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🗣️Never stop learning new languages - Who knows when they will come useful again! 🤣🇵🇱

🎟️This summer, Joker Out will be performing at Lovestream Festival in Slovakia 🇸🇰, and so will 50 Cent (@50cent aka Pięćdziesięciogroszówka 🤭)! Info and tickets are available on Lovestream.sk

🔗Full interview with Joker Out and the Polish team of JokerOutSubs is available on our YouTube channel!

#joker out #bojan cvjetićanin #kris guštin #jan peteh #jure maček #nace jordan

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🌱Happy Sveti Jurij ('Saint George's Day') to Jure Maček who knows his Saint Name Day. Almost... 🤔

Check out the full Padova interview if you missed it!

👉youtu.be/8tOL4QQ2Edk

The article below is written in Simple Slovene, perfect for language learners, and explains all about Jurjevanje!

https://www.rtvslo.si/enostavno/spoznajmo-slovenijo/spoznajmo-slovenijo-jurjevo/620933

In Bela krajina (White Carniola) Jurjevo is celebrated on the 24th! Jurjevanje is a dance, music and song festival, featuring traditional Bela Krajina folk dances.

Bela krajina folk dances: https://www.youtube.com/watch?v=ADKz_P3-XVs

Or you can celebrate Sveti Jurij with us by listening to this evergreen hit by Magnifico!

All edits by @beeoftheanxieties

#joker out #jokeroutsubs #jure maček #Youtube

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📢Queue and A: Tales from the London show (11.4.2024)

Our newest episode of Queue and A is now up on our Spotify and all the other linked accounts! 👉

More platforms available here.

#joker out #jokeroutsubs #bojan cvjetićanin #kris guštin #jan peteh #jure maček #nace jordan #Spotify

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We read some comments posted under JO official's TikTok account to Baby Boos in the London queue and had them guess who the comment was about. Can YOU guess who this is about?

New Queue & A episode out today, 6pm CET!

Interview credits: Grace @/gboleyn123 (instagram), Saara and Breda @/fabriconmyhead (Instagram)

#joker out #jokeroutsubs #bojan cvjeticanin #bojan cvjetićanin #jan peteh #nace jordan #kris gustin #kris guštin #jure macek

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🌞Bojan Sundays🌞

ENG SUB: Bojan for Mercator Minute!

💭If Bojan could live someone else's life for a day, who would he choose? 🤔🐕

Original video posted on Mercator's Facebook. Translation and video by drumbeat and another JOS member.

#joker out #bojan cvjeticanin #bojan cvjetićanin #BojanSundays

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🎤Missing Joker Out concerts already? Let’s go back in time to the London gig!

✨A few members of JokerOutSubs attended on the 11th April and interviewed several Baby Boos in the queue.

🗓️Get ready for our second edition of ‘Queue and A’, out Monday at 6PM CET!

https://podcasters.spotify.com/pod/show/jokeroutsubs-podcasts

#joker out #jokeroutsubs #bojan cvjetićanin #kris guštin #jan peteh #jure maček #nace jordan

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[ENG SUB] Bojan interview for Eurosong.HR (24.4.2023).

Full video translation available on our YouTube channel:

Transcript and translation by @moonlvster, proofread by ry (klamstrakur on Twitter), Grace (GBoleyn123 on Twitter) & Teo (yiboego on Twitter), subtitles by Teo.

#joker out #jokeroutsubs #bojan cvjeticanin #bojan cvjetićanin #youtube

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[ENG SUB] Are you already missing Joker Out concerts? Here’s one straight from 2021. Joker Out concert in Postojna Cave (20.06.2021).

Full video available to view on our YouTube channel:

Transcript and subtitles by a member of JokerOutSubs, translation by @varianestoroff, proofread by @/krisbest (Instagram)

#joker out #jokeroutsubs #bojan cvjeticanin #bojan cvjetićanin #jan peteh #nace jordan #kris gustin #kris guštin #jure macek #youtube #martin jurković #martin jurkovic

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📝ENG Translation: NEW VOICES: RAIVEN in conversation with Bojan Cvjetićanin

Article published in April 2024 issue of VOGUE Adria magazine, English translation by @kurooscoffee, @moonlvster and a member of Joker Out Subs, Proofread by IG GBoleyn123.

Whatever it is, in its essence youth is almost always intense, authentic, revolutionary and brings new things even when it is not aware of it, and if there is a great example of this statement, then it is certainly this year's representatives at the Eurovision song contest from the countries of our region. It has not happened for a long time that at the same time Slovenia, Serbia and Croatia are represented by members of the younger generation who also bring a completely new sound. While Teya Dora extremely successfully brings ethno-influences into pop, Raiven gives her operatic background a pop form, and Baby Lasagna brings a rock sound with a specific local twist. However, in addition to being refreshing in the musical sense, they also know the little secret that "a song can bear everything" and that in it, it is possible to say more than in hundreds of words, so with their songs they open not only a new chapter in the music scene of the region, but also some important questions: migrations, feelings of rejection and not belonging, regeneration and triumph in difficult times. This year's Eurovision representatives talked about this sacred thing (and much more) with their colleagues Ana Đurić Konstrakta, Vesna Pisarović and Bojan Cvjetićanin, who participated in some of the previous Eurovisions and shared questions, doubts, experiences, problems, plans and excitement about the upcoming contest.

Sara Briški Cirman, Raiven, talked to last year's Slovenian Eurovision representative Bojan Cvjetićanin from Joker Out about authenticity, which always wins, stage fright and the new Slovenian music scene.

BOJAN : We haven't spoken for a long time, practically since the last interview we did via webcam, I called you from London last time if you remember.

RAIVEN: Yes, I remember. This is going to be very special now because I can't even imagine how the conversation is going to go, because you're going to be asking me questions mostly, and I think it's usually the other way round, so...

BOJAN: Look, I have a lot of questions prepared for you and I'm really looking forward to talking to you. I think it's best if we start with the fact that your life is probably mostly painted with the Eurovision colours at the moment. Please tell me, how has your Eurovision participation shaken up your inner state of mind? What is going on in your head?

RAIVEN: Yes, this Eurovision is absolutely much more mentally exhausting than one would think. Above all, I think it's not only stressful for the artist, but also for the people around the person who is going to Eurovision. There are many emotions, from excitement to fear and horror. Everything is present, but it is the most exciting period in my life so far.

BOJAN: You're an independent music artist, you're not signed to any record label, right? Do you, already at this moment, before Eurovision itself, see the disadvantages or advantages of being an independent artist?

RAIVEN: Yeah, there are definitely advantages in terms of having more creative freedom, but Eurovision is such a big project that I think it would be nice to have a bigger team of people behind you to help you out, but I still have a lot of people I can rely on and work well with. Through the Eurovision process, I've also got a sharper radar of who I'm cool working with and who I'm not.

BOJAN: Do you feel any fear? Do you feel equally competent to the other performers? Some of them probably have a background in the music industry, some of them absolutely come from these so-called powerhouse countries of Eurovision. How do you feel?

RAIVEN: I have a chance in terms of having some kind of starting position, but at the same time I feel a little less pressure because I feel that if you come from a bigger country, you have higher expectations about the result.

BOJAN: Okay. What is your realistic goal? What would you want in a year? I mean, in one year, Eurovision will be ten months behind you. What would be the ideal result for you in one year?

RAIVEN: I would probably be happiest if I managed to have concerts abroad. I also think my music is suitable for a foreign market. Yes, I would definitely be interested in that. I think you have more than obviously shown that it can be done, but there are a lot of factors. To go abroad would be ideal for me of course, at least to the Balkans. That seems somewhat realistic to me.

BOJAN: The Eurovision stage will absolutely be the biggest stage you have ever stood upon. Will Sara be scared?

RAIVEN: Yes, of course I'll be scared. But above all, I feel a very strong responsibility to myself not to disappoint myself, to be relaxed and confident enough in the moment, and ready enough to really enjoy it. I mean, everybody tells me that I have to go there first and foremost to enjoy it, but I honestly don't go there with that mindset. I'm sure I'll be happy if I enjoy it too, but I think I'm going there to work first and foremost. Then, when all the things and all the preparations have gone at least roughly as I had imagined, I can enjoy it.

BOJAN: It's been a while since the song has been out. Tell me, how are your ears reacting to the song today?

RAIVEN: I'm very proud of this song. I don't think I've ever released a song that I could stand behind so much. It's also absolutely clear to me how I could have approached it more tactfully and made a different song that might have been more suitable for that stage on a first sight. But it's a song that I'm still not tired of now that I've sung it a million times and that I've been rehearsing for a really, really long time. I know that at this point in my musical development, this song has been through the most; it's the best I can give of myself and I've put all the knowledge and all the experience I've gained so far into this song, so I'm very proud of it.

BOJAN: Nice. I like to hear it too and it always stays in my head when I hear it, so it's a good ear worm, even if maybe it's not uniform.

RAIVEN: But I have to say that I often think back to when you came to me and when we were still working on the song a little bit, because the song didn't have that most important hook in the first place, "Jaz sem, ti si, Veronika" ("I am, you are, Veronika"), and I often think back to what it would have been like if the song didn't have that part. I feel like it really elevated the song to a whole other level and gave it a part that maybe I wouldn't have dared to give it because I would have thought it was too hooky for me. I don't even know what I was thinking before, when that part wasn't there, so thank you.

BOJAN: My pleasure. I agree that a good part is in the right place. It definitely has a role to play. You know, I believe that the universe tends to take us where it can take us, if we're already working in that direction, to believe in our own success and in good energies. It was bound to happen, and it did. You performed at the Croatian Dora and sang Veronika for the first time in a stripped down version, in a different shape, acoustically, and as far as I could tell from the comments, it was very well received. Are there any more of your opera inserts to look forward to at Eurovision? Or is that a secret?

RAIVEN: I don't know exactly what people perceive as opera. If these high notes that I shout at the end of Veronika are operatic, then yes. I think it's a dangerous path for me, this pop genre of opera, because I think it can quickly take on a corny undertone, so I'm very careful when it comes to including opera into pop. But I'm sure it will be very audible on the Eurovision stage that my technical singing fundamentals are based on classical training.

BOJAN: Interesting, interesting and beautiful. The performance will, I assume, also have a strong dance or choreographic theme. I believe, given that we approached Eurovision pretty much on the principle of "Let's try to make a concert experience," which also meant that the choreography was really minimal and we didn't bother with it too much. But maybe you're even more worried about the choreography part than the actual performance?

RAIVEN: Not really, because I feel like with the choreography, if I can even call it that, because it's not really that, we've approached it as coming from me and coming from some natural movement of mine. I felt liberated to accept that I'm not a dancer and I don't need to look pretty or sexy or like some conventional beauty on stage and I've embraced this awkward moment that I'm having and I feel very comfortable in all these movements that we've put in, so now I don't (worry) anymore. But I have one question for you. What advice do you have for me as a female musician who is not so much conventionally or commercially oriented, but is still going to be standing on the Eurovision stage, who maybe even has a certain requirement from a female singer to be a Beyonce type singer?

BOJAN: My honest opinion is that Eurovision is the festival where unconventional acts have absolutely thrived the most so far, i.e. those who have managed to break through the boundaries of what we think of as ordinary. It seems to me that if in those three minutes it is clear to everyone that what you are presenting on stage is sincere, that is to say, that this mystery or complexity is part of you and that this is evident both in your performance and in your aura, then that is the only recipe for success, as far as I am concerned. That is to say, if it looks real, it is real. I think you know very well what you represent and what you are doing, so you just have to carry it through to the end and carry it through flawlessly.

RAIVEN: Hm, if you were going to Eurovision now, would you do anything differently? Or would you as a band have done something different?

BOJAN: I would definitely dress differently. I wouldn't change anything else, honestly. We were a bit too colourful maybe. But it was all part of the moment, we were having a blast, we were wearing the Garden of Eden colours, and it all happened as it should have happened. I wouldn't change anything else. We had a great team, we had great energy. Luckily I wasn't nervous on stage when I had to be myself, that's it. Obviously, a huge part of Eurovision is what happens behind the stage. The Eurovision community is very involved and they really love what goes on. Tell me, have you made any friends, at least through social networks or otherwise, with any of your fellow soldiers this year?

RAIVEN: Yes, I have. I met Baby Lasagna at Dora and we had a little chit-chat and I told him I was a big fan of his song and he said he was a big fan of mine. And then in another interview he said really nice things about me, so I've already gotten to know him and I'm also mutually following quite a lot of the artists on Instagram. There are a couple of them who are really inspiring me now that I've got to know their music.

BOJAN: Yeah, Baby Lasagna, is he still first at the bookies?

RAIVEN: I think so, I think that's pretty impressive, and especially that story of his is pretty cool.

BOJAN: Would you rather win the Eurovision and then not have much happen to you, as it goes for most Eurovision winners, or would you rather live up to the success of Rosa Linn, who was, I think, 20th, and then took the whole world by storm with her song?

RAIVEN: I would have loved to have had the success that you have had. I think you guys are a total inspiration to me.

BOJAN: Thank you very much. I also sincerely wish that it opens up for you in that direction, because our life has totally turned upside down in a very positive way. That dream that probably every kid has, once they start a band, to be able to play, let alone to be able to play in Europe; we've now managed to live and experience those things in one year. Without Eurovision, I'm sure it wouldn't have happened as quickly or as powerfully, so that's very nice and I believe you will do it too.

RAIVEN: But I think that you have given a lot of drive and pride to people on the Slovenian scene in general. What do you think about the young music scene in Slovenia?

BOJAN: We emerged on the music scene here, let's say, in 2014. That's when we started with our first band. I think we had already signed up for a gig in 2014 or 2015, with Apokalipsa. This was at a time when Kino Šiška was already running Špil Liga¹ and had newly produced a band called Koala Voice, which at that time gave a strong sense of something fresh on the Slovenian music scene. Koala Voice and Persons from porlock were probably the first two bands that managed to get a younger audience on their side and then the gigs started, the festivals booked the young artist, considering that the scene in Slovenia has been pretty much of the same colours and stagnant for the last 15 years. Then in 2016/2017 we formed, MRFY formed and I would say that then they and we, together with Koala Voice, became the carriers of the new wave of music in Slovenia. Then bands like Lumberjack and KOKOSY quickly joined, and now we have MASAYAH, so suddenly a lot of young artists started to appear, including Jet Black Diamonds, who managed to attract people to their concerts by themselves, which was not the case in Slovenia, let's say 10 or 15 years ago. I would say that the music scene in Slovenia is going through a total renaissance, so it's absolutely more than clear that the music scene has changed a lot in a positive way.

¹Competition for student bands organized by Kino Šiška, which Joker Out won in 2017

RAIVEN : How would you say pop artists are perceived in Slovenia and what is Slovenian pop like? Because most of these new artists that you mentioned are mainly from the band category.BOJAN: Slovenia is very different from the Balkans here because Balkan pop is more kafana/club pop, which is not the case with our pop. We have, or always have had, a lot of artists who have a media presence and appear every year, for example at the traditional Portorož² festival, or at these events that we have, but they never have their own concerts. In the Balkans, I don't think this is the case, because the performers are really very regularly playing at locations, whatever those may be.

² Kafana pop is a genre of music typical to the Balkans, and mostly consists of commercial folk/turbofolk songs. Kafana is a distinct type of local bistro, common in some former Yugoslav countries, which primarily serves alcoholic beverages and coffee, and often also light snacks.

³ The Portorož festival that Bojan mention is annual pop/ballad competition called "Melodije morja in sonca" (Melodies of the sea and the sun).

RAIVEN: What do you think is the reason for that?

BOJAN: For me, the reason is that there is no audience for the pop music that exists here. It seems to me that it's not music that you can transfer into some kind of a location and that somebody will actually go and listen to it; it's music for radio, for TV shows and so on. Folk music is performed, folk bands are by far the most present on the live music scene here, but pop artists are not, because it is very difficult to get that kind of music on the stage. I think most pop artists in this country don't even have a band or a concept, so they're practically just media personalities as far as I'm concerned. There is absolutely a very interesting difference between Slovenia and the rest of the Balkans. Club culture doesn't exist here, pop artists are more or less doomed to radio.

RAIVEN: How do you see the difference between how male or female performers are perceived in Slovenia, do you think there is any difference between how they are perceived? What are the demands on male and female lead vocalists?

BOJAN: Jeez, I don't know, In Slovenia we have a very specific problem when it comes to female lead vocalists, because it is very rare that a female lead vocalist dares to smash the stage. One true female lead vocalist was Nina from Tabu, after her Tina from Tabu, and now there is MASAYAH. In the Balkans they really don't lack in that regard, in the Balkans female performers are very sharp, with lots of character, very strong; you have the feeling that they don't care about the system; you can't come along and act clever, because you'll get a slap. But here it's all taken with laughter and joy, everything is nice and right, which is the difference between Slovenia and the Balkans. It seem that the audience here eats it up if a woman knows how to totally smash it when she comes on stage. Manca from Koala Voice is a pure example of that; she came on stage and she owned the stage so that we were all impressed, it's the same with Helena Blagne, she's a diva and the stage is hers, I think female leading vocalists with character are very well received. You absolutely have that, but you're in a different genre, you're not in a position to come and start jumping on stage, but you still take your stance. Of course, there are still singers, male and female, and bands that are great, but I can't mention all of them right now. I would also like to mention Nina Pušlar, who is absolutely by far the most active pop singer in Slovenia. She knows what she is doing. It would be bad to leave her out, To get back to your song, I have one more question, how did you come up with the title Veronika?

RAIVEN: The song was originally written about Jeanne d'Arc, but after I started thinking about entering EMA and Eurovision with this song, it seemed to me that I should choose a female character who is important for Slovenia and for the Slovenian space as an inspiration for the song. Veronika Deseniška (Veronika of Desenice) was the first woman accused of witchcraft in Slovenia, and I feel that I am very understanding towards people who are rejected or not understood by society, so there is a personal connection that I have with Veronika.

-~-~-~

Do not repost this article and if you quote, please link back!

credits:

PHOTO: MARKO SUVIĆ

Creative director: FILIP KOLUDROVIĆ

Fashion: ANA NIKAČEVIĆ

Makeup: NINA BURAZOR

Hair: ŽIGA ABRAM @ MARE DRESURA

Assistant stylist: KRISTINA VRDOLJAK

Note from JokerOutSubs: Photos for this post were provided by TWT dejanacm, text was provided by an anonymous fan. Thank you!

#joker out #bojan cvjetićanin #raiven #eurovision 2024 #slovenia #baby lasagna #croatia #teya dora #serbia

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[ENG translation] Jamming sessions, the 'Jure Maček Curve', and new music - A Joker Out interview

An interview with Bojan Cvjetićanin and Kris Guštin, published on the Gedankengroove website on 12.04.2024. Original article written by Elie Mück, photos by Elie Mück. English translation by olenalinasarah and @nyx-aira, proofread by IG GBoleyn123.

Note: As the interview was originally conducted in English, author Elie Mück collaborated with us to give us the original wording wherever it was necessary for the right meaning to come across. Thank you, Elie!

"What would I do in this black night without you?" That's what Joker Out ask themselves in their (as-yet) unreleased song Šta bih ja. I was able to visit the five men from Slovenia in Cologne at the end of March and talk with Bojan and Kris about the song and the 'See You Soon' tour, which was almost over at that time.

The indie rock band was able to reach a wide audience across Europe with their participation in the Eurovision Song Contest 2023. Their song Carpe Diem is their most successful release to date with over 20 million streams on Spotify. After several concerts across Europe and an arena show in their home country, Bojan, Kris, Nace, Jan, and Jure travelled to London at the beginning of the year. The two-month stay in London, which didn't only consist of playing Jenga and cooking (as their Instagram stories made it seem), served as preparation for a studio session in April. Before that, the group went on a European tour at the beginning of March, playing 22 concerts in 14 countries - including five shows in Germany. Kris and Bojan tell me what's behind the changing setlists and how the band comes together in jamming sessions.

Elie: To start with, how are you doing? Did you get to Cologne safely?

Bojan: We're doing well. We arrived this morning and slept until 1pm, so we're well rested. Cologne has treated us very well. The venue is perfect, very cosy, and the staff are great.

Elie: The tour is almost over, what are your impressions so far?

Bojan: To be honest, the tour has been fantastic so far! The time has gone by super fast. We've seen so many more cities than last time. When you start touring, you usually just visit the capital cities and imagine that those are the only places you can play. But this tour consists of mostly the second or third biggest cities in each country and the shows have been great so far. We are thrilled with how many people have come and how their reactions have been. So, we're having a lot of fun.

Elie: It's interesting to see that you're playing very different sized shows on this tour. The hall in Helsinki, for example, has a capacity of about 1,500 people, whereas in Munich only about 400 people fit in. What do you prefer? The bigger gigs or the smaller ones?

Kris: It depends a lot on the audience and our mood. We have to go on stage in a good mood. I don't think the number of people makes a difference. At least not at these sizes. An arena show with 10,000 people is comparatively very impersonal and you focus more on the show and what you're doing. I definitely prefer the smaller gigs, but a concert in front of 500 or 1,500 people feels about the same.

Elie: I've heard from other artists that they prefer the bigger concerts because they have more space on stage, is that similar for you?

Bojan: For me personally, the concerts with an audience of 1,500 people are the ones where I feel most comfortable. The stage is big enough for me to move around freely without a fear of tripping over something and it still feels like I can interact with every person in the room.

Elie: Compared to the tour in autumn, you are now playing a varying set. I looked at your setlists from the last few shows and it seems like you have two or three setlists that you alternate between. Who came up with that and why did you want to vary the set?

Bojan: I think we collectively came up with that. When you play 22 shows in a month, you can get stuck in routine. It can feel like things are just repeating themselves and the mood of the shows is, in a way, predetermined by the songs you play. That's why we decided to break it up and make it a bit more fun. It's very cool because we have three setlists and I have no idea which song is coming next. That's good for me because it's always a bit of a surprise. It makes the whole thing more exciting. The fans like it too. There have been some who came to several concerts and heard different songs each time.

Elie: How did you find out which songs work together?

Bojan: It was a long process.

Kris: We sit down together and try to find out what works best. It can take several days but sometimes it works straight away. Our drummer Jure has his own technique.

Bojan: We call it "The Curve".

Kris: The "Jure Maček Curve" which determines how our concerts should go in terms of mood. We decide, for example, that we should start with something energetic-

Bojan: Shh, we should keep that a secret (laughs).

Kris: So, if you have calculated everything with the "Jure Maček Curve", you have a very good set.

Elie: You also play three unreleased songs. Were these the songs that were most ready to be played live or did you have other songs in mind that you wanted to put on the setlist?

Bojan: We had a few more songs that we wanted to try out on the tour. Our idea was that we would have time during the soundchecks and in between to turn the songs into something playable. However, we have less time than we thought, which is why we decided to leave it at these three songs. I really like that because it turned out that one of the songs will definitely be the next single. The fans went totally crazy. Shortly after we had left the stage at the first concert in Helsinki, the lyrics to Šta bih ja were already online. Afterwards we were told that a TikTok of the performance had over 400,000 views, which is crazy. People are even singing along already. It was nice to see that. We've also found things we want to change about the songs. A few things that work and a few that don't work.

Elie: Have these things changed over the course of the tour?

Bojan: Not yet, we have decided to leave them as they are. But we definitely know what we want to change.

Elie: I heard that after the tour you will go to Hamburg to record your next album. What is your plan for the time in the studio?

Kris: What I think will happen in Hamburg is that we will take the first couple of days to record Šta bih ja. I think that song is the most unchangeable in its structure. We have to be quick if we want to release it as a single before the album in autumn. After that we have the rest of the time to work on the things that were created during our time in London, most of which aren't nearly as studio ready. We also recorded our biggest hit Carpe Diem in the studio in Hamburg. That one wasn't nearly as finished either when we got there, so I don't think we have anything to worry about.

Elie: In London you worked on new music in the form of jamming sessions. Did you ever get to a point where you had something like a "creative burnout"? If so, how did you manage to get back into a creative mindset?

Bojan: Definitely. I wouldn't say burnout, more like frustration. Jamming always needs all five of us and of course five different minds can't always work towards the same story. Sometimes things don’t go the way all of us would like it to go for a longer period of time. When that happens, our biggest help is our producer. He always finds the cause of the problem and works with us to find a solution. I think it's important to have someone as a kind of filter. We are all emotionally connected to our music and of course he is too, but in a different way. Our producer is like the sixth pair of eyes and therefore a very important part of the writing process.

Elie: In your latest single Everybody's Waiting you used a keyboard, which is new for you. Do you have any other things you'd like to try out for the new songs?

Kris: Jan bought a mandolin in Berlin. I'm sure that will come up in the studio.

Bojan: I'm sure we want to use more synthesiser. One song we're playing live at the moment originally had a riff that was played with the synthesiser but is now played with the guitar. This change takes away the whole point of the riff. There are many things we want to try out. I think we will also work with choirs or similar vocals. We want to be as free as possible with our creativity for this album.

Elie: We are definitely looking forward to what will happen. I really like the new songs. To finish, a question that I ask often: Which song or album do you think everyone should have listened to at least once in their life?

Kris: I listen to a lot of old music, so I can't recommend anything new. But I would say (They Long To Be) Close To You by Carpenters.

Bojan: Right now, I would definitely recommend a song that I'm listening to a lot at the moment. My song is older too, I'll go with Il mio canto libero by Lucio Battisti. The whole album is very good, we listened to it a lot while Everybody's Waiting was being made.

—

After our chat, it's not long before the band starts their show. They enchant the whole audience with their incredible energy. Like Bojan said, the fans in the first rows are very confident with the lyrics. As soon as Šta bih ja starts, everyone sings along. "What would I do in this black night without you?" The song begins and ends with this line. A song about longing and missing.

The setlist takes us through every emotion and ends with a call to the current generation:

"We've gathered the courage to rebel and make a change," says Novi Val, the last song of the evening. Bojan invites everyone to become part of the "new wave". He says he wishes Joker Out concerts to be and remain a safe space for everyone.

Everyone, including the band, stands arm in arm and slowly sways to the music. A feeling of community accompanies us as we leave the hall of the Kantine and make our way home. Joker Out show that you don't have to stick to one style of music as a group and how diverse the result can be if you don't allow yourself to be restricted creatively. All five of them seem to have an incredible amount of fun with their work and I can only hope that it stays that way for a very long time.

Check out more photos by photographer and interviewer Elie Mück on Gedankengroove!

Do not repost! If you post quotes from this translation, please link back to this post!

#joker out #bojan cvjetićanin #jan peteh #nace jordan #kris guštin #jure maček

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Catch up with our previous Queue and A from Amsterdam here!

#JokerOutSubs #joker out #joker out subs

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📝 ENG Translation: European Tours in Times of Inflation

💬Kris Guštin shares some insight into the organization of Joker Out's recent See You Soon tour.

Article written by Gašper Završnik and published in Delo on 03.04.2024, English translation by a member of JOS and @kurooscoffee, Proofread by IG GBoleyn123.

Coping with rising costs and crowded markets is a challenge for the whole industry.

The concert part of the music industry in the post-Covid era is characterised by the expansion of live performance. The long-suppressed desire to tour, to perform in front of audiences in as many countries as possible, is only this year being fully realised.

We took a look at how European touring is going in the new inflation-driven reality. This was one of the themes of the conference part of this year's Ment¹. The European concert market is facing many challenges, such as the rising costs of touring, organising concerts and festivals, increasing musician fees and, as a consequence, more and more expensive tickets. There is also the question of how to manage the concentration and congestion of concert venues and balancing the availability of the most sought-after artists. An additional problem is finding opportunities for new performers in such a competitive environment.

¹Ment is a showcase festival and music conference that happens every year in Ljubljana.

We also enquired about the European tours of Slovenian performers, two groups that have a different style and a different audience, Joker Out and Širom².

²We translated only the part of the article that was relevant to Joker Out.

Joker Out recently returned from a European Tour. As Kris Guštin told us, it was organised by “a booking agent from the Wasserman agency and our manager. The booking agent arranges the concerts, the conditions, and the dates, and then the manager comes up with all the logistics, that is, he arranges the transport, the accommodation, puts together a team and everything that needs to be done.” He says that tours have always been a big financial investment for performers. “Especially for performers of our size, who have only just started breaking into the European market, where the ticket sales often don’t make up for the costs of transit, accommodation, and the salaries of the performers and the team. The inflation over the past few years is of course making that even harder, but the musical market has slowly adapted to that with higher ticket prices.”

Joker Out had 19 concerts in 18 cities in 12 countries this year, and they have three more coming up in Great Britain. The ticket price for each concert is determined based on the size of the venue, how in-demand the artist is, the local standard, and the overall concert-going culture in a certain place.

Joker Out are very happy with how many people came to their concerts. “The turnout differed across Europe. In the countries we’re strong in, like Finland and the Netherlands, we played for crowds from 1500 to 2000 people, and for countries we haven't played in a lot yet, like Germany and France, we performed for 500 to 1000 people. The venues were always nicely filled and the audience was excited.”

We asked Guštin what they base the length of the tour on. “The length of the tour is based on demand, territory strategy, and how busy the performer is. In our case, we decided for a month-long tour, in which we covered a lot of countries that we couldn’t do last year,” he added.

#joker out #kris guštin #bojan cvjetićanin #jan peteh #jure maček #nace jordan #jokeroutsubs #delo

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Who would have thought that Kiki is such a PR genius? 😉

Catch up with our Padova interview if you haven't yet:

http://youtu.be/8tOL4QQ2Edk

#JokerOut #BojanCvjetićanin #KrisGuštin #JanPeteh #JureMaček #NaceJordan

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It was such a pleasure to chat with the boys before their concert in Padova 🥹🫶

We also challenged them to say some words in Italian, and Bojan delivered! 😁🫶

Full interview: youtu.be/8tOL4QQ2Edk

*All the words bearing an asterisk are Spanish words. We decided to keep them and not translate them so Bojan's original speech doesn't get lost.

#joker out #jokeroutsubs #bojan cvjetićanin #kris guštin #jan peteh #jure maček #nace jordan

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Congratulations to Nace Jordan for his No.1 ITALYBOO Award! 🤩🇮🇹

If you haven't watched our video yet, you can catch up here.

If you want to find out your score in our 'How Italian Are You?' quiz, here are all the questions:

Wishing “Happy Birthday” before the day is bad luck.

You call your mum everyday.

Your family insisted on making you try your first sip of wine already in elementary school.

Wearing sweatpants in public is a fashion crime.

You know your saint name day.

When your grandma cooks for you, you have to clean up your plate (=eat everything); if not, she gets offended.

You’ve been told off for speaking too loud in public.

You get pretty sweary when you’re driving.

You grew up fearing the draught: you never go to sleep with wet hair, walk barefoot at home.

And here are the results from the guys:

Let us know in the tags how many 'Sì' replies you got! Would you win this game? 👀

#joker out #jokeroutsubs #nace jordan #bojan cvjetićanin #kris guštin #jure maček #jan peteh

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ENG SUB translation: Kris praising Raiven at the London Eurovision pre-party.

As posted on Raivenofficial Instagram story on 07.04.2024.

Transcript and translation by members of Joker Out Subs.

#joker out #jokeroutsubs #kris gustin #kris guštin #raiven #londoneurovisionpreparty

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🚨 Our Padova interview with Joker Out is premiering in 30 minutes, at 17:00 CET!

📺YT Premiere link: https://youtu.be/8tOL4QQ2Edk

💬 Come chat with us on YouTube! 🥰

#joker out #bojan cvjetićanin #kris guštin #jan peteh #jure maček #nace jordan #jokeroutsubs #padova interview