone say barbenheimer i get brain damage but that does not mean i was not incredibly excited for both of these movies, especially barbie though. i found out greta gerwig was to direct a live action barbie in 2021 and have been waiting excitedly ever since then. the fact that it's finally here now is so exciting. it was exactly what i hoped for. futhermore the barbie soundtrack! it's so good and it's also everywhere at the moment. i must admit that a lot of the songs are forgetable but the stand outs certainly stand out. songs like dua lipa's dance the night away or charli xcx's speed drive have not left my brain since i first heard them.

pretty little liars

i have been rewatching pretty little liars with my boyfriend as he has never seen it before. pretty little liars is one of my favorite teen dramas ever since 2013 when i discovered they had turned the books into a show. since then it has been in constant rotation for me. there hasn't really been a point where i was not rewatching it. however i haven't watched it this consistently for a while, so i am enjoying that very much. we saw the dollhouse episodes just recently and that is just peak tv.

lilsimsie

this really goes back to my first point. the reason i have been enjoying the sims so much again is because i have been watching lilsimsie's streams and videos again. especially her generations let's plays has been enjoyable for me. i can't wait to finish it and watch the university sequel.

sims 4 mini goats

i won't elaborate.

shelf app

this was gonna be more of a "things i am looking forward to" section, but while i started working on this post the app got released! shelf app is like a digital shelf that can store all your stuff! it seems really fun so i can only recommend it. so far it's only released for ios but i am sure it will be out for android soon.

#lists #doreen

[khaotunqs]

it’s your secret santa again 🎁💞 the holidays really are always a season right between nice and really stressful, but i hope the nice part is lying ahead for you and your week has gone well so far <3

loved what you said about nct (127)!they’re one of my favourite groups too and doyoung is one of my biases too, i sooo get what you mean. at first i only listened to their music without watching any videos or content, so his voice stood out to me first and i was like … damn, who is that … and here we are now! he has a fantastic voice and is really hilarious dhhdhehje. and your song choices! ahhh, i loved seeing those! your blog title made me think of time lapse right away and seeing you mention it i was like, well, that’s clear now (what a good song whew). overall, i just love how nct always has some stuff going on and you can just sort of pick what you want to enjoy and see from them 👌

loved your character list, i feel like these are so very you and fit what you’ve told me about the shows and stories you go for (and dw i would find it difficult to seoerate jwds and vegaspete too, they are so intertwined in each other). your taste really shines and i love how your gifsets always are an extension of that. the way you see your favourite media and characters and give them room in your stuff and your creativity is so cool! ☺️

i know our time is coming to a close, but some last questions bc i still love reading what you have to say: are there any dramas you are looking forward to in 2023 or any on your watchlist? any movies you really loved this year? and any show or movie that took you completely by surprise or was just a fun watch for yourself?

sending you good vibes and thoughts! 🌞

hello my mystery friend! i'm a little sad that our time is coming to a close--i've had such a nice time "chatting" with you!

this got kinda long, so i'mma put this behind a cut!

i'm trying not to freak out about the holidays--this was a rough year for us and frankly i don't need to compound my stress, y'know? it'll be okay. my family is relatively healthy and happy, and that's more than i could ask for.

right??? doyoung's voice is so good! doie, release a solo mini album, i beg 🙏 my friend pointed out once that my biases tend to skew toward the singers and when i thought about it, i realized she's right. doyoung from nct (also taeil!), kihyun from monsta x, onew from shinee, baekhyun from exo... there's definitely some merit to that lol

i was reviewing that list and wow i do have a type, don't i? i like my men slutty and/or emotionally stunted. 👌

you're so kind 💕thank you for saying that about my gifsets. i'm enjoying making them and stretching myself creatively. honestly, i haven't felt this creative in years. i didn't realize how much i missed giffing until i started doing it again on a regular basis. i thrive on engagement, and i'm so happy that people seem to enjoy what i do.

hmmm. dramas i'm looking forward to... i don't have a lot of new dramas on my list but there's a lot of already-released stuff waiting for me. 'prison playbook', 'under the skin', and 'big bet' are a few that come to mind. there are A LOT of dramas that i need to get back to (that adhd brain baby!): 'tomorrow', 'extraordinary attorney woo', 'the guest', 'flower of evil' and 'my country: the new age' come to mind. despite having lots of shows to resume, i've delved into a couple of new ones--'bad and crazy', 'somebody' and 'connect'. i'm enjoying them all so far. 'bad and crazy' is so much fun right now (i suspect it will get less fun as the series goes on) and the chemistry between lee dong wook and wi ha joon is great. 'connect' is interesting (and kinda gross, but it is takashi miike so). and 'somebody' gives me the chills. love it.

as far as movies, i really liked 'incantation'. i finally saw 'the handmaiden' this year--amazing. i also watched 'mother' and 'memoir of a murder'. both very very good films. i hope to continue my journey through shin ha kyun's filmography 😍 (god that man makes me insane)

i'm trying to think if anything took me by surprise, and honestly it would be 'beyond evil'. i realize i'm a broken record at this point, but that series really changed my life. i went into it anticipating a murder mystery and what i got was this beautifully told story about love, loss, death, greed, companionship, loneliness, found family, and flawed people. i think about it literally every single day, i've watched the whole series three times so far, and i feel like i'm due for another one soon.

sending you good vibes and positive thoughts!!! i hope you're safe and well, mystery friend! 💕

#askbox #secret santa 2022 #🎅💌

[bandluvr97]

mbb 🎅

My job is boring, most of it is invoicing bullshit. What I saw of the party was pretty cool I guess, it was a 2000-person event so they could go crazy, and kind of Lichtenstein themed -- there were a lot of dancers in big wigs and big dresses and their faces painted to look like his drawings. I don't work in the parties themselves, though, and I Got Into It with a couple temps that didn't realize they were wait listed, and for some reason were very mad that I was sending them home with pay... so yeah watching movies sounds like more fun than fighting line cooks in a garage. What did you end up watching?

I love Changkyun's weirdness, like, he's unsupervised for two months and releases a music video about drug abuse and promiscuity. And then gets on some app and says "Wait, is God Damn a bad word? I didn't know!" like okay king we all believe you. And you don't know what eating someone like a main dish means. But that outfit was SO good, I'm obsessed with his belt, and I can't blame him cause if I had abs like that I would never wear a real shirt.

Kihyun gets a couple points knocked off for playing the stocks, but otherwise I totally agree haha. And yes I'd seen the "Shoot Out" stage but this made me go back and watch it again and do NOT get me started on Shownu in that performance. Like what the fuck. He needs to come back now it's not funny anymore. Honestly the whole era, he's always stupid hot when he performs, but there's something special about Shoot Out Shownu.

🗣️LET 🗣️ MY 🗣️ MAN 🗣️ SMOKE 🗣️ WEED 🗣️ honestly he deserves it after all of that. But that is SO sweet, I'm glad he noticed and appreciated it, cause everyone was cheering for him! I love "Eye On You", I like his big layered songs like those. (But "Lose" had the best outfits, even if they made him put mesh in the cut outs of his Tom of Finland outfit)

Oh we love multi stans! Literally what fun is it to only like or support one artist and not even look at other artists? I like most of those groups, clearly we have excellent taste. For me, I tend to sample different groups, check out a title track here and there, rather than deep dive into their discography unless they REALLY come for my neck, which is the same outside kpop. At this point every artist has to earn my attention again with every song, I used to be devoted to my favorite rap groups but now I don't have the time or energy to follow releases. Outside of kpop, I mostly listen to rap or punk music -- I act, and just got cast as the Final Girl in a skate punk horror video and I won't nerd out too much about it but the music sounds good and just know that if it doesn't happen I'm killing the entire band.

Hey love ❤️ how did your shift go last night? Oh cool!! What kind of songs did they play? Yeah I could see how the chill evening would be better lol still sounds like a fun job though!! Do you do a lot of clubs or concert things? Lol now when you say fight did you mean verbal or with fisticuffs? 😂😂😂 I ended up watching ghost with my mom and some hallmark movies about the joys of family and Christmas and we were judging them so hard for how cringy it is lmao what movies or genres do you like to watch?

Right??? His weirdness is a little confusing but yet somehow makes sense lol like it might look dark but it works in his own way 😂😂lmao!! I genuinely think he’s lying to us about eating someone like a main dish to be honest I think he’s done it quite a few times in his life like there’s no way lol yeah he knows how to pick outfits out and it’s so choice 👌👌 they all know how to dress well in music videos and it’s stunning lol oh yeah if I had abs too I would wear nothing but crop tops everywhere 😂😂

Lol! Yeah I can see that but kihyun is an investor so I wouldn’t be surprised if he earns more money later in life lol right?!?! Shootout era for shownu was an eye opener like I already knew that he was stunning but the second he starts the tiddie shake and get the mood going for the song it was like OHHH HELLO STUNNING MAN!! And that just confirmed my bias wrecker then and there lol it was dark and it was lovely to see him just kick ass and take names lol and don’t get me started on the other members cus they all did such an amazing job!! Like whooo boy!!

Right?!?! Yeah it was a sweet thing to witness ❤️❤️ meanwhile people are freaking out about him going off for 18 months and I’m thinking “we’re not going anywhere we’ve waited some time and what’s with waiting some more time until he comes back” lol plus nothing wrong with a little smoke of devils lettuce 😂👌👌agreed eye on you and crazy are amazing songs and eras lol his crop tops and outfits are amazing 👌👌

Hell yeah! We love and trust the multi Stan’s lol exactly!! Great minds think alike love ❤️ we can always listen to more than one artist but there will always be ulti groups that will forever remain in our lives lol I’m the same way!! It’s a smart move to start off small and work the way up to listening to more of them ❤️👍oh really? Which rappers did/do you listen to? No way!!!! That’s so cool!!!! What will your role be? Lol fair enough unleash the hell 😂😂

Hope your day is going well love ❤️ no need to apologize it’s all good 😊 I enjoy the chats and the spams

[beepboop358]

A Prom in S4 Theory & Music Coding Predictions

Some leaked set pics indicate that there MAY BE a junior/senior prom at Hawkins High, which they are calling the "Lover's Ball". It's unclear if this prom will be included on screen, or if it will just be mentioned as an event coming up at Hawkins High because this flyer could just extra set decor. Regardless if the prom happens on screen or not, there will probably be some tension about 'who's asking who' to the prom that we will see in s4. Given that this picture was just leaked a few weeks ago, it probably falls closer to the end of the season sequentially.

Having a big school dance in s4 is suspiciously close to how they had the Snowball scene in s2. This would certainly follow the even/odd season patterns, (and actually add to the list of the patterns), which kind of makes me think we will see this prom on screen, or at the very least it will be mentioned in the course of the season.

The Duffer Brothers love Steven King and reference his work and especially 'IT' a lot in the show, but they haven't done anything with Carrie yet so maybe we will get a Carrie moment this season at the prom...

Carrie was on the video store fridays movie inspiration board for ST4.

At the "Lover's Ball", there will be definitely be some music coding relating to Byler. Since music coding is kind of a key thing in the show, I've been rifling through 80's songs to try and find some that may fit with s4's themes/character storylines (and I may do a seperate post about that later), but for this post I'm just gonna focus on what they might use at the prom for relating to Byler.

Since the season is most likely going to take place in 1986, I only selected songs that had a compatible release year so it would be historically accurate. (these songs would also be great for a byler playlist!)

Some strong contenders for the songs that might play at the prom to reference Mike and Will's relationship could be:

"True Colors" by Cyndi Lauper (1986)

This song is honestly too good of an option for them not to use. I'm reallllyyy crossing my fingers for this one.

It's hard to take courage In a world full of people You can lose sight of it all And the darkness inside you Can make you feel so small

"And I see your true colors Shining through I see your true colors And that's why I love you So don't be afraid (don't be afraid) To let them show your true colors True colors are beautiful (you're beautiful, oh) Like a rainbow Oh oh oh oh oh like a rainbow"

If this world makes you crazy And you've taken all you can bear You call me up Because you know I'll be there

"Heaven" by Bryan Adams (1984)

This first verse is literally just the story of Byler... 😭 The rest of the song applies but that verse verse is just sooooo accurate. (I'm crossing my fingers for this one too)

"Oh thinkin' about all our younger years There was only you and me We were young and wild and free Now nothing can take you away from me We've been down that road before But that's over now You keep me comin' back for more

Baby you're all that I want When you're lyin' here in my arms I'm findin' it hard to believe We're in heaven And love is all that I need And I found it there in your heart Isn't too hard to see We're in heaven

Oh once in your life you find someone Who will turn your world around Bring you up when you're feelin' down Yeah nothin' can change what you mean to me Oh there's lots that I could say But just hold me now 'Cause our love will light the way"

"Take My Breath Away" by Berlin (1986)

This song is on Will's Spotify playlist, and I thought it could also be used at the prom since it's a romantic song. I see it as an 'entrance to the prom' moment song, almost like a 'first look' - like the Mike and El moment at the snowball when she first walks in, but with Mike and Will this time. I think the lyrics clearly hint to this kind of 'first look' moment as well.

"Watchin' every motion in my foolish lover's game On this endless ocean, finally lovers know no shame Turning and returning to some secret place inside Watchin' in slow motion as you turn around and say...take my breath away"

Watchin' every motion in this foolish lover's game Haunted by the notion, somewhere there's a love in flames Turning and returning to some secret place inside Watchin' in slow motion as you turn my way and say...take my breath away"

"In The Air Tonight" by Phil Collins (1981)

This song was originally meant to be included in the snowball scene from s2, but it ultimately was not used and "Every Breath You Take" was used for this scene instead. Since it was intended to be a part of the s2 dance, that's why I think it may be used at the prom this season. (you can read the scripts on 8flix)

——— I forgot to include this explanation originally BUT, I think this song might be used to show some anger/resentment between the two, and to show a decent amount of tension, depending on their development this season. Like maybe Mike is kind of leading Will on in private by continuing to initiate intimate scenes between them, but in public Mike is still trying to put on his “straight boy act” and kind of being a jackass about it, and this song could be used to show the tension between them that has caused.

"And I've been waiting for this moment, for all my life, (Oh lord)

Well, I was there and I saw what you did I saw it with my own two eyes So you can wipe off that grin, I know where you've been It's all been a pack of lies.

Well I remember, I remember don't worry How could I ever forget It's the first time, the last time we ever met But I know the reason why you keep this silence up

No you don't fool me The hurt doesn't show, but the pain still grows It's no stranger to you and me"

"In Your Eyes" by Peter Gabriel (1986)

Some of the lyrics in this song just SCREAMS byler, just look at the 1st, 2nd and 4th paragraphs. I would be suprised if they didn't use this song in either s4/s5.

Love, I get so lost sometimes Days pass and this emptiness fills my heart When I want to run away I drive off in my car But whichever way I go I come back to the place you are

All my instincts, they return The grand facade, so soon will burn Without a noise, without my pride I reach out from the inside

In your eyes The light, the heat (in your eyes) I am complete (in your eyes) I see the doorway (in your eyes) To a thousand churches (in your eyes) The resolution (in your eyes) Of all the fruitless searches (in your eyes)

Love, I don't like to see so much pain So much wasted and this moment keeps slipping away I get so tired working so hard for our survival I look to the time with you to keep me awake and alive

"Heroes" by David Bowie (1975)

David Bowie was bisexual. A cover of his song “Heroes” is used in the show twice already, sung by Peter Gabriel. The song plays when they pull Will's fake body out of the water in season one and Mike cries in his Mom's arms, with some very queer-coded lyrics in the background, and after Hopper's letter in s3 (which is very Byler-centric)

"I will be king. And you, you will be queen 'Cause we're lovers, and that is a fact. Yes, we're lovers, and that is that. Though nothing will keep us together. We could steal time just for one day We can be heroes forever and ever. What d'you say? I, I wish I could swim, like dolphins, like dolphins could swim I, I can remember (I remember) Standing by the wall (By the wall) And the guns shot above our heads (Over our heads) And we kissed as though nothing could fall (Nothing could fall) And the shame was on the other side. Oh, we can beat them forever and ever. Then we could be heroes just for one day We're nothing, and nothing will help us Maybe we're lying, then you better not stay But we could be safer just for one day"

I just thought the above songs might be some highly likely possibilities given that they fit the year of the s4 and also make references to not only love, but the idea of hiding, pain, shame, longing, etc., and can make some (partially stretching here) references to other things in the show such as:

RAINBOWS and TRUE COLORS, SHINING THROUGH (rainbows imagery is always associated with Mike & Will in the show and a is symbol of lgbtq+ pride, True Colors shining through = who you really are on the inside finally coming out)

IF THIS WORLD MAKES YOU CRAZY ("crazy together", "only love makes you that crazy" and references the "world" motif in the show)

YOUNGER YEARS, ONLY YOU AND ME, YOUNG, WILD AND FREE (references "not wanting things to change" and wanting "to make things go how they were" part in Hopper's letter, and the "But we're not kids anymore" comment during the Byler fight)

ENDLESS OCEAN and SWIM, LIKE DOLPHINS (references water's significance in the show)

FLAMES (Will in front of the burning car in s4 teaser?)

LIES and LYING (Mike lying to El about how he feels)

INSTINCTS RETURNING, FACADES BURNING, WITHOUT MY PRIDE, I REACH OUT FROM THE INSIDE (Mike's feelings for Will are his instincts, the facade is the act he put on in s3 to seem straight, burning could reference Will & fire, and I think the last 2 lines of that 2nd verse reference vulnerability- perhaps in an apology/confession)

I GET SO LOST (confusion about his sexuality, feeling lost without the other) and SO MUCH WASTED TIME (known each other since kindergarten but were unaware the other felt the same way/was dealing with same things, they could have been even closer)

KINGS and QUEENS (the d&d game mike wrote where he has king Tristan give him a medal in s1)

STEALING TIME (references "turning back the clock, to make things go how they were" part in Hopper's letter and the time theme in s4 and time is central to the s4 plot)

AND WE KISS - AND THE SHAME (references the shame they both feel about being gay since it was so stigmatized in the 80's)

Byler @ Prom Possibilities:

If Mike and Will did dance together at the prom, they will probably get bullied because they live in a small conservative town. They will probably either run out, upset, or Eleven will step in to protect them which could lead to the Carrie moment.

Or Mike and Will will not dance together in the actual dance room, but instead sneak off to somewhere else in the school and have a private Byler dance moment where they can't be teased and it's just them together.

OR Mike and Will are still acting weird at this point in the season because neither of them is communicating what needs to be said out of fear, or one of them has confessed or done something to indicate how they feel, but the other hasn’t so everything is weird between them. There would be lots of tension from this and we would get lots of longing looks and adoring moments between the two of them from the sidelines. (I think this one is the most likely)

#byler #byeler #st4 bts pics #st4 spoilers #st4 leak #byler rights #byler is real #byler obsessed #byler is canon #byler theory #byler proof #byler is endgame #will byers #mike wheeler #will byers is gay #mike wheeler is gay #mike x will #will x mike #eleven #stranger things #stranger things 4 #stranger things four #stranger things season 4 #stranger things season four #st4 #st4 theory #byler headcanon #byler playlist #st s4 prom theory #st4 speculation

[softxhariana]

34+35 live stream

description: ariana’s live stream before debut of 34+35 remix music video.

word count: 2.22k

A/N: little piece based off this live stream that ariana did in the countdown to her releasing the 34+35 remix music video with doja and megan. obvs not included every question but just a few fun bits and harry mentions for you x

also disclaimer, this is NOT real, if u don't wanna read about these two then don't, i’m not tryna act like they’re together it is fiction.

❤ anywayz hope u enjoy luvs xox

❖   "HELLO EVERYONE! thank u for coming to this premier,” ariana smiled sweetly at the camera, as the video cut to a shot of her for the beginning of the countdown.

“we had so much fun making this 34+35 remix video for you, and uhh, we hope you love it.” she continued, playing with her hair. no matter how long she did this for she swore she would never cease to get slightly nervous in these situations. where it was her alone, in front of a camera. but her fans made her feel at ease, and she felt she owed them something, as she hadn’t done many quarantine interviews like other celebs have.

“i thought i would come celebrate and join the countdown with you guys. which is something that I've never done before, but i’m very happy to be here and i was very excited to get some questions from you all...” she held up the sheets of twitter questions she had received, “um that i’m gonna be answering while i’m here so, i cant wait to celebrate this together and countdown and answer some of your questions!” she finished with a smile.

and it was genuine. a real smile that her fans were thrilled to see.

ariana was genuinely so happy and content with her life right now. with her family, her music, her friends, harry. harry her FIANCE!! might she add.

everything just felt perfect, and after all the shit the last couple years had thrown her way, she appreciated the break.

 she got her love back, she was making music that she fully loved, and put her whole soul into, and she had fans who had stuck with her and supported her through some of the darkest times in her life, that were now able to experience her happiness and personal growth with her. so truly, little things like this, felt like the least she could do for them.

“ohh this is a good one because its 34 35 related” she tucked her hair behind her ears, “@noirgrande said ‘ummm its just i wanna the end of 34+35 is it awww shit or nooo shit, i just wanna sing the song right”

“umm it is indeed no shit” she confirmed, smiling matter of factly at the camera before reciting the closing line of the song.

~~~~~~~~~~~

“@arianalocks1223 said ‘will we get to see the track list before the songs release?’” she paused for a second to process - which turned into a few more seconds, she was a bit slow today. she had told harry with full sincerity that she thought it was because she was getting old but he had just cracked up at her absurd statement, and told her that if that was the case he’d still think she was a milf

“you will!” she nodded with certainty, “indeed. ummm... i can tell you them now” she blurted, oops.

“i suppose thats not like... is that against the rules? can i do that?” she turned, to question scooter who was supervising off camera, not wanting to get her label mad at her for releasing too much information, something she has a tendency to do. 

after getting the nod of reassurance from him she turned back to the camera, “so out of ‘POV’, you go into, um, an interlude called ‘someone like u’. after that is a song called ‘test drive’, after that is the 34/35 remix with doja and meg” she smiles lightly, “and after that is a song called ‘worst behaviour’, and after worst behaviour is... a song called ‘main thing’...” she finishes, a shy smirk forming on her face, dimples appearing, “so that’s the tracks.” 

continuing with the countdown, ariana felt her heart warm at the love her fans were giving her and this album. she loved interacting with them and making them happy and proud of her so knowing she had done just that, was an amazing feeling.

“umm hesbloodsline... @hesbloodsline ... i’m really fond of this question because its really to the point, ‘where's the pig and where the fuck is harry?’” she smiled, holding in a laugh.

“piggy’s here, she's great, she's really doing so well and life is really good for her right now, she's really thriving and doing her thing” she ranted, a hint of sarcasm in her voice, “um, i make her big salads everyday that she likes, she's doing really great. she asked me to stop posting her as much because she's actually really offended by a lot of your jokes that you make on twitter, she asked me to have a word with you guys” she continued to joke, well aware that she probably found herself more funny than anyone else did right now.

“she doesn't like the jokes about being eaten, they really hurt her, umm yeh, and she asked me to convey that... no she’s great...” she finally decided to answer, “and harry, is on set today, so um, yeh thats where he is... but don't worry i will tell him to keep you in the loop, i’ve got you” 

ariana unconsciously let a small smile take over her glossed lips when talking about harry. he had been so excited about this new project and seeing him passionate and happy about anything he’s doing, always made her happiest.

~~~~~~~~~~~

“nicole! @nastyctrl. nicole said ‘who helped come up with the concept for the positions music video, love u sm ari’ love you so much to, i love you so much more” she paused, she loved this story,

“um this is actually a really funny story, dave and i had been going back and forth on several different concepts, and i couldn't, like... marry one... i couldn't really, like, really commit to one, i wasn't 100% sold. and it was missing a certain element of empowerment. and i kept, you know, trying to think of things that would make it more impactful cause i wasn't loving what we had...”

“anddd then me and harry were on this huge hike, and he just turned to me and was like, ‘what if you were the president?’ which was like, not at all fitting cause i was dying and complaining the whole time. but i was like,” she tried to imitate a shocked face through her smile and laughed 

“and when i called dave he was like ‘oh... kay, ill call you guys back’ and had the whole production team redo everything, and i had mimi pull completely different outfits and we completely started over cause that idea was what i was, craving and missing. and i was like, wow, thats so perfect” she smiled, shrugging her shoulders, “so yeh, honorary directing credit to harry styles, if you liked that”

~~~~~~~~~~~~

“this is from @borderlinevinyl, who said ‘how much of the album was recorded at your little home studio?’ ummm..” she sang, looking off camera in thought, everything in quarantine had honestly just blurred into one so she was struggling to remember what exactly she recorded where,

“um... a lot of it was... i think i did parts of everything here and parts of things at tommy's i know i did, um, the final chorus ad-libs for positions at home” she began listing in her head, “i know i did all of off the table at home... i know i did the final chorus of my hair at home because we- i-” oops. she had to control the laugh threatening to leave her lips at the lack of subtlety in her correction

“-i got out of the shower and he was like ‘oh your whistles are really here right now’, and i was like y’know what... yeahh they are aren’t they” she laughed as she squinted her eyes and recited that part of the conversation, even trying to imitate his deeper accent.

she had been singing in the shower - as she always did - and harry joining her never seemed to stop her from belting out any whitney or old one direction classic she wanted to. he would even join in sometimes and they'd end up with their own mini concert, dancing around naked, shampoo and conditioner bottles in hand singing their hearts out to everything from high school musical to nicki minaj to fleetwood mac.

while it felt like too bold of statement to make as she truly revelled in and enjoyed everything they did together, showering with him was truly one of her favourite’s. whether it was steamy shower sex that had all glass surfaces in the room fogging up or letting loose and dancing and singing under the pouring water, every moment felt so intimate and sacred. it truly made her feel like they were they only people in the world. 

of course he would claim she was out singing him every time she whistled and would jokingly try to replicate the note but he was truly just in awe off the sounds that came from her mouth (in all senses of the word;)

"-and so i opened ‘my hair’ and just randomly did that” she continued, “um what else did i do here, i did the a lot of the backgrounds and ad-libs for 34+35 here, um, obvious was done at home, a lot of six-thirty was done at home”

caught in her own thoughts she only realised she had probably been droning on for too long when she caught scooters eye across the room and with a blush she shook her head as if to clear it, “this is an annoying answer, everything was kind of all over the place but i did a lot, a lot, a lot of the vocals for the album at the house" she finally finished the long answer, moving on quickly as she realised she didn't have long until the premiere and she wanted to answer as many of the questions as possible.

“ok, second last question from hannah, ever- @everdxystxless, im sorry i don't know how to pronounce that” she laughs looking up at the camera with wide eyes, not sure how exactly how she was supposed to go about pronouncing the username, 

“im sorry, um, but anyway she say’s ‘ari baby, how do you feel about harry getting to do a movie with florence pugh, we know your a big fan of hers, ps. i love you so much!’ well hannah, i love you too” she replies, as she thinks back to when harry first introduced the two, after she had gotten over the initial fangirling, the pair became amazing friends. florence struck ariana as such a genuine, loving person and they shared the same dry sense of humour. plus ariana might of been just a little obsessed with her accent - not that she would ever admit that and scare the girl off.

“and... um, yeah, it literally, made me beyond happy, i was fully like, fangirling when i met her the first time” she laughs as she plays with her hair, “she honestly, probably was like, ‘who the fuck is this girl? what is she doing?’”ariana imitated, a faux scared/weirded out look on her face, playing the part of a mildly pissed off florence - which she luckily had never been on the receiving end of, “im sure i was being the opposite of subtle about it but, no, she really truly is the sweetest, kindest, most beautiful, talented human being” she emphasises, the thought of any news outlets of fan’s trying to spin a ‘jealousy’ story about this making her internally role her eyes,

“midsommar is, like, one of my all time favourite movies, and she's amazing in it, and harry’s like so fucking lucky its crazy. so yeah, thats insane”

~~~~~~~~~

"...so yeah... thank you so much! this was so much fun!” ariana exclaimed as she wrapped up the Q&A, smiling wide at the camera, she knew her fans were going to love the music video and she couldn't wait for them to watch it, plus interacting with them in this way always made her happy.

“i love you guys, i miss you” she reminded, “i am so appreciative of everything you've done for this album, for these singles, for this music. i hope that, um, that this makes you super happy, i hope it makes you smile...we had so much fun shooting it and um, the girls are so fantastic, so i hope you love this and i hope you love the deluxe!” 

ariana didn't know how many more ways she could say thank you and express her gratitude but she still had over a minute and a half so she’d have to come up with something, even if it meant she’d sound like a broken record

“i am so thankful for everything and for the love that you've shown this music i cant even begin to articulate it properly so, thank you! i appreciate it so much” she breathed out all in one, “but anyway, the video should be starting soon, so... i hope you like it, don't refresh! it’ll be here soon... i promise... just don't refresh” she urged dramatically, she was really dragging this out, “but yeh” she got out through laughs “the video should be starting anytime now, i love you guys” she blew a kiss to the camera before moving as close to the lens as possible “byee”.

🖤 there u go!! i hope you liked it, and any feedback would always always be welcomed and so so appreciated pls and thanku x 

#3435remix #35+35 #ariana #grande #butera #ag #agb #viral no1 #hiphop #rap #RnB #music #female #woman #trio #livestream #countdown #harrystyles #hs #hariana #dojacat #megan thee stallion

[mytastessuck]

Gorillaz: Plastic Beach

mAh, nostalgia. This album was my high school years. I got a digital copy for my birthday from my mom and became obsessed with this album well into college. The dominance of electronica, the use of people with great voices, the expansion of the lore, Lou Reed...this album was all of music when I got it. It's my favorite Gorillaz album and it looks like it's gonna stay that way for a while. But how is it on a not even approaching semi-objective level? Let's find out.

1. Orchestral Intro

You can probably guess it by my awful taste but I'm not really into orchestra. This opening though, with the sound of waves and the mourning instruments, really tipped me off that I was in for something different. This album wasn't going to start off with something chill or even a zombie movie clip. No, at this point, Gorillaz were officially done fucking around.

10/10

2. Welcome to the World of the Plastic Beach

Then we get the brass leading us into a good beat and then HOLY SHIT, SNOOP DOGG?! He leads us in like a bandleader while a chorus of women back him up Just Like That while he goes with his usual flow. He adds the needed touch of instant cool to an album that's practically frozen with the artists already on it and with this song, it feels like you're walking past the gate into Disneyland.

9/10

3. White Flag

Some nice Arabian sounding instruments on this one. Pretty cool for Gorillaz to keep engaging in world music. Anyway, this was a really cool instrumental but it's time to move on to the other son---

Huh?

Suddenly, we get beeps and mixes backing up Bashy and Kano as they kick so much ass talking about pacifism for the sake of survival. This song kicks an undisputed amount of ass and it barely even tries.

9/10

4. Rhinestone Eyes

What I like about this song is that I keep finding new things to like about it as the years go back. First, I liked the weirdly-threatening nature of the song along with the woman moaning in time with the verses. Then I liked the video (even though it was insanely shady of EMI to release that without Damon's and Jamie's permission and it ended up being the thing that led to Phase 3's premature ending and Gorillaz going on hiatus). Then I liked the continuation of the moaning that I first noticed in live performances then finally heard in the song itself. This song is like Rolexes falling from the sky.

10/10

5. Stylo

Ah, the first single from the album. I remember telling my dad about this when I first saw the video for it. I was about to write off Gorillaz as a relic of my past before I saw Murdoc and 2D get run off the road by Bruce Willis. This song has an awesome bridge by Yasiin Bey, nice crooning by Damon Albarn and incredible back-up by Bobby Womack, who manages to lift the entire song over his head using just his voice. Damn, wish he had another song that put his voice on full display. Maybe later in the album...

10/10

6. Superfast Jellyfish

Yeah, De La Soul is back! And they're singing about TV dinners! Seriously, these guys can make guessing crossword actually fun instead of a dredging experience and have Shiny Toy Guns frontman Chad Petree singing about radioactive seas brings the whole thing home. It makes you want to really go out and eat a random jellyfish but don't do that. It'll hurt.

11/10

7. Empire Ants

Okay, before I give this song its totally fair score, it should be noted this is my third favorite song of all time. I love Damon's reassuring lyrics in the beginning but the switch in the middle to a more upbeat electronic pop tune pushes this song past perfect.

Then there's Little Dragon...

This song introduced to me to Yukimi Nagano's voice and wow...I didn't think humans could sound like that, let alone an Asian woman singing soul. If you think the instruments are carrying her here, obviously there are clearly no other songs on the album that showcase her talents so I have to recommend After The Rain, Twice and Constant Surprises by Little Dragon. Seriously, this woman's voice will water your fucking crops.

500/10

8. Glitter Freeze

Where is north from here? Don't ask me, I'm not a compass. Anyway, this song has Mark E. Smith from The Fall and they use him to his fullest extent...by which I mean letting him make an absolutely evil fucking laugh somewhere near the end. The instrumentation makes it feel like you're in a storm on a shaky ship and you're definitely going to feel like you need some pills after you're finished. This stuff will put hair on your chest.

11/10

9. Some Kind of Nature

This song introduced me to Lou Reed and I'm grateful to it for that. Lou was a shitty dude but damn his voice really made things better than they should have been. Fuck, I was one of the eight defenders of Lulu for this reason. But Damon doesn't sit with his thumbs up his ass on this song. He holds his own and makes the chorus sound legitimately dreamlike. All we are is stars, indeed.

100/10

10. On Melancholy Hill

This song is awesome to chill to...unless you're escaping a cruise ship while being gunned down by fighter jets. But other than that particular example, I recommend this song for anyone trying to relax while thinking of someone special. But be careful with the last note of this song. That gong can be a real eye opener.

9/10

11. Broken

Bummer of a song but if there's one song you absolutely NEED to learn on melodica, it's this one. Aren't we all broken? Well I am. And this song speaks to me.

10/10

12. Sweepstakes

Yasiin's back and there's gonna be trouble. He plays a carny in this track and you know that no matter how many times you listen to this song, you'll always gonna fall for his schemes. He's gone on to say that this is one of his finest achievements as a MC and I can see why.

10/10

13. Plastic Beach

Holy shit, they got the 50 Ways To Leave Your Lover guy on this track. Makes since because this, outside of Empire Ants, is my favorite song on the album. The harmony, the little imp they got for the bridge, the triangle...everything makes this song better than it has any right to be on an already awesome album. Damn, plastico indeed.

200/10

14. To Binge

Shock of all shocks, Yukimi's back! And it's a duet with Damon! And it's a song about a relationship torn apart by addiction! It's not my birthday so it must be Christmas. These two manage to drown the listen in waves of audio goodness that leaves them feeling like they spent 3 minutes and 56 seconds standing under a waterfall.

20/10

15. Cloud of Unknowing

Okay, I cried to this song. And now, with Bobby Womack's passing, I cry even harder. This song should be an anime ending with how solemn it is but you need to listen to the end to hear, "It may bring sunshine on its wings." Also, Damon covered this song live after Womack's passing. I suggest you look it up because it is tear-ripping.

50/10

16. Pirate Jet

Eh. Pretty average song compared to the others on the album but I appreciate the message. Sweet Lord, people. Turn off your shit when you're not using it. We only got one planet and I don't trust Elon Musk.

8/10

Album Score: 60.1/10

Whoo! No biases! Anyway, next week is The Fall, otherwise known as the album Albarn did on his Ipad. Otherotherwise known as the album a significant portion of the fandom has a hate-on for. Does it deserve the hate? We'll find out!

#gorillaz #plastic beach #music #review

[bananaofswifts]

By : Callie Ahlgrim and Courteney Larocca

Taylor Swift released her eighth studio album, "Folklore," on Friday.

Swift surprised fans by announcing its release just one day in advance — and less than one year after the release of her acclaimed seventh album "Lover."

"Most of the things I had planned this summer didn't end up happening, but there is something I had planned that DID happen," she wrote on social media. "And that thing is my 8th studio album, folklore. Surprise!"

She described "Folklore," stylized in all lowercase, as "an entire brand new album of songs I've poured all of my whims, dreams, fears, and musings into."

Much of the 16-song tracklist — 17 on the deluxe edition — was cowritten and produced by The National's Aaron Dessner. Smaller pieces were cowritten by Bon Iver, Jack Antonoff, and someone named William Bowery. Antonoff also produced five songs.

Insider's music team (reporter Callie Ahlgrim and celebrity and music editor Courteney Larocca) listened to the new album on our own, jotting down our initial thoughts track by track.

Almost immediately, we were forced to reckon with the fact that "Folklore" might be Swift's best album yet — potentially even better than "Red," which previously seemed like it couldn't be topped. We were stunned with the mature, poetic, stunningly understated collection of new songs.

Here is what we thought of each song on "Folklore" upon first listen. (Skip to the end to see the only songs worth listening to and the album's final score.)

"The 1" is the best album opener Swift has had in years.

Ahlgrim: "I'm doing good, I'm on some new s---" is a wild way to begin a new Taylor Swift album. This is going to be different.

This is easily the best intro song she's released in years. "The 1" far surpasses "I Forgot That You Existed" on "Lover," "...Ready for It?" on "Reputation," and "Welcome to New York" on "1989" in terms of sheer quality.

It's also an engaging scene-setter; I find myself gently rocking back and forth, eyes closed, smiling without realizing. It's only the first song and so far, I am totally grasping the woodsy aesthetic of this album. I'm already ready for more.

Larocca: I would argue that there hasn't been a strong album opener on one of Swift's albums since "State of Grace" on "Red" in 2012. "The 1" breaks that curse.

I was vibing from that very first piano note, but when Swift comes in and warmly delivers the first line of the album — "I'm doing good, I'm on some new s---" — it became evident this project wouldn't be anything like the rest of her discography.

As far as "The 1" goes as a standalone song, it's incredibly solid. Swift has a breezy attention to rhythm as she paints a tale of a the-one-who-got-away romance. I truly, truly love it. This might end up being an all-time favorite track.

"Cardigan" is beautifully influenced by Lana Del Rey.

Ahlgrim: I heard "Cardigan" first because I watched the music video before I listened to the album.

Right off the bat, I was struck by the Lana Del Rey melody in the chorus; I jotted down "folksy 'Blue Jeans.'"

Swift has actually cited Del Rey as an inspiration in the past, so this makes sense — and that particular shade of nostalgic, haunting glamour really works for Swift's voice, so I'm overall very impressed with this direction. I am more than amenable to a "Red" meets "Norman F---ing Rockwell!" album experience. On my second time around listening, sans music video, "Cardigan" already feels richer coming after "The 1."

This time, I'm struck by small lyrical details like "Sequined smile, black lipstick," a clear callback to her past eras, and "Tried to change the ending / Peter losing Wendy," an effective way to evoke young love and innocence lost.

I also think the song's central refrain, "When you are young they assume you know nothing," is clean and sharp and — especially given Swift's public struggles with sexism and years-old contracts — extremely poignant.

Larocca: I had the thought that Swift listens to Lana Del Rey after hearing "Miss Americana and the Heartbreak Prince" on last year's "Lover," but now I know for sure that Del Rey is an influence on Swift.

While "Cardigan" isn't what I thought this album would be like sonically, I'm overjoyed at how clearly singer-songwriter this album already is. I've been waiting years for Swift to make a lyrical marvel set to acoustic, warm, folksy instrumentals and it's here.

(And while I expected something different sonically, I am not mad at all by the backing instrumental choices here.)

"The Last Great American Dynasty" proves Swift is a natural storyteller.

Ahlgrim: Personally, I love Storyteller Taylor, so this is quite literally music to my ears.

There are so many delicious details here to unpack. The first verse, with its subtle sexist whisperings about Rebekah Harkness ("How did a middle-class divorcée do it?" and "It must have been her fault his heart gave out"), is a truly savvy way to set up for the song's eventual reveal.

Rebekah spent her time partying with friends, funding the ballet, playing card games with Salvador Dalí, somehow "ruining everything" — and her Holiday House was "free of women with madness" until Swift herself moved in.

That twist in the bridge is poetic genius. When the final chorus adjusts to the present day, underscoring the parallels between Rebekah and Swift, I'm forcefully reminded of an iconic bridge when Romeo finally proposed and changed everything — but Swift has evolved past daydreams of pure white dresses and fathers giving permission.

Larocca: I'm immediately taken back to 2012's "Starlight" when "The Last Great American Dynasty" starts. Thankfully, this song ends up being a lot better than "Starlight," which always felt more like a filler track on "Red" to me.

I love a lot here: the casual use of "b----," the acute attention to detail ("She stole his dog and dyed it key lime green"), and every version of this line: "There goes the maddest woman this town has ever seen."

I had a marvelous time listening to this song.

"Exile," featuring Bon Iver, is one of Swift's most successful duets to date.

Ahlgrim: Swift and Bon Iver, aka Justin Vernon, are two of the best songwriters alive today, so this song was destined to be breathtaking.

Swift has historically had difficulty allowing her voice and vision to coexist with a featured artist; her collaborations often leave me feeling like she should've just delivered the whole song herself.

But Swift and Vernon were able to weave their lyrics together so gracefully, I was left feeling grateful for his presence. His rich, rustic tone and those iconic hummed harmonies lends the regretful song an added coat of sincerity.

The production here is generally fine, but the layered instrumentals in the ending really bring the song together. I love a dramatic exit.

Larocca: When I see a "featuring Bon Iver" on a track, I instantly assume Vernon is going to come in with his high falsetto. So it was almost jarring that the song starts with Vernon sounding like a lumberjack dad who hasn't left the woods in a decade.

That didn't end up being a detriment, though. Swift sounds delicate on her verse, and their vocals contrast nicely later on the track.

This one also brings to mind her collab "The Last Time" with Snow Patrol's Gary Lightbody. The line "I think I've seen this film before and I didn't like the ending" is also reminiscent of "If This Was a Movie."

I'm obsessed with the clear influences Swift's previous discography had on these tracks, which have also so far felt completely unique to her catalog.

"My Tears Ricochet" is an extraordinary display of Swift's songwriting powers.

Ahlgrim: First of all, "My Tears Ricochet" is an incredible song title. Let's take a moment to appreciate that.

In fact, pretty much every line of this song is arresting.

Much of it feels both familiar and rare, like you know exactly what Swift is singing about, but hadn't thought to put it in those words before — which is, in my opinion, the mark of any good piece of writing but especially a breakup song. You can relate to the emotion, if not the particular details. You can hear the pain. It almost plays like a funeral march.

What a gift it is, what an exhilarating experience, to feel like you're listening to a poem being recited in real-time.

Larocca: Any true Swiftie knows that track five is reserved for the most vulnerable moment on the record, so I went into "My Tears Ricochet" ready to be sad.

I am endlessly impressed with how Swift managed to bake the word "ricochet" into this song so effectively. She also ditched her traditional song structure for this one, and instead built the track from peak to peak, utilizing clever lyrics along the way to tell an epic, devastating story, almost obviously calling back to the most beloved track five of "All Too Well."

I'm calling it now — this one is going to age like a fine wine. As all of Swift's best breakup ballads do.

"Mirrorball" is several strokes of genius.

Ahlgrim: This song gives me intense Clairo vibes, and I mean that as a very high compliment.

It's so fun and refreshing to hear Swift slip into different musical styles, and this shimmery take on alternative-bedroom-pop highlights her soft vocals and nuanced songwriting supremely well.

Also, my Leo sensibilities are fully under attack by this bridge: "I've never been a natural, all I do is try, try, try / I'm still on that trapeze / I'm still trying everything to keep you looking at me." Oof! Just tag me next time.

Larocca: This one is so pretty! Swift's vocals sound better than ever as she spins on her highest heels across a glittery daydream.

"I'm a mirrorball / I'll show you every version of yourself tonight" might be the thesis statement of this entire album. So far, "Folklore" feels both diaristic and vague; detailed and completely anonymous.

Fans will be debating for years whether this album is about Swift's own life, or if it's simply really great storytelling pulled directly from her own mind. In the end, it doesn't really matter.

Because as all of Swift's best songs do, these songs will attach themselves to listeners in completely new ways, showing them elements and stories from their own lives.

"Seven" is pure whimsical magic.

Ahlgrim: This is playing make-believe in the garden when you're too young to feel self-conscious; it's poetic and nostalgic and full of awe in such an unpretentious way.

I wouldn't change one thing about this song. Swift's whispery high register sounds divine, and at this point in the tracklist, her rhythmic delivery in the chorus hits like a shot of espresso.

Right now, I'm wondering if it's possible for Swift to maintain this intrigue and momentum for another nine songs. There hasn't been a misstep to speak of, and I remain wholly beguiled. Can it last?

Larocca: The beginning of "Seven" sounds like Swift listened to Marina's "Orange Trees" on repeat before showing up to her songwriting session. Fortunately, "Orange Trees" is the only song I like on Marina's "Love + Fear" so I will gladly accept this inspiration.

Swift continues to impress with both her vocals and her sense of rhythm on "Seven." I also personally love space imagery so the line "Love you to the moon and to Saturn" is a standout line.

"August" will go down as one of the best songs in Swift's extensive repertoire.

Ahlgrim: I'm immediately catching hints of Phoebe Bridgers and girl in red in Swift's delivery. And I simply adore the idea that Swift has spent the last few months sitting at home, daydreaming about summertime humidity and listening to music by queer indie-pop girls. 

In an album full of songwriting expertise, this song has some of Swift's best lines yet: "August sipped away like a bottle of wine / 'Cause you were never mine" actually hurts me.

In my notes, there simply sits this valuable insight (yes, in all-caps): "WANTING WAS ENOUGH. FOR ME IT WAS ENOUGH TO LIVE FOR THE HOPE OF IT ALL." This song has my favorite bridge on the album so far.

In terms of production, "August" is exquisite. It's lush and layered without feeling overwhelming at any point. It builds to the perfect level then recedes, like a wave. 

Also worth mentioning: It can now be considered a historical fact that any time Swift mentions a car or driving in one of her songs, it's a perfect song.

Larocca: While listening to "August," I texted Callie and said, "I can't wait to finish the album so I can relisten to 'August.'" It's an instant favorite. 

This is also the first track on the album that seems directly inspired by our current state. Not because she's expressing fear or singing about being bored at home, but because she so easily slips into a reflection of a relationship that ended years ago with a newfound wave of wistful nostalgia. 

When quarantine started, it seemed like a million lifestyle articles came out explaining why everyone suddenly felt compelled to text their exes and why we're so invested in looking back instead of forward right now. 

"August" validates those feelings with zero judgment, letting its listener know that yes, it's totally normal for you to be overanalyzing that quasi-relationship you were in back in college that never made it past graduation. Am I projecting? Maybe, but that's debatably what Swift's music is best utilized for.

I'm also going to be thinking about this song's bridge and outro for the rest of my life.

The National's influence can be felt on the stunning "This Is Me Trying."

Ahlgrim: "This Is Me Trying" quickly strikes a more sinister tone than its predecessors — still nostalgic and wistful, but carrying an edge, like a threatening secret.

Ironically, this one was co-written and co-produced by Jack Antonoff, not Aaron Dessner, though I can really hear The National's influence here. I'm getting strong wafts of songs like "Pink Rabbits" and "Dark Side of the Gym."

Based on Swift's own words, we can speculate that "This Is Me Trying" is a fictional tale, built around the image of "a 17-year-old standing on a porch, learning to apologize." And, as previously stated, I'm a big fan of Storyteller Taylor, so I'm into it.

The song's darker tone mingles really well with Swift's imagery; when you're a teenager, and you make a mistake, it can feel like the end of the world.

Larocca: "This Is Me Trying" is precisely what I imagined this album sounding like when I found out Swift collaborated with the National's Aaron Dessner and Bon Iver.

But I'm glad she was strategic about her use of echo and also finally paid attention to the tracklisting from a sonic standpoint. This haunting soundscape is reminiscent of 2014's "This Love" and comes in right when you need it after the yearning daydream of "August."  

I'd also like it to be on the record that the line "I got wasted like all my potential" ruined me and this song is a win for that lyric alone.

"Illicit Affairs" is a glowing example of what sets Swift apart from her peers as a songwriter.

Ahlgrim: The expert songwriting on "Illicit Affairs" reminds me of the as-yet unseated queen in Swift's discography: "All Too Well."

Swift is a master of wielding specific details like weapons: "What started in beautiful rooms / Ends with meetings in parking lots," she sings. "Leave the perfume on the shelf / That you picked out just for him." These are the sorts of images that set Swift apart, and they're especially strong when she punctuates their delivery with a little growl in her voice.

This song has real power. I have chills.

That power is magnified in the third verse, similar to how "All Too Well" builds to a crescendo: "Don't call me 'kid,' don't call me 'baby' / Look at this godforsaken mess that you made me."

Certainly, "Illicit Affairs" is more restrained than Swift's iconic arena rock ballad, but goddamn that last verse hits hard.

Larocca: The way that she says "him" in the second verse shook me out of my skin in the very best way. And "Don't call me 'kid,' don't call me 'baby' / Look at this idiotic fool that you made me" will go down as one of her best breakup lines of all time.  

It's been a minute since Swift delivered a painstakingly beautiful breakup ballad, and the fact that this album is littered with them is, simply, a gift.  

"Illicit Affairs" has growing power and will likely become one of those tracks that fans form a strong emotional attachment to over time.

"Invisible String" is Taylor Swift at her most Taylor Swift.

Ahlgrim: "Invisible String" is a feast of Easter eggs and callbacks.

"Teal was the color of your shirt" reminds me of the line about Joe Alwyn's blue eyes on "Delicate," and her reference to a dive bar is similarly familiar. "Gave me no compasses, gave me no signs" recalls the push-and-pull on "Exile."

"Bad was the blood of the song in the cab" is undoubtedly a reference to Swift's 2015 single "Bad Blood," while "One single thread of gold / Tied me to you" feels like a nod to Swift's description of love's "golden" hue on the "Lover" album closer "Daylight."

This song is sprightly and sparkly and certainly nice to listen to, but its real strength lies in these details.

Swift is weaving many different stories on this album, many connected by a sort of "Invisible String," tying different pieces of her life and your life and other lives together. It ends up feeling like a growing plant with far-reaching roots, or a sentient treasure map.

Larocca: I'd be lying if I said there weren't multiple points throughout this album where I worried that Swift and her boyfriend Joe Alwyn had broken up. 

Thankfully, "Invisible String" is a rosy, wide-eyed ode to love. The plucky guitar paired with Swift's soft vocals is a sound I want to live in, which is fitting since this track feels like coming home. 

Every small detail, from the nod to Alwyn's time spent working at a frozen yogurt shop in his youth, to the color imagery that paints every inflection of Swift's adoration (especially the single thread of gold) come together to lay the holy ground Swift's relationship walks on. 

Also, the image of Swift mailing Joe Jonas and Sophie Turner gifts for their expectant first child brings about an unbridled sense of joy.

"Mad Woman" is yet another highlight.

Ahlgrim: Every time I think I've heard the peak of this album's songwriting potential, Swift manages to surprise me. 

Case in point: "Do you see my face in the neighbor's lawn? / Does she smile? / Or does she mouth, 'F--- you forever?'" Whoa.

And another, for good measure: "It's obvious that wanting me dead / Has really brought you two together." I texted Courteney, "Did she really just say that??"

This song is sublime on its own, but the way it ties back into the perception of female freedom and "madness" on "The Last Great American Dynasty" makes it even better. "Mad Woman" is definitely a personal favorite so far on this album, if not in Swift's entire catalog.

Larocca: "Mad Woman" will forever hold the honor of being the first song in which Swift says "f---" and for that, we should all be thankful. 

I was also so wrapped up in the storytelling of this album, that it took a minute for this to even register that this is likely about the Scooter Braun and Scott Borchetta / Kanye West and Kim Kardashian West ordeals of Swift's past. These callouts used to be so obvious, that I greatly appreciate the subtlety and restraint here. 

It almost feels like these feuds were a lifetime ago, but this track does an excellent job at showcasing how anger and pain can leave an indelible mark on you. Swift went mad years ago, and that's just an accepted part of her narrative now. 

But for the first time, her rage sounds like freedom.

"Epiphany" doesn't stand out.

Ahlgrim: There are some really interesting vocal moments on "Epiphany," but so far, this is the only song I haven't felt captivated by. It's a bit snoozy, and a bit too long.

This song clearly references war, the loss of a loved one, and the coronavirus pandemic, which makes it lyrically intriguing at best — but distressing at worst. I don't mind letting the overall effect waft over me, but this won't be a song I revisit outside the context of the album.

Larocca: "Epiphany" is the only track on "Folklore" that didn't immediately grab me. It's essentially a war drama in song format, so some people might like it, but I truly couldn't care less about war movies or war songs! So it's not my favorite, but it makes for pretty background music. 

"Epiphany" does have another benefit though: Now, whenever some random dude erroneously claims Swift "only writes songs about her exes," fans have a clear song in her discography that they can point to and be like, "That's not true. This one's about war." 

That's not to say Swift needed that — anyone who has been paying attention understands she's quite possibly the best songwriter of her generation.  

This just happens to be further proof of that fact.

"Betty" is a charming callback to Swift's country roots.

Ahlgrim: "Betty" is like the best, sauciest song from Swift's 2006 debut country album that no one got to hear. It has sonic and lyrical similarities to hits like "Our Song" and "Tim McGraw," plus some name-dropping stuff like 2008's "Hey Stephen," plus a little harmonica thrown in for good measure! I love that for us.

"Betty" also appears to complete a three-song story, recalling details from "Cardigan" and "August" to close the loop on Betty and James, a couple in high school with some infidelity issues.

Looking back, it feels like "Cardigan" was told from Betty's perspective, while "August" was told from the perspective of a sort of "other woman" character. Now, we get James' side of the story. This is high art, folks! This is peak Storytelling Taylor!

"Betty" is also, like, very gay? I know it's easy to assume that James is a male character, but Swift herself was named after James Taylor, so she could be referring to herself. The song also references someone named Inez; James and Inez are the names of Ryan Reynolds and Blake Lively's daughters.

Plus, in retrospect, the idea of whispering "Are you sure? Never have I ever before" during a summer fling seems pretty gay to me.

I'm not saying the story of Betty and James would be better if it was written about sapphic lovers, but I'm not not saying that.

Larocca: This one is gay, and if you try to tell me otherwise, I will simply ignore you. 

But Courteney, it's from the perspective of a guy named James. James and the other character, Inez, share the same names as Reynolds and Lively's kids (will leave it up to you to decide if that means their third daughter's name is Betty). James is their daughter. Get out of here with your antiquated ideas about which names connotate which genders. 

To me, the James named in this song is a woman and a lesbian and this song is for the gays. I will not be saying anything else or accepting any feedback on this opinion, thank you.

"Peace" is honest and raw.

Ahlgrim: This song's intro sounds like LCD Soundsystem had a baby with "The Archer." The gentle guitar riff is also lovely.

With Dessner's echoey production, Swift's voice sounds like a warm little fire in a cave — fitting, since she sings in the chorus, "I'm a fire and I'll keep your brittle heart warm."

OK damn, I'm getting really emotional. This songwriting is beautiful and haunting. "Peace" perfectly captures the ambient dread of feeling your partner slip away, of wondering whether love can be enough. 

Larocca: If you're a "Call It What You Want" stan, you're going to love its mature older sister "Peace." 

I will hereby forever be thinking about the parallels between "But I'm a fire and I'll keep your brittle heart warm" with "He built a fire just to keep me warm" and between "Family that I chose, now that I see your brother as my brother" with "Trust him like a brother."

Also, "Would it be enough if I could never give you peace?" has the same emotional impact as when Swift changes the lyric in "The Archer" to "I see right through me" and that's meant as the highest form of compliment. 

Swift's vocals are so crisp, that guitar riff is so stunning, and these lyrics are so gut-wrenchingly vulnerable. A perfect song, through and through.

"Hoax" is unlike any other album closer in Swift's catalog.

Ahlgrim: I don't know if Swift is going through a traumatic breakup, but if she isn't, the woman is one convincing creative writer.

The National makes some of my favorite music to cry to, so when I heard Aaron Dessner had co-written and produced much of this album, I knew I was in for some glossy cheeks. Until now, I think I've felt too captivated by Swift's artistry to really let myself get there.

But finally, "Hoax" is making me cry.

This is heart-wrenching stuff for anyone, but for a fan and student of Swift's work, this is like reading a friend's diary entry.

"Don't want no other shade of blue, but you" must be a reference to "Delicate," in which Swift sings: "Dark jeans and your Nikes, look at you / Oh damn, never seen that color blue." Later, she croons, "You know I left a part of me back in New York," perhaps regretting the move to London that she detailed throughout "Lover." 

"You knew it still hurts underneath my scars / From when they pulled me apart," recalling the public shaming she endured and demons she exorcised on "Reputation." "But what you did was just as dark." Like I said before: Whoa.

Personally, I love having a good cry set to moody music, so I appreciate Swift's soul-bearing. "Hoax" is one gut-punch of an album closer.

Larocca: Swift has a habit of ending her albums on an uplifting, hopeful note and I always eat it up. But if "Folklore" hadn't made it clear by now that it should be consumed differently than any of her previous works, "Hoax" brings that message home.  

Instead of reveling in all the ways that love has made her stronger, happier, or more whole, "Hoax" deconstructs everything Swift has learned about love and leaves a bleaker picture about how maybe even the best of relationships hurt. 

But at its most tragic, this love still isn't something Swift will ever let go of: "Don't want no other shade of blue but you / No other sadness in the world would do."  

Finishing a Taylor Swift album has never been so devastating.

Final Grade: 9.7/10

#taylor swift #folklore #review

[onewfantaesy]

suggestion: an evil producer or something decides to out taemin's relationship while filming something/doing something live, and onew and minho come to the rescue (and since the fans already knew and didn't care, I bet they'd give the producer reasons to live in fear lol)

It was supposed to just be a documentary on various SM artists, and on the way the company runs in general. It was some sort of special anniversary thing, Taemin didn’t really know exactly. All he knew was that he had a small interview about his debut and his growth in the company and film a couple scenes learning some new choreography and recording songs and blah blah blah. Standard shit. Taemin wasn’t fazed.

Until months later when it was released and he was sitting at the premiere with so many labelmates and general employees and the press and even the damn CEO and there, on the big screen, is Kibum kissing his neck and tugging him close and Taemin himself giggling and trying to tug himself away, only to sneak a kiss on Kibum’s lips just moments later.

Apparently, secret relationships were a big part of this documentary. An unplanned addition. An unannounced plan that the director had as a way of exposing idol dating culture. Something that got no approval from those in charge of running this entire project, so pretty much everyone was shocked and confused and angry.

There were several other relationships outed as well, but Taemin felt frozen in his seat after his was finished playing out. So many people were looking at him, staring at him, whispering about him, and Kibum wasn’t even there that night and Taemin felt like he couldn’t breathe.

“Let’s go,” Jinki, his manager, whispers to him. And he pulls Taemin up and ushers him out of the theater, out of the building, and into a van all while shielding Taemin as best he can from various flashing cameras and nosy reporters who want to know why he (and several other idols) are leaving so soon.

Taemin is 24. He’s 24 and he’s been an idol for ten years and he’s been dating Kibum for five years but he has no idea what to do. This is his entire life that’s just been potentially ruined by a single director with an agenda of outing idol relationships. His whole life is about to be turned upside down, he could lose his job, his fans, everything because of one person.

“It will be okay,” Jinki tells him. “They’re already no doubt figuring out how to damage control. No one else will ever see that movie. Everything will be okay.”

“No it won’t,” he chokes, staring straight out the window and not moving. “Everyone’s gonna hate me.”

“No they won’t.”

“Yes they will!” Taemin screams, his head snapping abruptly to turn to Jinki. “I have to be perfect! And not being single makes me not perfect! Dating a dude makes me not perfect!”

“Life is not about obtaining perfection,” Jinki tells, his voice firm. “You work your body to the point of pure exhaustion, mentally and physically, trying to achieve something that’s impossible. Your fans love you because you’re you. Because they like your music and your personality and your dancing. Real fans won’t give a shit who you’re dating so long as they make you happy.”

Taemin doesn’t say anything for a while, instead going back to staring straight ahead. Jinki ends up walking Taemin up to his house, making even helping him over to the couch. Taemin is completely dazed, and it’s really worrying.

“I’ve worked so hard,” Taemin eventually says in a strangled voice. “For practically my whole life, I’ve worked so, so hard to be good at this. And it’s all ruined.”

He’s panicking and tears are spilling from his eyes and Jinki just sits next to him and holds him close. He’s been Taemin’s manager since he debuted, he knew exactly when Taemin started Kibum, he’s been there for everything Taemin’s ever had to go through. But this is by far hitting Taemin the hardest.

But of course it is. It’s a blatant invasion of privacy, and it really does have the potential to ruin Taemin’s career. Jinki won’t let it, of course, but that doesn’t mean the possibility can’t scare Taemin.

Jinki rarely sees Taemin cry, and this is by far the most he’s ever seen Taemin cry so desperately. Jinki sits with him for hours, consoling him, comforting him.

When Kibum comes home later that night from teaching a dance workshop, he freaks out over seeing a crying, distraught Taemin being held by his manager.

“What happened?” Kibum asks, rushing over. “Did someone get hurt? Are you hurt? What happened?”

Jinki has to tell him, because Taemin can’t quite form a coherent sentence.

Kibum is pissed. He’s angry and pissed off and he wants to do something about it, but he decides the best thing to do right now is just help Taemin calm down.

“I’m gonna go,” Jinki says after Taemin finally starts breathing normally again. “I’ll text you any updates on the situation. Just try to lay low for now.”

For the next three days, Taemin barely leaves the bed. He doesn’t answer calls, he doesn’t go online, he barely even looks at his phone. He just stays in bed either staring out the window, sleeping, or watching old kids movies.

Kibum stays with him as much as he can, tries to help him feel some sort of comfort. But they don’t really talk much. He’s never seen Taemin retreat into himself as much or as drastically as this.

“I’m gonna go get us something to eat,” Kibum says gently after a couple days. “Do you want anything specific.”

“Not hungry.”

He’s barely eaten anything if Kibum hasn’t practically forced him.

“I’ll be back in a little bit,” Kibum says. “Maybe try showering before I get back?”

“Kay.”

He probably won’t. Kibum knows he probably won’t.

While the incident has been in a few gossip columns, it’s been effectively buried by the company. It could have potentially ruined several of their most popular artists, it wasn’t something they were going to let get out there. Really, they said the documentary was highly fabricated by the director, that it was entirely unreliable and fictional, and that’s enough to appease the general public and fans alike.

Although many fans know the dating rumors are true. Most of them don’t care. Taemin’s fans in particular have known about Taemin and Kibum for years, but they’ve never been bothered by it. So long as Taemin is happy, that’s all they care about.

But Taemin is clearly unhappy during this time. The photos and videos of him leaving the original viewing very clearly show him upset and panicked. He’s been MIA for over a week since then, and even Kibum’s Instagram and online presence has severely declined in activity. He posted from the dance workshop that was held the same night, but nothing since then. It’s very worrying, especially since Kibum usually posts at least once a day, if not more.

It’s not until Minho, an actor and frequent variety show guest, finally speaks up about it that Taemin realizes maybe it won’t be the end of the world.

“We might be in the public eye, but we’re still people,” Minho says. “And to put these relationships on blast and just out all these relationships as what? A power move? Is just so reprehensible. It doesn’t matter if they’re true or not, you’re actively trying to ruin someone’s career because you think idols dating should be talked about more. But that just opens us up to more potential for hate by non-fans. And seeing so much hate does a lot more damage to a person’s health than you think it would.”

Minho, although not technically an idol, is an actor under SM. And his relationship with a stylist within the company was shown as well.

But seeing that Minho is okay, that he’s still out there doing his job and his life isn’t crumbling around him - that helps Taemin realize his career isn’t over because of one potential scandal.

Taemin is back to his usual self after a couple weeks. He’s still nervous and afraid of backlash, but he tries his best to just be happy in the moment. Plus, it helps that Kibum is so supportive.

After almost two weeks of complete silence from both of them, a fun video of Taemin learning new choreography is uploaded to Kibum’s Instagram. They’re in a company practice room, and Taemin comes out of a spin giggling, a little dizzy, and falling over to make funny faces at Kibum. Five minutes later, Taemin posts a mirror selfie in the same room with Kibum standing right next to him, an arm wrapped around his waist.

They’re so obviously together. They’ve never been super subtle about it. But they should be allowed to make the decision of when to officially announce it. And right now, neither of them are comfortable doing that. And that’s okay.

#taemin #shinee #key #onew #minho #taekey #little things au #hello anon #I hope this is okay!!! #I was still trying to figure out what roles they should play in this au #it I think manager and actor/friend work well for onho!!!

[taephorian]

BTS Reaction — You being touchy with your boyfriend in front of another member

Humming to the graceful music playing in the kitchen, you pour yourself a bowl of cereal as you wait for your boyfriend who has gone out to buy groceries some time ago. Jimin is at the other side of the kitchen, making himself his usual breakfast — a toast and a cup of coffee.

"Don't you ever get sick and tired of eating the same thing every morning?" You ask, peering over your shoulder to look at the black-shirted male. He chuckles at your question as he stirs the coffee. "Not at all."

There is a click from the front door and shuffling could be heard, signifying the return of your boyfriend. Jin creeps up behind you cautiously after settling down the heavy bags of groceries on the kitchen table. Wrapping his arms around your body in a back hug, he kisses your neck gently. The cringe feeling of his wet lips on your skin makes you squeak out loud, causing Jimin to turn around.

Not wanting to watch the scene unfold in front of him any further, he resumes stirring his coffee, not forgetting to clear his throat to signal that he is there. "Jin hyung, you're back."

Jimin's words act like a magnet, making Jin freeze before he pulls away from you with a hint of red on his cheeks. Embarrassment overwhelms him as he tries to stop the blood flowing to his face. "Oh Jimin-ah, didn't know you were there."

You absolutely love movie nights. They are amazing and all, especially when you are with your best friends and together with your boyfriend of two years. This time, however, it is Namjoon's turn to choose a movie, and of course, you need to admit that you have never seen anything more dull and monotonous.

It has been proven that Namjoon made the wrong decision, resulting in more than half of you falling asleep, and the rest of you too occupied with your phones. Take Yoongi, who is sitting beside you, for an example. He is currently snoozing away, completely unmindful of his surroundings.

Then, all of a sudden, a hand grabs onto your right thigh, proceeding to inch higher and higher. Instantly, you know who the culprit is, and your eyes flick over to Yoongi at once. His eyelids are no longer closed. He has a smug expression across his face that you wish to wipe off so desperately, but all he does is shrug when you offer him a death glare.

Maybe God is by your side, because Jungkook, who was totally immersed in scrolling through his Instagram feed, takes note of your uneasy expression and fidgeting figure. He takes a second to examine the situation before he could finally understand what is going on.

The maknae squeezes his eyes tightly as he whines in annoyance.

"Ah hyung! Not now!"

You are not lying when you tell your boyfriend that his lap is much more comfortable than the leather sofa. Hoseok chuckles heartedly as he slips his hands around your figure. As he nibbles and kisses your ears from time to time, the itchy and tingling feeling makes you giggle.

You notice that Hoseok loves doing that; probably a way to show his love for you. Not that you are complaining though, because both you and him know that you like it as much as he does.

The other member in the room does not seem the least bit bothered as Taehyung stands up and interrupts the sweet session. "Do any of you want chips?"

When neither of you reply — a little too focused on each other — the silver-haired male simply shrugs, strolling out of the room to the kitchen, his eyes still fixated on the screen of his phone. When the hunt for his chips is over, he brings the snack back to the room, eating them while he watches a series of YouTube videos.

"So… only a tank top and short jeans, huh?" Namjoon wriggles his eyebrows playfully as he pulls you closer into his embrace. Your boyfriend did not mention anything about his other friends being present at the moment so you did not bother dressing up appropriately.

However, you did not know that he would not be able to keep his hands to himself when you wear what you normally do at home. "So how's your week, sweetheart?" Namjoon asks, wrapping an arm around your bare shoulder, rubbing it up and down. "Nothing much, just missing you." You answer with a giggle.

On the sofa opposite the both of you sits Yoongi; a weirded out look spread across his face as he stares at the couple in front of him. "I miss you too…" Namjoon whispers, his words trailing off when he leans in to give you a peck on your lips.

"I miss you even more." You pout, kissing him on the cheeks. Namjoon closes the gap between the both of you until you could feel his breath blow against your lips. "Trust me, I miss you even more." He says.

"God, not in the fucking living room, please."

Only then you and Namjoon remember that the 26 year-old has been there all along.

"Ah Jimin stop!" You scream playfully when Jimin hovers over you, kissing you all over. Giggling from the ticklish feeling, you grab him by his waist to stop his actions.

Your boyfriend has been teasing you the whole morning about how cute you look when you are in his hoodie, and it has somehow turned into this — him kissing you everywhere possible, and you struggling to breathe.

When Jimin finally pauses for a break, you lean up to kiss him properly as he smiles fondly at you. However, Jin just has to budge in your boyfriend's room right at that moment. From the angle of the door, the position you and Jimin are in seems extremely inappropriate. Jin feels like he has just gotten the worst shock of his life.

"What do you think you're doing!" The eldest shouts, a frown forming on his forehead.

Startled by the sudden outbreak, Jimin falls down next to you in a split second as his hyung scans the scene in front of him. "Hyung, it's not what it looks like—"

"Then what is it, huh? What other excuses can you tell me other than the both of you about to have—"

"Oppa!" You interrupt Jin, shock that he would take it that way. "We weren't! We were just playing…"

Jin narrows his eyes suspiciously at the both of you. "Fine. But remember to use protection when you're going to—"

"Just get out already, hyung!"

"Jagi, I missed you so much." Taehyung pouts, hugging your body tightly as if he never wants to let go again. Hoseok, too distracted by you and Taehyung, is not able to concentrate on his song writing. Trying to block out the both of your voices, he rubs his temples but to no avail.

Taehyung has you cornered on the edge of the sofa in the speed of light as he leans in closer and closer to your lips. You want to remind him that Hoseok is still in the living room but it will just spoil the mood. Right when your lips come into contact, a cough breaks the kiss but Taehyung dives back in immediately for another one.

"Taehyung-ah, do you mind?"

"No I don't."

Peeling your boyfriend away from you gently, you give him flying daggers for being rude to his hyung. "Let's go to your room." You whisper, pulling him up by his arm and dragging him to the direction of his room, not forgetting to send an apology to Hoseok before leaving.

You and Jungkook cannot stop the laughter that erupts from both of your mouths as a pair of hands reaches out to tickle each other's waist once again. His knees are on the sides of your legs as he hovers over you to tickle you in a better position.

A high-pitched cry of Jungkook's name slips past your lips when he tickles your most sensitive spot. Namjoon, who decided to walk in on both of you freezes in front of the door to the room, contemplating on whether he should check up on the both of you or not.

His hand shakes violently as it rests on the doorknob, twisting it ever so carefully, hoping that he does not interrupt any of you. Pushing the door slightly open, he peeps in and releases a deep breath that he does not know he has been holding. Relief swallows him up when he sees the both of you having the most joyful time of your lives.

Closing the door quietly, Namjoon steps away from the room before mentally beating himself up for thinking of something that is not appropriate.

END

#namjoon #seokjin #yoongi #hoseok #jimin #taehyung #jungkook #bts #bts reaction

[ben-solo98]

I can’t believe anyone at Warner Bros thought it was a good idea to release the theatrical version of JUSTICE LEAGUE when this version exists. I’m glad Zack was allowed to come back and show us his true vision. It could just be the 4 hour runtime, but it feels like an epic from the classic days of Hollywood. I really like Zack Snyder, I think he's a visionary director. I also think he's overpraised and overhated at the same time. He has a very vocal and passionate fanbase who think he's a god of cinema and then there's an equally vocal group of people who think he's one of the worst things to ever happen to movies. I like him a reasonable amount. Even if I don't always love his movies in their entirety, he's puts some of the most beautiful visuals on screen that I've ever seen, especially in the comic book movie genre. He also made me appreciate Superman, I've loved superheroes my entire life, but I was mostly into Marvel when I was a kid and when I did venture over to DC it was primarily for Batman, couldn't care less about Superman. Boring. Until I sat in a packed theater in June of 2013 to watch MAN OF STEEL in IMAX 3D and Zack Snyder (and everyone else involved) blew my mind and finally made me understand/appreciate the character of Superman. I'll even defend that Kevin Costner death scene, I don't care. Supes is only a small part of this film, but all of the scenes featuring him and/or the supporting characters from his solo ouing were some of my favorites, because of what Zack and the cast (especially Henry Cavill) had set up in the previous two films, but also because it was usually underlined by Hans Zimmer's amazing Superman theme.

On paper, the story is very similar to the theatrical version, but it feels like a completely different film. I didn't hate the theatrical cut when it first came out, but it definitely felt like it was nowhere near what it could have been and the more time that has passed and more we've learned about the controversies behind the scenes of those reshoots, the more problems I've found myself having with it. There's a different tone to this cut and while it's still not a perfect film, it's executed 1,000 times better. There's only about 4 or 5 scenes that I think are exactly the same and obviously since this movie is twice as long it's mostly new footage. My two favorite scenes from the theatrical version were Wonder Woman's entrance and the History of the Mother Boxes. Both scenes were still present here, but they were extended, more brutal and all around more awesome. Which just proves you gotta let Zack complete his vision, he knows what he's doing. It also proves that most of what was likable about the last one was because of Zack. Ray Fisher as Cyborg was a big highlight for me the last time around. Another character I didn't really care about until I saw his portrayal of him, which really says something about how great of an actor he is because he's been very vocal about how he was mistreated making that version of the movie, plus his role wasn't nearly as significant, but he still came out as one of the only really great things about that film. He's even better here, we get some much needed backstory on his character and next to Superman, he's kind of the heart and soul of the movie, it all falls apart without him. And it's refreshing to see a black character like this portrayed in such a positive way, I'm certainly not an expert on the subject, but I couldn't help but think that we don't really get to see black men cry much on screen. I really hope this isn't the last time we see him take on this role.

Ezra Miller as the Flash is a big step up as well, I didn't hate their interpretation in the last film, but the Flash was definitely my least favorite character. Wasn't ever excited about the character's upcoming solo film until now, my mind has been changed. Ezra Miller is a very solid Barry Allen and brings some much needed humor to the table. His powers are also fully utilized here, that's the thing about this cut of the movie, every character gets their moment to shine. I still think this film was lacking in the Aquaman department, there's some continuity issues between this movie and his stand alone feature. Mainly that we're introduced to two supporting players from his film and they feel like completely different characters. All of my Aquaman problems happen in the first half, I still thought Jason Momoa did a great job. I'm one of the few people (maybe the only person) who's been a Batfleck fan since the day they announced Ben was cast in the role, it's a shame we'll never get to see him in any Batman solo movies, I was really looking forward to that. J.K. Simmons is only in two scenes as Commissioner Gordon, but I want like 5 Batman films with him reprising his role. There's actually a few big actors who were in the first one and I didn't know why they agreed to do it and they don't get much more screen time here, but they actually feel crucial to the story. Also Jeremy Irons is an underrated Alfred, I think Jeremy Irons is just underrated period.

Steppenwolf is definitely a worthy villain this time around. I don't know why Joss Whedon decided to change his design or his motives/backstory, or why you'd completely cut out Darkseid, but that sucked, this was good. Occasionally he'd say something that made him sound like a bad guy from an 80s cartoon or old video game, but overall it was good.

Tom Holkenborg's score is phenomenal. Danny Elfman did it for the other one, I usually like him, but Tom's works a lot better. And some of Danny's comments make it seem like he has a really big ego and Tom's have made me feel the opposite. Almost everytime Wonder Woman came on screen this female warrior cry/siren song (I don't know how else to describe it) would play, at first I thought it was cool, but after 4 hours it got old. That's my only criticism about the score. There were a few "strange" music choices, Zack is known for those, sometimes I think he just does it because he likes to troll the haters, I respect it regardless. But, the last film had two covers recorded for it I really liked: "Everybody Knows" by Sigrid and "Come Together" by Gary Clarke Jr. (Which I've been on record saying it's "better than the Beatles' version"). I missed those songs a little, but also, not a big deal, ultimately.

I thought the 4 hour runtime would be way too long, but honestly, it worked. Nothing felt unnecessary, the story flowed at a reasonable pace. Sure, you could have probably cut out the last twenty minutes because it gives the film 3 or 4 different endings that just set up future films that will probably never happen now (I hope I'm proven wrong), but as a fan, I loved those scenes. I'm looking forward to see what happens and if anything good in the realm of DC films comes of releasing this. 8.6/10.

#thesnydercut #ForAutumn #JusticeLeague #moviereview

[ozis-paradise]

ØZI for Tatler

published july 3rd, 2020

[translated by me, proofread by @baobeejun]

Free like water, a born star! From Irene Yeh's son to the new king of popular music, the dazzling star you need to know: ØZI!

Bright red highlighted hair, equally red earpieces hanging around his neck. The boy with eye-catching tattoos is sitting on the make-up chair, skipping his feet while eating breakfast and he exudes a rebellious and free, yet delicate and pure atmosphere. Soon after his debut, he was shortlisted for six Golden Melody Awards last year and won Best New Artist. At the mention of his name, everyone will exclaime admiration and excitement, ØZI seems to have become a synonym of "cool" and "red" among the younger generation.

"I think I'm too rational, 100% rational, I should also be a little sentimental." This cool-looking artist was told by his agent that "his temper is very good, he most likely won't look angry." Isn't it a little unexpected for a rational rapper to be so talkative? Doesn't he also like to drink beverages with either honey or strawberry? Everytime ØZI gives a new answer, people have to reconstruct the imagine they already had in mind of him, contrasting to his appearance there is a vibrant and rich soul ready to stir trouble (in a "catching peoples attention" kinda way). Speaking of his definition of freedom, ØZI jokes "Freedom means that my agent won't call me, no work, blocking my agent's calls!" But in fact, the interpretation of freedom in his heart is somewhat aloof and mature: "Because society has a lot of rules, as far as I can tell, no-one is free; from family, love to friendship, they all have their own rules. But freedom comes from inner stability, it should be "like water", just then you're free. When it is placed in different containers, it becomes it's shape, it can adapt to every environment; to me, this state is freedom, because you can be free from restrictions and confined space."

When asked if he's free now, he mutters "Not necessarily, sometimes I get stuck when my inspiration runs out. It's been a little better lately, it wasn't like water in the second half of last year, instead it was more like ice cubes!" Last year was too busy to think, it was described by ØZI "like the mind is drying out". And because of his plans to go to the United States to relax at the beginning of this year - he didn't expect the immediate outbreak to happen - he got more time to produce, "I'm free now, I'm simply water now!", he smiles.

Living in a prominent family of performing artists - his mother Ye Ailing is an all-round entertainer, his father Chen Wenbin is a well-known photographer - ØZI's creative path can be said to be expected. Because his parents are both in the industry, he grew up in a musical environment ever since he was a child. But when it comes to his own creations, in fact, ØZI liked to draw as a kid. In Junior High, he liked to make and arrange music, in High School he began to write melodies, lyrics, from drawings to producing movies, "creations" of change because as a child, he liked to be "original" about this. He had six Music Videos, all on his iPhone. "At first, my dad said that there were a lot of problems with my Music Videos, so I was trying hard to improve, I learned about lighting and so on, just to prove that my Music Videos can look good, I wanted to get his approval!"

The requirement of children of celebrities is a blessing but it's hard to hold a grasp of it, it's difficult to excuse mistakes. The music world describes it as "to be born a Super Saiyan (means something like "Second-Generation-Star" because he's the son of famous parents). ØZI explains: "I was just lucky to be born into a musical family, I have enough space to be understood and supported. My dad knows what it's like to be a creator, my mom knows what it's like to be a performer. So I had the chance to train to become a Super Saiyan." It's a double edged sword, everyone was paying close attention when ØZI was nominated at the Golden Melody Awards. "After the rookie award, in addition to putting myself under a lot of pressure, I didn't change any of my creative motives and I'm very expressive. So if you don't get rewarded, you get mad at yourself." Maybe stress occasionally hinders his creative work, but at the same time, it's also a sign of determination to succeed and break through the golden sunken ship.

ØZI's first well-known Chinese song "Title" is about not being bind by anything, about wanting to have more freedom, more creative freedom for everyone. He's been making music for his "mission to internationalize Chinese Music" from the very beginning. "The internationalisation is something that not everyone can do, we listen to music from Latin America, Hip-Hop, K-Pop, it's all because of their atmosphere. For me, every artist has their own way of interpretating their culture. It's very important to let everyone know "Oh, that's C-Pop!"" And the new plans of ØZI will be followed by the release of some singles, a new album will also be released this year. He also revealed that he's working on three different projects at the same time now, experimental and core concept types. There's even a project that's "looking for the next stage of ØZI" trying to give his music a new image. "There will be a lot of music you have never heard from ØZI before, some experimental music, I can't reveal much!"

He's 100% rational when it comes to his family, but his sentimental tone betrayed him; when he talks about music, he becomes serious. Introducing his new tattoo is as exciting as being a little boy. His soul is free, but "ØZI" still has a lot of unavoidable restrictions.

"ØZI is the character I created, he's the embodiment of self-confidence, he has to be perfect. The self-confidence this character needs will be infused into my spirit, but this is only one part of it", he says slowly. With his high and straight nose bridge and the fine and smooth line of his chin, ØZI looks somewhat like his mother Ye Ailing; but he has taken off the label of being a celebrity's child, that used to stick on him tightly, a long time ago already. He's ØZI, free like water, a born star.

TATLER discusses with ØZI

What do you do to pass the time that make a perfect holiday?

Go to the beach of an uninhabited island alone or with a group of friends, lie on the beach and drink cocktails, read a book, maybe listen to music, sleep.

What do you like to do the most when you don't have to work?

Playing video games, eating, getting a massage, sleeping, watching Netflix.

If you could have one drink with an idol, who would it be?

Canadian Rapper/Singer Drake! So I can understand his logic of running his OVO Empire and see if I can absorb it and apply it on my own label.

Your motto?

The tattoo on my leg, it's a famous quote from "Batman: The Dark Knight Rises": "Why do we fall? So we can learn to pick ourselves up."

Who is your life idol? Why?

Christopher Nolan, the director of "Inception"! Actually, everyone who gives me inspiration for a period of time is my idol.

What would you recommend to watch on Netflix?

I actually watch anything, from serious "13th" to pure entertaining "Too Hot To Handle", I want to absorb different elements.

Please define freedom in one sentence?

Be like Water!

Which abroad city do you want to visit first after the ban gets lifted?

Greece! I went there for the first time when I was shooting the MV to "Paradise Island", and I thought I have to come back when I get the chance to! It has a peaceful charm between the island and the city, it has their own ancient culture and beach parties, everyone is very relaxed and the atmosphere is very cool.

Favourite drink?

Apple Milk or Honey Water, I like the Honey or Strawberry kind.

When your mood is low, what do you do to cheer up?

Playing video games, hanging out with friends, working out.

What games have you been playing lately?

The remake of Final Fantasy 7, the graphics have changed very beautifully.

#øzi #ozi #tatler taiwan #tatler #interview #translated #200703