#But giving them the Nice Version instead

[completeoveranalysis]

[2]

NEW FAVOURITE COVER?

NEW FAVOURITE COVER!

Chapitre 201 - The Truth from within the Ruins

Oh this is just beyond gorgeous. Who can stand against the pure concentrated adorable that is Tsubasa Babies Family Photo? Now with all four of them!

I’m in love with all the tiny details that they clearly spent so long on - all the lovely folds of Sakura’s dress, the intricate detailing on Fai’s robe and staff. Lava Lamp is in his ceremonial garb, and tiny Kurogane IN HIS FANCY LITTLE OUTFIT. (AND HIS POSTURE? GET OUT. Incredible)

 Kurogane doesn’t have Ginryuu yet (since this is Happy Childhood AU, so his father will still have it. Still has the moon though!) but Lava Lamp has the Syaoran Family Sword all ready to go. His outfit would be incomplete without it - they’re all wearing clothing from their home worlds, or maybe their families? I’m technically not sure which world Lava Lamp comes from, but his outfit is Family Legacy all the way down. I’m dying to know if Fai’s outfit is in the style of Seresu or Valeria - I don’t think they’re all that different, but I think I would put my money on Valeria based on the position of the fur and the curl motif. In which case it’s fun for me that his Happy Family AU is in Valeria instead of with Ashura. (sorry not sorry Ashura get fucked)

I suppose in this version he never had reason to leave Valeria in the first place, so it’s a very nice touch that the outfit doesn’t immediately resemble the clothing he wore in his backstory, since that’s all so closely linked to the death of his twin, who would be alive here. Very nice visual choices all around, especially with each of them in their own unique colour pallette. Oh, and even with the colour differences they all have bits of yellow somewhere on them, showing their connection.

The left/right split between them is really fun too - sword wielders on one side, phenomenally powerful magic users on the other, cats vs dogs, unique child/parent pairings, etc. It’s very funny to me that they found a super fancy chair for Sakura and a cushion for Kurogane, but nothing for the other two. But Fai draping himself over the chair is such an incredible piece of character flair, which I am in love with, but also, the TOUCH? The little touch of tiny hands? Sakura reaching back to put her hand on the back of Fai’s? Tiny Lava Lamp’s little grip on Kurogane’s arm? OH it’s so touching. 

And behind them all? THAT WINDOW. Such a clear symbol positioned directly in the centre frame. At first I thought it might be an eye, but this is Happy Family AU so there should be no Evil Wolverine to spy on them. What I’m voting on instead is CLAMP playing with Tarot symbols again and this being the Wheel of Fortune, or a similar idea of a wheel of destiny. They use the latter idea a lot in their earlier works (RG Veda and X/1999 say hi), but I think the tarot symbol in particular really shines through with the ideas they’re playing with in Tsubasa/xxxHolic, and has a very strong parallel to the idea of hitsuzen. 

After some much safer googling it looks like the “Wheel of Fortune” in Tarot can mean change or cycles or inevitable fate, but on the flipside could also be lacking control. I think the reversed meaning of the card really speaks to me the most about their situation in general, as it describes bad luck and misfortunes thrust upon you from external forces, that you are fighting to take control back from an unwinnable situation. That fighting it is impossible, that continuing to fight it can only bring more suffering, and that the only option is to let it go. To stop blaming yourself for the thing you did wrong, or the thing that you think was your fault. To forgive yourself, to accept it all, to let yourself move on, to accept that change is inevitable, and to finally be able to move forward and just let everything happen. 

Because if that’s not exactly the whole situation we are in I don’t know what is. It’s a mirror for the things that Fai and Kurogane have already been through, and for what Lava Lamp Guy is still currently fighting, and CLAMP love to do drop these symbols all the time. 

And this is a bit of a tangent but who’s gonna stop me? Clamp LOVE their tragic destiny pairs, especially in their early works - the couples deeply love but also cursed by fate, like Kendappa and Souma, Ashura and Yasha (flavoured differently in RG Veda, but still fitting this cycle again in Tsubasa), Subaru and Seishirou, Sorata and Arashi (unfinished), Kamui and Fuuma, etc. The characters who are so different from each other, so diametrically opposed, but in love still, and it burns so strong that they either have to kill each other or let the world burn around them - or both! They’re always fighting destiny, just like the reversed wheel of fortune, and they fight it to the point of obliteration. 

AND THEN we have Tsubasa, and I think it’s so endlessly interesting that they took the same pattern and turned it around. Syaoran and Sakura definitely fit the theme (and wild that they took the Cardcaptor Sakura happy couple deliberately to make the most universe shattering tragedy out of it, but I still haven’t seen how their story ends, whether one will have to tragically die to save everything or whether they’ll get out somehow). But what I mostly want to talk about (surprise surprise) Kurogane and Fai, who fit the pattern exactly. Complete opposites, diametrically opposed, set up as antagonists and destined to kill each other but fall in love instead. That they both fight against the tragic pasts that defined them and eventually change their mind. Eventually, slowly, they accept love again and realise that they can actually live with themselves and each other if they let it all go. 

And I think what really gets me is that if this was an earlier Clamp work they absolutely would have tragically died - they would have killed each other in the climax of Seresu and it would have been beautiful and terrible and no-one ever would have ever emotionally recovered from the complete and utter devastation. 

BUT THEY DIDN’T. 

CLAMP spend all of Tsubasa revisiting all their old works, taking us through a parade of the various tragedies they’ve sung across the years, all leading up to them ultimately breaking their own pattern and letting Fai and Kurogane save each other from the same Clamp fate that claimed every tragic pair before them. They choose each other and get out alive. They stop blaming themselves for the unchangeable parts of destiny and finally forgive themselves. And it’s just very emotional to me that it’s these two that make it, these two that get to recover and choose each other and live their lives inseparable from this point on. The two that had arguably the most tragic backstories also get to face their trauma, survive, and live. 

And it’s just so beautiful to see how the CLAMP storytelling method has changed over the years, and to find out that after all these years, the big destiny story they really wanted to tell in their longest and most detailed work was about the two men who fell in love, against all odds and saved each other. Despite absolutely everything saying that it should be impossible, it’s Kurogane and Fai that finally flip the tarot card back around and live. 

And I’m extremely interested in what this means for Lava Lamp and Not!Sakura.

#Woops this is a novel #I saw a silly little wheel and had to talk for uh… like 1000 words #I blame clamp #Liveblogging the reservoir chronicle #Tsubasa #Vol 201 #Fai #Kurogane #Lava lamp guy #Sakura #Which Sakura? #A sakura #Not Sakura #and the red string from lava lamp's sword #Being in the centre of it all #Since he IS the centre of it all #And its his past that was at ground zero for all these other things kicking off #Oh oh and the checkered pattern on the floor #Kind of revisiting all those group photos we had in Infinity #But giving them the Nice Version instead #To cap off all the suffering with an alternate destiny

[puppyeared]

i am playing professor layton and the curious village on my ds. very fun!!!

I don't know if i'm very far in because most of the time spent in that game was me being confused and bad at puzzles. it's fun though.

!!! im glad to hear youre enjoying it!! its one of my fav titles and honestly such an underrated series, id love it if more ppl gave it a try!

the puzzles can be difficult but very rewarding!! i used to dread them as a kid but now i find them nice and challenging. the math ones are still hard, but if u speak to Flick at the cafe he'll give you chess puzzles which i think were my favorite ^_^

#its nice because its story driven but gives u enough room to do the puzzles on your own to make progress.. and the rewards like #the gizmos painting pieces and furniture for the minigames are also a nice bonus because it gives u a little extra incentive to solve as #many puzzles as possible!! ngl i didnt know how the hotel room minigame worked but i had fun completing the painting and robot dog #plus the variety and the fact that u dont know which puzzles youre gonna get makes it interesting. and theres no harm if u cant finish or #end up missing some because you can find them in the riddle shack or just do a different one instead and its fine. very cool #i have dyscalculia so the math ones have always been hard for me and id need my brothers help so we'd work on it together #or i'd just search up the answer as a last resort............ #actually im gonna save u the trouble. if u get the camera case puzzle the answer is 95. ITS FUCKED UP I KNOW BUT ITS 95 #it took me like 2 hours with my brother just to figure that out and i dont want anyone to get a headache from that one ITS FRUSTRATING #ive only played curious village and pandoras box bc its the only ones i had as a kid. replaying pandoras box rn actually!!! #i have cracked versions of unwound future and azran legacy which come after CV and PB BUT my version of unwound future is broken #it freezes on the opening cutscene every time i try to play it which SUCKS bc i really wanna play the games in order. maybe ill emulate it #professor layton #ask #answered #yapping #doodles

[roses-and-elixir]

.

#guys i went to see some of my baby cousins that we dont often see #and saw them playing this kids friendly version of darts with velcro plastic balls #and asked if i could give it a go #i acc love kids sm man 🥹🥹🥹 #got bullseye the second try #and each time i missed theyd be so reassuring and say stuff like dw its hard or dw you have x amount of tries left #and then at one point it just got progressively worse LOL and they were saying dw it gets better with practice #idk it was just so sweet (theyre aged between 5-8) #and usually i see them fighting each other etc but this was such a nice soft side to them instead

[ereborne]

Song of the Day: January 18

"Settle Down" by The 1975

#song of the day #maybe one of the days I've had the hardest time choosing a song #it might have been 'Royals' by Neon Jungle (Lorde cover) which I talked to Lily about earlier #(the other day when we spent all that time traveling that was almost 'Eight Legged Blues' by Vixy and Tony #I played it for my family in the car on hour three of our drive and it was a big big hit #but it did get very cleanly overtaken by the Diva's Lament after I spent so much time with it on the train) #the original Lorde version of Royals played on Lily's playlist on the first hour of that drive and I mentioned I had a good cover #real good harmonies and neat acoustics in the big room they recorded in #and then today I finally remembered to send the link to Lily so that might have been today's song #or today's song also could have been 'Ringleader' by The Madison Letter which I tried but failed to sing in the shower #(I definitely don't know all the words yet. I did get a good echo off my 'ring-ring-ring-ringleader / ringleader' though which was nice) #and it also could have been 'Salt and the Sea' by the Lumineers which was in my single-song-by-artist playlist accidentally #no artist listed on the track somehow. very strange especially since it is so clearly a Lumineers song. they got the sound you know #anyway Salt and the Sea has some killer lines. 'from the destruction / out of the flame / you need a villain? give me a name #I'll be your friend / in the daylight again / there we will be / like an old enemy / like the salt and the sea' #but instead today is 'Settle Down' which is unbelievably fun to sing just for the way some of the words are pronounced and delivered #hits my brain just right every time #I had to do surgery on some of my poor plants (I can never leave them for so long again) and it was awful but the playlist provides #truly a wealth of song options today

[boypussydilf]

i get why people would take this perspective since at the time everyone thought it was The End Of Adventure Time Forever And This Is Where Everyone’s Stories End. Forever but in retrospect its kind of so funny that after CAWM there were ppl like….. “wtf so now simons just Cured just like that and now he’s just normal :/“ Why would you think that, though. not having curse induced insanity anymore isn’t gonna change the fact that he survived a nuclear apocalypse. his last lines of dialogue in adventure time are him on the ground sobbing over betty

#some ppl missed the fact that betty Doing That in the finale wasnt supposed to be like #some super nice ‘her noble self sacrifice :)’ Happy Ending ????? #Consistently up to this point her efforts to get simon back r framed as like….. the wrong thing. to do #shes doing things that are ethically questionable at best shes making things worse for other people #and after refusing to give up even tho a very big point is made of the fact that this is not healthy #all she gets for her efforts is this sad fucked up imitstion of her plan #where neither of them gets what they actually wanted (to be together) #No betty sacrificing herself to save everyone from the problem SHE CAUSED isntframed as some nice good thing #and no simon was never going to just be normal and mentally healthy after everything that has happened in his life. #basilposting #atposting #There r valid interesting discussions of ‘was stuff that happened in CAWM right narratively’ #but some ppl are approaching it from kind of a faulty perspective #and also its no longer. the end of the simon story arc. so its gonna kinda get recontextualized anyway #shifted around as it becomes the middle of a story instead of the end of it #basically huge L to whatever video the ‘she would rather kill herself than live with a mentally ill version of you’ clip is from #bc it turns out there is no version of simon that is not mentally ill <3

[knownbyanothername]

imo people who try to shove you into another identity that isn't yours for their comfort/gatekeeping are awful.

#like you could at least be honest and just whole sale exclude them instead of thinking that trying to rip someone's identity #from their hands and giving them another /you/ picked out for them-- Thus ripping out their autonomy and right to self-identify-- #and then cutesily think you're being accepting and nice :) like fuck off i don't want your version of 'community' #and usually this is from people who /could/ understand more complex queer identies... they just /won't/ #pichu barks

[suguann]

an. part two of this | masterlist

You tell him you broke up with your boyfriend while he’s away for work, bunked up in a safe house in the middle of nowhere with shit reception, hearing your words as clear as day as if they weren’t the chopped-up version coming through his burner phone.

“It just…didn’t work out.”

It didn’t work out.

He pretends his stomach doesn’t pleasantly twist because he’d expected it to happen eventually. He’s not happy about it—although it does make the desert heat more bearable in his heavy tactical gear—and tells Soap to fuck off when he comments on it.

It was a one-time fuck because Simon doesn’t date. He’s tried in the past before he met you—the flowers, the late-night dinners—but with him being gone almost every other month (sometimes longer, shorter if he’s lucky), it never works out in the end. Sleeping with you twice would fall under that category, the quasi-relationship kind, and make everything messier than it needs to be. 

Just some fun, no strings, those are the words he promised.

If only he believed them.

He does, for all of two weeks until he’s home again, and it’s summer, so you’re wearing a flowy dress that shows off the long expanse of your legs. 

(He’s a goner—not even sure why he tried to think otherwise.)

That one time he’d promised turns into a second, both of you stumbling into your apartment after a night out. The music from the pub still thumping loudly underneath your floor as he pushes you against the front door, hands in your hair—on your waist, underneath your skirt, down your thigh to hitch it over his waist—teasing your mouth open with a swipe of his tongue across your bottom lip.

You make this delighted little noise in the back of your throat, arching into him, and his hand spans down your stomach, beneath your underwear, to nudge your messy clit with his knuckle, wanting to hear all the sounds you make now that he has you alone. 

A whiny cry of his name rewards him—jeans tightening around his waist at the sound—when his fingers go down, down until they press against your tight little hole, one finger pressing inside slowly. "If I make you cum, I get to fuck you here.”

You smile prettily, and it disarms him. “If you make me cum, you can fuck me however you want.”

Neither of you makes it to the bed, falling asleep on the living room floor instead, the blanket from the couch draped haphazardly over both of you with his arm curled over your waist.

That night had been a slip of judgment, a product of wanting something warm and soft after several months of only having his hand for company.

It happens again and again, and he keeps letting it happen until there’s no more hiding under the guise of just fun because it somehow turns into a lot more than that.

Simon can’t explain how it happens—maybe becoming something he can touch and hold and think about often—but he finds himself in an exclusive relationship with you that isn’t exactly a relationship because he’s unsure of the ins and outs that they entail.

(Always has been.)

His father was a shit role model, and it was always easier finding someone new who didn’t know his name or care about his scars and only wanted a nice fuck. There had never been any point in shooting for something serious when it was always out of the question for him, until now, that is.

He takes you to that over-rated restaurant overlooking the Thames Marcus never brought you to. A picture of you and him with the sunset in the background—your smile almost blinding in the photo—becomes his home screen, and he finds he doesn’t care when Soap has something to say about it.

He lets you do nonsensical shit, like buying small plants for his house that are surely going to die from him being gone before he comes up with the great idea to give you a key. It’s just a key.

(It’s more than just a key.)

Simon finds himself asking if he can come over more often throughout the week, which slowly moulds and shifts into nights filled with things other than sex—sleeping after a long day of work, cuddling on the couch, cooking together, going to the movies—he doesn’t try to make a big deal out of it because you used to hang out all the time without sex. 

(Somewhere, there’s a but in there.)

There’s still no label to whatever this is, and he wonders if you want him to be the first to say the thing you’ve both been dancing around for a little over…he can’t remember, but he knows it’s been long enough for your things to mix in with his at his house. 

Be with me because I’m yours, and you’re mine, that’s what he’s trying to say, and it’s never the right time. Men like him—a little broken, rough, and jagged around the edges sharp enough to cut—aren’t good with words like that.

(That’s what he thought.)

If he hadn’t seen you talking to a guy at the pub, eyes crinkling in that same sweet way whenever Simon makes you laugh, he wonders if he would’ve been the first to break from the start. He knows it’s your job as a bartender to be nice, but his jaw clicks at the sight of the guy leaning over the bar and into your space, almost too close.

The feeling doesn’t go away until he has you spread out on your mattress under him—clothes haphazardly peeled out of the way for him to put his mouth on you—your lips pursed tight around two of his fingers to give you something to focus on as his other hand works between your thighs, pressing down on your tongue when gurgled little sounds slip out.

He teases you with a small, pink vibrator he found inside your bedside table, your legs kicking out and toes curling into his calves.

“Mine. This is mine, love,” he groans, pressing you further into the bed with his weight. “Do you understand?”

You nod, tears pearling and leaking from the corner of your eyes.

“Lemme cum,” you whine, words muffled. “Simon, I want to cum. Please.”

He won’t lie that he’s close after jerking into his fist to the sight of you writhing on the sheets—swears he can feel his heartbeat throbbing against the back of his fingers—takes in your surprised expression when he pushes forward, impaling you on the first few inches of his cock.

His stomach twists from the squeal that escapes your throat, and fuck, your cunt, so hot and tight with little pulses that drive him crazy, only growing tighter when he turns up the speed on the vibrator.

“‘Mm, gonna cum. I’m—”

He grits his teeth as you start to flutter around his cock once he’s rooted inside you. “Go on—fuck—go on, love. Let me feel it.”

You look so perfect like this, like a dream: lips parted into an enticing little O with his name tumbling out in breathy mewls, tits hanging out from the bra he shoved to the side, eyes glassy and unfocused. 

“So fucking pretty.” He kisses your throat, panting into your sweat-slick skin, and it’s not long before he’s falling over the edge with you. 

Next time, he’ll have the courage to tell you: that you’re not someone he calls for a meaningless fuck on the weekend, that Simon misses you when he’s gone and can’t wait to come home, that he wants to try with you—except not when he’s balls deep and trembling inside your heavenly cunt.

But the smile he feels against his shoulder makes him think that maybe…

Maybe you already know.

#simon riley smut #simon riley imagine #simon ghost riley x reader #simon ghost x reader #simon riley x reader #cod smut #cod imagine #cod x reader #mw2 smut #mw2 x reader #mw2 imagine #ghost x reader #ghost imagine #ghost smut #.things i write

[catgirlwizard]

.

#personal #i just need to rant somewhere about how much i love my partner!!!!! #he's so sweet and supportive and its so nice being with another autistic trans person with ptsd cause theres so much less about myself that #i have to explain. even though we're different people and have different reactions and feelings and opinions theres still that commonality #like even if i love the texture of velvet and he hates it. i know what its like to feel a texture and feel like my hand is tingling and my #anxiety spike at little sensory things like that. thats just an example but its really nice having someone who is their own person but #still understands the feelings i have and i can understand his. and he's SO incredibly patient. and he's a much more literal and straight #forward person than i'm used to which is such a nice change of pace. growing up autistic there were so many situations where people said or #did one thing but meant another and i struggled to understand them and it led to getting hurt and learning to be hyperaware and overanalyze #every interaction to find out how people were upset with me to the point the littlest thing would be a travesty. but with him its so simple #he means the things he says and doesn't obfuscate or lie to me about stuff he tries to be as open and honest with me as he can and if he #doesn't explain something it's because he doesn't know how to express it not because he's hiding it. i wish i could be more like him #and im trying really hard to learn that and unlearn the tendencies i picked up in toxic situations that make communication hard for me. #he makes me really excited for the future. and he makes me feel safe and supported in a way ive never felt in any relationships before. #its nice knowing i can just be myself around him. all versions of myself and he won't be upset with me for any of them. even if maybe he #should be upset when i get bitchy. but when i start getting annoyed over little things he doesnt pick up on it which gives me time to #analyze why im upset and correct my behavior and do better and calm down instead of getting more overwhelmed and not having any way to #express it except the passive aggressive tendencies i learned throughout my childhood. and when i apologize for that he says he didnt #pick up on things and that i can't help how i feel because its a gut reaction not something i choose. and hes right but also even if i cant #choose how i feel. i can still work on how i react to feelings. and i want to keep getting better at reacting in a more constructive way. #he really honestly values me communicating with him and telling him how i feel. which is SO SO SO incredible and im so lucky to have a #partner who genuinely cares about how im feeling and wants to work with me on it and know how to help because for so long i havent been in #situations where i can express feelings so i just bottle it all up and try to deal with it on my own because people before have used me #talking about feelings as a way to twist things around and blame me for their own problems. or invalidated how i felt. or not cared. #but when i talk to him i know everything he says is genuine so even through all my trauma and paranoia i know i can trust him hes proven #himself to he honest and genuine and legitimate enough times i can trust he's not faking it thats just really the type of person he is and #its so amazing and im incredibly lucky to have someone so patient and kind and supportive in my life <3 #and for the first time in a relationship i don't feel terrified of the future! i'm not constantly thinking about when he'll leave me or #when i'll leave him. or how things could go wrong between us and trying to prepare for that so i don't get hurt. i just think about all the #ways i want to build a real future together with him. and when we talk about future stuff like wanting a house even if we might never

[vinceaddams]

Any tips on learning to make buttonholes? I've been putting it off for.... *checks notes* like three years.... but better late than never and all that. I don't have any fancy machines so I gotta do it by hand but that seems right up your alley.

Thanks!

It IS up my alley, yes, I do most of my buttonholes by hand!

I'm actually part way through filming an 18th century buttonhole tutorial, but I expect it'll be a few more weeks before I finish that and put it on the youtubes, so in the meantime here's the very very short version. (The long version is looking like it'll probably be about 40 minutes maybe, judging by how much script I've written compared to my last video?)

Mark your line, a bit longer than your button is wide. I usually use a graphite mechanical pencil on light fabrics, and a light coloured pencil crayon on dark ones. (I have fabric pencils too, but they're much softer and leave a thicker line.) You may want to baste the layers together around all the marked buttonholes if you're working on something big and the layers are shifty and slippery. I'm not basting here because this is just a pants placket.

Do a little running stitch (or perhaps a running backstitch) in fine thread around the line at the width you want the finished buttonhole to be. This holds the layers of fabric together and acts as a nice little guide for when you do the buttonhole stitches.

Cut along the marked line using a buttonhole cutter, or a woodworking chisel. Glossy magazines are the best surface to put underneath your work as you push down, and you can give it a little tap with a rubber mallet if it's not going through all the way.

I'm aware that there are some people who cut their buttonholes open using seam rippers, and if any of them are reading this please know that that is abhorrent behaviour and I need you to stop it immediately. Stop it.

Go get a buttonhole cutter for 10 bucks and your life will be better for it. Or go to the nearest hardware store and get a little woodworking chisel. This includes machine buttonholes, use the buttonhole cutter on them too. If you continue to cut open buttonholes with a seam ripper after reading this you are personally responsible for at least 3 of the grey hairs on my head.

Do a whipstitch around the cut edges, to help prevent fraying while you work and to keep all those threads out of the way. (For my everyday shirts I usually do a machine buttonhole instead of this step, and then just hand stitch over it, because it's a bit faster and a lot sturdier on the thin fabrics.)

I like to mark out my button locations at this point, because I can mark them through the holes without the buttonhole stitches getting in the way.

For the actual buttonhole stitches it's really nice if you have silk buttonhole twist, but I usually use those little balls of DMC cotton pearl/perle because it's cheap and a good weight. NOT stranded embroidery floss, no separate strands! It's got to be one smooth twisted thing!

Here's a comparison pic between silk buttonhole twist (left) and cotton pearl (right). Both can make nice looking buttonholes, but the silk is a bit nicer to work with and the knots line up more smoothly.

I've actually only used the silk for one garment ever, but am going to try to do it more often on my nicer things. I find the cotton holds up well enough to daily wear though, despite being not ideal. The buttonholes are never the first part of my garments to wear out.

I cut a piece of about one arm's length more or less, depending on the size of buttonhole. For any hole longer than about 4cm I use 2 threads, one to do each side, because the end gets very frayed and scruffy by the time you've put it through the fabric that many times.

I wax about 2cm of the tip (Not the entire thread. I wax the outlining/overcasting thread but not the buttonhole thread itself.) to make it stick in the fabric better when I start off the thread. I don't tend to tie it, I just do a couple of stabstitches or backstitches and it holds well. (I'm generally very thorough with tying off my threads when it comes to hand sewing, but a buttonhole is basically a long row of knots, so it's pretty sturdy.)

Put the needle through underneath, with the tip coming up right along that little outline you sewed earlier. And I personally like to take the ends that are already in my hand and wrap them around the tip of the needle like so, but a lot of people loop the other end up around the other way, so here's a link to a buttonhole video with that method. Try both and see which one you prefer, the resulting knot is the same either way.

Sometimes I can pull the thread from the end near the needle and have the stitch look nice, but often I grab it closer to the base and give it a little wiggle to nestle it into place. This is more necessary with the cotton than it is with the silk.

The knot should be on top of the cut edge of the fabric, not in front of it.

You can put your stitches further apart than I do if you want, they'll still work if they've got little gaps in between them.

Keep going up that edge and when you get to the end you can either flip immediately to the other side and start back down again, or you can do a bar tack. (You can also fan out the stitches around the end if you want, but I don't like to anymore because I think the rectangular ends look nicer.)

Here's a bar tack vs. no bar tack sample. They just make it look more sharp, and they reinforce the ends.

For a bar tack do a few long stitches across the entire end.

And then do buttonhole stitches on top of those long stitches. I also like to snag a tiny bit of the fabric underneath.

Then stick the needle down into the fabric right where you ended that last stitch on the corner of the bar tack, so you don't pull that corner out of shape, and then just go back to making buttonhole stitches down the other side.

Then do the second bar tack once you get back to the end.

To finish off my thread I make it sticky with a bit more beeswax, waxing it as close to the fabric as I can get, and then bring it through to the back and pull it underneath the stitches down one side and trim it off.

In my experience it stays put perfectly well this way without tying it off.

Voila! An beautiful buttonholes!

If you want keyhole ones you can clip or punch a little rounded bit at one end of the cut and fan your stitches out around that and only do the bar tack at one end, like I did on my 1830's dressing gown.

(I won't do that style in my video though, because they're not 18th century.)

Do samples before doing them on a garment! Do as many practice ones as you need to, it takes a while for them to get good! Mine did not look this nice 10 years ago.

Your first one will probably look pretty bad, but your hundredth will be much better!

Edit: Video finished!

And here's the blog post, which is mostly a slightly longer version of this post.

#ask #buttonholes #sewing #hand sewing #sewing tutorial #I've been procrastinating on the video this week #I want it done! I don't want to work on it I want new projects! I want to cut out more gloves! #currently forcing myself to do the last few buttonholes on these pants and then maybe I can cut out new gloves? as a treat? #but I hope I get some filming done tomorrow too

[dcxdpdabbles]

DCxDP Fic Idea: The Contact, the Butler and the Sly Time Lord

Martha accidentally engaged Bruce to a higher being when he was two.

It sounds terrible, but she hadn't thought that the man wearing the Time ghost costume at her husband's Halloween Gala wasn't wearing a costume and was actually the physical embodiment of Time.

She just thought he took Halloween very seriously.

Mr. Clockwork was charming and didn't care that she had married from the lower level of first class. Her parents were rich, of course, but they weren't old money, and they certainly didn't have a lot of power to speak of.

Because of that, the elites of Gotham thought she wasn't good enough to be in a family such as the Waynes. It was so lovely not to be dragged into conversations that were thinly concealed insults.

Everyone else at the Gala thought Martha had no right to be there with them. Why was she just a few zeros off from being middle class, and wasn't it just so sad that Thomas would stain his family with her?

Secertly, Martha prayed Bruce would do something wild, like marry a girl from Crime Alley or even adopt kids in lower classes to make them all choke on their pearls.

Her son would be one of the most powerful men in a few years, and she couldn't wait to see what kind of hell he would unleash upon them. She would never push, of course, but it would be a nice fantasy to have every time she had to face passive-aggressive comments from ladies told by their fathers they would be a far better Mrs. Wyane.

" Why, hello there. Aren't you the cutest little thing?" Mr. Clockwork coos, smiling down at Bruce. He clung to his mother's skirt, his matching cowboy costume a miniature version of what she was wearing.

The boy had wandered over in the middle of their conversation once he was bored of coloring at his table. Martha couldn't blame her poor baby. There really wasn't much to do for those his age here.

Thomas had stated that children were usually not brought along due to being loud and distracting.

Martha wouldn't hear any of it, insisting her son would be going with them at the party or there would be no party. The majority of the elites believed children should be seen, not heard, and that boiled her blood something fierce.

Thomas had thankfully known when to pick his battles, so he allowed his wife to drag him to a costume store for a family costume to wear. He currently chatting with a group of investors in all his cowboy glory somewhere on the other side of the gala.

"Say thank you, Bruce," She tells her boy, but he only hides his face more, causing the two adults to chuckle. "Do you have kids, Mr.Clockwork?"

"Yes. Two daughters and a son" The man chuckles "All three are a handleful but I love them dearly."

"Oh, how wonderful. Bruce is my only son, but I want to give him siblings," she tells him warmly. She can picture Bruce chasing after his younger siblings dressed up as the Grey Ghost he loves.

She knows Thomas was worried about their chances of having a second child. He was informed not too long ago that he may suffer from secondary infertility. She didn't mind. If they couldn't have a child of their own by blood they could easily adopt.

Martha worked long and hard to provide good orphanages to the city. Maybe one day, a child from there could be her own. She'll have to speak to her orphanage managers- those in charge of the kids- to see if they could help her find one.

They have successfully been getting kids into good homes (At least she thought the number of children constantly changed, and the kids were never seen again, meaning the families that adopted them loved them enough to never return!)

Mr. Clockwork hums "how about giving him a spouse instead? My girls or boy could be a good partner"

Laughing, she assumes he meant her work on bettering the lives of the gay community- in honor of her brother who passed during the AIDs epidemic. "I'm sure Bruce would be happy to hear Mommy found him a husband."

"Is that a yes?" Clockwork eyes' flashed with an emotion that was gone too quick for her to identify.

"Yes, of course. If that is what they both want, I wouldn't mind their marriage at all."

Mr. Clockworks red eyes - contacts? A medical condition?- gleam, and his voice takes on a strange rhythm. "Then so shall it be, my son Danny Fenton shall be married to Bruce Wayne per their Blood Mother and Core Father deal."

Huh. Maybe Mr. Clockwork is a nutcase. Suddenly, she thinks back to her father, who would often tell her that she lived in a delusion because he did not want her to see the horror that Gotham truly is.

Even when you think you're doing good, Gotham has a way of making your work into nightmares.

Was Mr. Clockwork one of those people he warned her about?

Thankfully, he leaves not long after that. He claims he must return to work before his co-workers notice him gone. She doesn't see him for the rest of the night and half wonders if she had been speaking to one of the wait staff they hired as extra help.

Not that she minded, but it made her think his name might not even be Clockwork.

She tells Thomas the story hours after Bruce is put to bed with a candy bucket and the last guests have all slipped home. Thomas is exhausted, having been playing host longer than her because Martha had left around eight to take Bruce trick and treating. Then she got home and put him down for his bedtime.

She got back to the party around eleven but it was a much-needed break from all the hostility that Thomas had been forced to face alone.

"WHAT!?" Thomas booms when she finishes the story. They had just crawled into bed, and Thomas had been rolling to his side for sleep before her words flung him back. "Clockwork!? You're sure you spoke to Clockwork!?"

"Yes, I'm sure."

"What did he look like?"

"Um well he was in costume, but red eyes, blue skin, and he was wearing purple robes." She watches as the blood drains from her husband's face. "What is it darling? Who was he?"

"Oh, this isn't good....Alfred! Alfred!" Thomas frantically calls as if the devil had appeared in their bedroom.

Their servant and sometimes lover comes racing into the room, carrying a loaded shotgun. Ever since Thomas had met him overseas when he hired the British man as a personal bodyguard, he fell hard and fast for Alfred but he still deeply loved Martha.

He had sent Martha a letter detailing his feelings for his guard, and only after she had given him permission did he pursue the butler. Alfred had insisted on meeting Thomas' wife to prove that she was okay with him having a lover, so he had followed Wayne back home.

Then he simply never left.

Maybe because he was the best butler Wayne ever had, with his regal training and service in her royal highness' army, but she thinks that her own developed feelings for Alfred convince him to remain.

Alfred insisted that he was only a servant and thus could not be added to their marriage besides a bed partner occasionally. Still, Martha hoped one day they could convince him otherwise.

Bruce already saw him as a second father.

He looks at the pair, dressed in their nightwear in a rather enticing position (Thomas had grabbed Martha by her shoulder, to look into her eyes but that left them rather entangled on the bed) with no visible threat, and raises one brow.

Before he can say anything Thomas is all but rolling out of bed in a frantic leap. He tangles up in the blankets, falling gracelessly over the edge in failing limbs "Martha made a deal with Clockwork!"

At once, Alfred's handsome face drains of blood. "Oh dear, Martha darling, you made a grave mistake."

She can only blink at the men in confusion. "Who is Clockwork?"

"He has many names, but I knew him as Merlin," Alfred informed her evenly. He took her hand in his, the tremble in his fingers revealing his unease. " He had shown interest in Master Thomas before and was the one I protected him from. I barely fought him off and only due to outsmarting him. I would not be able to do it again a second time."

What?

"He is also known as a Fae or incubus in some circles. The kind that steals you away for fun." Thomas babbled from where he was pacing next to the bed, eyes franticly glancing about as if the bogggie man was about to leap out at him from the shadows.

For a moment, Martha wondered why her husband, a man of science and medicine who had never been superstitious, believed this Clockwork was some...some creature of myths.

"Martha, love, what did he ask of you?" Alfred questioned, bringing her hand to his lips as though kissing them would confirm she was safe before him.

"He asked for Bruce to marry his son."

"Oh, gods!" Thomas fretted, speeding up, his long strides becoming far more frantic. "Please say you didn't say yes."

"I-thought it was a joke, I didn't see anything wrong with it, I- said yes."

Alfred closed his eyes, looking like a man who had just been informed his death sentence had been signed by the Queen. "Then all we can do now is pray."

Years later, as Alfred is dusting the portrait of his deceased loves. He allowed his hand to trace the cover of Martha's painted smile and Thomas' strong jaw, mind filled with stolen kisses and sweet nothings that were ripped away that fateful night.

He is still struck by their loss. Every now and then, the knowledge of their death creeps in during his most mundane activities. It's like a kick to the chest every time.

Oh, how he misses them.

Ding Dong

The front doorbell jolts him out of his memories so violently it takes the aged Butler a moment or two to get a hold of his senses. He puts down the duster, climbs down the latter, and quickly makes his way to the door.

Stopping to fix his suit coat, he throws it open with a prepared smile. He expects extra help from the catering company Master Bruce hired for Wayne's annual Halloween Gala.

He was not expecting the two men, one looking nervous around Master Bruce's age and the other sly. His age is hard to gauge, but it may be due to time not affecting him as it did mortals.

Alfred's blood freezes at the sight of those cunning red eyes and smirk. "Merlin."

"Alfred Pennyworth." The demon chuckles. "I prefer Clockwork, as you know, but it's good to see you remember me. Most humans are prone to forgetting in their limited age."

"What are you doing here?"

"Why I came to fulfill the deal between Martha Wayne nee Kane and I"

"Martha is dead. Your contact is void."

Clockwork chuckles again, the sound as deadly as poison. "The contact lives as long as all those involved in it live. You know this."

Alfred presses the panic button on his wristwatch, knowing it sends a message to everyone in the manor to evacuate immediately. He will not live through this battle, but hopefully, it will give Master Bruce time to escape. "You will not lay a hand on Master Bruce."

"Come now, Alfred. We are to be in-laws. Our sons are joining in holy matrimony. Why the hostility-"

"Excuse me what?" The other man-demon? Ghost? Higher-being? cuts in, looking at Clockwork with brows knitted into a frown. "What did you mean holy matrimony?"

"Danny, you're getting married," Clockwork says with a cheerful wave.

"The hell I am!" The man barks, flushing red with anger. Alfred can hardly believe he just yelled at the monster. "I am not marrying some random guy!"

"It is the way things must go for the good of mankind-"

"Oh, go suck on a lemon! We both know that whole "this is fate" is bull!"

"You are embarrassing me in front of our new in-laws, younn man" Clockwork actually waves a finger at the fully grown human. "This is my one chance to marry you off to a good man. We both know that you can't attract a mate on your own."

"What!? Yes, I can! I've had girlfriends and boyfriends before!"

"And yet, no spouse! No wedding! Not even a ring!"

"Moby Dick, I knew this bonding fishing trip was a lie! You can't make me get married because of some contact you made when I was three!"

"It's not permanent! Martha Wayne said If that is what they both want, I wouldn't mind their marriage at all. This means you both must want to be together after one year of marriage. See if you like it, and if you don't, I can always find you a new husband."

"This isn't returning a jacket to a store! I can't just see if I like being married Clockwork!" The man hissed running a hand through his hair. "We're going home. I'm so sorry for bothering you today Mr. Alfred."

Alfred blinks at the young man's sheepish smile, wondering if ti's a trick. "No bother at all."

"Danny, if you leave without marriage, Bruce Wayne will die in an hour due to breaking our contract," Clockwork says, crossing his arms. "Honestly, your sisters were far more mature regarding their marriages."

Danny punches him in the face with a glowing hand. The higher being falls like a sack of bricks.

"Right, I'm going to drop this one off at a nursing home, and then I'll return to marry Bruce. Only so the contact doesn't kill him, and I swear I'll only visit every once in a while until our year is up." Throwing- Merlin, holy shit- over his shoulder as if though he weighed nothing, Danny waves at Alfred and scurries away, vanishing into a green portal.

Alfred is left standing at the doorway, utterly flabbergasted. Distantly, he wonders if the hollowing wind is actually Martha laughing herself silly in the afterlife.

Carefully, he reaches up for his com, switching it on to the sound of his family's frantic bickering. They were all worried about him since he sent the alarm and were fighting about following policy or saving him.

"Master Bruce," He says faintly silencing the coms "Please come to have your suit fitted as soon as you can."

"What for?" His son asks, likely looking for a coded message, but Alfred doesn't have the mental capacity to make one.

"Your wedding, sir. It's tonight, courtesy of your mother."

The coms explode into chaos.

#dcxdpdabbles #dc x dp crossover #Alfred/Thomas/Martha #spirit halloween #In which Martha thought her lovers were making shit up about their epic battle against the Time Lord #Clockwork is Merlin because he likes messing with humans #Danny is tried of his adoptive dad trying to set him up #arranged marriage #Clockwork hords choas like a dragon and motherhens like a bear #Alfred is just tired

[wileycap]

So, uh, Netflix Avatar, huh? Yeah. I guess I'll make a really long post about it because ATLA brainrot has is a cornerstone of my personality at this point.

So.

It's okay. B, maybe a C+.

That's it.

Now for the spoilers:

The biggest issue with the Netflix version is the pacing. Scenes come out of nowhere and many of the episodes are disjointed. Example: Aang escaping from Zuko's ship. We see him getting the key and going "aha!", and in the next scene he's in Zuko's room. And then he just runs out, no fun acrobatics or fights, and immediately they go to the Southern Air Temple where he sees Gyatso's corpse, goes into the Avatar state, and then sees Gyatso being really cheesy, comes out of it, and resolves that conflict. Nothing seems to lead into anything. The characters don't get to breathe.

The show's worst mistake (aside from Iroh fucking murdering Zhao) is its' first one: they start in the past. Instead of immediately introducing us to our main characters and dropping us into a world where we have a perfect dynamic where Aang doesn't know the current state of the world and Katara and Sokka don't know about the past, thus allowing for seamless and organic worldbuilding and exposition, they just... tell us. "Hey, this is what happened, ok, time for Aang!" There's no mystery, no intrigue, just a stream of information being shoved down the audience's throats and then onto the next set piece.

The visuals are for the most part great, but like with most Netflix productions, they just don't have great art direction. It feels like a video game cinematic, where everything is meant to be Maximum Cool - and none of the environments get to breathe. It's like they have tight indoor sets (with some great set design) and then they have a bunch of trailer shots. It's oozing with a kind of very superficial love.

Netflix still doesn't know how to do lighting, and with how disjointed the scenes are, the locations end up feeling like a parade of sets rather than actual cities or forests or temples. As for the costumes, Netflix still doesn't know how to do costumes that look like they're meant to be actually worn, so many of the characters seem weirdly uncomfortable, like they're afraid of creasing their pristine costumes.

The acting is decent to good, for the most part. I can't tell if the weaker moments come down to the actors or the direction and editing, but if I had to guess, I'd say the latter. Iroh and Katara are the weakest, Sokka is the most consistent, Zuko hits the mark most of the time, and Aang is okay. I liked Suki (though... she was weirdly horny? Like?) but Yue just fell kind of flat.

The tight fight choreography of the original is replaced with a bunch of spinny moves and Marvel fighting, though there are some moments of good choreography, like the Agni Kai between Ozai and Zuko (there's a million things I could say about how bad it was thematically, but this post is overly long already.) There's an actually hilarious moment in the first episode when Zuko is shooting down Aang, and he does jazz hands to charge up his attack.

Then there's the characters. Everybody feels very static - Zuko especially gets to have very little agency. A great example of that is the scene in which Iroh tells Lieutenant Jee the story of Zuko's scar.

In the original, it's a very intimate affair, and he doesn't lead the crew into any conclusions. Here, Iroh straight up tells the crew "you are the 41st, he saved your lives" and then the crew shows Zuko some love. A nice moment, but it feels unearned, when contrasted with the perfection of The Storm. In The Storm, Zuko's words and actions directly contradict each other, and Iroh's story gives the crew (and the audience) context as to why, which makes Zuko a compelling character. We get to piece it out along with them. Here - Iroh just flat out says it. He just says it, multiple times, to hammer in the point that hey, Zuko is Good Actually.

And then there's Iroh. You remember the kindly but powerful man who you can see gently nudging Zuko to his own conclusions? No, he's a pretty insecure dude who just tells Zuko that his daddy doesn't love him a lot and then he kills Zhao. Yeah. Iroh just plain kills Zhao dead. Why?

Iroh's characterization also makes Zuko come off as dumb - not just clueless and deluded, no, actually stupid. He constantly gets told that Iroh loves him and his dad doesn't, and he doesn't have any good answers for that, so he just... keeps on keeping on, I guess? This version of Zuko isn't conflicted and willfully ignorant like the OG, he's just... kind of stupid. He's not very compelling.

In the original, Zuko is well aware of Azula's status as the golden child. It motivates him - he twists it around to mean that he, through constant struggle, can become even stronger than her, than anyone. Here, Zhao tells him that "no, ur dad likes her better tee hee" and it's presented as some kind of a revelation. And then Iroh kills Zhao. I'm sorry I keep bringing that up, but it's just such an unforgiveable thematic fuckup that I have to. In the original, Zhao falls victim to his hubris, and Zuko gets to demonstrate his underlying compassion and nobility when he offers his hand to Zhao. Then we get some ambiguity in Zhao: does he refuse Zuko's hand because of his pride, or is it his final honorable action to not drag Zuko down with him? A mix of both? It's a great ending to his character. Here, he tries to backstab Zuko and then Iroh, who just sort of stood off to the side for five minutes, goes "oh well, it's murderin' time :)"

They mess with the worldbuilding in ways that didn't really need to be messed with. The Ice Moon "brings the spirit world and the mortal world closer together"? Give me a break. That's something you made up, as opposed to the millenia of cultural relevance that the Solstice has. That's bad, guys. You replaced something real with something you just hastily made up. There's a lot of that. We DID NOT need any backstory for Koh, for one. And Katara and Sokka certainly didn't need to be captured by Koh. I could go on and on, but again, this post is already way too long.

It's, um, very disappointing. A lot of telling and not very much showing, and I feel like all of the characters just... sort of end up in the same place they started out in. I feel like we don't see any of the characters grow: they're just told over and over again how they need to grow and what they need to do.

To sum it up: Netflix Avatar is a mile wide, but an inch deep.

#avatar the last airbender #atla #atla spoilers #avatar netflix #netflix avatar #atla live action #netflix atla #zuko #iroh #katara #aang #sokka #zhao #ozai #review

[insert-content]

a summar(ule)y of 196 culture

since the tumblr veterans have been kind enough to introduce us newbies to their site and culture, i think it is only fair that we explain the culture of our glorious former home to any tumblr users who might be interested in the #196 tag. keep in mind, all these things are based on my perspective of the situation.

first of all, some general information (that you might’ve already heard):

196 (r/196 on reddit) was a subreddit with only one (official) rule; "post before you leave." it was mainly a meme/shitposting sub, but it cultivated a large queer and left-leaning community. in protest of the recent api chances in reddit, 196 has shut down indefinitely until reddit reverts these changes.

now for some culture/references that you might come across

spronkus kronkus:

spronkus is this yellow, rabbit-like creature.

they were the mascot of our subreddit. their appearance can vary from images to image, but as far as i’m aware, their full outfit consists of a bandanna in the colours of the trans flag around their neck, a gun labelled as such (other wise you obviously wouldn’t know what you’re looking at), and an axe also coloured like the trans flag.

r/place:

this is a rare event on reddit where the entire website gets a huge white canvas and can start creating pixel art on it. 196 participated by collaboratively creating our mascot, spronkus with "196!" written next to them.

this version of the pixel art was recreated by me as i couldn't find a nice image of it. there were some changes between the first version and the end result, so this might not be exactly how it looked in the end

post titles/"rule":

reddit forces it's users to title every post they make. as most of the posts on 196 spoke for themselves, many user instead titled their posts "rule", to indicate that they followed the subreddit's only rule. some people also tried to make puns with the word or tried to include it in words that shared some letters (example: wor(ule)d).

anarcho-stripperism:

as the amount of cropped porn jokingly posted to the subreddit increased, the moderators decided that porn would be banned from the sub, with one exception: anarcho-stripperism. she made food fucking videos, in which she jokingly tested the fuckability of different food items (fruits, pasta, etc.)

bigotry showcase:

bigotry showcase was a post flair (basically the reddit equivalent of tags) on the subreddit and was later restricted to only be used on saturdays. under this flair people posted instances of different forms of bigotry to make fun it.

eating babies/hungryposting:

at some point, the subreddit started to pretend to like eating babies, which started a variety of memes regarding the subject. even a post flair called "hungrypost" was added because of this

goblinhog:

goblinhog is the most prominent and well-known member of the 196 moderation team. besides this, on 196 he was mostly known for changing people’s flair if you enjoyed him enough about it.

flairs:

flairs are little tags that are displayed under your name in posts or comments, they are also subreddit specific. most subreddits give their users a palette of preset flairs and the option to make your own custom flair. however, in 196 you only had the option to customize your flair during special events. if you wanted to customize your flair outside of those events (which was basically the entire time), you had to ask a mod to do it for you.

punching nazis:

from time to time, the same gif of a person with a nazi armband getting punched in the face, and promptly falling to the ground, was reposted to the subreddit. this became a sort of tradition.

discourse/drama

wasp discourse:

the wasp discourse was a one to two weeks long heated discussion that generally divided the subreddit into two factions. one side said that they were justified in killing wasps if they were attacked by them, while the other claimed that since wasps are just animals, they aren't aware of what they're doing in the same way humans are, and therefore should be spared.

drama about the british:

there was a time when jokes along the lines of "ew, british" became pretty frequent on the subreddit. as a response, some user claimed that this was akin to racism and tried to get others to stop with the jokes. a debate over whether or not it was important or necessary to stop followed afterwards.

pillar discourse:

this was a debate over which type of pillar should be considered the best (ionic; doric; corinthian). i have seen the question "which pillar is the best?" being used as a sort of greeting between 196 refugees on here.

related subreddits

195:

195 was the predecessor to 196, and also was a social experiment with the same premise as 196 (one rule, post before you leave). as the creators of 195 ended the experiment, the community wanted something with the same vibe to continue posting, and thus 196 was born.

197:

197 is another part of the 196 ecosystem and is commonly understood to be the more politically right-leaning and bigoted as 196, as some people who were banned from 196 continued posting there. besides that, the subreddits were essentially the same in terms of how they functioned.

19684:

this subreddit adds a second rule which banned all mentions of sex (that’s why it’s name is a pun on 1984). some people took this as banning all discussion of sexuality, which resulted in a community that was slightly less accepting of queer people. it is currently still up and running as the 196 moderation team wants a way to stay in contact with the community.

amendments to the posts:

u/femboy_expert:

another well-known 196 user. as the name suggests they're an expert on the subject of femboys, with their flair on 196 reading "phd in feminine boys". as the subreddit was somewhat obsessed with femboys, it's no wonder that they became popular.

u/shitcum_backup:

this was the main account of a pretty popular shitposter on the subreddit. although i didn't see them as much in the last few months, i remember them sometimes having a unique speaking pattern, in which they referred to themself in the third person.

u/monko74:

this user commented "Every day I thank god for not making me a r/196 celebrity," which led to many users of the subreddit treating them like a micro celebrity. there are even a few subreddits solely dedicated to u/monko74.

691:

a sister subreddit that inverts the rule of 196, here you would be (temporarily) banned for posting. some time ago the members of this sub initiated a rebellion/revolution against the bot who performed all the bans (roomba).

u/Smart_Calendar1874:

this wasn’t necessarily part of the subreddit, but it was a pretty popular meme. and since it’s getting posted on here again, and i know enough about it, i’ll add it to the post. this user made a post to r/AskReddit titled "How would you get a small cylinder (5.1in length, ~4.5in girth) unstuck from a mini M&Ms tube filled with butter and microwaved mashed banana? [sic]" it was pretty clear that they were referring to their penis, yet they continued to claim "it’s a cylinder," in the comment section. this lead to comments like "it is imperative that the cylinder […] remains unharmed," in response to people’s advice of cutting the m&m tube.

it's going to be very interesting to see which aspects of 196 culture are going to survive the tumblr migration, and which aspects won't be applicable on this site.

i'm obviously not the ultimate scholar on 196 lore. if i’ve missed or left out anything, or said something wrong, please comment it.

#196 #spronkus kronkus #r196 #r/196 #196archive #tumblr migration #rip 196 #196 campfire #196 migration

[criminalamnesia]

ok this is the end of the little tolerate it series— BUT I’m writing two different endings!! so here’s ending 1 :)

part one here and part two here

ending version 2 here

when he saw you that day on the street and tried to stop you, you had kept walking. hadn’t even turned your head, as if you knew it was him speaking.

of course you’d known it was him. he couldn’t blame you for ignoring him, honestly— he had been awful to you. he fully recognized that now, after years of being alone and mandated therapy and an honorable discharge.

he recognized how he let the one good thing in his life slip through his fingers, all because he was too damn wrapped up in himself. but he had a right to be.

he had a right to not want to celebrate coming home. had a right to want peace and quiet once escaping from the sounds of war and death. he just should’ve communicated that with you instead of pulling away.

he’s grown. he understands now. and he knows you don’t owe him anything— hell, he wouldn’t be surprised if you slapped him across the face for this, but he needed to try.

he knew it was selfish of him. you’d moved on, surely. years had passed and you’d grown. he’s sure that naivety he once found charming is long gone, most likely from his doing.

he takes a deep breath, fist raised to knock on the door to your house. it’s small and quaint. something he definitely could’ve seen you picking out when the two of you had still been together. maybe not all of you had changed.

he’d gotten the address through Laswell as a parting gift. and he didn’t know why it was the one thing that came to mind— but it was, and now he’s here. standing on your porch with his fist in the air like a fucking creep.

he pushes out an exhale and knocks. all is silent inside the house, and he knocks again, the second one easier than the first.

“coming!” he hears you call from inside. he steels himself. readies himself for attack, for battle. it was something he couldn’t quite shake, even if he’d been retired for a year now. those instincts really never leave you.

the door swings open, and the smile you were sporting instantly drops.

“what are you doing here?” there’s venom in your tone. he doesn’t shy away.

“love—” he begins, but you scoff and start to shut the door.

“actually, I don’t want to know. get off my porch before I call the cops—”

before the door can click shut, he reaches a hand out and blocks you from fully shutting it. you look down at his hand, bewildered.

“move your hand.” you speak through gritted teeth. he stands his ground.

“love,” he starts again, pushing the words out quickly to avoid getting cut off again. “y’don’t owe me anythin’ and I know that. but can I at least apologize? please?”

you stare at him. he keeps his hand in the door, watching your face intently. he can’t tell what’s going on behind your eyes.

you take a beat. two. three. then you shut your eyes tightly as you inhale, open them as you release the breath, and open the door wider.

“you’ve got five minutes to speak your piece, and I hope you know I’m doing this for you, not me. I got over you a long time ago, and because I see myself as a halfway decent person, I’m going to let you do this. then you can leave and never come back. understand?”

he gives a small nod. “understood.”

you step aside and he enters your house, eyes already scanning his surroundings. it’s cute and airy, comfortable and full of you.

pictures of you and friends on the walls. lamps that look a hundred years old on end tables. big windows letting the sun shine in and onto a plethora of plants. colorful artwork and pillows and fabrics. it’s a house full of you, of life, and he finds himself envying it.

he doesn’t know why. maybe because it’s something so normal, and something he’s never experienced. he didn’t get that before he left home, and he certainly didn’t get it in the military. he still doesn’t have it now. he’s still struggling to figure out who he is without a gun in his hand.

“nice place,” he says, and he means it.

you roll your eyes as you walk towards the blue, comfortable looking couch situated to the right. he follows dutifully.

you gesture towards the couch, and he takes the hint. he sits down, sinking into the cushion, and watches as you move to stand across from him. he knows you’re putting distance between the two of you. he doesn’t blame you.

you were never the problem.

he was.

“five minutes, starting now. best believe I’m timing your ass,” you mutter out, pulling your phone from your pocket and tapping the screen. setting a timer, most likely.

best to get on with it, then.

“I owe you an apology, and I ‘ave since y’left. before tha’, actually. I was an ass, and I know tha’ now. you had every right to leave, and you have every right to hate me—”

you gave a mirthless, hollow laugh and crossed your arms over your chest. you were putting up your walls, protecting yourself.

“you put me in therapy, did you know that? years of it. broke me down and crushed me into tiny pieces. made me think I was the problem, that I deserved to be treated that way. ruined my trust and my confidence.”

your tone was bitter. your nails dug into the skin of your arms.

“you were never the problem,” he says, his words firm. he stand then, hands hanging loosely at his sides. “I was. I know tha’ now. I pulled away when I should’ve communicated, or hell— broke things off sooner.”

“so that’s why you’re here then? to tell me you wished you would’ve broken up with me before I broke up with you?”

god, that was not what he meant, and he struggled to find the way to put his thoughts into words.

“no, f’course not, love. I’m tryin’ to say I strung y’along, made things worse, and—”

“and what?” you interrupted.

“an’ im sorry, love. I know it probably doesn’t mean anythin’ anymore. but i am. deeply.”

you didn’t speak for a minute. your eyes studied his face. he knew you were probably taking in the obvious signs of age, of battles he came back from when you were no longer there.

“you going on a suicide mission? is that why you’re here? making amends before you die so you can face the afterlife with a clear conscience?”

he shook his head, taking a small step forward. “no. I— I was discharged. a bit ago, actually.”

“congrats,” you deadpanned.

“tha’s not tha’ point,” he sighed. “they made me go to therapy for a while. unpack all tha’ shit they put me through. and the shrink brought up you once, and it got me thinkin’—”

“so you’re here because your shrink told you to say sorry?”

“bloody hell, love, let me finish,” exasperation was clear in his tone, but he tried to reel it in. he reminded himself that you didn’t owe him shit. you could kick him out right now. he was here because of your allowance, and the second you stopped tolerating him, he’d be back on the porch.

you raised your eyebrows but kept your mouth clamped shut.

“I was an ass when I was with you, and tha’s on me, not you. I was dealin’ with my own shit, and havin’ you celebrate me and boastin’ about my bravery and shit— it didn’t— I couldn’t stand it. you don’t understand, love, and you never will— and tha’s not your fault. s’mine, and I’m still comin’ to terms with all tha’ shit. and I should’ve communicated tha’ with you instead of pullin’ away.”

silence filled the air between the two of you. he could hear the tick of a clock nearby. two ticks. three ticks. four. five.

“what do you want from me, then?” you spoke, and your voice was soft. he could hear the tremble in it— that old you slipping back in, and god he wanted to hold you.

he remembered loving you. he still knew what that felt like, even if was so long ago. and that love was creeping back in, that need to protect you coming back like a tidal wave.

“nothin’.” he said.

“nothing.” you repeated. he nodded.

the timer on your phone went off. five minutes, on the dot.

you clicked it off and looked at him. he was already moving towards the door.

“wait—” you called out to him, and as he turned back to face you, he could tell you hadn’t meant to. it had slipped out subconsciously, and he could see you fighting yourself on what your next words would be.

“I— I don’t forgive you,” you told him. “I don’t know if I ever will. but I— you don’t deserve to be alone. not after all you’ve done.”

he looked at you, the fingers of his hands twitching as he waited for you to speak again.

you took a deep breath and turned your attention to your feet. “I’m here. if you need someone to talk to about whatever. um— I—”

“it’s alrigh’, love. y’dont have to say anythin’ you don’t mean.”

you shook your head. “I do mean it. I admired you when we were together, y’know? you were everything to me— and that’s not something that ever fully goes away. I kinda hate you for everything you did,” you gave a small laugh. “but I don’t want you to suffer, okay? maybe we can— can get coffee or something next week. yeah?”

your eyes were glassy. he resisted the urge to reach for you. he was a protector, it was in his nature. he’d been too wound up in himself back then to realize that the trait he’d showcased on the battlefield should’ve applied to his home life, too. applied to his relationship. to you.

“yeah.” he nodded, his voice soft. he gave you a small smile. “tha’ would be nice.”

you nodded. he looked at you for a moment longer, taking in everything that had changed. but there was still the hint of that naive, youthful you, and that made him smile a little wider.

he turned and walked out the door.

————

author’s note:

muahahahaha ambiguous ending. do they get back together?? no?? do they ever get coffee?? it’s up to you!

this is ending one, keep a look out for ending 2 :)

#simon riley x gn reader #simon riley x you #simon ghost x reader #simon riley x reader #simon ghost riley x reader #simon ghost riley #simon riley #john price drabble #john price fic #john price x reader #john price #captain price angst #captain john price #Simon Riley angst #angst #hint of fluff #cod mw2 fic #ghost cod #cod modern warfare #cod mw2 #john price cod #john price x you #ghost x gn reader #ghost x you #ghost angst #ghost call of duty #ghost x reader

[thegnomelord]

Ok, so I loved your dragon reader/ dragon price fic. The detailed courting rituals got me thinking about how different members of TF 141 react to a s/o who has different courting rituals than them.

The one rolling around in my mind rn is Gaz (which I'm pretty sure is a harpy or bird hybrid of some kind) with a dragon reader.

So Gaz tries to court reader through a more fancy version of pebbling. But, instead of giving cool rocks and sticks, it's gemstones and weapons. Yknow, expensive/fancy things that Gaz thinks the reader might want to add to his hoard.

Btw do you have an anon list? If so, is 👑 anon available?

I don't have an anon list yet but you're welcome to be 👑anon!

It's cool to think how they'd try to court you. I hc that werewolves, and Johnny by extension, are really straightforward. Like sitting way too close, hands roaming over your body, trying to lick into your mouth and going "Hey wanna make more of us?"

Ghost, the poor thing, is completely fucked bc he was human before becoming a wraith, how the Hell is he supposed to know? Que him going through Wikipedia articles and watching documentaries of your species courting and mating (having to rub one out imaging you and him in that position ofc) and just stumbling through the whole courting thing.

CW:NSFW

But Gaz? Oooh Gaz—

Safe to say he's fallen ass over tits for you.

It's the way you take care of them, of him, of the monstrous strength used to defend them turning velvet soft when Gaz needs emotional support that has his harpy hindmind demanding to lock you down before a competitor snatches you away.

Only problem — you're not a harpy. And Gaz has no idea how courtship works, as when he asks Price about it (under the guise of just being curious) the old fart just gives him an amused look and tells him to figure it out.

Though harpies and dragons are two different species, he figures there must be some similarities, so he figures to listen to the old fairy tales about your kind and looks for the shiniest thing he can find, because Harpies court by giving gifts and dragons like to hoard and both of them like shiny stuff right?

You're confused like Hell when one day you wake up to find a silver ring with a shiny amethyst sitting on your windowsill. You know for a fact it's not yours as the instinct to catalogue every item in your hoard is as old as the draconic blood running through your veins and you'd remember if you had it.

When you make sure it's not stolen and no owner can be found, (because who'd wear that type of ring in a military base?) you decide to keep it, failing to notice how the way Gaz's pupils get bigger when you put the ring in your pocket.

It is a nice ring, the shine of the gemstone tickling your brain in a pleasant way. The military doesn't allow dragons to have large hoards, most of the items you've gathered over the decades and centuries safely hidden in vaults, but it feels good to have a small hoard in your den.

You expect this to be a one off event. But. No. Every few weeks you find a new thing on your windowsill, from gems to guns to additions to weapons you've expressed you'd like to get. Each new thing leaves you scratching your head, annoyance growing bit by bit as there's never enough scent on the items to track the culprit down and it's not like you can turn the base upside down looking for them (again).

You're unsure how to feel; it's obvious someone is trying to court you, but it definitely can't be Price because no dragon would go about it like this. But you have to admit it's nice to be desired, regardless how odd the method may be.

Then you notice how Gaz has started acting. . . different. He'll ruffle his feathers and flutter his wings more than usual when you two are alone, purposely stretch more often to make your eyes naturally draw to him, sticking to your side as he talks about everything and anything under the sun.

You're also not a fool. You can figure out it's a harpy's way of trying to show off, but without any open hostility you can only assume he's trying to court you. And you let him, you like his presence and the sound of his voice, the way he gives you a lopsided smile and the way his dark feathers shine like onyx gems when the light hits them juuust right and the way he flushes and stutters when your tail wraps around his leg.

Then one late evening when you're doing paperwork you catch sight of something behind your window in the corner of your eye. Like a flash you're opening the window, your clawed hand gripping Gaz's hand before he can scatter.

Gaz's wings spread out wide, a surprised squawk leaving him as he looks into your slitted eyes. "Uh-, I, eh- Hi?" He says, gulping, his newest gift, a very shiny ruby, held in his hand. But what draws your eye are his dark feathers.

You let out an amused snort, "Hello." You purr, leaning in so your faces are close, enjoying the way he flushes from the proximity. "So you're the little thief that's been visiting me."

Gaz's feather puff up to make his silhouette twice as big, his eyes narrowing, a hurt and angry look spreading across his features. "I'm no thief!" He says, insulted that you'd suggest he can't get you gifts on his own. "I-"

"You are," You hum, reaching out your other hand to hold his jaw, and even with his anger he feels his mind croon at how softly you touch him. "You're in the process of stealing my heart."

"Oh." Is the most intelligent thing he can come up with, his pupils blowing wide like he'd just seen the shiniest thing in his life. "Oh."

"Yes," You shrug and pull your hand back to yank one of your scales out of your shoulder, giving it to him as you take the ruby. "Keep this safe for me, yeah?" You hum and then you let him go, going back to your work while he's left dumbstruck, clutching the scale close to his chest.

When it finally settles in his head that you'd just given him a gift, that you'd reciprocated, and given him a shiny gift, oh he's treating that scale like it's the most precious thing in his world. He keeps it close to him, cooing to it in the privacy of his room, keeping it on his pillow so he can fall asleep with your scent in his nose.

He also doubles down on the gifts, but now he's very open about it, to the point you'll have him randomly come into your office to give you something shiny or another weapon, preening so prettily when you praise the thing he's brought back, nuzzling into your neck and fluffing up his feathers. His heart swoons when you show him the small hoard you've made with all the things he's brought you, and you end up spending the entire evening with him cuddled up to you, chirping happily.

"Hey, can I see that scale I gave you?" You ask after a couple of weeks, curious to see how he's treated it.

"Uh, sure." Gaz can swear his heart's beating like a war drum as he watches you inspect your scale, checking for scratches or cracks.

But you find none, it's still as shiny as the day you'd given it to him. Maybe even shinier.

You smile and before he can do anything you pull him close to you by a hand on his hip. "Very well done, little thief." You hum, kissing him. Gaz melts against you, not even your lips able to muffle the happy chirps and croons that escape his chest.

You spend the next few months getting familiar with each other's bodies, lazy evenings spent with your clawed hands preening his wings, Gaz steadily melting into the bed with every brush of your fingers. Kyle taking a few extra minutes in the morning to rub his face between your wing, chirping and crooning.

Harpy mating season comes around and you're caught off guard when you come to your room to find your covers and pillows and entire wardrobe on the ground, turned into a makeshift nest with a very naked, and very horny, Gaz sitting in the middle of it.

His eyes are hazy but he knows you're there the second your scent hits his nose, the most desperate sound you've ever heard leaving his lips, bruised from how hard he'd been biting them to reign his noises in, to keep them only for you.

"Mate-" Kyle whines, shuffles in the nest that has the pretty gems he'd gifted you strewn amongst the fabric, "-need you, please- I-"

One more needy sound is all it takes to have you tumbling naked into the nest in record time, deep guttural purrs answering his pleased coos. He presses flush against you, seeking out your mouth, whole body burning up and his thighs shaking, his cock rock hard.

"I got you, pretty thief." You rumble, pulling him into your lap, his wings spreading out and feathers puffing up, as if he needs to make himself look even more desirable. "What do you need Kyle?"

"Need you," Kyle whines, pawing at your own erection, desperate fingers shaking as he strokes you, "Please- hurts, I need- mate."

You shush him with sweet kisses, your hand sliding down to very carefully stretch him open while avoiding injuring him with your claws, your mind purring at how willingly he opens up for you, wings and limbs shaking as he whimpers against your lips, his mind steadily leaking from his cock.

"You're alright," You calm him when you pull your fingers out, positioning him so your cock head rests against his entrance, not missing how Kyle preens at your strength. "Going to breed you right, gonna take care of you."

"Yes, yes, yes!" Kyle moans are loud as you steadily push your cock into him, his walls clamping down on every inch of your length. "Oh, thank you, thank you, thank- mate." His claws dig into your shoulders, clutching you tight as you bottom out in him, his hole clenching you in sync with his ragged breathing.

"I'm here," You hum, barely able to think, "Just relax, let me take care of you." You say, feeling him relax into you, and with deep purrs and lots of praise you begin to fuck him, moving him like a fleshlight on your cock, letting him moan and groan and scream his heart out uncaring who hears it, your ancient blood singing at the thought of his noises being a testament to your abilities as a mate.

Then the tight heat and the scent and just Kyle has your mind forgetting how to think, your body moving on it's own to show Kyle he'd picked a good mate.

#cod mw2 #gnome correspondence #x reader #Gnome's Spittballs #trinkets from the hoard #male reader #top male reader #kyle gaz garrick x reader #kyle garrick x male reader #kyle gaz garrick x male reader #kyle gaz garrick #cod mlm #cod modern warfare #monster cod au #cod smut #cod x male reader

[honeywiththemoneyloa222]

Every one who reads this is going to enter the Void State tonight

Repeat these affirmations

“I am shifting my awareness to an asleep state”

“I am pure consciousness”

“The Void is easy because it is within me”

Chose which one resonates with you

Than you guys for making my previous post blow up

It’s not a lot to most but I manifested it’d reaches more than 20 people so it worked

Do this

You don’t need a subliminal

Or theta waves

Or anything like that

Play an instrumental

This idea came from @ghostfest

So all credit to them

Read their post for more information

The void really is easy

So instead of wasting time on here(yes I’m looking at you) go get your dream life

Baby girl it’s a reason why you know about this stuff

It’s not just for knowledge you’ll never use later

The universe wants you to know

This is YOU

You’re not going to Narnia

The Void state is you

Once you realize this

You’ll understand

All you have to do

Is put your body to sleep

And just think

Let your thoughts come

Don’t try to change them or stop them

Because that’s what’s gonna irritate you you’ll be like

“Why can’t I just think about the void or affirm correctly?”

Darling you’re not giving yourself permission to just BE

Just free yourself the void state really is a fun technique for manifestation

With beautiful permanent results

It really should not be a chore don’t use subs if you don’t want to

Today find a song that makes you feel at peace

Any song

Tonight use the instrumental version and put it at a nice comfortable volume

And daydream about your dream life until you’re in a trance like state

Just be free to do whatever you want as long as you end up zoning out

Then just start counting

You don’t need to visualize

But just feel

As if your desired self were talking to you or you feel like you ARE her/him/them

And count

Up to a 100 or 500 it doesn’t matter

Them just keep doing that

Until you feel super zoned out and peaceful

Then just affirm using the affs I put above

That’s it

I’m gonna need to see some success stories:)

Once again credit to @ghostfest

If you enjoy my posts leave a comment so I can start posting more positive content like this

Please

Don’t procrastinate

Get it done

The cost of procrastination is the life you could’ve had

Much love, Honey💕💕

#void state #law of assumption #subliminals #law of attraction #void #law of manifestation #manifesation #manifesting #loassumption #loassblog #loa success #loa tumblr

[spencerswh0re]

𝐭𝐡𝐞 𝐨𝐧𝐥𝐲 𝐞𝐱𝐜𝐞𝐩𝐭𝐢𝐨𝐧 - 𝐬𝐩𝐞𝐧𝐜𝐞𝐫 𝐫𝐞𝐢𝐝 𝐱 𝐫𝐞𝐚𝐝𝐞𝐫

A/N - HI!! i love love love spencer reid and i spend most of my time reading fanfics of him, so i thought i would give writing some of my own a shot! this is my first fic (recently, i used to write wattpad fics when i was like 12) so bear with me :))

word count - 1,482

𝐬𝐮𝐦𝐦𝐚𝐫𝐲 - 𝐚𝐟𝐭𝐞𝐫 𝐚𝐥𝐥 𝐨𝐟 𝐭𝐡𝐞 𝐭𝐫𝐚𝐮𝐦𝐚 𝐢𝐧 𝐬𝐩𝐞𝐧𝐜𝐞𝐫𝐬 𝐥𝐢𝐟𝐞, 𝐡𝐞 𝐝𝐨𝐞𝐬𝐧𝐭 𝐰𝐚𝐧𝐭 𝐭𝐨 𝐜𝐨𝐦𝐦𝐢𝐭 𝐭𝐨 𝐚 𝐫𝐞𝐚𝐥 𝐫𝐞𝐥𝐚𝐭𝐢𝐨𝐧𝐬𝐡𝐢𝐩, 𝐭𝐡𝐚𝐭 𝐢𝐬, 𝐮𝐧𝐭𝐢𝐥 𝐲𝐨𝐮 𝐣𝐨𝐢𝐧 𝐭𝐡𝐞 𝐁𝐀𝐔, 𝐚 𝐲𝐨𝐮𝐧𝐠 𝐧𝐞𝐰 𝐚𝐠𝐞𝐧𝐭 𝐰𝐡𝐨 𝐫𝐞𝐦𝐢𝐧𝐝𝐬 𝐡𝐢𝐦 𝐚 𝐥𝐢𝐭𝐭𝐥𝐞 𝐛𝐢𝐭 𝐭𝐨𝐨 𝐦𝐮𝐜𝐡 𝐨𝐟 𝐡𝐢𝐬 𝐩𝐚𝐬𝐭 𝐬𝐞𝐥𝐟.

spencers life had been hard. there was no point in sugar coating it, he’d been through a lot. being kidnapped, developing a drug addiction, his girlfriend being killed directly in front of him and being to prison were only a handful of the things that had gone wrong in his life. and even after all of this trauma, he still managed to stay the same person. or atleast, mostly the same person.

one big thing had changed after prison and his encounters with cat adams. spencer had always been a hopeless romantic, he dreamed of the day he would meet a nice woman, settle down with her, and live out the life he had always wanted. but after dealing with some confusing feelings for a hitman, he had started to lose hope in ever finding love.

spencer was a 39 year old man, and he had still not found his perfect woman, he was starting to think she didn’t exist.

this was why he gave up. he stopped dating, stopped blushing and stammering whenever he met an attractive woman, and instead, he became charming. it became a common occurrence for spencer reid to spend his evenings in the bar, wooing a woman back to bed with him. he would bid them farewell the next morning, and that would be that. and it worked, it kept him satisfied, for a while.

until it didn’t.

the day you walked into the bullpen of the BAU, things changed for spencer reid.

you were beautiful, easily the prettiest girl he had ever seen, you were young, and had this innocence about you, he knew, from the very beginning, that he wanted you.

it was barely a week after you started on the team when spencer realised why he was so attracted to you.

the team was on the jet home from your first case, it had been a relatively easy one, they had caught the unsub in 2 days, and saved his final victim.

“we shouldn’t even be flying in these conditions” rossi had complained, referring to the heavy rain and strong winds “what if we get struck by lightning?”

just as spencer was about to spit out a random fact about flying during lightning, you beat him to it.

“actually, aircraft’s are designed to deal with lightning strikes, modern planes are designed to spread electric currents through the fuselage and funnel them out through the tail, bypassing the plane interior entirely. the last major accident occurred in 1967, when a stray strike caused a poorly-designed plane’s fuel tank to explode, so even if we were to be struck, which is highly unlikely, we’d be perfectly fine” you had rushed it out quickly, and spencer could tell from your blushing cheeks and shy smile that you were embarrassed over your rambling.

“sorry” you said, quietly, looking down at your hands in your lap.

“hey, reid, it seems y/l/n is a mini version of you, maybe we’ll have to replace you” emily had said, laughing lightheartedly. spencer, however, was stuck in place, eyes locked on you. he couldn’t believe it, he had found out earlier in the week that you were 24, just out of the academy, but you had been put straight into a specialised unit based off of your impressive qualifications. he realised, in that moment, that he didn’t just want you in the way he wants other women, he wanted you for real, he was falling for you.

the plane ride went painfully slowly after that.

a few months later, nothing had changed, except for the fact you had made it more and more difficult for him to keep away from you. ever morning, you would walk straight over to his desk, wishing him a cheery "good morning!" before perching yourself down next to his files and asking him about his night.

he had never been one to talk to his co workers about his sex life, but sometimes he would make an exception, because at least he had stories to be telling, but recently, there hadn't been anything to tell.

the night that they got back from your very first case, the team had gone to the bar to celebrate, after everybody had left, he made his was to the bar for one final drink, and to choose his target for the night, however, his plans had been ruined, when he'd seen you, across the bar, talking to some guy. spencer held back a scoff, he was obviously an asshole, he was tall (yet, not quite as tall as him) and buff. you were clearly feeling uncomfortable, and he knew that you had had one too many, and you weren't in the right state of mind. he walked over, told you it was time to go home, and got you in his car.

you were asleep before he could ask for your address.

after fighting with himself a little, he eventually decided to take you back to his place, you took the bed, he took the couch.

after that night, he hadn't been able to be with anybody else, he hadn't wanted to be with anybody else.

"oh, you know, same old, what about you?" he responded.

"nothing much really, um.. I actually wanted to talk to you about something.." you told him

shit. now he was scared, had he done something to make you upset? had he made his feelings for you too clear and made you uncomfortable? had he-

"I uh- I noticed your spock pop figure on your desk, i've got the entire Star Trek box set at home... I was wondering if you might wanna come over? we can get something to eat, maybe get to know each other better?"

he didn't know what to say, this was y/n y/l/n, the girl he had been pining over for months, and she was asking him out? of course he wanted to say yes, that much was obvious, but he hadn't been in a real relationship since maeve, and even that didn't really count.

you were young, and so innocent, he was tainted, his hands were dirty, his mind haunted by the things he had done in prison, he didn't want to corrupt you.

you obviously took his silence as a no, and quickly jumped back in.

"if not that's totally fine too! I just thought it might be fun"

and just as he was about to politely reject you, he looked into your eyes.

innocent, yes. but there was something else, something that reminded him an awful lot of a feeling he had never truly felt. love. he knew then what he had to do.

"that sounds like fun, y/n, ill come over tonight at 6:00?" he responded with a smile.

"yes! yes! my address is 16 cornelia street, apartment 17."

"excellent, ill be there" he said

and he was.

at 5:57, he was waiting outside of your door, holding a bunch of flowers, and wearing an outfit he had spent far to long picking out. he knew it was a casual thing, and he knew you would just be staying home, so he decided to wear something he had never worn before. sweatpants. he had gone to the store to buy them immediately after work. along with a baggy Star Trek t shirt.

when he finally gathered up the courage to knock, you answered almost immediately, and he was speechless.

you looked beautiful, you were wearing a pair of white sweatpants along with a tight grey vest top, your hair was down, and you were wearing an adorable pair of bunny slippers.

when he finally snapped out of his trance, he stuck the flowers out in your direction with a quiet "these are for you"

your response came quickly, and with a smile "they're beautiful, spencer, thank you. I ordered chinese food, i hope that's alright" you said as you walked into the kitchen to find a vase.

not as beautiful as you. he wanted to say, but he settled for a shy nod and a smile instead.

after dinner, the two of you took a seat of your couch and began watching the first movie.

he wasn't satisfied.

he moved a little bit closer.

still wasnt enough.

he considered pulling out the cringey yawning trick, but decided against it, instead, deciding to touch your pinky with his own.

still, not quite enough.

towards the end of the first movie, you mored close enough so that you could put your had on his chest.

"is this okay?" you whispered, so quiet he could hardly hear you over the TV.

"more than okay" he whispered back, putting his arm around your shoulders to keep to close.

he realised, right there in that moment, that he was done with the girls, and the bars, this, right here, with you in his arms, was exactly where he was supposed to be.

A/N - OKAY!! the ending was slightly rushed, I'm sorry, but I'm very very tired and I have class tomorrow, but I wanted to get this done. if you liked it, let me know, send me requests if you want <3

#spencer reid x reader #criminal minds #spencer reid #spencer reid x reader smut #spencer reid x y/n #spencer reid fluff #spencer reid fanfiction #first post #please dont bully me im trying