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cinematicjourney · 9 months

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Pauline at the Beach (1983) | dir. Éric Rohmer

#pauline at the beach #pauline à la plage #eric rohmer #éric rohmer #amanda langlet #arielle dombasle #pascal greggory #feodor atkine #films #movies #cinematography #scenery #screencaps

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cinema-winding · 4 months

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Bir film izledim hayatım değişti.

Ne kadar klasik bir laf geliyor insana.

Aslında durum filmden çok bizim ne anladığımız ile alakalıdır.

Bir mekan bir senaryo ya da oyuncuların replikleri izleyicilerin hayatında bir anıya , daha önemlisi bir farkındalık noktasına değiyorsa. İşte o zaman “bir film izledim hayatım değişti” dememize hiçbir şey engel olamıyor.

Şimdi benim hayatıma girişi uzaya uzaya sıkan mantık hataları ile dolu ters köşe sonu ile sürpriz yapan Mastemah filmi girdi.

Mastemah

Konusu

Bir psikiyatri hastanesinde , gerçekleşen hipnoz çalışmalar sonucu .Genç doktorlardan birinin intiharı ile olaylar başlar. Bu hipnoz seansına öncülük eden genç psikiyatr Louise ‘ nin kendini suçlayarak travmatik bir sarmanın içine girer . Bir kaçış ve kendini cezalandırmak için ücra bir yerleşim yerine gidip orada ofis açar. Birden kapısında beliren en uzaklarda yalnız yaşayan. Karanlık ve gizemli bir adam olan Theo'yu incelemeye başlayınca etrafındaki insanlar ölmeye başlar. Bu olaylar artarken Theo'nun hipnoz seansı istemesi . Durumları tuhaf hale getirir.

Beni asıl derinden etkileyen konu ise müzikti.

Heilung

Duyar duymaz sanki ruhumda bir şeyler çağladı

Zihnimin kayıp parçası bulunmuş gibi oldu.

Bu neşe ve sevincin kaynağının nedeni Heilung gurubunun Traust şarkısı oldu .

Hız kesmeden bütün albümlerini hiç ara dinleyip bitirdim.

Uzun süre çölde sıcağında kalmış birinin su ile buluşması gibi .

Bu etnik köklerine bağlı gruba ne kadar teşekkür etsem azdır.

Müzik tarzı açısından farklı ve bir o kadar da ilgi çekici danimarkalı müzik grubudur .

Müzikleri, Demir Çağı ve Viking Çağı Cermen halklarının metinlerine ve runik yazıtlarına dayanmaktadır. Heilung, Danimarka, Norveç ve Almanya'dan üyelerden oluşan deneysel bir folk müziği grubudur . Derinliği buradan gelmektedir. Kendinize en kusursuz hissettiğiniz müzikler dilerim.

#Mastemah #camille razat #Feodor Atkine #Olivier Barthelemy #Bruno Debrandt #Dylan Roberts #Didier D. Daarwin #Thierry Aflalou #Jean-Yves Roubin #Heilung

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laudys83 · 2 years

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J’adore ce rôle ❤️ court mais sublime ❤️❤️

#et la voix de Feodor Atkine #quelle merveille #dustin hoffman #the messenger #the story of joan of arc

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scienceoftheidiot · 2 years

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Dr House a pas eu de doublage québécois, et ma mère et moi on a seulement vu la version française, alors on a eu un choc quand on a entendu la vraie voix de Hugh Laurie dans The Night Manager... Fėodor Atkine a vraiment Toute Une Voix™

Ouiiiiiiiii Feodor Atkine c'est vraiment un des meilleurs doubleurs français (et je pense qu'on a vraiment de bons doubleurs/euses - quoique la qualité baisse mais c'est pas la faute des doubleurs, plutôt celle des boîtes de prod/doublage je pense).

Perso j'adore aussi Hugh Laurie en VO (je suis fan de A bit of Fry and Laurie) mais Dr House c'est juste. Mieux en VF quoi. Il rajoute tellement (un peu comme feu Patrick Poivet avec Bruce Willis. Bruce Willis sans la voix de Patrick Poivet c'est juste. Moins bien.).

Je connais très peu les doubleurs québécois, même si je pense qu'à force de regarder des films piratés j'en reconnaîtrais certains à la voix 🤣😅 vous avez aussi des monuments j'imagine ?

#replies #french #littlelovingmouse

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isabelle201180 · 1 year

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NOTRE PART DE NUIT, LU PAR FÉODOR ATKINE, CLARA BRAJTMAN, ET FRANÇOISE CADOL – AUDIOLIB, PARU LE 18 JANVIER 2023.

https://aude-bouquine.com/2023/05/07/notre-part-de-nuit-lu-par-feodor-atkine-clara-brajtman-et-francoise-cadol-audiolib-paru-le-18-janvier-2023/

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peter-ash · 3 years

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#movies #Pauline à la plage #Amanda Langlet #Arielle Dombasle #Pascal Greggory #Feodor Atkine #1983 #eric rohmer

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clemsfilmdiary · 4 years

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Pauline at the Beach / Pauline à la plage (1983, Éric Rohmer)

6/15/20

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enterfilm · 5 years

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LE BEAU MARIAGE (Éric Rohmer, 1982)

"Qui ne fait châteaux en Espagne ?"

#le beau mariage #a good marriage #la buena boda #eric rohmer #beatrice romand #andre dussollier #feodor atkine #arielle dombasle #film #cine

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cinemabreak · 6 years

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Pauline at the Beach (1983)

Directed by Eric Rohmer Cinematography by Néstor Almendros

“She shouldn’t be picking up idiots on the beach.”

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kino51 · 3 years

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Grand froid 2017

#grand froid #2017 #jean pierre bacri #olivier gourmet #feodor atkine #totalement atterrant #1/10

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lifejustgotawkward · 5 years

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365 Day Movie Challenge (2019) - #155: High Heels (1991) - dir. Pedro Almodóvar

Fusing classic mother-daughter melodramas with film noir murder mysteries, Pedro Almodóvar’s High Heels (originally titled Tacones lejanos, which translates to Distant Heels) is another strong example of how the director empathetically tells stories focused on women.

Like so many children in Almodóvar’s films, Rebeca (Tie Me Up! Tie Me Down!’s Victoria Abril) had to learn how to fend for herself at an early age. Her mother is celebrated actress and singer Becky del Páramo (Marisa Paredes), who prioritized her career over her daughter’s childhood. As Becky pursued stardom for fifteen years in Mexico, Rebeca grew up in Spain, became a TV news anchor and chose a particularly hurtful revenge against her negligent mother: marrying one of Becky’s ex-lovers, Manuel Giner (Féodor Atkine), who is Rebeca’s boss at the news station.

Upon Becky’s return to Madrid, however, a love square immediately emerges when Manuel and Becky reignite the old flames of passion and Rebeca has an unexpected sexual encounter with a female impersonator, “Letal” (Miguel Bosé, a pop star who I knew best for his appearance as a dancer in Suspiria), whose drag show is inspired by Becky. As complicated as this series of affairs initially appears, the situation intensifies when Manuel is found shot to death in his bedroom. The crime reveals that he had yet another mistress, Isabel (Miriam Díaz-Aroca), who works alongside Rebeca as a sign language interpreter for the nightly newscasts. Who was angry enough to kill Manuel? Was it Rebeca, Becky, Isabel or someone else with a grudge against the man? And why is the judge assigned to the investigation so preoccupied with Rebeca, more so than the other suspects?

Familiar to me now as an Almodóvar acolyte, High Heels explores themes of sexual obsession, fluid notions of masculinity and femininity, and ultimately, the power of a mother’s devotion to her child. Love often manifests in surprising yet stirring ways in Almodóvar’s films, and High Heels is no exception. As critics have noted, the film bears the influences of the mother-daughter dynamics in the “Golden Age” Hollywood melodramas Stella Dallas, Mildred Pierce and Imitation of Life, but the most direct reference is to Ingmar Bergman’s 1978 drama Autumn Sonata, the plot of which Rebeca explains to Becky in a moment of reflection about their thorny relationship. (Almodóvar acknowledging his lifelong reverence for international cinema never gets old.) While watching High Heels, I thought about Almodóvar approaching the point when his sensibilities shifted from wild, anarchic comedies to the more mature dramas of the past two decades; we see Matador’s Nacho Martínez in a cameo as Rebeca’s father, but we also see future Live Flesh star Javier Bardem in a bit part as a crew member on Rebeca’s news program.

The director also finds opportunities to inject three memorable musical interludes into the film, using Luz Casal’s recordings of “Un año de amor” and “Piensa en mí” for Letal’s drag act and a concert given by Becky, respectively, while trans actress Bibiana Fernández is the centerpiece of a vibrant (and completely random) dance number in a jail yard that is set to Los Hermanos Rosario’s “Pecadora,” seemingly intended as a blended homage to women’s prison movies and the Elvis Presley musical drama Jailhouse Rock. True, the balance between all of these elements is occasionally messy - especially the romance that Almodóvar shoehorns in during the third act which we just have to accept as believable - but overall, the melodrama and glamour of High Heels are successful. Alfredo Mayo’s colorful cinematography and José María de Cossío‘s costume design are surely among the finest that a Pedro Almodóvar film has to offer, and most of all I’m thankful to have been introduced to Marisa Paredes, whose emotionally resonant performance made me excited to see more from her in the Almodóvar films Dark Habits, The Flower of My Secret, All About My Mother and The Skin I Live In.

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cinematicjourney · 2 years

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Pauline at the Beach (1983) | dir. Éric Rohmer

#pauline at the beach #pauline à la plage #eric rohmer #éric rohmer #amanda langlet #arielle dombasle #pascal greggory #feodor atkine #films #movies #cinematography #scenery #screencaps

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oave · 5 years

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Amicia: Léopoldine Serre Hugo: Cécile Gatto Vitalis: Feodor Atkine Lucas: Kaycie Chase Mélie: Clara Soares Arthur: Julien Crampon Rodric: Martin Faliu Seigneur Nicholas: Jérémie Covillault Robert: Bernard Gabay Béatrice: Barbara Tissier Conrad: Jérémie Bedrune Laurentius: Patrick Borg GrandMa: Evelyne Grandjean Cardinal Gauthier/Père Thomas: Eric Aubrahn Voix additionelles: Loïc Houdré : Emmanuel Gradi

#a plague tale innocence

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milliondollarbaby87 · 4 years

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Ronin (1998) Review

Sam is a former US Intelligence Agent who is now freelancing must attempt to track down a package that is wanted by both the Irish and the Russians.

⭐️⭐️⭐️

(more…)

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scienceoftheidiot · 7 years

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Just noticed Disney’s Jafar is voiced by one of my fave voicing actors in French (who’s dubbing House in House M.D., for example) and I will never be able to watch Aladdin the same ever again x)

(ps : c’est Féodor Atkine)

#all this for that yeah i know #my boring little life #french #feodor atkine

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mamusiq · 5 years

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Miguel Bose, Marisa Paredes, Victoria Abril and Feodor Atkine during the filming of 'High Heels' by Pedro Almodovar.

Listen to music from the director’s 20 films to be shown during a retrospective tribute at New York’s MOMA.

New York’s Museum of Modern Art will show all of Spanish director Pedro Almodóvar’s films as part of a month-long tribute starting Nov. 29, which coincides with the premiere in U.S. theaters of his 20th film, Julieta.

When Almódovar first opened international eyes to Madrid’s post-Franco cultural explosion, la movida, with his early films, he also showcased some of the music he performed in clubs with the artist known as Fabio McNamara. Some of the songs that could be considered the duo’s "classics" include “Suck it to Me” and “Voy a Ser Mama” (“I'm Going to Be a Mom”), which -- shocking for the era in Spain -- they performed in drag. The singer Alaska, an underground icon whose career has since lasted as long as Almodóvar’s, had a starring role in the director’s gritty first feature Pepi, Luci, Bom y Otras Chicas del Montón.

But over the years, Almodóvar became best known for his strong female roles, and his soundtracks full of the muscular-voiced female artists he featured. Over the years, by sharing some of his own favorite artists through his movies, Almodóvar has introduced his beloved Latin icons to new listeners, and boosted the careers of contemporary artists.

Here are some of Almodóvar’s greatest hits:

Luz Casal, “Piensa en Mi” from Tacones Lejanos (High Heels)

Spanish singer Luz Casal interpreted two emotional ballads in 1991’s Tacones Lejanos (High Heels).

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Meanwhile, the Latin standard “Piensa en Mi,” by Mexican composer Agustín Lara, was made popular by the heart-ripping version sung by Chavela Vargas.

"Un Año de Amor” is lip-synched in the movie by Miguel Bosé, one of Spain’s biggest pop stars, whose character uses the song in his drag act.

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Casal’s own gorgeous recordings of the two songs were big hits for the singer. They were both included on her quadruple-platinum 1991 album, A contraluz.

Dúo Dinámico, “Resistiré” from ¡Átame! (Tie Me Up! Tie Me Down!)

In this great scene from 1990’s ¡Átame!, Antonio Banderas and co-stars Victoria Abril and Loles León are in a car singing along to “Resistiré,” a kitschy radio hit for Spain’s Dúo Dinámico. Watch Banderas tentatively preview the sing-talk vocal style he’d hone for the movie musical Evita later in the decade.

La Lupe, “Puro Teatro” from Mujeres al Borde de un Ataque de Nervios (Women on the Verge of a Nervous Breakdown)

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Almodóvar’s 1988 dramedy Women on the Verge of a Nervous Breakdown was the director’s international breakthrough. With it, he also introduced his love of romantic ballads to the world.

The Oscar-nominated movie includes “Soy infeliz,” performed by Mexican ranchera queen Lola Beltrán. Women also features La Lupe’s signature, “Puro Teatro,” re-focusing attention on the Cuban singer years before the more recent revival of her New York label, Fania Records.

Estrella Morente, “Volver” from Volver

Penelope Cruz sings the tango’s classic ode to nostalgia, “Volver,” in the 2006 Almodóvar movie of the same name. That bewitching voice actually belongs to singer Estrella Morente. Flamenco royalty in Spain, Morente saw her star rise further internationally after the release of the film, and the inclusion of the song on her album Mujeres the same year.

Caetano Veloso, “Cucurrucucu Paloma” from Hable Con Ella (Talk to Her)

Brazilian music fans got a thrill when tropicalismo legend Caetano Veloso appeared in a party scene in the 2002 movie Talk to Her, performing the often-covered Mexican standard “Cucurrucucu Paloma.”

Concha Buika,“Se Me Hizó Facil,” from La Piel Que Habito (The Skin I Live In)

With her soul-baring singing and iconoclastic style, Buika was a natural match for Almodóvar. He cast her as a singer in the 2011 movie La Piel Que Habito. She performs two songs on the soundtrack: "Se Me Hizó Facil” and “Por el Amor de Amar.”

Chavela Vargas, “Si No te Vas” from Julieta

“With the emphasis that Chavela put at the end of a song she created, a new genre that should be named for her,” Almodóvar said of his friend, the great bolero singer Chavela Vargas, who died in 2012. Almodóvar called her a “volcano.” A recording of Vargas singing the bolero “Si No Te Vas” brings the heat to the new film Julieta.

https://www.billboard.com/articles/columns/latin/8485234/i2018-latin-grammys-person-of-the-year-mana

#Pedro Almodovar #Almodovar's Greatest Movie Hits

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